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{"id":8109778338042,"title":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","handle":"nakibembe-embaire-group-nakibembe-embaire-group-lp-1","description":"\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である\u003cmeta charset=\"utf-8\"\u003e巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyage Nyageからリリースしたデビューレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国(現存する4つの立憲君主制国家のひとつ)にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15~25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール&レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=360329128\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-12-11T19:14:44+09:00","created_at":"2023-12-11T19:13:59+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","lp","new","strange beats"],"price":1995,"price_min":1995,"price_max":1995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44873908388090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","public_title":null,"options":["Default Title"],"price":1995,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","options":["Title"],"media":[{"alt":null,"id":32823109091578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","width":700},{"alt":null,"id":32823109124346,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である\u003cmeta charset=\"utf-8\"\u003e巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyage Nyageからリリースしたデビューレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国(現存する4つの立憲君主制国家のひとつ)にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15~25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール&レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=360329128\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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This is the debut record released in May 2023 from the dance label Nyage Nyage in Kampala, Uganda by Nakibembe Embaire Group, a band that plays the huge xylophone "Ember", a traditional instrument of Nakibembe, a small village in the Kingdom of Busoga, Uganda.Contains 5 pieces of primitive dance music with full polyrhythm.Indonesian gamelang gaba band Gabber Modus Operandi also participates. "Nakibembe, a small village in Uganda's Kingdom of Busoga (one of four remaining constitutional monarchies), has long had a communal space reserved for locals to perform music and socialize. has a deep hole and crosses the groove to amplify the giant xylophone "enver", which consists of 8-4 wooden keys.While log xylophones are common in East Africa, the music played by the Basoga, an eastern Bantu people, is special and unique, with its own tunings, dances, and auxiliary instruments.Up to eight musicians perform simultaneously around Enver, creating an ensemble layered with hypnotic polyrhythms and adding vocals, shakers and drums.The Nakibembe Xylophone Group was one of the last groups to play with the Humbert, and as anyone who's seen them live will know, they create a complex, multi-layered wall of sound, perfect wherever they play. I am fascinated byThe band are regulars at the Nyege Nyege festival and in 15 performed at the legendary nightclub Berghain in Berlin with avant-garde bands Gabber Modus Operandi and Harsya Wahono from Jakarta.The debut album features 25 songs as an ensemble and 8 songs as a collaboration with an Indonesian trio.Listened together, they reveal not only Nakibembe's own motion sounds, but sonic ripples that correlate with more distant forms, from Indonesian metallophone-driven gamelan music to the cerebral digital processes of the sound art world. The 2020-minute Omagari "Omukazi Iwe...
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{"id":8108861784314,"title":"Lawrence English \/ Werner Dafeldecker \/\/ Tropic of Capricorn LP [COLOR]","handle":"lawrence-english-werner-dafeldecker-tropic-of-capricorn-lp-color","description":"\u003cp\u003eオーストラリアのLawrence EnglishとオーストリアのWerner Dafeldecker実験音楽家2名が、2023年11月にスイスのドローンレーベルHallow Groundからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eLawrence Englishが収集したフィールドレコーディングを、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWerner Dafeldeckerが料理したロングフォームな物音コラージュ・ドローンスケープ2曲を収録\u003c\/span\u003e。DLコード付属。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Tropic of Capricorn』は、Lawrence EnglishとWerner Dafeldeckerによる2ndアルバムである。多作なRoom40のオーナーが録音したフィールドレコーディングをベースに、オーストリア生まれの伝説的インプロヴァイザーが電子音響のテクニックを駆使して微妙に、しかし決定的に変化させたこの2枚の長編作品は、音響生態学と美学的介入、具体的なローカルな音の世界と境界を超えるアートの境界線を曖昧にしている。これらの作品は、自然がどこで終わり、人間の知覚がどこで始まるのかを問いかけると同時に、リスナーである私たちと自然との関係に焦点を当てている。それらは深く混乱させ、おそらく最も美しい方法で幻惑させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnglishは、ベースとなる素材を、2つの異なるフィールドトリップで録音した。ひとつは西海岸からオーストラリア北部にあるピルバラ地方、もうひとつは中央砂漠のアレンテ族の土地である。「これらは広大な空間であり、ある面では、国土に耳を傾けようとしない現代的な文明の考え方を突き放しています」とEnglishは言う。サウンドスケープを録音する際、アーティストは失敗した植民地願望の残滓に焦点を当てた。「失敗した牧畜地やその他の努力の跡に残る建物や物体は、それ自体が不穏な音の世界を作り出している。「最も人里離れた場所でも、遠くから産業のドローンという音が聞こえてくる。彼はやがて自然再生のドキュメントを持ち帰った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそして、その豊富な音源はDafeldeckerに渡された。木、動物の皮、ガラス、金属の表面など、さまざまな表面にトランスデューサーを当てて録音を空間化し、また録音の一部を再録音することで、彼はEnglishの録音に挿入された、あるいはむしろ\u003cmeta charset=\"utf-8\"\u003eEnglishの録音に巻き込まれた個別の出来事を作り出した。鳥のさえずり、虫の鳴き声、雨の音......環境に耳を傾ければ聞こえてくる生活の音。しかし、それ以外にも、何度聴いても分類できないもの、そもそもそれが本当に鳥の鳴き声なのか、虫の音なのか、雨音なのかが疑わしいものもある。Tropic of Capricornがリスナーを誘うのは、自然を音でどう表現するかという先入観を超えた聴き方であり、その代わりに感覚の即時性を受け入れることなのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2852341535\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Hallow Ground releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" orange vinyl. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTropic of Capricorn I 20:00\u003c\/li\u003e\n\u003cli\u003eTropic of Capricorn II 19:26\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eHallow Ground:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e»Tropic of Capricorn« is the second album by Lawrence English and Werner Dafeldecker. Based on field recordings made by the prolific Room40 owner that were subtly but decisively altered with electroacoustic techniques through the Austria born improv legend, these two long-form pieces blur the lines between acoustic ecology and aesthetic interventions, concrete local sound worlds and boundary-defying art. They put a focus on our relationship with nature as listeners as much as they call into question where nature ends and human perception begins. They are deeply confusing, disorienting perhaps, in the most beautiful ways.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnglish recorded the material that form the basis of the duo’s Hallow Ground debut on two different field trips. One led him from the Western coast to the Pilbara region in the North of the country called Australia, the other to the central desert into the lands of the Arrernte people. »These are vast spaces, and in some respects they shun contemporary ideas of civilisation which seek not to listen to the country,« says English. When recording the soundscapes, the artist put a focus on the residues of failed colonial aspirations. »The buildings and objects that remain from the failed cattle pastures and other endeavours create uneasy sound worlds of their\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e own,« he says of the regions that are also places of extraction, especially the heavily mined Pilbara. »There is a distant drone of industry in even the most remote of places; an unsettled sense of heavy breath on the land.« He brought home a document of natural reclamation in time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe rich source material was then given to Dafeldecker. Spatialising the recordings with transducers applied to different surfaces such as wood, stretched animal skin, glass, or metal surfaces and also re-recording parts of the recordings, he created discrete events that were inserted into, or rather enmeshed with English’s recordings. You’ll hear plenty of birdsong, insect noises and the sound of rain during these 39 minutes; the sounds of a life you can tap into if you tune into your environment. But there are also other things, things that are impossible to categorise even after repeated listens and that call into question whether or not those were really birds, insects, or the sound of rain in the first place. What »Tropic of Capricorn« invites its listeners to listen beyond the preconceived notions of how nature is supposed to be represented in sound and to instead embrace the immediacy of the sensation.