Christina Giannone // Reality Opposition CD

Christina Giannone // Reality Opposition CD

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Christina Giannone, an experimental musician from New York, USA, released a CD in July 2023 from the experimental label Room7 in Brisbane, Australia.

Includes 5 minimal low-end drone tracks.

The following is a commentary by the writer himself.

"Dissociation is the driving force of this work. An act of surrender, an attempt to observe our existence from the outside.

Giving in feels like giving up.

Acceptance feels like giving up.

The process involves experimenting with digital sound through observation and attention to detail, and the idea of making sounds look different to different listeners.This attention to detail works as a hologram that changes shape depending on the angle.The idea of multidimensional existence and indifference in its purest form.Slow digital evaporation.

An attempt to recreate what is nothing.It could be looking out the window, a passing conversation, an imperfect thought.A fleeting and meaningless moment that fills that gap.that we are only unconsciously conscious of.

Periphery.Forgotten things.silence in between. "

Labels and other worksplease use this form. ///Click here to see more Room40 releases available at Tobira.

----------------------------

CD in matte laminate sleeve.

Tracklist:

1 08:00
2 11:18
3 13:34
Reality Opposition 06:48
Cosmic Identity 13:02

Artist statement excerpt by Christina Giannone:

"Dissociation is the driving force behind the composition.

Giving in feels like giving up.

Acceptance feels like resignation.

The process included digital sound experimentation by means of observance and detail orientation and the idea of sound presenting itself in different identities depending on the listener.

An attempt to recreate what 'nothing' means. It might be a gaze out the window, conversations in passing, an incomplete thought. Fleeting, meaningless moments that fill the gaps. Things we are only subconsciously aware of."

Artist: Christina Giannone

Label: Room40

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Christina Giannone, an experimental musician from New York, USA, released a CD in July 2023 from the experimental label Room7 in Brisbane, Australia.

Includes 5 minimal low-end drone tracks.

The following is a commentary by the writer himself.

Labels and other worksplease use this form. ///Click here to see more Room40 releases available at Tobira.

----------------------------

CD in matte laminate sleeve.

Tracklist:

1 08:00
2 11:18
3 13:34
Reality Opposition 06:48
Cosmic Identity 13:02

Artist statement excerpt by Christina Giannone:

Artist: Christina Giannone

Label: Room40

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width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=749836814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Available on 12\" black vinyl or 12\" grey\/clear vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAsh Wednesday 04:06\u003c\/li\u003e\n\u003cli\u003eSio 06:07\u003c\/li\u003e\n\u003cli\u003eX It 02:58\u003c\/li\u003e\n\u003cli\u003eDrift 05:14\u003c\/li\u003e\n\u003cli\u003eDoor Part II 03:01\u003c\/li\u003e\n\u003cli\u003eFreddy's Cut 05:55\u003c\/li\u003e\n\u003cli\u003eDoor Part I 02:15\u003c\/li\u003e\n\u003cli\u003eForensic Of The Thread 06:40\u003c\/li\u003e\n\u003cli\u003eSadness 02:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"'\u003cem\u003eOf Which One Knows', was written and produced between 2007-2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSuch unreleased material is a quintessential backdrop to an artist’s processes, as it has obviously never landed in any full bodies of work. 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This is a record released by neoclassical artist Natalie Beridze from Tbilisi, Georgia, on the Australian experimental label room2022 in 40.Contains 9 neoclassical ambient to ambient drone songs with voice, piano, and strings.Click here to see more Room40 releases available at Tobira. ---------------------------- Includes.. .

