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{"id":5620353794213,"title":"Sarah Davachi \u0026 Ariel Kalma \/\/ Intemporel LP","handle":"sarah-davachi-ariel-kalma-intemporel-lp","description":"\u003cp\u003eArtist : Sarah Davachi \u0026amp; Ariel Kalma\u003c\/p\u003e\n\u003cp\u003eLabel : Black Sweat Records\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3643750255\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3472215251\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/blacksweat.bandcamp.com\/album\/intemporel\"\u003eIntemporel by Sarah Davachi \u0026amp; Ariel Kalma\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3643750255\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1383313248\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/blacksweat.bandcamp.com\/album\/intemporel\"\u003eIntemporel by Sarah Davachi \u0026amp; Ariel Kalma\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3643750255\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=4047150276\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/blacksweat.bandcamp.com\/album\/intemporel\"\u003eIntemporel by Sarah Davachi \u0026amp; Ariel Kalma\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Sarah and Ariel blend their strong individual personalities in a single trip on the edge of time. Their kosmiche music is pure, magnificent and elegant, an intergalactic hypnosis that seems to tell of distant times, a millenary vortex of a lost Era. In the first phase of departure, the mysterious song of the sax winds in archaic echoes, supported by the electronic inlays of the synth (Arp Odissey). Flowing between space rumbles and astral progressions, we sight high celestial bodies. When the infinite drones of the tampura start, we take part in the night ceremonial, surrounded by the deep harmonium and the Tibetan bell chimes. This music releases a sort of mythological warmth, secret codes of a lost purity, which lets us dwell in the labyrinths of a pyramid or in the sacred space of a cosmic pagoda.\"\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-09-05T13:02:05+09:00","created_at":"2020-09-05T13:02:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Black Sweat Records","jazz","lp"],"price":285500,"price_min":285500,"price_max":285500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36023770939557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sarah Davachi \u0026 Ariel Kalma \/\/ Intemporel LP","public_title":null,"options":["Default Title"],"price":285500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/intemporel.jpg?v=1599278525"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/intemporel.jpg?v=1599278525","options":["Title"],"media":[{"alt":null,"id":11000999772325,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/intemporel.jpg?v=1599278525"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/intemporel.jpg?v=1599278525","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eArtist : Sarah Davachi \u0026amp; Ariel Kalma\u003c\/p\u003e\n\u003cp\u003eLabel : Black Sweat Records\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3643750255\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3472215251\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/blacksweat.bandcamp.com\/album\/intemporel\"\u003eIntemporel by Sarah Davachi \u0026amp; Ariel Kalma\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3643750255\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1383313248\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/blacksweat.bandcamp.com\/album\/intemporel\"\u003eIntemporel by Sarah Davachi \u0026amp; Ariel Kalma\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3643750255\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=4047150276\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/blacksweat.bandcamp.com\/album\/intemporel\"\u003eIntemporel by Sarah Davachi \u0026amp; Ariel Kalma\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Sarah and Ariel blend their strong individual personalities in a single trip on the edge of time. Their kosmiche music is pure, magnificent and elegant, an intergalactic hypnosis that seems to tell of distant times, a millenary vortex of a lost Era. In the first phase of departure, the mysterious song of the sax winds in archaic echoes, supported by the electronic inlays of the synth (Arp Odissey). Flowing between space rumbles and astral progressions, we sight high celestial bodies. When the infinite drones of the tampura start, we take part in the night ceremonial, surrounded by the deep harmonium and the Tibetan bell chimes. This music releases a sort of mythological warmth, secret codes of a lost purity, which lets us dwell in the labyrinths of a pyramid or in the sacred space of a cosmic pagoda.\"\u003c\/span\u003e\u003c\/p\u003e"}
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Artist: Sarah Davachi & Ariel Kalma Label: Black Sweat Records Intemporel by ...
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{"id":5619984171173,"title":"Hakobune \/\/ Vitex Negundo CD","handle":"hakobune-vitex-negundo-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHakobuneが2014年にドイツの実験レーベル\u003cmeta charset=\"utf-8\"\u003eempiric\u003c\/span\u003e\u003cspan\u003eからリリースしたCDです。3曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1738826296\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : hakobune \u003c\/p\u003e\n\u003cp\u003elabel : empiric records\u003cbr\u003e\u003c\/p\u003e","published_at":"2020-09-05T10:20:07+09:00","created_at":"2020-09-05T10:20:06+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","tobira records \/ hakobune"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36022355820709,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Hakobune \/\/ Vitex Negundo CD","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2043582426_10.jpg?v=1599268807"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2043582426_10.jpg?v=1599268807","options":["Title"],"media":[{"alt":null,"id":10999410360485,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2043582426_10.jpg?v=1599268807"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2043582426_10.jpg?v=1599268807","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHakobuneが2014年にドイツの実験レーベル\u003cmeta charset=\"utf-8\"\u003eempiric\u003c\/span\u003e\u003cspan\u003eからリリースしたCDです。3曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1738826296\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : hakobune \u003c\/p\u003e\n\u003cp\u003elabel : empiric records\u003cbr\u003e\u003c\/p\u003e"}
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A CD released by Hakobune in 2014 on the German experimental label empiric. Contains 3 songs.It is out of print. artist : hakobune label : empiric records
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{"id":5619963166885,"title":"Celer and Hakobune \/\/ Vain Shapes and Intricate Parapets CD","handle":"celer-and-hakobune-vain-shapes-and-intricate-parapets","description":"\u003cp\u003eartist : Celer and Hakobune\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e PURRE GOOHN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-09-05T10:03:01+09:00","created_at":"2020-09-05T10:03:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","PURRE GOOHN","tobira records \/ hakobune"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36022259318949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Celer and Hakobune \/\/ Vain Shapes and Intricate Parapets CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2473660855_10.jpg?v=1599267782"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2473660855_10.jpg?v=1599267782","options":["Title"],"media":[{"alt":null,"id":10999216799909,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2473660855_10.jpg?v=1599267782"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2473660855_10.jpg?v=1599267782","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eartist : Celer and Hakobune\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e PURRE GOOHN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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artist : Celer and Hakobune label : PURRE GOOHN
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{"id":5616800170149,"title":"Mattias Gustafsson \/\/ Frånvarande LP","handle":"mattias-gustafsson-franvarande-lp","description":"\u003cp\u003eスウェーデン音響作家Mattias Gustafssonがベルギー\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eB.A.A.D.M.から2枚目となるLPをリリース。消えかかったピアノループがテープにぐしゃぐしゃに絡まります。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1958298439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eMattias Gustafsson releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------ \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\"Frånvarande acts as both the prelude and epilogue to Mattias Gustafsson’s 2017 record Nattmusik, forming a temporal cradle around his B.A.A.D.M. debut. Side A was recorded back in 2012 and originally released under his Ornaments alias, manifesting as the withered, rain-eroded memory of a majestic orchestral lament, with bowed cymbals singing through layers of rust and the sound of children floating in through an open window. It was this 20-minute piece that inspired us to present Gustafsson with the conceptual framework for Nattmusik, through which he explored the cyclical symbiosis of humanity and nature. The four movements of side B were captured in winter 2018 as an elaboration on these themes, with pianos and loops tumbling into thickets of crumpled, perishing cassette. As a collection, these pieces frame Nattmusik as an absent point of origin; its reverberations are smeared across both the future and the past, yet the source sound is palpably missing. Just as the process of decay strands the object between the pre-degraded form and the eventual dissipation into the void, Frånvarande is a record that both clasps at moments passed and those yet to manifest, rendered nomadic and thirsting by the absence of its conceptual centre.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mattias Gustafsson\u003c\/p\u003e\n\u003cp\u003eLabel : B.A.A.D.M.\u003c\/p\u003e","published_at":"2020-09-04T14:06:27+09:00","created_at":"2020-09-04T14:06:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","B.A.A.D.M","drone","lp","mattias gustafsson","noise","recommended"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36009666445477,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mattias Gustafsson \/\/ Frånvarande LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/frandvarande.jpg?v=1599195987"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/frandvarande.jpg?v=1599195987","options":["Title"],"media":[{"alt":null,"id":10982395838629,"position":1,"preview_image":{"aspect_ratio":1.009,"height":1189,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/frandvarande.jpg?v=1599195987"},"aspect_ratio":1.009,"height":1189,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/frandvarande.jpg?v=1599195987","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン音響作家Mattias Gustafssonがベルギー\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eB.A.A.D.M.から2枚目となるLPをリリース。消えかかったピアノループがテープにぐしゃぐしゃに絡まります。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1958298439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eMattias Gustafsson releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------ \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\"Frånvarande acts as both the prelude and epilogue to Mattias Gustafsson’s 2017 record Nattmusik, forming a temporal cradle around his B.A.A.D.M. debut. Side A was recorded back in 2012 and originally released under his Ornaments alias, manifesting as the withered, rain-eroded memory of a majestic orchestral lament, with bowed cymbals singing through layers of rust and the sound of children floating in through an open window. It was this 20-minute piece that inspired us to present Gustafsson with the conceptual framework for Nattmusik, through which he explored the cyclical symbiosis of humanity and nature. The four movements of side B were captured in winter 2018 as an elaboration on these themes, with pianos and loops tumbling into thickets of crumpled, perishing cassette. As a collection, these pieces frame Nattmusik as an absent point of origin; its reverberations are smeared across both the future and the past, yet the source sound is palpably missing. Just as the process of decay strands the object between the pre-degraded form and the eventual dissipation into the void, Frånvarande is a record that both clasps at moments passed and those yet to manifest, rendered nomadic and thirsting by the absence of its conceptual centre.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mattias Gustafsson\u003c\/p\u003e\n\u003cp\u003eLabel : B.A.A.D.M.\u003c\/p\u003e"}
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Swedish sound writer Mattias Gustafsson releases his second LP from Belgium BAADM.The disappearing piano loop is entwined with the tape.Click here to see more BAADM releases available at Tobira. Click here to see more Mattias ...
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{"id":5616495132837,"title":"øjeRum \/\/ Under Røde Måner TAPE","handle":"ojerum-under-rode-maner-tape","description":"\u003cp\u003e怒涛の勢いでリリースを連発するデンマークアンビエント作家øjeRumが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e米国老舗ノイズレーベルMonorail Trespassingから100部限定でリリースしていたカセットをデッドストックで入荷しました。両面20分ずつの夢見心地なアンビエントドローンを収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3687846073\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1993186534\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/monorail-trespassing\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/monorail-trespassing\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/monorail-trespassing\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/monorail-trespassing\"\u003ehere\u003c\/a\u003e to see more Monorail Trespassing releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Under Røde Måner ('Under The Red Moon') is the tenth release in 2019 from the very prolific Danish composer and visual artist Paw Grabowski. Here, an extended organ meditation is layered upon itself several times, creating a foreboding yet organically evolving sound-world that reveals itself over many listens.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : øjeRum\u003c\/p\u003e\n\u003cp\u003eLabel : Monorail Trespassing\u003c\/p\u003e","published_at":"2020-09-04T11:12:00+09:00","created_at":"2020-09-04T11:11:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","Monorail Trespassing","tape"],"price":139800,"price_min":139800,"price_max":139800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36007745421477,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"øjeRum \/\/ Under Røde Måner TAPE","public_title":null,"options":["Default Title"],"price":139800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/unde.jpg?v=1599185521"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/unde.jpg?v=1599185521","options":["Title"],"media":[{"alt":null,"id":10980226465957,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unde.jpg?v=1599185521"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unde.jpg?v=1599185521","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e怒涛の勢いでリリースを連発するデンマークアンビエント作家øjeRumが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e米国老舗ノイズレーベルMonorail Trespassingから100部限定でリリースしていたカセットをデッドストックで入荷しました。両面20分ずつの夢見心地なアンビエントドローンを収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3687846073\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1993186534\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/monorail-trespassing\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/monorail-trespassing\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/monorail-trespassing\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/monorail-trespassing\"\u003ehere\u003c\/a\u003e to see more Monorail Trespassing releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Under Røde Måner ('Under The Red Moon') is the tenth release in 2019 from the very prolific Danish composer and visual artist Paw Grabowski. Here, an extended organ meditation is layered upon itself several times, creating a foreboding yet organically evolving sound-world that reveals itself over many listens.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : øjeRum\u003c\/p\u003e\n\u003cp\u003eLabel : Monorail Trespassing\u003c\/p\u003e"}
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Danish ambient writer øje Rum, who has been releasing a series of releases with rage, has received a dead stock cassette that was released from the long-established US noise label Monorail Trespassing in a limited edition of 100 copies.Includes a dreamy ambient drone for 20 minutes on each side.It is out of print.Click here to see more Monorail Trespassing releases available at Tobira. ----------------------------- " Under ...