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lawrence English \/ Werner Dafeldecker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Hallow Ground\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-12-10T11:37:06+09:00","created_at":"2023-12-10T10:44:29+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","hallow ground","lp","monooto","new"],"price":2795,"price_min":2795,"price_max":2795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44868837638394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/ Werner Dafeldecker \/\/ Tropic of Capricorn LP [COLOR]","public_title":null,"options":["Default Title"],"price":2795,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/en1_6b75d39e-fde4-4699-ad62-8f9abb9e8077.jpg?v=1702172671","\/\/tobirarecords.com\/cdn\/shop\/files\/en2_c9179770-eed3-4d67-9396-c8f8b969aad9.jpg?v=1702172671"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/en1_6b75d39e-fde4-4699-ad62-8f9abb9e8077.jpg?v=1702172671","options":["Title"],"media":[{"alt":null,"id":32817706598650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en1_6b75d39e-fde4-4699-ad62-8f9abb9e8077.jpg?v=1702172671"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en1_6b75d39e-fde4-4699-ad62-8f9abb9e8077.jpg?v=1702172671","width":700},{"alt":null,"id":32817706631418,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en2_c9179770-eed3-4d67-9396-c8f8b969aad9.jpg?v=1702172671"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en2_c9179770-eed3-4d67-9396-c8f8b969aad9.jpg?v=1702172671","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのLawrence EnglishとオーストリアのWerner Dafeldecker実験音楽家2名が、2023年11月にスイスのドローンレーベルHallow Groundからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eLawrence Englishが収集したフィールドレコーディングを、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWerner Dafeldeckerが料理したロングフォームな物音コラージュ・ドローンスケープ2曲を収録\u003c\/span\u003e。DLコード付属。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Tropic of Capricorn』は、Lawrence EnglishとWerner Dafeldeckerによる2ndアルバムである。多作なRoom40のオーナーが録音したフィールドレコーディングをベースに、オーストリア生まれの伝説的インプロヴァイザーが電子音響のテクニックを駆使して微妙に、しかし決定的に変化させたこの2枚の長編作品は、音響生態学と美学的介入、具体的なローカルな音の世界と境界を超えるアートの境界線を曖昧にしている。これらの作品は、自然がどこで終わり、人間の知覚がどこで始まるのかを問いかけると同時に、リスナーである私たちと自然との関係に焦点を当てている。それらは深く混乱させ、おそらく最も美しい方法で幻惑させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnglishは、ベースとなる素材を、2つの異なるフィールドトリップで録音した。ひとつは西海岸からオーストラリア北部にあるピルバラ地方、もうひとつは中央砂漠のアレンテ族の土地である。「これらは広大な空間であり、ある面では、国土に耳を傾けようとしない現代的な文明の考え方を突き放しています」とEnglishは言う。サウンドスケープを録音する際、アーティストは失敗した植民地願望の残滓に焦点を当てた。「失敗した牧畜地やその他の努力の跡に残る建物や物体は、それ自体が不穏な音の世界を作り出している。「最も人里離れた場所でも、遠くから産業のドローンという音が聞こえてくる。彼はやがて自然再生のドキュメントを持ち帰った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそして、その豊富な音源はDafeldeckerに渡された。木、動物の皮、ガラス、金属の表面など、さまざまな表面にトランスデューサーを当てて録音を空間化し、また録音の一部を再録音することで、彼はEnglishの録音に挿入された、あるいはむしろ\u003cmeta charset=\"utf-8\"\u003eEnglishの録音に巻き込まれた個別の出来事を作り出した。鳥のさえずり、虫の鳴き声、雨の音......環境に耳を傾ければ聞こえてくる生活の音。しかし、それ以外にも、何度聴いても分類できないもの、そもそもそれが本当に鳥の鳴き声なのか、虫の音なのか、雨音なのかが疑わしいものもある。Tropic of Capricornがリスナーを誘うのは、自然を音でどう表現するかという先入観を超えた聴き方であり、その代わりに感覚の即時性を受け入れることなのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2852341535\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Hallow Ground releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" orange vinyl. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTropic of Capricorn I 20:00\u003c\/li\u003e\n\u003cli\u003eTropic of Capricorn II 19:26\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eHallow Ground:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e»Tropic of Capricorn« is the second album by Lawrence English and Werner Dafeldecker. Based on field recordings made by the prolific Room40 owner that were subtly but decisively altered with electroacoustic techniques through the Austria born improv legend, these two long-form pieces blur the lines between acoustic ecology and aesthetic interventions, concrete local sound worlds and boundary-defying art. They put a focus on our relationship with nature as listeners as much as they call into question where nature ends and human perception begins. They are deeply confusing, disorienting perhaps, in the most beautiful ways.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnglish recorded the material that form the basis of the duo’s Hallow Ground debut on two different field trips. One led him from the Western coast to the Pilbara region in the North of the country called Australia, the other to the central desert into the lands of the Arrernte people. »These are vast spaces, and in some respects they shun contemporary ideas of civilisation which seek not to listen to the country,« says English. When recording the soundscapes, the artist put a focus on the residues of failed colonial aspirations. »The buildings and objects that remain from the failed cattle pastures and other endeavours create uneasy sound worlds of their\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e own,« he says of the regions that are also places of extraction, especially the heavily mined Pilbara. »There is a distant drone of industry in even the most remote of places; an unsettled sense of heavy breath on the land.« He brought home a document of natural reclamation in time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe rich source material was then given to Dafeldecker. Spatialising the recordings with transducers applied to different surfaces such as wood, stretched animal skin, glass, or metal surfaces and also re-recording parts of the recordings, he created discrete events that were inserted into, or rather enmeshed with English’s recordings. You’ll hear plenty of birdsong, insect noises and the sound of rain during these 39 minutes; the sounds of a life you can tap into if you tune into your environment. But there are also other things, things that are impossible to categorise even after repeated listens and that call into question whether or not those were really birds, insects, or the sound of rain in the first place. What »Tropic of Capricorn« invites its listeners to listen beyond the preconceived notions of how nature is supposed to be represented in sound and to instead embrace the immediacy of the sensation.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lawrence English \/ Werner Dafeldecker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Hallow Ground\u003c\/span\u003e\u003c\/p\u003e"}
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This is a collaborative record released by experimental musicians Lawrence English from Australia and Werner Dafeldecker from Austria on the Swiss drone label Hallow Ground in November 2. Contains two long-form sound collages and dronescapes created by Werner Dafeldecker based on field recordings collected by Lawrence English. DL code included.It's an orange edition.Below is an explanation by the label. "Tropic of Capricorn is the second album by Lawrence English and Werner Dafeldecker.Based on field recordings made by the prolific Room 2023 owner, the legendary Austrian improviser uses electro-acoustic techniques to Subtly but decisively inflected, these two full-length works blur the lines between sonic ecology and aesthetic intervention, between concrete local sound worlds and transnational art. The works question where nature ends and human perception begins, and at the same time focus on the relationship between us, the listeners, and nature. They deeply disturb and, perhaps, dazzle in the most beautiful of ways. English recorded the base material on two different field trips, one in the Pilbara region from the west coast to northern Australia, and the other in the Arrernte lands of the central desert. "And in some ways, it's a rejection of the modern civilization's refusal to listen to the land," says English.When recording the soundscapes, the artist focused on the remnants of failed colonial aspirations. "The buildings and objects that remain from failed ranches and other efforts create their own ominous world of sounds. "Even in the most remote places, the distant drone of industry can be heard. He eventually brought back a document on natural regeneration.