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Quickview {"id":8073121038586,"title":"Beatriz Ferreyra \/\/ UFO Forest + LP [COLOR \/ BLACK]","handle":"beatriz-ferreyra-ufo-forest-lp-color-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアルゼンチンの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所\u003c\/span\u003e実験音楽家（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e御年86歳）\u003c\/span\u003eBeatriz Ferreyra が、2023年11月にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜ドローン4曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの音楽を初めて聴いたのはいつなのか、よくわからない。私がリキッド・アーキテクチャー（Liquid Architecture）のキュレーターチームと一緒に仕事をしていた2000年代の初めから半ばくらいだろうか。当時のフェスティバルの焦点を考えると、GRMとミュージックコンクレートは、より一般的なものであり、非常に注目されていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eとはいえ、彼女の作品が私（そして他の多くの人々もそうであろう）にとって鋭くフォーカスされるようになったのは、この10年になってからである。2017年、私はブラガで\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraに会うという大きな喜びを味わった。その後、私は彼女をオーストラリアでの公演に招待し、Novas Frequenciesフェスティバルの期間中、リオでも一緒に時間を過ごすことができた。これらの出会いを通して、私は、\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraがその音の人生において維持してきた驚くべき集中力、寛大さ、そしてビジョンを実感するようになった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraは、20世紀後半から今日まで活躍した数少ない女性コンクレート作曲家のひとりである。今もなお精力的に研究を続けている彼女の作品は、複雑でありながらエレガントでシンプルだ。\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの作品は、しばしば焦点を当てる対象が1つであり、テープやその他のマニピュレーションを駆使することで、彼女が選んだ音素材を根本的に再構成し、外へと開いていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『UFO Forest +』には、テープベースの音楽とコンピューターベースの作品の両方が収められている。ここに収録された作品は、別世界のような感覚を無理なく表現し、ダイナミックで豊かなサウンド作品を創り出す彼女の才能を象徴している。Beatriz Ferreyraは、彼女独自の音世界を創り上げてきた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1467705816\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUFO Forest 14:14\u003c\/li\u003e\n\u003cli\u003eVuelo de signos y remolinos 02:54\u003c\/li\u003e\n\u003cli\u003eCercles des rondes 10:56\u003c\/li\u003e\n\u003cli\u003eVivencias def 11:22\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatriz in Braga, where we both were performing as part of the excellent Semibreve Festival. Subsequent to that I invited her to perform in Australia and we also had the pleasure to send time together in Rio during the Novas Frequencies Festival. Across these meetings, I have come to realise the incredible focus, generosity and vision that Beatriz has maintained across her life in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeatriz Ferreyra is one of only a handful of female concrète composers who were active across the second half of the 20th century through to today. Her work, which is still very much an active investigation, is simultaneously complex and elegantly simple. Often drawing upon singular object of focus, Ferreyra’s use\u003cspan class=\"bcTruncateMore\"\u003e of tape and other forms of manipulation radically reconfigure her chosen sound materials, opening them outward.\u003cbr\u003e\u003cbr\u003eUFO Forest + collects together works from both her practices in tape based music and also computer based works. The pieces featured here epitomise her prowess in create dynamically rich sound works that are effortless in their sense of otherworldliness. Beatriz Ferreyra has created a sonic terrain all her own, and here is lies the proof.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-08T17:03:41+09:00","created_at":"2023-11-08T10:57:31+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","room40"],"price":358800,"price_min":358800,"price_max":373500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745118679290,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Beatriz Ferreyra \/\/ UFO Forest + LP [COLOR \/ BLACK] - Black Vinyl","public_title":"Black Vinyl","options":["Black Vinyl"],"price":358800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44745118712058,"title":"Clear Vinyl","option1":"Clear Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Beatriz Ferreyra \/\/ UFO Forest + LP [COLOR \/ BLACK] - Clear