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{"id":7982381498618,"title":"Luciano Maggiore \u0026 Louie Rice \/\/ Three Things CD","handle":"luciano-maggiore-louie-rice-three-things-cd","description":"\u003cp\u003eイギリスの実験音楽家Luciano MaggioreとLouie Riceが、2023年5月に同国実験レーベルAdhumanからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eユーモアに富んだコンセプトによる実験音楽3曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面\u003c\/span\u003eデジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eフルクサスリスナーにオススメします。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e\"『Three Things』は、長年のコラボレーターであるLuciano MaggioreとLouie Riceが構想、演奏、録音したアルバムです。2人は、アーティストやオーガナイザーとして多方面にわたる活動を行い、長年にわたりイギリスの実験的オーディオ・アンダーグラウンドの形を静かに、しかし確実に伝えてきたことで知られています。NOPAONの名で、アルヴィン・ルシエ、ロバート・ボッツィ、ケン・フリードマン、エメット・ウィリアムズ、ウォルター・マーケッティ、そして彼ら自身の創作によるスコアを実現する一連のイベントとパフォーマンスを展開しました。2人が「報われないタスクベースのアクション」あるいは「部屋にいる2人が何かをする」と表現するこれらのアウトプットは、プロンプトのアクションとシナリオに基づく継続的なパフォーマンスの実践をもたらし、2人はそれを探求し続けています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaggiorとRiceの作品に一貫して見られるのは、ユーモアを意図的に受け入れ、不条理の基礎となるパフォーマンスを認めていることです。この要素は「Three Things」全体を貫いており、「Hissing for White Shoes」（#6）では、ロンドン市内をドライブしている様子を録音したもので、彼らの車が無意識に参加者とすれ違うたびに大きなヒスノイズが発生し、彼らの履物が声の介入のきっかけとなります。EMSストックホルムのBuchlaシンセサイザーから得た音声を、2人のポケットに入れた携帯電話のスピーカーで再生・再録音し、そのパルスに同期して歩こうとする「Pocket Fascinator」（#7）でも同じユーモアセンスが際立っています。Phone Workは、プロジェクトの典型的なリアルタイム・アプローチ以外で実現した最初の作品で、WhatsAppを介して交換された音声録音のシーケンスであり、オリジナルの記憶がなくなるまでお互いの投稿を模倣します。この作品は、デュオがソロ・アーティストとしてエレクトロニック・ミュージックに長年取り組んできたことにちなんで、シンセサイザーにセットされています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaggioreとRiceが手がけたすべての作品と同様、『Three Things』の狂気じみた大胆さは、基本的に歴史的なアバンギャルドに対する誠実な観察に支えられています。これらのレコーディングの中心には、フルクサス、古典音詩、フィールドレコーディング、電子音楽、運動ベースのパフォーマンス、現代作曲の中核的な方法論プロジェクトを想起させる概念的戦略が潜んでいます。このような文化圏で出現したトロフィーをさりげなく揶揄しながらも、その手法を裸のように愚かな結果に向かわせる彼らの意欲は、前衛的な技術を音作りに応用する現代的な探究心を強めています。この『Three Things』は、実験と美学的なストレステストに対する真のコミットメントを、挑戦的かつ愉快に主張するものであり、そのすべてを受け入れることができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3090612613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003eAdhuman:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThree Things is a new full-length album of pieces conceived, performed and recorded by long-term collaborators Luciano Maggiore and Louie Rice. The pair are known for multi-pronged activities as artists and organisers which have quietly but surely informed the shape of the United Kingdom's experimental audio underground for many years. Under the guise of NOPAON, they developed a series of events and performances in which they realised scores by Alvin Lucier, Robert Bozzi, Ken Friedman, Emmet Williams, Walter Marchetti and of their own creation. These outputs, described by the duo as 'unrewarding task-based actions' or simply 'two people in a room, doing something’ have resulted in an ongoing performance practice based on prompts actions and scenarios which they continue to explore.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA persistent quality in Maggiore and Rice's work is a wilful embrace of humour and the acknowledgement of their performances as a basis for absurdity. This element runs throughout Three Things, starting with Hissing for White Shoes (#6), where an otherwise unremarkable recording of a drive around London is punctuated by loud hissing whenever their vehicle passes an unwitting participant in the street, their footwear acting as a prompt for the vocal intervention\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. The same sense of humour looms large in Pocket Fascinator (#7) where audio derived from EMS Stockholm's Buchla synth is played back and re-recorded via mobile phone speakers in the duo's pockets as they attempt to walk in sync with its pulses. Phone Work, the first piece realised outside of the project's typical real-time approach, is a sequence of voice recordings exchanged via WhatsApp where they mimic each other's contributions until all memory of the original has been lost. The results are set to synthesiser in a nod to the duo's long-standing interests in electronic music as solo artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike everything Maggiore and Rice turn