LOUFR // FEARS TAPE

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Polish experimental pop artist LOUFR will perform an experiment in Warsaw, Poland in February 2024.A limited edition of 60 cassettes released by the label Pointless Geometry.

Contains 13 songs of hyper pop, experimental trap, and experimental ambient that are difficult to categorize. DL code included.

Labels and other worksplease use this form. ///Click here to see more Pointless Geometry releases available at Tobira.

---------------------------------

Ask us for digital files. C35 cassette in norelco case. Edition of 60.

tracklist:

fall 02:22
fate 02:33
h0pe 02:34
269 03:11
dark 02:01
conversion 02:32
rubb 01:39
TRASH 01:42
20XX! 03:18
splinter 04:26
uncomprehending 03:11
cr0ssfad3 00:48
insufficient 03:30

Text excerpt by Pointless Geometry:

"...LOUFR occupies an exceptionally stable position between contemporary music, hyperpop, and deconstructed club sounds. FEARS is a melancholic album, distinctly human despite the high degree of vocal processing and electronic instrumentation. This contrast is palpable from the very beginning, as emotional vocals collide with an almost trap-like beat. The album is not devoid of moments of true beauty, as evident in "269," a track built around a catchy, sung phrase. The title of this composition serves as a kind of manifesto, referencing the number of a calf rescued from a dairy farm by activists.

FEARS explores the extremes of sonic spectrums, juxtaposing delicate piano strikes with industrial noise and string instruments with a creaking synthesizer. Whether shrouded in electronics or warmed by organic instrumentation, all layers resonate with each other in an incredible, engaging harmony.

FEARS is a unique auditory experience—sharp, unconventional, and avant-garde in some places, while warm, inviting, and familiar in others. Bednarczyk's voice carries this paradox, emotional yet bathed in mechanical processing. The music of the Polish artist resonates with the disintegration of the world but does not relinquish hope. If it is to assist us in anything, it is in navigating through difficult emotions. And FEARS accomplishes this with finesse."

Artist: LOUFR

Label: Pointless Geometry

Quantity

+ -

Polish experimental pop artist LOUFR will perform an experiment in Warsaw, Poland in February 2024.A limited edition of 60 cassettes released by the label Pointless Geometry.

Contains 13 songs of hyper pop, experimental trap, and experimental ambient that are difficult to categorize. DL code included.

Labels and other worksplease use this form. ///Click here to see more Pointless Geometry releases available at Tobira.

---------------------------------

Ask us for digital files. C35 cassette in norelco case. Edition of 60.

tracklist:

fall 02:22
fate 02:33
h0pe 02:34
269 03:11
dark 02:01
conversion 02:32
rubb 01:39
TRASH 01:42
20XX! 03:18
splinter 04:26
uncomprehending 03:11
cr0ssfad3 00:48
insufficient 03:30

Text excerpt by Pointless Geometry:

Artist: LOUFR

Label: Pointless Geometry

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This is a CD released by French experimental pianist Vehicule on the experimental label Sumlime Retreat in Wrocław, Poland in August 2023.Contains 8 songs from experimental ambient jazz to experimental chamber.Digipak, shrink specification. See more Sublime Retreat releases /// Click here to see more Sublime Retreat releases available at Tobira. ...