Vinyl","public_title":"Clear Vinyl","options":["Clear Vinyl"],"price":373500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652","\/\/tobirarecords.com\/cdn\/shop\/files\/ufo2.jpg?v=1699408652","\/\/tobirarecords.com\/cdn\/shop\/files\/ufo3.jpg?v=1699408653"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652","options":["Color"],"media":[{"alt":null,"id":32655589474554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo1.jpg?v=1699408652","width":700},{"alt":null,"id":32655589507322,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo2.jpg?v=1699408652"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo2.jpg?v=1699408652","width":1200},{"alt":null,"id":32655589540090,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo3.jpg?v=1699408653"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ufo3.jpg?v=1699408653","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアルゼンチンの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所\u003c\/span\u003e実験音楽家（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e御年86歳）\u003c\/span\u003eBeatriz Ferreyra が、2023年11月にオーストラリアの実験レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜ドローン4曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの音楽を初めて聴いたのはいつなのか、よくわからない。私がリキッド・アーキテクチャー（Liquid Architecture）のキュレーターチームと一緒に仕事をしていた2000年代の初めから半ばくらいだろうか。当時のフェスティバルの焦点を考えると、GRMとミュージックコンクレートは、より一般的なものであり、非常に注目されていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eとはいえ、彼女の作品が私（そして他の多くの人々もそうであろう）にとって鋭くフォーカスされるようになったのは、この10年になってからである。2017年、私はブラガで\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraに会うという大きな喜びを味わった。その後、私は彼女をオーストラリアでの公演に招待し、Novas Frequenciesフェスティバルの期間中、リオでも一緒に時間を過ごすことができた。これらの出会いを通して、私は、\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraがその音の人生において維持してきた驚くべき集中力、寛大さ、そしてビジョンを実感するようになった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraは、20世紀後半から今日まで活躍した数少ない女性コンクレート作曲家のひとりである。今もなお精力的に研究を続けている彼女の作品は、複雑でありながらエレガントでシンプルだ。\u003cmeta charset=\"utf-8\"\u003eBeatriz Ferreyraの作品は、しばしば焦点を当てる対象が1つであり、テープやその他のマニピュレーションを駆使することで、彼女が選んだ音素材を根本的に再構成し、外へと開いていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『UFO Forest +』には、テープベースの音楽とコンピューターベースの作品の両方が収められている。ここに収録された作品は、別世界のような感覚を無理なく表現し、ダイナミックで豊かなサウンド作品を創り出す彼女の才能を象徴している。Beatriz Ferreyraは、彼女独自の音世界を創り上げてきた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1467705816\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUFO Forest 14:14\u003c\/li\u003e\n\u003cli\u003eVuelo de signos y remolinos 02:54\u003c\/li\u003e\n\u003cli\u003eCercles des rondes 10:56\u003c\/li\u003e\n\u003cli\u003eVivencias def 11:22\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatriz in Braga, where we both were performing as part of the excellent Semibreve Festival. Subsequent to that I invited her to perform in Australia and we also had the pleasure to send time together in Rio during the Novas Frequencies Festival. Across these meetings, I have come to realise the incredible focus, generosity and vision that Beatriz has maintained across her life in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeatriz Ferreyra is one of only a handful of female concrète composers who were active across the second half of the 20th century through to today. Her work, which is still very much an active investigation, is simultaneously complex and elegantly simple. Often drawing upon singular object of focus, Ferreyra’s use\u003cspan class=\"bcTruncateMore\"\u003e of tape and other forms of manipulation radically reconfigure her chosen sound materials, opening them outward.\u003cbr\u003e\u003cbr\u003eUFO Forest + collects together works from both her practices in tape based music and also computer based works. The pieces featured here epitomise her prowess in create dynamically rich sound works that are effortless in their sense of otherworldliness. Beatriz Ferreyra has created a sonic terrain all her own, and here is lies the proof.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}