their hands to, the maddening audacity of Three Things is fundamentally driven by sincere observations of the historic avant-garde. At the heart of these recordings lurk conceptual strategies recalling the core methodological projects of Fluxus, classical sound poetry, field recording, electronic music, movement-based performance and contemporary composition. Their willingness to direct such methods toward nakedly silly outcomes whilst poking subtle fun at the emergent tropes of these cultures reinforces an entirely serious inquiry into the modern-day application of avant-garde technique in sound creation. When accepted in full, Three Things is a challenging, amusing assertion of genuine commitment to experimentation and aesthetic stress-testing.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Luciano Maggiore \u0026amp; Louie Rice\u003c\/p\u003e\n\u003cp\u003eLabel : Adhuman\u003c\/p\u003e","published_at":"2023-06-06T19:51:48+09:00","created_at":"2023-06-06T18:13:26+09:00","vendor":"Tobira Records","type":"","tags":["adhuman","cd","contemporary \/ sound poetry","luciano maggiore","monooto","new"],"price":219000,"price_min":219000,"price_max":219000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44269243564282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Luciano Maggiore \u0026 Louie Rice \/\/ Three Things CD","public_title":null,"options":["Default Title"],"price":219000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/th1_64169f88-ff00-43aa-8b5b-29ee6f6bfb28.jpg?v=1686042807"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_64169f88-ff00-43aa-8b5b-29ee6f6bfb28.jpg?v=1686042807","options":["Title"],"media":[{"alt":null,"id":32080109175034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_64169f88-ff00-43aa-8b5b-29ee6f6bfb28.jpg?v=1686042807"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_64169f88-ff00-43aa-8b5b-29ee6f6bfb28.jpg?v=1686042807","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Luciano MaggioreとLouie Riceが、2023年5月に同国実験レーベルAdhumanからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eユーモアに富んだコンセプトによる実験音楽3曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面\u003c\/span\u003eデジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eフルクサスリスナーにオススメします。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e\"『Three Things』は、長年のコラボレーターであるLuciano MaggioreとLouie Riceが構想、演奏、録音したアルバムです。2人は、アーティストやオーガナイザーとして多方面にわたる活動を行い、長年にわたりイギリスの実験的オーディオ・アンダーグラウンドの形を静かに、しかし確実に伝えてきたことで知られています。NOPAONの名で、アルヴィン・ルシエ、ロバート・ボッツィ、ケン・フリードマン、エメット・ウィリアムズ、ウォルター・マーケッティ、そして彼ら自身の創作によるスコアを実現する一連のイベントとパフォーマンスを展開しました。2人が「報われないタスクベースのアクション」あるいは「部屋にいる2人が何かをする」と表現するこれらのアウトプットは、プロンプトのアクションとシナリオに基づく継続的なパフォーマンスの実践をもたらし、2人はそれを探求し続けています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaggiorとRiceの作品に一貫して見られるのは、ユーモアを意図的に受け入れ、不条理の基礎となるパフォーマンスを認めていることです。この要素は「Three Things」全体を貫いており、「Hissing for White Shoes」（#6）では、ロンドン市内をドライブしている様子を録音したもので、彼らの車が無意識に参加者とすれ違うたびに大きなヒスノイズが発生し、彼らの履物が声の介入のきっかけとなります。EMSストックホルムのBuchlaシンセサイザーから得た音声を、2人のポケットに入れた携帯電話のスピーカーで再生・再録音し、そのパルスに同期して歩こうとする「Pocket Fascinator」（#7）でも同じユーモアセンスが際立っています。Phone Workは、プロジェクトの典型的なリアルタイム・アプローチ以外で実現した最初の作品で、WhatsAppを介して交換された音声録音のシーケンスであり、オリジナルの記憶がなくなるまでお互いの投稿を模倣します。この作品は、デュオがソロ・アーティストとしてエレクトロニック・ミュージックに長年取り組んできたことにちなんで、シンセサイザーにセットされています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaggioreとRiceが手がけたすべての作品と同様、『Three Things』の狂気じみた大胆さは、基本的に歴史的なアバンギャルドに対する誠実な観察に支えられています。これらのレコーディングの中心には、フルクサス、古典音詩、フィールドレコーディング、電子音楽、運動ベースのパフォーマンス、現代作曲の中核的な方法論プロジェクトを想起させる概念的戦略が潜んでいます。このような文化圏で出現したトロフィーをさりげなく揶揄しながらも、その手法を裸のように愚かな結果に向かわせる彼らの意欲は、前衛的な技術を音作りに応用する現代的な探究心を強めています。この『Three Things』は、実験と美学的なストレステストに対する真のコミットメントを、挑戦的かつ愉快に主張するものであり、そのすべてを受け入れることができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3090612613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003eAdhuman:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThree Things is a new full-length album of pieces conceived, performed and recorded by long-term collaborators Luciano Maggiore and Louie Rice. The pair are known for multi-pronged activities as artists and organisers which have quietly but surely informed the shape of the United Kingdom's experimental audio underground for many years. Under the guise of NOPAON, they developed a series of events and performances in which they realised scores by Alvin Lucier, Robert Bozzi, Ken Friedman, Emmet Williams, Walter Marchetti and of their own creation. These outputs, described by the duo as 'unrewarding task-based actions' or simply 'two people in a room, doing something’ have resulted in an ongoing performance practice based on prompts actions and scenarios which they continue to explore.