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{"id":5613175013541,"title":"Andrew Tasselmyer \/\/ Tines TAPE","handle":"andrew-tasselmyer-tines-tape","description":"\u003cp\u003eArtist : Andrew Tasselmyer\u003c\/p\u003e\n\u003cp\u003eLabel : Flag Day Recordings\u003c\/p\u003e\n\u003cp\u003e DLコード付き\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2275834880\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2235202132\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/flagdayrecordings.bandcamp.com\/album\/tines\"\u003eTines by Andrew Tasselmyer\u003c\/a\u003e\u003c\/iframe\u003e","published_at":"2020-09-03T17:45:36+09:00","created_at":"2020-09-03T17:45:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","Flag Day Recordings","monooto","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35996259647653,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Andrew Tasselmyer \/\/ Tines TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tines.jpg?v=1599122736"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tines.jpg?v=1599122736","options":["Title"],"media":[{"alt":null,"id":10966484222117,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tines.jpg?v=1599122736"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tines.jpg?v=1599122736","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eArtist : Andrew Tasselmyer\u003c\/p\u003e\n\u003cp\u003eLabel : Flag Day Recordings\u003c\/p\u003e\n\u003cp\u003e DLコード付き\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2275834880\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2235202132\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/flagdayrecordings.bandcamp.com\/album\/tines\"\u003eTines by Andrew Tasselmyer\u003c\/a\u003e\u003c\/iframe\u003e"}
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Artist: Andrew Tasselmyer Label: Flag Day Recordings DL Coded Tines by Andrew Tasselmyer
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{"id":5613103743141,"title":"Strange Mountain II \/\/ Orchestra of Glittering Roses TAPE","handle":"strange-mountain-ii-orchestra-of-glittering-roses-tape","description":"\u003cp\u003eArtist : Strange Mountain II \u003c\/p\u003e\n\u003cp\u003eLabel - Fluere Tapes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4276503926\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2714112592\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/flueretapes.bandcamp.com\/album\/orchestra-of-glittering-roses\"\u003eOrchestra of Glittering Roses by Strange Mountain ll\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4276503926\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3974989644\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/flueretapes.bandcamp.com\/album\/orchestra-of-glittering-roses\"\u003eOrchestra of Glittering Roses by Strange Mountain ll\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4276503926\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3800640828\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThroughout 2017-2018, I worked on a multitude of recordings in search of trying to find a new way of communicating emotions through Strange Mountain music. The II is symbolic of finally going through this door. I wanted to take back the value of nostalgia as something real, something personal - something I think I evoked vividly through the earliest SM recordings. I realized that this meant facing the crossroads of the time present and past. Not only to stray way from the cheapening of memories as a \"80s\/90s kid\" gimmick but facing the realities of time, cherishing the present while acknowledging our personal history as human instead of pieces of pop culture anecdotes. For once it felt acceptable to use symbolism in the practices of creation, and as such I began utilizing the process of sampling - something I rarely did in SM - and finding pieces from different sources that somehow fit and spoke to each other, harmonizing to create something that looked ahead with optimism. This meant using a combination processed samples of two sources: one \"contemporary\" and one \"old\", preferably from the era I was a young child at. What you are hearing are processed pieces of things that include significant sounds of the late 80s \/ very early 90s era - japanese mecha robot \/ classic anime theme songs, instrumental sections of indonesian pop hits, etc - against samples from the past 5 years - my daughter's violin playing, pieces of my own music, other's musical movements - shifting and intertwining with each other. Making sure they ere harmonious was somehow less an issue than I had imagined. It feels right and somehow joyful in its own way even if it glimmers with melancholy memories. I hope this feeling translates.\"\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-09-03T17:28:14+09:00","created_at":"2020-09-03T17:28:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","Fluere Tapes","tape"],"price":143000,"price_min":143000,"price_max":143000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35995983446181,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Strange Mountain II \/\/ Orchestra of Glittering Roses TAPE","public_title":null,"options":["Default Title"],"price":143000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/glittering.jpg?v=1599121694"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/glittering.jpg?v=1599121694","options":["Title"],"media":[{"alt":null,"id":10966158442661,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/glittering.jpg?v=1599121694"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/glittering.jpg?v=1599121694","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eArtist : Strange Mountain II \u003c\/p\u003e\n\u003cp\u003eLabel - Fluere Tapes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4276503926\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2714112592\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/flueretapes.bandcamp.com\/album\/orchestra-of-glittering-roses\"\u003eOrchestra of Glittering Roses by Strange Mountain ll\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4276503926\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3974989644\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/flueretapes.bandcamp.com\/album\/orchestra-of-glittering-roses\"\u003eOrchestra of Glittering Roses by Strange Mountain ll\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4276503926\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3800640828\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThroughout 2017-2018, I worked on a multitude of recordings in search of trying to find a new way of communicating emotions through Strange Mountain music. The II is symbolic of finally going through this door. I wanted to take back the value of nostalgia as something real, something personal - something I think I evoked vividly through the earliest SM recordings. I realized that this meant facing the crossroads of the time present and past. Not only to stray way from the cheapening of memories as a \"80s\/90s kid\" gimmick but facing the realities of time, cherishing the present while acknowledging our personal history as human instead of pieces of pop culture anecdotes. For once it felt acceptable to use symbolism in the practices of creation, and as such I began utilizing the process of sampling - something I rarely did in SM - and finding pieces from different sources that somehow fit and spoke to each other, harmonizing to create something that looked ahead with optimism. This meant using a combination processed samples of two sources: one \"contemporary\" and one \"old\", preferably from the era I was a young child at. What you are hearing are processed pieces of things that include significant sounds of the late 80s \/ very early 90s era - japanese mecha robot \/ classic anime theme songs, instrumental sections of indonesian pop hits, etc - against samples from the past 5 years - my daughter's violin playing, pieces of my own music, other's musical movements - shifting and intertwining with each other. Making sure they ere harmonious was somehow less an issue than I had imagined. It feels right and somehow joyful in its own way even if it glimmers with melancholy memories. I hope this feeling translates.\"\u003c\/span\u003e\u003c\/p\u003e"}
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Artist: Strange Mountain II Label --Fluere Tapes Orchestra of Glittering Roses ...
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{"id":5613067272357,"title":"Turning \/\/ Turning TAPE","handle":"turning-turning-tape","description":"\u003cp\u003eシューゲイズ〜アンビエントTurningの廃盤カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3258407939\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1632166705\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fluere-tapes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fluere-tapes\"\u003ehere\u003c\/a\u003e to see more Fluere Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eArtist : Turning\u003c\/p\u003e\n\u003cp\u003eLabel - Fluere Tapes\u003c\/p\u003e","published_at":"2020-09-03T17:19:33+09:00","created_at":"2020-09-03T17:19:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Fluere Tapes","folk \/ left-field pop","folk \/ vocal \/ band","tape"],"price":143000,"price_min":143000,"price_max":143000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35995846967461,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Turning \/\/ Turning TAPE","public_title":null,"options":["Default Title"],"price":143000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fluere.jpg?v=1599121173"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fluere.jpg?v=1599121173","options":["Title"],"media":[{"alt":null,"id":10965999976613,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fluere.jpg?v=1599121173"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fluere.jpg?v=1599121173","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eシューゲイズ〜アンビエントTurningの廃盤カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3258407939\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1632166705\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fluere-tapes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fluere-tapes\"\u003ehere\u003c\/a\u003e to see more Fluere Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eArtist : Turning\u003c\/p\u003e\n\u003cp\u003eLabel - Fluere Tapes\u003c\/p\u003e"}
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This is a discontinued cassette from Shoegaze to Ambient Turning.Click here to see more Fluere Tapes releases available at Tobira. Artist: ...
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{"id":5612528435365,"title":"Ron Thomas and John Swana \/\/ Serenity TAPE","handle":"ron-thomas-and-john-swana-serenity","description":"\u003cp\u003eArtist: Ron Thomas and John Swana\u003c\/p\u003e\n\u003cp\u003eLabel: GALTTA\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=413866231\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3951714111\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2020-09-03T14:30:15+09:00","created_at":"2020-09-03T14:30:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","GALTTA","post newage","tape"],"price":156800,"price_min":156800,"price_max":156800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35993531187365,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ron Thomas and John Swana \/\/ Serenity TAPE","public_title":null,"options":["Default Title"],"price":156800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/serenity.jpg?v=1599111015"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/serenity.jpg?v=1599111015","options":["Title"],"media":[{"alt":null,"id":10963407274149,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/serenity.jpg?v=1599111015"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/serenity.jpg?v=1599111015","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eArtist: Ron Thomas and John Swana\u003c\/p\u003e\n\u003cp\u003eLabel: GALTTA\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=413866231\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3951714111\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}
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Artist: Ron Thomas and John Swana Label: GALTTA
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{"id":5612479447205,"title":"Secret Boyfriend \/\/ Memory Care Unit vol. 2 TAPE","handle":"secret-boyfriend-memory-care-unit-vol-2-tape","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4283234405\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2458794456\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hot\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hot\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hot\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hot\"\u003ehere\u003c\/a\u003e to see more Hot Releases releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Gritty new age bodymelt soundtracks and hermetic experiments recorded live-to-tape at Cathedral ii, Cedar Village except A4, A6, B1 recorded at du Parc and St Urbain in Montreal and B5 recorded in Little Haiti Miami.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eoriginally released as a tour-only tape in September 2019, newly mastered for this edition by Nathan Taylor.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Peace be upon those who betrayed us: the expression did not scare them, and if we ruin our vocabulary, fix their intentions.\" - Unknown (Machine Translation)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Temporally uncertainties abound in Secret Boyfriend's \"Memory Care Unit II\", striking a sublime slurring of musical and experiential liminalities. Largely based upon minimal repetitive structures, the thirteen tracks journey between melodic synthesizer lines and microsound sample looping. But there is always a ghostly hand present - deeper listening yields a stunning depth to each tone as well as an arching compositional narrative. Not just focused on the nostalgic degradations of analog technology, Secret Boyfriend also highlights errors found at the edges of digital sound reproduction, seamlessly blurring 'the organic' and 'the synthetic'. These imperfections are drawn into liturgically-inclined\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e washes, even when collapsed into staccato granular rhythms. While often drawing upon soaring New Age timbres, an underlying dread pervades too - highlighted with a piece consisting of tape-loop phasing of a scream at the start of the second half of the album. Existing at once as \"timeless\" and \"topical\", it can be heard as environmental music, or as a meticulous artistic statement, or any suspension between. All are welcome into \"Memory Care Unit II\"\u003c\/em\u003e.'\u003cbr\u003e- Glyn Maier\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003e[Our] crisis consists precisely in the fact that the old is dying and the new cannot be born,... In this interregnum a great variety of morbid symptoms appear.\" - Antonio Gramsci\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eartist : Secret Boyfriend\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003elabel : Hot Releases\u003c\/p\u003e","published_at":"2020-09-03T14:10:17+09:00","created_at":"2020-09-03T14:10:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","Hot Releases","tape"],"price":170000,"price_min":170000,"price_max":170000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35993349980325,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Secret Boyfriend \/\/ Memory Care Unit vol. 2 TAPE","public_title":null,"options":["Default Title"],"price":170000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/secretboyfriend.jpg?v=1599109818"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/secretboyfriend.jpg?v=1599109818","options":["Title"],"media":[{"alt":null,"id":10963208405157,"position":1,"preview_image":{"aspect_ratio":1.662,"height":722,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/secretboyfriend.jpg?v=1599109818"},"aspect_ratio":1.662,"height":722,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/secretboyfriend.jpg?v=1599109818","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4283234405\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2458794456\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hot\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hot\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hot\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hot\"\u003ehere\u003c\/a\u003e to see more Hot Releases releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Gritty new age bodymelt soundtracks and hermetic experiments recorded live-to-tape at Cathedral ii, Cedar Village except A4, A6, B1 recorded at du Parc and St Urbain in Montreal and B5 recorded in Little Haiti Miami.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eoriginally released as a tour-only tape in September 2019, newly mastered for this edition by Nathan Taylor.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Peace be upon those who betrayed us: the expression did not scare them, and if we ruin our vocabulary, fix their intentions.\" - Unknown (Machine Translation)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Temporally uncertainties abound in Secret Boyfriend's \"Memory Care Unit II\", striking a sublime slurring of musical and experiential liminalities. Largely based upon minimal repetitive structures, the thirteen tracks journey between melodic synthesizer lines and microsound sample looping. But there is always a ghostly hand present - deeper listening yields a stunning depth to each tone as well as an arching compositional narrative. Not just focused on the nostalgic degradations of analog technology, Secret Boyfriend also highlights errors found at the edges of digital sound reproduction, seamlessly blurring 'the organic' and 'the synthetic'. These imperfections are drawn into liturgically-inclined\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e washes, even when collapsed into staccato granular rhythms. While often drawing upon soaring New Age timbres, an underlying dread pervades too - highlighted with a piece consisting of tape-loop phasing of a scream at the start of the second half of the album. Existing at once as \"timeless\" and \"topical\", it can be heard as environmental music, or as a meticulous artistic statement, or any suspension between. All are welcome into \"Memory Care Unit II\"\u003c\/em\u003e.'\u003cbr\u003e- Glyn Maier\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003e[Our] crisis consists precisely in the fact that the old is dying and the new cannot be born,... In this interregnum a great variety of morbid symptoms appear.\" - Antonio Gramsci\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eartist : Secret Boyfriend\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003elabel : Hot Releases\u003c\/p\u003e"}
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Click here to see more Hot Releases releases available at Tobira. ------------------------------ --- "Gritty new ...
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{"id":5474700624037,"title":"Anne Laplantine \/\/ Padon TAPE","handle":"anne-laplantine-padon","description":"\u003cp\u003eフランスリオンのベテラン作家が同国tanzproceszよりカセットで出したバロック作品。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2806950559\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=743931813\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTanzprocesz\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTanzprocesz releases available at Tobira. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anne Laplantine\u003c\/p\u003e\n\u003cp\u003eLabel : Tanzprocesz \u003c\/p\u003e","published_at":"2020-07-31T16:45:52+09:00","created_at":"2020-07-31T16:45:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","beyond classical","neo classical","post newage","tanzprocesz","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35389068968101,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anne Laplantine \/\/ Padon TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1618078149_10.jpg?v=1596181552"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1618078149_10.jpg?v=1596181552","options":["Title"],"media":[{"alt":null,"id":10369009287333,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1618078149_10.jpg?v=1596181552"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1618078149_10.jpg?v=1596181552","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスリオンのベテラン作家が同国tanzproceszよりカセットで出したバロック作品。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2806950559\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=743931813\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTanzprocesz\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTanzprocesz releases available at Tobira. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anne Laplantine\u003c\/p\u003e\n\u003cp\u003eLabel : Tanzprocesz \u003c\/p\u003e"}
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A baroque work released by a French Rion veteran writer on a cassette from tanza procesz in France. Tanzprocesz Click here to see more Tanzprocesz releases available at Tobira. Artist: Anne Laplantine Label: ...
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{"id":5474631090341,"title":"Forest Management \/\/ Below Sky TAPE","handle":"forest-management-below-sky","description":"\u003cp\u003eアメリカ人アンビエント作家の65部限定カセット。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVaknarその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVaknar releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e---------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\"\u003cem\u003eWith over 40 releases under his belt, including works published on labels such as Angoisse, Constellations Tastu and No Rent Records, as well as collaborations with Celer and Skin Graft, it is safe to say that John Daniel has left a visible mark on the ambient scene via his Forest Management project over the years.\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eForest Managementʼs first solo release for Vaknar, titled ‘Below Skyʼ sees him conjure a downcast and brittle set of saturated loops, presented through a series of dissolving memories, each one unfolding in length, yet always remaining slightly blurred and just out of grasp.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Forest Management\u003c\/p\u003e\n\u003cp\u003elabel : Vaknar\u003c\/p\u003e","published_at":"2020-07-31T15:53:19+09:00","created_at":"2020-07-31T15:53:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","tape","Vaknar"],"price":151800,"price_min":151800,"price_max":151800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35388486189221,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Forest Management \/\/ Below Sky TAPE","public_title":null,"options":["Default Title"],"price":151800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0017957454_10.jpg?v=1596178400"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017957454_10.jpg?v=1596178400","options":["Title"],"media":[{"alt":null,"id":10368309821605,"position":1,"preview_image":{"aspect_ratio":1.266,"height":948,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017957454_10.jpg?v=1596178400"},"aspect_ratio":1.266,"height":948,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017957454_10.jpg?v=1596178400","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ人アンビエント作家の65部限定カセット。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVaknarその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVaknar releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e---------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\"\u003cem\u003eWith over 40 releases under his belt, including works published on labels such as Angoisse, Constellations Tastu and No Rent Records, as well as collaborations with Celer and Skin Graft, it is safe to say that John Daniel has left a visible mark on the ambient scene via his Forest Management project over the years.\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eForest Managementʼs first solo release for Vaknar, titled ‘Below Skyʼ sees him conjure a downcast and brittle set of saturated loops, presented through a series of dissolving memories, each one unfolding in length, yet always remaining slightly blurred and just out of grasp.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Forest Management\u003c\/p\u003e\n\u003cp\u003elabel : Vaknar\u003c\/p\u003e"}
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A limited edition of 65 cassettes by an American ambient writer.It is out of print. Click here to see more Vaknar releases available at Tobira. --------------------- "With over 40 releases ..."