This is a record released by Argentina's famous experimental musician (86 years old) Beatriz Ferreyra on the Australian experimental label room2023 in November 11.Contains 40 noise collage ~ drone songs. DL code included.Below is an explanation by label owner Lawrence English. "I'm not sure when I first heard Beatriz Ferreyra's music. I think it was in the early to mid-4s, when I was working with the curatorial team at Liquid Architecture. Given the focus of the festival, GRM and musique concrète were more common and received a lot of attention. It is only in the last decade that deaf people have come into sharp focus. In 2000, I had the great pleasure of meeting Beatriz Ferreyra in Braga. During the Novas Frequencies festival, I was also able to spend time with her in Rio.Through these encounters, I learned about the amazing focus, generosity, and generosity that Beatriz Ferreyra has maintained throughout her sonic life. Beatriz Ferreyra is one of the few female concrete composers who have been active from the latter half of the 10th century to today.Her works, which she continues to actively research, are , complex yet elegantly simple. Beatriz Ferreyra's work often focuses on a single object, using tape and other forms of manipulation to radically reconfigure her chosen sonic materials. and opens outward.``UFO Forest...''

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Quickview {"id":8073118449914,"title":"Eugene Carchesio + Adam Betts \/\/ Circle Drum Music LP [COLOR \/ BLACK]","handle":"eugene-carchesio-adam-betts-circle-drum-music-lp-color-black","description":"\u003cp\u003eオーストラリアの実験音楽家Eugene CarchesioとイギリスのパーカッショニストAdam Bettsが、2023年11月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eパルスとリズムに焦点を当てたミニマル・ストレンジビーツ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"時折、誰も予想できないような形でアイデアが披露されることがある。オーストラリアのEugene Carchesioとイギリスの\u003cmeta charset=\"utf-8\"\u003eAdam Bettsによるこの録音は、そのような予期せぬプレゼンテーションのひとつである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数年前、\u003cmeta charset=\"utf-8\"\u003eEugeneは、今や伝説となった彼のサークルミュージックシリーズの軌道上にある録音集を私に渡してくれた。その録音は、\u003cmeta charset=\"utf-8\"\u003eEugene独特のやり方で、ミニマリズムの深く揺るぎない感覚に根ざした強烈なリズムの質を保っていた。\u003cmeta charset=\"utf-8\"\u003eEugeneは、わずかな素材から小さな宇宙を作り出す術を持っている。しかし、彼はそれをミックスし、作品に何か予想外のものを加えることを考え、ドラムを加えることについて尋ねた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eほぼ同じ瞬間に、私は、幸運にももう10年以上もお付き合いしている\u003cmeta charset=\"utf-8\"\u003eAdam Bettsの素晴らしい仕事を思い出していた。私たちはBad Bonneで初めて顔を合わせ、その後トビリシでスクウェアプッシャーと共演した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAdamが私の目に留まったのは、音楽とはまったく関係なく、彼がウェルシュ・トスの大会に出場し、見事な成績を収めたからだった。Adamがウェイトを持ち運ぶ姿を見て、このプロジェクトでEugeneと一緒に仕事をするのに最適な候補者だと思ったんだ。嬉しいことに、彼は承諾してくれた。\u003cbr\u003e\u003cbr\u003eその結果、抑制されたエネルギーとリズムの獰猛さという確かな感覚を持つ2人の素晴らしい音楽的スピリットが融合した。これは、最小限の動きがいかに巨大なエネルギーの波動を生み出すことができるかを並行して読み解くものである。また、注意深く耳を傾け、惜しみなく探求した記録でもある。\u003cbr\u003e\u003cbr\u003eこのような不思議な思考の軌道から音楽が生まれることは日常茶飯事ではないが、それが実現したときは祝福に値する。そのことを心に刻みながら、この素晴らしいエディションを皆さんと分かち合えることをとても嬉しく思う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4214867450\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" purple swirl vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA 01:52\u003c\/li\u003e\n\u003cli\u003eB 01:00\u003c\/li\u003e\n\u003cli\u003eC 00:37\u003c\/li\u003e\n\u003cli\u003eD 01:20\u003c\/li\u003e\n\u003cli\u003eE 03:00\u003c\/li\u003e\n\u003cli\u003eF 01:56\u003c\/li\u003e\n\u003cli\u003eG 01:28\u003c\/li\u003e\n\u003cli\u003eH 01:18\u003c\/li\u003e\n\u003cli\u003eI 01:00\u003c\/li\u003e\n\u003cli\u003eJ 00:58\u003c\/li\u003e\n\u003cli\u003eK 01:42\u003c\/li\u003e\n\u003cli\u003eL 01:12\u003c\/li\u003e\n\u003cli\u003eM 01:06\u003c\/li\u003e\n\u003cli\u003eN 01:07\u003c\/li\u003e\n\u003cli\u003eO 01:36\u003c\/li\u003e\n\u003cli\u003eP 02:13\u003c\/li\u003e\n\u003cli\u003eQ 02:28\u003c\/li\u003e\n\u003cli\u003eR 01:06\u003c\/li\u003e\n\u003cli\u003eS 01:12\u003c\/li\u003e\n\u003cli\u003eT 00:44\u003c\/li\u003e\n\u003cli\u003eU 01:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eText by Lawrence English:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Occasionally ideas present themselves in ways that no one can expect. This recording from Australia’s Eugene Carchesio and the UK’s Adam Betts is one such unexpected presentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA couple of years ago, Eugene passed me a collection of recordings that he explained were in the orbit of his now legendary Circle Music series. The recordings, in Eugene’s particular manner, maintained an intensely rhythmic quality rooted in a deep and unwavering sense of minimalism. Eugene has a way of making a tiny cosmos from just the barest of materials. He wondered though, about mixing it up and adding something unexpected to the pieces, and asked about some drums being added.