contemporary / sound poetry
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{"id":7514645823738,"title":"Andrzej Szpindler \/\/ Ssanie w trąbieniu na smykałce do ciągłego oddawania 2xTAPE","handle":"andrzej-szpindler-ssanie-w-trabieniu-na-smykalce-do-ciaglego-oddawania-2xtape","description":"\u003cp\u003eポーランドのカルト実験レーベルAlicja諸作をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国小説家／実験音楽家Andrzej Szpindlerのデビュー2本組カセットです。\u003c\/p\u003e\n\u003cp\u003e自身の音楽に合わせて朗読したスポークンワード・サウンドコラージュ8曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2549848619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003ehere\u003c\/a\u003e to see more Alicja releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Alicja:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"'Jakoś tak dziwnie i podejrzanie błogo jest pamiętać, że kiedyś tylko żywi wałęsali się pod czaszką i doglądali wcieleniowych postępów.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u0026gt;\u0026gt;\u0026gt; 'Somehow it is strange and suspiciously sweet, to remember that once, only the living hung out under the skull, observing incarnational progress.'\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSsanie w trąbieniu na smykałce do ciągłego oddawania (Sucking in a Honking with Gumption for The Constant Giving Back) is the audiobook version of enigmatic Polish author and poet Andrzej Szpindler’s novel of the same name. Read relentlessly by the author over the course of more than 160 minutes in the high-speed style of the disclaimers that can be heard at the end of pharmaceutical and political advertising, Ssanie is set to the author’s own music (of a sort). Szpindler processes his voice, honks on the aforementioned trumpet and rattles through the pots and pans to create an appropriate atmosphere of disquieting overstimulation that is equally puzzling for Polish and non-Polish speakers.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrzej Szpindler\u003c\/p\u003e\n\u003cp\u003eLabel : Alicja\u003c\/p\u003e","published_at":"2022-01-14T14:35:18+09:00","created_at":"2022-01-14T10:35:51+09:00","vendor":"Tobira Records","type":"","tags":["alicja","contemporary \/ sound poetry","monooto","tape"],"price":245000,"price_min":245000,"price_max":245000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42317725073658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrzej Szpindler \/\/ Ssanie w trąbieniu na smykałce do ciągłego oddawania 2xTAPE","public_title":null,"options":["Default Title"],"price":245000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/an1_31ab8a8d-713b-4a16-8c7a-81948e5c9780.jpg?v=1642124153","\/\/tobirarecords.com\/cdn\/shop\/products\/an2_7f03c332-e705-4e8a-9747-804f13d82a22.jpg?v=1642124153","\/\/tobirarecords.com\/cdn\/shop\/products\/an.jpg?v=1642124153","\/\/tobirarecords.com\/cdn\/shop\/products\/an4_fa12ae02-1d22-4516-b7c3-d67485711b89.jpg?v=1642124153"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_31ab8a8d-713b-4a16-8c7a-81948e5c9780.jpg?v=1642124153","options":["Title"],"media":[{"alt":null,"id":29000865972474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_31ab8a8d-713b-4a16-8c7a-81948e5c9780.jpg?v=1642124153"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_31ab8a8d-713b-4a16-8c7a-81948e5c9780.jpg?v=1642124153","width":700},{"alt":null,"id":29000866005242,"position":2,"preview_image":{"aspect_ratio":1.441,"height":833,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_7f03c332-e705-4e8a-9747-804f13d82a22.jpg?v=1642124153"},"aspect_ratio":1.441,"height":833,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_7f03c332-e705-4e8a-9747-804f13d82a22.jpg?v=1642124153","width":1200},{"alt":null,"id":29000866038010,"position":3,"preview_image":{"aspect_ratio":0.988,"height":1200,"width":1185,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an.jpg?v=1642124153"},"aspect_ratio":0.988,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an.jpg?v=1642124153","width":1185},{"alt":null,"id":29000866070778,"position":4,"preview_image":{"aspect_ratio":0.984,"height":1200,"width":1181,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an4_fa12ae02-1d22-4516-b7c3-d67485711b89.jpg?v=1642124153"},"aspect_ratio":0.984,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an4_fa12ae02-1d22-4516-b7c3-d67485711b89.jpg?v=1642124153","width":1181}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのカルト実験レーベルAlicja諸作をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国小説家／実験音楽家Andrzej Szpindlerのデビュー2本組カセットです。\u003c\/p\u003e\n\u003cp\u003e自身の音楽に合わせて朗読したスポークンワード・サウンドコラージュ8曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2549848619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alicja\"\u003ehere\u003c\/a\u003e to see more Alicja releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Alicja:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"'Jakoś tak dziwnie i podejrzanie błogo jest pamiętać, że kiedyś tylko żywi wałęsali się pod czaszką i doglądali wcieleniowych postępów.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u0026gt;\u0026gt;\u0026gt; 'Somehow it is strange and suspiciously sweet, to remember that once, only the living hung out under the skull, observing incarnational progress.'\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSsanie w trąbieniu na smykałce do ciągłego oddawania (Sucking in a Honking with Gumption for The Constant Giving Back) is the audiobook version of enigmatic Polish author and poet Andrzej Szpindler’s novel of the same name. Read relentlessly by the author over the course of more than 160 minutes in the high-speed style of the disclaimers that can be heard at the end of pharmaceutical and political advertising, Ssanie is set to the author’s own music (of a sort). Szpindler processes his voice, honks on the aforementioned trumpet and rattles through the pots and pans to create an appropriate atmosphere of disquieting overstimulation that is equally puzzling for Polish and non-Polish speakers.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrzej Szpindler\u003c\/p\u003e\n\u003cp\u003eLabel : Alicja\u003c\/p\u003e"}
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Dead stock of Polish cult experiment label Alicja works has arrived.This work is the debut two-disc cassette of the country's novelist / experimental musician Andrzej Szpindler.Includes 2 spoken word sound collages read aloud to your own music.It is out of print.Click here to see more Alicja releases available at Tobira. ------------------------...
¥2,450
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{"id":7508721107194,"title":"Pauline Oliveros \/\/ No Mo CD","handle":"pauline-oliveros-no-mo-cd","description":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが2005年にリリースしたCD。\u003c\/p\u003e\n\u003cp\u003e1966年〜1967年に制作した電子音楽3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2690630852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------ \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSingle CD in jewel case, with booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3 works of electronic music breated between 1966 and 1967.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Pogus\u003c\/p\u003e","published_at":"2022-01-07T20:04:47+09:00","created_at":"2022-01-06T17:24:24+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282822303994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pauline Oliveros \/\/ No Mo CD","public_title":null,"options":["Default Title"],"price":195000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ol1_f2278482-666d-4174-9a54-c0a17bb98888.jpg?v=1641457465","\/\/tobirarecords.com\/cdn\/shop\/products\/ol2_373092b3-2dce-4a9b-8547-e875c41ab64c.jpg?v=1641457465"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol1_f2278482-666d-4174-9a54-c0a17bb98888.jpg?v=1641457465","options":["Title"],"media":[{"alt":null,"id":28966140575994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol1_f2278482-666d-4174-9a54-c0a17bb98888.jpg?v=1641457465"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol1_f2278482-666d-4174-9a54-c0a17bb98888.jpg?v=1641457465","width":700},{"alt":null,"id":28966140608762,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol2_373092b3-2dce-4a9b-8547-e875c41ab64c.jpg?v=1641457465"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol2_373092b3-2dce-4a9b-8547-e875c41ab64c.jpg?v=1641457465","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが2005年にリリースしたCD。\u003c\/p\u003e\n\u003cp\u003e1966年〜1967年に制作した電子音楽3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2690630852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------ \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSingle CD in jewel case, with booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3 works of electronic music breated between 1966 and 1967.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Pogus\u003c\/p\u003e"}
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A CD released in 2005 by American mogul experimental musician Pauline Oliveros. Contains 1966 electronic music songs produced from 1967 to 3. ------------------------------------ Single CD in jewel case, with booklet. 3 works of .. ..
¥1,950
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{"id":7508716585210,"title":"Anthony Pateras \/\/ Pseudacusis CD","handle":"anpa","description":"\u003cp\u003e過去にEditions MegoやSynaesthesiaなどから発表しているオーストラリアの音響作家Anthony Paterasが、2021年2月にポーランドの実験レーベルBocianからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eオーケストラ編成でのエレクトロアコースティック〜ドローン7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3273156488\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusic composed \u0026amp; mixed by Anthony Pateras.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTape part recorded and assembled at Gold Tony Love’s Audio Hell, Castlemaine, Australia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePerfromance recorded by Tomasz Kubiak live on 27th September 2019 at the 17th Sacrum Profanum Festival\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ein Małopolska Garden of Arts, Kraków, Poland.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFestival curated by Krzysztof Pietraszewski.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePseudacusis was commissioned by the Musica Sanae project by In Situ Foundation (Sanatorium of Sound Festival in Sokołowsko) in collaboration with Michał Libera, Phonurgia (La Digestion Festival in Naples) and N.K. Projekt (Berlin).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlbum produced by In Situ Foundation, Sacrum Profanum and Bocian Records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpecial thanks to Tiziana Bertoncini (violin) + Gerard Lebik (saxophone) + Chiara Mallozzi (cello) who were all essential \u003c\/em\u003e\u003cem\u003ein the development of this piece in its inital performances, but could not appear at the Krakow concert.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePseudacusis supported through the Victorian Government through the Creative Victoria Creator’s Fund.\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Bocian\u003c\/p\u003e","published_at":"2022-01-12T19:13:22+09:00","created_at":"2022-01-06T17:13:18+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282751557882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anthony Pateras \/\/ Pseudacusis CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cu1_9bf79b13-7ae0-4142-bf70-ccad8c0bbba6.jpg?v=1641456800"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu1_9bf79b13-7ae0-4142-bf70-ccad8c0bbba6.jpg?v=1641456800","options":["Title"],"media":[{"alt":null,"id":28966084051194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu1_9bf79b13-7ae0-4142-bf70-ccad8c0bbba6.jpg?v=1641456800"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu1_9bf79b13-7ae0-4142-bf70-ccad8c0bbba6.jpg?v=1641456800","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にEditions MegoやSynaesthesiaなどから発表しているオーストラリアの音響作家Anthony Paterasが、2021年2月にポーランドの実験レーベルBocianからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eオーケストラ編成でのエレクトロアコースティック〜ドローン7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3273156488\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusic composed \u0026amp; mixed by Anthony Pateras.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTape part recorded and assembled at Gold Tony Love’s Audio Hell, Castlemaine, Australia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePerfromance recorded by Tomasz Kubiak live on 27th September 2019 at the 17th Sacrum Profanum Festival\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ein Małopolska Garden of Arts, Kraków, Poland.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFestival curated by Krzysztof Pietraszewski.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePseudacusis was commissioned by the Musica Sanae project by In Situ Foundation (Sanatorium of Sound Festival in Sokołowsko) in collaboration with Michał Libera, Phonurgia (La Digestion Festival in Naples) and N.K. Projekt (Berlin).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlbum produced by In Situ Foundation, Sacrum Profanum and Bocian Records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSpecial thanks to Tiziana Bertoncini (violin) + Gerard Lebik (saxophone) + Chiara Mallozzi (cello) who were all essential \u003c\/em\u003e\u003cem\u003ein the development of this piece in its inital performances, but could not appear at the Krakow concert.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePseudacusis supported through the Victorian Government through the Creative Victoria Creator’s Fund.\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Bocian\u003c\/p\u003e"}
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This is the latest work released on the Polish experimental label Bocian in February 2021 by Australian acoustic artist Anthony Pateras, who has previously released from Editions Mego and Synaesthesia.Includes 2 songs from electroacoustic to drone organized by orchestra.Digipak and shrink specifications. --------------------------- Music composed & mixed by Anthony Pateras.Tape part recorded ...
¥1,890
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{"id":7508694499578,"title":"Maria Moles \/\/ For Leolanda CD","handle":"maria-moles-for-leolanda-cd","description":"\u003cp\u003e過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、私の母、レオランダに捧げます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Tj4l9W6lKgg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Maria Moles\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"'\u003cem\u003eFor Leolanda' was created during the lockdown in Melbourne 2020. Listening to and making music was healing and I'm very grateful I was able to create during that time.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of the pieces are inspired by listening to Kulintang music of the Philippines; some of the compositional techniques are applied to the combination of synthesizer, percussion, tape loops, and drum kit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name 'In Pan-as' refers to my grandfather's farm in Pilar that my mum regularly played at. The drum kit part is adapted from a rhythm I heard on a beautiful album 'Muranao Kakolintang - Philippine Gong Music'. The initial inspiration for this track struck me after a conversation on the phone with my mum, during which, out of the blue, she requested I spread her ashes on the farm Pan-as after she passed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI realised I would never really know how that would feel until it happened, and I wondered what kind of ritual I would perform to help me celebrate the life of one of the dearest people to me. I thought that perhaps dancing to rhythms similar to this one would feel right. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track 'Mansaka' was inspired by the Mansaka tribe in Compostela Valley, I fell in love with the music I heard\u003cspan class=\"bcTruncateMore\"\u003e from them. The piece developed into something entirely different, something that felt like me. Being a drummer, I usually compose from the drum kit as a starting point, but this album was an attempt at composing on the synthesizer and harmonically matching the overtones from singing bowls, bowed cymbals, and bells.\u003cbr\u003e\u003cbr\u003eThe album is dedicated to my mother, Leolanda.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maria Moles\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:10:19+09:00","created_at":"2022-01-06T15:12:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","room40","sale22","strange beats"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282461167866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maria Moles \/\/ For Leolanda CD","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","\/\/tobirarecords.com\/cdn\/shop\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","options":["Title"],"media":[{"alt":null,"id":28965850153210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","width":700},{"alt":null,"id":28965850185978,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、私の母、レオランダに捧げます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Tj4l9W6lKgg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Maria Moles\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"'\u003cem\u003eFor Leolanda' was created during the lockdown in Melbourne 2020. Listening to and making music was healing and I'm very grateful I was able to create during that time.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of the pieces are inspired by listening to Kulintang music of the Philippines; some of the compositional techniques are applied to the combination of synthesizer, percussion, tape loops, and drum kit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name 'In Pan-as' refers to my grandfather's farm in Pilar that my mum regularly played at. The drum kit part is adapted from a rhythm I heard on a beautiful album 'Muranao Kakolintang - Philippine Gong Music'. The initial inspiration for this track struck me after a conversation on the phone with my mum, during which, out of the blue, she requested I spread her ashes on the farm Pan-as after she passed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI realised I would never really know how that would feel until it happened, and I wondered what kind of ritual I would perform to help me celebrate the life of one of the dearest people to me. I thought that perhaps dancing to rhythms similar to this one would feel right. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track 'Mansaka' was inspired by the Mansaka tribe in Compostela Valley, I fell in love with the music I heard\u003cspan class=\"bcTruncateMore\"\u003e from them. The piece developed into something entirely different, something that felt like me. Being a drummer, I usually compose from the drum kit as a starting point, but this album was an attempt at composing on the synthesizer and harmonically matching the overtones from singing bowls, bowed cymbals, and bells.\u003cbr\u003e\u003cbr\u003eThe album is dedicated to my mother, Leolanda.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maria Moles\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Maria Moles, a percussionist from Melbourne, Australia, who has previously released on Nice Music, will release the latest work in January 2022 from the Australian ambient writer Lawrence English's label Room 1.Contains all 40 songs.The following is a commentary by the writer himself. "For Leolanda" was produced during the lockdown in Melbourne in 4.I am very grateful that I was healed by listening to and making music, and I was able to make it in the meantime.Most of the works were inspired by listening to Filipino Kolintang music, some applying composition techniques to the combination of synthesizers, percussion, tape loops and drum kits. The name In Pan-as is named after Pilar's grandfather's farm, where my mother played regularly.The drum kit part is an arrangement of the rhythms I heard on the beautiful album "Muranao Kakolintang --Philippine Gong Music".The first inspiration for this song was in a telephone conversation with my mother, who suddenly asked me to sprinkle my mother's ashes on the bread on the farm after her death.Then I wondered what kind of ritual should be performed to celebrate the life of the person who is most important to me.I thought that if I danced with a rhythm like this song, it would surely fit. Mansaka is a song inspired by the Mansaka tribe of the Compostela Valley, and I loved listening to their music.This song has evolved into something completely different, personal.As a drummer, I usually start with a drum kit, but this album harmonizes the overtones from the singing bowl, bowing cymbals, and bells, and attempts to compose with a synthesizer.This album is dedicated to my mother, Le Holland. ...
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{"id":7503595831546,"title":"Yol \/\/ Viral Dogs and Cats TAPE","handle":"yol-viral-dogs-and-cats-tape","description":"\u003cp\u003eイギリス・ハリファックスの物音コラージュレーベルcrow versus crowの2021年新作群を入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e本作は、同国ボイスパフォーマーYolが、2021年10月に50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサウンドポエトリー5曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1411005334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eText by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYol. Found objects \/ mouth noise \/ mangled language.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat’s it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll of it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd yet… lo! There’s real GOLD here, conjured from within these looping, twisting, writhing incantations. GOLD, y’hear?!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePrimark bags and dog shit; they were the prima materia of yond alchemists, right?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'viral dogs and cats' was recorded in a vacant retail premises on Brook Street, Hull, made available as a project space through the facilitation of Red Contemporary, Hull – an artist-led organisation, and former gallery space displaced in the wake of Hull’s ‘City Of Culture’ redevelopments. It was recorded during a period of lockdown, with all the practical and technical restrictions that lockdown precipitates, but it’s not a ‘Lockdown Album’, per se.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYol’s approach seems to be to absorb that which is around him, the fragmentary, the minutiae, and regurgitate it through distending, absurdist ritualistic cantillations. Yol invokes sonic transmutations from gathered detritus, from the grimy scrapings from between the cushions of society’s (fly-tipped, piss-stained) settee. Gold! Hear!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yol\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCrow Versus Crow\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-28T13:35:42+09:00","created_at":"2021-12-28T11:14:53+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","crow versus crow","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42252064948474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yol \/\/ Viral Dogs and Cats TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do_d8cc6c83-c719-4c5e-a4ca-d2ea50709fe2.jpg?v=1640657695","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_54ef1573-0810-4176-b840-d8198e071fc6.jpg?v=1640657695"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do_d8cc6c83-c719-4c5e-a4ca-d2ea50709fe2.jpg?v=1640657695","options":["Title"],"media":[{"alt":null,"id":28931974430970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do_d8cc6c83-c719-4c5e-a4ca-d2ea50709fe2.jpg?v=1640657695"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do_d8cc6c83-c719-4c5e-a4ca-d2ea50709fe2.jpg?v=1640657695","width":700},{"alt":null,"id":28931974463738,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_54ef1573-0810-4176-b840-d8198e071fc6.jpg?v=1640657695"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_54ef1573-0810-4176-b840-d8198e071fc6.jpg?v=1640657695","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ハリファックスの物音コラージュレーベルcrow versus crowの2021年新作群を入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e本作は、同国ボイスパフォーマーYolが、2021年10月に50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサウンドポエトリー5曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1411005334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eText by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYol. Found objects \/ mouth noise \/ mangled language.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat’s it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll of it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd yet… lo! There’s real GOLD here, conjured from within these looping, twisting, writhing incantations. GOLD, y’hear?!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePrimark bags and dog shit; they were the prima materia of yond alchemists, right?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'viral dogs and cats' was recorded in a vacant retail premises on Brook Street, Hull, made available as a project space through the facilitation of Red Contemporary, Hull – an artist-led organisation, and former gallery space displaced in the wake of Hull’s ‘City Of Culture’ redevelopments. It was recorded during a period of lockdown, with all the practical and technical restrictions that lockdown precipitates, but it’s not a ‘Lockdown Album’, per se.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYol’s approach seems to be to absorb that which is around him, the fragmentary, the minutiae, and regurgitate it through distending, absurdist ritualistic cantillations. Yol invokes sonic transmutations from gathered detritus, from the grimy scrapings from between the cushions of society’s (fly-tipped, piss-stained) settee. Gold! Hear!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yol\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCrow Versus Crow\u003c\/span\u003e\u003c\/p\u003e"}
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The 2021 new works of the sound collage label crow versus crow in Halifax, England have arrived.This work is a cassette released by the country's voice performer Yol in October 2021 with a limited number of 10 pieces.Contains 50 sound poetry songs. DL code included.It is out of print.Click here to see more Crow Versus Crow releases available ...
¥1,480
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{"id":7503595536634,"title":"Posset \/\/ Elvis Died and Everyone Is... TAPE","handle":"posset-elvis-died-and-everyone-is-tape","description":"\u003cp\u003eイギリス・ハリファックスの物音コラージュレーベルcrow versus crowの2021年新作群を入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e本作は、KirigirisuやSound Holes、Vitrine、Invisible Cityなどから作品を発表している同国ボイスレコーダー奏者Possetが、2021年12月に50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eボイスレコーダーやテープレコーダーを用いたコラージュ4曲を収録。Aaron Dillowayリスナーにおすすめします。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1242644955\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eCrow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrow Versus Crow is delighted to present for your aural-spiritual consumption ‘Elvis Died and Everyone Is…’, from high-priest of vox-mung dicta-jaxx, Posset.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo threads of ‘vocals’ and ‘tape’ seem to run through much Posset’s work, each often abstracted to pure texture, to pure concrete, each overlapping and blurring the others’ boundaries. Elvis Died and Everyone Is… further pushes these threads, weaving absurdist skit, deep croak throat drone, sludged free verse, layers of clipped skittering utterances, and writhing whorls of golden dicta scree into a fevered patchwork of dreamy hiss and fluttering treble.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eFor fans of losing your train of thought in an important conversation, de-tuned longwave radio stations, fake Electronic Voice Phenomena, half-formed words dissolving on the tongue, lethargy, being too hot and itchy in an unfamiliar building, the intimate electric breath of damaged heater, overheard conversations on the bus, that faint tinkle, a relaxed confusion, nostalgic plimsoll squeak, getting lost in Leicester town centre, the wet crinkle of someone else’s leather jacket, watching the shopping channel with the sound off, cumin scented smoke, letting the wind take your breath away, not realising how long you’ve been staring into space, finding an old letter from an old friend, shopping list poems, dreams of drowning, DJ Screw mixtapes left out in the sun.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Posset\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCrow Versus Crow\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-28T13:31:51+09:00","created_at":"2021-12-28T11:12:43+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","crow versus crow","monooto","sale22","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42252063965434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Posset \/\/ Elvis Died and Everyone Is... TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el1_fe76da51-b46a-4475-87d5-43ad19cb83d2.jpg?v=1640657564","\/\/tobirarecords.com\/cdn\/shop\/products\/el2_4ab414e1-351e-48c5-9e41-c3f9abe2d730.jpg?v=1640657564"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_fe76da51-b46a-4475-87d5-43ad19cb83d2.jpg?v=1640657564","options":["Title"],"media":[{"alt":null,"id":28931971547386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_fe76da51-b46a-4475-87d5-43ad19cb83d2.jpg?v=1640657564"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_fe76da51-b46a-4475-87d5-43ad19cb83d2.jpg?v=1640657564","width":700},{"alt":null,"id":28931971580154,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_4ab414e1-351e-48c5-9e41-c3f9abe2d730.jpg?v=1640657564"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_4ab414e1-351e-48c5-9e41-c3f9abe2d730.jpg?v=1640657564","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ハリファックスの物音コラージュレーベルcrow versus crowの2021年新作群を入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e本作は、KirigirisuやSound Holes、Vitrine、Invisible Cityなどから作品を発表している同国ボイスレコーダー奏者Possetが、2021年12月に50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eボイスレコーダーやテープレコーダーを用いたコラージュ4曲を収録。Aaron Dillowayリスナーにおすすめします。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1242644955\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eCrow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCrow Versus Crow is delighted to present for your aural-spiritual consumption ‘Elvis Died and Everyone Is…’, from high-priest of vox-mung dicta-jaxx, Posset.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo threads of ‘vocals’ and ‘tape’ seem to run through much Posset’s work, each often abstracted to pure texture, to pure concrete, each overlapping and blurring the others’ boundaries. Elvis Died and Everyone Is… further pushes these threads, weaving absurdist skit, deep croak throat drone, sludged free verse, layers of clipped skittering utterances, and writhing whorls of golden dicta scree into a fevered patchwork of dreamy hiss and fluttering treble.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eFor fans of losing your train of thought in an important conversation, de-tuned longwave radio stations, fake Electronic Voice Phenomena, half-formed words dissolving on the tongue, lethargy, being too hot and itchy in an unfamiliar building, the intimate electric breath of damaged heater, overheard conversations on the bus, that faint tinkle, a relaxed confusion, nostalgic plimsoll squeak, getting lost in Leicester town centre, the wet crinkle of someone else’s leather jacket, watching the shopping channel with the sound off, cumin scented smoke, letting the wind take your breath away, not realising how long you’ve been staring into space, finding an old letter from an old friend, shopping list poems, dreams of drowning, DJ Screw mixtapes left out in the sun.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Posset\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCrow Versus Crow\u003c\/span\u003e\u003c\/p\u003e"}
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The 2021 new works of the sound collage label crow versus crow in Halifax, England have arrived.This work is a cassette released in December 2021 by the country's voice recorder player Posset, who has released works from Kirigirisu, Sound Holes, Vitrine, Invisible City, etc., limited to 12 pieces.Contains 50 collage songs using voice recorders and tape recorders. Recommended for Aaron Dilloway listeners. DL code included.Click here to see more Crow Versus ...