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{"id":5474619523237,"title":"Monotronique \/ Quiet Evenings \/\/ split","handle":"monotronique-quiet-evenings-split","description":"\u003cp\u003e\u003cspan\u003eMonotroniqueとQuiet Eveningsアンビエント作家2名によるスプリット作品。\u003c\/span\u003e65部限定、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=210835927\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eVaknarその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVaknar releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e---------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\"\u003cem\u003ePatience is a split release between Grant and Rachel Evans aka Quiet Evenings, as well as Roman Kurhan aka Monotronique.\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eEach side inhabits one continuous piece of gracefully moving ambiance, featuring serene, gauzy organ piano intervals and patiently moving strings, hushing slowly from quiet to emphatic passages.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Monotronique \/ Quiet Evenings\u003c\/p\u003e\n\u003cp\u003elabel : Vaknar\u003c\/p\u003e","published_at":"2020-07-31T15:45:01+09:00","created_at":"2020-07-31T15:44:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","tape","Vaknar"],"price":140800,"price_min":140800,"price_max":140800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35388408037541,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Monotronique \/ Quiet Evenings \/\/ split","public_title":null,"options":["Default Title"],"price":140800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0017958726_10.jpg?v=1596177901"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017958726_10.jpg?v=1596177901","options":["Title"],"media":[{"alt":null,"id":10368206504101,"position":1,"preview_image":{"aspect_ratio":1.266,"height":948,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017958726_10.jpg?v=1596177901"},"aspect_ratio":1.266,"height":948,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017958726_10.jpg?v=1596177901","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eMonotroniqueとQuiet Eveningsアンビエント作家2名によるスプリット作品。\u003c\/span\u003e65部限定、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=210835927\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eVaknarその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVaknar releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e---------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\"\u003cem\u003ePatience is a split release between Grant and Rachel Evans aka Quiet Evenings, as well as Roman Kurhan aka Monotronique.\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eEach side inhabits one continuous piece of gracefully moving ambiance, featuring serene, gauzy organ piano intervals and patiently moving strings, hushing slowly from quiet to emphatic passages.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Monotronique \/ Quiet Evenings\u003c\/p\u003e\n\u003cp\u003elabel : Vaknar\u003c\/p\u003e"}
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A split work by two ambient writers, Monotronique and Quiet Evenings. Limited to 2 copies, already out of print. Click here to see more Vaknar releases available at Tobira. --------------------- "Patience is a ...
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{"id":5474610806949,"title":"Megcsillan \/\/ Ösvényről TAPE","handle":"megcsillan-osvenyrol","description":"\u003cp\u003eハンガリーの新人アンビエント作家Megcsillanのデビュー作がドイツVaknarからリリース。65部限定、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1846429143\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eVaknarその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVaknar releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e---------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cspan\u003e\"\u003cem\u003eHailing from the small town of Debrecen, Hungary, Adam Erdei offers a tranquillising debut under his Megcsillan alias.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe artist chose to disclose little detail about the album itself, which is titled Ösvényről, merely revealing that it was made with a minimal set up, comprised of acoustic instruments, delay pedals and field recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eÖsvényről is split into 6 parts, each piece seemingly building upon the next. It starts with gusts of foreboding reverberations, tranquil and yet static, before delicately spilling into grandiose movements, flurries of clangour, billowing tides of sonic uproar, remaining at the border between a sense of lush, overarching serenity and undulating turmoil.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn its final moments, Ösvényről comes across as almost epiphanic, evoking a cathartic sense of self reflection that very few albums are able to achieve.\"\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003eartist : Megcsillan\u003c\/p\u003e\n\u003cp\u003elabel : Vaknar\u003c\/p\u003e","published_at":"2020-07-31T15:38:03+09:00","created_at":"2020-07-31T15:38:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","tape","Vaknar"],"price":140800,"price_min":140800,"price_max":140800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35388331163813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Megcsillan \/\/ Ösvényről TAPE","public_title":null,"options":["Default Title"],"price":140800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0017958491_10.jpg?v=1596177484"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017958491_10.jpg?v=1596177484","options":["Title"],"media":[{"alt":null,"id":10368131498149,"position":1,"preview_image":{"aspect_ratio":1.266,"height":948,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017958491_10.jpg?v=1596177484"},"aspect_ratio":1.266,"height":948,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017958491_10.jpg?v=1596177484","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eハンガリーの新人アンビエント作家Megcsillanのデビュー作がドイツVaknarからリリース。65部限定、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1846429143\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eVaknarその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVaknar releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e---------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cspan\u003e\"\u003cem\u003eHailing from the small town of Debrecen, Hungary, Adam Erdei offers a tranquillising debut under his Megcsillan alias.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe artist chose to disclose little detail about the album itself, which is titled Ösvényről, merely revealing that it was made with a minimal set up, comprised of acoustic instruments, delay pedals and field recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eÖsvényről is split into 6 parts, each piece seemingly building upon the next. It starts with gusts of foreboding reverberations, tranquil and yet static, before delicately spilling into grandiose movements, flurries of clangour, billowing tides of sonic uproar, remaining at the border between a sense of lush, overarching serenity and undulating turmoil.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn its final moments, Ösvényről comes across as almost epiphanic, evoking a cathartic sense of self reflection that very few albums are able to achieve.\"\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003eartist : Megcsillan\u003c\/p\u003e\n\u003cp\u003elabel : Vaknar\u003c\/p\u003e"}
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The debut work of Hungarian new ambient writer Megcsillan is released from Vaknar, Germany. Limited to 65 copies, already out of print. Click here to see more Vaknar releases available at Tobira. --------------------- "Hailing from the small ..."
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{"id":5474517483685,"title":"Ekin Fil \/\/ Heavy LP","handle":"ekin-fil-heavy","description":"\u003cp\u003eLee Noble主宰No Kingsからリリースされていたテープがドイツ再発専門レーベルVaagnarがレコード化。廃盤です。Rashad Beckerリマスタリング。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2752679497\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"'Heavy' was originally produced 5 years ago and released in 2016 on tape via Lee Noble's seminal No Kings label.\u003cbr\u003e\u003cbr\u003eNow the work has been reissued on vinyl and remastered from the original tape rips by Rashad Backer, preserving the fragile and heavy hearted auditory sensibility found in the original work, while making one of Ekinʼs earliest and most personally endearing releases available to a new audience of listeners.\" \u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e- Vaagner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Ekin Fil\u003c\/p\u003e\n\u003cp\u003elabel : Vaagnar\u003c\/p\u003e","published_at":"2020-07-31T15:13:09+09:00","created_at":"2020-07-31T15:13:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","recommended"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35388062630053,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ekin Fil \/\/ Heavy LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0017176416_10.jpg?v=1596175990"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017176416_10.jpg?v=1596175990","options":["Title"],"media":[{"alt":null,"id":10367939477669,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017176416_10.jpg?v=1596175990"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0017176416_10.jpg?v=1596175990","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLee Noble主宰No Kingsからリリースされていたテープがドイツ再発専門レーベルVaagnarがレコード化。廃盤です。Rashad Beckerリマスタリング。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2752679497\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"'Heavy' was originally produced 5 years ago and released in 2016 on tape via Lee Noble's seminal No Kings label.\u003cbr\u003e\u003cbr\u003eNow the work has been reissued on vinyl and remastered from the original tape rips by Rashad Backer, preserving the fragile and heavy hearted auditory sensibility found in the original work, while making one of Ekinʼs earliest and most personally endearing releases available to a new audience of listeners.\" \u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e- Vaagner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Ekin Fil\u003c\/p\u003e\n\u003cp\u003elabel : Vaagnar\u003c\/p\u003e"}
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The tape released by Lee Noble's No Kings has been recorded by the German reissue label Vaagnar.It is out of print. Rashad Becker remastering. "'Heavy' was originally produced 5 years ago and released ...
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{"id":5474470559909,"title":"Acronym w Korridor \/\/ Untitled LP","handle":"acronym-w-korridor-untitled","description":"\u003cp\u003eスウェーデンのエレクトロニックミュージシャン2人のコラボ作品。2015年にリトアニアで開催されたイベントにて自主制作として限定20本で販売していたカセット（法外な値段で中古市場に出てました）を、Vaknar再発部門Vaagnarがリプレスに成功。\u003cbr data-mce-fragment=\"1\"\u003e廃盤です。\u003c\/p\u003e\n\u003cp\u003eVaagnerその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaagner\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaagner\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaagner\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaagner\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eVaagner releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVaagnar releases the much-adored ‘Untitled’ cassette by Acronym and Corridor on vinyl for the first time. This release is described as ethereal techno, pulsing and atmospheric ambient, rich and textural soundscapes.. instantly recognisable as sitting somehow above the rest, or as Resident Advisor says, ‘too good to be buried in someone's tape collection.’\"\u003c\/em\u003e\u003cbr\u003e- Tobira Records\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=824243414\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e“Back in 2015, two of Sweden’s most coveted electronic musicians quietly collaborated. The outcomes where complied and made available via a trifling 20 self released tapes, circulated by the duo during an event in Lithuania that same year.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSoon after, a few of the tapes showed up in the second hand market occasionally trading hands for staggering prices, yet who ever came across one of the tape rips circulating the web quickly understood what the commotion was all about; brittle noise sequences and industrial laden overtones where contrasted against perplexingly rich dub techno arrangements and uplifting ambient soundscapes. The two tape sides contained densely interwoven material which both, reflected on the duos habitual outcome while also showcasing the two explore and express a new sonic thematic that was swelling in the concurring Swedish tape scene.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the end, the entire release felt like a strikingly personal glimpse into the esteemed duo’s creative minds and to this day, it remains their only released collaborative endeavour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow, 3 years later, Vaagner is proud to finally present this sought after cassette release, digitally and on vinyl for the first\u003cspan class=\"bcTruncateMore\"\u003e time.\" - \u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003eVaagner\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Acronym w Korridor\u003c\/p\u003e\n\u003cp\u003elabel : Vaagnar\u003c\/p\u003e","published_at":"2020-07-31T14:47:38+09:00","created_at":"2020-07-31T14:47:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ house \/ techno","lp","techno \/ house","Vaagner"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35387898691749,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Acronym w Korridor \/\/ Untitled LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0014511627_10.jpg?v=1596174458"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0014511627_10.jpg?v=1596174458","options":["Title"],"media":[{"alt":null,"id":10367690408101,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0014511627_10.jpg?v=1596174458"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0014511627_10.jpg?v=1596174458","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンのエレクトロニックミュージシャン2人のコラボ作品。2015年にリトアニアで開催されたイベントにて自主制作として限定20本で販売していたカセット（法外な値段で中古市場に出てました）を、Vaknar再発部門Vaagnarがリプレスに成功。\u003cbr data-mce-fragment=\"1\"\u003e廃盤です。\u003c\/p\u003e\n\u003cp\u003eVaagnerその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaagner\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaagner\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaagner\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/vaagner\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eVaagner releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVaagnar releases the much-adored ‘Untitled’ cassette by Acronym and Corridor on vinyl for the first time. This release is described as ethereal techno, pulsing and atmospheric ambient, rich and textural soundscapes.. instantly recognisable as sitting somehow above the rest, or as Resident Advisor says, ‘too good to be buried in someone's tape collection.’\"\u003c\/em\u003e\u003cbr\u003e- Tobira Records\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=824243414\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e“Back in 2015, two of Sweden’s most coveted electronic musicians quietly collaborated. The outcomes where complied and made available via a trifling 20 self released tapes, circulated by the duo during an event in Lithuania that same year.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSoon after, a few of the tapes showed up in the second hand market occasionally trading hands for staggering prices, yet who ever came across one of the tape rips circulating the web quickly understood what the commotion was all about; brittle noise sequences and industrial laden overtones where contrasted against perplexingly rich dub techno arrangements and uplifting ambient soundscapes. The two tape sides contained densely interwoven material which both, reflected on the duos habitual outcome while also showcasing the two explore and express a new sonic thematic that was swelling in the concurring Swedish tape scene.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the end, the entire release felt like a strikingly personal glimpse into the esteemed duo’s creative minds and to this day, it remains their only released collaborative endeavour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow, 3 years later, Vaagner is proud to finally present this sought after cassette release, digitally and on vinyl for the first\u003cspan class=\"bcTruncateMore\"\u003e time.\" - \u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003eVaagner\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Acronym w Korridor\u003c\/p\u003e\n\u003cp\u003elabel : Vaagnar\u003c\/p\u003e"}
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A collaboration between two Swedish electronic musicians. Vaagnar, the recurrence department of Vakanar, succeeded in repressing a cassette (which was on the second-hand market at an exorbitant price) that was sold as an independent production with a limited number of 2 at an event held in Lithuania in 2015.It is out of print. Vaagner Click here to see more Vaagner releases available at Tobira. -------------------------- "Vaagnar releases the much -adored ...
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{"id":4878225506436,"title":"Sean McCann \/\/ Puck LP","handle":"sean-mccann-puck-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003ePuck is here.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMusic for Public Ensemble, my previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnd three years before that was Private Ensemble.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003ePuck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching, Puck balances on the rooftop, tipping side to side in the fog.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:46:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","neo classical","Recital","recommended","sound poetry"],"price":316800,"price_min":316800,"price_max":316800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563807154308,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sean McCann \/\/ Puck LP","public_title":null,"options":["Default Title"],"price":316800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","options":["Title"],"media":[{"alt":null,"id":7816559329412,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003ePuck is here.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMusic for Public Ensemble, my previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnd three years before that was Private Ensemble.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003ePuck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching, Puck balances on the rooftop, tipping side to side in the fog.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e"}
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artist: Sean McCannlabel: Recital label Click here to see more Recital releases available at ...
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{"id":4878189035652,"title":"Daniel Schmidt \/\/ Abies Firma CD","handle":"daniel-schmidt-abies-firma-lp","description":"\u003cp\u003eアメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=710372385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=966270246\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eRecital:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\"The second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following In My Arms, Many Flowers, his majestic debut on Recital.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAbies Firma lies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Unempins to Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:27:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Recital","sound poetry"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563702231172,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Schmidt \/\/ Abies Firma CD","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","options":["Title"],"media":[{"alt":null,"id":7816394834052,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=710372385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=966270246\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eRecital:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\"The second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following In My Arms, Many Flowers, his majestic debut on Recital.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAbies Firma lies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Unempins to Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e"}
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This is a CD released in 2019 by American gamelan player Daniel Schmidt.Contains 10 exotic ambient songs for gamelan and violin.Out of print. Recital: "The second album by the American Gamelan composer and instrument...