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt almost exactly the same moment, I had been reminded of the amazing work of Adam Betts, who I have been fortunate to be in the orbit of for more than a decade now. We’d first met at Bad Bonne, sharing a bill, and then crossed paths most recently in Tbilisi where he was performing with Squarepusher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe reason Adam was on my radar though was entirely unrelated to music and it was down to the fact that he had just participated in a welsh toss competition and done quite brilliantly\u003cspan class=\"bcTruncateMore\"\u003e. Somehow, watching Adam lug those weights made me think he’d be the perfect candidate to work with Eugene on this project. To my delight, he agreed.\u003cbr\u003e\u003cbr\u003eWhat results here is a melding of two incredible musical spirits, each of whom have an unerring sense of restrained energy and rhythmic ferocity. It is a parallel reading of how minimal motion can create giant affective waves of energy. It’s also a record of careful listening and generous exploration.\u003cbr\u003e\u003cbr\u003eIt’s not everyday music can emerge from such curious orbits of thought, but when it does it is a cause for celebration. With that in heart I am so pleased to share this incredible edition with you.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Eugene Carchesio + Adam Betts\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e","published_at":"2023-11-11T07:26:04+09:00","created_at":"2023-11-08T10:54:20+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","room40","strange beats"],"price":358800,"price_min":358800,"price_max":373500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745113567482,"title":"Black Vinyl","option1":"Black Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40010153394426,"product_id":8073118449914,"position":3,"created_at":"2023-11-08T10:54:20+09:00","updated_at":"2023-11-08T10:54:22+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462","variant_ids":[44745113567482]},"available":true,"name":"Eugene Carchesio + Adam Betts \/\/ Circle Drum Music LP [COLOR \/ BLACK] - 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Purple Swirl Vinyl","public_title":"Purple Swirl Vinyl","options":["Purple Swirl Vinyl"],"price":373500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32655583871226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462","\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462","\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462","options":["Color"],"media":[{"alt":null,"id":32655583838458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu1_621880fd-e908-423f-89ac-d73c971908e3.jpg?v=1699408462","width":700},{"alt":null,"id":32655583871226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu2_8580b95a-a6e7-4497-bfd3-7147f59a68c2.jpg?v=1699408462","width":1200},{"alt":null,"id":32655583903994,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eu3_37c4a4a1-bdd1-480c-a431-d6dcee939ceb.jpg?v=1699408462","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家Eugene CarchesioとイギリスのパーカッショニストAdam Bettsが、2023年11月にオーストラリアの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eパルスとリズムに焦点を当てたミニマル・ストレンジビーツ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナーLawrence Englishによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"時折、誰も予想できないような形でアイデアが披露されることがある。オーストラリアのEugene Carchesioとイギリスの\u003cmeta charset=\"utf-8\"\u003eAdam Bettsによるこの録音は、そのような予期せぬプレゼンテーションのひとつである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数年前、\u003cmeta charset=\"utf-8\"\u003eEugeneは、今や伝説となった彼のサークルミュージックシリーズの軌道上にある録音集を私に渡してくれた。