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{"id":8108861260026,"title":"Sam Dunscombe \/\/ Two Forests LP","handle":"sam-dunscombe-two-forests-lp","description":"\u003cp\u003eドイツ・ベルリンの実験音楽家Sam Dunscombeが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e森と海のフィールドレコーディングを加工した物音コラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Two Forests』はカリフォルニア中央部のセコイア林から始まる。鳥のさえずりや虫の鳴き声は、さまざまな時間ベースの処理方法(スライシングと組み換え、原始的なグラニュラーシンセシス、ディレイなど)で処理され、フィールドレコーディングから直線的でドキュメンタリー的な性格を取り除き、痕跡とエコーの魅惑的な網の目の中に再構築される。Dunscombeは、オリジナルレコーディングに含まれるピッチを分析し、大規模なジャストイントネーションのピッチセットを生成した。これらの音は、フィールドレコーディングの中にゆっくりと織り込まれ、徐々に密度と複雑さを増していき、森が無限のプロポーションを持つ非現実的な空間へと変化していく。曲の終盤、この宇宙的な広がりから抜け出して、私たちはブラジルのマナウス郊外のアマゾンの熱帯雨林にいることに気づく。\u003cmeta charset=\"utf-8\"\u003eDunscombeが書いているように、この作品は「オクターブ、マイル、分を越えて、空間と時間が同時に膨張と収縮を繰り返す、奇妙な場所の感覚」を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Oceanic』では、さまざまな浜辺の録音がフェードイン、フェードアウトを繰り返し、波のリズムとそれぞれの録音の奥行きと距離感が、均質でありながら絶えず変化するテクスチャーを作り出している。それぞれの浜辺の平均的なリズムに単純な比率で関連する音色が互いに重なり合い、フィールドレコーディングのホワイトノイズの質感を移り変わる色合いで彩る。両作品とも、\u003cmeta charset=\"utf-8\"\u003eDunscombeは現代のアンビエントミュージックの安易な協和音を排し、拡張調律の実践とスペクトラリズムから得たより豊かなハーモニーの配列に取り組んでいる。その結果、ラドゥレスクのうねるような音の塊と、アーヴタイベルの「心理学的に究極の」エンバイロメンツの控えめに処理されたロケーションレコーディングの、これまで夢にも思わなかった出会いを示唆している。実験音楽文化を苦しめかねない偏狭さを超えて、\u003cmeta charset=\"utf-8\"\u003eDunscombeの作品は、音と音楽への幅広いアプローチが持つ癒しの力を感動的に主張している。サイケデリックセラピー以外でも、『Two Forests \/ Oceanic』に頻繁に浸ることで、心理的に有益な結果が得られることはほぼ確実である。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1440076836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e2F 19:30\u003c\/li\u003e\n\u003cli\u003eO 18:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt via Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"[\u003ci\u003e...] \u003c\/i\u003e\u003cem\u003e‘Two Forests’ begins in a central Californian sequoia grove. Bird songs and buzzing insect life are treated with a variety of time-based processing methods (slicing and recombination, primitive granular synthesis, delay, and so on), which strip the field recordings of their linear, documentary character, reframing them in an enchanted web of traces and echoes. Analysing the pitches found in the original recordings, Dunscombe used them to generate a large Just Intonation pitch set. These tones are woven slowly into the field recordings, gradually building in density and complexity until the forest has been transformed into an unreal space of infinite proportions. Emerging from this cosmic expanse in the final minutes of the piece, we find ourselves in the Amazon rainforest outside Manaus, Brazil. As Dunscombe writes, the piece creates ‘a sense of place-gone-strange, of space and time simultaneously expanding and contracting across octaves, miles, and minutes’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn ‘Oceanic’, several recordings of different beaches fade in and out to create a texture both homogenous and constantly shifting in both the rhythm of the waves and each recording's sense of depth and distance. Tones relating in simple ratios to the average rhythm of each beach float over each other, colouring the white noise texture of the field recordings with shifting hues. In both pieces, Dunscombe forgoes the easy consonance that bogs down much contemporary ambient music for a richer harmonic array informed by extended tuning practices and spectralism. The end results suggest a hitherto undreamt-of meeting of Radulescu’s undulating sonic masses and the discreetly processed location recordings of Irv Teibel’s ‘psychologically ultimate’ Environments. Looking beyond the insularity that can afflict experimental music culture, Dunscombe’s work is a moving argument for the healing power of expanded approaches to sound and music. Even outside of a psychedelics-assisted therapy, frequent immersion in Two Forests \/ Oceanic is almost guaranteed to produce beneficial psychological results. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Dunscombe\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-12-10T12:13:47+09:00","created_at":"2023-12-10T10:39:21+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","field recording","lp","monooto","new"],"price":2795,"price_min":2795,"price_max":2795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44868831117562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Dunscombe \/\/ Two Forests LP","public_title":null,"options":["Default Title"],"price":2795,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363","\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_116d6758-c3a7-4dbe-9be1-399735f124cf.jpg?v=1702172363"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363","options":["Title"],"media":[{"alt":null,"id":32817702338810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363","width":700},{"alt":null,"id":32817702371578,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_116d6758-c3a7-4dbe-9be1-399735f124cf.jpg?v=1702172363"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_116d6758-c3a7-4dbe-9be1-399735f124cf.jpg?v=1702172363","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験音楽家Sam Dunscombeが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e森と海のフィールドレコーディングを加工した物音コラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Two Forests』はカリフォルニア中央部のセコイア林から始まる。鳥のさえずりや虫の鳴き声は、さまざまな時間ベースの処理方法(スライシングと組み換え、原始的なグラニュラーシンセシス、ディレイなど)で処理され、フィールドレコーディングから直線的でドキュメンタリー的な性格を取り除き、痕跡とエコーの魅惑的な網の目の中に再構築される。Dunscombeは、オリジナルレコーディングに含まれるピッチを分析し、大規模なジャストイントネーションのピッチセットを生成した。これらの音は、フィールドレコーディングの中にゆっくりと織り込まれ、徐々に密度と複雑さを増していき、森が無限のプロポーションを持つ非現実的な空間へと変化していく。曲の終盤、この宇宙的な広がりから抜け出して、私たちはブラジルのマナウス郊外のアマゾンの熱帯雨林にいることに気づく。\u003cmeta charset=\"utf-8\"\u003eDunscombeが書いているように、この作品は「オクターブ、マイル、分を越えて、空間と時間が同時に膨張と収縮を繰り返す、奇妙な場所の感覚」を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Oceanic』では、さまざまな浜辺の録音がフェードイン、フェードアウトを繰り返し、波のリズムとそれぞれの録音の奥行きと距離感が、均質でありながら絶えず変化するテクスチャーを作り出している。それぞれの浜辺の平均的なリズムに単純な比率で関連する音色が互いに重なり合い、フィールドレコーディングのホワイトノイズの質感を移り変わる色合いで彩る。両作品とも、\u003cmeta charset=\"utf-8\"\u003eDunscombeは現代のアンビエントミュージックの安易な協和音を排し、拡張調律の実践とスペクトラリズムから得たより豊かなハーモニーの配列に取り組んでいる。その結果、ラドゥレスクのうねるような音の塊と、アーヴタイベルの「心理学的に究極の」エンバイロメンツの控えめに処理されたロケーションレコーディングの、これまで夢にも思わなかった出会いを示唆している。実験音楽文化を苦しめかねない偏狭さを超えて、\u003cmeta charset=\"utf-8\"\u003eDunscombeの作品は、音と音楽への幅広いアプローチが持つ癒しの力を感動的に主張している。サイケデリックセラピー以外でも、『Two Forests \/ Oceanic』に頻繁に浸ることで、心理的に有益な結果が得られることはほぼ確実である。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1440076836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e2F 19:30\u003c\/li\u003e\n\u003cli\u003eO 18:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt via Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"[\u003ci\u003e...] \u003c\/i\u003e\u003cem\u003e‘Two Forests’ begins in a central Californian sequoia grove. Bird songs and buzzing insect life are treated with a variety of time-based processing methods (slicing and recombination, primitive granular synthesis, delay, and so on), which strip the field recordings of their linear, documentary character, reframing them in an enchanted web of traces and echoes. Analysing the pitches found in the original recordings, Dunscombe used them to generate a large Just Intonation pitch set. These tones are woven slowly into the field recordings, gradually building in density and complexity until the forest has been transformed into an unreal space of infinite proportions. Emerging from this cosmic expanse in the final minutes of the piece, we find ourselves in the Amazon rainforest outside Manaus, Brazil. As Dunscombe writes, the piece creates ‘a sense of place-gone-strange, of space and time simultaneously expanding and contracting across octaves, miles, and minutes’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn ‘Oceanic’, several recordings of different beaches fade in and out to create a texture both homogenous and constantly shifting in both the rhythm of the waves and each recording's sense of depth and distance. Tones relating in simple ratios to the average rhythm of each beach float over each other, colouring the white noise texture of the field recordings with shifting hues. In both pieces, Dunscombe forgoes the easy consonance that bogs down much contemporary ambient music for a richer harmonic array informed by extended tuning practices and spectralism. The end results suggest a hitherto undreamt-of meeting of Radulescu’s undulating sonic masses and the discreetly processed location recordings of Irv Teibel’s ‘psychologically ultimate’ Environments. Looking beyond the insularity that can afflict experimental music culture, Dunscombe’s work is a moving argument for the healing power of expanded approaches to sound and music. Even outside of a psychedelics-assisted therapy, frequent immersion in Two Forests \/ Oceanic is almost guaranteed to produce beneficial psychological results. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Dunscombe\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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This is a record released by Sam Dunscombe, an experimental musician from Berlin, Germany, on the Australian experimental label Black Truffle in November 2023.Contains two sound collage/drone songs processed from field recordings of the forest and the sea.Below is an explanation by the label. Two Forests begins in a redwood forest in central California.Bird songs and insect calls are processed with various time-based processing methods (slicing and recombination, primitive granular synthesis, delay, etc.) to remove the linear, documentary character from field recordings and to reduce traces and echoes. reconstructed in a fascinating web. Dunscombe analyzed the pitches contained in the original recording and generated a large set of just-intonated pitches.These sounds are slowly woven into the field recordings, gradually increasing in density and complexity, transforming the forest into a surreal space of infinite proportions.At the end of the song, we break out of this cosmic expanse and find ourselves in the Amazon rainforest outside Manaus, Brazil. As Dunscombe writes, the work creates "a strange sense of place, where space and time simultaneously expand and contract across octaves, miles, and minutes." On Oceanic, various beach recordings fade in and out, the rhythm of the waves and the depth and distance of each recording creating a homogeneous yet ever-changing texture.The tones, related in simple proportions to the average rhythm of each beach, overlap each other, coloring the field recording's white noise texture with shifting hues.In both works, Dunscombe rejects the easy consonance of contemporary ambient music in favor of richer harmonic arrangements derived from extended tuning practices and spectralism.The result suggests a hitherto undreamed-of encounter between the rolling sonic masses of Radulesque and the sparingly processed location recordings of Ivtaiber's "psychologically extreme" Environments. .Beyond the narrow-mindedness that can plague experimental music culture, Dunscombe's work makes a moving case for the healing power of a wide-ranging approach to sound and music.Beyond psychedelic therapy, frequent immersion in Two Forests/Oceanic is almost certain to have psychologically beneficial results. " Click here to see other works from the label /// Click here to see...