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{"id":4849380655236,"title":"Sarah Davachi \/\/ Let Night Come On Bells End The Day LP","handle":"sarah-davachi-let-night-come-on-bells-end-the-day-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSarah DavachiがRecitalよりリリースした名作をデッドストック入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/425275314\u0026amp;color=731319\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r45-sarah-davachi-buhrstone\" title=\"R45 Sarah Davachi -\" end=\"\" style=\"color: #cccccc; text-decoration: none;\" buhrstone=\"\" from=\"\" let=\"\" night=\"\" come=\"\" on=\"\" bells=\"\" the=\"\" day=\"\" lp=\"\" w=\"\" cd=\"\" target=\"_blank\"\u003eR45 Sarah Davachi - \"Buhrstone\" from Let Night Come On Bells End The Day LP w\/ CD\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRecital is joyed to publish the newest record by Canadian composer Sarah Davachi. Currently working on her PhD in Musicology at UCLA, her trajectory has been unorthodox. Hailing from Calgary, Alberta, which, if you’ve never been there, doesn’t really scream “Avant-Garde” (Calgary is the rodeo capital of the world).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eFrom a young age, Sarah was a driven pianist (and figure-skater, although that’s a story for a different time). It is important and interesting that she chose to study esoteric music; as Sarah could have easily been a cowgirl or a concert pianist had her ingrained love of synthesis and sonic phenomenology not taken the wheel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSarah is a considered person. I find few people that have the diligence and resolve to\u003cspan\u003e \u003c\/span\u003e\u003ci\u003etake their time\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewith music… especially in a live context.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI respect that about her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe first time I saw Sarah perform, I presumptuously told her that her music reminded me of my favorite Mirror albums (the exceptional project of Andrew Chalk and Christoph Heemann).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSarah was not familiar with Mirror, so the compliment was initially lost on her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eYears back I was in the same situation when a review compared my music to Andrew Chalk, who was unknown to me at the time.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSo I felt a kinship in our magnetic drift towards unspoken and clustered beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efollows the release of her “sound-wheel” LP\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll My Circles Run,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewhich examines the isolation of different instruments\u003ci\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLet Night Come On…,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003erecorded mainly with a Mellotron and electronic organ,\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efeels like a return to the nest.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eBurrowed in the studio, Davachi was the only performer on this album.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe both splays her compositional architecture and re-contextualizes the essence of her early output.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe chiseled careful and shadowed hymns; anchors of emotion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTwo pillars of this album are “Mordents”, which to my ears drops hints of her love for Progressive rock music – and “Buhrstone,” comparable to a sombre funeral march of piano and flutes. These two examine punctuations of early music, gently plucking melodies and movements.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe three other compositions are tonal works, blowing slow jets of lapping harmonics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWriting this description now, I find it hard to separate “At Hand” from filmmaker Paul Clipson, who made a melancholic film for this piece of Sarah’s.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA fitting title for Sarah and Paul’s relationship – frequently working in orbit of each other, meticulous and tactile.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI cherish this track as a memory of Paul.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is a lovely album to fill an evening living room with. A blanket, a cup of wine, a dim bulb, a wide window.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree beautiful photo-prints by Davachi are included with\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003c\/i\u003e. Frames are not included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e-Sean McCann \/ Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSecond Edition of 500 LPs\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThree art prints of photographs by the artist\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDigital download coupon, containing extended final track\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eartist : Sarah Davachi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","published_at":"2020-04-20T15:30:12+09:00","created_at":"2020-04-20T15:35:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","Recital"],"price":283800,"price_min":283800,"price_max":283800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33462511992964,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sarah Davachi \/\/ Let Night Come On Bells End The Day LP","public_title":null,"options":["Default Title"],"price":283800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426","options":["Title"],"media":[{"alt":null,"id":7816345419908,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSarah DavachiがRecitalよりリリースした名作をデッドストック入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/425275314\u0026amp;color=731319\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r45-sarah-davachi-buhrstone\" title=\"R45 Sarah Davachi -\" end=\"\" style=\"color: #cccccc; text-decoration: none;\" buhrstone=\"\" from=\"\" let=\"\" night=\"\" come=\"\" on=\"\" bells=\"\" the=\"\" day=\"\" lp=\"\" w=\"\" cd=\"\" target=\"_blank\"\u003eR45 Sarah Davachi - \"Buhrstone\" from Let Night Come On Bells End The Day LP w\/ CD\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRecital is joyed to publish the newest record by Canadian composer Sarah Davachi. Currently working on her PhD in Musicology at UCLA, her trajectory has been unorthodox. Hailing from Calgary, Alberta, which, if you’ve never been there, doesn’t really scream “Avant-Garde” (Calgary is the rodeo capital of the world).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eFrom a young age, Sarah was a driven pianist (and figure-skater, although that’s a story for a different time). It is important and interesting that she chose to study esoteric music; as Sarah could have easily been a cowgirl or a concert pianist had her ingrained love of synthesis and sonic phenomenology not taken the wheel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSarah is a considered person. I find few people that have the diligence and resolve to\u003cspan\u003e \u003c\/span\u003e\u003ci\u003etake their time\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewith music… especially in a live context.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI respect that about her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe first time I saw Sarah perform, I presumptuously told her that her music reminded me of my favorite Mirror albums (the exceptional project of Andrew Chalk and Christoph Heemann).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSarah was not familiar with Mirror, so the compliment was initially lost on her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eYears back I was in the same situation when a review compared my music to Andrew Chalk, who was unknown to me at the time.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSo I felt a kinship in our magnetic drift towards unspoken and clustered beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efollows the release of her “sound-wheel” LP\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll My Circles Run,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewhich examines the isolation of different instruments\u003ci\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLet Night Come On…,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003erecorded mainly with a Mellotron and electronic organ,\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efeels like a return to the nest.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eBurrowed in the studio, Davachi was the only performer on this album.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe both splays her compositional architecture and re-contextualizes the essence of her early output.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe chiseled careful and shadowed hymns; anchors of emotion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTwo pillars of this album are “Mordents”, which to my ears drops hints of her love for Progressive rock music – and “Buhrstone,” comparable to a sombre funeral march of piano and flutes. These two examine punctuations of early music, gently plucking melodies and movements.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe three other compositions are tonal works, blowing slow jets of lapping harmonics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWriting this description now, I find it hard to separate “At Hand” from filmmaker Paul Clipson, who made a melancholic film for this piece of Sarah’s.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA fitting title for Sarah and Paul’s relationship – frequently working in orbit of each other, meticulous and tactile.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI cherish this track as a memory of Paul.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is a lovely album to fill an evening living room with. A blanket, a cup of wine, a dim bulb, a wide window.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree beautiful photo-prints by Davachi are included with\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003c\/i\u003e. Frames are not included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e-Sean McCann \/ Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSecond Edition of 500 LPs\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThree art prints of photographs by the artist\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDigital download coupon, containing extended final track\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eartist : Sarah Davachi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e"}
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The masterpiece released by Sarah Davachi from Recital has arrived in dead stock. Recital · R45 Sarah Davachi-"Buhrstone" from Let Night Come On ...
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{"id":4849216356484,"title":"Simple Affections \/\/ Simple Affections LP","handle":"simple-affections-simple-affections-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n","published_at":"2020-04-20T13:37:16+09:00","created_at":"2020-04-20T13:49:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","Recital","sound poetry"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33461837660292,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Simple Affections \/\/ Simple Affections LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197","options":["Title"],"media":[{"alt":null,"id":7717469716612,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n"}
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artist: Simple Affectionslabel: Recital Simple Affections by Simple Affections
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{"id":4849165369476,"title":"Matthew Sullivan \/\/ Matthew LP","handle":"matthew-sullivan-matthew","description":"\u003cp\u003e2007-2012年のアメリカ西海岸アンビエントシーンで活躍したカセットレーベルEkheinの主宰者であり、Earnなどの名義でリリースを重ねてきたMatthew Sullivanによるソロ名義がRecitalよりリリース。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2919241372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatthew is nailed together with driftwood from around the world. The waters of Italy, the pubs of London, birds of Japan, a phone call in Los Angeles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSullivan moved from California to London in 2016. Living in London was a pivotal time for Matt, as I see it. This record digests that time. Each sound on Matthew means something very specific to the artist. Locales and memories focus to mind as passages rise and sink. Us listeners cannot know what transpires across the speakers, however. Our own narrative is quietly built. I like records that don’t concern the audience, ones that make you invest yourself; this is one of those records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFans of Sullivan’s music know that he never gives an inch more or an inch less than he needs to. Bold and looming with few extraneous elements. Ekhein, Matt’s former cassette label, and his new label, as of yet without name, also carry this motif.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo side-long pieces, expertly woven, constitute this album. I admire Matt’s ability to play with proximity and depth of field: fading sirens, ripping waters, and digitized breath. Like an hallucinating Bill Fontana, the two works are sensory travels folding into themselves. Matt is once again living in Los Angeles, and thus the nostalgic mist that forms within Matthew is all the more meaningful.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSean McCann, February 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Matthew Sullivan\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2020-04-20T11:29:10+09:00","created_at":"2020-04-20T13:22:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","Recital"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33461660418180,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Matthew Sullivan \/\/ Matthew LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/matthew.jpg?v=1587356542"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/matthew.jpg?v=1587356542","options":["Title"],"media":[{"alt":null,"id":7717268717700,"position":1,"preview_image":{"aspect_ratio":1.003,"height":597,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/matthew.jpg?v=1587356542"},"aspect_ratio":1.003,"height":597,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/matthew.jpg?v=1587356542","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2007-2012年のアメリカ西海岸アンビエントシーンで活躍したカセットレーベルEkheinの主宰者であり、Earnなどの名義でリリースを重ねてきたMatthew Sullivanによるソロ名義がRecitalよりリリース。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2919241372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatthew is nailed together with driftwood from around the world. The waters of Italy, the pubs of London, birds of Japan, a phone call in Los Angeles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSullivan moved from California to London in 2016. Living in London was a pivotal time for Matt, as I see it. This record digests that time. Each sound on Matthew means something very specific to the artist. Locales and memories focus to mind as passages rise and sink. Us listeners cannot know what transpires across the speakers, however. Our own narrative is quietly built. I like records that don’t concern the audience, ones that make you invest yourself; this is one of those records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFans of Sullivan’s music know that he never gives an inch more or an inch less than he needs to. Bold and looming with few extraneous elements. Ekhein, Matt’s former cassette label, and his new label, as of yet without name, also carry this motif.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo side-long pieces, expertly woven, constitute this album. I admire Matt’s ability to play with proximity and depth of field: fading sirens, ripping waters, and digitized breath. Like an hallucinating Bill Fontana, the two works are sensory travels folding into themselves. Matt is once again living in Los Angeles, and thus the nostalgic mist that forms within Matthew is all the more meaningful.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSean McCann, February 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Matthew Sullivan\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e"}
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The solo name by Matthew Sullivan, who is the owner of the cassette label Ekhein who played an active part in the American West Coast ambient scene from 2007 to 2012 and has been released under the name of Earn etc., is released from Recital.Click here to see more Recital releases available at Tobira. -------------------------- Edition of ...
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{"id":4442161315972,"title":"Hakobune \/\/ Ruminating On What Was Unsaid LP","handle":"ruminating-on-what-was-unsaid","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eレコードフォーマットのみとなる作品。\u003c\/span\u003e\u003cspan\u003eピアノのループが夏の暑さにより徐々に融解していくアンビエント\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e作品。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1993553862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eartist : hakobune\u003c\/p\u003e\n\u003cp\u003elabel : tobira\u003c\/p\u003e","published_at":"2020-01-07T09:05:14+09:00","created_at":"2020-01-07T09:27:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","tobira records \/ hakobune"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":31636605730948,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Hakobune \/\/ Ruminating On What Was Unsaid LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/hakobune_rowwu_tbr16.jpg?v=1578356840","\/\/tobirarecords.com\/cdn\/shop\/products\/0018421474_10.jpg?v=1606387556"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/hakobune_rowwu_tbr16.jpg?v=1578356840","options":["Title"],"media":[{"alt":null,"id":6038807806084,"position":1,"preview_image":{"aspect_ratio":0.994,"height":1847,"width":1836,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hakobune_rowwu_tbr16.jpg?v=1578356840"},"aspect_ratio":0.994,"height":1847,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hakobune_rowwu_tbr16.jpg?v=1578356840","width":1836},{"alt":null,"id":14291519111333,"position":2,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0018421474_10.jpg?v=1606387556"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0018421474_10.jpg?v=1606387556","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eレコードフォーマットのみとなる作品。\u003c\/span\u003e\u003cspan\u003eピアノのループが夏の暑さにより徐々に融解していくアンビエント\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e作品。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1993553862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eartist : hakobune\u003c\/p\u003e\n\u003cp\u003elabel : tobira\u003c\/p\u003e"}
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Works that are only in record format.An ambient work in which the piano loop gradually melts due to the heat of summer. artist: hakobune label: tobira
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{"id":8414445175034,"title":"Johannes Bjork \/\/ Johannes Bjork LP","handle":"johannes-bjork-johannes-bjork-lp","description":"\u003cp\u003eスウェーデン・ヨーテボリのアンビエント作家Johannes Björkが、2023年11月にイギリスの実験レーベルInfinite Expanseからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスケッチのようなアンビエント・フォーク〜アンビエントドローン〜サウンドポエトリー9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Johannes Björkはヨーテボリを拠点に活動するミュージシャン、文芸評論家。彼の音楽は、ドローン、ポップメロディー、フィールドレコーディングを組み合わせ、完全に形成された曲というよりは、洗練されたスケッチを生み出す。もともとは、今年初めにストックホルムで行われたライヴのために12枚のミニエディションでリリースされたものだが、今回は2曲を追加し、さらに2曲を再録音した拡大版LPとしてリリースされる。Siri Ahmed Backström、Johan Jönson、Johanna Sköldbäck Martellなど、スウェーデンの著名な作家や新進気鋭の作家が部分的に参加している。このアルバムは、ヨーテボリ・シーンの勃興期の雰囲気をある程度共有しているが、ソングライティングは、ローファイな要素をサウンドスケープの一部として扱うプロダクションを物語っている。Johannes Björkはソロデビューアルバムで、脈打つドローンが完璧なメロディーの背景を形成し、フィールドレコーディングとノイズがハーモニーの二重奏と共存し、迫り来る悲劇から救われるような啓示が流れ出るような風景を切り開いた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3127859428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1672020224\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3127859428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEn Dag Av Allt\u003c\/li\u003e\n\u003cli\u003eSaltholmen\u003c\/li\u003e\n\u003cli\u003eAlice \u0026amp; Julia (Som Människor) 05:34\u003c\/li\u003e\n\u003cli\u003eBorgerlig Skymning\u003c\/li\u003e\n\u003cli\u003eTornseglare 02:45\u003c\/li\u003e\n\u003cli\u003eAsterisker\u003c\/li\u003e\n\u003cli\u003eFluffiga Små Moln 02:12\u003c\/li\u003e\n\u003cli\u003eNévrose Eccléastique\u003c\/li\u003e\n\u003cli\u003eSolnamotets Harar\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJohannes Björk is a musician and literary critic based in Gothenburg. His music combines drones, pop melodies and field recordings to produce refined sketches rather than fully formed songs – resembling slowly refurnished interiors, rather than scenes with a clearly discernible subject. Originally released in a mini-edition of 12 copies for a show in Stockholm earlier on in the year, it is now presented in an expanded LP form with two tracks added in, and another two re-recorded. Accompanied in parts by renowned and emerging Swedish writers – such as Siri Ahmed Backström, Johan Jönson and Johanna Sköldbäck Martell – the music offers an electro-acoustic shelter, which houses both luminous and gloomy textures. Whilst the album shares an atmosphere with the emerging years of the Gothenburg scene to some extent, the songwriting bears witness to a production that treats lo-fi elements as integrated parts of the soundscape, though not in a way that overpowers the recording. For his debut solo album, Johannes carves out a landscape where pulsating drones form the background for the perfect melody, where field recordings and noise co-exist with harmonical dyads, and the feeling of an assuasive epiphany flow out of an ever-looming tragedy.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Johannes Björk\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e","published_at":"2024-05-04T06:27:36+09:00","created_at":"2024-05-04T06:27:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","folk \/ left-field pop","Infinite Expanse","lp","new"],"price":448600,"price_min":448600,"price_max":448600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45847751065850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Johannes Bjork \/\/ Johannes Bjork LP","public_title":null,"options":["Default Title"],"price":448600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_d0709c0c-0f92-4143-be2c-31acecd6e90d.jpg?v=1714771627","\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_20b52cb3-d02d-4e56-a630-af39b2ec7046.jpg?v=1714771627"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_d0709c0c-0f92-4143-be2c-31acecd6e90d.jpg?v=1714771627","options":["Title"],"media":[{"alt":null,"id":33932348948730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_d0709c0c-0f92-4143-be2c-31acecd6e90d.jpg?v=1714771627"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_d0709c0c-0f92-4143-be2c-31acecd6e90d.jpg?v=1714771627","width":700},{"alt":null,"id":33932348981498,"position":2,"preview_image":{"aspect_ratio":1.085,"height":1106,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_20b52cb3-d02d-4e56-a630-af39b2ec7046.jpg?v=1714771627"},"aspect_ratio":1.085,"height":1106,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_20b52cb3-d02d-4e56-a630-af39b2ec7046.jpg?v=1714771627","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ヨーテボリのアンビエント作家Johannes Björkが、2023年11月にイギリスの実験レーベルInfinite Expanseからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスケッチのようなアンビエント・フォーク〜アンビエントドローン〜サウンドポエトリー9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Johannes Björkはヨーテボリを拠点に活動するミュージシャン、文芸評論家。彼の音楽は、ドローン、ポップメロディー、フィールドレコーディングを組み合わせ、完全に形成された曲というよりは、洗練されたスケッチを生み出す。もともとは、今年初めにストックホルムで行われたライヴのために12枚のミニエディションでリリースされたものだが、今回は2曲を追加し、さらに2曲を再録音した拡大版LPとしてリリースされる。Siri Ahmed Backström、Johan Jönson、Johanna Sköldbäck Martellなど、スウェーデンの著名な作家や新進気鋭の作家が部分的に参加している。このアルバムは、ヨーテボリ・シーンの勃興期の雰囲気をある程度共有しているが、ソングライティングは、ローファイな要素をサウンドスケープの一部として扱うプロダクションを物語っている。Johannes Björkはソロデビューアルバムで、脈打つドローンが完璧なメロディーの背景を形成し、フィールドレコーディングとノイズがハーモニーの二重奏と共存し、迫り来る悲劇から救われるような啓示が流れ出るような風景を切り開いた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3127859428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1672020224\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3127859428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEn Dag Av Allt\u003c\/li\u003e\n\u003cli\u003eSaltholmen\u003c\/li\u003e\n\u003cli\u003eAlice \u0026amp; Julia (Som Människor) 05:34\u003c\/li\u003e\n\u003cli\u003eBorgerlig Skymning\u003c\/li\u003e\n\u003cli\u003eTornseglare 02:45\u003c\/li\u003e\n\u003cli\u003eAsterisker\u003c\/li\u003e\n\u003cli\u003eFluffiga Små Moln 02:12\u003c\/li\u003e\n\u003cli\u003eNévrose Eccléastique\u003c\/li\u003e\n\u003cli\u003eSolnamotets Harar\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJohannes Björk is a musician and literary critic based in Gothenburg. His music combines drones, pop melodies and field recordings to produce refined sketches rather than fully formed songs – resembling slowly refurnished interiors, rather than scenes with a clearly discernible subject. Originally released in a mini-edition of 12 copies for a show in Stockholm earlier on in the year, it is now presented in an expanded LP form with two tracks added in, and another two re-recorded. Accompanied in parts by renowned and emerging Swedish writers – such as Siri Ahmed Backström, Johan Jönson and Johanna Sköldbäck Martell – the music offers an electro-acoustic shelter, which houses both luminous and gloomy textures. Whilst the album shares an atmosphere with the emerging years of the Gothenburg scene to some extent, the songwriting bears witness to a production that treats lo-fi elements as integrated parts of the soundscape, though not in a way that overpowers the recording. For his debut solo album, Johannes carves out a landscape where pulsating drones form the background for the perfect melody, where field recordings and noise co-exist with harmonical dyads, and the feeling of an assuasive epiphany flow out of an ever-looming tragedy.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Johannes Björk\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e"}
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This is a record released by Johannes Björk, an ambient artist from Gothenburg, Sweden, on the British experimental label Infinite Expanse in November 2023.Contains 11 sketch-like ambient folk, ambient drone, and sound poetry songs. *If you would like a digital sound source, please feel free to contact us. Below is an explanation by the label. "Johannes Björk is a Gothenburg-based musician and literary critic. His music combines drones, pop melodies, and field recordings to create sophisticated sketches rather than fully formed songs. Originally , released in a 9-disc mini-edition for a live show in Stockholm earlier this year, is now being released as an expanded LP with two additional songs and two re-recorded ones. Siri Ahmed Featuring partial contributions from well-known and up-and-coming Swedish writers such as Backström, Johan Jönson and Johanna Sköldbäck Martell, the album shares some of the atmosphere of the emerging Gothenburg scene, but the songs The lighting speaks to a production that treats lo-fi elements as part of the soundscape. On Johannes Björk's debut solo album, pulsating drones form the perfect melodic backdrop, and field recordings and noise coexist with harmonic duets. He has carved out a landscape in which a revelation flows that will save us from the approaching tragedy."
