Abandoned Bees // remnants TAPE

¥1,750

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The Abandoned Bees, the ambient duo of England's The Humble Bee and Australia's Erik Williamson, will release on German ambient label in March 2023.Debut cassette released from Vaknar with a limited edition of 100.

6 hazy lo-fi ambient tracks, 1 hour. Comes with DL code.

Don't miss this opportunity as it is already out of print.

Vaagner and other worksplease use this form. ///Click here to see more Vaagner releases available at Tobira.

--------------------------

Includes DL code. Edition of 100.

Text via Vaagner:

"'All things that have form eventually decay.'

After last year's tenuous offering "Another Fall," Craig Tattersall (A Humble Bee) returns with a new collaborator in tow, Erik Williamson. Together the duo unveil a body of collaborative work titled 'remnants', showcasing a near hour-long offering of unfaltering melancholy, with each piece engulfing the listener in an abyss of tape-laden hiss, while drifting ever so slightly into aimless reverie."

Artist : Abandoned Bees

Label: Vaagner

6 hazy lo-fi ambient tracks, 1 hour. Comes with DL code.

Don't miss this opportunity as it is already out of print.

Vaagner and other worksplease use this form. ///Click here to see more Vaagner releases available at Tobira.

--------------------------

Includes DL code. Edition of 100.

Text via Vaagner:

Artist : Abandoned Bees

Label: Vaagner

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His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e"}