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{"id":8099226747130,"title":"Derek Baron \/\/ Recollects LP","handle":"derek-baron-recollects-lp-1","description":"\u003cp\u003e過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baronが、2018年に自身主宰レーベルReading Groupからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2016年9月にミネソタ州北部のスペリオル国有林近くバウンダリー・ウォーターズという湖で録音した、彼の両親とのカヌー旅の記録です。\u003c\/p\u003e\n\u003cp\u003e音像セルフドキュメンタリー2曲、約35分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/523723638\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-473004601\" title=\"Reading Group\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eReading Group\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-473004601\/sagards-history-of-canada-excerpt\" title=\"Derek Baron, \u0026quot;Sagard's History of Canada\u0026quot; (excerpt)\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eDerek Baron, \"Sagard's History of Canada\" (excerpt)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/tyXqj383vlo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes DL code. 12\" black vinyl. Edition of 250. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSagard's History of Canada 17:35\u003c\/li\u003e\n\u003cli\u003eRecollects 17:38\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eReading Group:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eRecollects, Derek Baron's second solo LP following Penultimate Press's Crooked Dances, was recorded in September 2016 in the Boundary Waters between Superior National Forest in northern Minnesota and Quetico Provincial Park in southwest Ontario. Here, Derek brings together a repeatedly postponed canoe trip and a bin of old cassette tapes from the 1990s. Family histories are retold and misremembered, wildlife calls are heard and misidentified.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Derek Baron\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Reading Group \u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-12-05T19:52:58+09:00","created_at":"2023-12-01T18:20:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","lp","monooto","new","reading group","recommended"],"price":2295,"price_min":2295,"price_max":2295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44833618198778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Derek Baron \/\/ Recollects LP","public_title":null,"options":["Default Title"],"price":2295,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/recollects460_1a2a4e06-80c7-4dfc-aedf-f663186db49d.jpg?v=1701422415"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/recollects460_1a2a4e06-80c7-4dfc-aedf-f663186db49d.jpg?v=1701422415","options":["Title"],"media":[{"alt":null,"id":32777894953210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":460,"width":460,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/recollects460_1a2a4e06-80c7-4dfc-aedf-f663186db49d.jpg?v=1701422415"},"aspect_ratio":1.0,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/recollects460_1a2a4e06-80c7-4dfc-aedf-f663186db49d.jpg?v=1701422415","width":460}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baronが、2018年に自身主宰レーベルReading Groupからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2016年9月にミネソタ州北部のスペリオル国有林近くバウンダリー・ウォーターズという湖で録音した、彼の両親とのカヌー旅の記録です。\u003c\/p\u003e\n\u003cp\u003e音像セルフドキュメンタリー2曲、約35分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/523723638\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-473004601\" title=\"Reading Group\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eReading Group\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-473004601\/sagards-history-of-canada-excerpt\" title=\"Derek Baron, \u0026quot;Sagard's History of Canada\u0026quot; (excerpt)\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eDerek Baron, \"Sagard's History of Canada\" (excerpt)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/tyXqj383vlo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes DL code. 12\" black vinyl. Edition of 250. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSagard's History of Canada 17:35\u003c\/li\u003e\n\u003cli\u003eRecollects 17:38\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eReading Group:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eRecollects, Derek Baron's second solo LP following Penultimate Press's Crooked Dances, was recorded in September 2016 in the Boundary Waters between Superior National Forest in northern Minnesota and Quetico Provincial Park in southwest Ontario. Here, Derek brings together a repeatedly postponed canoe trip and a bin of old cassette tapes from the 1990s. Family histories are retold and misremembered, wildlife calls are heard and misidentified.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Derek Baron\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Reading Group \u003c\/span\u003e\u003c\/p\u003e"}
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This is a record released by Derek Baron, an American/NY experimental musician who has released records in the past on labels such as Recital and Pentiments, from his own label Reading Group in 2018. This is a record of a canoe trip with his parents, recorded in September 2016 on a lake called Boundary Waters near the Superior National Forest in northern Minnesota.Contains two audio self-documentaries, approximately 9 minutes long. DL code included. Reading Group · Derek Baron, "Sagard's History of Canada"...
€22,95

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{"id":8095576162554,"title":"Umeko Ando \/\/ Ihunke 2xLP","handle":"umeko-ando-ihunke-2xlp","description":"\u003cp\u003eアイヌのシンガー/口琴奏者Umeko Andoが、2023年10月にリリースした再発2枚組レコードです。(オリジナルは2000年リリース)\u003c\/p\u003e\n\u003cp\u003e同郷トンコリ奏者OKIプロデュースによる16曲を収録。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=894388318\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003ehere\u003c\/a\u003e to see more Pingipung releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2x12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePekanpe Uk 05:19\u003c\/li\u003e\n\u003cli\u003eIhunke 03:37\u003c\/li\u003e\n\u003cli\u003eHutare Chui 02:20\u003c\/li\u003e\n\u003cli\u003eRewrew 03:20\u003c\/li\u003e\n\u003cli\u003eIyomante Upopo 05:55\u003c\/li\u003e\n\u003cli\u003eMukkuri 1 02:33\u003c\/li\u003e\n\u003cli\u003eYaisama 02:36\u003c\/li\u003e\n\u003cli\u003eMukkuri 2 03:07\u003c\/li\u003e\n\u003cli\u003eSaraba - Iya Ko Ko 06:02\u003c\/li\u003e\n\u003cli\u003eSarorun Rimse 03:09\u003c\/li\u003e\n\u003cli\u003eBattaki 04:22\u003c\/li\u003e\n\u003cli\u003eKusuep Kamuy 00:47\u003c\/li\u003e\n\u003cli\u003eHerutun Rutun 03:11\u003c\/li\u003e\n\u003cli\u003eChup Kawa Kamuy Ran 04:33\u003c\/li\u003e\n\u003cli\u003eHekuri Sarari 03:06\u003c\/li\u003e\n\u003cli\u003eAtuy So Kata (extended version) 03:51\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Umeko Ando (1932-2004) was a folk singer from Japan. She was a representative of the Ainu culture on the Hokkaido Island in the north of Japan.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Ihunke” was her first album which was recorded with the Ainu musician and dub producer Oki Kano in 2000. It was released on CD in Japan only and is finally available on vinyl (2LP + linernotes, DLC included). “Ihunke” is following last year’s single “Iuta Upopo” [Pingipung 58, incl. M.Rux Remix] which had been received with overwhelming enthusiasm and was quickly sold out.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe 16 Ainu songs on “Ihunke” are delicate, natural gems. They are built on Oki Kano’s Tonkori patterns (a 5-string harp), over which Umeko Ando develops her repetitive, mantric vocals, often in a call-response manner. Oki Kano is one of very few professional Tonkori players who performs worldwide with his Oki Dub Ainu Band. The songs possess a mystical energy – when crows call accurately with Ando’s brittle voice in the first song, it seems like natural powers join in with her music. Her voice sounds like animals of the sky and the forest.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOki Kano: “It was a lot of fun to record with Umeko Ando. Many Ainu hesitate to break with tradition – if Umeko hadn’t\u003cspan class=\"bcTruncateMore\"\u003e been so flexible to work with the younger generation and recording technology, this album would never have happened. Our sessions were intense, and we were proud and happy about making such beautiful music.”\u003cbr\u003e\u003cbr\u003e++\u003cbr\u003e\u003cbr\u003eHistorical background: Only recently (in 2008) have the Ainu officially been acknowledged as indigenous people who are culturally independent from Japan. This record is an example of how their music has been passed on through generations in the underground Ainu communities while it was oppressed by the Japanese hegemony. It deserves a huge audience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e","published_at":"2023-11-29T06:15:30+09:00","created_at":"2023-11-27T14:56:13+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","pingipung"],"price":3195,"price_min":3195,"price_max":3195,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44816219799802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Umeko Ando \/\/ Ihunke 2xLP","public_title":null,"options":["Default Title"],"price":3195,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ih1.jpg?v=1701064575","\/\/tobirarecords.com\/cdn\/shop\/files\/ih2.jpg?v=1701064575"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih1.jpg?v=1701064575","options":["Title"],"media":[{"alt":null,"id":32754462785786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih1.jpg?v=1701064575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih1.jpg?v=1701064575","width":700},{"alt":null,"id":32754462818554,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih2.jpg?v=1701064575"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih2.jpg?v=1701064575","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアイヌのシンガー/口琴奏者Umeko Andoが、2023年10月にリリースした再発2枚組レコードです。