その録音は、\u003cmeta charset=\"utf-8\"\u003eEugene独特のやり方で、ミニマリズムの深く揺るぎない感覚に根ざした強烈なリズムの質を保っていた。\u003cmeta charset=\"utf-8\"\u003eEugeneは、わずかな素材から小さな宇宙を作り出す術を持っている。しかし、彼はそれをミックスし、作品に何か予想外のものを加えることを考え、ドラムを加えることについて尋ねた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eほぼ同じ瞬間に、私は、幸運にももう10年以上もお付き合いしている\u003cmeta charset=\"utf-8\"\u003eAdam Bettsの素晴らしい仕事を思い出していた。私たちはBad Bonneで初めて顔を合わせ、その後トビリシでスクウェアプッシャーと共演した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAdamが私の目に留まったのは、音楽とはまったく関係なく、彼がウェルシュ・トスの大会に出場し、見事な成績を収めたからだった。Adamがウェイトを持ち運ぶ姿を見て、このプロジェクトでEugeneと一緒に仕事をするのに最適な候補者だと思ったんだ。嬉しいことに、彼は承諾してくれた。\u003cbr\u003e\u003cbr\u003eその結果、抑制されたエネルギーとリズムの獰猛さという確かな感覚を持つ2人の素晴らしい音楽的スピリットが融合した。これは、最小限の動きがいかに巨大なエネルギーの波動を生み出すことができるかを並行して読み解くものである。また、注意深く耳を傾け、惜しみなく探求した記録でもある。\u003cbr\u003e\u003cbr\u003eこのような不思議な思考の軌道から音楽が生まれることは日常茶飯事ではないが、それが実現したときは祝福に値する。そのことを心に刻みながら、この素晴らしいエディションを皆さんと分かち合えることをとても嬉しく思う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4214867450\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" purple swirl vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA 01:52\u003c\/li\u003e\n\u003cli\u003eB 01:00\u003c\/li\u003e\n\u003cli\u003eC 00:37\u003c\/li\u003e\n\u003cli\u003eD 01:20\u003c\/li\u003e\n\u003cli\u003eE 03:00\u003c\/li\u003e\n\u003cli\u003eF 01:56\u003c\/li\u003e\n\u003cli\u003eG 01:28\u003c\/li\u003e\n\u003cli\u003eH 01:18\u003c\/li\u003e\n\u003cli\u003eI 01:00\u003c\/li\u003e\n\u003cli\u003eJ 00:58\u003c\/li\u003e\n\u003cli\u003eK 01:42\u003c\/li\u003e\n\u003cli\u003eL 01:12\u003c\/li\u003e\n\u003cli\u003eM 01:06\u003c\/li\u003e\n\u003cli\u003eN 01:07\u003c\/li\u003e\n\u003cli\u003eO 01:36\u003c\/li\u003e\n\u003cli\u003eP 02:13\u003c\/li\u003e\n\u003cli\u003eQ 02:28\u003c\/li\u003e\n\u003cli\u003eR 01:06\u003c\/li\u003e\n\u003cli\u003eS 01:12\u003c\/li\u003e\n\u003cli\u003eT 00:44\u003c\/li\u003e\n\u003cli\u003eU 01:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eText by Lawrence English:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Occasionally ideas present themselves in ways that no one can expect. This recording from Australia’s Eugene Carchesio and the UK’s Adam Betts is one such unexpected presentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA couple of years ago, Eugene passed me a collection of recordings that he explained were in the orbit of his now legendary Circle Music series. The recordings, in Eugene’s particular manner, maintained an intensely rhythmic quality rooted in a deep and unwavering sense of minimalism. Eugene has a way of making a tiny cosmos from just the barest of materials. He wondered though, about mixing it up and adding something unexpected to the pieces, and asked about some drums being added.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt almost exactly the same moment, I had been reminded of the amazing work of Adam Betts, who I have been fortunate to be in the orbit of for more than a decade now. We’d first met at Bad Bonne, sharing a bill, and then crossed paths most recently in Tbilisi where he was performing with Squarepusher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe reason Adam was on my radar though was entirely unrelated to music and it was down to the fact that he had just participated in a welsh toss competition and done quite brilliantly\u003cspan class=\"bcTruncateMore\"\u003e. Somehow, watching Adam lug those weights made me think he’d be the perfect candidate to work with Eugene on this project. To my delight, he agreed.\u003cbr\u003e\u003cbr\u003eWhat results here is a melding of two incredible musical spirits, each of whom have an unerring sense of restrained energy and rhythmic ferocity. It is a parallel reading of how minimal motion can create giant affective waves of energy. It’s also a record of careful listening and generous exploration.\u003cbr\u003e\u003cbr\u003eIt’s not everyday music can emerge from such curious orbits of thought, but when it does it is a cause for celebration. With that in heart I am so pleased to share this incredible edition with you.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Eugene Carchesio + Adam Betts\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e"}

