AL Viktor // Hy! 12" [COLOR]
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AL Viktor // Hy! 12" [COLOR]
¥2,780
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AL Viktor, a strange beats writer from Berlin, Germany, will launch a Berlin experimental/dance label in April 2023.100" released from Termina with a limited edition of 12 copies.
Includes 10 tracks of dub strange beats, experimental tribal techno, and ambient dub. Comes with DL code.It's a whiteboard.
Labels and other worksplease use this form. ///Click here to see more Termina / Hypno Discs releases available at Tobira.
----------------------
Includes DL code. Edition of 100. 12" white vinyl.
Tracklist:
- Nylon 02:07
- Delicate 04:18
- Form_2/1 01:39
- Diving 02:52
- Form_3_4 01:38
- Fungus 03:24
- Sending flwrs 01:12
- Slingshot 01:57
- Form_P30_114 04:46
- Form_4_1 03:05
Hypno Discs:
"AL Viktor, an industry newcomer, debuts with Hy!, an album featuring a unique blend of experimental song structures, electro acoustics, and 4th world-infused sound design.
The record offers a blend of rhythm-driven electronics, psychedelic ambient, and archaic percussion jams along with delicate melodies juxtaposing primitive drum work outs."
Artist : AL Viktor
Label: Hypno Discs
AL Viktor, a strange beats writer from Berlin, Germany, will launch a Berlin experimental/dance label in April 2023.100" released from Termina with a limited edition of 12 copies.
Includes 10 tracks of dub strange beats, experimental tribal techno, and ambient dub. Comes with DL code.It's a whiteboard.
Labels and other worksplease use this form. ///Click here to see more Termina / Hypno Discs releases available at Tobira.
----------------------
Includes DL code. Edition of 100. 12" white vinyl.
Tracklist:
- Nylon 02:07
- Delicate 04:18
- Form_2/1 01:39
- Diving 02:52
- Form_3_4 01:38
- Fungus 03:24
- Sending flwrs 01:12
- Slingshot 01:57
- Form_P30_114 04:46
- Form_4_1 03:05
Hypno Discs:
"AL Viktor, an industry newcomer, debuts with Hy!, an album featuring a unique blend of experimental song structures, electro acoustics, and 4th world-infused sound design.
The record offers a blend of rhythm-driven electronics, psychedelic ambient, and archaic percussion jams along with delicate melodies juxtaposing primitive drum work outs."
Artist : AL Viktor
Label: Hypno Discs
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{"id":8432832446714,"title":"Human Error \/ The Higher Primates \/ The Scientific Americans \/\/ Turning The Crank: The NoHo Scene 1978-1982 BOOK","handle":"holuzam-turning-the-crank-the-noho-scene-1978-1982-book","description":"\u003cp\u003eポルトガル・リスボンの実験レーベルHoluzamが、2024年5月にリリースしたコンピレーション12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・ニューハンプシャーで活動していたバンドによる1979-1981年録音のポストパンク4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このEPは、1970年代後半から1980年代前半にかけて、米国マサチューセッツ州西部のパイオニアバレー地域で起こった活気あるアクションを記録する試みである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eハンプシャー郡にある5つのカレッジには膨大な数の学生が集まり、必然的にその地域の町と交流した。バー、楽器店、レコード店、ライブハウス、そして多くの実験と自由な発想。特にハンプシャーカレッジは、アメリカインディアン、カヤックのデザイン、黒人の口承伝統、食品管理などのトピックについて公然と議論するためのより好ましい状況が確実に存在するにもかかわらず、今日でも過激とみなされるかもしれない科目、教育への新しいアプローチを推進した。音楽は？その多くは短命に終わり、他のバンドはニューウェーヴ／パワーポップの領域へと進化し、最終的にはポストパンクの実験へと交差した。Noho EPに収められているのは、ハンプシャーカレッジやマサチューセッツ大学にあったEMS機器やその他の機材が好んで使用された、よりエレクトロニックな気質だ。私たちは、一時期、テクノチューンズレーベルという緩やかな傘の下で、さまざまな組み合わせで一緒に演奏していたミュージシャンのグループと、それを取り巻く構造に焦点を当てることにした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらのミュージシャンは全く異なるバックグラウンドを持っており、ここに描かれている核は、クリストファー・ヴァイン、エリオット・シャープ、ジェイムズ・ウィットモア、ニコラス・ブラウンで構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサイエンティフィック・アメリカンズは何度かラインナップを変えているが、「Among Bodge Watt」をレコーディングしたのは、実はクリス・ヴァインとジム・ウィットモアのデュオだけだった。未発表のこの曲は、1981年のROIRのテープ・アルバム『Load \u0026amp; Go！』に収録されている「El Salvador」のコンパニオン・ピースである。サイ・アムスはテクノ・チューンズ・レーベルの創設者であり、テクノ・ツアーズという「コンサート・プロモーション・エージェンシー」を立ち上げ、その名でザ・ストラングラーズ、ザ・スリッツ、パイロン、ペール・ユビュ、ザ・サイケデリック・ファーズ、ブッシュ・テトラス、スティール・パルスなどのバンドを地元の観客に紹介した。彼ら自身のサウンドは進歩し続けたが、最高の状態には、「Among Bodge Watt」で明らかなように、しっかりとしたダブの下地がある。