Anosis // Frame Jack 1 12"

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A new label launched in August 1990 by British dance artist Anoesis aka Howard Dodd, who has been active since the 2023s.KranqIt is 12 "released from.

Includes 8 playful leftfield breakbeats, IDM, and tech house.

Previous workIs also recommended.

----------------------------------------

12 "black vinyl.

Tracklist:

A1 Formations 09
A2 Amorgos
B1 Trash Man Broken
B2 Hawassa
B3 Cargo Cult

Text by Kranq:

"Having operated as Anoesis since 1994 - Letchworth based producer Howard Dodd now reads a fresh body of work cherry picked from studio sessions spanning 2010 > 2023. 'Frame Jack 1' utilizes modular synths through to Casio toys with heavy doses of UK breaks to inaugrate a new label Kranq.

Formations 09 kicks things off with a heady tapestry as snares and wood blocks are braided over warm, psychedelic tones. Amorgos follows with a snappy but low-slung break that is set swinging over gooey pads, snarling low frequencies and more hazy atmospherics.

'Trash Man Broken' follows with an exercise in molten robotics, recalling a Metamatics vibe with it's pin-prick hats, jagged bass notes and colorful melodies. 'Hawassa' then rolls out another deftly mapped 2-step groove that manages to occupy a zone between rude and classy.

'Cargo Cult' then renders a fractal trip - a pastiche of 90's Electronica and Trip Hop that finishes off a highly accomplished batch of productions and signals the birth of a captivating new project in Kranq."

Artist: Anoesis

Label: Kranq

Quantity

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A new label launched in August 1990 by British dance artist Anoesis aka Howard Dodd, who has been active since the 2023s.KranqIt is 12 "released from.

Includes 8 playful leftfield breakbeats, IDM, and tech house.

Previous workIs also recommended.

----------------------------------------

12 "black vinyl.

Tracklist:

A1 Formations 09
A2 Amorgos
B1 Trash Man Broken
B2 Hawassa
B3 Cargo Cult

Text by Kranq:

Artist: Anoesis

Label: Kranq

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width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOfficially licensed and remastered 2022 LP edition. \u003c\/span\u003eOriginally released on CD in 1998. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e残像\u003c\/span\u003e 00:20\u003cbr\u003e2. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e一番勝負対右弦\u003c\/span\u003e 05:58\u003cbr\u003e3. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e二番勝負対左弦音無\u003c\/span\u003e 05:54\u003cbr\u003e4. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e三番勝負対半月百聞\u003c\/span\u003e 05:45\u003cbr\u003e5. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e四番勝負対次弦三求敗\u003c\/span\u003e 06:10\u003cbr\u003e6. samu siro \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e狭廷\u003c\/span\u003e 02:36\u003cbr\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e狂雲刀残庖\u003c\/span\u003e 01:01\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e五番勝負対次弦狂雲斎\u003c\/span\u003e 10:35\u003cbr\u003e9. OUTRO \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e無闇\u003c\/span\u003e 02:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDouble Circumflex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eKitchen sink Scuzz n’ Bass from 1998 Tokyo. Existing somewhere between Drum n Bass, Musique Concrète, Free Jazz and Noise,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJigen (aka Taro Nijikama) ran the cult Shi-Ra-Nui imprint and was a lynchpin of Tokyo's underground music scene, working as much behind the scenes as in front of them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is an inherent grit to the work on display here. Jazz-inflected\u003c\/em\u003e\u003cbr\u003e\u003cem\u003edrums, echoing bells, dissonant flutes, and haunting piano work coarsely interact with skipping breaks and industrial atmospherics, punctuated by tense gasps of silence. Samples disintegrate and reappear, creating a kind of elliptical narrative, and the 9 tracks here perhaps trigger a disorienting sense of dèjá vu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally released on CD by Shi-Ra-Nui in 1998, Double Circumflex is\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eproud to present the first officially licensed reissue of Stone Drum Avantgardism by Jigen and introduces the prescient sound of Shi-Ra-Nui for deeper excavation into its shadowy fissures. Remastered and cut with maximum precision by Beau Thomas at Teneightseven.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e"}

This is a reissue record released by Tokyo's experimental dnb artist Jigen aka Taro Nijikama on Double Circumflex in New York, USA in May 2023. (Original CD released in 5) Contains 1998 experimental dnb songs. ----------------------------------------- 9" black vinyl. Officially licensed and remastered ...