¥1,480
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{"id":7503116206330,"title":"Alan Moore spoken by Jason Williamson (Sleaford Mods) \/\/ In the Drownings \/ The Sun Looks Pale Upon the Wall LP","handle":"alan-moore-spoken-by-jason-williamson-sleaford-mods-in-the-drownings-the-sun-looks-pale-upon-the-wall-lp","description":"\u003cp\u003e毎回マニアックな作品を美しい装丁で展開するイギリスのオブスキュアレーベルPurgeの2021年12月新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスのエレクトロニック・パンクデュオSleaford Mods片割れJason Williamson朗読による、同国小説家Alan Mooreの処女作「Voices of the Fire」からの2作を収録したオーディオブックレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eシルクスクリーンジャケット、リゾグラフインサート、180g重量盤と完全にコレクター向けの作品となっています。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e250 copies only and no re-press ever; 180gr vinyl in custom-made screen-printed outer (sealed), containing two risograph inserts featuring original writing by director JACK MCNAMARA; no digital \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInformation: JASON WILLIAMSON of Sleaford Mods reads two stories by ALAN MOORE: In the Drownings (AD 43) and The Sun Looks Pale Upon the Wall (AD 1841). A new and unique collaboration marking 25 years since the publication of Moore's 'Voice of the Fire'. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDramatist and screenwriter David Rudkin would never use the word ‘stage’ in talking about his theatre, only ‘space’. ‘Stage’ it seemed was too elevated, creaky and limited to the material world. His work played out instead in the mental landscape, or what he referred to as ‘the theatre within’. This was certainly the case with his masterful radio-turned-theatre piece The Lovesong of Alfred J Hitchcock which we toured together Off-Broadway in 2014 and which received the very warmest of American welcomes (“Lifeless British Dirge” The New York Post). It was in a yellow taxi with David on the way back to the hotel from that experience, contemplating our fair (and lifeless) nation, that he first told me of Alan Moore’s little-known 1996 novel Voice of the Fire, a compendium of 12 voices, each based within a ten-mile radius of Northampton town centre. This was a work that found heaving life in one of the most overlooked places in England, drilling down into 4000 years of history to do so. Even in our hyperconnected age the book was almost impossible to find, having effectively fallen out of print, and yet, when I finally tracked one down, the grail-like status it had developed did not disappoint. Each chapter was a perfectly formed universe, terrifying and exact, made up of voices so vivid they leapt straight off the page, aiming resolutely at that theatre within.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVoice of the Fire was fast approaching its 25th birthday and still remained eclipsed by the gargantuan body of work the author had written before and since. I asked him if I could bring each story to audio life with an ensemble of stunning actors and a fully realised sound world, an approach that I hoped would bring life to the often lifeless format of the audiobook. Alan was enthusiastic, even offering his own services as narrator of the final chapter (although no one else could have possibly played that part). There was huge pleasure in selecting the voices for each of the remaining pieces. Maxine Peake was first on board to voice the agitated monologue of a Bronze Age murderer, Alan having been so taken with her television performance as Myra Hindley. Toby Jones then joined us as the man who built Northampton castle, followed by Aisling Loftus as the last witch to be burned in England, Tom Edward Kane as ‘blazing car murderer’ Alfred Arthur Rouse, Pamela Nomvete as a vision-witnessing nun and Mark Gatiss as the severed head of Francis Tresham.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOf the chapters remaining unallocated, one stood out, resisting conventional actorly rendition; the story of an ancient fisherman, dressed as a giant bird on stilts, trapped in a cycle of denial and mourning over a murdered family. A shorter piece than the rest, it was raw and direct in a way that would have been smothered by over-trained tones. Sleaford Mods is one of the few contemporary bands that Alan has cited strong affection for, and the idea of Jason Williamson voicing this haunted character felt almost too perfectly aligned. As a singer of such distinctive power he knows how to cut straight to the rhythm of the words, their shape and sound. He doesn’t overburden the language with too much intention or biography. His is a voice, there on the river bank, carving his words like the fisherman his stilts, narrating an extreme life without a scrap of self-pity. It was one of the most moving pieces in the whole collection. We recorded him at JT Soar, a former fruit and potato merchants', now a studio in Nottingham, during which I had a revelation that the story of a traumatised fisherman caught in the net of his own delusion echoed the tragic story of poet John Clare on his doomed walk from Epping Forest back home to Northamptonshire, in search of his lost first love. Like our stilt-wearing birdman, Clare stumbles on, clenching the past (or a version of it) like a stone in his pocket, trying to save himself from the horror of his present tense reality. And so Jason returned to speak Clare’s diaries as reimagined by Alan; a historic moment bringing three radical Midlands voices together as one. (Jack McNamara)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alan Moore spoken by Jason Williamson (Sleaford Mods) \u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e","published_at":"2021-12-27T14:47:51+09:00","created_at":"2021-12-27T14:47:51+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","new","purge"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42249254666490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alan Moore spoken by Jason Williamson (Sleaford Mods) \/\/ In the Drownings \/ The Sun Looks Pale Upon the Wall LP","public_title":null,"options":["Default Title"],"price":548000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Screenshot-2021-12-01-at-14.12.22.png?v=1640584561","\/\/tobirarecords.com\/cdn\/shop\/products\/Screenshot-2021-12-01-at-14.12.42.png?v=1640584562"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Screenshot-2021-12-01-at-14.12.22.png?v=1640584561","options":["Title"],"media":[{"alt":null,"id":28928926712058,"position":1,"preview_image":{"aspect_ratio":1.02,"height":1416,"width":1444,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Screenshot-2021-12-01-at-14.12.22.png?v=1640584561"},"aspect_ratio":1.02,"height":1416,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Screenshot-2021-12-01-at-14.12.22.png?v=1640584561","width":1444},{"alt":null,"id":28928926744826,"position":2,"preview_image":{"aspect_ratio":1.016,"height":1414,"width":1436,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Screenshot-2021-12-01-at-14.12.42.png?v=1640584562"},"aspect_ratio":1.016,"height":1414,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Screenshot-2021-12-01-at-14.12.42.png?v=1640584562","width":1436}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e毎回マニアックな作品を美しい装丁で展開するイギリスのオブスキュアレーベルPurgeの2021年12月新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスのエレクトロニック・パンクデュオSleaford Mods片割れJason Williamson朗読による、同国小説家Alan Mooreの処女作「Voices of the Fire」からの2作を収録したオーディオブックレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eシルクスクリーンジャケット、リゾグラフインサート、180g重量盤と完全にコレクター向けの作品となっています。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e250 copies only and no re-press ever; 180gr vinyl in custom-made screen-printed outer (sealed), containing two risograph inserts featuring original writing by director JACK MCNAMARA; no digital \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInformation: JASON WILLIAMSON of Sleaford Mods reads two stories by ALAN MOORE: In the Drownings (AD 43) and The Sun Looks Pale Upon the Wall (AD 1841). A new and unique collaboration marking 25 years since the publication of Moore's 'Voice of the Fire'. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDramatist and screenwriter David Rudkin would never use the word ‘stage’ in talking about his theatre, only ‘space’. ‘Stage’ it seemed was too elevated, creaky and limited to the material world. His work played out instead in the mental landscape, or what he referred to as ‘the theatre within’. This was certainly the case with his masterful radio-turned-theatre piece The Lovesong of Alfred J Hitchcock which we toured together Off-Broadway in 2014 and which received the very warmest of American welcomes (“Lifeless British Dirge” The New York Post). It was in a yellow taxi with David on the way back to the hotel from that experience, contemplating our fair (and lifeless) nation, that he first told me of Alan Moore’s little-known 1996 novel Voice of the Fire, a compendium of 12 voices, each based within a ten-mile radius of Northampton town centre. This was a work that found heaving life in one of the most overlooked places in England, drilling down into 4000 years of history to do so. Even in our hyperconnected age the book was almost impossible to find, having effectively fallen out of print, and yet, when I finally tracked one down, the grail-like status it had developed did not disappoint. Each chapter was a perfectly formed universe, terrifying and exact, made up of voices so vivid they leapt straight off the page, aiming resolutely at that theatre within.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVoice of the Fire was fast approaching its 25th birthday and still remained eclipsed by the gargantuan body of work the author had written before and since. I asked him if I could bring each story to audio life with an ensemble of stunning actors and a fully realised sound world, an approach that I hoped would bring life to the often lifeless format of the audiobook. Alan was enthusiastic, even offering his own services as narrator of the final chapter (although no one else could have possibly played that part). There was huge pleasure in selecting the voices for each of the remaining pieces. Maxine Peake was first on board to voice the agitated monologue of a Bronze Age murderer, Alan having been so taken with her television performance as Myra Hindley. Toby Jones then joined us as the man who built Northampton castle, followed by Aisling Loftus as the last witch to be burned in England, Tom Edward Kane as ‘blazing car murderer’ Alfred Arthur Rouse, Pamela Nomvete as a vision-witnessing nun and Mark Gatiss as the severed head of Francis Tresham.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOf the chapters remaining unallocated, one stood out, resisting conventional actorly rendition; the story of an ancient fisherman, dressed as a giant bird on stilts, trapped in a cycle of denial and mourning over a murdered family. A shorter piece than the rest, it was raw and direct in a way that would have been smothered by over-trained tones. Sleaford Mods is one of the few contemporary bands that Alan has cited strong affection for, and the idea of Jason Williamson voicing this haunted character felt almost too perfectly aligned. As a singer of such distinctive power he knows how to cut straight to the rhythm of the words, their shape and sound. He doesn’t overburden the language with too much intention or biography. His is a voice, there on the river bank, carving his words like the fisherman his stilts, narrating an extreme life without a scrap of self-pity. It was one of the most moving pieces in the whole collection. We recorded him at JT Soar, a former fruit and potato merchants', now a studio in Nottingham, during which I had a revelation that the story of a traumatised fisherman caught in the net of his own delusion echoed the tragic story of poet John Clare on his doomed walk from Epping Forest back home to Northamptonshire, in search of his lost first love. Like our stilt-wearing birdman, Clare stumbles on, clenching the past (or a version of it) like a stone in his pocket, trying to save himself from the horror of his present tense reality. And so Jason returned to speak Clare’s diaries as reimagined by Alan; a historic moment bringing three radical Midlands voices together as one. (Jack McNamara)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alan Moore spoken by Jason Williamson (Sleaford Mods) \u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e"}
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New arrivals for December 2021 from British obscure label Purge, which develops maniac works in beautiful bindings every time.This work is an audiobook record that contains two works from British novelist Alan Moore's maiden work "Voices of the Fire" read by British electronic punk duo Sleaford Mods half Jason Williamson.With a silkscreen jacket, risograph insert and 12g heavyweight vinyl, this is a complete collector's piece. 2 copies only and no...
¥5,480
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{"id":7472075768058,"title":"Andrew McIntosh \/\/ A Moonbeam Is Just A Filtered Sunbeam CD","handle":"andrew-mcintosh-a-moonbeam-is-just-a-filtered-sunbeam-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・カリフォルニアのマルチ奏者Andrew McIntoshが、2021年11月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングをミックスしたアコースティックドローン4曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1949767252\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Long-form solo work by multi-instrumentalist composer Andrew McIntosh. Featuring field recordings of pine woods in his home state of California mixed with impeccably crafted instrumental playing. The four parts are continuous and are intended to be played without a break between tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew McIntosh\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-29T10:34:49+09:00","created_at":"2021-11-29T10:08:23+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120793293050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrew McIntosh \/\/ A Moonbeam Is Just A Filtered Sunbeam CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693","\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e86e0a58-3720-4bb1-8e63-6a7059856168.jpg?v=1638149693"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693","options":["Title"],"media":[{"alt":null,"id":28762694123770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693","width":1200},{"alt":null,"id":28762694091002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e86e0a58-3720-4bb1-8e63-6a7059856168.jpg?v=1638149693"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e86e0a58-3720-4bb1-8e63-6a7059856168.jpg?v=1638149693","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・カリフォルニアのマルチ奏者Andrew McIntoshが、2021年11月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングをミックスしたアコースティックドローン4曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1949767252\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Long-form solo work by multi-instrumentalist composer Andrew McIntosh. Featuring field recordings of pine woods in his home state of California mixed with impeccably crafted instrumental playing. The four parts are continuous and are intended to be played without a break between tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew McIntosh\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e"}
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This is the latest release by Andrew McIntosh, a multiplayer from California, USA, on the British contemporary label Another Timbre in November 2021.Includes 11 acoustic drone songs mixed with field recording.Digipak and shrink specifications.Click here to see more Another Timbre releases available at Tobira ....
¥1,890
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{"id":7472074129658,"title":"Martin Iddon \/\/ Sapindales CD","handle":"martin-iddon-sapindales-cd","description":"\u003cp\u003eイギリスのクラリネット奏者Martin Iddonが、2021年11月に同国コンテンポラリーレーベルAnother Timbreからリリースした最新作です。フィールドレコーディングをミックスしたアコースティックドローン4曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=529491424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour works by UK-based composer Martin Iddon, all composed for clarinetist Heather Roche. Including the highly-acclaimed title track, 'Sapindales', which combine multi-tracked clarinets with field recordings made by the composer in woods in his native Yorkshire.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martin Iddon\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-11-29T10:27:25+09:00","created_at":"2021-11-29T10:01:04+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120785887482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Martin Iddon \/\/ Sapindales CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250","\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_3df755fc-0871-471f-9787-5b15f618b367.jpg?v=1638149250"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250","options":["Title"],"media":[{"alt":null,"id":28762674364666,"position":1,"preview_image":{"aspect_ratio":1.145,"height":1048,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250"},"aspect_ratio":1.145,"height":1048,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250","width":1200},{"alt":null,"id":28762674331898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_3df755fc-0871-471f-9787-5b15f618b367.jpg?v=1638149250"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_3df755fc-0871-471f-9787-5b15f618b367.jpg?v=1638149250","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのクラリネット奏者Martin Iddonが、2021年11月に同国コンテンポラリーレーベルAnother Timbreからリリースした最新作です。フィールドレコーディングをミックスしたアコースティックドローン4曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=529491424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour works by UK-based composer Martin Iddon, all composed for clarinetist Heather Roche. Including the highly-acclaimed title track, 'Sapindales', which combine multi-tracked clarinets with field recordings made by the composer in woods in his native Yorkshire.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martin Iddon\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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The latest release by British clarinetist Martin Iddon on the country's contemporary label Another Timbre in November 2021.Includes 11 acoustic drone songs mixed with field recording.Digipak and shrink specifications.Click here to see more Another Timbre releases available at Tobira. ---------------------------...
¥1,890
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{"id":7452548530426,"title":"Alison Knowles \/\/ Sounds from the Book of Bean LP","handle":"alison-knowles-sounds-from-the-book-of-bean-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフルクサス作家\u003cmeta charset=\"utf-8\"\u003eAlison Knowles（享年65歳)が1982年にひっそりリリースしていたカセットを、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Sean McCann主宰レーベルRecitalがレコードで再発リリース。サウンドアート全5曲を収録しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAlison Knowles、George Quasha、Charlie Morrowによるグラフィック、ライナーノートが掲載された20ページブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=733973579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl edition, edition of 300 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover and sleeve designed by Alison Knowles.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted inner sleeve.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20-page 11\"x11\" booklet of photos and texts from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eRecital :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe first vinyl LP release from Fluxus pioneer Alison Knowles (b. 1933). Sounds from the Book of Bean is an assemblage of noises and texts related to The Book of Bean (1982), Knowles’ 8-foot tall walk-in book constructed at Franklin Furnace in New York. This recording, the sounds of making the big book, was continually played back inside of the installation. Echoes of Yoshi Wada hammering together the circular spine of the book, other collaborators mixing ink, feeding a horse, the flowing waters of the Hudson Valley... all superimposed with texts and poems read by Knowles and her daughter Jessica Higgins.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the second side of the album, the piece Essential Divisions features Knowles performing with red, black, and white beans. Recorded in Annea Lockwood’s underground studio, Knowles sounds the beans in glass, ceramics, wood, as well as in her mouth. Further bean histories and sound poems are recited, concluding with “Popular Bean Soup” – an ancient recipe translated by George Brecht.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnowles’ big books are, as she describes them, transvironments: a transformationally experienced environment. The phenomenological nature of her book is distilled aurally in the case of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this record. As Knowles describes the end of her book, “the reader leaves via a ladder or out the window and through a muslin panel printed with contradictory wisdom concerning beans and dreaming… one can begin again either by going on or turning back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally published as a cassette in 1982 on the New Wilderness Audiographics label, this remastered edition has been transferred from original tapes. An expansive 20-page booklet is included, holding graphics and writings from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alison Knowles\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2021-11-16T13:50:55+09:00","created_at":"2021-11-16T13:15:07+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","lp","monooto","Recital"],"price":365000,"price_min":365000,"price_max":365000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42062451998970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alison Knowles \/\/ Sounds from the Book of Bean LP","public_title":null,"options":["Default Title"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109","\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_120f8c77-34f2-4db4-8188-534b401d0b9e.jpg?v=1637036109"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109","options":["Title"],"media":[{"alt":null,"id":26937223446778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109","width":700},{"alt":null,"id":26937223479546,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_120f8c77-34f2-4db4-8188-534b401d0b9e.jpg?v=1637036109"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_120f8c77-34f2-4db4-8188-534b401d0b9e.jpg?v=1637036109","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフルクサス作家\u003cmeta charset=\"utf-8\"\u003eAlison Knowles（享年65歳)が1982年にひっそりリリースしていたカセットを、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Sean McCann主宰レーベルRecitalがレコードで再発リリース。サウンドアート全5曲を収録しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAlison Knowles、George Quasha、Charlie Morrowによるグラフィック、ライナーノートが掲載された20ページブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=733973579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl edition, edition of 300 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover and sleeve designed by Alison Knowles.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted inner sleeve.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20-page 11\"x11\" booklet of photos and texts from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eRecital :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe first vinyl LP release from Fluxus pioneer Alison Knowles (b. 1933). Sounds from the Book of Bean is an assemblage of noises and texts related to The Book of Bean (1982), Knowles’ 8-foot tall walk-in book constructed at Franklin Furnace in New York. This recording, the sounds of making the big book, was continually played back inside of the installation. Echoes of Yoshi Wada hammering together the circular spine of the book, other collaborators mixing ink, feeding a horse, the flowing waters of the Hudson Valley... all superimposed with texts and poems read by Knowles and her daughter Jessica Higgins.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the second side of the album, the piece Essential Divisions features Knowles performing with red, black, and white beans. Recorded in Annea Lockwood’s underground studio, Knowles sounds the beans in glass, ceramics, wood, as well as in her mouth. Further bean histories and sound poems are recited, concluding with “Popular Bean Soup” – an ancient recipe translated by George Brecht.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnowles’ big books are, as she describes them, transvironments: a transformationally experienced environment. The phenomenological nature of her book is distilled aurally in the case of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this record. As Knowles describes the end of her book, “the reader leaves via a ladder or out the window and through a muslin panel printed with contradictory wisdom concerning beans and dreaming… one can begin again either by going on or turning back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally published as a cassette in 1982 on the New Wilderness Audiographics label, this remastered edition has been transferred from original tapes. An expansive 20-page booklet is included, holding graphics and writings from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alison Knowles\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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Fluxus writer Alison Knowles (65 years old) quietly released the cassette in 1982, and American ambient writer Sean McCann's label Recital re-released it on vinyl.Contains all 5 sound art songs. Includes a 20-page booklet with graphics and liner notes by Alison Knowles, George Quasha and Charlie Morrow.Click here to see more Recital releases available ...
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{"id":7450459865338,"title":"Bernard Parmegiani \/\/ Violostries LP","handle":"bernard-parmegiani-violostries-lp","description":"\u003cp\u003eフランスの実験音楽家Bernard Parmegianiの再発レコードです。（オリジナルは1969年リリース）\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606170898\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSong by song information:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolostries (1963\/64), 16'39\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered and recorded in April 1965 at the Royan Festival - France, by Devy Erlih (violin) \u0026amp; Bernard Parmegiani (sound projection).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eViolostries represents the intersection of several musical research directions, presented as two simultaneous dialogues - composer\/performer and instrument\/orchestra.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a short introduction tutti very spatialized:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Pulsion\/Miroirs: multiplied by itself, the violin is projected into the four corners of the sound space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Jeu de cellules: concertante piece for violin and audio medium, the latter being made up of very tightly woven microsounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Végétal: slow and invisible development following a continuous time, resulting from an internal and permanent processing of the matter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCapture éphémère (1967, 1988 version), 11'48\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work was composed in four tracks in 1967 for quadraphonic diffusion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRemixed in stereo in 1988.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Studio 105 of the Maison de la Radio, Paris\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e, May 1967.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSounds - noises that circulate as time unfolds - continue to exist despite our recording them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBreaths, fluttering wings: ephemeral microsonic sounds streaking space, sound scratches, landslides, bounces, vertigo of solid objects falling into an abyssal void, multiple snapshots forever frozen in their fall. As many symbols leave inside us the permanent trace of their ephemeral brushing against our ear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSome day, a desert, a sound, then never again....\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhere, in my head and body something still resonates... resonance, what could be more ephemeral.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLa Roue Ferris (1971), 10'45\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Festival des chantiers navals, Menton, on August 26, 1971.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSound projection: Bernard Parmegiani.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLa Roue Ferris (Ferris wheel) spins, merging with its own resonance, stubbornly perpetuating its variations. It only sketches a regularly evolving movement around a constant axis. Each of its towers generates thick sonic layers that penetrate each other, producing a very fluid interweaving. The crackling of the origin eventually metamorphoses into sonic threads whose lightness recalls high-altitude clouds, cirrus clouds, haunted by the cries of swifts twirling in the warm air. The wondrous arises and dies off, leaving us with an illusion of duration.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-11T11:28:42+09:00","created_at":"2021-11-15T16:29:03+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","shelter press"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057984180474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Parmegiani \/\/ Violostries LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_a9c452e8-37f1-4bb2-a075-f1abfd80e71c.jpg?v=1636961344"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344","options":["Title"],"media":[{"alt":null,"id":26931303186682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344","width":700},{"alt":null,"id":26931303219450,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_a9c452e8-37f1-4bb2-a075-f1abfd80e71c.jpg?v=1636961344"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_a9c452e8-37f1-4bb2-a075-f1abfd80e71c.jpg?v=1636961344","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Bernard Parmegianiの再発レコードです。（オリジナルは1969年リリース）\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606170898\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSong by song information:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolostries (1963\/64), 16'39\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered and recorded in April 1965 at the Royan Festival - France, by Devy Erlih (violin) \u0026amp; Bernard Parmegiani (sound projection).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eViolostries represents the intersection of several musical research directions, presented as two simultaneous dialogues - composer\/performer and instrument\/orchestra.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a short introduction tutti very spatialized:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Pulsion\/Miroirs: multiplied by itself, the violin is projected into the four corners of the sound space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Jeu de cellules: concertante piece for violin and audio medium, the latter being made up of very tightly woven microsounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Végétal: slow and invisible development following a continuous time, resulting from an internal and permanent processing of the matter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCapture éphémère (1967, 1988 version), 11'48\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work was composed in four tracks in 1967 for quadraphonic diffusion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRemixed in stereo in 1988.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Studio 105 of the Maison de la Radio, Paris\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e, May 1967.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSounds - noises that circulate as time unfolds - continue to exist despite our recording them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBreaths, fluttering wings: ephemeral microsonic sounds streaking space, sound scratches, landslides, bounces, vertigo of solid objects falling into an abyssal void, multiple snapshots forever frozen in their fall. As many symbols leave inside us the permanent trace of their ephemeral brushing against our ear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSome day, a desert, a sound, then never again....\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhere, in my head and body something still resonates... resonance, what could be more ephemeral.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLa Roue Ferris (1971), 10'45\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Festival des chantiers navals, Menton, on August 26, 1971.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSound projection: Bernard Parmegiani.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLa Roue Ferris (Ferris wheel) spins, merging with its own resonance, stubbornly perpetuating its variations. It only sketches a regularly evolving movement around a constant axis. Each of its towers generates thick sonic layers that penetrate each other, producing a very fluid interweaving. The crackling of the origin eventually metamorphoses into sonic threads whose lightness recalls high-altitude clouds, cirrus clouds, haunted by the cries of swifts twirling in the warm air. The wondrous arises and dies off, leaving us with an illusion of duration.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
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Reissued record by French experimental musician Bernard Parmegiani. (Original was released in 1969) Click here for labels and other works /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at...