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHuman Errorは、クリス・ヴァイン、エリオット・シャープ、ジム・ウィットモア、ニック・ブラウンによる集団ジャムから生まれた。1978年8月にノーザンプトンに引っ越してきたエリオット・シャープは、自然と地元の音楽シーンに関わるようになり、当時働いていたハイファイ・オーディオ店で、まずウィットモアと知り合った。地下室でのジャムは刺激的な会話が続き、他のミュージシャンもセッションに参加した。Clandestinator のサウンドはゴージャスにルーズで、擬似ダブのセットアップから楽々とグルーヴが生まれる。音楽はただ流れ、伝染し、ミックスの中のハンドクラップのように不規則だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Higher Primatesは後に \"ちゃんとした \"バンドに進化したが、ニック・ブラウンのソロプロジェクトとしてスタートした。The Higher Primatesは1980年に7インチシングル（正確にはテクノ・チューンズ・レーベルから）をリリースしたのみ。Noho EPに収録されている2曲はいずれも翌年にレコーディングされたもので、現在までリリースされることはなかった。「オート・ミュージック・イン・ザ・ディスコ・ダブ・スタイル」は、安定したミドル・テンポのTR808ビートが流れ、シンセのスクエルチ、エコー、リバーブ、太いベースライン、不協和音のメロディライン、奇妙なヴォーカルの断片がサポートする。コンセプトがほとんどなかった頃のDJツールのようなものだ。よりアップテンポな「Teresa Variations」は、エレクトロニクスにフェンダー・ジャズ・ベースとセルマー・サックスが加わっている。ロボットのような意味不明なヴォーカルが入るが、実際はより「ディスコ」的に聞こえる。その上、全体的にラジオフォニック・ワークショップのアナログ的な異様さがダンスビートに適用され、雰囲気は封印されている。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=155941384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1104765751\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=155941384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Holuzam:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan class=\"bcTruncateMore\"\u003eWith this EP an attempt is made at documenting the vibrant action happening during the late 1970s and early 1980s in the Pioneer Valley area of Western Massachusetts, US. The story is richer than the snapshot we present here, and a more detailed account is to be found in the accompanying book that can be purchased separately but also comes as a limited edition with the first 50 copies of the EP. \u003cbr\u003e\u003cbr\u003eThe Five Colleges in Hampshire County congregated a vast student population that inevitably interacted with the towns in the area. Bars, music and record stores, live music and a lot of experimentation and free thinking. Hampshire College, especially, promoted new approaches to teaching, subjects that might be considered radical by some even today, although a more favourable context would now surely exist for openly debating such topics as American Indians, Kayak Design, Black Oral Tradition, Food Management, etc. And the music? The immediate \"punk effect\" motivated the creation of numerous bands, many short lived, others evolving into New Wave \/ Power Pop territory, eventually crossing into Post-Punk experimentation. What is captured in \"Noho EP\" is a more electronic disposition, favoured by the existence of EMS gear and other equipment at Hampshire College and University of Massachusetts. We chose to focus on a group of musicians who, for a time, played together in different combinations under the loose umbrella of the Tekno Tunes label and the structure around it. \u003cbr\u003e\u003cbr\u003eThese musicians come from very different backgrounds and the nucleus portrayed here consisted of Christopher Vine, Elliott Sharp, James Whittemore and Nicholas Brown. \u003cbr\u003e\u003cbr\u003eOf the several line-up changes The Scientific Americans went through, it was actually only the duo of Chris Vine and Jim Whittemore who recorded \"Among Bodge Watt\". Never before released, it is a companion piece to their track \"El Salvador\" available on the 1981 ROIR tape-album \"Load \u0026amp; Go!\". The Sci Ams were founders of the Tekno Tunes label and also created the Tekno Tours \"concert promotion agency\", under which name they exposed local audiences to bands such as The Stranglers, The Slits, Pylon, Pere Ubu, The Psychedelic Furs, The Bush Tetras, Steel Pulse, etc. Their own sound kept progressing but at its best there's a solid dub undercurrent, pretty obvious in \"Among Bodge Watt\". \u003cbr\u003eHuman Error was born out of a collective jam by Chris Vine, Elliott Sharp, Jim Whittemore and Nick Brown. Elliott Sharp had moved to Northampton in August of 1978 and naturally became involved in the local music scene, hooking up first with