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA persistent quality in Maggiore and Rice's work is a wilful embrace of humour and the acknowledgement of their performances as a basis for absurdity. This element runs throughout Three Things, starting with Hissing for White Shoes (#6), where an otherwise unremarkable recording of a drive around London is punctuated by loud hissing whenever their vehicle passes an unwitting participant in the street, their footwear acting as a prompt for the vocal intervention\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. The same sense of humour looms large in Pocket Fascinator (#7) where audio derived from EMS Stockholm's Buchla synth is played back and re-recorded via mobile phone speakers in the duo's pockets as they attempt to walk in sync with its pulses. Phone Work, the first piece realised outside of the project's typical real-time approach, is a sequence of voice recordings exchanged via WhatsApp where they mimic each other's contributions until all memory of the original has been lost. The results are set to synthesiser in a nod to the duo's long-standing interests in electronic music as solo artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike everything Maggiore and Rice turn their hands to, the maddening audacity of Three Things is fundamentally driven by sincere observations of the historic avant-garde. At the heart of these recordings lurk conceptual strategies recalling the core methodological projects of Fluxus, classical sound poetry, field recording, electronic music, movement-based performance and contemporary composition. Their willingness to direct such methods toward nakedly silly outcomes whilst poking subtle fun at the emergent tropes of these cultures reinforces an entirely serious inquiry into the modern-day application of avant-garde technique in sound creation. When accepted in full, Three Things is a challenging, amusing assertion of genuine commitment to experimentation and aesthetic stress-testing.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Luciano Maggiore \u0026amp; Louie Rice\u003c\/p\u003e\n\u003cp\u003eLabel : Adhuman\u003c\/p\u003e"}
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British experimental musicians Luciano Maggiore and Louie Rice collaborated on a CD released in May 2023 from the British experimental label Adhuman.Contains 5 pieces of experimental music with a humorous concept. Comes in a 3-panel digipack.Recommended for Fluxus listeners.Below is an explanation by the label. "Three Things is an album conceived, performed and recorded by longtime collaborators Luciano Maggiore and Louie Rice. The two are multidisciplinary artists and organizers, and have long been involved in British audio experimentation. Known for quietly but surely conveying the shape of the underground, under the name NOPAON, Alvin Lucier, Robert Bozzi, Ken Friedman, Emmett Williams, Walter Marquetti, and themselves developed a series of events and performances that realized a score created by the two people, whose output was described as ``unrewarded task-based action'' or ``two people in a room doing something''. , brings to the practice of prompt action and scenario-based continuous performance, which the two continue to explore. Consistent with Maggior and Rice's work is a deliberate embrace of humor and an acknowledgment of the absurdity underlying performance.This element runs throughout "Three Things", and in "Hissing for White Shoes" (#6), they recorded themselves driving in London, and their car passed the participants unconsciously. Each time there is a loud hiss, and their footwear triggers vocal intervention. The "Pocket...