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The combined effort is somewhat a departure for Rushford, working in traces of Klaus Schulze, concrete poetry, and ars subtilior into a precise and ever-unfolding tapestry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRushford’s work draws from a wide range of collagist and improvisatory musical languages, staking out an idiosyncratic stylistic space that has been variously described as “electro-acoustic experimentation with a beating heart” (Boomkat) and “haunted Jacobean ASMR” (The Wire). Investigating the creases\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, cracks, and folds in traditions ranging from early music to New Age, Rushford’s work subtly exaggerates seemingly liminal aspects such as atmosphere and the bodily presence of the performer until these take on a weight equal to musical elements such as pitch, rhythm, and timbre. In recent years, Rushford’s solo work has been guided by his theorization of sonic images, particularly the shadow, which has inspired pieces as diverse as an hour-long companion to Federico Mompou’s 1959–67 piano cycle Música Callada (2016) and a sumptuous translation of the play of light across flat surfaces into synthetic sound (The Lake from the Louvers, Shelter Press, 2021). His long-standing performance practice for piano, portative organ, synthesizers, and electroacoustic devices, is constantly infused with a delicacy of touch and a harmonic sensibility in which unorthodox tunings coexist with influences from fin de siècle Impressionism, the twentieth century avant-garde, and popular musical structures. He has worked with a vast range artists including Klaus Lang, Annea Lockwood, David Behrman, Tashi Wada, Haroon Mirza, Dennis Cooper, Ora Clementi, crys cole, Oren Ambarchi, Kassel Jaeger, Will Guthrie, and Graham Lambkin. He has performed as Golden Fur (with Sam Dunscombe and Judith Hamann) and Food Court (with Joe Talia and Francis Plagne).\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Rushford\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e","published_at":"2024-04-02T15:19:56+09:00","created_at":"2024-04-02T14:20:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","blank forms","contemporary \/ sound poetry","lp","new"],"price":398800,"price_min":398800,"price_max":398800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45498777403642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"James Rushford \/\/ Turzets LP","public_title":null,"options":["Default Title"],"price":398800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jam1_066c72dc-a77d-443e-bf4d-ab6758f66fb9.jpg?v=1712035222","\/\/tobirarecords.com\/cdn\/shop\/files\/jam2.jpg?v=1712035222"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jam1_066c72dc-a77d-443e-bf4d-ab6758f66fb9.jpg?v=1712035222","options":["Title"],"media":[{"alt":null,"id":33531012153594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jam1_066c72dc-a77d-443e-bf4d-ab6758f66fb9.jpg?v=1712035222"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jam1_066c72dc-a77d-443e-bf4d-ab6758f66fb9.jpg?v=1712035222","width":700},{"alt":null,"id":33531012186362,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jam2.jpg?v=1712035222"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jam2.jpg?v=1712035222","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家James Rushfordが、2024年4月にアメリカの実験レーベルBlank Formsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼が2022年にスイス・レマン湖ほとりのアートセンターに滞在した際に制作したコンテンポラリー11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"James Rushfordによるソロとコラボレーションの最新作『Turzets』は、オーストラリアのコンポーザー兼パフォーマーが、スイスのレマン湖畔にあるアートセンター、ラ・ベックに滞在していた昨年、主に制作・録音された2つの新作を収録している。横長の作品 \"Fallaway Whisk \"は、瑞々しく膨らむサウンドスケープを背景に、英語からドイツ語への抽象化されたテキストのライブ翻訳を使い、言葉の遠慮、音の抑制など、様々な形のためらいを探求している。一方、\"Quire \"は、中世後期のレパートリーをポルタティブ・オルガンで研究していた作曲家の影響を受けた10楽章からなる作品で、この楽器のウッディなメロディが、天使のようなヤマハCS-80シンセのスイープ音や吃音のようなグリッチと交錯する。クラウス・シュルツ、具象詩、ars subtiliorの痕跡を精密で展開し続けるタペストリーに織り込んだこの作品は、ラシュフォードの出発点ともいえる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJames Rushfordの作品は、幅広いコラジストや即興的な音楽言語から引き出され、「鼓動する心臓を持つ電子音響実験」（Boomkat）、「呪われたジャコビアンASMR」（The Wire）などと形容される特異な様式空間を築いている。