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{"id":7445288878330,"title":"Lee Patterson \/ Samo Kutin \/\/ The Universal Veil That Hangs Together Like A Skin LP","handle":"lpsk","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家Lee Pattersonと、スロベニアのマルチ奏者Samo Kutinが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2020年10月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハーディーガーディーや物音によるコラージュ・ドローン6曲を収録。DLコードとDavid Toopによるライナーノートが付属。ゲートフォルド仕様、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e180gクリア重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1014567189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e180g crystal clear transparent vinyls housed in stylish gatefold sleeve are available to order from 1 October, 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLee Patterson: amplified devices, chemical and mechanical synthesis\u003cbr data-mce-fragment=\"1\"\u003eSamo Kutin: hurdy-gurdies, objects, acoustic resonators\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll music by Lee Patterson \u0026amp; Samo Kutin\u003cbr data-mce-fragment=\"1\"\u003eRecorded by Jernej Babnik Romaniuk at KUD Mreža’s Studio Asylum, Ljubljana on 1-2 April 2019\u003cbr data-mce-fragment=\"1\"\u003eMixed and mastered by Jernej Babnik Romaniuk\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by David Toop\u003cbr data-mce-fragment=\"1\"\u003eCover and label paintings by Rachael Elwell\u003cbr data-mce-fragment=\"1\"\u003ePhoto by Jan Prpič\u003cbr data-mce-fragment=\"1\"\u003eGraphic design by László Szakács\u003cbr data-mce-fragment=\"1\"\u003eExecutive producer: Nataša Serec\u003cbr data-mce-fragment=\"1\"\u003eAssociate producer: László Juhász\u003cbr data-mce-fragment=\"1\"\u003eSpecial thanks to Mauricio Valdés San Emeterio\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA rising creature spreads its shadow over hushed land. In the moment of folding its wings, all air leaves the world. All things now operate by friction, stridulation, rough surfaces in contact with abrasion, materials unlike silk or plastic, the working of ground teeth and jaw bones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the blacksmith’s forge, an alchemist sits away from the fire in a clouded spot, observing those transforming states that move from hard to soft, from dull to radiant. From trees a presence emanates, as thick as wet moss and mud. Birds move within it, their shapes only visible with closed eyes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt night, people sleep with covered ears, their dreams haunted by the footsteps of giants, the slow movement of hills, cracks opening in the earth to unleash insect clouds. Houses lack windows, yet light penetrates, if only to mark daily transitions between stillness and movement, heat to cold. If there are bells, they are heard only in memory, as if buried under silt on the bed of a fathomless pond. To sit quietly is rewarded. A shout is impossible.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvery month a door is opened, simply to change the air. This opening may take many hours, the door hinges resistant, anguished, uttering secret words that only the very old and very young can understand. At each opening, a wooden cart enters, another leaves. The ox that pulls one cart looks sideways at the horse that pulls the other, their gaze as deep as the silence through which they pass. As the trembling of the ground subsides, the world returns to itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDavid Toop\u003cbr data-mce-fragment=\"1\"\u003eJune 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBritish sound artist Lee Patterson (1971) has devised and performs with a selection of amplified devices and processes. Whether working live with amplification or recording within an environment, he has pioneered a range of methods to produce or uncover complex sound in unexpected places. From rock chalk and springs, to aquatic plants and insects, he eavesdrops upon and takes inspiration from places and situations otherwise considered mute. Patterson's collaborators have included some of today's most respected experimental musicians and filmmakers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSlovenian multi-instrumentalist Samo Kutin (1982) is comprehensively devoted to research and manipulate the various potentials of his main instrument, the hurdy-gurdy, in the field of free improvisation. In extreme acoustic dimensions – from silent noise to loud drones, from soft blows to unbearable screeches – he is using unconventional preparations and extreme amplification, handling both contact microphones and acoustic resonators. Runs regular international duos with Jean-Luc Guionnet, Daichi Yoshikawa, Boris Baltschun, Lee Patterson, and most recently with Martin Küchen. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T19:52:27+09:00","created_at":"2021-11-12T19:52:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","lp","recommended"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42044945760506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lee Patterson \/ Samo Kutin \/\/ The Universal Veil That Hangs Together Like A Skin LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3101478252_16.jpg?v=1636714699","\/\/tobirarecords.com\/cdn\/shop\/products\/0023382047_10.jpg?v=1636714711"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3101478252_16.jpg?v=1636714699","options":["Title"],"media":[{"alt":null,"id":26910599282938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3101478252_16.jpg?v=1636714699"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3101478252_16.jpg?v=1636714699","width":700},{"alt":null,"id":26910600724730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0023382047_10.jpg?v=1636714711"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0023382047_10.jpg?v=1636714711","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家Lee Pattersonと、スロベニアのマルチ奏者Samo Kutinが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2020年10月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハーディーガーディーや物音によるコラージュ・ドローン6曲を収録。DLコードとDavid Toopによるライナーノートが付属。ゲートフォルド仕様、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e180gクリア重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1014567189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e180g crystal clear transparent vinyls housed in stylish gatefold sleeve are available to order from 1 October, 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLee Patterson: amplified devices, chemical and mechanical synthesis\u003cbr data-mce-fragment=\"1\"\u003eSamo Kutin: hurdy-gurdies, objects, acoustic resonators\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll music by Lee Patterson \u0026amp; Samo Kutin\u003cbr data-mce-fragment=\"1\"\u003eRecorded by Jernej Babnik Romaniuk at KUD Mreža’s Studio Asylum, Ljubljana on 1-2 April 2019\u003cbr data-mce-fragment=\"1\"\u003eMixed and mastered by Jernej Babnik Romaniuk\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by David Toop\u003cbr data-mce-fragment=\"1\"\u003eCover and label paintings by Rachael Elwell\u003cbr data-mce-fragment=\"1\"\u003ePhoto by Jan Prpič\u003cbr data-mce-fragment=\"1\"\u003eGraphic design by László Szakács\u003cbr data-mce-fragment=\"1\"\u003eExecutive producer: Nataša Serec\u003cbr data-mce-fragment=\"1\"\u003eAssociate producer: László Juhász\u003cbr data-mce-fragment=\"1\"\u003eSpecial thanks to Mauricio Valdés San Emeterio\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA rising creature spreads its shadow over hushed land. In the moment of folding its wings, all air leaves the world. All things now operate by friction, stridulation, rough surfaces in contact with abrasion, materials unlike silk or plastic, the working of ground teeth and jaw bones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the blacksmith’s forge, an alchemist sits away from the fire in a clouded spot, observing those transforming states that move from hard to soft, from dull to radiant. From trees a presence emanates, as thick as wet moss and mud. Birds move within it, their shapes only visible with closed eyes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt night, people sleep with covered ears, their dreams haunted by the footsteps of giants, the slow movement of hills, cracks opening in the earth to unleash insect clouds. Houses lack windows, yet light penetrates, if only to mark daily transitions between stillness and movement, heat to cold. If there are bells, they are heard only in memory, as if buried under silt on the bed of a fathomless pond. To sit quietly is rewarded. A shout is impossible.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvery month a door is opened, simply to change the air. This opening may take many hours, the door hinges resistant, anguished, uttering secret words that only the very old and very young can understand. At each opening, a wooden cart enters, another leaves. The ox that pulls one cart looks sideways at the horse that pulls the other, their gaze as deep as the silence through which they pass. As the trembling of the ground subsides, the world returns to itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDavid Toop\u003cbr data-mce-fragment=\"1\"\u003eJune 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBritish sound artist Lee Patterson (1971) has devised and performs with a selection of amplified devices and processes. Whether working live with amplification or recording within an environment, he has pioneered a range of methods to produce or uncover complex sound in unexpected places. From rock chalk and springs, to aquatic plants and insects, he eavesdrops upon and takes inspiration from places and situations otherwise considered mute. Patterson's collaborators have included some of today's most respected experimental musicians and filmmakers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSlovenian multi-instrumentalist Samo Kutin (1982) is comprehensively devoted to research and manipulate the various potentials of his main instrument, the hurdy-gurdy, in the field of free improvisation. In extreme acoustic dimensions – from silent noise to loud drones, from soft blows to unbearable screeches – he is using unconventional preparations and extreme amplification, handling both contact microphones and acoustic resonators. Runs regular international duos with Jean-Luc Guionnet, Daichi Yoshikawa, Boris Baltschun, Lee Patterson, and most recently with Martin Küchen. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This record was released on Slovenian impro label Inexhaustible Editions in October 2020 by British experimental musician Lee Patterson and Slovenian multiplayer Samo Kutin.Includes 10 collage drones with hurdy-gurdy and noise. Includes DL code and liner notes by David Toop.Gatefold specification, 6g clear weight board.Click here to see more Inexhaustible Editions releases available ...
¥3,280
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{"id":7444634468602,"title":"Birgit Ulher \/ Petr Vrba \/\/ Schallschatten CD","handle":"birgit-ulher-petr-vrba-schallschatten-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツのトランペット奏者Birgit Ulherと、チェコの実験音楽家Petr Vrbaが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜物音ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3460131006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGerman trumpet player Birgit Ulher (1961) studied visual arts, which still have an important influence on her music. Since moving to Hamburg in the early eighties, she has been involved in free improvisation and experimental music. Since then she has established a distinguished grammar of sounds beyond the open trumpet. Since 2006 she has been working with radios and uses extended speakers, fed with radio noise in her trumpet mutes. She has collaborated with Lou Mallozzi, Rhodri Davies\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Damon Smith, Roger Turner, Sven-Åke Johansson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCzech experimental free improviser Petr Vrba's (1974) unrelenting explorations of non-idiomatic music using trumpets, clarinets, electronics, vibrating speakers etc. made him one of the most active musicians in Prague these days. His most intensive collaborations arose from meeting with American bassist George Cremaschi with whom they established the Prague Improvisation Orchestra and the international dance-visual-music project Arthuur. Among others, he has released albums with Axel Dörner, Franz Hautzinger, Matthias Müller, Irene Kepl and Yan Jun.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Birgit Ulher \/ Petr Vrba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:57:00+09:00","created_at":"2021-11-12T11:19:33+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","monooto"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043542110458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Birgit Ulher \/ Petr Vrba \/\/ Schallschatten CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575","\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_b2280ccc-bb5e-484f-82ee-0b4f347a1155.jpg?v=1636683575"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575","options":["Title"],"media":[{"alt":null,"id":26906617184506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575","width":700},{"alt":null,"id":26906617217274,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_b2280ccc-bb5e-484f-82ee-0b4f347a1155.jpg?v=1636683575"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_b2280ccc-bb5e-484f-82ee-0b4f347a1155.jpg?v=1636683575","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツのトランペット奏者Birgit Ulherと、チェコの実験音楽家Petr Vrbaが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜物音ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3460131006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGerman trumpet player Birgit Ulher (1961) studied visual arts, which still have an important influence on her music. Since moving to Hamburg in the early eighties, she has been involved in free improvisation and experimental music. Since then she has established a distinguished grammar of sounds beyond the open trumpet. Since 2006 she has been working with radios and uses extended speakers, fed with radio noise in her trumpet mutes. She has collaborated with Lou Mallozzi, Rhodri Davies\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Damon Smith, Roger Turner, Sven-Åke Johansson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCzech experimental free improviser Petr Vrba's (1974) unrelenting explorations of non-idiomatic music using trumpets, clarinets, electronics, vibrating speakers etc. made him one of the most active musicians in Prague these days. His most intensive collaborations arose from meeting with American bassist George Cremaschi with whom they established the Prague Improvisation Orchestra and the international dance-visual-music project Arthuur. Among others, he has released albums with Axel Dörner, Franz Hautzinger, Matthias Müller, Irene Kepl and Yan Jun.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Birgit Ulher \/ Petr Vrba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This is a co-produced CD released by German trumpet player Birgit Ulher and Czech experimental musician Petr Vrba on the Slovenian impro label Inexhaustible Editions in August 2021.Includes 8 Gachincoin Pro-Sound Drone songs. 6-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
¥1,780
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{"id":7444632338682,"title":"Warble (Brad Henkel \/ Miako Klein) \/\/ Swarm CD","handle":"warble-brad-henkel-miako-klein-swarm-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのトランペット奏者Brad Henkelと、ドイツの実験音楽家Miako Kleinが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜ドローン2曲、約40分を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=56430802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrad Henkel (1985) is a trumpet player and composer from the States, currently based in Berlin. With a primary focus on improvisation, using a broad color palette of pitched and unpitched sounds, he creates and participates in music which is rooted in the free jazz, contemporary composed and Echtzeitmusik traditions. He studied jazz trumpet in Los Angeles with Bobby Shew and Clay Jenkins, and improvisation and composition with Jeff Kaiser and John Fumo. He also studied improvisation with Tony Malaby, Ralph Alessi and other staples of the New York scene.\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBerlin-based performer and improviser Miako Klein (1982) has a greatly varied musical background: classically educated on the recorder and violin, she has extensive experience in performing contemporary music, as well as improvised and early music. She constantly questions and challenges the conventional ways of music practices by pushing boundaries between styles and genres, by experimenting, and by interdisciplinary works. She performs as a soloist and chamber musician, and collaborates with composers who have written dedicated works for her. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Warble: Brad Henkel \/ Miako Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:23:47+09:00","created_at":"2021-11-12T11:17:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","monooto"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043539128570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warble (Brad Henkel \/ Miako Klein) \/\/ Swarm CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","\/\/tobirarecords.com\/cdn\/shop\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","options":["Title"],"media":[{"alt":null,"id":26906592575738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","width":700},{"alt":null,"id":26906592608506,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのトランペット奏者Brad Henkelと、ドイツの実験音楽家Miako Kleinが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜ドローン2曲、約40分を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=56430802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrad Henkel (1985) is a trumpet player and composer from the States, currently based in Berlin. With a primary focus on improvisation, using a broad color palette of pitched and unpitched sounds, he creates and participates in music which is rooted in the free jazz, contemporary composed and Echtzeitmusik traditions. He studied jazz trumpet in Los Angeles with Bobby Shew and Clay Jenkins, and improvisation and composition with Jeff Kaiser and John Fumo. He also studied improvisation with Tony Malaby, Ralph Alessi and other staples of the New York scene.\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBerlin-based performer and improviser Miako Klein (1982) has a greatly varied musical background: classically educated on the recorder and violin, she has extensive experience in performing contemporary music, as well as improvised and early music. She constantly questions and challenges the conventional ways of music practices by pushing boundaries between styles and genres, by experimenting, and by interdisciplinary works. She performs as a soloist and chamber musician, and collaborates with composers who have written dedicated works for her. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Warble: Brad Henkel \/ Miako Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This is a co-produced CD released by American trumpet player Brad Henkel and German experimental musician Miako Klein on the Slovenian impro label Inexhaustible Editions in August 2021.Gachincoin Pro-Drone 8 songs, about 2 minutes recorded. 40-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
¥1,880
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{"id":7444629979386,"title":"Yves Charuest \/ Benedict Taylor \/\/ Knotted Threads CD","handle":"yves-charuest-benedict-taylor-knotted-threads-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564565378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eI met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a few private sessions and one short set at Mopomoso. Those encounters confirmed our determination to further explore this connection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Montréal, I invited Benedict in 2019 to perform with me and another duo partner of mine, Montréal-based dancer Alanna Kraaijeveld with whom I explore the kinetic quality and fragility\/instability of movement and sonic threads in improvised dance and music. Around the rehearsals and performances, Benedict and I recorded the music presented on this album, a most rewarding session for both of us that we are happy to share here, especially in these times when world events force us to wait for the possibility to meet in person again and discover new threads to tie. I am grateful to Benedict for his enthusiastic response to my invitation and for sharing music, ideas, friendship, whisky and craft beer...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Benedict Taylor:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"I met Yves in 2017 at a concert at Iklectik, London where I was playing at The Horse Improvised Music Club. After my set we chatted about the nature of our work, his background and ongoing work and research in London. We got along and felt it would be a good thing to meet and make some music together in a private setting. Yves invited me to his space where he was living and working as a part of his residency with the Quebec Arts Council.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe connected quickly as both friends and musicians. It was clear to me from the outset that this man had an extraordinary talent as a saxophonist, and a huge pair of ears as a musician, collaborator and a human. A superb listener and playing partner, and importantly a deeply questioning and challenging collaborator.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe knew it would be a good thing to continue working together in some way, though, as is often the case with connections within our musical sphere, we had to figure out some challenging logistics – in this case the Atlantic Ocean. That said after some time talking over distance, discussing ideas and attempts at regrouping – in Berlin, in London, in Canada – Yves was able to invite me for a project in Montreal in the Winter of 2019, playing and recording together as a duo, and collaborating as a trio with the wonderful contemporary dancer Alanna Kraaijeveld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is part of our ongoing dialogue. The continuing musical thread. A knot for us to hold on to for a moment as we prepare to jump back in, and keep weaving.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCanadian saxophonist Yves Charuest (1960) has been active since the 1980s on the local improvised music scene, and now, his solo work has recently gained renewed momentum. He has always devoted his creative energy to improvisation in varying forms and contexts: free improvisation, encounters between improvisation and notated material – conventional and graphic notation, verbal instructions –, and ensembles with more apparent stylistic links to free jazz. His approach is characterized by his sense of form and his attention to the sonic properties.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLondon-based violist Benedict Taylor (1982) is one of the leading figures within contemporary composition, modern string performance and improvised music in the British and European new music world. The central focus of his work is in new composition for live performance, film, theatre, contemporary dance, art installation and electro-acoustic composition. In performance, he predominantly works within improvisation, new composition and 20-21. century music. His improvisational works have been released by labels such as Confront, Raw Tonk or Weekertoft.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Yves Charuest \/ Benedict Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:21:25+09:00","created_at":"2021-11-12T11:15:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Inexhaustible Editions","jazz"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043531526394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yves Charuest \/ Benedict Taylor \/\/ Knotted Threads CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","\/\/tobirarecords.com\/cdn\/shop\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","options":["Title"],"media":[{"alt":null,"id":26906566197498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","width":700},{"alt":null,"id":26906566230266,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564565378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eI met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a few private sessions and one short set at Mopomoso. Those encounters confirmed our determination to further explore this connection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Montréal, I invited Benedict in 2019 to perform with me and another duo partner of mine, Montréal-based dancer Alanna Kraaijeveld with whom I explore the kinetic quality and fragility\/instability of movement and sonic threads in improvised dance and music. Around the rehearsals and performances, Benedict and I recorded the music presented on this album, a most rewarding session for both of us that we are happy to share here, especially in these times when world events force us to wait for the possibility to meet in person again and discover new threads to tie. I am grateful to Benedict for his enthusiastic response to my invitation and for sharing music, ideas, friendship, whisky and craft beer...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Benedict Taylor:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"I met Yves in 2017 at a concert at Iklectik, London where I was playing at The Horse Improvised Music Club. After my set we chatted about the nature of our work, his background and ongoing work and research in London. We got along and felt it would be a good thing to meet and make some music together in a private setting. Yves invited me to his space where he was living and working as a part of his residency with the Quebec Arts Council.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe connected quickly as both friends and musicians. It was clear to me from the outset that this man had an extraordinary talent as a saxophonist, and a huge pair of ears as a musician, collaborator and a human. A superb listener and playing partner, and importantly a deeply questioning and challenging collaborator.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe knew it would be a good thing to continue working together in some way, though, as is often the case with connections within our musical sphere, we had to figure out some challenging logistics – in this case the Atlantic Ocean. That said after some time talking over distance, discussing ideas and attempts at regrouping – in Berlin, in London, in Canada – Yves was able to invite me for a project in Montreal in the Winter of 2019, playing and recording together as a duo, and collaborating as a trio with the wonderful contemporary dancer Alanna Kraaijeveld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is part of our ongoing dialogue. The continuing musical thread. A knot for us to hold on to for a moment as we prepare to jump back in, and keep weaving.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCanadian saxophonist Yves Charuest (1960) has been active since the 1980s on the local improvised music scene, and now, his solo work has recently gained renewed momentum. He has always devoted his creative energy to improvisation in varying forms and contexts: free improvisation, encounters between improvisation and notated material – conventional and graphic notation, verbal instructions –, and ensembles with more apparent stylistic links to free jazz. His approach is characterized by his sense of form and his attention to the sonic properties.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLondon-based violist Benedict Taylor (1982) is one of the leading figures within contemporary composition, modern string performance and improvised music in the British and European new music world. The central focus of his work is in new composition for live performance, film, theatre, contemporary dance, art installation and electro-acoustic composition. In performance, he predominantly works within improvisation, new composition and 20-21. century music. His improvisational works have been released by labels such as Confront, Raw Tonk or Weekertoft.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Yves Charuest \/ Benedict Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions \u003c\/span\u003e\u003c\/p\u003e"}
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A co-written CD released by Canadian saxophonist Yves Charuest and British violinist Benedict Taylor on the Slovenian impro label Inexhaustible Editions in June 2021.Includes 6 free jazz songs from Gachincoin Pro. 5-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
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{"id":7444626112762,"title":"Violeta García \/ Émilie Girard-Charest \/\/ Impermanence CD","handle":"violeta-garcia-emilie-girard-charest-impermanence-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンのチェロ奏者Violeta Garcíaと、カナダのチェロ奏者Émilie Girard-Charestが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eチェロ2本によるガチンコインプロ〜ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3721937392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eVioleta García (1990) is a cellist, improviser and composer born in Buenos Aires, Argentina. She is a performer in many art forms, including free improvisation, contemporary and experimental repertoire and collaborations with dancers and others artists. At the moment she is eager to improvise, compose and create new sounds; experiment with extended techniques, prepared instrument and work with dynamic, rhythmic and original tuneful combinations\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her main interest is to open new sound spaces that invite the audience on an inner voyage. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÉmilie Girard-Charest (1987) is a Canadian cellist, composer and improviser. As a chamber musician, a soloist and with different ensembles, she dedicates herself to new music. As a performer, she took part in more than sixty world premieres and worked with composers such as Malcolm Goldstein, Hans Zender or Joane Hétu. She regularly collaborates with theater, dance and performance productions. She is working on various projects with remarkable multidisciplinary artists such as dancer and visual artist Sarah Bronsard, or composer-performer Charles Quevillon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Violeta García \/ Émilie Girard-Charest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:19:06+09:00","created_at":"2021-11-12T11:12:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043522777338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Violeta García \/ Émilie Girard-Charest \/\/ Impermanence CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149","\/\/tobirarecords.com\/cdn\/shop\/products\/im2_03abdfcd-913e-4eba-bb9d-d1e78be93fac.jpg?v=1636683149"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149","options":["Title"],"media":[{"alt":null,"id":26906520879354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149","width":700},{"alt":null,"id":26906520912122,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_03abdfcd-913e-4eba-bb9d-d1e78be93fac.jpg?v=1636683149"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_03abdfcd-913e-4eba-bb9d-d1e78be93fac.jpg?v=1636683149","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンのチェロ奏者Violeta Garcíaと、カナダのチェロ奏者Émilie Girard-Charestが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eチェロ2本によるガチンコインプロ〜ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3721937392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eVioleta García (1990) is a cellist, improviser and composer born in Buenos Aires, Argentina. She is a performer in many art forms, including free improvisation, contemporary and experimental repertoire and collaborations with dancers and others artists. At the moment she is eager to improvise, compose and create new sounds; experiment with extended techniques, prepared instrument and work with dynamic, rhythmic and original tuneful combinations\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her main interest is to open new sound spaces that invite the audience on an inner voyage. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÉmilie Girard-Charest (1987) is a Canadian cellist, composer and improviser. As a chamber musician, a soloist and with different ensembles, she dedicates herself to new music. As a performer, she took part in more than sixty world premieres and worked with composers such as Malcolm Goldstein, Hans Zender or Joane Hétu. She regularly collaborates with theater, dance and performance productions. She is working on various projects with remarkable multidisciplinary artists such as dancer and visual artist Sarah Bronsard, or composer-performer Charles Quevillon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Violeta García \/ Émilie Girard-Charest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This is a co-produced CD released by Argentine cellist Violeta García and Canadian cellist Émilie Girard-Charest in June 2021 on the Slovenian impro label Inexhaustible Editions.Includes 6 songs from Gachincoin Pro to Drone with 2 cellos. 6-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
¥1,780
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{"id":7440170025210,"title":"All Ords \/\/ Sources and Methods TAPE","handle":"all-ords-sources-and-methods-tape","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーによるデュオAll Ords\u003cspan data-mce-fragment=\"1\"\u003eが、2021年10月にリリースしたカセットです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のスポークンワード〜物音コラージュ5曲、32分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=174516177\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e16 minutes per side. Super Ferro Normal-bias music grade tape. Turquoise cassettes with gold foil pad print labels.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"All Ords is Mark Groves and Joanna Nilson. Sources and Methods consists of domestic voice and sound works generated during 2020. Pieces from this release have appeared previously as a part of Colour Out of Space at a Distance International Festival of Experimental Sound and Art, and Dylan Nyoukis’ Fae Ma Bit Tae Ur Bit on Resonance Extra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt explores the collision of labour, wealth disparity, domestic life and the subconscious, as told through book readings, dreams, and the sounds of a temporarily cloistered, claustrophobic home life and a vacated, virus-ridden inner city business district.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe background of ambient dread and government surveillance associated with the piece’s production is pushed further by the title itself- Sources and Methods referring to the mode of intelligence collection and analysis deployed by the CIA. This is also reflected in the artwork, which draws directly from William Friedkin’s Sorcerer (1977), a favourite of the duo which also mirrors, in a figurative sense, the male-female binary nature of the recording itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSources:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHughes, Robert, The Fatal Shore (London: Collins Harvill, 1987)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTherese, Rita, Come: A Memoir (Sydney: Allen \u0026amp;\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Unwin, 2020)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTirado, Linda, Hand to Mouth: The Truth About Being Poor in a Wealthy World (London: Virago Press, 2014)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWolfe, Tom, The Bonfire of the Vanities (New York: Picador, 1987)\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : All Ords\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e","published_at":"2021-11-10T15:09:36+09:00","created_at":"2021-11-10T12:58:05+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","index clean","monooto","new","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031775580410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"All Ords \/\/ Sources and Methods TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686","\/\/tobirarecords.com\/cdn\/shop\/products\/or2_43ee7072-d856-4671-83a0-761c2e74f344.jpg?v=1636516687"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686","options":["Title"],"media":[{"alt":null,"id":26890707206394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686","width":700},{"alt":null,"id":26890707239162,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or2_43ee7072-d856-4671-83a0-761c2e74f344.jpg?v=1636516687"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or2_43ee7072-d856-4671-83a0-761c2e74f344.jpg?v=1636516687","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーによるデュオAll Ords\u003cspan data-mce-fragment=\"1\"\u003eが、2021年10月にリリースしたカセットです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のスポークンワード〜物音コラージュ5曲、32分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=174516177\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e16 minutes per side. Super Ferro Normal-bias music grade tape. Turquoise cassettes with gold foil pad print labels.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"All Ords is Mark Groves and Joanna Nilson. Sources and Methods consists of domestic voice and sound works generated during 2020. Pieces from this release have appeared previously as a part of Colour Out of Space at a Distance International Festival of Experimental Sound and Art, and Dylan Nyoukis’ Fae Ma Bit Tae Ur Bit on Resonance Extra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt explores the collision of labour, wealth disparity, domestic life and the subconscious, as told through book readings, dreams, and the sounds of a temporarily cloistered, claustrophobic home life and a vacated, virus-ridden inner city business district.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe background of ambient dread and government surveillance associated with the piece’s production is pushed further by the title itself- Sources and Methods referring to the mode of intelligence collection and analysis deployed by the CIA. This is also reflected in the artwork, which draws directly from William Friedkin’s Sorcerer (1977), a favourite of the duo which also mirrors, in a figurative sense, the male-female binary nature of the recording itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSources:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHughes, Robert, The Fatal Shore (London: Collins Harvill, 1987)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTherese, Rita, Come: A Memoir (Sydney: Allen \u0026amp;\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Unwin, 2020)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTirado, Linda, Hand to Mouth: The Truth About Being Poor in a Wealthy World (London: Virago Press, 2014)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWolfe, Tom, The Bonfire of the Vanities (New York: Picador, 1987)\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : All Ords\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e"}
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Various works of Index Clean, an experimental label from Melbourne, Australia have arrived.This work is a cassette released in October 2021 by the duo All Ords by the label owner.Spoken word with no melody ~ Sound collage 10 songs, 5 minutes included. Comes with DL code.Click here for labels and other works /// Click here to see more Index Clean releases available at...