Whittemore at a hi-fi audio store where he worked at the time. Basement jams followed stimulating conversations, and other musicians joined the sessions. \"Clandestinator\" sounds gorgeously loose, an effortless groove coming from a quasi-dub set-up. Nothing here seems calculated, the music just flows, contagious and irregular as the handclaps in the mix. \u003cbr\u003e\u003cbr\u003eThe Higher Primates later evolved into a \"proper\" band but started as Nick Brown's solo project. The Primates only ever released a (now sought-after) 7\" single in 1980 (on the Tekno Tunes label, precisely). Both tracks on \"Noho EP\" were recorded the following year and never released until now. \"Auto Music in the Disco Dub Style\" is self-explanatory, with a steady, mid-tempo TR808 beat running through, supporting synth squelches, echoes and reverbs, a fat bassline, dissonant melodic lines and odd vocal snippets. Kind of a DJ tool when the concept was barely in place. The more uptempo \"Teresa Variations\" adds a Fender Jazz bass and Selmer sax to the electronics. It actually sounds more \"Disco\", even with the robotic, unintelligible vocals. On top of this, the vibe is sealed by the overall Radiophonic Workshop analogue strangeness applied to a dance beat. \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-14T13:25:03+09:00","created_at":"2024-05-13T12:32:44+09:00","vendor":"Tobira Records","type":"","tags":["holuzam","lp","new","strange beats","techno \/ house"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45935294447866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Human Error \/ The Higher Primates \/ The Scientific Americans \/\/ Turning The Crank: The NoHo Scene 1978-1982 BOOK","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3515443484_16.jpg?v=1715660149","\/\/tobirarecords.com\/cdn\/shop\/files\/0035607864_10.jpg?v=1715660150","\/\/tobirarecords.com\/cdn\/shop\/files\/0035607858_10.jpg?v=1715660151"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3515443484_16.jpg?v=1715660149","options":["Title"],"media":[{"alt":null,"id":34018611790074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3515443484_16.jpg?v=1715660149"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3515443484_16.jpg?v=1715660149","width":700},{"alt":null,"id":34018611953914,"position":2,"preview_image":{"aspect_ratio":1.818,"height":660,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035607864_10.jpg?v=1715660150"},"aspect_ratio":1.818,"height":660,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035607864_10.jpg?v=1715660150","width":1200},{"alt":null,"id":34018611986682,"position":3,"preview_image":{"aspect_ratio":0.995,"height":1200,"width":1194,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035607858_10.jpg?v=1715660151"},"aspect_ratio":0.995,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035607858_10.jpg?v=1715660151","width":1194}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガル・リスボンの実験レーベルHoluzamが、2024年5月にリリースしたコンピレーション12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・ニューハンプシャーで活動していたバンドによる1979-1981年録音のポストパンク4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このEPは、1970年代後半から1980年代前半にかけて、米国マサチューセッツ州西部のパイオニアバレー地域で起こった活気あるアクションを記録する試みである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eハンプシャー郡にある5つのカレッジには膨大な数の学生が集まり、必然的にその地域の町と交流した。バー、楽器店、レコード店、ライブハウス、そして多くの実験と自由な発想。特にハンプシャーカレッジは、アメリカインディアン、カヤックのデザイン、黒人の口承伝統、食品管理などのトピックについて公然と議論するためのより好ましい状況が確実に存在するにもかかわらず、今日でも過激とみなされるかもしれない科目、教育への新しいアプローチを推進した。音楽は？その多くは短命に終わり、他のバンドはニューウェーヴ／パワーポップの領域へと進化し、最終的にはポストパンクの実験へと交差した。Noho EPに収められているのは、ハンプシャーカレッジやマサチューセッツ大学にあったEMS機器やその他の機材が好んで使用された、よりエレクトロニックな気質だ。私たちは、一時期、テクノチューンズレーベルという緩やかな傘の下で、さまざまな組み合わせで一緒に演奏していたミュージシャンのグループと、それを取り巻く構造に焦点を当てることにした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらのミュージシャンは全く異なるバックグラウンドを持っており、ここに描かれている核は、クリストファー・ヴァイン、エリオット・シャープ、ジェイムズ・ウィットモア、ニコラス・ブラウンで構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサイエンティフィック・アメリカンズは何度かラインナップを変えているが、「Among Bodge Watt」をレコーディングしたのは、実はクリス・ヴァインとジム・ウィットモアのデュオだけだった。