Hans Hashimoto // Geigerzähler TAPE

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Hans Hashimoto, an experimental techno artist from Basel, Switzerland, released a limited edition of 2021 cassettes on the country's experimental/dance label Empty Space in 100.

Contains two drone/techno songs with subtle beats. DL code included.

Labels and other worksplease use this form. ///Click here to see more Empty Space releases available at Tobira.

----------------------------

Includes DL code. C24 cassette. Edition of 50.

Tracklist:

Stalking Wasteland 11:51
Reactor Readings 11:48

Empty Space:

" The precise motivations underlying the journey into nuclear wastelands are unknown. After Hans Hashimoto finished his apprenticeship he left home with a sleeping bag, a geigerzähler and two packets of methadone. Once in the exclusion zone, the geigerzähler became his compass - and the reactor his north star. The readings on the geigerzähler became stronger as the radiation sickness and Hans Hashimoto survived on one pack of methadone to enter and one to leave the zone. In his tumble towards the expericence of undirected release of unfathomable energy he found answers to questions unclear ."

Artist: Hans Hashimoto

Label: Empty Space

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Hans Hashimoto, an experimental techno artist from Basel, Switzerland, released a limited edition of 2021 cassettes on the country's experimental/dance label Empty Space in 100.

Contains two drone/techno songs with subtle beats. DL code included.

Labels and other worksplease use this form. ///Click here to see more Empty Space releases available at Tobira.

----------------------------

Includes DL code. C24 cassette. Edition of 50.

Tracklist:

Stalking Wasteland 11:51
Reactor Readings 11:48

Empty Space:

Artist: Hans Hashimoto

Label: Empty Space

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width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOfficially licensed and remastered 2022 LP edition. \u003c\/span\u003eOriginally released on CD in 1998. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e残像\u003c\/span\u003e 00:20\u003cbr\u003e2. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e一番勝負対右弦\u003c\/span\u003e 05:58\u003cbr\u003e3. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e二番勝負対左弦音無\u003c\/span\u003e 05:54\u003cbr\u003e4. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e三番勝負対半月百聞\u003c\/span\u003e 05:45\u003cbr\u003e5. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e四番勝負対次弦三求敗\u003c\/span\u003e 06:10\u003cbr\u003e6. samu siro \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e狭廷\u003c\/span\u003e 02:36\u003cbr\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e狂雲刀残庖\u003c\/span\u003e 01:01\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e五番勝負対次弦狂雲斎\u003c\/span\u003e 10:35\u003cbr\u003e9. OUTRO \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e無闇\u003c\/span\u003e 02:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDouble Circumflex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eKitchen sink Scuzz n’ Bass from 1998 Tokyo. Existing somewhere between Drum n Bass, Musique Concrète, Free Jazz and Noise,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJigen (aka Taro Nijikama) ran the cult Shi-Ra-Nui imprint and was a lynchpin of Tokyo's underground music scene, working as much behind the scenes as in front of them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is an inherent grit to the work on display here. Jazz-inflected\u003c\/em\u003e\u003cbr\u003e\u003cem\u003edrums, echoing bells, dissonant flutes, and haunting piano work coarsely interact with skipping breaks and industrial atmospherics, punctuated by tense gasps of silence. Samples disintegrate and reappear, creating a kind of elliptical narrative, and the 9 tracks here perhaps trigger a disorienting sense of dèjá vu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally released on CD by Shi-Ra-Nui in 1998, Double Circumflex is\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eproud to present the first officially licensed reissue of Stone Drum Avantgardism by Jigen and introduces the prescient sound of Shi-Ra-Nui for deeper excavation into its shadowy fissures. Remastered and cut with maximum precision by Beau Thomas at Teneightseven.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e"}

This is a reissue record released by Tokyo's experimental dnb artist Jigen aka Taro Nijikama on Double Circumflex in New York, USA in May 2023. (Original CD released in 5) Contains 1998 experimental dnb songs. ----------------------------------------- 9" black vinyl. Officially licensed and remastered ...