¥1,980
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{"id":7440168452346,"title":"Eric Schmid \/\/ 'Hans Ulrich Obrist' + Bernhard Kleist 'Chaotic Neutral' + 'Total Work of Art' LP + CDr + ART BOOK","handle":"eric-schmid-hans-ulrich-obrist-bernhard-kleist-chaotic-neutral-total-work-of-art-lp-cdr-art-book","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当店でもおなじみのアメリカ・シカゴの哲学者／数学者Eric Schmidが、2021年10月にリリースした最新レコード＋CDR＋アート本です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレコードにはスイスのアートキュレーター、評論家、芸術史家Hans Ulrich Obristへの言及が収録、CDには芸術批評についてのラジオ演劇を収録しています。104ページのフルカラーアートブックには、Ericがロードアイランドで行った個展の作品を掲載しています。DLコード付属。マスタリングはSean McCannが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3374554072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSingle sided LP (29’50”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCompact Disc Recordable (41’07”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e104 page artist's book\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis three part release presents varied works from Eric Schmid, capturing a range of modes present within his practice. 'Hans Ulrich Obrist' sees Eric revisiting the channel last seen on the 2017 'Alain Badiou' single sided LP on Recital. The CDR component houses 'Chaotic Neutral', a radio play centred on critical commentary of the contemporary art world. 'Total Work of Art' presents work exhibited in Placeholder at Apartment 13 Gallery in Providence, Rhode Island, USA in 2020.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Schmid\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndex Clean \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-10T14:21:36+09:00","created_at":"2021-11-10T12:56:15+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","cd","contemporary \/ sound poetry","index clean","lp"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031774040314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eric Schmid \/\/ 'Hans Ulrich Obrist' + Bernhard Kleist 'Chaotic Neutral' + 'Total Work of Art' LP + CDr + ART BOOK","public_title":null,"options":["Default Title"],"price":448000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577","\/\/tobirarecords.com\/cdn\/shop\/products\/er2_cc95a018-b0b6-4d93-ae30-15e8719ba4a5.jpg?v=1636516577","\/\/tobirarecords.com\/cdn\/shop\/products\/er3.jpg?v=1636516577"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577","options":["Title"],"media":[{"alt":null,"id":26890697441530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577","width":700},{"alt":null,"id":26890697474298,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er2_cc95a018-b0b6-4d93-ae30-15e8719ba4a5.jpg?v=1636516577"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er2_cc95a018-b0b6-4d93-ae30-15e8719ba4a5.jpg?v=1636516577","width":1200},{"alt":null,"id":26890697507066,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er3.jpg?v=1636516577"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er3.jpg?v=1636516577","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当店でもおなじみのアメリカ・シカゴの哲学者／数学者Eric Schmidが、2021年10月にリリースした最新レコード＋CDR＋アート本です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレコードにはスイスのアートキュレーター、評論家、芸術史家Hans Ulrich Obristへの言及が収録、CDには芸術批評についてのラジオ演劇を収録しています。104ページのフルカラーアートブックには、Ericがロードアイランドで行った個展の作品を掲載しています。DLコード付属。マスタリングはSean McCannが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3374554072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSingle sided LP (29’50”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCompact Disc Recordable (41’07”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e104 page artist's book\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis three part release presents varied works from Eric Schmid, capturing a range of modes present within his practice. 'Hans Ulrich Obrist' sees Eric revisiting the channel last seen on the 2017 'Alain Badiou' single sided LP on Recital. The CDR component houses 'Chaotic Neutral', a radio play centred on critical commentary of the contemporary art world. 'Total Work of Art' presents work exhibited in Placeholder at Apartment 13 Gallery in Providence, Rhode Island, USA in 2020.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Schmid\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndex Clean \u003c\/span\u003e\u003c\/p\u003e"}
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The experimental label Index Clean works from Melbourne, Australia have arrived.This work is the latest record + CDR + art book released in October 2021 by Eric Schmid, a philosopher / mathematician in Chicago, USA, who is familiar in our shop.The record contains references to Swiss art curator, critic and art historian Hans Ulrich Obrist, and the CD contains a radio play on art criticism. The 10-page full-color art book features the work of Eric's solo exhibition on Rhode Island. DL code included.Sean McCann is in charge of mastering.Click here to see more Index Clean ...
¥4,480
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{"id":7436859375866,"title":"Astral Colonels \/\/ The Difference Of Similarity \/ The Similarity Of Difference LP","handle":"astral-colonels-the-difference-of-similarity-the-similarity-of-difference-lp","description":"\u003cp\u003eイタリアの実験レーベルSecond Sleepを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、オーストラリアの音響作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnthony Paterasと、ドイツ・ベルリンの音響作家\u003cmeta charset=\"utf-8\"\u003eValerio Tricoli\u003c\/span\u003eが、2019年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系物音ドローン〜ピアノコンテンポラリー2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2096605532\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e2nd album from the Anthony Pateras \u0026amp; Valerio Tricoli studio project Astral Colonels, recorded at ZKM Karlsruhe as recipients of the Gigahertz Produktionspreis, 2017.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAnthony Pateras: prepared piano\/electronics\u003cbr\u003eValerio Tricoli: ReVox B77\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnthony Pateras:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eAnthony Pateras (b.1979) is a composer, pianist and electroacoustic musician active since the late 90s. Alongside writing concert works, he performs in improvised, electronic \u0026amp; experimental rock contexts...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e...A main area of interest is how electronics \u0026amp; instruments can work together in multi-speaker environments to create auditory hallucinations. Explorations of this include Nonsite Satellite for piano and 32-channel acousmonium (Festival Archipel, Geneva, 2021), Syncope(s) for 5 masked singers, piano \u0026amp; electronics (Centro di Musica, Modena, 2020), Mécanique Céleste for a building by architect Alberto Figuccio (HEIG-VD, Yverdons-Les-Bains, 2020) and Pseudacusis for electro-acoustic septet (Musica Sanae: Naples, Sokolowsko, Berlin, 2019)...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e...Anthony has published over 40 albums on Tzadik, Editions Mego, Ipecac, Cave12, Bocian \u0026amp; Penultimate Press, and from 2012-19 produced the 15 volume Immediata text\/music project.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eHe founded and curated the Articulating Space concert series \u0026amp; festival (2001-2006), and the Melbourne International Biennale Of Exploratory Music (2008), both which were documented \u0026amp; broadcast extensively by the Australian Broadcasting Corporation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eValerio Tricoli:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eValerio Tricoli was born in Palermo, Italy in 1977 and is currently based in Munich, Germany. He is a composer\/performer of electroacoustic music whose main instrument is the Revox B77 reel-to-reel tape machine, which he uses as a completely analog device for live sampling and real-time transformation of field recordings and live sound sources. His electroacoustic compositions are aligned with the tradition of Musique Concrète and explore themes of the internal and the occult.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Astral Colonels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eSecond Sleep\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-10T17:57:22+09:00","created_at":"2021-11-07T10:42:51+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new","second sleep"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42011517059322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Astral Colonels \/\/ The Difference Of Similarity \/ The Similarity Of Difference LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_19f3af05-9c57-4e26-bce4-d3a4a6cb6562.jpg?v=1636249372"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_19f3af05-9c57-4e26-bce4-d3a4a6cb6562.jpg?v=1636249372","options":["Title"],"media":[{"alt":null,"id":26811265188090,"position":1,"preview_image":{"aspect_ratio":1.021,"height":239,"width":244,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_19f3af05-9c57-4e26-bce4-d3a4a6cb6562.jpg?v=1636249372"},"aspect_ratio":1.021,"height":239,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_19f3af05-9c57-4e26-bce4-d3a4a6cb6562.jpg?v=1636249372","width":244}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルSecond Sleepを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、オーストラリアの音響作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnthony Paterasと、ドイツ・ベルリンの音響作家\u003cmeta charset=\"utf-8\"\u003eValerio Tricoli\u003c\/span\u003eが、2019年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系物音ドローン〜ピアノコンテンポラリー2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2096605532\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e2nd album from the Anthony Pateras \u0026amp; Valerio Tricoli studio project Astral Colonels, recorded at ZKM Karlsruhe as recipients of the Gigahertz Produktionspreis, 2017.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAnthony Pateras: prepared piano\/electronics\u003cbr\u003eValerio Tricoli: ReVox B77\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnthony Pateras:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eAnthony Pateras (b.1979) is a composer, pianist and electroacoustic musician active since the late 90s. Alongside writing concert works, he performs in improvised, electronic \u0026amp; experimental rock contexts...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e...A main area of interest is how electronics \u0026amp; instruments can work together in multi-speaker environments to create auditory hallucinations. Explorations of this include Nonsite Satellite for piano and 32-channel acousmonium (Festival Archipel, Geneva, 2021), Syncope(s) for 5 masked singers, piano \u0026amp; electronics (Centro di Musica, Modena, 2020), Mécanique Céleste for a building by architect Alberto Figuccio (HEIG-VD, Yverdons-Les-Bains, 2020) and Pseudacusis for electro-acoustic septet (Musica Sanae: Naples, Sokolowsko, Berlin, 2019)...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e...Anthony has published over 40 albums on Tzadik, Editions Mego, Ipecac, Cave12, Bocian \u0026amp; Penultimate Press, and from 2012-19 produced the 15 volume Immediata text\/music project.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eHe founded and curated the Articulating Space concert series \u0026amp; festival (2001-2006), and the Melbourne International Biennale Of Exploratory Music (2008), both which were documented \u0026amp; broadcast extensively by the Australian Broadcasting Corporation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eValerio Tricoli:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eValerio Tricoli was born in Palermo, Italy in 1977 and is currently based in Munich, Germany. He is a composer\/performer of electroacoustic music whose main instrument is the Revox B77 reel-to-reel tape machine, which he uses as a completely analog device for live sampling and real-time transformation of field recordings and live sound sources. His electroacoustic compositions are aligned with the tradition of Musique Concrète and explore themes of the internal and the occult.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Astral Colonels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eSecond Sleep\u003c\/span\u003e\u003c\/p\u003e"}
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We have received a large amount of Italian experimental label Second Sleep.This work is a collaborative record released in 2019 by Australian sound artist Anthony Pateras and Berlin, Germany sound artist Valerio Tricoli.Contains 2 songs, about 40 minutes.Click here for label and other works /// Click here to see more Second Sleep releases available...
¥3,280
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{"id":7431314342138,"title":"Tripp Nasty \u0026 Sense From Nonsense \/\/ The Thrilling Chilling Sounds of the Haunted House CD","handle":"tripp-nasty-sense-from-nonsense-the-thrilling-chilling-sounds-of-the-haunted-house-cd","description":"\u003cp\u003eアメリカ・コロラドの実験音楽家Tripp Nasty \u0026amp; Sense From Nonsenseが、2021年ハロウィンに自主リリースしたアルバム。\u003c\/p\u003e\n\u003cp\u003eディズニーのレコード「The Thrilling Chilling Sounds of the Haunted House」を独自解釈した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444642609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It'll knock your socks off and mess you up! - \u003c\/em\u003eJohn Cage\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn interpretation of the classic Disney record: Chilling, Thrilling Sounds of the Haunted House\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tripp Nasty \u0026amp; Sense From Nonsense\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelf-released\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-07T12:43:48+09:00","created_at":"2021-11-05T11:07:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","self-released","strange beats","tripnasty"],"price":118000,"price_min":118000,"price_max":118000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41954923348218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tripp Nasty \u0026 Sense From Nonsense \/\/ The Thrilling Chilling Sounds of the Haunted House CD","public_title":null,"options":["Default Title"],"price":118000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081","\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_86972a1f-4c00-42d4-b286-475a5da80dc8.jpg?v=1636078081"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081","options":["Title"],"media":[{"alt":null,"id":26800738730234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081","width":700},{"alt":null,"id":26800738763002,"position":2,"preview_image":{"aspect_ratio":1.003,"height":1197,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_86972a1f-4c00-42d4-b286-475a5da80dc8.jpg?v=1636078081"},"aspect_ratio":1.003,"height":1197,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_86972a1f-4c00-42d4-b286-475a5da80dc8.jpg?v=1636078081","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・コロラドの実験音楽家Tripp Nasty \u0026amp; Sense From Nonsenseが、2021年ハロウィンに自主リリースしたアルバム。\u003c\/p\u003e\n\u003cp\u003eディズニーのレコード「The Thrilling Chilling Sounds of the Haunted House」を独自解釈した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444642609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It'll knock your socks off and mess you up! - \u003c\/em\u003eJohn Cage\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn interpretation of the classic Disney record: Chilling, Thrilling Sounds of the Haunted House\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tripp Nasty \u0026amp; Sense From Nonsense\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelf-released\u003c\/span\u003e\u003c\/p\u003e"}
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An album voluntarily released on Halloween in 2021 by Tripp Nasty & Sense From Nonsense, an experimental musician in Colorado, USA.This is an original interpretation of Disney's record "The Thrilling Chilling Sounds of the Haunted House". ...
¥1,180
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{"id":7065317441701,"title":"Angharad Davies, Axel Dörner \/\/ AD CD","handle":"angharad-davies-axel-dorner-ad-cd","description":"\u003cp\u003eトランペットとバイオリンによるインプロ3曲、43分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4243127978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eimprovisations for trumpet and violin.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angharad Davies, Axel Dörner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-26T11:46:26+09:00","created_at":"2021-09-26T11:36:07+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","jazz"],"price":149000,"price_min":149000,"price_max":149000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40879436988581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Angharad Davies, Axel Dörner \/\/ AD CD","public_title":null,"options":["Default Title"],"price":149000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770","options":["Title"],"media":[{"alt":null,"id":23845519458469,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eトランペットとバイオリンによるインプロ3曲、43分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4243127978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eimprovisations for trumpet and violin.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angharad Davies, Axel Dörner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre \u003c\/span\u003e\u003c\/p\u003e"}
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Includes 3 improvisational songs by trumpet and violin, 43 minutes.Click here to see more Another Timbre releases available at Tobira. --------------------------- improvisations for. ..
¥1,490
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{"id":7065316622501,"title":"John Butcher, Xavier Charles \u0026 Axel Dorner \/\/ Tempestuous CD","handle":"john-butcher-xavier-charles-axel-dorner-tempestuous-cd","description":"\u003cp\u003eサックス、クラリネット、トランペットによるインプロ2曲、74分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1991125390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisation by The Contest of Pleasures, recorded live at the Huddersfield Contemporary Music Festival on a stormy night.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Butcher, Xavier Charles \u0026amp; Axel Dorner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-26T11:45:06+09:00","created_at":"2021-09-26T11:34:16+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","jazz"],"price":149000,"price_min":149000,"price_max":149000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40879433842853,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Butcher, Xavier Charles \u0026 Axel Dorner \/\/ Tempestuous CD","public_title":null,"options":["Default Title"],"price":149000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_6801a096-646e-4205-b71e-65bd47fee51d.jpg?v=1632623658"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_6801a096-646e-4205-b71e-65bd47fee51d.jpg?v=1632623658","options":["Title"],"media":[{"alt":null,"id":23845511561381,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_6801a096-646e-4205-b71e-65bd47fee51d.jpg?v=1632623658"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_6801a096-646e-4205-b71e-65bd47fee51d.jpg?v=1632623658","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eサックス、クラリネット、トランペットによるインプロ2曲、74分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1991125390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisation by The Contest of Pleasures, recorded live at the Huddersfield Contemporary Music Festival on a stormy night.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Butcher, Xavier Charles \u0026amp; Axel Dorner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e"}
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Includes 2 minutes of 74 improvisational songs by saxophone, clarinet and trumpet.Click here to see more Another Timbre releases available at Tobira. --------------------------- Trio improvisation. ..
¥1,490
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{"id":7065315606693,"title":"Axel Dorner, Thomas Lehn \u0026 Phil Minton \/\/ TOOT Two CD","handle":"axel-dorner-thomas-lehn-phil-minton-toot-two-cd","description":"\u003cp\u003e トランペット、アナログシンセ、声によるインプロ2曲、約55分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3266209068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisations for trumpet, analogue synthesiser and voice.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Axel Dorner, Thomas Lehn \u0026amp; Phil Minton\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-26T11:42:31+09:00","created_at":"2021-09-26T11:31:58+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry"],"price":149000,"price_min":149000,"price_max":149000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40879431254181,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Axel Dorner, Thomas Lehn \u0026 Phil Minton \/\/ TOOT Two CD","public_title":null,"options":["Default Title"],"price":149000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519","options":["Title"],"media":[{"alt":null,"id":23845495865509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e トランペット、アナログシンセ、声によるインプロ2曲、約55分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3266209068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisations for trumpet, analogue synthesiser and voice.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Axel Dorner, Thomas Lehn \u0026amp; Phil Minton\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e"}
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Includes trumpet, analog synth, two voice improvisations, about 2 minutes.Click here to see more Another Timbre releases available at Tobira. --------------------------- Trio improvisations. ..
¥1,490
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{"id":7062744629413,"title":"Jane Rigler \/\/ Rarefactions CD","handle":"jane-rigler-rarefactions-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1017378472\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRarefactions, a collection of original compositions and improvisations by highly respected, contemporary flutist Jane Rigler, showcases her unique and moving conception of instrumental and electroacoustic music. Rigler’s extraordinary instrumental technical skill allows her to produce distinctive sounds, which, in turn, create incredibly rich and nuanced colors and textures—often ones that are not associated with the flute. Rigler wants the listener to hear what she hears when she plays. In some works, she places an array of microphones along the length of a flute to capture air as it swirls through the tube. Through instrumental and electronic manipulation in the recording studio, Rigler creates the sense of soundwaves being opened up so the listener can hear what is inside them while in their state of rarefaction. Rigler conveys this attention to detail to a broader formal context in her collaborations with world-renowned improvisers Janet Feder, Shoko Nagai, and Satoshi Takeishi. Here Rigler builds compositional frames resulting from the improvisational process to produce unexpected musical trajectories. She interacts with these moments not only as part of the ensemble but as an insightful composer. She transforms and reorganizes many of the recorded improvisations so that normally fleeting sonic moments surface as primary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e materials. In her inimitable way, Rigler creates mesmerizing acoustic and electroacoustic works. This album, Rigler’s debut as a composer, provides a glimpse into the fascinating sonic and collaborative world of a truly original artist. Celebrated flutist Robert Dick discusses the importance of Rigler’s music in his characteristically lively manner as the author of the album’s liner notes.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jane Rigler\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:40:41+09:00","created_at":"2021-09-24T15:41:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868317986981,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jane Rigler \/\/ Rarefactions CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_702f801f-c48e-4e15-9c82-4957f14f3fbb.jpg?v=1632465683","\/\/tobirarecords.com\/cdn\/shop\/products\/ra2_668eabd2-a7a8-4bc0-b168-867920d74401.jpg?v=1632465683"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_702f801f-c48e-4e15-9c82-4957f14f3fbb.jpg?v=1632465683","options":["Title"],"media":[{"alt":null,"id":23819316265125,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_702f801f-c48e-4e15-9c82-4957f14f3fbb.jpg?v=1632465683"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_702f801f-c48e-4e15-9c82-4957f14f3fbb.jpg?v=1632465683","width":700},{"alt":null,"id":23819316297893,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra2_668eabd2-a7a8-4bc0-b168-867920d74401.jpg?v=1632465683"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra2_668eabd2-a7a8-4bc0-b168-867920d74401.jpg?v=1632465683","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1017378472\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRarefactions, a collection of original compositions and improvisations by highly respected, contemporary flutist Jane Rigler, showcases her unique and moving conception of instrumental and electroacoustic music. Rigler’s extraordinary instrumental technical skill allows her to produce distinctive sounds, which, in turn, create incredibly rich and nuanced colors and textures—often ones that are not associated with the flute. Rigler wants the listener to hear what she hears when she plays. In some works, she places an array of microphones along the length of a flute to capture air as it swirls through the tube. Through instrumental and electronic manipulation in the recording studio, Rigler creates the sense of soundwaves being opened up so the listener can hear what is inside them while in their state of rarefaction. Rigler conveys this attention to detail to a broader formal context in her collaborations with world-renowned improvisers Janet Feder, Shoko Nagai, and Satoshi Takeishi. Here Rigler builds compositional frames resulting from the improvisational process to produce unexpected musical trajectories. She interacts with these moments not only as part of the ensemble but as an insightful composer. She transforms and reorganizes many of the recorded improvisations so that normally fleeting sonic moments surface as primary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e materials. In her inimitable way, Rigler creates mesmerizing acoustic and electroacoustic works. This album, Rigler’s debut as a composer, provides a glimpse into the fascinating sonic and collaborative world of a truly original artist. Celebrated flutist Robert Dick discusses the importance of Rigler’s music in his characteristically lively manner as the author of the album’s liner notes.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jane Rigler\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records \u003c\/span\u003e\u003c\/p\u003e"}
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Click here to see more Neuma Records releases available at Tobira. ------------------------------ --Text by Neuma ...