未発表のこの曲は、1981年のROIRのテープ・アルバム『Load \u0026amp; Go！』に収録されている「El Salvador」のコンパニオン・ピースである。サイ・アムスはテクノ・チューンズ・レーベルの創設者であり、テクノ・ツアーズという「コンサート・プロモーション・エージェンシー」を立ち上げ、その名でザ・ストラングラーズ、ザ・スリッツ、パイロン、ペール・ユビュ、ザ・サイケデリック・ファーズ、ブッシュ・テトラス、スティール・パルスなどのバンドを地元の観客に紹介した。彼ら自身のサウンドは進歩し続けたが、最高の状態には、「Among Bodge Watt」で明らかなように、しっかりとしたダブの下地がある。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHuman Errorは、クリス・ヴァイン、エリオット・シャープ、ジム・ウィットモア、ニック・ブラウンによる集団ジャムから生まれた。1978年8月にノーザンプトンに引っ越してきたエリオット・シャープは、自然と地元の音楽シーンに関わるようになり、当時働いていたハイファイ・オーディオ店で、まずウィットモアと知り合った。地下室でのジャムは刺激的な会話が続き、他のミュージシャンもセッションに参加した。Clandestinator のサウンドはゴージャスにルーズで、擬似ダブのセットアップから楽々とグルーヴが生まれる。音楽はただ流れ、伝染し、ミックスの中のハンドクラップのように不規則だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Higher Primatesは後に \"ちゃんとした \"バンドに進化したが、ニック・ブラウンのソロプロジェクトとしてスタートした。The Higher Primatesは1980年に7インチシングル（正確にはテクノ・チューンズ・レーベルから）をリリースしたのみ。Noho EPに収録されている2曲はいずれも翌年にレコーディングされたもので、現在までリリースされることはなかった。「オート・ミュージック・イン・ザ・ディスコ・ダブ・スタイル」は、安定したミドル・テンポのTR808ビートが流れ、シンセのスクエルチ、エコー、リバーブ、太いベースライン、不協和音のメロディライン、奇妙なヴォーカルの断片がサポートする。コンセプトがほとんどなかった頃のDJツールのようなものだ。よりアップテンポな「Teresa Variations」は、エレクトロニクスにフェンダー・ジャズ・ベースとセルマー・サックスが加わっている。ロボットのような意味不明なヴォーカルが入るが、実際はより「ディスコ」的に聞こえる。その上、全体的にラジオフォニック・ワークショップのアナログ的な異様さがダンスビートに適用され、雰囲気は封印されている。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=155941384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1104765751\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=155941384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Holuzam:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan class=\"bcTruncateMore\"\u003eWith this EP an attempt is made at documenting the vibrant action happening during the late 1970s and early 1980s in the Pioneer Valley area of Western Massachusetts, US. The story is richer than the snapshot we present here, and a more detailed account is to be found in the accompanying book that can be purchased separately but also comes as a limited edition with the first 50 copies of the EP. \u003cbr\u003e\u003cbr\u003eThe Five Colleges in Hampshire County congregated a vast student population that inevitably interacted with the towns in the area. Bars, music and record stores, live music and a lot of experimentation and free thinking. Hampshire College, especially, promoted new approaches to teaching, subjects that might be considered radical by some even today, although a more favourable context would now surely exist for openly debating such topics as American Indians, Kayak Design, Black Oral Tradition, Food Management, etc. And the music? The immediate \"punk effect\" motivated the creation of numerous bands, many short lived, others evolving into New Wave \/ Power Pop territory, eventually crossing into Post-Punk experimentation. What is captured in \"Noho EP\" is a more electronic disposition, favoured by the existence of EMS gear and other equipment at Hampshire College and University of Massachusetts. We chose to focus on a group of musicians who, for a time, played together in different combinations under the loose umbrella of the Tekno Tunes label and the structure around it. \u003cbr\u003e\u003cbr\u003eThese musicians come from very different backgrounds and the nucleus portrayed here consisted of Christopher Vine, Elliott Sharp, James Whittemore and Nicholas Brown. \u003cbr\u003e\u003cbr\u003eOf the several line-up changes The Scientific Americans went through, it was actually only the duo of Chris Vine and Jim Whittemore who recorded \"Among Bodge Watt\". Never before released, it is a companion piece to their track \"El Salvador\" available on the 1981 ROIR tape-album \"Load \u0026amp; Go!