Burnt Friedman // Masque/Peluche 12"

¥2,380

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German techno artist Burnt Friedman released a 2016" on his own label in 12.

Rashad Becker is in charge of mastering.

Labels and other worksplease use this form. ///Click here to see more NONPLACE releases available at Tobira.

--------------------------------

Resident Advisor:

"Each track is built around a single beat-loop, embellished with very light dub processing. “Masque” is the more understated of the two, its hi-hats ultra-crisp and lilting, its kick drum sounding sharply at the start of the bar Scraps of chord and melody are fleetingly visible in the background, like wisps of cloud against a clear sky. “Peluche” is a bolder take on a similar idea. A 5/4 time signature enhances the feeling of balanced asymmetry, and the beat is pitted with all kinds of live-sounding percussion hits. Every couple of minutes, puffs of reverb coalesce into a dense fog, and in the second half the whole thing picks up a loping, implacable pace. It's a strange groove, but in Friedman's hands it feels like the most natural thing in the world.”

Artist: Burnt Friedman

Label : NON PLACE

Quantity

+ -

German techno artist Burnt Friedman released a 2016" on his own label in 12.

Rashad Becker is in charge of mastering.

Labels and other worksplease use this form. ///Click here to see more NONPLACE releases available at Tobira.

--------------------------------

Resident Advisor:

Artist: Burnt Friedman

Label : NON PLACE

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width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003ehere\u003c\/a\u003e to see more N O N P L A C E releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 140gram black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eN O N P L A C E:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMaster drummer Jaki Liebezeit was very pleased that the craft of drum making has not changed much over the course of time. Be it that a skin is stretched over a drum with cords or bolts or be it that the skin is out of plastic or animal hide - the principle remains the same: Either enclose a hollow space without which there would be no sound (just imagine a drum filled with clay!).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe same applies to the perception of rhythm.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything is reduced to the essential: the hollow space in the centre.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is the invisible that matters.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll tracks on the second DRUMS OFF CHAOS EP revolve around this vacant space in the middle.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA centre that is filled with - nothing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe focus is on abstract, grooving drum music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRhythms are reduced to their elementary nucleus to such an extent that they can be perceived as clearly singular but also as universal.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd something emerges that follows universal laws such as gravity, ergonomics and acoustics.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Play what the drum demands,” was one of Jaki’s sayings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTogether with him, DRUMS OFF CHAOS took this to heart.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe EP centres on rhythms that are based on simple numerical relationships allowing their richness to unfurl from within.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Drums Off Chaos\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eN O N P L A C E \u003c\/span\u003e\u003c\/p\u003e"}

Iranian percussionist Mohammad Reza Mortazavi and Burnt Friedman, head of German leftfield techno label Nullpunkt, will release a 2023" reissue in April 4 (originally released in 12). Includes 2017 polyrhythmic tribal techno tracks. Click here for labels and other works /// Click here to see more NONP L...