(オリジナルは2000年リリース)\u003c\/p\u003e\n\u003cp\u003e同郷トンコリ奏者OKIプロデュースによる16曲を収録。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=894388318\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003ehere\u003c\/a\u003e to see more Pingipung releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2x12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePekanpe Uk 05:19\u003c\/li\u003e\n\u003cli\u003eIhunke 03:37\u003c\/li\u003e\n\u003cli\u003eHutare Chui 02:20\u003c\/li\u003e\n\u003cli\u003eRewrew 03:20\u003c\/li\u003e\n\u003cli\u003eIyomante Upopo 05:55\u003c\/li\u003e\n\u003cli\u003eMukkuri 1 02:33\u003c\/li\u003e\n\u003cli\u003eYaisama 02:36\u003c\/li\u003e\n\u003cli\u003eMukkuri 2 03:07\u003c\/li\u003e\n\u003cli\u003eSaraba - Iya Ko Ko 06:02\u003c\/li\u003e\n\u003cli\u003eSarorun Rimse 03:09\u003c\/li\u003e\n\u003cli\u003eBattaki 04:22\u003c\/li\u003e\n\u003cli\u003eKusuep Kamuy 00:47\u003c\/li\u003e\n\u003cli\u003eHerutun Rutun 03:11\u003c\/li\u003e\n\u003cli\u003eChup Kawa Kamuy Ran 04:33\u003c\/li\u003e\n\u003cli\u003eHekuri Sarari 03:06\u003c\/li\u003e\n\u003cli\u003eAtuy So Kata (extended version) 03:51\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Umeko Ando (1932-2004) was a folk singer from Japan. She was a representative of the Ainu culture on the Hokkaido Island in the north of Japan.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Ihunke” was her first album which was recorded with the Ainu musician and dub producer Oki Kano in 2000. It was released on CD in Japan only and is finally available on vinyl (2LP + linernotes, DLC included). “Ihunke” is following last year’s single “Iuta Upopo” [Pingipung 58, incl. M.Rux Remix] which had been received with overwhelming enthusiasm and was quickly sold out.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe 16 Ainu songs on “Ihunke” are delicate, natural gems. They are built on Oki Kano’s Tonkori patterns (a 5-string harp), over which Umeko Ando develops her repetitive, mantric vocals, often in a call-response manner. Oki Kano is one of very few professional Tonkori players who performs worldwide with his Oki Dub Ainu Band. The songs possess a mystical energy – when crows call accurately with Ando’s brittle voice in the first song, it seems like natural powers join in with her music. Her voice sounds like animals of the sky and the forest.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOki Kano: “It was a lot of fun to record with Umeko Ando. Many Ainu hesitate to break with tradition – if Umeko hadn’t\u003cspan class=\"bcTruncateMore\"\u003e been so flexible to work with the younger generation and recording technology, this album would never have happened. Our sessions were intense, and we were proud and happy about making such beautiful music.”\u003cbr\u003e\u003cbr\u003e++\u003cbr\u003e\u003cbr\u003eHistorical background: Only recently (in 2008) have the Ainu officially been acknowledged as indigenous people who are culturally independent from Japan. This record is an example of how their music has been passed on through generations in the underground Ainu communities while it was oppressed by the Japanese hegemony. It deserves a huge audience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e"}
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Ainu singer/mouth harp player Umeko Ando is a 2023-disc reissue record released in October 10. (Originally released in 2) Contains 2000 songs produced by fellow Tonkori player OKI.Includes liner notes and DL code.Click here to see more Pingipung releases available at Tobira. ---------------------- Includes...
€31,95

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{"id":8095574163706,"title":"Umeko Ando \/\/ Iuta Upopo Single 7\"","handle":"umeko-ando-iuta-upopo-single-7","description":"\u003cp\u003eアイヌのシンガー/口琴奏者Umeko Andoが、2017年にリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eVoodoohopメンバーM. RUXのリミックスが収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3140527985\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003ehere\u003c\/a\u003e to see more Pingipung releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIuta Upopo (Original Mix) 06:22\u003c\/li\u003e\n\u003cli\u003eIuta Upopo (M.RUX Remix) 07:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUmeko Ando (1932-2004) recorded \"Iuta Upopo\" in 2003, the original track has been produced by Oki Kano (Oki Dub Ainu Band).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Upopo” is the name of a particular singing style which involves repetition, while “Iuta” simply means song. Umeko Ando performs this minimalistic vocal in a brittle, emotional manner which is framed by a slow, percussive pulse and Oki’s Tonkori patterns (the Tonkori is a string instrument of the Ainu).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen Pingipung’s Andi Otto toured Japan in 2017, he came across this enchanting, folkloristic and danceable song in a DJ set of a friend. He made contact with Oki Kano who agreed to license the track from his own label Chikar Studio. It is pressed on vinyl for the first time. This single is part of Pingipung’s ongoing Concentrical Series of 7inches.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe are very pleased to have a M.Rux Remix on the B side. He is not only a brilliant original producer, as his EP “In the Hold” (YNFND 2016) has proved; his claim to fame is a sublime collection of edits \u0026amp; cuts (for free on his bandcamp) which skillfully takes classics by Nina Simone, Townes Van Zandt and others to the slowhouse dancefloor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis remix adds a gliding subbass, a kickdrum and occasional claps to the enhanced percussive structures of the original. Umeko Ando’s vocals adapt seamlessly to M.Rux’s powerful electronic production.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e","published_at":"2023-11-29T06:18:31+09:00","created_at":"2023-11-27T14:53:24+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","pingipung","techno \/ house"],"price":1295,"price_min":1295,"price_max":1295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44816208199930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Umeko Ando \/\/ Iuta Upopo Single 7\"","public_title":null,"options":["Default Title"],"price":1295,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/um1_ce99e7a3-a424-4f25-a958-425a25472043.jpg?v=1701064406","\/\/tobirarecords.com\/cdn\/shop\/files\/um2_4d26d07a-6f63-48bc-9b91-81abd4586481.jpg?v=1701064406"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/um1_ce99e7a3-a424-4f25-a958-425a25472043.jpg?v=1701064406","options":["Title"],"media":[{"alt":null,"id":32754450891002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/um1_ce99e7a3-a424-4f25-a958-425a25472043.jpg?v=1701064406"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/um1_ce99e7a3-a424-4f25-a958-425a25472043.jpg?v=1701064406","width":700},{"alt":null,"id":32754450923770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/um2_4d26d07a-6f63-48bc-9b91-81abd4586481.jpg?v=1701064406"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/um2_4d26d07a-6f63-48bc-9b91-81abd4586481.jpg?v=1701064406","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアイヌのシンガー/口琴奏者Umeko Andoが、2017年にリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eVoodoohopメンバーM. RUXのリミックスが収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3140527985\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003ehere\u003c\/a\u003e to see more Pingipung releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIuta Upopo (Original Mix) 06:22\u003c\/li\u003e\n\u003cli\u003eIuta Upopo (M.RUX Remix) 07:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUmeko Ando (1932-2004) recorded \"Iuta Upopo\" in 2003, the original track has been produced by Oki Kano (Oki Dub Ainu Band).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Upopo” is the name of a particular singing style which involves repetition, while “Iuta” simply means song. Umeko Ando performs this minimalistic vocal in a brittle, emotional manner which is framed by a slow, percussive pulse and Oki’s Tonkori patterns (the Tonkori is a string instrument of the Ainu).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen Pingipung’s Andi Otto toured Japan in 2017, he came across this enchanting, folkloristic and danceable song in a DJ set of a friend. He made contact with Oki Kano who agreed to license the track from his own label Chikar Studio. It is pressed on vinyl for the first time. This single is part of Pingipung’s ongoing Concentrical Series of 7inches.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe are very pleased to have a M.Rux Remix on the B side. He is not only a brilliant original producer, as his EP “In the Hold” (YNFND 2016) has proved; his claim to fame is a sublime collection of edits \u0026amp; cuts (for free on his bandcamp) which skillfully takes classics by Nina Simone, Townes Van Zandt and others to the slowhouse dancefloor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHis remix adds a gliding subbass, a kickdrum and occasional claps to the enhanced percussive structures of the original. Umeko Ando’s vocals adapt seamlessly to M.Rux’s powerful electronic production.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e"}
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This is a 2017" released by Ainu singer/mouth harp player Umeko Ando in 7. Includes a remix by Voodoohop member M. RUX. Click here to see more Pingipung releases available at Tobira. -- ---------------------...