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{"id":7979961778426,"title":"Sergio Díaz De Rojas \/\/ Muerte En Una Tarde De Verano LP","handle":"sergio-diaz-de-rojas-muerte-en-una-tarde-de-verano-lp","description":"\u003cp\u003eスペイン・バレンシアのピアニストSergio Díaz De Rojasが、2023年4月にドイツのアンビエント〜フォークレーベルOscarsonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・フォーク9曲を収録。DLコードとブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3689350805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code and 6-page booklet. Edition of 275.\u003c\/p\u003e\n\u003cp\u003eText essay via Oscarson:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSergio Díaz De Rojas has had music in his blood since he was born. Raised in a family of musicians, the Peruvian composer took inspiration from his grandfather and his grandfather’s sister, both accomplished pianists and composers. It was the latter relative —his great aunt Elsa— who first taught Sergio classical piano and became the guiding force in his musical development, introducing him to Bach and Chopin when he was 11.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeveral years later, tragedy struck the family. Sergio was bewildered when his grandfather, a musical genius who played for diverse orchestras and bands in Peru, took his own life. “I remember that my mom tried to hide the truth from me, but he was a public figure so the news was everywhere and I eventually found out,” he recalls. “Naturally, I was sad to lose my grandpa, but I think I was too young to understand what it truly meant to lose someone you love in such a tragic and unexpected way”. Though fifteen years have elapsed, Sergio found himself meditating on that formative loss as he composed his second full-length album, Muerte en una tarde de verano, due out March 10 via NETTWERK. A drifting song\u003cspan class=\"bcTruncateMore\"\u003e cycle of spare, contemplative piano, Muerte en una tarde de verano (or Death in a Summer’s Afternoon) is suffused in melancholy but resists giving into despair.\u003cbr\u003e\u003cbr\u003eAs its title suggests, the album bears the weight of Sergio’s reflections on mortality and loss. Two of the musician’s close friends lost their mothers during the pandemic, and Sergio’s own mother underwent a life-threatening operation while he was thousands of miles away, feeling helpless. Meanwhile, he began to listen to his grandfather’s music with fresh ears and wonder about the circumstances that drove the composer to suicide. As Sergio was entering his late twenties, such events prompted reflections on the fragility of life, which inspired Muerte en una tarde de verano. “I didn’t want to focus on the fear itself, but more in learning to accept that death is something that comes to all of us,” Sergio, who is now based in Valencia, Spain, explains. “There's no way to know when, no way to know how—it just happens one day. It’s a very good reason to pay attention to what really matters.”\u003cbr\u003e\u003cbr\u003eThe eleven pieces that comprise Muerte en una tarde de verano form a loose concept album, with a visual component as well. Spanning from Amanecer (meaning Sunrise) to Atardecer a orillas del mar (Sunset by the Seaside), the album narrates a single day from dawn to dusk, with one question at its core: If Sergio were to die tomorrow, how would he spend his last day? “The album narrates my journey from the moment I wake up until the moment I die. Some of the pieces refer to actions I'm doing in the moment—like drinking coffee, eating my favorite fruit, or playing with my cat. Other pieces are more like reminiscence—thinking about the dreams that I achieved, or the promises I wasn't able to keep because I ran out of time,” Sergio explains.\u003cbr\u003e\u003cbr\u003eDespite the morbid inspiration, Sergio maintains that it’s not meant to be a sad or tragic project. “It is simply a personal reflection on death based on certain experiences, and part of a never-ending exercise of embracing life as it is”. These eleven compositions ripple with sadness and joy, delicately intertwined in the open spaces of Sergio’s poignant arpeggios. They are intimate both in subject and sonic approach: The elegiac Canción para Otto y Elsa honors the abiding influence of Sergio’s grandfather and great aunt, Otto and Elsa (“this is my gift to them,” the composer says), while the bittersweet Promesas que se disuelven entre las nubes serves as a lament to the dreams that would go unfulfilled if Sergio were to die tomorrow: seeing his parents again, adventures with his wife Seraphina, more time spent playing video games with his sister, writing and releasing more music.\u003cbr\u003e\u003cbr\u003eThe simplest piece, Una copa de vino sobre el piano, is a humble ode to one of Sergio’s favorite pastimes: sitting at the piano with a glass of wine. Finally, on the climax, Atardecer a orillas del mar, Sergio uses a reverb pedal, a touchstone of his more melancholic pieces, to convey a sense of aural fading and decay; death is imminent. The same effect emerges on the outros to Amanecer (Prefacio) and El gato escondido entre las plantas, warped sonic fragments that represent brief moments of sadness and frustration. The use of these ambiences, Sergio hints, is a glimpse of what to expect from his future works.\u003cbr\u003e\u003cbr\u003eWhile Muerte en una tarde de verano is primarily an instrumental, neoclassical work, its centerpiece, Holding her Is where I learned forgiveness, is shaped by the tremulous, haunting voice of American singer-songwriter Lo-Fang, who also contributed cello. It is Sergio’s first collaboration with another artist. The two musicians met when Lo-Fang was staying in Valencia. They began improvising music at the latter’s apartment. “We clicked instantly,” Sergio says. “So I made this composition, and asked Lo-Fang if he wanted to make lyrics for it”. The song is dedicated to Sergio’s partner, Seraphina. “With her, I have learned to love selflessly, and to feel at home for the first time in my life,” Sergio says. Similarly, the preceding piece, Nuestra caja de postales y otros recuerdos, takes inspiration from the couple’s travels through Europe and the postcards they’ve collected along the way. Both pieces reflect an abiding sense that love is the only force that can transcend the permanence of loss.\u003cbr\u003e\u003cbr\u003eFurther distinguishing Muerte en una tarde de verano from Sergio’s previous work is the fact that it is also a visual album. All eleven pieces are accompanied by poignant videos reflecting their respective stories and inspiration, intended to be viewed as a single whole; some feature actors representing Seraphina or Sergio himself, while others depict local scenery or objects of inspiration. There emerges a deep sense of thematic unity: The photos featured on the cover art for the album and singles incorporate elements taken from the visual album, and the vinyl release includes a booklet with the analog photographs as well.\u003cbr\u003e\u003cbr\u003eThough classically trained in his youth, Sergio had an epiphany at university when he discovered neoclassical composers such as Ólafur Arnalds, Yann Tiersen, Nils Frahm, and Max Richter. “It was a very big revelation for me to discover that there were people alive, making this music that is connected to classical music but that also feels so contemporary and relatable,” Sergio recalls. “In that moment, the option of composing music appeared for the first time”. His horizons further expanded when he fell in love with genre-hopping musicians like Sufjan Stevens, whose album Carrie \u0026amp; Lowell profoundly affected him, and Keaton Henson. Sergio cites both musicians as his conceptual inspirations. It was Henson’s 2014 collaborative album Romantic Works that inspired Sergio to craft a full album instead of just individual pieces.\u003cbr\u003e\u003cbr\u003eIn 2015, while based in Peru, Sergio self-released his debut album, Unsaid Words. The album’s yearning arpeggios and mastery of mood quickly introduced Sergio’s talents. Pieces like Serendipity and Calmness revealed his knack for pairing neoclassical composition with ambient textures and found sounds, while the mournful cello of Nature hearkened back to 19th-century chamber music. Sergio subsequently released three EPs: December 03 (2016), which was composed and recorded in one afternoon; The Morning is a River (2017), which contained four piano pieces paired with slow-moving images; and Postcards (2020), which Sergio has described as a contemplative exploration of solitude, heavily inspired by Chopin.\u003cbr\u003e\u003cbr\u003eOver the years, Sergio’s works have been streamed over eighteen million times worldwide, and his track Untitled was one of the most celebrated features on Nils Frahm’s Piano Day 2018 playlist. Sergio has toured extensively around Europe, and his piece Istanbul was included on the first publication of Upright Editions (that is, English musician Garreth Brooke’s initiative to distribute the sheet music of contemporary composers), and was even a key element that inspired the project. Sergio has also participated in diverse initiatives such as Project XII by Deutsche Grammophon, Piano Layers by 7K, and Piano Day by LEITER Verlag.\u003cbr\u003e\u003cbr\u003eIn the eight years since his debut album, Sergio has relocated from Peru, where he felt little connection to the country, to Spain. He also fell in love with ambient music—particularly the works of Japanese composers like Haruomi Hosono and Hiroshi Yoshimura, who helped inspire the minimalistic hush of his own work. On Muerte en una tarde de verano, Sergio has sought to recreate the atmosphere of their works on his own terms: acoustically, with a piano. Throughout the album, the lush intricacy of Sergio’s playing is counterbalanced by a warmth and close-miked intimacy; you can hear the tapping of the musician’s fingers touching the keys, which simulates the sense of being in the room with him as he performs. “I always try to create an intimate atmosphere around my works, from the way I communicate them on social media to the way I perform them live,” the musician explains. \"I love playing in small environments where I can interact directly with people and make it feel like a meeting between friends instead of a performer vs. audience kind of situation, and I try to bring that to the recording of my music as well.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sergio Díaz De Rojas\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e","published_at":"2024-05-04T08:10:23+09:00","created_at":"2023-05-29T16:07:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","oscarson"],"price":418000,"price_min":418000,"price_max":418000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258530394362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sergio Díaz De Rojas \/\/ Muerte En Una Tarde De Verano LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_2c73a89a-c26e-43d3-9ae5-4cca64050497.jpg?v=1685344046","\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_073d4232-cf38-44d8-9e28-d3dfb91146e7.jpg?v=1685344046"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_2c73a89a-c26e-43d3-9ae5-4cca64050497.jpg?v=1685344046","options":["Title"],"media":[{"alt":null,"id":32032637485306,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_2c73a89a-c26e-43d3-9ae5-4cca64050497.jpg?v=1685344046"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_2c73a89a-c26e-43d3-9ae5-4cca64050497.jpg?v=1685344046","width":700},{"alt":null,"id":32032637518074,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_073d4232-cf38-44d8-9e28-d3dfb91146e7.jpg?v=1685344046"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_073d4232-cf38-44d8-9e28-d3dfb91146e7.jpg?v=1685344046","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペイン・バレンシアのピアニストSergio Díaz De Rojasが、2023年4月にドイツのアンビエント〜フォークレーベルOscarsonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・フォーク9曲を収録。DLコードとブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3689350805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code and 6-page booklet. Edition of 275.\u003c\/p\u003e\n\u003cp\u003eText essay via Oscarson:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSergio Díaz De Rojas has had music in his blood since he was born. Raised in a family of musicians, the Peruvian composer took inspiration from his grandfather and his grandfather’s sister, both accomplished pianists and composers. It was the latter relative —his great aunt Elsa— who first taught Sergio classical piano and became the guiding force in his musical development, introducing him to Bach and Chopin when he was 11.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeveral years later, tragedy struck the family. Sergio was bewildered when his grandfather, a musical genius who played for diverse orchestras and bands in Peru, took his own life. “I remember that my mom tried to hide the truth from me, but he was a public figure so the news was everywhere and I eventually found out,” he recalls. “Naturally, I was sad to lose my grandpa, but I think I was too young to understand what it truly meant to lose someone you love in such a tragic and unexpected way”. Though fifteen years have elapsed, Sergio found himself meditating on that formative loss as he composed his second full-length album, Muerte en una tarde de verano, due out March 10 via NETTWERK. A drifting song\u003cspan class=\"bcTruncateMore\"\u003e cycle of spare, contemplative piano, Muerte en una tarde de verano (or Death in a Summer’s Afternoon) is suffused in melancholy but resists giving into despair.\u003cbr\u003e\u003cbr\u003eAs its title suggests, the album bears the weight of Sergio’s reflections on mortality and loss. Two of the musician’s close friends lost their mothers during the pandemic, and Sergio’s own mother underwent a life-threatening operation while he was thousands of miles away, feeling helpless. Meanwhile, he began to listen to his grandfather’s music with fresh ears and wonder about the circumstances that drove the composer to suicide. As Sergio was entering his late twenties, such events prompted reflections on the fragility of life, which inspired Muerte en una tarde de verano. “I didn’t want to focus on the fear itself, but more in learning to accept that death is something that comes to all of us,” Sergio, who is now based in Valencia, Spain, explains. “There's no way to know when, no way to know how—it just happens one day. It’s a very good reason to pay attention to what really matters.”\u003cbr\u003e\u003cbr\u003eThe eleven pieces that comprise Muerte en una tarde de verano form a loose concept album, with a visual component as well. Spanning from Amanecer (meaning Sunrise) to Atardecer a orillas del mar (Sunset by the Seaside), the album narrates a single day from dawn to dusk, with one question at its core: If Sergio were to die tomorrow, how would he spend his last day? “The album narrates my journey from the moment I wake up until the moment I die. Some of the pieces refer to actions I'm doing in the moment—like drinking coffee, eating my favorite fruit, or playing with my cat. Other pieces are more like reminiscence—thinking about the dreams that I achieved, or the promises I wasn't able to keep because I ran out of time,” Sergio explains.\u003cbr\u003e\u003cbr\u003eDespite the morbid inspiration, Sergio maintains that it’s not meant to be a sad or tragic project. “It is simply a personal reflection on death based on certain experiences, and part of a never-ending exercise of embracing life as it is”. These eleven compositions ripple with sadness and joy, delicately intertwined in the open spaces of Sergio’s poignant arpeggios. They are intimate both in subject and sonic approach: The elegiac Canción para Otto y Elsa honors the abiding influence of Sergio’s grandfather and great aunt, Otto and Elsa (“this is my gift to them,” the composer says), while the bittersweet Promesas que se disuelven entre las nubes serves as a lament to the dreams that would go unfulfilled if Sergio were to die tomorrow: seeing his parents again, adventures with his wife Seraphina, more time spent playing video games with his sister, writing and releasing more music.\u003cbr\u003e\u003cbr\u003eThe simplest piece, Una copa de vino sobre el piano, is a humble ode to one of Sergio’s favorite pastimes: sitting at the piano with a glass of wine. Finally, on the climax, Atardecer a orillas del mar, Sergio uses a reverb pedal, a touchstone of his more melancholic pieces, to convey a sense of aural fading and decay; death is imminent. The same effect emerges on the outros to Amanecer (Prefacio) and El gato escondido entre las plantas, warped sonic fragments that represent brief moments of sadness and frustration. The use of these ambiences, Sergio hints, is a glimpse of what to expect from his future works.\u003cbr\u003e\u003cbr\u003eWhile Muerte en una tarde de verano is primarily an instrumental, neoclassical work, its centerpiece, Holding her Is where I learned forgiveness, is shaped by the tremulous, haunting voice of American singer-songwriter Lo-Fang, who also contributed cello. It is Sergio’s first collaboration with another artist. The two musicians met when Lo-Fang was staying in Valencia. They began improvising music at the latter’s apartment. “We clicked instantly,” Sergio says. “So I made this composition, and asked Lo-Fang if he wanted to make lyrics for it”. The song is dedicated to Sergio’s partner, Seraphina. “With her, I have learned to love selflessly, and to feel at home for the first time in my life,” Sergio says. Similarly, the preceding piece, Nuestra caja de postales y otros recuerdos, takes inspiration from the couple’s travels through Europe and the postcards they’ve collected along the way. Both pieces reflect an abiding sense that love is the only force that can transcend the permanence of loss.