Teeth Of Glass // Death Smiles At The Crystal Grave Tape

Teeth Of Glass // Death Smiles At The Crystal Grave Tape

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This is a cassette released by British dungeon synth wave writer Teeth Of Glass in May 2022 from the country's experimental label Waxing Crescent Records, limited to 5 pieces.

Awesome dungeon synth ~ Includes 7 fictional Giallo horror movie soundtracks. DL code included.It is out of print.The plot is as follows.

A wealthy sick man, allegedly the culprit of a serial murder, escapes from police and is found dead in a river.Someone attacks a model who seems to know something about the disappearance.The case turns out to be a hoax that her mother designed to make her crazy.

Labels and other worksClick here for more information. ///Click here to see more Waxing Crescent releases available at Tobira.

----------------------------

Waxing Crescent:

"Death Smiles At The Crystal Grave is a score to an imagined Giallo / Horror film, below is a synopsis:

A model is attacked by a shadowy figure, because she is presumed to know something about the disappearance. The crime turns out to have been a hoax calculated by her mother to drive her in sane.'"

Artist: Teeth Of Glass

Label: Waxing Crescent

This is a cassette released by British dungeon synth wave writer Teeth Of Glass in May 2022 from the country's experimental label Waxing Crescent Records, limited to 5 pieces.

Awesome dungeon synth ~ Includes 7 fictional Giallo horror movie soundtracks. DL code included.It is out of print.The plot is as follows.

Labels and other worksClick here for more information. ///Click here to see more Waxing Crescent releases available at Tobira.

----------------------------

Waxing Crescent:

Artist: Teeth Of Glass

Label: Waxing Crescent

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But in the quiet nights of 2022, Oxlund began to retreat to a more personal form of music making.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking inspiration from a series of tapes made by his father of German radio shows in the late 70s, he decided to re-engage with the sounds of his blurry and half-remembered youth - a time when he had no musical preconceptions. 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Pink vinyl edition of 100 (total edition of 300)\u003cbr\u003e\u003cbr\u003eOriginally released in 1996 on CD by Gru Gru Records. 2023 reissue by Night Rhythms Records. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e十六夜の月 \u003c\/span\u003eIzayoi No Tsuki\u003cbr\u003eB \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e靄靄 \u003c\/span\u003eHaze (Ai Ai)\u003cbr\u003eC1 \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e玉響 \u003c\/span\u003eTamayura\u003cbr\u003eC2 \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e早乙女 \u003c\/span\u003e Saotome\u003cbr\u003eD \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e天の小道 \u003c\/span\u003eHeaven's Path (Ama No Komichi)\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eNight Rhythms Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eNight Rhythms proudly presents a first-time vinyl edition of Toshimi Mikami’s elusive gem of 90’s ambient “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e気舞\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e- Quimai” (“Chi Dance”). 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Mikami follows it with “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e早乙女\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eSaotome,” a carefree piece that sheds the vestiges of tension present in the preceding tracks and features a playfully cascading gamelan figure. All underlying rhythmic churn falls away with album-closer “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e天の小道\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eAma No Komichi,” an airy piece that maintains a structure similar to its sibling works while coming closest to the new age tradition, breathing freely without ever standing still. One can imagine Mikami or other practitioners enacting the final movements of their daily exercise — body tired but limber, mind reset.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis gatefold double LP edition is mastered from the original source by Travis Nordahl with lacquers cut at Palomino Records (USA). Track 3 “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e玉響\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eTamayura” has been slightly abridged to fit the constraints of the format. 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Liner notes by Toshimi Mikami and Harumi Hosono.\"\u003c\/i\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Toshimi Mikam\u003c\/p\u003e\n\u003cp\u003eLabel : Night Rhythms Recordings\u003c\/p\u003e","published_at":"2023-09-13T06:53:20+09:00","created_at":"2023-09-12T15:45:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","post 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style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e90年代に細野晴臣バンドのメンバーとしても活動していたニューエイジ作家／神楽・伝承音楽研究家三上敏視が、2023年8月にリリースした再発2枚組レコードです。（オリジナルは1996年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e穏やかな時間を約束するニューエイジ・アンビエント5曲を収録。\u003c\/p\u003e\n\u003cp\u003e黒盤とクリアピンク盤がございます。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KT-mRoG9FmI?si=F7FcOISEumVq1op6\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" TRANSLUCENT PINK vinyl in gatefold sleeve. Pink vinyl edition of 100 (total edition of 300)\u003cbr\u003e\u003cbr\u003eOriginally released in 1996 on CD by Gru Gru Records. 2023 reissue by Night Rhythms Records. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e十六夜の月 \u003c\/span\u003eIzayoi No Tsuki\u003cbr\u003eB \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e靄靄 \u003c\/span\u003eHaze (Ai Ai)\u003cbr\u003eC1 \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e玉響 \u003c\/span\u003eTamayura\u003cbr\u003eC2 \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e早乙女 \u003c\/span\u003e Saotome\u003cbr\u003eD \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e天の小道 \u003c\/span\u003eHeaven's Path (Ama No Komichi)\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eNight Rhythms Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eNight Rhythms proudly presents a first-time vinyl edition of Toshimi Mikami’s elusive gem of 90’s ambient “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e気舞\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e- Quimai” (“Chi Dance”). Released on CD in 1996 and again in 2008, this double LP version marks the first time the album will be readily available outside of Japan. Mikami states: “I made this album mainly as background music for Qi Gong, Tai Chi, yoga, etc., but I also want people to use it for various other kinds of relaxation.” The music reflects the practice of these deliberate, meditative disciplines with spacious motifs carried along by a steady rhythmic current. In his liner notes for the original CD edition, which are reprinted here, Mikami’s one-time bandmate Harumi Hosono writes of the evolution of the ambient\/“organic” strain in 20th century music that “eyes, ears, and hearts opened like never before may now extend beyond notions to the specks of the natural world.” Ambient music isn’t music stripped of meaning, but rather its meaning finds form in our connection to the most basic elements of our environment, as distinguished from what Hosono calls the “endlessly exhausted economic principles” of modern pop music.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Quimai” exists at the intersection of ambient, new age, and classic minimalism, with a gentle synthetic palette of global instrumentation layered and braided into fully orchestrated compositions. Relaxing though it may be, it’s a very focused sort of relaxation that encourages active listening rather than the blissful “tuning out” that some ambient music can inspire. Opening track “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e十六夜の月\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eIzayoi No Tsuki” immediately calls to mind Steve Reich’s work with its insistent 6\/4 pulse and prominent woodwinds and percussion. “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e玉響\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eAi Ai” continues on a similar footing, with shards of sunlight glinting off an otherwise untroubled and tireless stream. The enchanting marimba ostinato of “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e玉響\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eTamayura” has a subaquatic quality, as if the listener is now witnessing the events on the water’s surface from below. Mikami follows it with “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e早乙女\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eSaotome,” a carefree piece that sheds the vestiges of tension present in the preceding tracks and features a playfully cascading gamelan figure. All underlying rhythmic churn falls away with album-closer “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e天の小道\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eAma No Komichi,” an airy piece that maintains a structure similar to its sibling works while coming closest to the new age tradition, breathing freely without ever standing still. One can imagine Mikami or other practitioners enacting the final movements of their daily exercise — body tired but limber, mind reset.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis gatefold double LP edition is mastered from the original source by Travis Nordahl with lacquers cut at Palomino Records (USA). Track 3 “\u003cspan style=\"font-family: NSimSun;\" face=\"NSimSun\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan lang=\"zh-CN\" data-mce-fragment=\"1\"\u003e玉響\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eTamayura” has been slightly abridged to fit the constraints of the format. Artistic elements of both CD editions have been combined by Joe Bastardo with additional nature photography courtesy of Night Rhythms Recordings owner Greg Holly. Liner notes by Toshimi Mikami and Harumi Hosono.\"\u003c\/i\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Toshimi Mikam\u003c\/p\u003e\n\u003cp\u003eLabel : Night Rhythms Recordings\u003c\/p\u003e"}