¥2,680

Quickview {"id":7711072289018,"title":"Liebezeit I Friedman I Pais \/\/ Eurydike LP","handle":"liebezeit-i-friedman-i-pais-eurydike-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの実験ダンス作家Burnt FriedmanとポルトガルのパーカッショニストJoão Pais Filipe、\u003cmeta charset=\"utf-8\"\u003eJaki Liebezeitによる共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポリリズム溢れるレフトフィールド土着テクノ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3103717718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003ehere\u003c\/a\u003e to see more N O N P L A C E releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSide A | Friedman \u0026amp; Pais\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJoão Pais Filipe drums and Burnt Friedman electronics ultimately activate cosmic mechanics, as a form of automatic music, with a focus on odd rhythmic modes; Friedman \u0026amp; Pais develop an immersive, archaic new level–dance music, rooted in natural laws of motion.\u2028\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide B | Liebezeit \u0026amp; Friedman\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2 new Secret Rhythms–contributions, recorded in 2016 and played lived frequently. Central to the so–called Secret Rhythms– concept is Jaki Liebezeit’s radical “drum code”, which organizes pressure mediation according to mother nature (Eurydike).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028João Pais Filipe (born 1980) is a gong–building, cymbal–smithing drummer\/percussionist from Porto. Known for his solo releases, he has also been working with HHY \u0026amp; The Macumbas, CZN, Paisiel, and has collaborated with Z’EV, Fritz Hauser and Manongo Mujica.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028Jaki Liebezeit (1938-2017) numbers among the world’s foremost drummers. Between 1968 and 1978, playing as a founding member of the legendary Can, he produced rhythms to be heard nowhere else, anticipating by many years the loops of modern club music. His delicate and peerlessly precise drum sound is audible in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e countless studio productions by a range of artists from Conny Plank to Jah Wobble, from Eno to Depeche Mode. But by the early 1990s Liebezeit felt he had exhausted the possibilities of conventional drums. He made a radical break, and began to re-define, or re-invent, what drumming was about.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e***\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u2028Artist statement, Jaki Liebezeit:\u003cbr data-mce-fragment=\"1\"\u003e“\u003cem\u003eThat explains why I’ve meanwhile abandoned conventional drums, the standard American kit. 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Central to the so–called Secret Rhythms– concept is Jaki Liebezeit’s radical “drum code”, which organizes pressure mediation according to mother nature (Eurydike).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028João Pais Filipe (born 1980) is a gong–building, cymbal–smithing drummer\/percussionist from Porto. Known for his solo releases, he has also been working with HHY \u0026amp; The Macumbas, CZN, Paisiel, and has collaborated with Z’EV, Fritz Hauser and Manongo Mujica.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028Jaki Liebezeit (1938-2017) numbers among the world’s foremost drummers. Between 1968 and 1978, playing as a founding member of the legendary Can, he produced rhythms to be heard nowhere else, anticipating by many years the loops of modern club music. His delicate and peerlessly precise drum sound is audible in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e countless studio productions by a range of artists from Conny Plank to Jah Wobble, from Eno to Depeche Mode. But by the early 1990s Liebezeit felt he had exhausted the possibilities of conventional drums. He made a radical break, and began to re-define, or re-invent, what drumming was about.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e***\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u2028Artist statement, Jaki Liebezeit:\u003cbr data-mce-fragment=\"1\"\u003e“\u003cem\u003eThat explains why I’ve meanwhile abandoned conventional drums, the standard American kit. I looked around for something different, and now I just play drums. People keep saying my drumming is so reduced, but there’s nothing minimalist about the way I play, I just leave out the superfluous stuff.”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Burnt Friedman, João Pais Filipe, Jaki Liebezeit\u003c\/p\u003e\n\u003cp\u003eLabel : N O N P L A C E \u003c\/p\u003e"}