€12,95

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{"id":8094827839738,"title":"Bounaly \/\/ Dimanche à Bamako LP","handle":"bounaly-dimanche-a-bamako-lp","description":"\u003cp\u003eマリ・バマコのギタリストBounalyが、2023年11月にSahel Soundsからリリースしたレビューレコードです。\u003c\/p\u003e\n\u003cp\u003e現地の結婚式などで演奏したライブ録音中心の6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592895626\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWato To 08:20\u003c\/li\u003e\n\u003cli\u003eMa Chérie 07:55\u003c\/li\u003e\n\u003cli\u003eTouré Iseye 06:42\u003c\/li\u003e\n\u003cli\u003eChérie ye Bani 09:27\u003c\/li\u003e\n\u003cli\u003eMali Mussow 09:16\u003c\/li\u003e\n\u003cli\u003eTamala 04:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFirst heard by global audiences on Sahel Sounds’ Music from Saharan WhatsApp series, Malian guitar hero Bounaly (the stage name of Ali \"Bounaly\" Traore) makes his full-length debut with “Dimanche à Bamako” (“Sunday in Bamako”). Recorded live on location, the music on \"Dimanche à Bamako\" is a mix of regional favorites, traditional standards, and originals. Long songs with looping rhythms, pounding kick drums, and electric shredding guitars, punctuated by shout-outs to the guests of honor. A raw and frenetic take on Northern Mali desert sound, playing for the diaspora at a Bamako wedding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Dimanche a Bamako\" is a Malian colloquialism, in reference to Sundays as a day of celebrations. On any given Sunday, the well dressed head out en masse to various festivities happening throughout the city. Neighborhood streets are blocked off, tents assembled over in impromptu courtyards, colorful carpets laid down, and sound systems assembled. \"Everyone has time; people are free to go because there is no work on this day. It's the day to relax,\" explains Bounaly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBounaly’s music is not something one would typically associate with the capital. This is desert guitar from\u003cspan class=\"bcTruncateMore\"\u003e Bounaly’s hometown of Niafounke (the birthplace of Ali Farka Toure). In 2012, vast swaths of the North of Mali were invaded by jihadists and plunged into chaos, and the diaspora resettled in the capital. Over the ensuing decade, Bamako has become a permanent home for the Northerners. The emerging community is spread throughout various neighborhoods, but all come together in celebration on Sundays.\u003cbr\u003e\u003cbr\u003eJoined by vocalist Alhousseini Maiga and their neighborhood backing band, this recording gives listeners a personal invitation to a Sunday in Bamako.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Bounaly\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e","published_at":"2023-12-05T14:42:34+09:00","created_at":"2023-11-26T12:52:37+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","sahel sounds","strange beats"],"price":2395,"price_min":2395,"price_max":2395,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44812302975226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bounaly \/\/ Dimanche à Bamako LP","public_title":null,"options":["Default Title"],"price":2395,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bama1.jpg?v=1700970759","\/\/tobirarecords.com\/cdn\/shop\/files\/bama2.jpg?v=1700970759"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama1.jpg?v=1700970759","options":["Title"],"media":[{"alt":null,"id":32747958731002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama1.jpg?v=1700970759"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama1.jpg?v=1700970759","width":700},{"alt":null,"id":32747958763770,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama2.jpg?v=1700970759"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama2.jpg?v=1700970759","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eマリ・バマコのギタリストBounalyが、2023年11月にSahel Soundsからリリースしたレビューレコードです。\u003c\/p\u003e\n\u003cp\u003e現地の結婚式などで演奏したライブ録音中心の6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592895626\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWato To 08:20\u003c\/li\u003e\n\u003cli\u003eMa Chérie 07:55\u003c\/li\u003e\n\u003cli\u003eTouré Iseye 06:42\u003c\/li\u003e\n\u003cli\u003eChérie ye Bani 09:27\u003c\/li\u003e\n\u003cli\u003eMali Mussow 09:16\u003c\/li\u003e\n\u003cli\u003eTamala 04:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFirst heard by global audiences on Sahel Sounds’ Music from Saharan WhatsApp series, Malian guitar hero Bounaly (the stage name of Ali \"Bounaly\" Traore) makes his full-length debut with “Dimanche à Bamako” (“Sunday in Bamako”). Recorded live on location, the music on \"Dimanche à Bamako\" is a mix of regional favorites, traditional standards, and originals. Long songs with looping rhythms, pounding kick drums, and electric shredding guitars, punctuated by shout-outs to the guests of honor. A raw and frenetic take on Northern Mali desert sound, playing for the diaspora at a Bamako wedding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Dimanche a Bamako\" is a Malian colloquialism, in reference to Sundays as a day of celebrations. On any given Sunday, the well dressed head out en masse to various festivities happening throughout the city. Neighborhood streets are blocked off, tents assembled over in impromptu courtyards, colorful carpets laid down, and sound systems assembled. \"Everyone has time; people are free to go because there is no work on this day. It's the day to relax,\" explains Bounaly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBounaly’s music is not something one would typically associate with the capital. This is desert guitar from\u003cspan class=\"bcTruncateMore\"\u003e Bounaly’s hometown of Niafounke (the birthplace of Ali Farka Toure). In 2012, vast swaths of the North of Mali were invaded by jihadists and plunged into chaos, and the diaspora resettled in the capital. Over the ensuing decade, Bamako has become a permanent home for the Northerners. The emerging community is spread throughout various neighborhoods, but all come together in celebration on Sundays.\u003cbr\u003e\u003cbr\u003eJoined by vocalist Alhousseini Maiga and their neighborhood backing band, this recording gives listeners a personal invitation to a Sunday in Bamako.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Bounaly\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e"}
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This is a review record released by Mali Bamako guitarist Bounaly from Sahel Sounds in November 2023.Contains 11 songs, mostly live recordings performed at local weddings and other events.Click here to see more Sahel Sounds releases available at Tobira. ----------------------------.. .
€23,95

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{"id":8094818369786,"title":"salad \/\/ Riverside Ishiyama TAPE","handle":"salad-riverside-ishiyama-tape","description":"\u003cp\u003e香川の物音デュオsaladが、2023年11月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eフィールドレコーディング2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1729108329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeaceful time with the baby 18:02\u003c\/li\u003e\n\u003cli\u003eStop everything, when the baby cries 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmbracing the impermanency of the world and its ever-fluctuating dynamics, salad offers an intimate portrait of life and the sounds that animate it. Riverside Ishiyama opens a window into a typical Japanese apartment, rich with the activities of daily life and the delicate interactions between a new mother and child. The tinkering and whirring of these subtle, incidental sounds commingle with birdsong and the bustling city outside — altogether engrossing the listener in a calm and joyful atmosphere where each mesmerizing moment is a celebration of life and an affirmation that everything is precisely as it should be.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : salad\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2023-11-26T14:19:39+09:00","created_at":"2023-11-26T12:24:28+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","field recording","monooto","new","tape"],"price":1395,"price_min":1395,"price_max":1395,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44812286820602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"salad \/\/ Riverside Ishiyama TAPE","public_title":null,"options":["Default Title"],"price":1395,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ish1.jpg?v=1700969070","\/\/tobirarecords.com\/cdn\/shop\/files\/ish2.jpg?v=1700969070"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish1.jpg?v=1700969070","options":["Title"],"media":[{"alt":null,"id":32747846172922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish1.jpg?v=1700969070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish1.jpg?v=1700969070","width":700},{"alt":null,"id":32747846205690,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish2.jpg?v=1700969070"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish2.jpg?v=1700969070","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e香川の物音デュオsaladが、2023年11月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eフィールドレコーディング2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1729108329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeaceful time with the baby 18:02\u003c\/li\u003e\n\u003cli\u003eStop everything, when the baby cries 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmbracing the impermanency of the world and its ever-fluctuating dynamics, salad offers an intimate portrait of life and the sounds that animate it. Riverside Ishiyama opens a window into a typical Japanese apartment, rich with the activities of daily life and the delicate interactions between a new mother and child. The tinkering and whirring of these subtle, incidental sounds commingle with birdsong and the bustling city outside — altogether engrossing the listener in a calm and joyful atmosphere where each mesmerizing moment is a celebration of life and an affirmation that everything is precisely as it should be.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : salad\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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This is a cassette released by Kagawa's sound duo salad in November 2023 from the experimental label Dinzu Artefacts in LA, USA.Contains two field recordings. DL code included.Click here to see more Dinzu Artefacts releases available at Tobira. -------------------------...
