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Adeline Hotel // Good Timing 7 "

Adeline Hotel // Good Timing 7 "

¥ 2,466
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The NY folk pop label Ruination Records has arrived for the first time in Japan.

This work is a race cut 2021 "released by label owner Adeline Hotel in February 2. It is an idyllic instrumental folk with an open-tuned acoustic guitar. DL code included. Clear vinyl, out of print.

Labels and other worksClick here /// Click here to see more Ruination Records releases available at Tobira.

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Where does a piece of music originate? Before decisions about form and refinement of material, before building up or carving down, before composition itself—what lies in this white room, and how does one find it? Dan Knishkowy of Adeline Hotel did not set out to answer these questions when he began recording Good Timing, a mostly instrumental album whose graphical latticework of acoustic guitar marks a departure of sorts from his previous releases as a songwriter. But as he worked, he found a certain freedom in a process uninhibited by pretense. “I liked the idea of ​​embracing that,” he says, “instead of turning this into something more polished.”

Knishkowy created Good Timing by layering improvised guitar parts, each one reacting intuitively to those that came before and guiding those that came after. Like a fractal blooming or a snowflake accumulating ice, the music dictated its own shape as it grew, a dynamic that is Rhythms unspool slowly, without tether to any strict pulse. Lines begin in apparent disarray, then converge for an epiphanic moment, then separate again. Though Knishkowy is well versed in the greats of solo guitar—among several possible connotations of the album's title is a sly homage to a Jim O'Rourke acoustic masterwork—the effect of these multitracked pieces may have more in common with ambient music than anything from the American Primitive school. ones sparkle like windchimes just outside the window. The physical properties of Dan's instrument are as present in the music as his own hands.

He arrived at this instinctual approach while working alone at home in the quarantine summer of 2020, when more precisely arranged compositions began to feel stifling. As a reprieve, he began recording the sort of ostensibly aimless music that had often uncovered the seeds of songs in By centering these embryonic sounds as an expression in themselves, rather than a route to some other end, he crafted 10 pieces that glow with intimacy and presence, vessels for capturing memory in real time. of your creative process, in a way "he says," but with Good Timing, this is the closest I've ever gotten to the source. ”--Andy Cush

artist: Adeline Hotel 

label: Ruination Records

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The NY folk pop label Ruination Records has arrived for the first time in Japan.

This work is a race cut 2021 "released by label owner Adeline Hotel in February 2. It is an idyllic instrumental folk with an open-tuned acoustic guitar. DL code included. Clear vinyl, out of print.

Labels and other worksClick here /// Click here to see more Ruination Records releases available at Tobira.

--------------------------

Where does a piece of music originate? Before decisions about form and refinement of material, before building up or carving down, before composition itself—what lies in this white room, and how does one find it? Dan Knishkowy of Adeline Hotel did not set out to answer these questions when he began recording Good Timing, a mostly instrumental album whose graphical latticework of acoustic guitar marks a departure of sorts from his previous releases as a songwriter. But as he worked, he found a certain freedom in a process uninhibited by pretense. “I liked the idea of ​​embracing that,” he says, “instead of turning this into something more polished.”

Knishkowy created Good Timing by layering improvised guitar parts, each one reacting intuitively to those that came before and guiding those that came after. Like a fractal blooming or a snowflake accumulating ice, the music dictated its own shape as it grew, a dynamic that is Rhythms unspool slowly, without tether to any strict pulse. Lines begin in apparent disarray, then converge for an epiphanic moment, then separate again. Though Knishkowy is well versed in the greats of solo guitar—among several possible connotations of the album's title is a sly homage to a Jim O'Rourke acoustic masterwork—the effect of these multitracked pieces may have more in common with ambient music than anything from the American Primitive school. ones sparkle like windchimes just outside the window. The physical properties of Dan's instrument are as present in the music as his own hands.

He arrived at this instinctual approach while working alone at home in the quarantine summer of 2020, when more precisely arranged compositions began to feel stifling. As a reprieve, he began recording the sort of ostensibly aimless music that had often uncovered the seeds of songs in By centering these embryonic sounds as an expression in themselves, rather than a route to some other end, he crafted 10 pieces that glow with intimacy and presence, vessels for capturing memory in real time. of your creative process, in a way "he says," but with Good Timing, this is the closest I've ever gotten to the source. ”--Andy Cush

artist: Adeline Hotel 

label: Ruination Records