\u003cbr\u003e\u003cbr\u003eFurther distinguishing Muerte en una tarde de verano from Sergio’s previous work is the fact that it is also a visual album. All eleven pieces are accompanied by poignant videos reflecting their respective stories and inspiration, intended to be viewed as a single whole; some feature actors representing Seraphina or Sergio himself, while others depict local scenery or objects of inspiration. There emerges a deep sense of thematic unity: The photos featured on the cover art for the album and singles incorporate elements taken from the visual album, and the vinyl release includes a booklet with the analog photographs as well.\u003cbr\u003e\u003cbr\u003eThough classically trained in his youth, Sergio had an epiphany at university when he discovered neoclassical composers such as Ólafur Arnalds, Yann Tiersen, Nils Frahm, and Max Richter. “It was a very big revelation for me to discover that there were people alive, making this music that is connected to classical music but that also feels so contemporary and relatable,” Sergio recalls. “In that moment, the option of composing music appeared for the first time”. His horizons further expanded when he fell in love with genre-hopping musicians like Sufjan Stevens, whose album Carrie \u0026amp; Lowell profoundly affected him, and Keaton Henson. Sergio cites both musicians as his conceptual inspirations. It was Henson’s 2014 collaborative album Romantic Works that inspired Sergio to craft a full album instead of just individual pieces.\u003cbr\u003e\u003cbr\u003eIn 2015, while based in Peru, Sergio self-released his debut album, Unsaid Words. The album’s yearning arpeggios and mastery of mood quickly introduced Sergio’s talents. Pieces like Serendipity and Calmness revealed his knack for pairing neoclassical composition with ambient textures and found sounds, while the mournful cello of Nature hearkened back to 19th-century chamber music. Sergio subsequently released three EPs: December 03 (2016), which was composed and recorded in one afternoon; The Morning is a River (2017), which contained four piano pieces paired with slow-moving images; and Postcards (2020), which Sergio has described as a contemplative exploration of solitude, heavily inspired by Chopin.\u003cbr\u003e\u003cbr\u003eOver the years, Sergio’s works have been streamed over eighteen million times worldwide, and his track Untitled was one of the most celebrated features on Nils Frahm’s Piano Day 2018 playlist. Sergio has toured extensively around Europe, and his piece Istanbul was included on the first publication of Upright Editions (that is, English musician Garreth Brooke’s initiative to distribute the sheet music of contemporary composers), and was even a key element that inspired the project. Sergio has also participated in diverse initiatives such as Project XII by Deutsche Grammophon, Piano Layers by 7K, and Piano Day by LEITER Verlag.\u003cbr\u003e\u003cbr\u003eIn the eight years since his debut album, Sergio has relocated from Peru, where he felt little connection to the country, to Spain. He also fell in love with ambient music—particularly the works of Japanese composers like Haruomi Hosono and Hiroshi Yoshimura, who helped inspire the minimalistic hush of his own work. On Muerte en una tarde de verano, Sergio has sought to recreate the atmosphere of their works on his own terms: acoustically, with a piano. Throughout the album, the lush intricacy of Sergio’s playing is counterbalanced by a warmth and close-miked intimacy; you can hear the tapping of the musician’s fingers touching the keys, which simulates the sense of being in the room with him as he performs. “I always try to create an intimate atmosphere around my works, from the way I communicate them on social media to the way I perform them live,” the musician explains. \"I love playing in small environments where I can interact directly with people and make it feel like a meeting between friends instead of a performer vs. audience kind of situation, and I try to bring that to the recording of my music as well.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sergio Díaz De Rojas\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e"}
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This is a record released by Spanish Valencia pianist Sergio Díaz De Rojas from the German ambient-folk label Oscarson in April 2023. Contains 4 neoclassical folk songs. DL code and booklet included. Click here to see more Oscarson releases available at Tobira....
¥4,180
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{"id":8414478598394,"title":"Celia Hollander \/\/ Timekeeper LP","handle":"celia-hollander-timekeeper-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者Celia Hollanderが、2021年7月にLeaving Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエント・ジャズ〜ストレンジビーツ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3935874493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Black 12\" vinyl edition of 400. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003evia Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTimekeeper is a collection of temporal impressions. Each track is entitled with a time of day, mapping the ways that changes in energy and emotion form a continuously shifting sense of time. Using a palette of acoustic recordings and digital synthesis, each piece depicts either a temporal field (expansive, unpredictable), wave (swelling momentums) or rope (singular linearity).\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Celia Hollander\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-04T08:37:59+09:00","created_at":"2024-05-04T08:36:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","lp","neo classical","new","strange beats"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45847960551674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Celia Hollander \/\/ Timekeeper LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ce1_146851f4-38d7-4ae1-89d2-eb8dc1cc34a6.jpg?v=1714779420","\/\/tobirarecords.com\/cdn\/shop\/files\/ce2_f331f2c2-0975-43a6-a975-5ec8e628fa12.jpg?v=1714779420"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce1_146851f4-38d7-4ae1-89d2-eb8dc1cc34a6.jpg?v=1714779420","options":["Title"],"media":[{"alt":null,"id":33932624691450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce1_146851f4-38d7-4ae1-89d2-eb8dc1cc34a6.jpg?v=1714779420"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce1_146851f4-38d7-4ae1-89d2-eb8dc1cc34a6.jpg?v=1714779420","width":700},{"alt":null,"id":33932624724218,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce2_f331f2c2-0975-43a6-a975-5ec8e628fa12.jpg?v=1714779420"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ce2_f331f2c2-0975-43a6-a975-5ec8e628fa12.jpg?v=1714779420","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者Celia Hollanderが、2021年7月にLeaving Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエント・ジャズ〜ストレンジビーツ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3935874493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Black 12\" vinyl edition of 400. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003evia Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTimekeeper is a collection of temporal impressions. Each track is entitled with a time of day, mapping the ways that changes in energy and emotion form a continuously shifting sense of time. Using a palette of acoustic recordings and digital synthesis, each piece depicts either a temporal field (expansive, unpredictable), wave (swelling momentums) or rope (singular linearity).\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Celia Hollander\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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This is a record released by Celia Hollander, a multi-instrumentalist from LA, USA, from Leaving Records in July 2021. Contains 7 songs from ambient to ambient jazz to strange beats. *Please feel free to contact us if you would like digital sound sources Click here to see more Leaving Records/Stones Throw releases available...
¥3,480
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{"id":8414479188218,"title":"Green-House \/\/ A Host for All Kinds of Life LP \/ TAPE","handle":"green-house-a-host-for-all-kinds-of-life","description":"\u003cp\u003eアメリカ・LAのアンビエントデュオGreen-Houseが、2023年10月にLAのオールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e穏やかなポストニューエイジ・シンセアンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"人為的な気候変動によるカオスが蔓延する時代において、「ソラスタルジア」（環境の変化／劣化に対する反応として個人が経験する憧れや苦悩）は、便利で半流行的な概念として登場した。しかし、私たちの多くにとって、この概念／前提の核心には問題、罠、言いようのない空虚感が存在する。特に、自然から疎遠になり、それでも問題の深刻さと複雑さを理解している終生都市生活者にとっては。どのように嘆くのだろうか？オリーヴ・アルディゾーニが立ち上げ、現在は長年の協力者であり親友でもあるマイケル・フラナガンと正式にデュオ・プロジェクトとして活動しているGreen-Houseは、おそらく間接的に、つまり探求的で非独断的なやり方で、この理解のギャップに取り組もうとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2020年にリリースされたGreen-HouseデビューEP『Six Songs for Invisible Gardens』は、Covid-19の「ロックダウン」の深淵と時を同じくして、特に非田舎で蔓延する人間と植物の心労に応えるものだった。カセット・リリースのパッケージには、リスナーが撒けるように野草の種が入っていたことで有名だ。このジェスチャーは、アルディゾーニの真摯で真剣な信念の証である。Six Songsをカルト的なエコ・アンビエント・ヒットとして定着させた方式をさらに洗練させた『Music for Living Space』は、2021年にGreen-House初のフルレングスLPとしてリリースされた。2023年10月13日にLeaving RecordsからリリースされたLP『A Host For All Kinds of Life』は、シリーズ3作目の作品であり、そのタイトルはすべて \"for \"を中心に展開されている。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのLPのタイトルと、フラナガンがデザインした万華鏡のようなフラクタルなジャケット・アートを考えればわかるだろう。一見ソフトに見える曲が、実はエッジの効いたものだとしたら？楽で瞑想的な喜びが、私たちの考え方を根本的に変えてしまうとしたら？世俗的な主体としての私たちの役割そのものを？リン・マーグリスの作品と、生物学的相互主義（両方の種が利益を得る種同士の結びつき）の進化的役割に関する我々の急成長中の理解を基にした『A Host For All Kinds of Life』は、深く根付いた、政治的根拠のある歌曲組曲である。レコードの9曲目、最後から2番目のトラック「Everything is Okay」（ちなみにこの曲は、アルディゾーニの母親がアルディゾーニに残した優しいメッセージという、このリリース唯一の人間の声で終わっている）の金色の、60年代を彷彿とさせるメロディックなアラベスクを見てほしい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreen-Houseの存在そのものが、反逆の行為として喜びを選ぶだけでなく、身近な環境にあるどんな植物の生命にもその喜びを見出すという意識的な決断に行き着くのだ。この意味で、Green-Houseのすべてのリリース（特に『A Host for All Kinds of Life』）は、カジュアルなリスナーや初めて聴くリスナーには理解できない過激さを体現している。病める世界で喜びを選択し、模範とし、表現するには勇気が必要だ。『A Host For all Kinds of Life』は、聴く人に、ゆっくりとした時間を持ち、自分の周りにある人間以上の世界に耳を傾け、これから起こる不確実性を踏まえて勇気と喜びを集めるよう促す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416132444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=3382\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable as 12\" black vinyl or cassette. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoquina 04:47\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLichen Maps 03:20\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesire Path 04:03\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCastle Song 02:53\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFar More Other 03:14\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuna Clipper 03:41\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFerndell Shade 03:53\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Host for All Kinds of Life 03:59\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEverything is Okay 04:40\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMany Years Later 02:45\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn an era of rampant, man-made climate chaos, “solastalgia” (the longing and distress experienced by individuals as a response to environmental change\/degradation) has emerged as a useful, semi-viral concept — a catch-all term for the pervasive sense that the world as we know it is far from well, and only growing less so. But, for many of us, a problem, a trap, an ineffable hollowness, exists at the very crux of this concept\/premise: how can we mourn (or even sense the loss of) that which we have never known? Especially for lifelong urbanites estranged from nature, who nevertheless grasp the severity and complexity of the problem—how might they remember? How might they mourn? Perhaps indirectly—that is to say, in an exploratory and non-dogmatic fashion—Green-House, a project birthed by Olive Ardizoni and now officially a duo project featuring long-time collaborator and confidant, Michael Flanagan, seeks to address this gap in understanding.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSix Songs for Invisible Gardens, the debut Green-House EP whose 2020 release coincided with the depths of Covid-19 “lockdown,” responded to the rampant heartsickness of human and plant life, especially in non-rural areas. The packaging of the cassette release famously included wildflower seeds for the listener to scatter\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. This gesture (at once simple and daring, especially when one considers the logistical element) exists as testament to the sincerity and seriousness of Ardizoni’s convictions. Music for Living Spaces, the first full-length Green-House LP, followed in 2021— a refinement of the formula that enshrined Six Songs as a cult, eco-ambient hit. Out October 13, 2023 on Leaving Records, they have returned with the LP A Host For All Kinds of Life, a third entry in a series of releases whose titles have incidentally all revolved around the “for” construction: an unofficial canon of offerings, or maybe rather instructions as to how the music contained therein might, could, and should operate in\/on the listener’s life and “living space(s).”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDecidedly the most expansive Green-House release — one need only consider the LP’s title and the kaleidoscopic, fractal cover art designed by Flanagan—A Host For All Kinds of Life troubles the very notion of “ambient music,” a category with whom Green-House has always existed in some degree of tension. What if a song’s seeming softness constitutes its biting edge? What if easeful, contemplative pleasure can radically alter our mindset? Our very role as worldly subjects? Drawing on the works of Lynn Margulis and our burgeoning understanding of the evolutionary role of biological mutualism (associations between species in which both species benefit), A Host For All Kinds of Life is a deeply entrenched and politically grounded song suite. And there are indeed discrete songs here, with defined structure, momentum, and sway; see the gilded, sixties-evoking melodic arabesque of the record’s ninth and penultimate track, “Everything is Okay” (which incidentally ends with the release’s only human voice—a tender message left for Ardizoni by their mother).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn conversation, Ardizoni speaks often of the centrality of joy—that Green-House’s very existence can be traced to a conscious decision they made to not only choose joy as an act of rebellion, but to find that joy in whatever plant life they could access in their immediate environment. In this sense, all of Green-House’s releases (and A Host for All Kinds of Life especially) embody a radicality that may elude the casual or first-time listener. To choose, model, and express joy in an ailing world requires courage, a courage that must be jealously guarded and constantly replenished. A Host For all Kinds of Life encourages the listener to slow down, take stock, tune in to the more-than-human world around them, and gather their courage and joy in light of the uncertainty to come.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Green-House\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003eCat. Number : \u003cspan class=\"product-meta__sku\"\u003e\u003cspan class=\"product-meta__sku-number\"\u003eLR248LP\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-04T08:40:09+09:00","created_at":"2024-05-04T08:39:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","lp","new","post newage","tape"],"price":226000,"price_min":226000,"price_max":368000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45847963795706,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41206165274874,"product_id":8414479188218,"position":5,"created_at":"2024-05-04T08:39:39+09:00","updated_at":"2024-05-04T08:39:39+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033097197_10_f3820dd3-407e-4bd1-869f-2a537b19105a.jpg?v=1714779579","variant_ids":[45847963795706]},"available":true,"name":"Green-House \/\/ A Host for All Kinds of Life LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33932629868794,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033097197_10_f3820dd3-407e-4bd1-869f-2a537b19105a.jpg?v=1714779579"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45847963828474,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41206165242106,"product_id":8414479188218,"position":4,"created_at":"2024-05-04T08:39:39+09:00","updated_at":"2024-05-04T08:39:39+09:00","alt":null,"width":540,"height":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033097223_71_2128d590-3cd3-432a-9d7d-2ede6792ddba.jpg?v=1714779579","variant_ids":[45847963828474]},"available":true,"name":"Green-House \/\/ A Host for All Kinds of Life LP \/ TAPE - 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Recordsからリリースしたアルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e穏やかなポストニューエイジ・シンセアンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"人為的な気候変動によるカオスが蔓延する時代において、「ソラスタルジア」（環境の変化／劣化に対する反応として個人が経験する憧れや苦悩）は、便利で半流行的な概念として登場した。