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{"id":7982381269242,"title":"Thomas DeAngelo \/\/ Voiceprints \u0026 Aircuts: Sound Poetry By Other Means CD","handle":"thomas-deangelo-voiceprints-aircuts-sound-poetry-by-other-means-cd","description":"\u003cp\u003eアメリカ・フィラデルフィアの実験音楽家Thomas DeAngeloが、2023年5月にイギリスの実験レーベルAdhumanからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜ミュージックコンクレート10曲を収録。6面デジパック仕様です。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"イタリアのポリポエトリーのパイオニア、エンツォ・ミナレッリによれば、\"すべての詩人には理論が必要です\"。この新作『Voiceprints \u0026amp; Aircuts』では、\"Sound Poetry By Other(s) Means \"という理論を提唱しています。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eアヴァンギャルドが自己実現に失敗したことに他ならず、「Sound Poetry By Other Means」は、20世紀半ばのオーディオ詩の戦略を、この仮想歴史ツアーのための乗り物として利用します。様々な欠陥、ミスステップ、ギアの故障、そして「なぜ？」の全体的な雰囲気が、汚れた余白に滲み出て、崩壊しつつある「アイデアの市場」の中で、商品化に無関心、いや無能力な芸術を生み出すという馬より先に進む性質を強化しています。メッセージは決して楽観的なものではありませんが、「歴史の終わり」後のデクラッセの不自由さのパラドックスにふさわしい、淡々とした、時には喜びさえ感じさせる表現で語られています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e全体として捉えることを意図していますが、このような杓子定規な形式に反感を持つ聴衆は、このディスクが提供する純粋な音による疎外感に、多くの肉を見出すことができるでしょう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3935696982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2399537106\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3935696982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipak.\u003c\/p\u003e\n\u003cp\u003eAdhuman:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Thomas DeAngelo, known otherwise as T.D. or for his participation in Melkings, Zwangsbeglucktertum, Association Copy as well as his sadly departed Crisis of Taste label\/mailorder, returns following his well-received Nothing New Under the Sun cassette (Gift of Music, 2022). From a distinctly leftfield position relative to the gnarled, textural tape noise works of this last output, DeAngelo in Voiceprints… offers an obscure, bloody-minded take on Sound Poetry and voice-based sound art over the course of this full length CD album.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Thomas DeAngelo:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘\u003cem\u003eAccording to Enzo Minarelli, the Italian pioneer of Polypoetry, \"every poet needs a theory.\" On this new Gesamtkunstwerk, “Voiceprints \u0026amp; Aircuts”, the theory proffered is that of \"Sound Poetry By Other(s) Means\".\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith pince-nez tilted towards nothing less than the failure of the Avant Garde to realize itself, \"Sound Poetry By Other Means\" utilizes the strategies of circa-mid 20th century audio poems as a vehicle for this virtual history tour. The various deficiencies, missteps, gear fuck ups and general atmosphere of \"Why?\" all bleed into the smudged margins to reinforce the cart-before-horse nature of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e producing art indifferent to, nay, incapable of commodification within a cratering Marketplace of Ideas. While the message is by no means optimistic it is voiced in an unaffected, at times even joyous register befitting the paradox of post-End of History déclassé unfreedom.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough intended to be taken as a whole, audience members antagonistic to such prescriptive formalities may still find plenty of meat in the purely sonic form of alienation the disc provides.’\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thomas DeAngelo\u003c\/p\u003e\n\u003cp\u003eLabel : Adhuman\u003c\/p\u003e","published_at":"2023-06-06T20:09:17+09:00","created_at":"2023-06-06T18:11:57+09:00","vendor":"Tobira Records","type":"","tags":["adhuman","cd","contemporary \/ sound poetry","monooto","new"],"price":219000,"price_min":219000,"price_max":219000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44269242155258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Thomas DeAngelo \/\/ Voiceprints \u0026 Aircuts: Sound Poetry By Other Means CD","public_title":null,"options":["Default Title"],"price":219000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/soun1.jpg?v=1686042719"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/soun1.jpg?v=1686042719","options":["Title"],"media":[{"alt":null,"id":32080105799930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/soun1.jpg?v=1686042719"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/soun1.jpg?v=1686042719","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フィラデルフィアの実験音楽家Thomas DeAngeloが、2023年5月にイギリスの実験レーベルAdhumanからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜ミュージックコンクレート10曲を収録。