Quickview {"id":7711070421242,"title":"Burnt Friedman W\/ Daniel Dodd Ellis \/\/ Cease To Matter LP+CD","handle":"burnt-friedman-w-daniel-dodd-ellis-cease-to-matter-cd","description":"\u003cp\u003eドイツのレフトフィールドテクノ作家Burnt Friedmanとアメリカの俳優Daniel Dodd Ellisが、2014年にFriedman主宰NONPLACEからリリースした共作12\"です。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ミニマルテクノ11曲を収録。CDが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3527241294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003ehere\u003c\/a\u003e to see more N O N P L A C E releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eN O N P L A C E:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMoods and impressions from Friedman’s Sub-Saharan concert tour in 2013 as well as fragments of memories of an imaginary future fuse together in the music and text of all eleven tracks. These responses to real-life “kpafuca” (“things falling apart”) – conditions in African metropolises – collapse into grooves and phrases reminiscent of Chris Marker’s sci-fi apocalypticism (La Jette, Sans Soleil).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe impact of the eleven sound poems derives less from intentional meaning and symbolism than from fortuitous coincidences, cut-ups, and flashes of inspiration in the course of handling the audio material. Rather than a composed narrative the tracks reflect the inner reality of the authors Burnt Friedman and Daniel Dodd-Elis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis polyphony of non-places also includes the spirit of sound explorers such as the musical-ethnological practitioners Hartmut Geerken and Roman Bunka (Embryo) whose visions and musical activities refuse to succumb to reductionist and essentialist staging. In “Cease to Matter”, Friedman intuitively pits the liberating power of noise, of über-mensch-maschinen music, against those cultural landscapes repeatedly automatically inscribed into music. Odd beats and random technical defects – that is to say, disobedience (“Un-gehör-sam”, Johannes Ismaiel-Wendt) – are pitted\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e against the normative interpretational supremacy of musical world maps.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Burnt Friedman W\/ Daniel Dodd Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : N O N P L A C E\u003c\/p\u003e","published_at":"2022-09-02T19:40:43+09:00","created_at":"2022-08-19T11:17:58+09:00","vendor":"Tobira Records","type":"","tags":["lp","nonplace","techno \/ house"],"price":319000,"price_min":319000,"price_max":319000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43134032838906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burnt Friedman W\/ Daniel Dodd Ellis \/\/ Cease To Matter LP+CD","public_title":null,"options":["Default Title"],"price":319000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_dbe7b787-0971-4089-9d0a-e0736da366f4.jpg?v=1660875480","\/\/tobirarecords.com\/cdn\/shop\/products\/ce3.jpg?v=1660875480"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_dbe7b787-0971-4089-9d0a-e0736da366f4.jpg?v=1660875480","options":["Title"],"media":[{"alt":null,"id":30317963804922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_dbe7b787-0971-4089-9d0a-e0736da366f4.jpg?v=1660875480"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_dbe7b787-0971-4089-9d0a-e0736da366f4.jpg?v=1660875480","width":700},{"alt":null,"id":30317963837690,"position":2,"preview_image":{"aspect_ratio":1.626,"height":738,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce3.jpg?v=1660875480"},"aspect_ratio":1.626,"height":738,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce3.jpg?v=1660875480","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのレフトフィールドテクノ作家Burnt Friedmanとアメリカの俳優Daniel Dodd Ellisが、2014年にFriedman主宰NONPLACEからリリースした共作12\"です。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ミニマルテクノ11曲を収録。CDが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3527241294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003ehere\u003c\/a\u003e to see more N O N P L A C E releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eN O N P L A C E:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMoods and impressions from Friedman’s Sub-Saharan concert tour in 2013 as well as fragments of memories of an imaginary future fuse together in the music and text of all eleven tracks. These responses to real-life “kpafuca” (“things falling apart”) – conditions in African metropolises – collapse into grooves and phrases reminiscent of Chris Marker’s sci-fi apocalypticism (La Jette, Sans Soleil).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe impact of the eleven sound poems derives less from intentional meaning and symbolism than from fortuitous coincidences, cut-ups, and flashes of inspiration in the course of handling the audio material. Rather than a composed narrative the tracks reflect the inner reality of the authors Burnt Friedman and Daniel Dodd-Elis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis polyphony of non-places also includes the spirit of sound explorers such as the musical-ethnological practitioners Hartmut Geerken and Roman Bunka (Embryo) whose visions and musical activities refuse to succumb to reductionist and essentialist staging. In “Cease to Matter”, Friedman intuitively pits the liberating power of noise, of über-mensch-maschinen music, against those cultural landscapes repeatedly automatically inscribed into music. Odd beats and random technical defects – that is to say, disobedience (“Un-gehör-sam”, Johannes Ismaiel-Wendt) – are pitted\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e against the normative interpretational supremacy of musical world maps.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Burnt Friedman W\/ Daniel Dodd Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : N O N P L A C E\u003c\/p\u003e"}