\". The Sci Ams were founders of the Tekno Tunes label and also created the Tekno Tours \"concert promotion agency\", under which name they exposed local audiences to bands such as The Stranglers, The Slits, Pylon, Pere Ubu, The Psychedelic Furs, The Bush Tetras, Steel Pulse, etc. Their own sound kept progressing but at its best there's a solid dub undercurrent, pretty obvious in \"Among Bodge Watt\". \u003cbr\u003eHuman Error was born out of a collective jam by Chris Vine, Elliott Sharp, Jim Whittemore and Nick Brown. Elliott Sharp had moved to Northampton in August of 1978 and naturally became involved in the local music scene, hooking up first with Whittemore at a hi-fi audio store where he worked at the time. Basement jams followed stimulating conversations, and other musicians joined the sessions. \"Clandestinator\" sounds gorgeously loose, an effortless groove coming from a quasi-dub set-up. Nothing here seems calculated, the music just flows, contagious and irregular as the handclaps in the mix. \u003cbr\u003e\u003cbr\u003eThe Higher Primates later evolved into a \"proper\" band but started as Nick Brown's solo project. The Primates only ever released a (now sought-after) 7\" single in 1980 (on the Tekno Tunes label, precisely). Both tracks on \"Noho EP\" were recorded the following year and never released until now. \"Auto Music in the Disco Dub Style\" is self-explanatory, with a steady, mid-tempo TR808 beat running through, supporting synth squelches, echoes and reverbs, a fat bassline, dissonant melodic lines and odd vocal snippets. Kind of a DJ tool when the concept was barely in place. The more uptempo \"Teresa Variations\" adds a Fender Jazz bass and Selmer sax to the electronics. It actually sounds more \"Disco\", even with the robotic, unintelligible vocals. On top of this, the vibe is sealed by the overall Radiophonic Workshop analogue strangeness applied to a dance beat. \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM025\u003c\/span\u003e\u003c\/p\u003e"}
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This is a compilation 2024" released by Lisbon, Portugal's experimental label Holuzam in May 5. Contains four post-punk songs recorded from 12-1979 by a band active in New Hampshire, USA. Below is an explanation by the label. ``This EP is an attempt to document the vibrant action that took place in the Pioneer Valley region of western Massachusetts, USA during the late 1981s and early 4s. The five colleges in Hampshire County attracted vast numbers of students, who necessarily interacted with the towns in the area. Bars, music stores, record stores, live music venues, and lots of experimentation and free thinking. Hampshire College in particular may still be considered radical today, even though more favorable conditions certainly exist for openly discussing topics such as American Indians, kayak design, Black oral traditions, and food management. No subject, which promoted a new approach to education. What about music? Many were short-lived, while others evolved into new wave/power pop territory and eventually crossed over into post-punk experimentation. The Noho EP has a more electronic bent, favoring EMS equipment and other gear from Hampshire College and the University of Massachusetts. We decided to focus on a group of musicians and the structures that surrounded them, who at one time played together in various combinations under the loose umbrella of the Techno Tunes label. These musicians come from very different backgrounds, and the core pictured here consists of Christopher Vine, Elliott Sharp, James Whitmore, and Nicholas Braun. Although Scientific Americans' lineup has changed several times, the duo of Chris Vine and Jim Whitmore were the only ones to record "Among Bodge Watt." This previously unreleased song appeared on ROIR's 1970 tape album Load & Go! It is a companion piece to ``El Salvador'', which is included in ``El Salvador''. Cy Ams is the founder of the Techno Tunes label and a ``concert promotion agency'' called Techno Tours, under which he has produced bands such as The Stranglers, The Slits, Pylon, Père Hubu and The Psychedelic. -Introduced bands such as the Furs, Bush Tetras, and Steel Pulse to local audiences. Their own sound continued to evolve, but at their best, "Among Bodge...