6面デジパック仕様です。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"イタリアのポリポエトリーのパイオニア、エンツォ・ミナレッリによれば、\"すべての詩人には理論が必要です\"。この新作『Voiceprints \u0026amp; Aircuts』では、\"Sound Poetry By Other(s) Means \"という理論を提唱しています。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eアヴァンギャルドが自己実現に失敗したことに他ならず、「Sound Poetry By Other Means」は、20世紀半ばのオーディオ詩の戦略を、この仮想歴史ツアーのための乗り物として利用します。様々な欠陥、ミスステップ、ギアの故障、そして「なぜ？」の全体的な雰囲気が、汚れた余白に滲み出て、崩壊しつつある「アイデアの市場」の中で、商品化に無関心、いや無能力な芸術を生み出すという馬より先に進む性質を強化しています。メッセージは決して楽観的なものではありませんが、「歴史の終わり」後のデクラッセの不自由さのパラドックスにふさわしい、淡々とした、時には喜びさえ感じさせる表現で語られています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e全体として捉えることを意図していますが、このような杓子定規な形式に反感を持つ聴衆は、このディスクが提供する純粋な音による疎外感に、多くの肉を見出すことができるでしょう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3935696982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2399537106\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3935696982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipak.\u003c\/p\u003e\n\u003cp\u003eAdhuman:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Thomas DeAngelo, known otherwise as T.D. or for his participation in Melkings, Zwangsbeglucktertum, Association Copy as well as his sadly departed Crisis of Taste label\/mailorder, returns following his well-received Nothing New Under the Sun cassette (Gift of Music, 2022). From a distinctly leftfield position relative to the gnarled, textural tape noise works of this last output, DeAngelo in Voiceprints… offers an obscure, bloody-minded take on Sound Poetry and voice-based sound art over the course of this full length CD album.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Thomas DeAngelo:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘\u003cem\u003eAccording to Enzo Minarelli, the Italian pioneer of Polypoetry, \"every poet needs a theory.\" On this new Gesamtkunstwerk, “Voiceprints \u0026amp; Aircuts”, the theory proffered is that of \"Sound Poetry By Other(s) Means\".\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith pince-nez tilted towards nothing less than the failure of the Avant Garde to realize itself, \"Sound Poetry By Other Means\" utilizes the strategies of circa-mid 20th century audio poems as a vehicle for this virtual history tour. The various deficiencies, missteps, gear fuck ups and general atmosphere of \"Why?\" all bleed into the smudged margins to reinforce the cart-before-horse nature of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e producing art indifferent to, nay, incapable of commodification within a cratering Marketplace of Ideas. While the message is by no means optimistic it is voiced in an unaffected, at times even joyous register befitting the paradox of post-End of History déclassé unfreedom.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough intended to be taken as a whole, audience members antagonistic to such prescriptive formalities may still find plenty of meat in the purely sonic form of alienation the disc provides.’\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thomas DeAngelo\u003c\/p\u003e\n\u003cp\u003eLabel : Adhuman\u003c\/p\u003e"}
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Philadelphia-based experimental musician Thomas DeAngelo released a CD in May 2023 from the British experimental label Adhuman.Contains 5 songs from Sound Poetry to Music Concrete. Comes in a 10-panel digipack.Booklet included.Below is an explanation by the author. "According to the Italian polypoetry pioneer Enzo Minarelli, 'every poet needs a theory'. In his new work 'Voiceprints & Aircuts', he proposes the theory 'Sound Poetry By Other(s) Means'. It is nothing less than the failure of the avant-garde to achieve self-actualization, and "Sound Poetry By...