しかし、私たちの多くにとって、この概念／前提の核心には問題、罠、言いようのない空虚感が存在する。特に、自然から疎遠になり、それでも問題の深刻さと複雑さを理解している終生都市生活者にとっては。どのように嘆くのだろうか？オリーヴ・アルディゾーニが立ち上げ、現在は長年の協力者であり親友でもあるマイケル・フラナガンと正式にデュオ・プロジェクトとして活動しているGreen-Houseは、おそらく間接的に、つまり探求的で非独断的なやり方で、この理解のギャップに取り組もうとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2020年にリリースされたGreen-HouseデビューEP『Six Songs for Invisible Gardens』は、Covid-19の「ロックダウン」の深淵と時を同じくして、特に非田舎で蔓延する人間と植物の心労に応えるものだった。カセット・リリースのパッケージには、リスナーが撒けるように野草の種が入っていたことで有名だ。このジェスチャーは、アルディゾーニの真摯で真剣な信念の証である。Six Songsをカルト的なエコ・アンビエント・ヒットとして定着させた方式をさらに洗練させた『Music for Living Space』は、2021年にGreen-House初のフルレングスLPとしてリリースされた。2023年10月13日にLeaving RecordsからリリースされたLP『A Host For All Kinds of Life』は、シリーズ3作目の作品であり、そのタイトルはすべて \"for \"を中心に展開されている。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのLPのタイトルと、フラナガンがデザインした万華鏡のようなフラクタルなジャケット・アートを考えればわかるだろう。一見ソフトに見える曲が、実はエッジの効いたものだとしたら？楽で瞑想的な喜びが、私たちの考え方を根本的に変えてしまうとしたら？世俗的な主体としての私たちの役割そのものを？リン・マーグリスの作品と、生物学的相互主義（両方の種が利益を得る種同士の結びつき）の進化的役割に関する我々の急成長中の理解を基にした『A Host For All Kinds of Life』は、深く根付いた、政治的根拠のある歌曲組曲である。レコードの9曲目、最後から2番目のトラック「Everything is Okay」（ちなみにこの曲は、アルディゾーニの母親がアルディゾーニに残した優しいメッセージという、このリリース唯一の人間の声で終わっている）の金色の、60年代を彷彿とさせるメロディックなアラベスクを見てほしい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreen-Houseの存在そのものが、反逆の行為として喜びを選ぶだけでなく、身近な環境にあるどんな植物の生命にもその喜びを見出すという意識的な決断に行き着くのだ。この意味で、Green-Houseのすべてのリリース（特に『A Host for All Kinds of Life』）は、カジュアルなリスナーや初めて聴くリスナーには理解できない過激さを体現している。病める世界で喜びを選択し、模範とし、表現するには勇気が必要だ。『A Host For all Kinds of Life』は、聴く人に、ゆっくりとした時間を持ち、自分の周りにある人間以上の世界に耳を傾け、これから起こる不確実性を踏まえて勇気と喜びを集めるよう促す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416132444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=3382\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable as 12\" black vinyl or cassette. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoquina 04:47\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLichen Maps 03:20\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesire Path 04:03\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCastle Song 02:53\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFar More Other 03:14\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuna Clipper 03:41\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFerndell Shade 03:53\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Host for All Kinds of Life 03:59\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEverything is Okay 04:40\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMany Years Later 02:45\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn an era of rampant, man-made climate chaos, “solastalgia” (the longing and distress experienced by individuals as a response to environmental change\/degradation) has emerged as a useful, semi-viral concept — a catch-all term for the pervasive sense that the world as we know it is far from well, and only growing less so. But, for many of us, a problem, a trap, an ineffable hollowness, exists at the very crux of this concept\/premise: how can we mourn (or even sense the loss of) that which we have never known? Especially for lifelong urbanites estranged from nature, who nevertheless grasp the severity and complexity of the problem—how might they remember? How might they mourn? Perhaps indirectly—that is to say, in an exploratory and non-dogmatic fashion—Green-House, a project birthed by Olive Ardizoni and now officially a duo project featuring long-time collaborator and confidant, Michael Flanagan, seeks to address this gap in understanding.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSix Songs for Invisible Gardens, the debut Green-House EP whose 2020 release coincided with the depths of Covid-19 “lockdown,” responded to the rampant heartsickness of human and plant life, especially in non-rural areas. The packaging of the cassette release famously included wildflower seeds for the listener to scatter\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. This gesture (at once simple and daring, especially when one considers the logistical element) exists as testament to the sincerity and seriousness of Ardizoni’s convictions. Music for Living Spaces, the first full-length Green-House LP, followed in 2021— a refinement of the formula that enshrined Six Songs as a cult, eco-ambient hit. Out October 13, 2023 on Leaving Records, they have returned with the LP A Host For All Kinds of Life, a third entry in a series of releases whose titles have incidentally all revolved around the “for” construction: an unofficial canon of offerings, or maybe rather instructions as to how the music contained therein might, could, and should operate in\/on the listener’s life and “living space(s).”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDecidedly the most expansive Green-House release — one need only consider the LP’s title and the kaleidoscopic, fractal cover art designed by Flanagan—A Host For All Kinds of Life troubles the very notion of “ambient music,” a category with whom Green-House has always existed in some degree of tension. What if a song’s seeming softness constitutes its biting edge? What if easeful, contemplative pleasure can radically alter our mindset? Our very role as worldly subjects? Drawing on the works of Lynn Margulis and our burgeoning understanding of the evolutionary role of biological mutualism (associations between species in which both species benefit), A Host For All Kinds of Life is a deeply entrenched and politically grounded song suite. And there are indeed discrete songs here, with defined structure, momentum, and sway; see the gilded, sixties-evoking melodic arabesque of the record’s ninth and penultimate track, “Everything is Okay” (which incidentally ends with the release’s only human voice—a tender message left for Ardizoni by their mother).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn conversation, Ardizoni speaks often of the centrality of joy—that Green-House’s very existence can be traced to a conscious decision they made to not only choose joy as an act of rebellion, but to find that joy in whatever plant life they could access in their immediate environment. In this sense, all of Green-House’s releases (and A Host for All Kinds of Life especially) embody a radicality that may elude the casual or first-time listener. To choose, model, and express joy in an ailing world requires courage, a courage that must be jealously guarded and constantly replenished. A Host For all Kinds of Life encourages the listener to slow down, take stock, tune in to the more-than-human world around them, and gather their courage and joy in light of the uncertainty to come.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Green-House\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003eCat. Number : \u003cspan class=\"product-meta__sku\"\u003e\u003cspan class=\"product-meta__sku-number\"\u003eLR248LP\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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This is an album released by the American LA ambient duo Green-House from LA's all-genre label Leaving Records in October 2023.Contains 10 gentle post-new age synth ambient songs. *If you would like a digital sound source, please feel free to contact us. Below is an explanation by the label. In an age of widespread chaos caused by anthropogenic climate change, ``solastalgia'' (the longing and suffering experienced by individuals in response to environmental change/deterioration) has emerged as a convenient, semi-fashionable concept.But for many of us, there is a problem, a trap, an indescribable emptiness at the heart of this concept/premise.Especially for lifelong city dwellers who have become estranged from nature and yet understand the seriousness and complexity of the problem.How do we grieve?Founded by Olive Ardizzoni and now officially a duo project with long-time collaborator and close friend Michael Flanagan, Green-House is perhaps indirectly known for its exploratory, non-dogmatic nature. We are trying to address this gap in understanding in a new way. Released in 10, Green-House's debut EP, Six Songs for Invisible Gardens, coincides with the depths of the Covid-2020 "lockdown" and responds to the human and plant worries prevalent especially in non-rural areas. It was something.The cassette release packaging famously included wildflower seeds for listeners to sow.This gesture is proof of Ardizzoni's sincere and serious beliefs. Music for Living further refines the formula that established Six Songs as a cult eco-ambient hit.
¥2,260
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{"id":8414479384826,"title":"Green-House \/\/ Music for Living Spaces LP","handle":"green-house-music-for-living-spaces-lp","description":"\u003cp\u003eアメリカ・LAのポストニューエイジデュオ\u003cspan data-mce-fragment=\"1\"\u003eGreen-Houseが、2021年にLAの老舗レーベルStones Throwからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e穏やかなポストニューエイジ・アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1169230806\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=1817\/tracklist=false\/artwork=small\/track=290656855\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1169230806\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=1817\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTop Soil 04:18\u003c\/li\u003e\n\u003cli\u003eNocturnal Bloom 04:52\u003c\/li\u003e\n\u003cli\u003eSunflower Dance 03:32\u003c\/li\u003e\n\u003cli\u003eBird of Paradise 04:30\u003c\/li\u003e\n\u003cli\u003eSoft Coral 05:05\u003c\/li\u003e\n\u003cli\u003eRoyal Fern 04:17\u003c\/li\u003e\n\u003cli\u003eRain 05:15\u003c\/li\u003e\n\u003cli\u003eFind Home 03:13\u003c\/li\u003e\n\u003cli\u003eMiddlemist 03:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeaving Records presents Music For Living Spaces, the debut LP by non-binary Los Angeles-based artist Green-House. Olive Ardizoni helms the project, which made its debut with the charming 2019 EP Six Songs for Invisible Gardens. Music for Living Spaces represents an evolution of its predecessor’s minimalist compositions into songs that move with winsome melodies and emotional arcs. Though recorded during a pandemic, the transporting nature of Music For Livings Spaces offers a remedy for dreariness. Ardizoni states, “I’m trying to hit that part of the brain that’s affected by the emotional state that you’re in when you perceive something as cute.” \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMusic For Living Spaces' first single “Sunflower Dance” sports a breezy, bucolic vibe. The track is intended to invoke the whimsical image of hamsters happily dancing in a field. Ardizoni brings an intentionality to these playful atmospheres. They state, “In our culture, we prioritize profound artistic expression through emotions like sadness or aggression, but cuteness, silliness or fun, are the things that we trivialize in our culture. We say that they’re childish and it gets invalidated.” The complex and radiant productions\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e on Music for Living Spaces counter this view. Ardizoni continues, “Cuteness and joy are gateways to compassion. It’s the gateway to empathy and activating the network in your brain that boosts moral concern for other people in the world around you.” Despite its general sunniness, Music For Living Spaces does not solely rely on exuberant, colorful moods. “Royal Fern” is a sophisticated composition of voices calling and responding to each other in rippling waves, while towards the closing of the album we hear Ardizoni’s ethereal voice for the first time that carries a nuanced, contemplative aura that defies categorization. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eMusic For Living Spaces is a step forward for Green-House. Ardizoni states, “The intention of this project is to facilitate the connection between humans and nature. Instead of perceiving nature as something that's separate from us, or outside of our homes, we can recognize nature as something that is within us and in everything we do in our daily lives. You don't need to have access to the great outdoors to feel connected to the environment.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Green-House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-04T08:42:01+09:00","created_at":"2024-05-04T08:41:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","lp","new","post newage"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45847965434106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Green-House \/\/ Music for Living Spaces LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/li1_96c70838-81c2-48d1-ab13-998b83cc3daf.jpg?v=1714779689","\/\/tobirarecords.com\/cdn\/shop\/files\/li3_38a2a36e-c8f9-45ca-878a-cc9494be9bfd.jpg?v=1714779689"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/li1_96c70838-81c2-48d1-ab13-998b83cc3daf.jpg?v=1714779689","options":["Title"],"media":[{"alt":null,"id":33932631867642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/li1_96c70838-81c2-48d1-ab13-998b83cc3daf.jpg?v=1714779689"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/li1_96c70838-81c2-48d1-ab13-998b83cc3daf.jpg?v=1714779689","width":700},{"alt":null,"id":33932631900410,"position":2,"preview_image":{"aspect_ratio":1.005,"height":596,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/li3_38a2a36e-c8f9-45ca-878a-cc9494be9bfd.jpg?v=1714779689"},"aspect_ratio":1.005,"height":596,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/li3_38a2a36e-c8f9-45ca-878a-cc9494be9bfd.jpg?v=1714779689","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのポストニューエイジデュオ\u003cspan data-mce-fragment=\"1\"\u003eGreen-Houseが、2021年にLAの老舗レーベルStones Throwからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e穏やかなポストニューエイジ・アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1169230806\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=1817\/tracklist=false\/artwork=small\/track=290656855\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1169230806\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=1817\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTop Soil 04:18\u003c\/li\u003e\n\u003cli\u003eNocturnal Bloom 04:52\u003c\/li\u003e\n\u003cli\u003eSunflower Dance 03:32\u003c\/li\u003e\n\u003cli\u003eBird of Paradise 04:30\u003c\/li\u003e\n\u003cli\u003eSoft Coral 05:05\u003c\/li\u003e\n\u003cli\u003eRoyal Fern 04:17\u003c\/li\u003e\n\u003cli\u003eRain 05:15\u003c\/li\u003e\n\u003cli\u003eFind Home 03:13\u003c\/li\u003e\n\u003cli\u003eMiddlemist 03:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeaving Records presents Music For Living Spaces, the debut LP by non-binary Los Angeles-based artist Green-House. Olive Ardizoni helms the project, which made its debut with the charming 2019 EP Six Songs for Invisible Gardens. Music for Living Spaces represents an evolution of its predecessor’s minimalist compositions into songs that move with winsome melodies and emotional arcs. Though recorded during a pandemic, the transporting nature of Music For Livings Spaces offers a remedy for dreariness. Ardizoni states, “I’m trying to hit that part of the brain that’s affected by the emotional state that you’re in when you perceive something as cute.” \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMusic For Living Spaces' first single “Sunflower Dance” sports a breezy, bucolic vibe. The track is intended to invoke the whimsical image of hamsters happily dancing in a field. Ardizoni brings an intentionality to these playful atmospheres. They state, “In our culture, we prioritize profound artistic expression through emotions like sadness or aggression, but cuteness, silliness or fun, are the things that we trivialize in our culture. We say that they’re childish and it gets invalidated.” The complex and radiant productions\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e on Music for Living Spaces counter this view. Ardizoni continues, “Cuteness and joy are gateways to compassion. It’s the gateway to empathy and activating the network in your brain that boosts moral concern for other people in the world around you.” Despite its general sunniness, Music For Living Spaces does not solely rely on exuberant, colorful moods. “Royal Fern” is a sophisticated composition of voices calling and responding to each other in rippling waves, while towards the closing of the album we hear Ardizoni’s ethereal voice for the first time that carries a nuanced, contemplative aura that defies categorization. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eMusic For Living Spaces is a step forward for Green-House. Ardizoni states, “The intention of this project is to facilitate the connection between humans and nature. Instead of perceiving nature as something that's separate from us, or outside of our homes, we can recognize nature as something that is within us and in everything we do in our daily lives. You don't need to have access to the great outdoors to feel connected to the environment.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Green-House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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This is a record released by the post-new age duo Green-House from LA, USA, on the long-established LA label Stones Throw in 2021. Contains 6 gentle post-new age ambient songs. *We will send you the digital sound source free of charge, so please feel free to contact us. Click here to see more Leaving Records/Stones Throw releases available at...