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{"id":8432799383802,"title":"O Morto \u0026 Ayoub ElAyady \/\/ Lila TAPE","handle":"o-morto-ayoub-elayady-lila-tape","description":"\u003cp\u003eポルトガル・リスボンのストレンジビーツ作家O Mortoとモロッコの音楽家Ayoub ElAyadyが、2024年5月にポルトガル・リスボンの密林系音楽の大巣窟Discrepantからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eモロッコとの伝統音楽とエレクトロニクスによるサイケデリックな\u003cspan data-mce-fragment=\"1\"\u003eストレンジビーツ大絵巻約1時間を\u003c\/span\u003e収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/o-morto-ifrits-habitent-tape\"\u003e前作\u003c\/a\u003eと\u003ca href=\"https:\/\/tobirarecords.com\/products\/o-morto-dans-la-gorge-dun-monstre-lp\"\u003e前々作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916388120\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e \u003c\/span\u003e Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lila 54:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSucata Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally commissioned by TBA during the COVID pandemic of 2020 as part of their Curfew programming O Morto, aka Mestre André now presents the full length version of his Lila composition, a collaboration with Moroccan musicians Ayoub ElAyady and Khalid Boulhamam.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLila is the Arabic word for night and is also the name of the liturgic ceremony manifested in a trance, as a process of healing and therapy, through a ritual of sensory immersion conducted by music (gnawa), incense, colour and dance. From sunset to dawn, seven colours are revealed, associated with different rhythms and stages of ecstasy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn LILA, Ayoub ElAyady, Khalid Boulhamam and O Morto summarily travel through the seven colours of the nocturnal ritual in all its scope – using both the form of tradition and electronic manipulation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : O Morto \u0026amp; Ayoub ElAyady\u003c\/p\u003e\n\u003cp\u003eLabel : Sucata Tapes (Discrepant)\u003c\/p\u003e","published_at":"2024-05-14T13:12:30+09:00","created_at":"2024-05-13T12:25:32+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","new","strange beats","tape"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45935028633850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"O Morto \u0026 Ayoub ElAyady \/\/ Lila TAPE","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lil1.jpg?v=1715570735","\/\/tobirarecords.com\/cdn\/shop\/files\/lil2.jpg?v=1715570734"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lil1.jpg?v=1715570735","options":["Title"],"media":[{"alt":null,"id":34008051253498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lil1.jpg?v=1715570735"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lil1.jpg?v=1715570735","width":700},{"alt":null,"id":34008051286266,"position":2,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lil2.jpg?v=1715570734"},"aspect_ratio":1.432,"height":838,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lil2.jpg?v=1715570734","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガル・リスボンのストレンジビーツ作家O Mortoとモロッコの音楽家Ayoub ElAyadyが、2024年5月にポルトガル・リスボンの密林系音楽の大巣窟Discrepantからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eモロッコとの伝統音楽とエレクトロニクスによるサイケデリックな\u003cspan data-mce-fragment=\"1\"\u003eストレンジビーツ大絵巻約1時間を\u003c\/span\u003e収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/o-morto-ifrits-habitent-tape\"\u003e前作\u003c\/a\u003eと\u003ca href=\"https:\/\/tobirarecords.com\/products\/o-morto-dans-la-gorge-dun-monstre-lp\"\u003e前々作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916388120\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e \u003c\/span\u003e Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lila 54:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSucata Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally commissioned by TBA during the COVID pandemic of 2020 as part of their Curfew programming O Morto, aka Mestre André now presents the full length version of his Lila composition, a collaboration with Moroccan musicians Ayoub ElAyady and Khalid Boulhamam.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLila is the Arabic word for night and is also the name of the liturgic ceremony manifested in a trance, as a process of healing and therapy, through a ritual of sensory immersion conducted by music (gnawa), incense, colour and dance. From sunset to dawn, seven colours are revealed, associated with different rhythms and stages of ecstasy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn LILA, Ayoub ElAyady, Khalid Boulhamam and O Morto summarily travel through the seven colours of the nocturnal ritual in all its scope – using both the form of tradition and electronic manipulation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : O Morto \u0026amp; Ayoub ElAyady\u003c\/p\u003e\n\u003cp\u003eLabel : Sucata Tapes (Discrepant)\u003c\/p\u003e"}
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This is a collaborative cassette released by O Morto, a strange beats artist from Lisbon, Portugal, and Ayoub ElAyady, a Moroccan musician, in May 2024 from Discrepant, a large den of jungle music in Lisbon, Portugal. Contains approximately 5 hour of psychedelic strange beats large picture scroll using traditional Moroccan music and electronics. *We will send you the digital sound source free of charge, so please feel free to contact us.We also recommend the previous work and the work before that. Click here to see more Discrepant releases available at...