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{"id":6126617231525,"title":"Josh Peterson \/\/ Collected Voice, Text and Tape Works 2xCD","handle":"jpcvt","description":"\u003cp\u003e米国のカルト詩人・サウンドアーティストJosh Petersonが限定でリリースしたものの、あまりのマニアックさ故にほぼ出回らなかったカセット作品をリマスターし2枚組CDで再発。アウトサイダーアートと米国実験音楽シーンの中で、ほぼ認識されることのなかった異才がこうして日の目を見るときがきました。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2757726770\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2895548579\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4193987862\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003en recent years, Josh Peterson has been most active as a writer for Amphetamine Sulphate, although the majority of his output across the last decade has been as an independent sound artist. Josh's audio work has remained something of an unrecognized oddity within the American underground of outsider art and experimental music from which it originates as well as beyond. Distributed through limited, home-dubbed and self-released cassettes, Peterson's blend of spoken-word and sound collage has resulted in an intriguing, singular body of consistently evolving yet recognizable material. 'Collected Voice, Text \u0026amp; Tape Works' compiles five such releases, remastered for new presentation as a 2xCD set, now widely-available outside the USA for the first time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen considering Peterson's work in context, e.g. that of a writer rather than a musician, it's unsurprising that spoken, recorded voice and written text plays a central role across all pieces herein. Often dealing in themes of mental illness, social paranoia and tragedy, they make for often-challenging and sometimes macabre, even somber listening. Distinct from the usual applications of such themes in so-called \"extreme music,\" however, we see a nuanced approach in Peterson's work, expressing a benign puzzlement\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eand detached critical eye. Forgoing typical empty-gestured tendencies toward glorification and shock, we instead follow mystery-like narratives into fugue states amplified by our own relationships with the isolation and disenfranchisement imbued even in the most banal, mundane aspects of day-to-day life. Through dispassionate, often monotonous recitations of his own blunt prose, found texts and news reports, as well as the delusions of conspiracy theorists and pop psychologists alike, Peterson's body of work feels like a series of surreal, unsettling and darkly humourous audio essays on modern life.\u003cbr\u003e\u003cbr\u003eThe sonic backdrop for these readings deepens the diaristic, observational quality of the text, as Peterson's distinctive cross-section of experimental music styles and techniques is captured in low-fidelity, portable-cassette-recorder style. Here, the minimalist austerity of early '80s Whitehouse and Maurizio Bianchi lends crude timbres to a framework closer to that of \"non-musical\" sound artists like Graham Lambkin and Jeph Jerman, where compositional strategy is concerned. The presence of voice experiments and tape manipulations arranged alongside unadorned domestic and situational field recordings acknowledges classical concrete music theory, but perhaps more so expresses a keen love for sound itself and listening in purest form.\u003cbr\u003e\u003cbr\u003eAll of the recordings in this set were originally self-released on cassette from 2018 - 2019 and though Peterson's creative work is now focused almost entirely on writing, Adhuman is proud to re-present this collection of bold, powerful and unique recordings in one place, deserving of renewed attention.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Josh Peterson \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : adhuman\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-01-26T12:50:09+09:00","created_at":"2021-01-26T12:50:08+09:00","vendor":"Tobira Records","type":"","tags":["adhuman","cd","contemporary \/ sound poetry","monooto"],"price":261800,"price_min":261800,"price_max":261800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37778513592485,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Josh Peterson \/\/ Collected Voice, Text and Tape Works 2xCD","public_title":null,"options":["Default Title"],"price":261800,"weight":130,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0287625258_16.jpg?v=1611633011","\/\/tobirarecords.com\/cdn\/shop\/products\/0023167985_10.jpg?v=1611633011"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0287625258_16.jpg?v=1611633011","options":["Title"],"media":[{"alt":null,"id":16245492580517,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0287625258_16.jpg?v=1611633011"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0287625258_16.jpg?v=1611633011","width":700},{"alt":null,"id":16245492613285,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0023167985_10.jpg?v=1611633011"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0023167985_10.jpg?v=1611633011","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e米国のカルト詩人・サウンドアーティストJosh Petersonが限定でリリースしたものの、あまりのマニアックさ故にほぼ出回らなかったカセット作品をリマスターし2枚組CDで再発。