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{"id":7062742401189,"title":"Steven Schick \/\/ Drumming In The Dark CD","handle":"steven-schick-drumming-in-the-dark-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4198082743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eArtist : Steven Schick\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:42:18+09:00","created_at":"2021-09-24T15:39:24+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868310646949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Steven Schick \/\/ Drumming In The Dark CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_815026e0-1efd-4cc4-851d-4c4abf58a2bb.jpg?v=1632465566"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567","options":["Title"],"media":[{"alt":null,"id":23819292508325,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567","width":700},{"alt":null,"id":23819292541093,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_815026e0-1efd-4cc4-851d-4c4abf58a2bb.jpg?v=1632465566"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_815026e0-1efd-4cc4-851d-4c4abf58a2bb.jpg?v=1632465566","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4198082743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eArtist : Steven Schick\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7062741909669,"title":"Iannis Xenakis \/\/ Iannis Xenakis: Aïs - Gendy3 - Taurhiphanie - Thalleïn CD","handle":"iannis-xenakis-iannis-xenakis-ais-gendy3-taurhiphanie-thallein-cd","description":"\u003cp\u003eギリシャの大御所実験音楽家Iannis Xenakisが1994年にリリースした隠れた名盤を入荷しました。コンピューターによるコラージュ〜オーケストラでのライブ録音まで4曲、1時間を収録。32ページのブックレットには彼自身によるライナーノートとプログラムノートなどが記載されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3571188912\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJewel case with 32page booklet and CD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From April 3 though 9, 1990, the UCSD Music Department sponsored Xenakis @UCSD, the most ambitious presentation of the composer's work yet attempted. Here is a small part.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T16:11:35+09:00","created_at":"2021-09-24T15:37:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","neuma records"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868307861669,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Iannis Xenakis \/\/ Iannis Xenakis: Aïs - Gendy3 - Taurhiphanie - Thalleïn CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448","\/\/tobirarecords.com\/cdn\/shop\/products\/la2_f6d99e49-fb10-474b-9d74-b92329fa0aa5.jpg?v=1632465448"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448","options":["Title"],"media":[{"alt":null,"id":23819274387621,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448","width":700},{"alt":null,"id":23819274420389,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_f6d99e49-fb10-474b-9d74-b92329fa0aa5.jpg?v=1632465448"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_f6d99e49-fb10-474b-9d74-b92329fa0aa5.jpg?v=1632465448","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの大御所実験音楽家Iannis Xenakisが1994年にリリースした隠れた名盤を入荷しました。コンピューターによるコラージュ〜オーケストラでのライブ録音まで4曲、1時間を収録。32ページのブックレットには彼自身によるライナーノートとプログラムノートなどが記載されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3571188912\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJewel case with 32page booklet and CD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From April 3 though 9, 1990, the UCSD Music Department sponsored Xenakis @UCSD, the most ambitious presentation of the composer's work yet attempted. Here is a small part.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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The hidden masterpiece released in 1994 by Greek mogul experimental musician Iannis Xenakis has arrived.Includes 4 songs, 1 hour, from computer collage to live recording in an orchestra. The 32-page booklet includes his own liner notes and program notes.Click here to see more Neuma Records releases available at Tobira. ------------------------------ --Jewel ...
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{"id":7062740107429,"title":"Juan J.G. Escudero \/\/ Shapes of Inner Timespaces CD","handle":"juan-j-g-escudero-shapes-of-inner-timespaces-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2654872321\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic, since Ancient Greek times, has been called “number made audible.” Now, thanks to advances in technology beyond Plato’s dreams (not to mention the invention of useful but non-existent numbers), we have what we might call, “The Harmony of the Hyperspheres.” Imaginary spaces, complex algorithms, surfaces, colors, and shapes can all be described in terms of elegant and expressive equations. And those same qualities can be seen in images and heard as music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnter Spanish imagineer, Juan J.G. Escudero, an artist as familiar with theoretical physics as he is with a laptop or a piano. In his album release, Shapes of Inner Timespaces, eight of his acousmatic compositions introduce listeners to what life might be like in these places, as far removed from the worlds of Descartes as they are from Tron.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhether the works began with a prerecorded sound or one that originated from computer synthesis, a wide variety of high level math techniques are sure to have been involved. Number made sensuous, even sensible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou may have heard of Spectralism, the compositional use of harmonic analysis of the overtone series of certain sounds\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Well here, we are not talking about the spectrum of sounds, but rather of temporal sequences. Polyrhythms (and perhaps the durational structuring of Satie and Cage) to the nth degree. The inspiration, as Escudero says, comes from mathematical quasicrystals, a research field with great activity in the past decades. “Relations between aperiodic but ordered temporal sequences derived from tiling theory and harmonic fields arising from the mathematical analysis of such sequences have been explored. The descriptions of the tilings in terms of word sequences in formal grammars have been significant in relation to musical form, providing a multidimensional space of textures and motivating organic links between musical materials at different temporal scales.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf the thought of Calabi-Yau hypersurfaces, the Pisot-Vijayaraghavan number, and the cohomology of aperiodic tiling spaces leave your head spinning, the music will not. Like any artistic experience, you will make your own sense of it and relish the chance to spend time in an orderly yet fantastical multiverse.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juan J.G. Escudero\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:42:49+09:00","created_at":"2021-09-24T15:32:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868292788389,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Juan J.G. Escudero \/\/ Shapes of Inner Timespaces CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154","\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_09403258-12e3-4b78-912f-085997397c04.jpg?v=1632465154"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154","options":["Title"],"media":[{"alt":null,"id":23819237294245,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154","width":700},{"alt":null,"id":23819237327013,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_09403258-12e3-4b78-912f-085997397c04.jpg?v=1632465154"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_09403258-12e3-4b78-912f-085997397c04.jpg?v=1632465154","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2654872321\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic, since Ancient Greek times, has been called “number made audible.” Now, thanks to advances in technology beyond Plato’s dreams (not to mention the invention of useful but non-existent numbers), we have what we might call, “The Harmony of the Hyperspheres.” Imaginary spaces, complex algorithms, surfaces, colors, and shapes can all be described in terms of elegant and expressive equations. And those same qualities can be seen in images and heard as music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnter Spanish imagineer, Juan J.G. Escudero, an artist as familiar with theoretical physics as he is with a laptop or a piano. In his album release, Shapes of Inner Timespaces, eight of his acousmatic compositions introduce listeners to what life might be like in these places, as far removed from the worlds of Descartes as they are from Tron.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhether the works began with a prerecorded sound or one that originated from computer synthesis, a wide variety of high level math techniques are sure to have been involved. Number made sensuous, even sensible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou may have heard of Spectralism, the compositional use of harmonic analysis of the overtone series of certain sounds\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Well here, we are not talking about the spectrum of sounds, but rather of temporal sequences. Polyrhythms (and perhaps the durational structuring of Satie and Cage) to the nth degree. The inspiration, as Escudero says, comes from mathematical quasicrystals, a research field with great activity in the past decades. “Relations between aperiodic but ordered temporal sequences derived from tiling theory and harmonic fields arising from the mathematical analysis of such sequences have been explored. The descriptions of the tilings in terms of word sequences in formal grammars have been significant in relation to musical form, providing a multidimensional space of textures and motivating organic links between musical materials at different temporal scales.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf the thought of Calabi-Yau hypersurfaces, the Pisot-Vijayaraghavan number, and the cohomology of aperiodic tiling spaces leave your head spinning, the music will not. Like any artistic experience, you will make your own sense of it and relish the chance to spend time in an orderly yet fantastical multiverse.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juan J.G. Escudero\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7062739517605,"title":"Erik Griswold \/\/ Four Places in Queensland CD","handle":"erik-griswold-four-places-in-queensland-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3314887892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText and bio by Neuma Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Erik Griswold heads to the great outdoors, he follows in the footsteps of other composers who have taken inspiration from their environment. Only in this case, it is neither New England nor Alaska but the Australian bush, specifically Queensland.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour Places in Queensland is a musical landscape in the tradition of Charles Ives, Peter Sculthorpe, Annea Lockwood, and John Luther Adams. But it is also a work that traces the inner world of four distinct pianists: four works, four places, played by four different performers. Mt. Nebo, Cunninghams Gap, Condamine, and Girraween are places of scenic beauty in Australia that also hold deep personal significance to the four artists Anna Grinberg, Stephen Emmerson, the composer, and Liam Viney. The sites of significant family gatherings, environmental music projects, personal meditations, and childhood memories, these are places to which the pianists have formed strong connections over many years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMt. Nebo (Anna Grinberg) is a small town set in the dappled light of a dense rainforest, surrounded by beautiful bush tracks. Cunninghams Gap (Stephen Emmerson) is a steep rise separating coast from Great Dividing Range that boasts panoramic views across ancient volcanic plugs. The tiny, rural town of Condamine (Erik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griswold), whose namesake river is memorialized in bush poetry and song, is also home to the rustic Condamine Cowbell. Girraween (Liam Viney), or “place of many flowers,” is a national park known for its dramatic granite boulders.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlternately meditative and serene, dramatic and turbulent, light and heavy, Four Places in Queensland reflects rhythms and resonances of nature, connecting inner and outer worlds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eErik Griswold is an Australian-American composer\/pianist who, alongside percussionist Vanessa Tomlinson, is also known as part of the Clocked Out Duo. Four Places in Queensland marks a return to solo piano for Griswold, who has recently created works for toy piano, bowed piano, prepared piano, and the sixteen vintage pianos of the outback Piano Mill.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrom Erik Griswold:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIn composing Four Places in Queensland, I responded to each of the locations, spending time in each setting, listening to the soundscapes and absorbing the surroundings. But I also thought carefully about the performers, tailoring the music to each individual’s playing style and personality. Four Places in Queensland celebrates four breathtaking landscapes, and four pianists’ close connections to the land.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMartin Buzacott, The Australian:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e“\u003cem\u003eCunninghams Gap for solo piano was a largely reflective meditation on the natural wonder west of Brisbane, featuring a sublime, extended passage for right hand only and an ending of profound beauty.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Griswold\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Record\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:39:14+09:00","created_at":"2021-09-24T15:30:35+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868284039333,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Erik Griswold \/\/ Four Places in Queensland CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_0052f909-1510-4606-9887-d737fc427159.jpg?v=1632465037"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037","options":["Title"],"media":[{"alt":null,"id":23819220287653,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037","width":700},{"alt":null,"id":23819220320421,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_0052f909-1510-4606-9887-d737fc427159.jpg?v=1632465037"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_0052f909-1510-4606-9887-d737fc427159.jpg?v=1632465037","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3314887892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText and bio by Neuma Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Erik Griswold heads to the great outdoors, he follows in the footsteps of other composers who have taken inspiration from their environment. Only in this case, it is neither New England nor Alaska but the Australian bush, specifically Queensland.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour Places in Queensland is a musical landscape in the tradition of Charles Ives, Peter Sculthorpe, Annea Lockwood, and John Luther Adams. But it is also a work that traces the inner world of four distinct pianists: four works, four places, played by four different performers. Mt. Nebo, Cunninghams Gap, Condamine, and Girraween are places of scenic beauty in Australia that also hold deep personal significance to the four artists Anna Grinberg, Stephen Emmerson, the composer, and Liam Viney. The sites of significant family gatherings, environmental music projects, personal meditations, and childhood memories, these are places to which the pianists have formed strong connections over many years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMt. Nebo (Anna Grinberg) is a small town set in the dappled light of a dense rainforest, surrounded by beautiful bush tracks. Cunninghams Gap (Stephen Emmerson) is a steep rise separating coast from Great Dividing Range that boasts panoramic views across ancient volcanic plugs. The tiny, rural town of Condamine (Erik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griswold), whose namesake river is memorialized in bush poetry and song, is also home to the rustic Condamine Cowbell. Girraween (Liam Viney), or “place of many flowers,” is a national park known for its dramatic granite boulders.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlternately meditative and serene, dramatic and turbulent, light and heavy, Four Places in Queensland reflects rhythms and resonances of nature, connecting inner and outer worlds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eErik Griswold is an Australian-American composer\/pianist who, alongside percussionist Vanessa Tomlinson, is also known as part of the Clocked Out Duo. Four Places in Queensland marks a return to solo piano for Griswold, who has recently created works for toy piano, bowed piano, prepared piano, and the sixteen vintage pianos of the outback Piano Mill.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrom Erik Griswold:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIn composing Four Places in Queensland, I responded to each of the locations, spending time in each setting, listening to the soundscapes and absorbing the surroundings. But I also thought carefully about the performers, tailoring the music to each individual’s playing style and personality. Four Places in Queensland celebrates four breathtaking landscapes, and four pianists’ close connections to the land.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMartin Buzacott, The Australian:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e“\u003cem\u003eCunninghams Gap for solo piano was a largely reflective meditation on the natural wonder west of Brisbane, featuring a sublime, extended passage for right hand only and an ending of profound beauty.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Griswold\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Record\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7062737911973,"title":"James Caldwell \/\/ Pocket Music CD","handle":"james-caldwell-pocket-music-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2426892839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJames Caldwell’s creative life is the embodiment of the principle, Start at Home. In his case that is not only Macomb, Illinois, but even more precisely, in his pockets. Whereas some might consider music to be a soundtrack to their lives, an add-on, Caldwell reaches deep into the spaces around him for sonic potential and helps it emerge.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor more than twenty years I have pursued a sporadic project of making small musique concrète pieces. The original set used sounds I made with things I found in my pockets while working in the studio—coins, keys, plastic pill bottle, comb, paperback book, rubber band, and a screwdriver struck against a wrench. (It is possible I put one or two of those things in my pocket expressly so I could find it there.) As I returned to the project, I continued working with small found sounds, but not necessarily things from my pockets: ping-pong balls, a stapler, M\u0026amp;M’s, binder clips, finger cymbals, a pencil run over the rungs on the back of a chair, dresser handles, the bag from a bunch of apples from the grocery store, a wine glass, and then — moving outside into my yard — cicadas, lawn furniture, garden stones in a wheelbarrow, birds, the distant rumble of the Macomb Speedway, and some odds and ends sitting around on my hard drive. Even as the objects became larger or farther from me, the pieces\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e remained pocket size.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe source sounds have always been somewhat autobiographical. I still carry too much stuff in my pockets. My family serves M\u0026amp;M’s in a traditional crystal M\u0026amp;M’s bowl with a distinctive sound that we all respond to. The pool table is in my brother’s basement. Binder clips are my favorite office supply. My grandchildren play with these wooden blocks, bounce play balls in the basement, and fight with cardboard tubes from wrapping paper. Some sounds are from objects I’ve used for drawings and photographs. Many sounds are from household objects whose sounds I become attuned to simply in the act of living in a home and banging on things.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sets of concrète miniatures on this album are grounded firmly in a tradition that stretches back to the early days of electronic music. You might hear influences of Xenakis, Hildegard Westerkamp, Mimaroglu, Steven Feld, Kenneth Gaburo, Hugh LeCaine, or Mike Post’s scores for “NYPD Blue.” The small pieces as a coherent collection are in the tradition of Bach’s Inventions or Bartok’s Mikrokosmos; bite-sized studies to bring delight and attention to the everyday stuff around us. In all, Pocket Music is a testament to an attentive life, well heard and played with.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album – his first portrait release after a lifetime dedicated to nurturing others – represents one facet of the wide-ranging interests of a composer and visual artist who has made his career in the Midwest, teaching at Western Illinois University, co-directing the annual New Music Festival, collaborating with local colleagues, and programming hundreds of new pieces by living composers on dozens of concerts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Caldwell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e","published_at":"2021-09-24T17:37:48+09:00","created_at":"2021-09-24T15:25:09+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","neuma records","strange beats"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868265787557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"James Caldwell \/\/ Pocket Music CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711","\/\/tobirarecords.com\/cdn\/shop\/products\/po2_0126e21b-7baa-446b-beba-866228f07b7f.jpg?v=1632464711"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711","options":["Title"],"media":[{"alt":null,"id":23819171692709,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711","width":700},{"alt":null,"id":23819171725477,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_0126e21b-7baa-446b-beba-866228f07b7f.jpg?v=1632464711"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_0126e21b-7baa-446b-beba-866228f07b7f.jpg?v=1632464711","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2426892839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJames Caldwell’s creative life is the embodiment of the principle, Start at Home. In his case that is not only Macomb, Illinois, but even more precisely, in his pockets. Whereas some might consider music to be a soundtrack to their lives, an add-on, Caldwell reaches deep into the spaces around him for sonic potential and helps it emerge.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor more than twenty years I have pursued a sporadic project of making small musique concrète pieces. The original set used sounds I made with things I found in my pockets while working in the studio—coins, keys, plastic pill bottle, comb, paperback book, rubber band, and a screwdriver struck against a wrench. (It is possible I put one or two of those things in my pocket expressly so I could find it there.) As I returned to the project, I continued working with small found sounds, but not necessarily things from my pockets: ping-pong balls, a stapler, M\u0026amp;M’s, binder clips, finger cymbals, a pencil run over the rungs on the back of a chair, dresser handles, the bag from a bunch of apples from the grocery store, a wine glass, and then — moving outside into my yard — cicadas, lawn furniture, garden stones in a wheelbarrow, birds, the distant rumble of the Macomb Speedway, and some odds and ends sitting around on my hard drive. Even as the objects became larger or farther from me, the pieces\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e remained pocket size.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe source sounds have always been somewhat autobiographical. I still carry too much stuff in my pockets. My family serves M\u0026amp;M’s in a traditional crystal M\u0026amp;M’s bowl with a distinctive sound that we all respond to. The pool table is in my brother’s basement. Binder clips are my favorite office supply. My grandchildren play with these wooden blocks, bounce play balls in the basement, and fight with cardboard tubes from wrapping paper. Some sounds are from objects I’ve used for drawings and photographs. Many sounds are from household objects whose sounds I become attuned to simply in the act of living in a home and banging on things.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sets of concrète miniatures on this album are grounded firmly in a tradition that stretches back to the early days of electronic music. You might hear influences of Xenakis, Hildegard Westerkamp, Mimaroglu, Steven Feld, Kenneth Gaburo, Hugh LeCaine, or Mike Post’s scores for “NYPD Blue.” The small pieces as a coherent collection are in the tradition of Bach’s Inventions or Bartok’s Mikrokosmos; bite-sized studies to bring delight and attention to the everyday stuff around us. In all, Pocket Music is a testament to an attentive life, well heard and played with.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album – his first portrait release after a lifetime dedicated to nurturing others – represents one facet of the wide-ranging interests of a composer and visual artist who has made his career in the Midwest, teaching at Western Illinois University, co-directing the annual New Music Festival, collaborating with local colleagues, and programming hundreds of new pieces by living composers on dozens of concerts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Caldwell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e"}
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Click here to see more Neuma Records releases available at Tobira. ------------------------------ --Text by Neuma ...
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{"id":7062735945893,"title":"Agnese Toniutti \/\/ Subtle Matters CD","handle":"agnese-toniutti-subtle-matters-cd","description":"\u003cp\u003eイタリアのピアニストAgnese Toniuttiが、2021年3月にコンテンポラリーレーベルNeumaからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003ePhilip CornerやLucia Dlugoszewskiの楽曲を独自の解釈でアレンジしたピアノ独奏9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3710960392\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHow many sounds can a piano produce without using the keyboard? Some answers can be found in this recording, where the whole instrument is investigated using different techniques to reveal a world of unexpected richness, textures, and resonances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut it’s not just that: it’s also a journey in what the concept of “piano” became in the imagination of three composers (and a pianist). Each, in fact, gave shape to an original sonorous universe, and the task of reconnecting the subtle threads between compositional idea and sound realization is entrusted, to varying degrees, to the performer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLucia Dlugoszewski’s Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) (1997, rev. 2000) is a piece for “timbre piano”. (Here the transformation of the sonic identity of the instrument goes so far as to be certified by critics with a new name.) Dlugoszewski, one the great creative figures of last century, is severely underrecognized for her groundbreaking achievements. Since there was no score of the work available, pianist Toniutti realized the piece through extensive research on documents and recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTan Dun’s C-A-G-E, fingering for piano (1994) looks between traditional East and contemporary West. The piano becomes a “relative” of Chinese traditional instruments but also pays\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e homage to one of the 20th century’s most revolutionary Western composers, John Cage, by using the Flemish compositional artifice of associating a pitch to every letter of his name.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the case of Philip Corner, prominent American composer based in Italy, the piano is an open field were all ways of sound production are welcome, and the keyboard is one among many. The priority is the realization of the compositional idea of each piece, moving within the boundaries of a few written indications, “verbal instructions turning into poetry”, as the author says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree different sonorous and musical worlds, three different ways of reshaping the piano, but one common trait: the desire to wonder while listening, to reach “a hearing whose moment in time is always daybreak,” as Lucia Dlugoszewski once wrote.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eItalian pianist Agnese Toniutti dedicates herself to the exploration and research on peculiar piano repertoire, sometimes little-known, often revolving around the concept of sound and its role in musical composition. Cage, Scelsi, Cardini are some of her favorites; incursions into the territory of improvisation, performance and extemporary composition, also encouraged by the study of art movements in the Seventies, are constantly increasing in time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Agnese Toniutti\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e","published_at":"2021-09-24T17:37:14+09:00","created_at":"2021-09-24T15:20:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868259561637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Agnese Toniutti \/\/ Subtle Matters CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_5b4104db-be51-450b-8eec-4c9c2a7a9369.jpg?v=1632464461"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461","options":["Title"],"media":[{"alt":null,"id":23819130503333,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461","width":700},{"alt":null,"id":23819130568869,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_5b4104db-be51-450b-8eec-4c9c2a7a9369.jpg?v=1632464461"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_5b4104db-be51-450b-8eec-4c9c2a7a9369.jpg?v=1632464461","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのピアニストAgnese Toniuttiが、2021年3月にコンテンポラリーレーベルNeumaからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003ePhilip CornerやLucia Dlugoszewskiの楽曲を独自の解釈でアレンジしたピアノ独奏9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3710960392\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHow many sounds can a piano produce without using the keyboard? Some answers can be found in this recording, where the whole instrument is investigated using different techniques to reveal a world of unexpected richness, textures, and resonances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut it’s not just that: it’s also a journey in what the concept of “piano” became in the imagination of three composers (and a pianist). Each, in fact, gave shape to an original sonorous universe, and the task of reconnecting the subtle threads between compositional idea and sound realization is entrusted, to varying degrees, to the performer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLucia Dlugoszewski’s Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) (1997, rev. 2000) is a piece for “timbre piano”. (Here the transformation of the sonic identity of the instrument goes so far as to be certified by critics with a new name.) Dlugoszewski, one the great creative figures of last century, is severely underrecognized for her groundbreaking achievements. Since there was no score of the work available, pianist Toniutti realized the piece through extensive research on documents and recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTan Dun’s C-A-G-E, fingering for piano (1994) looks between traditional East and contemporary West. The piano becomes a “relative” of Chinese traditional instruments but also pays\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e homage to one of the 20th century’s most revolutionary Western composers, John Cage, by using the Flemish compositional artifice of associating a pitch to every letter of his name.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the case of Philip Corner, prominent American composer based in Italy, the piano is an open field were all ways of sound production are welcome, and the keyboard is one among many. The priority is the realization of the compositional idea of each piece, moving within the boundaries of a few written indications, “verbal instructions turning into poetry”, as the author says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree different sonorous and musical worlds, three different ways of reshaping the piano, but one common trait: the desire to wonder while listening, to reach “a hearing whose moment in time is always daybreak,” as Lucia Dlugoszewski once wrote.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eItalian pianist Agnese Toniutti dedicates herself to the exploration and research on peculiar piano repertoire, sometimes little-known, often revolving around the concept of sound and its role in musical composition. Cage, Scelsi, Cardini are some of her favorites; incursions into the territory of improvisation, performance and extemporary composition, also encouraged by the study of art movements in the Seventies, are constantly increasing in time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Agnese Toniutti\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e"}
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This CD was released by Italian pianist Agnese Toniutti on the contemporary label Neuma in March 2021. Includes 3 piano solo songs arranged by Philip Corner and Lucia Dlugoszewski with their own interpretation.Click here to see more Neuma Records releases available at ...