¥2,280
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{"id":8431499837690,"title":"Phelimuncasi \u0026 Metal Preyers \/\/ Izigqinamba LP","handle":"phelimuncasi-metal-preyers-izigqinamba-lp","description":"\u003cp\u003e南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ／イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アフロビート〜Gqom9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=130140631\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gidigidi ka Makhelwane 03:32\u003cbr\u003e2. Ayi ayi we Crazy 05:16\u003cbr\u003e3. Gqom slowgen Chant 03:12\u003cbr\u003e4. Mgiligi wabaleka 03:47\u003cbr\u003e5. Ngicela siqoze 03:10\u003cbr\u003e6. Coffin Roller 02:18\u003cbr\u003e7. Khala Ngiyabaleka 03:11\u003cbr\u003e8. Like A Corpse 04:32\u003cbr\u003e9. Last Flutter 02:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDurban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows on from 2022's critically acclaimed 'Ama Gogela', an impeccably engineered overload of twitchy, dancefloor-focused hybrid club experiments that allied the trio with a slew of the scene's most important beatmakers. Hackett meanwhile was last seen breathing eccentricity and high drama into surrealist folk tales and vintage synth music on the psychedelic 'Shadow Swamps'. And while the divergent pairing might be unexpected, it's rich with revelation; both both Metal Preyers and Phelimuncasi wander far outside their comfort zones, the Durban trio's prominent words and cadences booming over Metal Preyers marshy productions like cryptic transmissions from the far future.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Gidigidi ka Makhelwane' erupts in a fizz\u003cspan class=\"bcTruncateMore\"\u003e of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Metal Preyers's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres.\u003cbr\u003e\u003cbr\u003eElsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Metal Preyers, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phelimuncasi \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No: NNT053lp\u003c\/p\u003e","published_at":"2024-05-13T06:44:03+09:00","created_at":"2024-05-12T14:31:19+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","strange beats","techno \/ house"],"price":331000,"price_min":331000,"price_max":331000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45920860831994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phelimuncasi \u0026 Metal Preyers \/\/ Izigqinamba LP","public_title":null,"options":["Default Title"],"price":331000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","options":["Title"],"media":[{"alt":null,"id":34001398431994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","width":700},{"alt":null,"id":34001398464762,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ／イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アフロビート〜Gqom9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=130140631\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gidigidi ka Makhelwane 03:32\u003cbr\u003e2. Ayi ayi we Crazy 05:16\u003cbr\u003e3. Gqom slowgen Chant 03:12\u003cbr\u003e4. Mgiligi wabaleka 03:47\u003cbr\u003e5. Ngicela siqoze 03:10\u003cbr\u003e6. Coffin Roller 02:18\u003cbr\u003e7. Khala Ngiyabaleka 03:11\u003cbr\u003e8. Like A Corpse 04:32\u003cbr\u003e9. Last Flutter 02:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDurban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows on from 2022's critically acclaimed 'Ama Gogela', an impeccably engineered overload of twitchy, dancefloor-focused hybrid club experiments that allied the trio with a slew of the scene's most important beatmakers. Hackett meanwhile was last seen breathing eccentricity and high drama into surrealist folk tales and vintage synth music on the psychedelic 'Shadow Swamps'. And while the divergent pairing might be unexpected, it's rich with revelation; both both Metal Preyers and Phelimuncasi wander far outside their comfort zones, the Durban trio's prominent words and cadences booming over Metal Preyers marshy productions like cryptic transmissions from the far future.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Gidigidi ka Makhelwane' erupts in a fizz\u003cspan class=\"bcTruncateMore\"\u003e of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Metal Preyers's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres.\u003cbr\u003e\u003cbr\u003eElsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Metal Preyers, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phelimuncasi \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No: NNT053lp\u003c\/p\u003e"}
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This is a collaborative record released by Gqom band Phelimuncasi from Durban, South Africa, and American/British electronic duo Metal Preyers on the left-field dance label Nyege Nyege Tapes in Kampala, Uganda, in May 2024. Experimental Afrobeat ~ Contains 5 Gqom songs. Click here to see more Hakuna Kulala / Nyege...
¥3,310
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{"id":8429076414714,"title":"Ale Hop \u0026 Laura Robles \/\/ Agua Dulce LP","handle":"ale-hop-laura-robles-agua-dulce-lp","description":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ペルーの楽器製作者Ale HopとLaura Roblesが、2023年4月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e自作カホンによる土着ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/h_3t0biwKyI?si=Gvtrxi_HxhWgrwrQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Son de los diablos 03:08\u003cbr\u003e2. Lamento 05:59\u003cbr\u003e3. Agua Dulce 04:44\u003cbr\u003e4. Defensoras del morro 05:26\u003cbr\u003e5. Huayco 04:34\u003cbr\u003e6. El fenómeno de la niña 03:25\u003cbr\u003e7. Catálogo de aves de la costa 01:33\u003cbr\u003e8. Fuga en Alcatraz 07:25\u003cbr\u003e9. Calato 03:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Buh Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...With a foundation informed by decolonialism and organology, ‘Agua Dulce’ is a radical deconstruction of traditional rhythms of the Peruvian coast, in which the cajón instrument plays a central role.