アウトサイダーアートと米国実験音楽シーンの中で、ほぼ認識されることのなかった異才がこうして日の目を見るときがきました。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2757726770\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2895548579\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2918964688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4193987862\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adhuman.bandcamp.com\/album\/collected-voice-text-and-tape-works\"\u003eCollected Voice, Text and Tape Works by Josh Peterson\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003en recent years, Josh Peterson has been most active as a writer for Amphetamine Sulphate, although the majority of his output across the last decade has been as an independent sound artist. Josh's audio work has remained something of an unrecognized oddity within the American underground of outsider art and experimental music from which it originates as well as beyond. Distributed through limited, home-dubbed and self-released cassettes, Peterson's blend of spoken-word and sound collage has resulted in an intriguing, singular body of consistently evolving yet recognizable material. 'Collected Voice, Text \u0026amp; Tape Works' compiles five such releases, remastered for new presentation as a 2xCD set, now widely-available outside the USA for the first time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen considering Peterson's work in context, e.g. that of a writer rather than a musician, it's unsurprising that spoken, recorded voice and written text plays a central role across all pieces herein. Often dealing in themes of mental illness, social paranoia and tragedy, they make for often-challenging and sometimes macabre, even somber listening. Distinct from the usual applications of such themes in so-called \"extreme music,\" however, we see a nuanced approach in Peterson's work, expressing a benign puzzlement\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eand detached critical eye. Forgoing typical empty-gestured tendencies toward glorification and shock, we instead follow mystery-like narratives into fugue states amplified by our own relationships with the isolation and disenfranchisement imbued even in the most banal, mundane aspects of day-to-day life. Through dispassionate, often monotonous recitations of his own blunt prose, found texts and news reports, as well as the delusions of conspiracy theorists and pop psychologists alike, Peterson's body of work feels like a series of surreal, unsettling and darkly humourous audio essays on modern life.\u003cbr\u003e\u003cbr\u003eThe sonic backdrop for these readings deepens the diaristic, observational quality of the text, as Peterson's distinctive cross-section of experimental music styles and techniques is captured in low-fidelity, portable-cassette-recorder style. Here, the minimalist austerity of early '80s Whitehouse and Maurizio Bianchi lends crude timbres to a framework closer to that of \"non-musical\" sound artists like Graham Lambkin and Jeph Jerman, where compositional strategy is concerned. The presence of voice experiments and tape manipulations arranged alongside unadorned domestic and situational field recordings acknowledges classical concrete music theory, but perhaps more so expresses a keen love for sound itself and listening in purest form.\u003cbr\u003e\u003cbr\u003eAll of the recordings in this set were originally self-released on cassette from 2018 - 2019 and though Peterson's creative work is now focused almost entirely on writing, Adhuman is proud to re-present this collection of bold, powerful and unique recordings in one place, deserving of renewed attention.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Josh Peterson \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : adhuman\u003c\/span\u003e\u003c\/p\u003e"}
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American cult poet and sound artist Josh Peterson released a limited edition, but remastered a cassette work that was rarely available due to too much maniac and reissued on a 2-CD set.It's time for an almost unrecognized genius to see the light of day in the outsider art and American experimental music scene. Collected Voice, Text and Tape Works by Josh PetersonCollected Voice, Text and Tape ...
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