¥3,680
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{"id":8414481449210,"title":"Carlos Niño \u0026 Friends \/\/ Assortment for Susan's TAPE","handle":"carlos-nino-friends-assortment-for-susans-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年12月にLAのLeaving Recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・スピリチュアルジャズ16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4290817798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMatthewdavid and I agreed that the idea of releasing\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emy three Carlos Niño \u0026amp; Friends full-lengths -\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlutes, Echoes, It's All Happening! (2016), Going Home (2017),\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand Bliss On Dear Oneness (2019) all originally released\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eon LP and Digital by Leaving Records - on cassette for the first time,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewas a good one. When I went to figure out where the side breaks\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewould be in the track sequence, I realized that none of them\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewould fit very well, due to timing and length. I have run into\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ethis issue before with cassette and vinyl sequences, as there\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eis only so much music that can be pressed onto a side.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn some cases I have had to edit or omit songs to fit a side\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eof vinyl.\u003cbr data-mce-fragment=\"1\"\u003eThey make different lengths, durations of tape, and I considered\u003cbr data-mce-fragment=\"1\"\u003edifferent track orders for each individual record, but somehow\u003cbr data-mce-fragment=\"1\"\u003enone of the configurations that I came up with were working\u003cbr data-mce-fragment=\"1\"\u003efor these to become cassette releases. I then conceived of a\u003cbr data-mce-fragment=\"1\"\u003esingle tape (C80, 40 minutes a side) that would compile songs\u003cbr data-mce-fragment=\"1\"\u003efrom these releases with a couple pieces from my previous\u003cbr data-mce-fragment=\"1\"\u003eself-released LP Aurorasmushroomtenderness (2014) and\u003cbr data-mce-fragment=\"1\"\u003ethe one that came before that on (the long defunct) Porter Records\u003cbr data-mce-fragment=\"1\"\u003eAquariusssssss (2012). Matthewdavid and I had always thought\u003cbr data-mce-fragment=\"1\"\u003ethat it would be a good idea for a couple new pieces to come out\u003cbr data-mce-fragment=\"1\"\u003eDigitally in conjunction with the tape releases. In this new concept\u003cbr data-mce-fragment=\"1\"\u003eI was able to start each side with one of the new pieces I had ready.\u003cbr data-mce-fragment=\"1\"\u003eThe title Assortment for Susan's is a living, Loving tribute to our\u003cbr data-mce-fragment=\"1\"\u003eDear Friend and Collaborator Justin Hansohn and his community\u003cbr data-mce-fragment=\"1\"\u003ecompany Anandamide. The Anandamide headquarters\u003cbr data-mce-fragment=\"1\"\u003ein Elysian Park, California is called Susan's, named after the dog\u003cbr data-mce-fragment=\"1\"\u003ethat he shares with his partner Taylor. LOVE to Justin, Taylor,\u003cbr data-mce-fragment=\"1\"\u003eSusan, Monkey, Warren, and all of the Anandamide Family . . .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide A\u003cbr data-mce-fragment=\"1\"\u003e1. Bioluminescence (featuring Laraaji\u003cbr data-mce-fragment=\"1\"\u003eand Ariel Kalma, with Surya Botofasina)\u003cbr data-mce-fragment=\"1\"\u003e2. Pulsating (with Laraaji,\u003cbr data-mce-fragment=\"1\"\u003eJamael Dean and Sharada Shashidhar)\u003cbr data-mce-fragment=\"1\"\u003e3. Forest Pulse (with Laraaji and Photay)\u003cbr data-mce-fragment=\"1\"\u003e4. Esssssssence (with Ish of Shabazz Palaces\u003cbr data-mce-fragment=\"1\"\u003eand Jamael Dean)\u003cbr data-mce-fragment=\"1\"\u003e5. Trance Elation Poem (with Akiko, Hashim and Fuji)\u003cbr data-mce-fragment=\"1\"\u003e6. Jupiter Sings (with lasos)\u003cbr data-mce-fragment=\"1\"\u003e7. Going Home (with Iasos)\u003cbr data-mce-fragment=\"1\"\u003e8. Aetheriaztlan (with Jesse Peterson\u003cbr data-mce-fragment=\"1\"\u003eand Aztlan Unearthed)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B\u003cbr data-mce-fragment=\"1\"\u003e1. Drum Solo +, \"Sounds like memory . . .\"\u003cbr data-mce-fragment=\"1\"\u003e(featuring Marcus Gilmore, with Devin Daniels,\u003cbr data-mce-fragment=\"1\"\u003eNate Mercereau, Maia, and Surya Botofasina)\u003cbr data-mce-fragment=\"1\"\u003e2. Light-Codes (with Dexter Story,\u003cbr data-mce-fragment=\"1\"\u003eJosh Johnson and SK Kakraba)\u003cbr data-mce-fragment=\"1\"\u003e3. OrganicSelf (with Deantoni Parks, Dexter Story,\u003cbr data-mce-fragment=\"1\"\u003eJosh Johnson, and Miguel Atwood-Ferguson)\u003cbr data-mce-fragment=\"1\"\u003e4. Mezame (Awakening)\u003cbr data-mce-fragment=\"1\"\u003e(by Carlos Niño \u0026amp; Miguel Atwood-Ferguson)\u003cbr data-mce-fragment=\"1\"\u003e5. Ojai CBD 072918 (with Jamire Williams and Sam Gendel)\u003cbr data-mce-fragment=\"1\"\u003e6. Calimayan (with Nate Morgan and Yaakov Levy)\u003cbr data-mce-fragment=\"1\"\u003e7. Heatwaves (with Daedelus) \/ Forward To The Sun\u003cbr data-mce-fragment=\"1\"\u003e(with Jesse Peterson and Kamasi Washington)\u003cbr data-mce-fragment=\"1\"\u003e8. Baawdoobipp 032215\u003cbr data-mce-fragment=\"1\"\u003e(with Brandon Eugene Owens,\u003cbr data-mce-fragment=\"1\"\u003eDexter Story, Kamasi Washington,\u003cbr data-mce-fragment=\"1\"\u003eMiguel Atwood-Fergsuon,\u003cbr data-mce-fragment=\"1\"\u003eand Mark De Clive-Lowe)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eCarlos Niño \u0026amp; Friends\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-04T08:51:16+09:00","created_at":"2024-05-04T08:50:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","leaving records","new","post newage","tape"],"price":229500,"price_min":229500,"price_max":229500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45847976050938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Niño \u0026 Friends \/\/ Assortment for Susan's TAPE","public_title":null,"options":["Default Title"],"price":229500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1115365897_16.jpg?v=1714780250","\/\/tobirarecords.com\/cdn\/shop\/files\/0030712212_10.jpg?v=1714780250"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1115365897_16.jpg?v=1714780250","options":["Title"],"media":[{"alt":null,"id":33932650479866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1115365897_16.jpg?v=1714780250"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1115365897_16.jpg?v=1714780250","width":700},{"alt":null,"id":33932650512634,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030712212_10.jpg?v=1714780250"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030712212_10.jpg?v=1714780250","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年12月にLAのLeaving Recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・スピリチュアルジャズ16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4290817798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMatthewdavid and I agreed that the idea of releasing\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emy three Carlos Niño \u0026amp; Friends full-lengths -\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlutes, Echoes, It's All Happening! (2016), Going Home (2017),\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand Bliss On Dear Oneness (2019) all originally released\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eon LP and Digital by Leaving Records - on cassette for the first time,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewas a good one. When I went to figure out where the side breaks\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewould be in the track sequence, I realized that none of them\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewould fit very well, due to timing and length. I have run into\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ethis issue before with cassette and vinyl sequences, as there\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eis only so much music that can be pressed onto a side.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn some cases I have had to edit or omit songs to fit a side\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eof vinyl.\u003cbr data-mce-fragment=\"1\"\u003eThey make different lengths, durations of tape, and I considered\u003cbr data-mce-fragment=\"1\"\u003edifferent track orders for each individual record, but somehow\u003cbr data-mce-fragment=\"1\"\u003enone of the configurations that I came up with were working\u003cbr data-mce-fragment=\"1\"\u003efor these to become cassette releases. I then conceived of a\u003cbr data-mce-fragment=\"1\"\u003esingle tape (C80, 40 minutes a side) that would compile songs\u003cbr data-mce-fragment=\"1\"\u003efrom these releases with a couple pieces from my previous\u003cbr data-mce-fragment=\"1\"\u003eself-released LP Aurorasmushroomtenderness (2014) and\u003cbr data-mce-fragment=\"1\"\u003ethe one that came before that on (the long defunct) Porter Records\u003cbr data-mce-fragment=\"1\"\u003eAquariusssssss (2012). Matthewdavid and I had always thought\u003cbr data-mce-fragment=\"1\"\u003ethat it would be a good idea for a couple new pieces to come out\u003cbr data-mce-fragment=\"1\"\u003eDigitally in conjunction with the tape releases. In this new concept\u003cbr data-mce-fragment=\"1\"\u003eI was able to start each side with one of the new pieces I had ready.\u003cbr data-mce-fragment=\"1\"\u003eThe title Assortment for Susan's is a living, Loving tribute to our\u003cbr data-mce-fragment=\"1\"\u003eDear Friend and Collaborator Justin Hansohn and his community\u003cbr data-mce-fragment=\"1\"\u003ecompany Anandamide. The Anandamide headquarters\u003cbr data-mce-fragment=\"1\"\u003ein Elysian Park, California is called Susan's, named after the dog\u003cbr data-mce-fragment=\"1\"\u003ethat he shares with his partner Taylor. LOVE to Justin, Taylor,\u003cbr data-mce-fragment=\"1\"\u003eSusan, Monkey, Warren, and all of the Anandamide Family . . .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide A\u003cbr data-mce-fragment=\"1\"\u003e1. Bioluminescence (featuring Laraaji\u003cbr data-mce-fragment=\"1\"\u003eand Ariel Kalma, with Surya Botofasina)\u003cbr data-mce-fragment=\"1\"\u003e2. Pulsating (with Laraaji,\u003cbr data-mce-fragment=\"1\"\u003eJamael Dean and Sharada Shashidhar)\u003cbr data-mce-fragment=\"1\"\u003e3. Forest Pulse (with Laraaji and Photay)\u003cbr data-mce-fragment=\"1\"\u003e4. Esssssssence (with Ish of Shabazz Palaces\u003cbr data-mce-fragment=\"1\"\u003eand Jamael Dean)\u003cbr data-mce-fragment=\"1\"\u003e5. Trance Elation Poem (with Akiko, Hashim and Fuji)\u003cbr data-mce-fragment=\"1\"\u003e6. Jupiter Sings (with lasos)\u003cbr data-mce-fragment=\"1\"\u003e7. Going Home (with Iasos)\u003cbr data-mce-fragment=\"1\"\u003e8. Aetheriaztlan (with Jesse Peterson\u003cbr data-mce-fragment=\"1\"\u003eand Aztlan Unearthed)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B\u003cbr data-mce-fragment=\"1\"\u003e1. Drum Solo +, \"Sounds like memory . . .\"\u003cbr data-mce-fragment=\"1\"\u003e(featuring Marcus Gilmore, with Devin Daniels,\u003cbr data-mce-fragment=\"1\"\u003eNate Mercereau, Maia, and Surya Botofasina)\u003cbr data-mce-fragment=\"1\"\u003e2. Light-Codes (with Dexter Story,\u003cbr data-mce-fragment=\"1\"\u003eJosh Johnson and SK Kakraba)\u003cbr data-mce-fragment=\"1\"\u003e3. OrganicSelf (with Deantoni Parks, Dexter Story,\u003cbr data-mce-fragment=\"1\"\u003eJosh Johnson, and Miguel Atwood-Ferguson)\u003cbr data-mce-fragment=\"1\"\u003e4. Mezame (Awakening)\u003cbr data-mce-fragment=\"1\"\u003e(by Carlos Niño \u0026amp; Miguel Atwood-Ferguson)\u003cbr data-mce-fragment=\"1\"\u003e5. Ojai CBD 072918 (with Jamire Williams and Sam Gendel)\u003cbr data-mce-fragment=\"1\"\u003e6. Calimayan (with Nate Morgan and Yaakov Levy)\u003cbr data-mce-fragment=\"1\"\u003e7. Heatwaves (with Daedelus) \/ Forward To The Sun\u003cbr data-mce-fragment=\"1\"\u003e(with Jesse Peterson and Kamasi Washington)\u003cbr data-mce-fragment=\"1\"\u003e8. Baawdoobipp 032215\u003cbr data-mce-fragment=\"1\"\u003e(with Brandon Eugene Owens,\u003cbr data-mce-fragment=\"1\"\u003eDexter Story, Kamasi Washington,\u003cbr data-mce-fragment=\"1\"\u003eMiguel Atwood-Fergsuon,\u003cbr data-mce-fragment=\"1\"\u003eand Mark De Clive-Lowe)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eCarlos Niño \u0026amp; Friends\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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This is a cassette released by Los Angeles percussionist Carlos Niño in December 2022 from LA's Leaving Records. Contains 12 ambient spiritual jazz songs. *We will send you the digital sound source free of charge, so please feel free to contact us. Click here for his label and other works /// Click here to see more Leaving Records / Stones Throw ...
¥2,295