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{"id":7062734962853,"title":"Harry Partch Ensemble \/ Danlee Mitchell \/\/ The Bewitched: A Ballet Satire CD","handle":"harry-partch-ensemble-danlee-mitchell-the-bewitched-a-ballet-satire-cd","description":"\u003cp\u003eアメリカの実験音楽家Harry Partch\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e(1901-1974)が1957年に初演した劇作品の1980年録音盤。バイノーラル録音により臨場感たっぷりです。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=823987851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Neuma Records\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTHIS IS A BINAURAL RECORDING, BEST HEARD ON HEADPHONES\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIsabella Tercero - The Witch\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Hamlin - Adapted Koto\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePhil Keeney - Spoils of War\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCris Forster - Marimba Eroica\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRandy Hoffman - Cloud Chamber Bowls\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrancis Thumm - Chromelodeon I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJon Szanto - New Boo I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDan Maureen - Bass Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDonna Caruso - Piccolo and flute\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobert Paredes - Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Dunn - Adapted Viola\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobin Gillette and Anita Mitchell - Kithara II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Caruso - Diamond Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGary Irvine - Bass Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Savage and Paul William Simons - Harmonic Canon II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Engel - Surrogate Kithara\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDramatic moments of enlightenment – when the mask is dropped and truth revealed – are found in tales from the Buddha and Euripides to Scooby Doo and Star Wars. And few artists have been as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e fascinated by niggling the clueless or deflating the stuck-up as Harry Partch (1901-1974). As a lifelong outsider, the conformist society he experienced and the narrow-minded attitudes (not to mention musical delusions) that permeated it, are themes to which he often returned. In the 1950s, seeing a world that could use a good dose of reality, he hit upon the idea of a witch who would go around scenes of everyday American life, and, wielding her ancient magical powers, deliver a much-needed smiting of self-awareness. Harry would write the ‘background music’ for them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith a real-life chorus of lost musicians at his disposal (renegade players from the Bay Area, disillusioned by their regular gigs, who would show up at his Gate 5 studio in Sausalito to hang loose and play his instruments), he had the basis of The Bewitched (A Ballet Satire). The set ups for the denouements occur in ten scenes covering a soap opera’s range of episodes, all ripe for revelation: students out for an exotic club night, a dreary music class, a smarmy seducer, a new-music fan, a losing basketball team taking a hot shower, first kissers in a stairwell, slapstick detectives, a judge in his court, a politician in paradise with scandalous houris, and a cocktail party of the fashionable elite. You get the idea. It’s a good dose of fun with a serious intent and more reveals than HGTV. The musicians themselves also participate in the psychological stripteases, united by the common bond of music, conjuring their collective energy before disappearing again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnly produced a few times since its premiere in Illinois in 1957, this 1980 production on his original set of instruments, directed by Danlee Mitchell, was the first Partch work to be taken abroad (in a radical production conceived by Kenneth Gaburo). It was the centerpiece of the huge Für Augen und Öhren, Berlin Festival, in West Germany, and took place in the Academy of Arts, a few feet from the Berlin Wall (repression, anyone?). An outfit from the RIAS (Radio in the American Sector) came to record the performance with a binaural head microphone setup. This recording (best heard on headphones) therefore closely represents the experience of an audience member at a live Partch event, featuring the natural acoustic balance of the instruments, occasionally punctuated by coughs and gasps of the packed audience, dancers’ footsteps, and flying basketballs. All generating the rare Corporeal magic that fuels the power of much-needed truthing.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch Ensemble, Danlee Mitchell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e","published_at":"2021-09-24T16:53:32+09:00","created_at":"2021-09-24T15:18:35+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868256448677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Harry Partch Ensemble \/ Danlee Mitchell \/\/ The Bewitched: A Ballet Satire CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_73498ae0-da02-4073-9438-0414ae66db89.jpg?v=1632464317"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317","options":["Title"],"media":[{"alt":null,"id":23819108090021,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317","width":700},{"alt":null,"id":23819108122789,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_73498ae0-da02-4073-9438-0414ae66db89.jpg?v=1632464317"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_73498ae0-da02-4073-9438-0414ae66db89.jpg?v=1632464317","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Harry Partch\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e(1901-1974)が1957年に初演した劇作品の1980年録音盤。バイノーラル録音により臨場感たっぷりです。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=823987851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Neuma Records\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTHIS IS A BINAURAL RECORDING, BEST HEARD ON HEADPHONES\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIsabella Tercero - The Witch\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Hamlin - Adapted Koto\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePhil Keeney - Spoils of War\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCris Forster - Marimba Eroica\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRandy Hoffman - Cloud Chamber Bowls\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrancis Thumm - Chromelodeon I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJon Szanto - New Boo I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDan Maureen - Bass Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDonna Caruso - Piccolo and flute\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobert Paredes - Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Dunn - Adapted Viola\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobin Gillette and Anita Mitchell - Kithara II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Caruso - Diamond Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGary Irvine - Bass Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Savage and Paul William Simons - Harmonic Canon II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Engel - Surrogate Kithara\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDramatic moments of enlightenment – when the mask is dropped and truth revealed – are found in tales from the Buddha and Euripides to Scooby Doo and Star Wars. And few artists have been as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e fascinated by niggling the clueless or deflating the stuck-up as Harry Partch (1901-1974). As a lifelong outsider, the conformist society he experienced and the narrow-minded attitudes (not to mention musical delusions) that permeated it, are themes to which he often returned. In the 1950s, seeing a world that could use a good dose of reality, he hit upon the idea of a witch who would go around scenes of everyday American life, and, wielding her ancient magical powers, deliver a much-needed smiting of self-awareness. Harry would write the ‘background music’ for them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith a real-life chorus of lost musicians at his disposal (renegade players from the Bay Area, disillusioned by their regular gigs, who would show up at his Gate 5 studio in Sausalito to hang loose and play his instruments), he had the basis of The Bewitched (A Ballet Satire). The set ups for the denouements occur in ten scenes covering a soap opera’s range of episodes, all ripe for revelation: students out for an exotic club night, a dreary music class, a smarmy seducer, a new-music fan, a losing basketball team taking a hot shower, first kissers in a stairwell, slapstick detectives, a judge in his court, a politician in paradise with scandalous houris, and a cocktail party of the fashionable elite. You get the idea. It’s a good dose of fun with a serious intent and more reveals than HGTV. The musicians themselves also participate in the psychological stripteases, united by the common bond of music, conjuring their collective energy before disappearing again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnly produced a few times since its premiere in Illinois in 1957, this 1980 production on his original set of instruments, directed by Danlee Mitchell, was the first Partch work to be taken abroad (in a radical production conceived by Kenneth Gaburo). It was the centerpiece of the huge Für Augen und Öhren, Berlin Festival, in West Germany, and took place in the Academy of Arts, a few feet from the Berlin Wall (repression, anyone?). An outfit from the RIAS (Radio in the American Sector) came to record the performance with a binaural head microphone setup. This recording (best heard on headphones) therefore closely represents the experience of an audience member at a live Partch event, featuring the natural acoustic balance of the instruments, occasionally punctuated by coughs and gasps of the packed audience, dancers’ footsteps, and flying basketballs. All generating the rare Corporeal magic that fuels the power of much-needed truthing.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch Ensemble, Danlee Mitchell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e"}
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A 1901 recording of a play premiered in 1974 by American experimental musician Harry Partch (1957-1980).Binaural recording gives you a sense of realism.Digipak and shrink specifications.Click here to see more Neuma Records releases available at Tobira. ------------------------------ --...
¥1,980
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{"id":7057053647013,"title":"Twig Harper \/\/ Classical Electronics TAPE","handle":"twig-harper-classical-electronics-tape","description":"\u003cp\u003eアメリカ・シカゴの実験レーベルRadical Documentsを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にHansonやThrill Jockey、Open Mouthなどから発表している同国ボルチモアの実験音楽家Twig Harperが、2021年9月に150本限定でリリースした最新カセットです。タイトルの通り、カオティックなスコアをクラシック楽器とエレクトロニクスで演奏した実験作品です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2149949984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe new cassette from Baltimore’s Twig Harper actively evades an easy explanation. Filled with punctuations of madness bookended by moments of sparse calm. At times it can sound like a swarm of orchestral bees descending and crashing into your skull. Between climaxes the scattered sounds linger in piles moaning with guttural burps and hypnotic wheezes. This chaotic score will no doubt swirl around you while cinematic images project on the wall of your mind cave.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twig Harper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-21T16:50:22+09:00","created_at":"2021-09-21T13:56:33+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","radical documents","tape"],"price":156000,"price_min":156000,"price_max":156000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40849605525669,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Twig Harper \/\/ Classical Electronics TAPE","public_title":null,"options":["Default Title"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195","\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_319e4dfe-4643-40a0-9891-7051359fd200.jpg?v=1632200195"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195","options":["Title"],"media":[{"alt":null,"id":23778934554789,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195","width":700},{"alt":null,"id":23778934587557,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_319e4dfe-4643-40a0-9891-7051359fd200.jpg?v=1632200195"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_319e4dfe-4643-40a0-9891-7051359fd200.jpg?v=1632200195","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの実験レーベルRadical Documentsを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にHansonやThrill Jockey、Open Mouthなどから発表している同国ボルチモアの実験音楽家Twig Harperが、2021年9月に150本限定でリリースした最新カセットです。タイトルの通り、カオティックなスコアをクラシック楽器とエレクトロニクスで演奏した実験作品です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2149949984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe new cassette from Baltimore’s Twig Harper actively evades an easy explanation. Filled with punctuations of madness bookended by moments of sparse calm. At times it can sound like a swarm of orchestral bees descending and crashing into your skull. Between climaxes the scattered sounds linger in piles moaning with guttural burps and hypnotic wheezes. This chaotic score will no doubt swirl around you while cinematic images project on the wall of your mind cave.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twig Harper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents\u003c\/span\u003e\u003c\/p\u003e"}
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Radical Documents, an experimental label from Chicago, USA, has arrived.This work is the latest cassette released in September 2021 in a limited edition of 9 by Twig Harper, an experimental musician from Baltimore who has previously released music for Hanson, Thrill Jockey, Open Mouth, etc.As the title suggests, this is an experimental work that uses classical instruments and electronics to perform a chaotic score.It will be released only on cassette.Click here to see more Radical Documents releases...
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{"id":7046519586981,"title":"Jeroen Diepenmaat + Wouter van Veldhoven \/\/ Struin \/ Stop TAPE","handle":"jeroen-diepenmaat-wouter-van-veldhoven-struin-stop-tape","description":"\u003cp\u003eオランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485721863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eStruin' by Jeroen Diepenmaat is made entirely on a modular synthesizer with two self-built CV controlled turntables. The pulse from the oscillator drives the turntables and by varying the frequencies, the pitch and the intervals of both playing records change. One record player plays a record with bird sounds, on the other you can hear frogs.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stop' by Wouter van Veldhoven is a somewhat minimalist piece consisting of a Risset rhythm of real and unreal metal sounds. Using the rhythmic structures by Jean Claude Risset, an illusion of continuously slowing down is perceived. These sounds were then run through an improvised plate reverb and recorded on a rather tinny sounding wire recorder. In the second part, a rickety violin and Wouter van Veldhoven's own equally unstable vocals slowly take over, recorded on the worst piece of audio tape he could find.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWouter van Veldhoven has been working with wonky tape recorders and related equipment (wire recorders, disc recorders, etc.) since 2005. He tries to get these machines working again with all sorts of trickery, or at the very least have them producing or processing sound in some way. Starting from a cabinet of self-built curiosities, he carefully builds detailed sound layers, like some sort of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e magician.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeroen Diepenmaat is a visual artist with a predilection for sound. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other. In the past few years his excursions into the world of modular synths have increased and spawn all sorts of related inventions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Frans de Waard (Vital Weekly):\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Here we have a split cassette by two Dutch sound artists whose work I appreciate quite a bit. I know Van Veldhoven a bit longer than Diepenmaat, but by now both of them have released an impressive amount of work. Both artists can be seen as an inventor, tinkering with machines. First, we have Van Diepenmaat with 'Struin', a work for modular synthesizer and two CV controlled turntables, that Diepenmaat made in conjunction with the field kit, a creation from Koma Elektronik. Van Veldhoven has 74 reel-to-reel recorders at home (at least when I visited him some time ago), and creates constructions with these machines, with loops that can also be CV controlled. The results are quite different. Van Diepenmaat's 'Struin' (which means 'wander' in English) opens up with what seems to be the sound of insects or frogs, but quickly you'll learn that these are electronic sounds. There is a pulse also, that goes along with the imitation of animal sounds (or, maybe, these are from a record that Van Diepenmaat is playing at any speed, backwards as well as forwards), but slowly it all moves towards a more electronic field, with occasional sharp tones. The piece has a somewhat improvised feeling and remains open towards the end. On the other side, there is 'Stop' (which is Dutch for 'Stop') by Wouter van Veldhoven, who works with the rhythmic structures by Jean-Claude Risset, which open up here. The music is on a repeat mission, but slowing down over a few minutes, and yet it never gets to a final standstill. At two-third new sound elements are added on rather worn out tape (so says the label), apparently violin and voice, but it is hard to say if it is just that. Van Veldhoven's piece is not as Empty as Diepenmaat but shares a similar 'free' approach to composing or improvising here (there is a thin line, I would say). Comes in a nice riso-printed carton sleeve.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeroen Diepenmaat \/ Wouter van Veldhoven\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e","published_at":"2021-09-17T08:50:14+09:00","created_at":"2021-09-15T11:59:52+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","esc.rec.","monooto","tape"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40813346619557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeroen Diepenmaat + Wouter van Veldhoven \/\/ Struin \/ Stop TAPE","public_title":null,"options":["Default Title"],"price":195000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","\/\/tobirarecords.com\/cdn\/shop\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","options":["Title"],"media":[{"alt":null,"id":23716525113509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","width":700},{"alt":null,"id":23716525146277,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485721863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eStruin' by Jeroen Diepenmaat is made entirely on a modular synthesizer with two self-built CV controlled turntables. The pulse from the oscillator drives the turntables and by varying the frequencies, the pitch and the intervals of both playing records change. One record player plays a record with bird sounds, on the other you can hear frogs.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stop' by Wouter van Veldhoven is a somewhat minimalist piece consisting of a Risset rhythm of real and unreal metal sounds. Using the rhythmic structures by Jean Claude Risset, an illusion of continuously slowing down is perceived. These sounds were then run through an improvised plate reverb and recorded on a rather tinny sounding wire recorder. In the second part, a rickety violin and Wouter van Veldhoven's own equally unstable vocals slowly take over, recorded on the worst piece of audio tape he could find.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWouter van Veldhoven has been working with wonky tape recorders and related equipment (wire recorders, disc recorders, etc.) since 2005. He tries to get these machines working again with all sorts of trickery, or at the very least have them producing or processing sound in some way. Starting from a cabinet of self-built curiosities, he carefully builds detailed sound layers, like some sort of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e magician.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeroen Diepenmaat is a visual artist with a predilection for sound. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other. In the past few years his excursions into the world of modular synths have increased and spawn all sorts of related inventions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Frans de Waard (Vital Weekly):\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Here we have a split cassette by two Dutch sound artists whose work I appreciate quite a bit. I know Van Veldhoven a bit longer than Diepenmaat, but by now both of them have released an impressive amount of work. Both artists can be seen as an inventor, tinkering with machines. First, we have Van Diepenmaat with 'Struin', a work for modular synthesizer and two CV controlled turntables, that Diepenmaat made in conjunction with the field kit, a creation from Koma Elektronik. Van Veldhoven has 74 reel-to-reel recorders at home (at least when I visited him some time ago), and creates constructions with these machines, with loops that can also be CV controlled. The results are quite different. Van Diepenmaat's 'Struin' (which means 'wander' in English) opens up with what seems to be the sound of insects or frogs, but quickly you'll learn that these are electronic sounds. There is a pulse also, that goes along with the imitation of animal sounds (or, maybe, these are from a record that Van Diepenmaat is playing at any speed, backwards as well as forwards), but slowly it all moves towards a more electronic field, with occasional sharp tones. The piece has a somewhat improvised feeling and remains open towards the end. On the other side, there is 'Stop' (which is Dutch for 'Stop') by Wouter van Veldhoven, who works with the rhythmic structures by Jean-Claude Risset, which open up here. The music is on a repeat mission, but slowing down over a few minutes, and yet it never gets to a final standstill. At two-third new sound elements are added on rather worn out tape (so says the label), apparently violin and voice, but it is hard to say if it is just that. Van Veldhoven's piece is not as Empty as Diepenmaat but shares a similar 'free' approach to composing or improvising here (there is a thin line, I would say). Comes in a nice riso-printed carton sleeve.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeroen Diepenmaat \/ Wouter van Veldhoven\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e"}
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A split cassette by Dutch sound artists Jeroen Diepenmaat and Wouter van Veldhoven was released in July 2021 by the Dutch experimental label esc. Rec., Limited to 7 pieces. Side A Jeroen Diepenmaat contains installation-style acoustics with modular synths and handmade CV control turntables, and Side B Wouter van Veldhoven contains metal gamelan-style minimal music. DL code included.Click here to see more Esc.rec. Releases ...
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{"id":7041717698725,"title":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","handle":"dvasle","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-12T17:03:59+09:00","created_at":"2021-09-12T17:03:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","field recording","monooto","room40"],"price":299000,"price_min":299000,"price_max":299000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40796730523813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","public_title":null,"options":["Default Title"],"price":299000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","options":["Title"],"media":[{"alt":null,"id":23687561904293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","width":700},{"alt":null,"id":23687560888485,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560724645,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560822949,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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A co-produced CD recorded by British mogul experimental musician David Toop, Japanese mogul experimental musician Akio Suzuki, and Lawrence English, who presides over the long-established Australian experimental label Room 40, in 3 at Tamborine Mountain, Australia.It is a performance with restraint that corresponds to nature. The 2013-page booklet contains an essay by David Toop, a drawing by Akio Suzuki, and a photo by Lawrence English.Poster included. "I was invited by Lawrence English to fly to Brisbane in 24. From London, David Toup was called. And I went for a walk in the deep forest with Lawrence and played with sounds. A relaxing and relaxing cottage home has begun. David is a vegan, so I remember leaving the kitchen to him, who is good at cooking, and it was a great dinner. At that time, I've been worried since I was a kid. I talked about it. I had been taken by my mother to visit the town's cottage, but when the uncle saw me at the age of 2013, he said, "You will die in the summer of 11!" It was. "That's very worrisome," said David, "Akio, this is the Southern Hemisphere, and it's winter now, so it's already gone."Listening to this sound revives the refreshing days. -Akio Suzuki David Toop -...
¥2,990
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{"id":7026896175269,"title":"Reverend Claire \/\/ Medjugorje TAPE","handle":"reverend-claire-medjugorje-tape","description":"\u003cp\u003eアメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189650809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003ehere\u003c\/a\u003e to see more Orb Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I have always felt that God has been leading me, in that I'm only an instrument. Who am I without Him, anyway? I rely on prayer and fasting to help me live according to His will, and to help me fulfill my role as a messenger.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Mirjana Dragicevic, Medjugorje\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reverend Claire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrb Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-07T09:35:06+09:00","created_at":"2021-09-06T18:27:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","noise","Orb Tapes","tape"],"price":145000,"price_min":145000,"price_max":145000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40739271901349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Reverend Claire \/\/ Medjugorje TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","\/\/tobirarecords.com\/cdn\/shop\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","options":["Title"],"media":[{"alt":null,"id":23622862307493,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","width":700},{"alt":null,"id":23622862340261,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189650809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003ehere\u003c\/a\u003e to see more Orb Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I have always felt that God has been leading me, in that I'm only an instrument. Who am I without Him, anyway? I rely on prayer and fasting to help me live according to His will, and to help me fulfill my role as a messenger.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Mirjana Dragicevic, Medjugorje\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reverend Claire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrb Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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A cassette released by American new noise writer Reverend Claire in July 2021 from Orb Tapes, limited to 7 pieces.Includes spoken word + 50 noise songs. DL code included.It is out of print.Click here to see more Orb Tapes releases available at Tobira. -----------------------------. ..
¥1,450
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{"id":7019022712997,"title":"Renato Grieco + Bruno Duplant \/\/ La Disparition CD","handle":"renato-grieco-bruno-duplant-la-disparition-cd","description":"\u003cp\u003e KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003eイタリアのFabio Parletta主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e901 EditionsからリリースしたCDです\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの小説家Georges Perecの作品「\u003cmeta charset=\"utf-8\"\u003eLa Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなアコースティックドローン2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64433840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003ehere\u003c\/a\u003e to see more 901 Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eText by 901 Editions : \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eInspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScore and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Renato Grieco + Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : 901 Editions\u003c\/p\u003e","published_at":"2021-09-02T11:31:18+09:00","created_at":"2021-09-02T10:47:01+09:00","vendor":"Tobira Records","type":"","tags":["901 Editions","cd","contemporary \/ sound poetry","drone"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40710185156773,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Renato Grieco + Bruno Duplant \/\/ La Disparition CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","\/\/tobirarecords.com\/cdn\/shop\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223","\/\/tobirarecords.com\/cdn\/shop\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","options":["Title"],"media":[{"alt":null,"id":23576533237925,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","width":700},{"alt":null,"id":23576533270693,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223","width":1200},{"alt":null,"id":23576533303461,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003eイタリアのFabio Parletta主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e901 EditionsからリリースしたCDです\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの小説家Georges Perecの作品「\u003cmeta charset=\"utf-8\"\u003eLa Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなアコースティックドローン2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64433840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003ehere\u003c\/a\u003e to see more 901 Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eText by 901 Editions : \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eInspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScore and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Renato Grieco + Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : 901 Editions\u003c\/p\u003e"}
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A joint CD by Italian sound artist Renato Grieco, who works under the name of KNN, and French drone artist Bruno Duplant, who is familiar with our shop, is a CD released in August 2021 from the Italian label Fabio Parletta's 8 Editions.Inspired by French novelist Georges Perec's work "La Disparition" (an experimental work that does not use any "e").Includes two minimal acoustic drone tracks. It is a 901-sided digipack and a shrink specification.Click here for labels and other works /// Click here to see more 2...