This is a collaborative record released by Australian experimental musician Eugene Carchesio and British percussionist Adam Betts on the Australian experimental label room2023 in November 11.Contains 40 minimal strange beats focusing on pulse and rhythm. DL code included.Below is an explanation by label owner Lawrence English. "Sometimes an idea presents itself in a way that no one would expect. This recording by Australia's Eugene Carchesio and England's Adam Betts is one such unexpected presentation. A few years ago, Eugene gave me a collection of recordings from the orbit of his now-legendary Circle Music series, which, in typical Eugene fashion, are intensely rhythmic, rooted in a deep and abiding sense of minimalism. Eugene has a way of creating little universes out of very little material. But he wanted to mix it up and add something unexpected to the piece, so he added drums. At about the same moment I was reminded of the great work of Adam Betts, whom I have been fortunate enough to have known for over a decade now. We first met at Bad Bonne and then later at Square in Tbilisi. Played with Pusher. Adam came to my attention, not in any way related to his music, but because he competed in a Welsh toss competition and did well. I looked and thought Eugene was the perfect candidate to work with me on this project. To my delight, he agreed. The result is a combination of restrained energy and rhythmic ferocity. A fusion of two great musical spirits with a certain sense, this is a parallel reading of how minimal movement can create huge waves of energy. It is also a record of careful and generous exploration.It is not every day that music is born from such a mysterious trajectory of thoughts, but when it does happen it is worthy of celebration. I'm very happy to share this edition with you." Click here for more from the label /// Click here to...