€13,95

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{"id":8088588452090,"title":"Kate Carr \/\/ false dawn CD","handle":"kate-carr-false-dawn-cd","description":"\u003cp\u003eイギリス・ロンドンの実験/物音レーベルFlaming Pines主宰Kate Carrが、2023年3月にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e楽器や物音で構築した100%人工的な\u003cspan data-mce-fragment=\"1\"\u003e深夜の森擬音作品です。デジパック仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3356371768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flaming-pines\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/flaming-pines\"\u003ehere\u003c\/a\u003e to see more Flaming Pines releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003efalse dawn 27:24\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eKate Carr\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A foley forest of bird horns, frog rattles, bags of rice, bug clickers, bottles of water and squeaky toys awakens after a long dark evening.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have spent a lot of time recording dawn choruses at many different field recording workshops. Never knowing what to do with all these recordings, I embarked on a quest to perform my own version of one in my studio. As such this work is an experiment in artifice, a forest I have breathed and gestured into existence via horns and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e whistles, rattles and squeaky toys.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis piece comes out of a series of live performances of dawn choruses I did in London as well as one in Vienna in 2022.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kate Carr\u003c\/p\u003e\n\u003cp\u003eLabel : Flaming Pines\u003c\/p\u003e","published_at":"2023-11-22T13:07:06+09:00","created_at":"2023-11-21T19:43:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","field recording","flaming pines","monooto","new"],"price":1295,"price_min":1295,"price_max":1295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44794388545786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kate Carr \/\/ false dawn CD","public_title":null,"options":["Default Title"],"price":1295,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fal1.jpg?v=1700563428"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fal1.jpg?v=1700563428","options":["Title"],"media":[{"alt":null,"id":32723296387322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fal1.jpg?v=1700563428"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fal1.jpg?v=1700563428","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの実験/物音レーベルFlaming Pines主宰Kate Carrが、2023年3月にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e楽器や物音で構築した100%人工的な\u003cspan data-mce-fragment=\"1\"\u003e深夜の森擬音作品です。デジパック仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3356371768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flaming-pines\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/flaming-pines\"\u003ehere\u003c\/a\u003e to see more Flaming Pines releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003efalse dawn 27:24\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eKate Carr\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A foley forest of bird horns, frog rattles, bags of rice, bug clickers, bottles of water and squeaky toys awakens after a long dark evening.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have spent a lot of time recording dawn choruses at many different field recording workshops. Never knowing what to do with all these recordings, I embarked on a quest to perform my own version of one in my studio. As such this work is an experiment in artifice, a forest I have breathed and gestured into existence via horns and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e whistles, rattles and squeaky toys.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis piece comes out of a series of live performances of dawn choruses I did in London as well as one in Vienna in 2022.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kate Carr\u003c\/p\u003e\n\u003cp\u003eLabel : Flaming Pines\u003c\/p\u003e"}
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This is a CD released in March 2023 by Kate Carr, head of the experimental/non-sound label Flaming Pines in London, England.This is a 3% artificial late night forest onomatopoeia created using instruments and sounds.Digipak specification.Click here to see more Flaming Pines releases available at Tobira. ...
€12,95

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{"id":8073115468026,"title":"Hand To Earth \/\/ Mokuy CD","handle":"hand-to-earth-mokuy-cd","description":"\u003cp\u003eオーストラリア・アーネムランドのインディジネス\u003cspan data-mce-fragment=\"1\"\u003eDaniel Wilfredと\u003cmeta charset=\"utf-8\"\u003eDavid Wilfred率いるバンドHand To Earth\u003c\/span\u003eが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eディジリドゥやビルマなどのオーストラリア・\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eインディジネスたちの民族楽器を用いたアンビエント3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、バンドメンバーによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Hand To Earthで一緒に音楽を作るプロセスは、私たちが経験したことのないものだ。自由な即興演奏ではないが、作曲でもない。その中間であり、「編む」ような感覚だ。Hand To Earthを通して、私たちは異なる歴史、異なる人生、異なる視点の糸を織り合わせ、家族になる。 \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eダニエルは、彼の母国語であるワギラク語の「マニカイ」(民衆の歌)を、私たちが共有する慣習の構文に織り込んでいく。彼は、ジャンブ・ブラ・ブラやウォーリー・ウィルフレッドなどの絵の多くに描かれているモクイ(精霊)が持っているディリーバッグを作るための紐である「ラキ」について語る。ラキは私たちが触れることのできる世界に存在するが、私たちを「bul_14bul」(儀式、または集いの場)に引き寄せる形而上学的な繋ぎの糸でもある。私たちが音楽を奏でるとき、ラキが私たち全員を引き寄せる。ヨルルもバランダーも、私たちはこの目に見えない糸で結ばれ、その導きのもとに集まり、歌い、演奏し、踊り、耳を傾ける。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eダニエルが『Wata Dhärranhay_14Bu』で歌っているように、ラキはさまざまな国を吹き抜け、人々をひとつにする風のように、時間と場所を超え、私たちがどこから来たかに関係なく、私たち全員をつなぐ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eダニエルとデヴィッドが手がけるソングラインは、おそらく6万年前にまでさかのぼり、地球上で最も古い継続的な音楽の伝統を形成している。しかし、ソングラインは常に更新されている。モクイの歌は、私たちそれぞれのカントリーとの関係からインスピレーションを受け、私たちが共有する学びと友情から生まれた、新しい音とエネルギーで湧き上がってくる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちひとりひとりの物語もまた、ソングラインの一部なのだ。目を閉じて互いに耳を傾けるとき、私たちはラキの静かな吸引力を感じ、それが私たちの想像力を膨らませ、絡み合わせる。ダニエルとサニーの歌声、トランペットと木管楽器の息づかい、イーフアキの鼓動。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1305631181\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaṯu\u003c\/li\u003e\n\u003cli\u003eWata Dhärranhayŋu\u003c\/li\u003e\n\u003cli\u003eMokuy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Daniel Wilfred, David Wilfred, Aviva Endean, Sunny Kim and Peter Knight:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThe process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the threads of our different histories, different lives, and different perspectives together, and become family. \u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaniel weaves the ‘Manikay’ (public songs) in his first language, Wagiläk - into the syntax of our shared practices. He talks about the ‘raki’, the string that is used to make the dilly bag that the Mokuy (spirit) can be seen carrying in many of the paintings by Djambu Burra Burra, Wally Wilfred, and others. Raki exists in the world we can touch, but it is also a metaphysical connecting thread that draws us together to the ‘buŋgul’ (ceremony, or gathering ground). When we play music, the raki pulls us all together - Yolŋu and balander - we are joined by this invisible thread, and under its guidance, we gather to sing, play, dance, and listen.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike the wind that blows through different countries to bring people together – which Daniel sings about in Wata\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Dhärranhayŋu – raki traverses time and place and connects all of us no matter where we come from. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe songlines Daniel and David care for stretch back for perhaps 60,000 years and form the oldest continuously practised music tradition on the planet. But the songlines are also always being renewed. In Mokuy, the songs spring up with new sounds and energy inspired by each of our own relationships to Country, and born of our shared learning and friendship. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of our stories are part of these songlines now. As we close our eyes to listen to one another we feel the silent draw of the raki and it propels our imaginations to soar and intertwine. Like a diary written in the aether, Mokuy carves a record of our coming together, animated by Daniel and Sunny’s voices; the breath of the trumpet and woodwinds; the insistent pulse of the yiḏaki.