¥4,780

Jigen // Blood's Finality / Kyouunkyushetsu (Remastered) LP

Quickview {"id":8419490529530,"title":"Jigen \/\/ Blood's Finality \/ 狂雲求敗 (Remastered) LP","handle":"jigen-bloods-finality-remastered-lp","description":"\u003cp\u003e東京の実験dnb作家Jigen aka Taro Nijikamaが、2023年5月にアメリカ・NYのDouble Circumflexからリリースした再発レコードです。（オリジナルは1998年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e実験dnb9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1272806508\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOfficially licensed and remastered 2022 LP edition. Originally released on CD in 1998. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e流星\u003c\/span\u003e 00:30\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e対不破\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e野弦太刀無銘\u003c\/span\u003e) 05:45\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e空蝉半機\u003c\/span\u003e 07:24\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e迎火狂雲\u003c\/span\u003e 08:00\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e抗狂雲刀残庖\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e青龍将星粉\u003c\/span\u003e) 00:56\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e万年番外地\u003c\/span\u003e 07:52\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e斜枯刀異聞\u003c\/span\u003e 01:10\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無銘\u003c\/span\u003e 01:03\u003cbr\u003e9. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無季\u003c\/span\u003e 11:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDouble Circumflex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter whipping imaginations into a brittle frenzy with the reissue of Jigen’s ‘Stone Drum Avantgardism’ of the same year, the reticulated breaks and ghostly extended guitar tekkerz of Jigen’s ‘Blood’s Finality’ only deepen the mystery of this short-lived but deeply enchanting late ‘90s project. Filling a blindspot for lots of listeners, and living up to many stoned fantasies of jungle’s unfulfilled possibilities, Jigen’s work appeared at a point when jungle was on the cusp of calcifying into formulaic structures after an unprecedented run of innovations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGeographically detached from jungle\/D\u0026amp;B’s UK epicentres, Jigen, like Christoph De Babalon in Germany, or - as we now know - Derek Bailey in South London, took license to head for the hills, splicing the style’s snaking breakbeats with possessed guitar and wind expressions while it was shaping into nth degree darkside, jazzier or aggro forms back at source. Nearly a quarter century later, its reemergence into a scene that has been thoroughly raked over and cyclically reappraised, is nothing short of thrilling for anyone who thought they’d heard it all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCrashing in with a passage of avant bloody clatter, the set’s room recorded textures and flinty sampler lick ’n\u003cspan class=\"bcTruncateMore\"\u003e spittle chops feel even more radical in 2022. The all-important restless funk is there, unpredictably moving in the shadows agist backdrops of wind-played chimes and scraped strings on ‘対不破 (野弦太刀無銘)’ or rattling against trash can percussion and hauntingly beautiful pipes in ‘空蝉半機’, with lingering lacunæ on ‘迎火狂雲’ really recalling the atmospheres of prime period Photek or his acolytes SD, whereas ‘万年番外地’ tilts into pure free jazz noise territory, and the final 11 minute beauty ‘無季’ perhaps most uncannily parallels Derek Bailey’s off-the-cuff riffs on pirate radio of that era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e","published_at":"2024-05-07T15:29:43+09:00","created_at":"2024-05-07T11:12:10+09:00","vendor":"Tobira Records","type":"","tags":["double circumflex","hiphop \/ funk","lp","new","techno \/ house"],"price":478000,"price_min":478000,"price_max":478000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45864013037818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jigen \/\/ Blood's Finality \/ 狂雲求敗 (Remastered) LP","public_title":null,"options":["Default Title"],"price":478000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","options":["Title"],"media":[{"alt":null,"id":33952842875130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","width":700},{"alt":null,"id":33952842907898,"position":2,"preview_image":{"aspect_ratio":1.031,"height":1164,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933"},"aspect_ratio":1.031,"height":1164,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京の実験dnb作家Jigen aka Taro Nijikamaが、2023年5月にアメリカ・NYのDouble Circumflexからリリースした再発レコードです。（オリジナルは1998年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e実験dnb9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1272806508\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOfficially licensed and remastered 2022 LP edition. Originally released on CD in 1998. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e流星\u003c\/span\u003e 00:30\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e対不破\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e野弦太刀無銘\u003c\/span\u003e) 05:45\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e空蝉半機\u003c\/span\u003e 07:24\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e迎火狂雲\u003c\/span\u003e 08:00\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e抗狂雲刀残庖\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e青龍将星粉\u003c\/span\u003e) 00:56\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e万年番外地\u003c\/span\u003e 07:52\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e斜枯刀異聞\u003c\/span\u003e 01:10\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無銘\u003c\/span\u003e 01:03\u003cbr\u003e9. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無季\u003c\/span\u003e 11:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDouble Circumflex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter whipping imaginations into a brittle frenzy with the reissue of Jigen’s ‘Stone Drum Avantgardism’ of the same year, the reticulated breaks and ghostly extended guitar tekkerz of Jigen’s ‘Blood’s Finality’ only deepen the mystery of this short-lived but deeply enchanting late ‘90s project. Filling a blindspot for lots of listeners, and living up to many stoned fantasies of jungle’s unfulfilled possibilities, Jigen’s work appeared at a point when jungle was on the cusp of calcifying into formulaic structures after an unprecedented run of innovations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGeographically detached from jungle\/D\u0026amp;B’s UK epicentres, Jigen, like Christoph De Babalon in Germany, or - as we now know - Derek Bailey in South London, took license to head for the hills, splicing the style’s snaking breakbeats with possessed guitar and wind expressions while it was shaping into nth degree darkside, jazzier or aggro forms back at source. Nearly a quarter century later, its reemergence into a scene that has been thoroughly raked over and cyclically reappraised, is nothing short of thrilling for anyone who thought they’d heard it all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCrashing in with a passage of avant bloody clatter, the set’s room recorded textures and flinty sampler lick ’n\u003cspan class=\"bcTruncateMore\"\u003e spittle chops feel even more radical in 2022. The all-important restless funk is there, unpredictably moving in the shadows agist backdrops of wind-played chimes and scraped strings on ‘対不破 (野弦太刀無銘)’ or rattling against trash can percussion and hauntingly beautiful pipes in ‘空蝉半機’, with lingering lacunæ on ‘迎火狂雲’ really recalling the atmospheres of prime period Photek or his acolytes SD, whereas ‘万年番外地’ tilts into pure free jazz noise territory, and the final 11 minute beauty ‘無季’ perhaps most uncannily parallels Derek Bailey’s off-the-cuff riffs on pirate radio of that era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e"}