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Agua Dulce’ is named after the most popular beach in Lima, near where both artists lived during their childhood, houses apart, without ever meeting one another. Now, years later, the pair have joined forces, with Robles on a self-built electric cajón and Cárdenas on electric guitar and electronics. Together they explore rhythmical structures that form the backbone of the complex Afro-Peruvian music and dance traditions – a broad term used for the various musical developments that occurred in the last two centuries, at the shores of the Peruvian\u003cspan class=\"bcTruncateMore\"\u003e Pacific.\u003cbr\u003e\u003cbr\u003eThe cajón originated in coastal Peru as a percussion instrument that the black slaves created from wooden fruit boxes, when foot drums were banned at the end of the Spanish colonial-era, in the 19th century.\u003cbr\u003e\u003cbr\u003eFrom its birth the cajón was a symbol of resistance, experimentation and transformation, so Robles and Cárdenas strive to maintain the instrument’s spirit and qualities by pushing the boundaries of its sound into the future. However, although buzzing with an intense voltage and proffering a fresh contribution to modern experimental\/noise\/low fi\/percussive music, the duo’s mission isn’t merely capturing something sonically futuristic, but is primarily concerned with shaking off the dust:\u003cbr\u003e“These rhythms have become ossified nowadays, heard in Peruvian folklore shows, and on the ‘global music’ circuit, but our desire is to experiment and do something more radical with them, connecting to the instruments more radical past”, comments Cárdenas.\u003cbr\u003e\u003cbr\u003eThe two musicians take the pulses of dances like Landó, Zamacueca, Festejo, Alcatraz, Lamento and Son de los diablos, electrifying and mutating them into pure textures, or reinforcing the physical character of the cajón through repetition and distortion.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ale Hop \u0026amp; Laura Robles\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR176\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-12T10:36:08+09:00","created_at":"2024-05-10T18:45:10+09:00","vendor":"Tobira Records","type":"","tags":["buh","lp","new","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45901202424058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ale Hop \u0026 Laura Robles \/\/ Agua Dulce LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ag1.jpg?v=1715334312","\/\/tobirarecords.com\/cdn\/shop\/files\/ag2.jpg?v=1715334312"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ag1.jpg?v=1715334312","options":["Title"],"media":[{"alt":null,"id":33987635839226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ag1.jpg?v=1715334312"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ag1.jpg?v=1715334312","width":700},{"alt":null,"id":33987635871994,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ag2.jpg?v=1715334312"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ag2.jpg?v=1715334312","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ペルーの楽器製作者Ale HopとLaura Roblesが、2023年4月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e自作カホンによる土着ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/h_3t0biwKyI?si=Gvtrxi_HxhWgrwrQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Son de los diablos 03:08\u003cbr\u003e2. Lamento 05:59\u003cbr\u003e3. Agua Dulce 04:44\u003cbr\u003e4. Defensoras del morro 05:26\u003cbr\u003e5. Huayco 04:34\u003cbr\u003e6. El fenómeno de la niña 03:25\u003cbr\u003e7. Catálogo de aves de la costa 01:33\u003cbr\u003e8. Fuga en Alcatraz 07:25\u003cbr\u003e9. Calato 03:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Buh Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...With a foundation informed by decolonialism and organology, ‘Agua Dulce’ is a radical deconstruction of traditional rhythms of the Peruvian coast, in which the cajón instrument plays a central role.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Agua Dulce’ is named after the most popular beach in Lima, near where both artists lived during their childhood, houses apart, without ever meeting one another. Now, years later, the pair have joined forces, with Robles on a self-built electric cajón and Cárdenas on electric guitar and electronics. Together they explore rhythmical structures that form the backbone of the complex Afro-Peruvian music and dance traditions – a broad term used for the various musical developments that occurred in the last two centuries, at the shores of the Peruvian\u003cspan class=\"bcTruncateMore\"\u003e Pacific.\u003cbr\u003e\u003cbr\u003eThe cajón originated in coastal Peru as a percussion instrument that the black slaves created from wooden fruit boxes, when foot drums were banned at the end of the Spanish colonial-era, in the 19th century.\u003cbr\u003e\u003cbr\u003eFrom its birth the cajón was a symbol of resistance, experimentation and transformation, so Robles and Cárdenas strive to maintain the instrument’s spirit and qualities by pushing the boundaries of its sound into the future. However, although buzzing with an intense voltage and proffering a fresh contribution to modern experimental\/noise\/low fi\/percussive music, the duo’s mission isn’t merely capturing something sonically futuristic, but is primarily concerned with shaking off the dust:\u003cbr\u003e“These rhythms have become ossified nowadays, heard in Peruvian folklore shows, and on the ‘global music’ circuit, but our desire is to experiment and do something more radical with them, connecting to the instruments more radical past”, comments Cárdenas.\u003cbr\u003e\u003cbr\u003eThe two musicians take the pulses of dances like Landó, Zamacueca, Festejo, Alcatraz, Lamento and Son de los diablos, electrifying and mutating them into pure textures, or reinforcing the physical character of the cajón through repetition and distortion.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ale Hop \u0026amp; Laura Robles\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR176\u003c\/span\u003e\u003c\/p\u003e"}
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We have received works from Buh Records, an experimental label specializing in Latin America from Lima, Peru. This work is a co-produced record released in April 2023 by Peruvian instrument makers Ale Hop and Laura Robles. Contains 4 songs of indigenous strange beats made by self-made cajon. Click here to see more Buh...
¥3,980