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Giacinto Scelsi // Scelsi Edition 8: The Piano Works 4 CD

Giacinto Scelsi // Scelsi Edition 8: The Piano Works 4 CD

£14.00
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This is a CD released by Italian composer Giacinto Scelsi (1905-1988) from the US/NY classical label Mode in 2020.

Contains 28 pieces for piano. Jewel case, shrink specification.

Labels and other worksClick here for the guidelines. ///Click here to see more Mode releases available at Tobira. 

-----------------------------------------

CD in jewel case.

tracklist:

  1. Hispania - I. 07:11
  2. Hispania - II. 10:33
  3. Hispania - III. 06:17
  4. Suite No. 5 - I. Deciso 02:10
  5. Suite No. 5 - II. "Quarter Note" = 120 01:40
  6. Suite No. 5 - III. Grazioso 01:48
  7. Suite No. 5 - IV. "Quarter Note" = 108 01:39
  8. Suite No. 5 - V. Spigliato 01:22
  9. Suite No. 5 - VI. "Quarter Note" = 100 02:20
  10. Suite No. 5 - VII. Iniziando A "Dotted Quarter Note" = 132 E Subito Movendo 02:03
  11. Suite No. 5 - VIII. Con Grazia 02:38
  12. Suite No. 5 - IX. Giocoso 01:52
  13. Suite No. 5 - X. Molto Ritmato 02:08
  14. Suite No. 6 - I. Vivace 01:44
  15. Suite No. 6 - II. Agitato 01:30
  16. Suite No. 6 - III. Quarter Note = 80 02:08
  17. Suite No. 6 - IV. Quarter Note - 66 02:49
  18. Suite No. 6 - V. Mosso 01:41
  19. Suite No. 6 - VI. Grazioso 00:59
  20. Suite No. 6 - VII. "Quarter Note" = 63 02:52
  21. Suite No. 6 - VIII. Energico 01:49
  22. Suite No. 6 - IX. Agitato 01:12
  23. Suite No. 6 - X. "Quarter Note" = 108 01:00
  24. Suite No. 6 - XI. Capriccioso 01:39
  25. Suite No. 6 - XII. Energico 01:37
  26. Suite No. 6 - XIII. Vivace 00:56
  27. Suite No. 6 - XIV. Vivacissimo 00:45
  28. Suite No. 6 - XV. Scorrevole 03:13

Mode Records:

"Mode's Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s.

The piano plays a role of undeniable importance in Scelsi's life and work. From 1930 to 1941, and again from 1952 to 1956, the composer produced an enormous repertoire for the instrument, including 40 Preludes, 11 Suites, four Sonatas, and many solo works . The works on this CD attest to his brilliance as an improviser, his sensitivity to rhythm and color, and the originality of his compositional identity.

Hispania is a fascinating work, where passages show some signs of Scelsi's later style, yet other features remain more closely connected to earlier practice. The “tryptique pour piano” is arranged in three distinct movements, fast-slow-fast. While much of Scelsi's work is highly chromatic, reflecting the influence of Scriabin and Berg, Hispania contains long passages of mainly diatonic material, using mostly the white keys of the piano with very few accidentals. It also shows the influence of French neoclassicism and impressionism, with certain moments recalling the Spanish-themed works of Ravel and Debussy.

Suite No. 5: Il Circo or “The Circus,” an image that is full of possible connotations from the ancient (as in Rome's Circus Maximus) to the exotic. Rhythm, an aspect of music which Scelsi held as equivalent to vitality, is the true shaping force in these short vignettes.

Suite No. 6: I Capricci di Ty takes more steps in the direction of Scelsi's later minimalistic style, with entire movements focusing on this type of material, some with variable beats in each measure, and time signatures often omitted altogether. Ty was Scelsi's nickname for his wife, Dorothy.

This audiophile quality recording was made using high-resolution 96khz/24-bit technology."

Artist: Giacinto Scelsi

Label: Mode Records

CAT No.:mode227

+ -

This is a CD released by Italian composer Giacinto Scelsi (1905-1988) from the US/NY classical label Mode in 2020.

Contains 28 pieces for piano. Jewel case, shrink specification.

Labels and other worksClick here for the guidelines. ///Click here to see more Mode releases available at Tobira. 

-----------------------------------------

CD in jewel case.

tracklist:

  1. Hispania - I. 07:11
  2. Hispania - II. 10:33
  3. Hispania - III. 06:17
  4. Suite No. 5 - I. Deciso 02:10
  5. Suite No. 5 - II. "Quarter Note" = 120 01:40
  6. Suite No. 5 - III. Grazioso 01:48
  7. Suite No. 5 - IV. "Quarter Note" = 108 01:39
  8. Suite No. 5 - V. Spigliato 01:22
  9. Suite No. 5 - VI. "Quarter Note" = 100 02:20
  10. Suite No. 5 - VII. Iniziando A "Dotted Quarter Note" = 132 E Subito Movendo 02:03
  11. Suite No. 5 - VIII. Con Grazia 02:38
  12. Suite No. 5 - IX. Giocoso 01:52
  13. Suite No. 5 - X. Molto Ritmato 02:08
  14. Suite No. 6 - I. Vivace 01:44
  15. Suite No. 6 - II. Agitato 01:30
  16. Suite No. 6 - III. Quarter Note = 80 02:08
  17. Suite No. 6 - IV. Quarter Note - 66 02:49
  18. Suite No. 6 - V. Mosso 01:41
  19. Suite No. 6 - VI. Grazioso 00:59
  20. Suite No. 6 - VII. "Quarter Note" = 63 02:52
  21. Suite No. 6 - VIII. Energico 01:49
  22. Suite No. 6 - IX. Agitato 01:12
  23. Suite No. 6 - X. "Quarter Note" = 108 01:00
  24. Suite No. 6 - XI. Capriccioso 01:39
  25. Suite No. 6 - XII. Energico 01:37
  26. Suite No. 6 - XIII. Vivace 00:56
  27. Suite No. 6 - XIV. Vivacissimo 00:45
  28. Suite No. 6 - XV. Scorrevole 03:13

Mode Records:

"Mode's Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s.

The piano plays a role of undeniable importance in Scelsi's life and work. From 1930 to 1941, and again from 1952 to 1956, the composer produced an enormous repertoire for the instrument, including 40 Preludes, 11 Suites, four Sonatas, and many solo works . The works on this CD attest to his brilliance as an improviser, his sensitivity to rhythm and color, and the originality of his compositional identity.

Hispania is a fascinating work, where passages show some signs of Scelsi's later style, yet other features remain more closely connected to earlier practice. The “tryptique pour piano” is arranged in three distinct movements, fast-slow-fast. While much of Scelsi's work is highly chromatic, reflecting the influence of Scriabin and Berg, Hispania contains long passages of mainly diatonic material, using mostly the white keys of the piano with very few accidentals. It also shows the influence of French neoclassicism and impressionism, with certain moments recalling the Spanish-themed works of Ravel and Debussy.

Suite No. 5: Il Circo or “The Circus,” an image that is full of possible connotations from the ancient (as in Rome's Circus Maximus) to the exotic. Rhythm, an aspect of music which Scelsi held as equivalent to vitality, is the true shaping force in these short vignettes.

Suite No. 6: I Capricci di Ty takes more steps in the direction of Scelsi's later minimalistic style, with entire movements focusing on this type of material, some with variable beats in each measure, and time signatures often omitted altogether. Ty was Scelsi's nickname for his wife, Dorothy.

This audiophile quality recording was made using high-resolution 96khz/24-bit technology."

Artist: Giacinto Scelsi

Label: Mode Records

CAT No.:mode227