アーリーミュージックからニューエイジに至る伝統の襞、亀裂、折れ曲がりを調査するラッシュフォードの作品は、雰囲気や演奏者の身体的存在感といった一見限界的な側面を微妙に誇張し、それらがピッチ、リズム、音色といった音楽的要素と同等の重みを持つまでになっている。近年、ラッシュフォードのソロ作品は、音のイメージ、特に影の理論化に導かれており、フェデリコ・モンポウの1959-67年のピアノ曲集『Música Callada』（2016年）の1時間に及ぶ伴奏や、平らな表面を横切る光の戯れを合成音に変換した豪華な作品（『The Lake from the Louvers』Shelter Press、2021年）など、さまざまな作品にインスピレーションを与えている。ピアノ、ポルタティヴ・オルガン、シンセサイザー、電子音響装置のための彼の長年にわたる演奏活動には、繊細なタッチと、世紀末印象派、20世紀アヴァンギャルド、ポピュラー音楽構造からの影響と異質な調律が共存する和声感覚が常に息づいている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yEMFZO9oJI8?si=6DXM7_J3bP5viV-k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more Blank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFallaway Whisk\u003c\/li\u003e\n\u003cli\u003eQuire I 04:23\u003c\/li\u003e\n\u003cli\u003eQuire II\u003c\/li\u003e\n\u003cli\u003eQuire III\u003c\/li\u003e\n\u003cli\u003eQuire IV\u003c\/li\u003e\n\u003cli\u003eQuire V\u003c\/li\u003e\n\u003cli\u003eQuire VI\u003c\/li\u003e\n\u003cli\u003eQuire VII\u003c\/li\u003e\n\u003cli\u003eQuire VIII\u003c\/li\u003e\n\u003cli\u003eQuire IX\u003c\/li\u003e\n\u003cli\u003eQuire X\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlank Forms Editions:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe latest in a prolific string of solo and collaborative releases by James Rushford, Turzets collects a pair of new works primarily created and recorded last year while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland. The side-length piece “Fallaway Whisk” explores hesitation in its many forms—reticence of speech, sonic restraint—using live, abstracted translations of text from English to German against a lush and swelling soundscape. On the flip side, “Quire” is a work in ten movements influenced by the composer’s study of late medieval repertoire on portative organ, weaving the instrument’s woodsy interlocking melodies with angelic Yamaha CS-80 synth sweeps and stuttering glitches. The combined effort is somewhat a departure for Rushford, working in traces of Klaus Schulze, concrete poetry, and ars subtilior into a precise and ever-unfolding tapestry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRushford’s work draws from a wide range of collagist and improvisatory musical languages, staking out an idiosyncratic stylistic space that has been variously described as “electro-acoustic experimentation with a beating heart” (Boomkat) and “haunted Jacobean ASMR” (The Wire). Investigating the creases\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, cracks, and folds in traditions ranging from early music to New Age, Rushford’s work subtly exaggerates seemingly liminal aspects such as atmosphere and the bodily presence of the performer until these take on a weight equal to musical elements such as pitch, rhythm, and timbre. In recent years, Rushford’s solo work has been guided by his theorization of sonic images, particularly the shadow, which has inspired pieces as diverse as an hour-long companion to Federico Mompou’s 1959–67 piano cycle Música Callada (2016) and a sumptuous translation of the play of light across flat surfaces into synthetic sound (The Lake from the Louvers, Shelter Press, 2021). His long-standing performance practice for piano, portative organ, synthesizers, and electroacoustic devices, is constantly infused with a delicacy of touch and a harmonic sensibility in which unorthodox tunings coexist with influences from fin de siècle Impressionism, the twentieth century avant-garde, and popular musical structures. He has worked with a vast range artists including Klaus Lang, Annea Lockwood, David Behrman, Tashi Wada, Haroon Mirza, Dennis Cooper, Ora Clementi, crys cole, Oren Ambarchi, Kassel Jaeger, Will Guthrie, and Graham Lambkin. He has performed as Golden Fur (with Sam Dunscombe and Judith Hamann) and Food Court (with Joe Talia and Francis Plagne).\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Rushford\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e"}