¥4,780

Jigen // Blood's Finality / Kyouunkyushetsu (Remastered) LP

Quickview {"id":8419490529530,"title":"Jigen \/\/ Blood's Finality \/ 狂雲求敗 (Remastered) LP","handle":"jigen-bloods-finality-remastered-lp","description":"\u003cp\u003e東京の実験dnb作家Jigen aka Taro Nijikamaが、2023年5月にアメリカ・NYのDouble Circumflexからリリースした再発レコードです。（オリジナルは1998年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e実験dnb9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1272806508\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOfficially licensed and remastered 2022 LP edition. Originally released on CD in 1998. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e流星\u003c\/span\u003e 00:30\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e対不破\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e野弦太刀無銘\u003c\/span\u003e) 05:45\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e空蝉半機\u003c\/span\u003e 07:24\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e迎火狂雲\u003c\/span\u003e 08:00\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e抗狂雲刀残庖\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e青龍将星粉\u003c\/span\u003e) 00:56\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e万年番外地\u003c\/span\u003e 07:52\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e斜枯刀異聞\u003c\/span\u003e 01:10\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無銘\u003c\/span\u003e 01:03\u003cbr\u003e9. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無季\u003c\/span\u003e 11:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDouble Circumflex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter whipping imaginations into a brittle frenzy with the reissue of Jigen’s ‘Stone Drum Avantgardism’ of the same year, the reticulated breaks and ghostly extended guitar tekkerz of Jigen’s ‘Blood’s Finality’ only deepen the mystery of this short-lived but deeply enchanting late ‘90s project. Filling a blindspot for lots of listeners, and living up to many stoned fantasies of jungle’s unfulfilled possibilities, Jigen’s work appeared at a point when jungle was on the cusp of calcifying into formulaic structures after an unprecedented run of innovations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGeographically detached from jungle\/D\u0026amp;B’s UK epicentres, Jigen, like Christoph De Babalon in Germany, or - as we now know - Derek Bailey in South London, took license to head for the hills, splicing the style’s snaking breakbeats with possessed guitar and wind expressions while it was shaping into nth degree darkside, jazzier or aggro forms back at source. Nearly a quarter century later, its reemergence into a scene that has been thoroughly raked over and cyclically reappraised, is nothing short of thrilling for anyone who thought they’d heard it all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCrashing in with a passage of avant bloody clatter, the set’s room recorded textures and flinty sampler lick ’n\u003cspan class=\"bcTruncateMore\"\u003e spittle chops feel even more radical in 2022. The all-important restless funk is there, unpredictably moving in the shadows agist backdrops of wind-played chimes and scraped strings on ‘対不破 (野弦太刀無銘)’ or rattling against trash can percussion and hauntingly beautiful pipes in ‘空蝉半機’, with lingering lacunæ on ‘迎火狂雲’ really recalling the atmospheres of prime period Photek or his acolytes SD, whereas ‘万年番外地’ tilts into pure free jazz noise territory, and the final 11 minute beauty ‘無季’ perhaps most uncannily parallels Derek Bailey’s off-the-cuff riffs on pirate radio of that era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e","published_at":"2024-05-07T15:29:43+09:00","created_at":"2024-05-07T11:12:10+09:00","vendor":"Tobira Records","type":"","tags":["double circumflex","hiphop \/ funk","lp","new","techno \/ house"],"price":478000,"price_min":478000,"price_max":478000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45864013037818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jigen \/\/ Blood's Finality \/ 狂雲求敗 (Remastered) LP","public_title":null,"options":["Default Title"],"price":478000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","options":["Title"],"media":[{"alt":null,"id":33952842875130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","width":700},{"alt":null,"id":33952842907898,"position":2,"preview_image":{"aspect_ratio":1.031,"height":1164,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933"},"aspect_ratio":1.031,"height":1164,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京の実験dnb作家Jigen aka Taro Nijikamaが、2023年5月にアメリカ・NYのDouble Circumflexからリリースした再発レコードです。（オリジナルは1998年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e実験dnb9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1272806508\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOfficially licensed and remastered 2022 LP edition. Originally released on CD in 1998. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e流星\u003c\/span\u003e 00:30\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e対不破\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e野弦太刀無銘\u003c\/span\u003e) 05:45\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e空蝉半機\u003c\/span\u003e 07:24\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e迎火狂雲\u003c\/span\u003e 08:00\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e抗狂雲刀残庖\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e青龍将星粉\u003c\/span\u003e) 00:56\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e万年番外地\u003c\/span\u003e 07:52\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e斜枯刀異聞\u003c\/span\u003e 01:10\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無銘\u003c\/span\u003e 01:03\u003cbr\u003e9. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無季\u003c\/span\u003e 11:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDouble Circumflex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter whipping imaginations into a brittle frenzy with the reissue of Jigen’s ‘Stone Drum Avantgardism’ of the same year, the reticulated breaks and ghostly extended guitar tekkerz of Jigen’s ‘Blood’s Finality’ only deepen the mystery of this short-lived but deeply enchanting late ‘90s project. Filling a blindspot for lots of listeners, and living up to many stoned fantasies of jungle’s unfulfilled possibilities, Jigen’s work appeared at a point when jungle was on the cusp of calcifying into formulaic structures after an unprecedented run of innovations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGeographically detached from jungle\/D\u0026amp;B’s UK epicentres, Jigen, like Christoph De Babalon in Germany, or - as we now know - Derek Bailey in South London, took license to head for the hills, splicing the style’s snaking breakbeats with possessed guitar and wind expressions while it was shaping into nth degree darkside, jazzier or aggro forms back at source. Nearly a quarter century later, its reemergence into a scene that has been thoroughly raked over and cyclically reappraised, is nothing short of thrilling for anyone who thought they’d heard it all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCrashing in with a passage of avant bloody clatter, the set’s room recorded textures and flinty sampler lick ’n\u003cspan class=\"bcTruncateMore\"\u003e spittle chops feel even more radical in 2022. The all-important restless funk is there, unpredictably moving in the shadows agist backdrops of wind-played chimes and scraped strings on ‘対不破 (野弦太刀無銘)’ or rattling against trash can percussion and hauntingly beautiful pipes in ‘空蝉半機’, with lingering lacunæ on ‘迎火狂雲’ really recalling the atmospheres of prime period Photek or his acolytes SD, whereas ‘万年番外地’ tilts into pure free jazz noise territory, and the final 11 minute beauty ‘無季’ perhaps most uncannily parallels Derek Bailey’s off-the-cuff riffs on pirate radio of that era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e"}