¥1,980
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{"id":7019009867941,"title":"Molly McCann \/\/ Das Jahr 2020 CD","handle":"molly-mccann-das-jahr-2020-cd","description":"\u003cp\u003eアメリカ・LAのアンビエント作家Sean McCann主宰レーベルRecitalの2021年8月リリースを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Sean McCannの姉Molly McCannのデビューアルバムです。ピアノ独奏13曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2197583524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200 glass-mastered CDs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 8-page insert with program notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Sean McCann (Recital):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDas Jahr 2020 is the first published recording of Molly McCann, my older sister of two-and-a-half years. After encouraging my sister to record her piano playing for years, she embarked on her first recording project with Fanny Mendelssohn Hensel’s Das Jahr (“The Year”, 1841), a groundbreaking cycle of twelve thematically and harmonically interlocked character pieces depicting the twelve months of the year. Putting aside her usual toil for perfection, Molly embraced a larger conceptual experience, both personal and musical in nature: to learn and perform each piece of the cycle in the corresponding calendar month, knowing the accelerated timeline would push her outside of her comfort zone and require a renewed approach to and understanding of time. With a creaky, slightly out-of-tune upright piano and her cellphone’s built-in microphone, the monthly self-recordings began in January of 2020.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFanny Hensel on composing Das Jahr,\u003cbr data-mce-fragment=\"1\"\u003eLetter to August Elsasser, Nov. 11, 1841\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“And so we try to ornament and prettify our lives—that is the advantage of artists, that they can strew such beautifications about, for those nearby to take an interest in.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Molly McCann\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e","published_at":"2021-09-03T15:38:08+09:00","created_at":"2021-09-02T10:36:01+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neo classical","Recital"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40710137741477,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Molly McCann \/\/ Das Jahr 2020 CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/das1.jpg?v=1630546564","\/\/tobirarecords.com\/cdn\/shop\/products\/das2.jpg?v=1630546564","\/\/tobirarecords.com\/cdn\/shop\/products\/das3.jpg?v=1630546565","\/\/tobirarecords.com\/cdn\/shop\/products\/das4.jpg?v=1630546565"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/das1.jpg?v=1630546564","options":["Title"],"media":[{"alt":null,"id":23576432312485,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das1.jpg?v=1630546564"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das1.jpg?v=1630546564","width":700},{"alt":null,"id":23576432345253,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das2.jpg?v=1630546564"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das2.jpg?v=1630546564","width":1200},{"alt":null,"id":23576432378021,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das3.jpg?v=1630546565"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das3.jpg?v=1630546565","width":1200},{"alt":null,"id":23576432410789,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das4.jpg?v=1630546565"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das4.jpg?v=1630546565","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのアンビエント作家Sean McCann主宰レーベルRecitalの2021年8月リリースを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Sean McCannの姉Molly McCannのデビューアルバムです。ピアノ独奏13曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2197583524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200 glass-mastered CDs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 8-page insert with program notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Sean McCann (Recital):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDas Jahr 2020 is the first published recording of Molly McCann, my older sister of two-and-a-half years. After encouraging my sister to record her piano playing for years, she embarked on her first recording project with Fanny Mendelssohn Hensel’s Das Jahr (“The Year”, 1841), a groundbreaking cycle of twelve thematically and harmonically interlocked character pieces depicting the twelve months of the year. Putting aside her usual toil for perfection, Molly embraced a larger conceptual experience, both personal and musical in nature: to learn and perform each piece of the cycle in the corresponding calendar month, knowing the accelerated timeline would push her outside of her comfort zone and require a renewed approach to and understanding of time. With a creaky, slightly out-of-tune upright piano and her cellphone’s built-in microphone, the monthly self-recordings began in January of 2020.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFanny Hensel on composing Das Jahr,\u003cbr data-mce-fragment=\"1\"\u003eLetter to August Elsasser, Nov. 11, 1841\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“And so we try to ornament and prettify our lives—that is the advantage of artists, that they can strew such beautifications about, for those nearby to take an interest in.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Molly McCann\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e"}
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The August 2021 release of Recital, a label presided over by the American LA ambient writer Sean McCann, has arrived.This is the debut album of Sean McCann's older sister Molly McCann.Contains 8 piano solo songs. Includes an 13-page booklet.Click here to see more Recital releases available at Tobira. ...
¥2,180
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{"id":7017395290277,"title":"Loren Rush \/\/ Dans le Sable LP \/ CD","handle":"loren-rush-dans-le-sable-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面の全てを占めている大作オペラ\u003cspan data-mce-fragment=\"1\"\u003e「Dans le Sable」を含め、完璧に配置された構成やフレーズに息を呑むクラシカルミュージック〜催眠パーカッション曲など3曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3210825439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP Edition of 500, 175gram, \u003c\/span\u003e\u003cspan\u003e11\"x11\" insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCD Edition of 250, glass mastered, 8-page insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescription by Recital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eDans le Sable is the first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. His music has been performed by the Boston Symphony, the New York Philharmonic, and the San Francisco Symphony Orchestra amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe title piece \"Dans le Sable\" (1967-68, 70) covers the first side of the record, of which Charles Shere in the Oakland Tribune (1972) writes: “A surreal opera scene. A narrator dwells on the significance of passing time. A soprano sings Barbarina's cabaletta from Figaro, which describes her distraught search in the sand for a lost pin. The chamber orchestra—mostly solo instruments—plays soft, half-forgotten tunes reminiscent of the Parisian music hall. If Marcel Duchamp wanted to put painting once more at the service of the mind, so did Rush seem to want to make a composition that speaks directly to that thing behind the mind—the point where it connects with the soul. And he succeeded. But only because the work is so brilliantly constructed, so careful in its structure and the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e timing of its phrases, so well balanced in the disposition of its parts that it quite overcomes the audience.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecital is proud to now illuminate the deeply overlooked composer Loren Rush, whose meticulous attention to detail has perhaps kept his toiled-upon works in the shadows these past decades. Dans le Sable is among the most gorgeous records I have heard.\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kajsa Lindgren\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2021-09-01T19:06:59+09:00","created_at":"2021-09-01T19:06:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","neo classical","Recital","recommended"],"price":225000,"price_min":225000,"price_max":365000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40703566643365,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loren Rush \/\/ Dans le Sable LP \/ CD - LP","public_title":"LP","options":["LP"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40703566676133,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loren Rush \/\/ Dans le Sable LP \/ CD - CD","public_title":"CD","options":["CD"],"price":225000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0552450176_16.jpg?v=1630491538","\/\/tobirarecords.com\/cdn\/shop\/products\/0025911702_10.jpg?v=1630491538","\/\/tobirarecords.com\/cdn\/shop\/products\/0025911743_10.jpg?v=1630491540"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0552450176_16.jpg?v=1630491538","options":["Format"],"media":[{"alt":null,"id":23568321675429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0552450176_16.jpg?v=1630491538"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0552450176_16.jpg?v=1630491538","width":700},{"alt":null,"id":23568321773733,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025911702_10.jpg?v=1630491538"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025911702_10.jpg?v=1630491538","width":1200},{"alt":null,"id":23568322232485,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025911743_10.jpg?v=1630491540"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025911743_10.jpg?v=1630491540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面の全てを占めている大作オペラ\u003cspan data-mce-fragment=\"1\"\u003e「Dans le Sable」を含め、完璧に配置された構成やフレーズに息を呑むクラシカルミュージック〜催眠パーカッション曲など3曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3210825439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP Edition of 500, 175gram, \u003c\/span\u003e\u003cspan\u003e11\"x11\" insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCD Edition of 250, glass mastered, 8-page insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescription by Recital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eDans le Sable is the first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. His music has been performed by the Boston Symphony, the New York Philharmonic, and the San Francisco Symphony Orchestra amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe title piece \"Dans le Sable\" (1967-68, 70) covers the first side of the record, of which Charles Shere in the Oakland Tribune (1972) writes: “A surreal opera scene. A narrator dwells on the significance of passing time. A soprano sings Barbarina's cabaletta from Figaro, which describes her distraught search in the sand for a lost pin. The chamber orchestra—mostly solo instruments—plays soft, half-forgotten tunes reminiscent of the Parisian music hall. If Marcel Duchamp wanted to put painting once more at the service of the mind, so did Rush seem to want to make a composition that speaks directly to that thing behind the mind—the point where it connects with the soul. And he succeeded. But only because the work is so brilliantly constructed, so careful in its structure and the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e timing of its phrases, so well balanced in the disposition of its parts that it quite overcomes the audience.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecital is proud to now illuminate the deeply overlooked composer Loren Rush, whose meticulous attention to detail has perhaps kept his toiled-upon works in the shadows these past decades. Dans le Sable is among the most gorgeous records I have heard.\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kajsa Lindgren\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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The latest work released in October 2021 by Recital, a label run by the ambient writer Sean McCann in California, USA, has arrived a little earlier.This is the latest work by Loren Rush, a musician who has been active with composers such as Robert Erickson and Pauline Oliveros since the late 10s and founded the Center for Computer Research in Music and Acoustics at Stanford University in 1950. is. The blockbuster opera "Dans ..." that occupies all of the A side
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{"id":6991913549989,"title":"Nick Storring \/\/ Newfoundout CD","handle":"nick-storring-newfoundout-cd","description":"\u003cp\u003eOrange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356424885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003ehere\u003c\/a\u003e to see more Mappa releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll selections are named after ghost towns around Ontario, Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDome is dedicated to the memory of Noah Creshevsky\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed, performed, recorded, produced, and mastered by Nick Storring using acoustic and electromechanical instruments\/ treatments, and only the minimum of effects processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Adam Badi Donoval:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical\/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. The music here doesn’t just evoke imagined landscapes or unique sonic worlds, but it seems to be toying with the idea of a protagonist or a narrative. The pieces move with intent, unravelling in their course moving tales, haunting ancient stories and whispered rumours. There is an underlying aura of mystery and ghostliness which is also reflected in the track titles: all are named after ghost towns around Ontario, Canada. ‘Newfoundout’ is a truly fascinating new entry in Storring’s discography; one which not only highlights his strengths and refines his approach, but also showcases the breadth of his vision. It’s an album where hyperrealism meets psychedelia, where strange dreams meet cinematic grandeur.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePoem by Eric Chenaux:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI hear Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly they are not there.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music seems convinced of the presence of Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat was my first coherent thought after listening to Newfoundout\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what must be a profound list of instruments or sound sources heard on this record,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI doubt we will find Milton Nascimento, Nana Caymmi, or Maria Bethânia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI hallucinated them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBecause hallucinations are clear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd there is a lot of hallucinating going on here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music hallucinates itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd leaves space for us to hallucinate along with it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe instruments play, and they play wildly, in a state of hallucination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music slides in a slow and light state of relocation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e a balade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd as we sway we may notice things, they may come to us,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eoften only for mere seconds before evaporating in a clear decay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe hallucination is the space in between us and the music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe space, ever-modulating, of the encounter itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn encounter constantly and slowly composing and decomposing,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eforming and deforming and sensually blurring the lines in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA clear haze.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music guts and lushes without rising or falling.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not an orchestra\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not a paragraph.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA bordel of instruments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClumps of moss.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStretched out like rubber bands.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey sway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlat on the ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHanging under a tree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA band in a hammock.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the grass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey are squatting in the heat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music thinks birds sing just for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA radical obedience of joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a rub.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is some kind of rubbing music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything breaths here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhartum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTropical lungs. Steamy courtyard. A clear sweetnighter.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eArtist : Nick Storring\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e","published_at":"2021-08-21T15:05:54+09:00","created_at":"2021-08-21T10:38:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Mappa","monooto","sale22","strange beats"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40628143030437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nick Storring \/\/ Newfoundout CD","public_title":null,"options":["Default Title"],"price":195000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","options":["Title"],"media":[{"alt":null,"id":23443436306597,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","width":700},{"alt":null,"id":23443436339365,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eOrange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356424885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003ehere\u003c\/a\u003e to see more Mappa releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll selections are named after ghost towns around Ontario, Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDome is dedicated to the memory of Noah Creshevsky\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed, performed, recorded, produced, and mastered by Nick Storring using acoustic and electromechanical instruments\/ treatments, and only the minimum of effects processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Adam Badi Donoval:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical\/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. The music here doesn’t just evoke imagined landscapes or unique sonic worlds, but it seems to be toying with the idea of a protagonist or a narrative. The pieces move with intent, unravelling in their course moving tales, haunting ancient stories and whispered rumours. There is an underlying aura of mystery and ghostliness which is also reflected in the track titles: all are named after ghost towns around Ontario, Canada. ‘Newfoundout’ is a truly fascinating new entry in Storring’s discography; one which not only highlights his strengths and refines his approach, but also showcases the breadth of his vision. It’s an album where hyperrealism meets psychedelia, where strange dreams meet cinematic grandeur.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePoem by Eric Chenaux:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI hear Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly they are not there.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music seems convinced of the presence of Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat was my first coherent thought after listening to Newfoundout\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what must be a profound list of instruments or sound sources heard on this record,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI doubt we will find Milton Nascimento, Nana Caymmi, or Maria Bethânia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI hallucinated them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBecause hallucinations are clear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd there is a lot of hallucinating going on here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music hallucinates itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd leaves space for us to hallucinate along with it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe instruments play, and they play wildly, in a state of hallucination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music slides in a slow and light state of relocation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e a balade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd as we sway we may notice things, they may come to us,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eoften only for mere seconds before evaporating in a clear decay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe hallucination is the space in between us and the music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe space, ever-modulating, of the encounter itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn encounter constantly and slowly composing and decomposing,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eforming and deforming and sensually blurring the lines in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA clear haze.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music guts and lushes without rising or falling.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not an orchestra\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not a paragraph.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA bordel of instruments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClumps of moss.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStretched out like rubber bands.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey sway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlat on the ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHanging under a tree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA band in a hammock.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the grass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey are squatting in the heat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music thinks birds sing just for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA radical obedience of joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a rub.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is some kind of rubbing music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything breaths here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhartum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTropical lungs. Steamy courtyard. A clear sweetnighter.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eArtist : Nick Storring\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e"}
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Nick Storring, a one-man chamber musician from Toronto, Canada, released by Orange Milk and others, released this album on the Slovak experimental label mappa in August 2021.Includes 8 pop / electroacoustic to contemporary ambient songs created with minimal effects by playing all instruments.Digipak and shrink specifications.Click here to see more Mappa releases available at Tobira. ----------------------------...
¥1,950
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{"id":6983055311013,"title":"Dale Gorfinkel \/\/ Switches and Hose LP","handle":"dale-gorfinkel-switches-and-hose-cd","description":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491238848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e to see more - releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSplitrec:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDale builds automated sonic contraptions and modifies other instruments, especially the vibraphone and trumpet. He often uses common materials to create unexpected \u0026amp; immersive sonic environments. Some installations seek to reframe technology through the intersection of electro\/acoustic and new\/old mediums, such as his use of data projectors \u0026amp; spinning styrofoam causing quasi-holograms. Some installations illuminate acoustic phenomena and are effected by solar \u0026amp; wind activity. Many works also welcome a tactile interactivity especially popular with children. Dale has recently been playing around with footpumps, garden irrigation and balloons.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Gorfinkel\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e","published_at":"2021-08-27T12:21:19+09:00","created_at":"2021-08-17T10:30:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598227320997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dale Gorfinkel \/\/ Switches and Hose LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828","options":["Title"],"media":[{"alt":null,"id":23384541102245,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491238848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e to see more - releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSplitrec:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDale builds automated sonic contraptions and modifies other instruments, especially the vibraphone and trumpet. He often uses common materials to create unexpected \u0026amp; immersive sonic environments. Some installations seek to reframe technology through the intersection of electro\/acoustic and new\/old mediums, such as his use of data projectors \u0026amp; spinning styrofoam causing quasi-holograms. Some installations illuminate acoustic phenomena and are effected by solar \u0026amp; wind activity. Many works also welcome a tactile interactivity especially popular with children. Dale has recently been playing around with footpumps, garden irrigation and balloons.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Gorfinkel\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e"}
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Debut record of experimental musician Dale Gorfinkel in Melbourne, Australia.Includes 4 songs from drone to collage using vibraphone and trumpet.The unmatch with the flashy artwork is good.Click here to see more --releases available at Tobira. ----------------- Description by Splitrec: ...
¥2,480
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{"id":6983046496421,"title":"Arthur Cantrill \/\/ Hootonics LP","handle":"arthur-cantrill-hootonics-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-27T11:44:53+09:00","created_at":"2021-08-17T10:16:36+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","noise","shame file music"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598192914597,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arthur Cantrill \/\/ Hootonics LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","options":["Title"],"media":[{"alt":null,"id":23384482218149,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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A record of Australian film music writer Arthur Cantrill compiling songs from a documentary film about the 1970 Sydney poet / philosopher Harry Hooton.Includes 15 collage-noise songs produced almost exclusively with a tape recorder without using synths.Click here to see more Shame File Music releases available at ...
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{"id":6983038304421,"title":"Scott King \/\/ All Celebrities Are Dead And The Telly is Empty TAPE","handle":"scott-king-all-celebrities-are-dead-and-the-telly-is-empty-tape","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eid Magazineのアートディレクターを務めていたイギリス・ロンドンの詩人／実験音楽家Scott Kingが、2021年7月に同国Industrial Coastからリリースした最新作です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e彼のスポークンワード素材をJ Damage、TSM、Richard Vergez、The Statinsが再構築した作品です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e封筒とポストカードが付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=840934030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unexpected result of the pandemic. All celebrities have killed themselves \u0026amp; there is nothing on TV. What are we going to do with our time now?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 2nd spoken word track from Scott accompanies this - Nostalgia - as a weary eye is cast over his ancestry\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe pieces are then subjected to musical interpretation by Microcorps, DJ Damage (his last ever work?), TSM, Richard Vergez \u0026amp; The Statins\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCover art \u0026amp; postcard by Scott King. Presentation envelope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Scott King\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-17T10:37:04+09:00","created_at":"2021-08-17T09:56:01+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","industrial coast","monooto","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598147465381,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scott King \/\/ All Celebrities Are Dead And The Telly is Empty TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","options":["Title"],"media":[{"alt":null,"id":23384418779301,"position":1,"preview_image":{"aspect_ratio":1.501,"height":617,"width":926,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951"},"aspect_ratio":1.501,"height":617,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","width":926},{"alt":null,"id":23384418812069,"position":2,"preview_image":{"aspect_ratio":0.89,"height":1200,"width":1068,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951"},"aspect_ratio":0.89,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951","width":1068}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eid Magazineのアートディレクターを務めていたイギリス・ロンドンの詩人／実験音楽家Scott Kingが、2021年7月に同国Industrial Coastからリリースした最新作です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e彼のスポークンワード素材をJ Damage、TSM、Richard Vergez、The Statinsが再構築した作品です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e封筒とポストカードが付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=840934030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unexpected result of the pandemic. All celebrities have killed themselves \u0026amp; there is nothing on TV. What are we going to do with our time now?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 2nd spoken word track from Scott accompanies this - Nostalgia - as a weary eye is cast over his ancestry\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe pieces are then subjected to musical interpretation by Microcorps, DJ Damage (his last ever work?), TSM, Richard Vergez \u0026amp; The Statins\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCover art \u0026amp; postcard by Scott King. Presentation envelope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Scott King\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e"}
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Scott King, a poet/experimental musician from London, England, who was the art director of id Magazine, released the latest work from the Industrial Coast of the same country in July 2021.Reconstruction of his spoken word material by J Damage, TSM, Richard Vergez and The Stains.Comes with envelope and postcard.It is out of print.Click here for labels and other works /// Click here to see more Industrial...
¥1,480
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{"id":6961050157221,"title":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","handle":"percussion-in-surround-memory-in-motion-mode-325-dvd","description":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e","published_at":"2021-08-08T17:20:12+09:00","created_at":"2021-08-08T12:09:33+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","mode","monooto","sale22","strange beats"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528789438629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","options":["Title"],"media":[{"alt":null,"id":23256482545829,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. 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This is a recorded sound source / video of a research project developed to investigate how a percussionist remembers the movement of music in an ensemble.In the video, you can enjoy playing with a multi-camera. Also includes 24-bit, 96khz PCM stereo audio version. Includes a booklet with liner notes directed by Aiyun Huang.Tracks: Iannis Xenakis Persephassa (1969) for six percussionits 28:10 Zihua TanSorites (2015) for ...
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{"id":6961049403557,"title":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","handle":"bernard-parmegiani-stries-mode-328-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-10T13:07:59+09:00","created_at":"2021-08-08T12:07:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528781836453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","options":["Title"],"media":[{"alt":null,"id":23256472879269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":6961048420517,"title":"John Cage \/\/ Complete Cage Edition 54: The Works for Piano 11: Cheap Imitation CD","handle":"jc54","description":"\u003cp\u003eJohn Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Pritchettによるライナーノートが付属。\u003c\/span\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”ケージは、マース・カニングハムの振付のために、エリック・サティの「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et diver- tissements』に収録されている別の曲『The swing』にも同じ手法を適用し、『Swinging』というタイトルをつけた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「All sides of the small stone...」は、サティの「Gymnopedies」から派生した、まったく歴史のわからない曲である。アメリカの作曲家ジェームス・テニーの作品の楽譜の裏に書かれた1ページの音楽原稿には、\"John \"というサインと \"7\/78 \"という日付が記されているだけである。この原稿は、テニーの死後、彼の書類を整理しているときに発見されたものである。ケージの作品とされているが、筆跡は彼のものとは思えない。ケージもテニーも、そして他の誰もがこの作品について一言も語っていないので、作曲者は謎のままである。高橋アキはこの未発表作品を初めて録音した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=694206444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCAGE – SATIE – FELDMAN – TAKAHASHI sums up the focus of this album. All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes\/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman made this arrangement in 1980. Knowing of Takahashi’s reputation as a pianist specializing in new music, Feldman had invit- ed her to be an artist in residence at the university where he taught.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen she was leaving, Feldman gave a musical score to Takahashi as a gift. It was a copy of John Cage’s solo piano piece Cheap Imitation with annotations by Feldman. He told her that this was an instrumen- tal version of this piece: flute, piano, and glockenspiel. He signed the title page, just under the original title:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eINSTRUMENTAL VERSION (Fl, Pf, Glock) Morton Feldman\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBuffalo, N.Y. Winter 1980\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDedicated to Aki\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Takahashi\u003cbr data-mce-fragment=\"1\"\u003eCage was to create a two-piano transcription of Erik Satie’s Socrate for a Merce Cunningham choreography, but he was unable to get permission from the publisher. Even worse, he could not even get performance rights to use the published piano-vocal score of Socrate. Cage’s creative solution was to make a piano piece that maintained the exact metrical and phrase structure of Socrate, but with different notes to avoid copyright issues. He called this piece Cheap Imitation. Cunningham responded by calling his dance Second Hand.\u003cbr data-mce-fragment=\"1\"\u003eThe recital is completed by three short works under Satie’s influence. Perpetual Tango is derived from the “Tango” movement of Satie’s Sports et divertissements. Cage’s method was to take the rhythm of the original tango and erase parts of it. He does not specify pitches, but instead gives the pitch ranges of the original piece. The pianist chooses which pitches to play in the rhythm given. In 1989 he applied the same procedure on another piece from Sports et diver- tissements, “The swing;” he titled the result Swinging.\u003cbr data-mce-fragment=\"1\"\u003eAll sides of the small stone... is a composition with a completely unknown history, derived from Satie’s Gymnopédies. All we have is a page of musical manuscript written in the back of a score of a work by American composer James Tenney with the signature “John” and the date “7\/78.” The manuscript was discovered when Tenney’s papers were being organized after his death. It has been attributed to Cage, but the handwriting doesn’t look like his. Neither Cage nor Tenney—nor anyone else, for that matter—said a word about this piece, so its definitive composer will remain a mystery. Aki Takahashi gives the first recording of this unpublished work.\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by James Pritchett.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : John Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-08T17:52:49+09:00","created_at":"2021-08-08T12:05:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new","recommended"],"price":245000,"price_min":245000,"price_max":245000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528778231973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Cage \/\/ Complete Cage Edition 54: The Works for Piano 11: Cheap Imitation CD","public_title":null,"options":["Default Title"],"price":245000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918","options":["Title"],"media":[{"alt":null,"id":23256461672613,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eJohn Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Pritchettによるライナーノートが付属。\u003c\/span\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”ケージは、マース・カニングハムの振付のために、エリック・サティの「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et diver- tissements』に収録されている別の曲『The swing』にも同じ手法を適用し、『Swinging』というタイトルをつけた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「All sides of the small stone...」は、サティの「Gymnopedies」から派生した、まったく歴史のわからない曲である。アメリカの作曲家ジェームス・テニーの作品の楽譜の裏に書かれた1ページの音楽原稿には、\"John \"というサインと \"7\/78 \"という日付が記されているだけである。この原稿は、テニーの死後、彼の書類を整理しているときに発見されたものである。ケージの作品とされているが、筆跡は彼のものとは思えない。ケージもテニーも、そして他の誰もがこの作品について一言も語っていないので、作曲者は謎のままである。高橋アキはこの未発表作品を初めて録音した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=694206444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCAGE – SATIE – FELDMAN – TAKAHASHI sums up the focus of this album. All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes\/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman made this arrangement in 1980. Knowing of Takahashi’s reputation as a pianist specializing in new music, Feldman had invit- ed her to be an artist in residence at the university where he taught.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen she was leaving, Feldman gave a musical score to Takahashi as a gift. It was a copy of John Cage’s solo piano piece Cheap Imitation with annotations by Feldman. He told her that this was an instrumen- tal version of this piece: flute, piano, and glockenspiel. He signed the title page, just under the original title:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eINSTRUMENTAL VERSION (Fl, Pf, Glock) Morton Feldman\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBuffalo, N.Y. Winter 1980\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDedicated to Aki\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Takahashi\u003cbr data-mce-fragment=\"1\"\u003eCage was to create a two-piano transcription of Erik Satie’s Socrate for a Merce Cunningham choreography, but he was unable to get permission from the publisher. Even worse, he could not even get performance rights to use the published piano-vocal score of Socrate. Cage’s creative solution was to make a piano piece that maintained the exact metrical and phrase structure of Socrate, but with different notes to avoid copyright issues. He called this piece Cheap Imitation. Cunningham responded by calling his dance Second Hand.\u003cbr data-mce-fragment=\"1\"\u003eThe recital is completed by three short works under Satie’s influence. Perpetual Tango is derived from the “Tango” movement of Satie’s Sports et divertissements. Cage’s method was to take the rhythm of the original tango and erase parts of it. He does not specify pitches, but instead gives the pitch ranges of the original piece. The pianist chooses which pitches to play in the rhythm given. In 1989 he applied the same procedure on another piece from Sports et diver- tissements, “The swing;” he titled the result Swinging.\u003cbr data-mce-fragment=\"1\"\u003eAll sides of the small stone... is a composition with a completely unknown history, derived from Satie’s Gymnopédies. All we have is a page of musical manuscript written in the back of a score of a work by American composer James Tenney with the signature “John” and the date “7\/78.” The manuscript was discovered when Tenney’s papers were being organized after his death. It has been attributed to Cage, but the handwriting doesn’t look like his. Neither Cage nor Tenney—nor anyone else, for that matter—said a word about this piece, so its definitive composer will remain a mystery. Aki Takahashi gives the first recording of this unpublished work.\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by James Pritchett.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : John Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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Morton Feldman arranged the work "Cheap Imitation" produced by John Cage in 1969 under the influence of Erik Satie's "Socrate" in 1980, and presented the score to Aki Takahashi, which led to the release. It is a work that called for a connection. Includes liner notes by Cage's friend pianist James Pritchett.Below is a description of the label. "Cage was supposed to transcrib Erik Satie's" Socrate "on two pianos for the choreography of Merce Cunningham, but couldn't get permission from the publisher and had the right to play. I couldn't even get it.The solution Cage took was to keep the melody and phrase composition of "Socrate" and create a piano piece with different notes to avoid copyright issues.Cage named this song "Cheap Imitaion".Cunningham, on the other hand, called his dance a "second hand."The recital concludes with three short films under the influence of Saty. "Perpetual Tango" is derived from the movement of "Tango" in Saty's "Sports et Divertissements", which takes the original tango rhythm and erases a part of it.The cage does not specify the pitch, but gives the range of the original song.The pianist chooses which pitch to play in a given rhythm. In 2, "Sports et ...