This is a record released by Australian experimental musician James Rushford on the American experimental label Blank Forms in April 2024. Contains 4 contemporary songs he created during his stay at an art center on the shores of Lake Geneva in Switzerland in 2022. Below is an explanation by the label. "Turzets, James Rushford's latest solo and collaborative work, is a collection of two works primarily produced and recorded last year while the Australian composer and performer was in residence at La Bec, an arts center on the shores of Lake Geneva in Switzerland. Contains new work. The horizontal work "Fallaway Whisk" uses live translation of abstracted text from English to German, with a lush, expanding soundscape as a background, and uses words that are reserved and sounds suppressed. On the other hand, "Quire" is a 11-movement work influenced by composers who studied the late medieval repertoire on the portative organ. Woody melodies intersect with angelic Yamaha CS-2 synth sweeps and stuttering glitches, a work that weaves traces of Klaus Schulz, figurative poetry, and ars subtilior into a precise, ever-evolving tapestry. could be considered Rushford's starting point. James Rushford's work draws from a wide range of collagist and improvisational musical languages, ranging from "electroacoustic experiments with a beating heart" (Boomkat) to "cursed Jacobean ASMR". (The...

¥3,988

Quickview {"id":8255402868986,"title":"Eventless Plot \/\/ After the rain CD","handle":"eventless-plot-after-the-rain-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギリシャの実験レーベルGranny Records主宰の一人\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVasilis Lioliosと、物音シーンで活躍するAris Giatas、Yiannis Tsirikoglouによるトリオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEventless Plotが、2024年2月に100部限定でリリースしたCDです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオルガンやピアノ、ヴィブラフォン、モジュラーシンセ、物音によるコンテンポラリー〜アンビエント4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/eventless-plot-schemata-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1760616135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003ehere\u003c\/a\u003e to see more Granny Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePart I 05:12\u003c\/li\u003e\n\u003cli\u003ePart II 07:03\u003c\/li\u003e\n\u003cli\u003ePart III 09:09\u003c\/li\u003e\n\u003cli\u003ePart IV 18:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eGranny Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCompositions for imaginary landscapes | Revisiting landscapes through music\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe concept of landscape is a personal subjective case for each of us, as it exists from the moment a sensory frame is first observed and created through our gaze. The connection with a landscape is directly related to its sound environment, either from sounds that naturally pre-exist in it, or from sound interventions or music that enters it, creating a dynamic relationship. However, the way of perceiving and understanding a landscape and the possible expression of feelings towards it is also influenced by a number of other factors, among which the environmental conditions play a key role. Taking into account the influence of environmental conditions on the sound and not only the perception of a landscape, we tried to revisit familiar urban landscapes after rainfall in an attempt to observe the change of the sensory framework that took place due to the rain and what this implies (absence of sun , blurry colors, wet surfaces, etc.). The visual identity of familiar landscapes was gradually changing. After several visits we tried to capture these transitions musically by orchestrating compositions for imaginary landscapes, without being there creating the ideal soundtrack for the places which were now\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e imprinted in our minds. Gradually, the visual stimulus for expressing feelings of a landscape was now replaced by the sound stimulus. Music was now an integral part of the landscape and we as listeners now wandered in it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eventless Plot\u003c\/p\u003e\n\u003cp\u003eLabel : Granny Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: granny 40\u003c\/p\u003e","published_at":"2024-04-01T19:40:56+09:00","created_at":"2024-04-01T10:35:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contem","contemporary \/ sound poetry","granny records","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45484122931450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eventless Plot \/\/ After the rain CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rain.jpg?v=1711935328","\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_e53d0a55-f52b-48df-9383-a71243337a56.jpg?v=1711935328"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain.jpg?v=1711935328","options":["Title"],"media":[{"alt":null,"id":33520410755322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain.jpg?v=1711935328"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain.jpg?v=1711935328","width":700},{"alt":null,"id":33520410788090,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_e53d0a55-f52b-48df-9383-a71243337a56.jpg?v=1711935328"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_e53d0a55-f52b-48df-9383-a71243337a56.jpg?v=1711935328","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギリシャの実験レーベルGranny Records主宰の一人\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVasilis Lioliosと、物音シーンで活躍するAris Giatas、Yiannis Tsirikoglouによるトリオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEventless Plotが、2024年2月に100部限定でリリースしたCDです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオルガンやピアノ、ヴィブラフォン、モジュラーシンセ、物音によるコンテンポラリー〜アンビエント4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/eventless-plot-schemata-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1760616135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003ehere\u003c\/a\u003e to see more Granny Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePart I 05:12\u003c\/li\u003e\n\u003cli\u003ePart II 07:03\u003c\/li\u003e\n\u003cli\u003ePart III 09:09\u003c\/li\u003e\n\u003cli\u003ePart IV 18:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eGranny Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCompositions for imaginary landscapes | Revisiting landscapes through music\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe concept of landscape is a personal subjective case for each of us, as it exists from the moment a sensory frame is first observed and created through our gaze. The connection with a landscape is directly related to its sound environment, either from sounds that naturally pre-exist in it, or from sound interventions or music that enters it, creating a dynamic relationship. However, the way of perceiving and understanding a landscape and the possible expression of feelings towards it is also influenced by a number of other factors, among which the environmental conditions play a key role. Taking into account the influence of environmental conditions on the sound and not only the perception of a landscape, we tried to revisit familiar urban landscapes after rainfall in an attempt to observe the change of the sensory framework that took place due to the rain and what this implies (absence of sun , blurry colors, wet surfaces, etc.). The visual identity of familiar landscapes was gradually changing. After several visits we tried to capture these transitions musically by orchestrating compositions for imaginary landscapes, without being there creating the ideal soundtrack for the places which were now\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e imprinted in our minds. Gradually, the visual stimulus for expressing feelings of a landscape was now replaced by the sound stimulus. Music was now an integral part of the landscape and we as listeners now wandered in it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eventless Plot\u003c\/p\u003e\n\u003cp\u003eLabel : Granny Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: granny 40\u003c\/p\u003e"}