¥3,588

Quickview {"id":8073105015034,"title":"Amby Downs \/\/ Ngunmal CD","handle":"amby-downs-ngunmal-cd","description":"\u003cp\u003eオーストラリアの美術家／実験音楽家Amby Downsが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のローエンドなドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e『Amby Downsの作品は、オーストラリアの音楽シーンにおいて極めて個人的でユニークな空間を占めている。このプロジェクトは、願望や希望と同様に、トラウマを語るものでもある。感情的、社会的、政治的、文化的に、世代間の交流の複雑さを認識する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e過去半世紀にわたり、タリアは、語られることのない、場合によっては深く分断された歴史をたどり、植民地時代の侵略と難読化の重圧によって大きく摩耗した血筋をたどることを追求してきた。彼女はコレクターであり、研究者であり、外科医であり、これらの結合組織の断片を縫い合わせる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Ngunmal』と『I Am Holding My Breath』は、サウンド作品としてもオーディオビジュアル・インスタレーションとしても存在する2つの長編作品である。物理的な領域で活動する作品である。呼吸し、ため息をつき、切望する低周波のエネルギーが込められている。彼女の作品には収縮と膨張が同時に感じられ、深く深く引き込まれるような質感がある。この深さは圧力として感じられる。小さな亀裂、小さなつぶやきでさえも、それを裂くと音の洞窟全体が現れるのだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAmby Downs、そしてより広くパルマーの実践は、私たちに自分自身を利用できるようにすることを求めている。わからない場所や状況、不確かであること、不安定であることに対して無防備であることを求められる。そうすることで、この荒々しく強烈で、挑発的で、そして最終的には美しい作品を体験する機会を与えてくれるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101297798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNgunmal\u003c\/li\u003e\n\u003cli\u003eI Am Holding My Breath\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The work of Amby Downs, aka Murri\/European artist Tahlia Palmer, occupies an intensely personal and unique space in the Australian music landscape. It is a project that speaks as much to trauma, as it does to aspiration or hope. It is work that recognises the complexities of intergenerational exchange; emotionally, socially, politically and culturally.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the past half decade, Tahlia has been seeking to trace unspoken, and in some cases deeply fragmented histories, and thread a linage that is heavily worn by the weight of colonial aggression and obfuscation. She is a collector, a researcher and a surgeon, stitching together these pieces of connective tissue, and through doing so she creates the opportunity to imagine, perhaps even re-imagine, the stories that have forged her very being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNgunmal and I Am Holding My Breath are two long form works that exist both as sound pieces and as audio visual installations. They are pieces that operate in the realm of the physical. They are loaded with a low frequency energy that breathes, sighs and yearns. There’s a sense of simultaneous constriction and expansion in her compositions, a quality that draws you in deeper and\u003cspan class=\"bcTruncateMore\"\u003e deeper. This depth is sensed as pressure. In some respects her sound works mimmic the research that feeds into them; even the smallest crack, the tiniest murmuring, can be split open to reveal an entire cavern of sound.\u003cbr\u003e\u003cbr\u003eAmby Downs, and Palmer’s practice more broadly, asks us to make ourselves available. It asks us to be vulnerable to places and situations of not knowing, to be uncertain, to being unsettled. It prompts us to recognise within ourselves the way we operate in the day to day, and through doing so opens us up to experience these wildly intense, provocative and ultimately beautiful works.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amby Downs\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e","published_at":"2023-11-11T07:14:50+09:00","created_at":"2023-11-08T10:40:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745078964474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Amby Downs \/\/ Ngunmal CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620","\/\/tobirarecords.com\/cdn\/shop\/files\/ng2_e04daf29-cd8a-4921-a375-23cadb45710e.jpg?v=1699407619"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620","options":["Title"],"media":[{"alt":null,"id":32655547990266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng1_00fed7b7-a433-44c7-9983-d07db70313a5.jpg?v=1699407620","width":700},{"alt":null,"id":32655548023034,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng2_e04daf29-cd8a-4921-a375-23cadb45710e.jpg?v=1699407619"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ng2_e04daf29-cd8a-4921-a375-23cadb45710e.jpg?v=1699407619","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの美術家／実験音楽家Amby Downsが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のローエンドなドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e『Amby Downsの作品は、オーストラリアの音楽シーンにおいて極めて個人的でユニークな空間を占めている。このプロジェクトは、願望や希望と同様に、トラウマを語るものでもある。感情的、社会的、政治的、文化的に、世代間の交流の複雑さを認識する作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e過去半世紀にわたり、タリアは、語られることのない、場合によっては深く分断された歴史をたどり、植民地時代の侵略と難読化の重圧によって大きく摩耗した血筋をたどることを追求してきた。彼女はコレクターであり、研究者であり、外科医であり、これらの結合組織の断片を縫い合わせる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Ngunmal』と『I Am Holding My Breath』は、サウンド作品としてもオーディオビジュアル・インスタレーションとしても存在する2つの長編作品である。物理的な領域で活動する作品である。呼吸し、ため息をつき、切望する低周波のエネルギーが込められている。彼女の作品には収縮と膨張が同時に感じられ、深く深く引き込まれるような質感がある。この深さは圧力として感じられる。小さな亀裂、小さなつぶやきでさえも、それを裂くと音の洞窟全体が現れるのだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAmby Downs、そしてより広くパルマーの実践は、私たちに自分自身を利用できるようにすることを求めている。わからない場所や状況、不確かであること、不安定であることに対して無防備であることを求められる。そうすることで、この荒々しく強烈で、挑発的で、そして最終的には美しい作品を体験する機会を与えてくれるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101297798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNgunmal\u003c\/li\u003e\n\u003cli\u003eI Am Holding My Breath\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The work of Amby Downs, aka Murri\/European artist Tahlia Palmer, occupies an intensely personal and unique space in the Australian music landscape. It is a project that speaks as much to trauma, as it does to aspiration or hope. It is work that recognises the complexities of intergenerational exchange; emotionally, socially, politically and culturally.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the past half decade, Tahlia has been seeking to trace unspoken, and in some cases deeply fragmented histories, and thread a linage that is heavily worn by the weight of colonial aggression and obfuscation. She is a collector, a researcher and a surgeon, stitching together these pieces of connective tissue, and through doing so she creates the opportunity to imagine, perhaps even re-imagine, the stories that have forged her very being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNgunmal and I Am Holding My Breath are two long form works that exist both as sound pieces and as audio visual installations. They are pieces that operate in the realm of the physical. They are loaded with a low frequency energy that breathes, sighs and yearns. There’s a sense of simultaneous constriction and expansion in her compositions, a quality that draws you in deeper and\u003cspan class=\"bcTruncateMore\"\u003e deeper. This depth is sensed as pressure. In some respects her sound works mimmic the research that feeds into them; even the smallest crack, the tiniest murmuring, can be split open to reveal an entire cavern of sound.\u003cbr\u003e\u003cbr\u003eAmby Downs, and Palmer’s practice more broadly, asks us to make ourselves available. It asks us to be vulnerable to places and situations of not knowing, to be uncertain, to being unsettled. It prompts us to recognise within ourselves the way we operate in the day to day, and through doing so opens us up to experience these wildly intense, provocative and ultimately beautiful works.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amby Downs\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e"}