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{"id":6950275055781,"title":"Bob Bellerue \/\/ Radioactive Desire 2xCD","handle":"bob-bellerue-radioactive-desire-2xcd","description":"\u003cp\u003e過去にNo RentやiDEALなどから発表しているアメリカ・NYの大御所実験音楽家Bob Bellerueが、2021年8月に同国テキサス老舗実験レーベルElevator Bathよりリリースした最新2枚組CD。スピーカーと楽器の間に生じるフィードバックをコンセプトに制作したアコースティックドローンアルバムです。8面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3310425282\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eElevator Bath releases available at Tobira.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e-----------------------------\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003eDescription by Elevator Bath:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRadioactive Desire exists at the intersection of modern composition, drone, free improvisation, and harsh noise. Bob Bellerue is the impetus behind the project but the \u003cspan class=\"gmail_default\"\u003eall-star\u003c\/span\u003e lineup of participants, each an accomplished composer\/performer, ensures that this is a robust, fully formed collection of ideas and abilities. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe pieces are in large part simple ideas that are made into a form by the musicians. Many of the works involve improvisation in previously unknown processes and contexts. As a first-time instrumental composer, Bellerue had no idea how it would go, but he knew he could trust the skills of the performers to create something awesome within the loose focus of his scores. Ultimately, the brilliance of the individual playing is something he could never have articulated in advance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecording took place on July 29 \u0026amp; 30, 2020 at the First Unitarian Church of Brooklyn Heights. Mixing and editing took place throughout the remainder of 2020 and into Spring 2021. Some sections benefited from re-amping the recordings (pumping sound into speakers on timpani, snare drums, and metal objects) to create additional textures and resonant harmonics. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is a project borne of feedback between speakers and instruments, but the context in which it came to fruition demonstrated the deep interconnections between people and systems of communication\/transportation. For the performers, working with these sounds and processes provided substance for working through these difficult times.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBob Bellerue is a sound artist, experimental musician, sound\/video curator, and creative technician based in Ridgewood NY. Over the last 30+ years he has been involved in creating and presenting a wide range of sonic activities – experimental music, sound art, noise, junk metal percussion ensembles, soundtracks for dance\/ theater\/ video\/ performance art, and sound \/ video installations. Bob’s electronic sound work is focused on resonant feedback systems, using amplified instruments, objects, recordings, and spaces, in combination with electronics and software written in the Supercollider audio synthesis programming language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBob works as an audio engineer and technical director, working presently for Issue Project Room, and a handful of clients in the NYC area once the coast is clear.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Radioactive Desire\" is made possible, in part, with funds from MAAF, a regrant partnership of NYSCA Electronic Media\/Film and Wave Farm, with the support of Governor Andrew Cuomo and the New York State Legislature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBOB BELLERUE \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Elevator Bath\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T18:32:45+09:00","created_at":"2021-08-02T16:07:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","elevator bath"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40489438740645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bob Bellerue \/\/ Radioactive Desire 2xCD","public_title":null,"options":["Default Title"],"price":248000,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_b66a9066-10c2-43bb-a70d-4749a0406ee7.jpg?v=1627888050","\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_f640ac20-9864-4d90-ae1b-0bf3a20a6ee3.jpg?v=1627888050","\/\/tobirarecords.com\/cdn\/shop\/products\/bo3.jpg?v=1627888050"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_b66a9066-10c2-43bb-a70d-4749a0406ee7.jpg?v=1627888050","options":["Title"],"media":[{"alt":null,"id":23173332828325,"position":1,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_b66a9066-10c2-43bb-a70d-4749a0406ee7.jpg?v=1627888050"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_b66a9066-10c2-43bb-a70d-4749a0406ee7.jpg?v=1627888050","width":1200},{"alt":null,"id":23173332861093,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_f640ac20-9864-4d90-ae1b-0bf3a20a6ee3.jpg?v=1627888050"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_f640ac20-9864-4d90-ae1b-0bf3a20a6ee3.jpg?v=1627888050","width":1200},{"alt":null,"id":23173332893861,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3.jpg?v=1627888050"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3.jpg?v=1627888050","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNo RentやiDEALなどから発表しているアメリカ・NYの大御所実験音楽家Bob Bellerueが、2021年8月に同国テキサス老舗実験レーベルElevator Bathよりリリースした最新2枚組CD。スピーカーと楽器の間に生じるフィードバックをコンセプトに制作したアコースティックドローンアルバムです。8面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3310425282\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eElevator Bath releases available at Tobira.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e-----------------------------\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003eDescription by Elevator Bath:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRadioactive Desire exists at the intersection of modern composition, drone, free improvisation, and harsh noise. Bob Bellerue is the impetus behind the project but the \u003cspan class=\"gmail_default\"\u003eall-star\u003c\/span\u003e lineup of participants, each an accomplished composer\/performer, ensures that this is a robust, fully formed collection of ideas and abilities. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe pieces are in large part simple ideas that are made into a form by the musicians. Many of the works involve improvisation in previously unknown processes and contexts. As a first-time instrumental composer, Bellerue had no idea how it would go, but he knew he could trust the skills of the performers to create something awesome within the loose focus of his scores. Ultimately, the brilliance of the individual playing is something he could never have articulated in advance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecording took place on July 29 \u0026amp; 30, 2020 at the First Unitarian Church of Brooklyn Heights. Mixing and editing took place throughout the remainder of 2020 and into Spring 2021. Some sections benefited from re-amping the recordings (pumping sound into speakers on timpani, snare drums, and metal objects) to create additional textures and resonant harmonics. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is a project borne of feedback between speakers and instruments, but the context in which it came to fruition demonstrated the deep interconnections between people and systems of communication\/transportation. For the performers, working with these sounds and processes provided substance for working through these difficult times.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBob Bellerue is a sound artist, experimental musician, sound\/video curator, and creative technician based in Ridgewood NY. Over the last 30+ years he has been involved in creating and presenting a wide range of sonic activities – experimental music, sound art, noise, junk metal percussion ensembles, soundtracks for dance\/ theater\/ video\/ performance art, and sound \/ video installations. Bob’s electronic sound work is focused on resonant feedback systems, using amplified instruments, objects, recordings, and spaces, in combination with electronics and software written in the Supercollider audio synthesis programming language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBob works as an audio engineer and technical director, working presently for Issue Project Room, and a handful of clients in the NYC area once the coast is clear.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Radioactive Desire\" is made possible, in part, with funds from MAAF, a regrant partnership of NYSCA Electronic Media\/Film and Wave Farm, with the support of Governor Andrew Cuomo and the New York State Legislature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBOB BELLERUE \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Elevator Bath\u003c\/span\u003e\u003c\/p\u003e"}
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The latest 2021-disc set released by Bob Bellerue, a major experimental musician in New York, USA, who has been released by No Rent and iDEAL in the past, from the long-established experimental label Elevator Bath in Texas in August 8.An acoustic drone album created with the concept of feedback that occurs between speakers and musical instruments. 2-sided digipak, shrink specifications.Click here to see more Elevator Bath releases available at Tobira ....
¥2,480
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{"id":6937794576549,"title":"Syko Friend \/\/ Fontanelle LP","handle":"syko-friend-fontanelle-lp","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=714107603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSyko Friend is the ongoing solo vision of Los Angeles based musician\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand writer, Sophie Weil. She started Syko Friend in 2012 while living in Minneapolis, recording simply on a Tascam 244 Porta-studio. The project has since developed into a roiling, unmistakable electric folk music— thunderstruck, light-swallowing guitar churning under whispered or howled poetry. Fontanelle is Syko Friend’s second LP, her first since relocating to Los Angeles in 2015, and her first for the newly resurrected Post Present Medium label. It was preceded by \"Problem Child\" (released by Minneapolis label Mind Rider in 2014) and myriad self- released EPs and tapes. Over six years of tireless commitment to DIY touring and mutual aid, Weil has become a lynchpin of her music community in Los Angeles, organizing shows and releases for a multivarious and far-reaching cohort of friends under the banner of her Dove Cove Records. She is known for\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe heaviness of her sensitizing live shows, and has appeared as Syko Friend in underground clubs, community centers, basements, parks, parking lots, forests and farms all over the USA, in cities both populous and oft-neglected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFontanelle refers to the soft and undeveloped spot on an infant’s head. This record earns its surprising title, vulnerable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and tectonic as that closing gap in the skull. Willing to be cared for, side-eyeing utopia skeptically while partaking in the commune. Longing for love, directness, communication and free food. The album finds Syko Friend irradiated, clarified, surfacing from out of shadow, hungry for fresh air and hell bent to bloom. Her rich and human voice turns patiently in the eye of a storm that rages just out of focus beyond the fragrant, rusted hull of her submarine sanctum. This is conspiratorial music, reminiscent at times of the squall of comrades Body\/Head, the avant garde approach of Les Rallizes, the lucidity and understated power of Sibylle Baier.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Liberty,” the first track on Fontanelle, was fleshed out on a west coast tour a couple autumns ago. It opens with an ill-boding siren of guitar swirl that establishes the space. “Remind me how to write your name.” When Weil’s voice arrives, it muses through a beautiful but menacing NorCal-to-Los Angeles pastoral of weed farms, little towns of small cabins and shacks, migrating elk; lush, incredibly green, black sands and rocky edges, sun hazy with smoke from devastating wildfires. “...And I can drink the juice out from your broken glass \/ it’s heavy when the lights get low to recognize \/ and all to see the elk they kneel around me in a circle \/ that’s mother earth she’s standing with her smoking gun.” Here at turns are confession, incantation, direct address, damning accusation as Syko Friend calls forth what’s required. “Kitten Coop,” the second to last track on the record, is a sweeter aspect, a simple arrangement of chiming fingerpicked guitar with murmuring acoustic following it. This one is a love song to a simpler life, oats soaked in milk and honey, a foil to the smoke that we’ve coughed through to get here on the record. Not a dream of a fantasyland, but a longing for a modest and achievable place of plenty. An earnest directive, splashed with flippancy and capped with a beautiful promise: “So find your kitten ranch \/ and buy your chicken coop \/ and I can see the fine light \/ that love is all around you.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFontanelle was tenderly recorded and mixed by Robert Cody and\u003cbr data-mce-fragment=\"1\"\u003eEvan Burrows in the spring of 2019. Electric guitars were tracked in Weil’s garage. Vocals and acoustic guitar were tracked in her closet and bathroom. Her house is situated between the I-5 and the L.A. river, in Elysian Valley. A contact mic affixed to the garage door during basic tracking captured these surrounds, which are mixed into the record as material, inviting the outside in.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Syko Friend\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-27T10:00:47+09:00","created_at":"2021-07-26T11:41:51+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","lp","post present medium"],"price":245000,"price_min":245000,"price_max":245000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443257454757,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Syko Friend \/\/ Fontanelle LP","public_title":null,"options":["Default Title"],"price":245000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","options":["Title"],"media":[{"alt":null,"id":23102324277413,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","width":700},{"alt":null,"id":23102324310181,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=714107603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSyko Friend is the ongoing solo vision of Los Angeles based musician\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand writer, Sophie Weil. She started Syko Friend in 2012 while living in Minneapolis, recording simply on a Tascam 244 Porta-studio. The project has since developed into a roiling, unmistakable electric folk music— thunderstruck, light-swallowing guitar churning under whispered or howled poetry. Fontanelle is Syko Friend’s second LP, her first since relocating to Los Angeles in 2015, and her first for the newly resurrected Post Present Medium label. It was preceded by \"Problem Child\" (released by Minneapolis label Mind Rider in 2014) and myriad self- released EPs and tapes. Over six years of tireless commitment to DIY touring and mutual aid, Weil has become a lynchpin of her music community in Los Angeles, organizing shows and releases for a multivarious and far-reaching cohort of friends under the banner of her Dove Cove Records. She is known for\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe heaviness of her sensitizing live shows, and has appeared as Syko Friend in underground clubs, community centers, basements, parks, parking lots, forests and farms all over the USA, in cities both populous and oft-neglected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFontanelle refers to the soft and undeveloped spot on an infant’s head. This record earns its surprising title, vulnerable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and tectonic as that closing gap in the skull. Willing to be cared for, side-eyeing utopia skeptically while partaking in the commune. Longing for love, directness, communication and free food. The album finds Syko Friend irradiated, clarified, surfacing from out of shadow, hungry for fresh air and hell bent to bloom. Her rich and human voice turns patiently in the eye of a storm that rages just out of focus beyond the fragrant, rusted hull of her submarine sanctum. This is conspiratorial music, reminiscent at times of the squall of comrades Body\/Head, the avant garde approach of Les Rallizes, the lucidity and understated power of Sibylle Baier.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Liberty,” the first track on Fontanelle, was fleshed out on a west coast tour a couple autumns ago. It opens with an ill-boding siren of guitar swirl that establishes the space. “Remind me how to write your name.” When Weil’s voice arrives, it muses through a beautiful but menacing NorCal-to-Los Angeles pastoral of weed farms, little towns of small cabins and shacks, migrating elk; lush, incredibly green, black sands and rocky edges, sun hazy with smoke from devastating wildfires. “...And I can drink the juice out from your broken glass \/ it’s heavy when the lights get low to recognize \/ and all to see the elk they kneel around me in a circle \/ that’s mother earth she’s standing with her smoking gun.” Here at turns are confession, incantation, direct address, damning accusation as Syko Friend calls forth what’s required. “Kitten Coop,” the second to last track on the record, is a sweeter aspect, a simple arrangement of chiming fingerpicked guitar with murmuring acoustic following it. This one is a love song to a simpler life, oats soaked in milk and honey, a foil to the smoke that we’ve coughed through to get here on the record. Not a dream of a fantasyland, but a longing for a modest and achievable place of plenty. An earnest directive, splashed with flippancy and capped with a beautiful promise: “So find your kitten ranch \/ and buy your chicken coop \/ and I can see the fine light \/ that love is all around you.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFontanelle was tenderly recorded and mixed by Robert Cody and\u003cbr data-mce-fragment=\"1\"\u003eEvan Burrows in the spring of 2019. Electric guitars were tracked in Weil’s garage. Vocals and acoustic guitar were tracked in her closet and bathroom. Her house is situated between the I-5 and the L.A. river, in Elysian Valley. A contact mic affixed to the garage door during basic tracking captured these surrounds, which are mixed into the record as material, inviting the outside in.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Syko Friend\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e"}
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Click here to see more Post Present Medium releases available at Tobira. ----------------------------- --- Description ...
¥2,450
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{"id":6937790775461,"title":"Otis Houston Jr \/\/ America LP","handle":"otis-houston-jr-america-lp","description":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-27T09:59:06+09:00","created_at":"2021-07-26T11:39:10+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","hiphop \/ funk","lp","post present medium"],"price":265000,"price_min":265000,"price_max":265000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443247296677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Otis Houston Jr \/\/ America LP","public_title":null,"options":["Default Title"],"price":265000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","\/\/tobirarecords.com\/cdn\/shop\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","options":["Title"],"media":[{"alt":null,"id":23102314774693,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","width":700},{"alt":null,"id":23102314807461,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e"}
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A record released in March 2020 by American artist / performer Otis Houston Jr.Includes 3 spoken words on the melody of funk-R & B.Click here to see more Post Present Medium releases available at Tobira. ...
¥2,650
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{"id":6933492760741,"title":"Marco Paltrinieri \/\/ Entroterra TAPE","handle":"marco-paltrinieri-entroterra-tape","description":"\u003cp\u003e\u003cspan\u003eギリシャ物音レーベルGranny Recordsの2021年6月バッチを入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、過去にCanti Magneticiなどから発表している実験音楽家Marco Paltrinieriが60本限定でリリースしたカセットです。スポークンワードや物音ドローンで構成された2曲を収録。\u003c\/span\u003e\u003cspan\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=12433056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003ehere\u003c\/a\u003e to see more Granny Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 60.\u003c\/p\u003e\n\u003cp\u003eArtist : Marco Paltrinieri\u003c\/p\u003e\n\u003cp\u003eLabel : Granny Records\u003c\/p\u003e","published_at":"2021-08-13T13:51:41+09:00","created_at":"2021-07-24T15:27:04+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","granny records","monooto","tape"],"price":189100,"price_min":189100,"price_max":189100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40429600506021,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marco Paltrinieri \/\/ Entroterra TAPE","public_title":null,"options":["Default Title"],"price":189100,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/en1_7a05cbd3-eda7-48c0-990a-53d9a53821c6.jpg?v=1627108026"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_7a05cbd3-eda7-48c0-990a-53d9a53821c6.jpg?v=1627108026","options":["Title"],"media":[{"alt":null,"id":23084295225509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_7a05cbd3-eda7-48c0-990a-53d9a53821c6.jpg?v=1627108026"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_7a05cbd3-eda7-48c0-990a-53d9a53821c6.jpg?v=1627108026","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eギリシャ物音レーベルGranny Recordsの2021年6月バッチを入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、過去にCanti Magneticiなどから発表している実験音楽家Marco Paltrinieriが60本限定でリリースしたカセットです。スポークンワードや物音ドローンで構成された2曲を収録。\u003c\/span\u003e\u003cspan\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=12433056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003ehere\u003c\/a\u003e to see more Granny Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 60.\u003c\/p\u003e\n\u003cp\u003eArtist : Marco Paltrinieri\u003c\/p\u003e\n\u003cp\u003eLabel : Granny Records\u003c\/p\u003e"}
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The June 2021 batch of the Greek sound label Granny Records has arrived.This work is a cassette released by Marco Paltrinieri, an experimental musician who has been released by Canti Magnetici etc. in the past, limited to 6 pieces.Includes two songs composed of spoken words and noise drones. DL code included.Click here to see more Granny Records releases available at ...
¥1,891
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{"id":6913947762853,"title":"Patiño \/\/ Actually Laughing Out Loud CD","handle":"patino-actually-laughing-out-loud-cd","description":"\u003cp\u003eスペイン・マドリッドのインスタレーションアーティストRubén Patiñoが2020年10月に100枚限定でリリースしたCD。タイトルの通り、笑い声を様々な手法でコラージュした変態作品15曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/918278332\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"anòmia\" href=\"https:\/\/soundcloud.com\/anomiaprod\" target=\"_blank\"\u003eanòmia\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='ANM053 Patiño \"Mad Medley\"' href=\"https:\/\/soundcloud.com\/anomiaprod\/anm053-patino-mad-medley\" target=\"_blank\"\u003eANM053 Patiño \"Mad Medley\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Anomia:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eActually Laughing Out Loud is a project by Rubén Patiño which explores the sound of laughter as a compositional material as well as a means of psychological conditioning. It originated as a re-interpretation of the \"laugh track\" sound effect featured prominently in many beloved TV sitcoms. ALOL stretches the boundaries in between the enjoyable and the uncanny while addressing certain aspects of contemporary entertainment and popular culture. At the same time, it is an attempt to explore humour as a subversive tool that allows Patiño to question, through a playful approach, rigid standards and a persistent excess of \"seriousness\" in contemporary electronic music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is a compilation of sonic assemblages of manipulated laughter samples that have been featured in Patiño's concerts and spatial interventions over the last years. Such as No Laughing Matter, a performance created with Kay Schuttel presented at Berghain as part of CTM 2020, that included 5 laughing vocalists live and numerous compositions included in the CD.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patiño\u003c\/p\u003e\n\u003cp\u003eLabel : Anomia\u003c\/p\u003e","published_at":"2021-07-27T17:01:05+09:00","created_at":"2021-07-16T10:32:09+09:00","vendor":"Tobira Records","type":"","tags":["anomia","cd","contemporary \/ sound poetry","monooto"],"price":185000,"price_min":185000,"price_max":185000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40372743176357,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Patiño \/\/ Actually Laughing Out Loud CD","public_title":null,"options":["Default Title"],"price":185000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_eaf30c1e-8f0a-4f8e-878e-346ed3b22d0e.jpg?v=1626399132","\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_e51289e1-ce76-49aa-9bf0-69d1ec745abd.jpg?v=1626399131"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_eaf30c1e-8f0a-4f8e-878e-346ed3b22d0e.jpg?v=1626399132","options":["Title"],"media":[{"alt":null,"id":22974491754661,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_eaf30c1e-8f0a-4f8e-878e-346ed3b22d0e.jpg?v=1626399132"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_eaf30c1e-8f0a-4f8e-878e-346ed3b22d0e.jpg?v=1626399132","width":700},{"alt":null,"id":22974491787429,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_e51289e1-ce76-49aa-9bf0-69d1ec745abd.jpg?v=1626399131"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_e51289e1-ce76-49aa-9bf0-69d1ec745abd.jpg?v=1626399131","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペイン・マドリッドのインスタレーションアーティストRubén Patiñoが2020年10月に100枚限定でリリースしたCD。タイトルの通り、笑い声を様々な手法でコラージュした変態作品15曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/918278332\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"anòmia\" href=\"https:\/\/soundcloud.com\/anomiaprod\" target=\"_blank\"\u003eanòmia\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='ANM053 Patiño \"Mad Medley\"' href=\"https:\/\/soundcloud.com\/anomiaprod\/anm053-patino-mad-medley\" target=\"_blank\"\u003eANM053 Patiño \"Mad Medley\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Anomia:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eActually Laughing Out Loud is a project by Rubén Patiño which explores the sound of laughter as a compositional material as well as a means of psychological conditioning. It originated as a re-interpretation of the \"laugh track\" sound effect featured prominently in many beloved TV sitcoms. ALOL stretches the boundaries in between the enjoyable and the uncanny while addressing certain aspects of contemporary entertainment and popular culture. At the same time, it is an attempt to explore humour as a subversive tool that allows Patiño to question, through a playful approach, rigid standards and a persistent excess of \"seriousness\" in contemporary electronic music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is a compilation of sonic assemblages of manipulated laughter samples that have been featured in Patiño's concerts and spatial interventions over the last years. 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A limited edition of 2020 CDs released in October 10 by the Spanish-Madrid installation artist Rubén Patiño.As the title suggests, it contains 100 metamorphosis works that collage laughter in various ways. anòmia · ANM15 Patiño "Mad Medley" Label Click here for other works /// Click here to see more Anomia releases ...
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