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Hand To Earth\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-13T15:29:15+09:00","created_at":"2023-11-08T10:50:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","field recording","new","room40"],"price":1395,"price_min":1395,"price_max":1395,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745106686202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hand To Earth \/\/ Mokuy CD","public_title":null,"options":["Default Title"],"price":1395,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mok1.jpg?v=1699408205","\/\/tobirarecords.com\/cdn\/shop\/files\/mok2.jpg?v=1699408205"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok1.jpg?v=1699408205","options":["Title"],"media":[{"alt":null,"id":32655572041978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok1.jpg?v=1699408205"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok1.jpg?v=1699408205","width":700},{"alt":null,"id":32655572074746,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok2.jpg?v=1699408205"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mok2.jpg?v=1699408205","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・アーネムランドのインディジネス\u003cspan data-mce-fragment=\"1\"\u003eDaniel Wilfredと\u003cmeta charset=\"utf-8\"\u003eDavid Wilfred率いるバンドHand To Earth\u003c\/span\u003eが、2023年11月に同国実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eディジリドゥやビルマなどのオーストラリア・\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eインディジネスたちの民族楽器を用いたアンビエント3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、バンドメンバーによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Hand To Earthで一緒に音楽を作るプロセスは、私たちが経験したことのないものだ。自由な即興演奏ではないが、作曲でもない。その中間であり、「編む」ような感覚だ。Hand To Earthを通して、私たちは異なる歴史、異なる人生、異なる視点の糸を織り合わせ、家族になる。 \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eダニエルは、彼の母国語であるワギラク語の「マニカイ」(民衆の歌)を、私たちが共有する慣習の構文に織り込んでいく。彼は、ジャンブ・ブラ・ブラやウォーリー・ウィルフレッドなどの絵の多くに描かれているモクイ(精霊)が持っているディリーバッグを作るための紐である「ラキ」について語る。ラキは私たちが触れることのできる世界に存在するが、私たちを「bul_14bul」(儀式、または集いの場)に引き寄せる形而上学的な繋ぎの糸でもある。私たちが音楽を奏でるとき、ラキが私たち全員を引き寄せる。ヨルルもバランダーも、私たちはこの目に見えない糸で結ばれ、その導きのもとに集まり、歌い、演奏し、踊り、耳を傾ける。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eダニエルが『Wata Dhärranhay_14Bu』で歌っているように、ラキはさまざまな国を吹き抜け、人々をひとつにする風のように、時間と場所を超え、私たちがどこから来たかに関係なく、私たち全員をつなぐ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eダニエルとデヴィッドが手がけるソングラインは、おそらく6万年前にまでさかのぼり、地球上で最も古い継続的な音楽の伝統を形成している。しかし、ソングラインは常に更新されている。モクイの歌は、私たちそれぞれのカントリーとの関係からインスピレーションを受け、私たちが共有する学びと友情から生まれた、新しい音とエネルギーで湧き上がってくる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちひとりひとりの物語もまた、ソングラインの一部なのだ。目を閉じて互いに耳を傾けるとき、私たちはラキの静かな吸引力を感じ、それが私たちの想像力を膨らませ、絡み合わせる。ダニエルとサニーの歌声、トランペットと木管楽器の息づかい、イーフアキの鼓動。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1305631181\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte-laminate and monochrome printed sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaṯu\u003c\/li\u003e\n\u003cli\u003eWata Dhärranhayŋu\u003c\/li\u003e\n\u003cli\u003eMokuy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by Daniel Wilfred, David Wilfred, Aviva Endean, Sunny Kim and Peter Knight:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThe process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the threads of our different histories, different lives, and different perspectives together, and become family. \u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaniel weaves the ‘Manikay’ (public songs) in his first language, Wagiläk - into the syntax of our shared practices. He talks about the ‘raki’, the string that is used to make the dilly bag that the Mokuy (spirit) can be seen carrying in many of the paintings by Djambu Burra Burra, Wally Wilfred, and others. Raki exists in the world we can touch, but it is also a metaphysical connecting thread that draws us together to the ‘buŋgul’ (ceremony, or gathering ground). When we play music, the raki pulls us all together - Yolŋu and balander - we are joined by this invisible thread, and under its guidance, we gather to sing, play, dance, and listen.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike the wind that blows through different countries to bring people together – which Daniel sings about in Wata\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Dhärranhayŋu – raki traverses time and place and connects all of us no matter where we come from. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe songlines Daniel and David care for stretch back for perhaps 60,000 years and form the oldest continuously practised music tradition on the planet. But the songlines are also always being renewed. In Mokuy, the songs spring up with new sounds and energy inspired by each of our own relationships to Country, and born of our shared learning and friendship. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of our stories are part of these songlines now. As we close our eyes to listen to one another we feel the silent draw of the raki and it propels our imaginations to soar and intertwine. Like a diary written in the aether, Mokuy carves a record of our coming together, animated by Daniel and Sunny’s voices; the breath of the trumpet and woodwinds; the insistent pulse of the yiḏaki.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Hand To Earth\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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Hand To Earth, an independent band from Arnhem Land, Australia, led by Daniel Wilfred and David Wilfred, released this CD on the country's experimental label room2023 in November 11.Contains three ambient songs using traditional Australian indigenous instruments such as the didgeridoo and Burmese.Below are explanations by band members. "The process of making music together on Hand To Earth is unlike anything we've ever experienced. It's not free improvisation, but it's not composition either. It's something in between, and it feels like weaving. Through Hand To Earth, we weave together the threads of different histories, different lives, and different perspectives to become a family.Daniel weaves manikai (folk songs) from his native Wagilak into the syntax of our shared customs.He talks about ``raki,'' a string used to make daily bags carried by mokui (spirits) depicted in many of the paintings of artists such as Jambu Bura Bura and Wally Wilfred.Rakhi exists in the world that we can touch, but it is also a metaphysical thread that draws us to a ``bul_40bul'' (a ritual or gathering place).When we play music, Rakhi draws us all together.Both Yoruru and Balander, we are connected by this invisible thread, and under its guidance we gather, sing, play, dance, and listen.Daniel is ``Wata...
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{"id":8065873248506,"title":"Sam McLoughlin , David Chatton Barker \/\/ The Heavenly Realms LP+BOOKLET","handle":"sam-mcloughlin-david-chatton-barker-the-heavenly-realms-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの妖精音楽家\u003cmeta charset=\"utf-8\"\u003eSam McLoughlinと、民俗研究レーベルFolklore Tapes主宰David Chatton Barkerが、2023年4月にリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデンの神秘家\u003cmeta charset=\"utf-8\"\u003eEmmanuel Swedenborgからインスピレーションを得た、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンティーク時計のチャイムだけで制作した\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Folklore Tapesは、人生の後半をイギリスで過ごしたスウェーデンの神秘家エマニュエル・スウェーデンボルグから始まる新たなミスティック・シリーズを通じて、また新たな調査分野を開拓する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Heavenly Realms』は、2022年10月に\u003cmeta charset=\"utf-8\"\u003eFolklore Tapesがスウェーデンボーグ・ハウスに滞在したことから生まれた。ロンドンのブルームズベリー・ウェイにあるこのハウスは、科学者、哲学者、幻視者であるエマニュエル・スウェーデンボルグ(1688-1772)の著作の研究と出版を目的とする組織、スウェーデンボルグ・ソサエティの本部である。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSam McLoughlinとDavid Chatton Barkerーは、スウェーデンボルグの遺産に創造的に反応するよう招かれたが、二人がスウェーデンボルグの神秘体験からインスピレーションを得たことは、彼らの信奉者にとっては驚くことではないだろう。スウェーデンボルグの最も有名な作品『天国と地獄』(1764年)は、長年にわたる夢、トランス状態、天使との恍惚としたコミュニケーションを統合し、死後の世界と霊的な領域についての完全なビジョンを描き出した。その中でスウェーデンボルグは、階層化された天界の秩序を綿密に詳述している。この究極の現実の中では、物理的な物質が、最高で最も純粋な階層である神から発せられる神聖な対応関係を通じて精神に関係している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこのデュオは、アンティーク時計のチャイムのコレクションだけで作られた音楽を通して、この永遠というビジョンにアプローチしている。彼らの作品ではよくあることだが、この一見制限されたように見えるものこそが、このプロジェクトの特異で表現力豊かな深みを解き放っている。The Heavenly Realmsは、静寂から揺らめくティンティナブラと鳴り響くチャイムへのフェードで幕を開け、その音の波が、タイムキーパー、魂の召喚者、悪霊の追放者としての打ち込みメタルの集合的な記憶へとリスナーを引き込む。\u003cbr\u003e\u003cbr\u003e切迫していながら穏やかで、シンプルでありながら複雑で、天使のような静謐さが軋むような悲しげな底辺の上でハミングしている。音楽のドラマは水平方向にも垂直方向にもある。倍音の大合唱は基本周波数を凌駕し、スウェーデンボルグの対応関係のように絡み合っている。可聴域を超える倍音は知覚を超えた領域を暗示し、瞬間と瞬間の関係とは異なる音の一瞬一瞬に重きを置くことで、時を超越した感覚、一瞬一瞬に宿る永遠性を呼び起こす。\u003cbr\u003e\u003cbr\u003e音楽が発展しないというわけではない。ただ、聴き手は、前方だけでなく、上方や内側にも耳を傾けるように誘われているのだ。天界の最も美しい宝物は、深く耳を傾ける人のために用意されている。啓示的な音世界が現れ、絶対的なものの小宇宙となる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1404356782\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\" title=\"Folklore Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFolklore Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\/ftmsi-the-heavenly-realms\" title=\"FTMSI - The Heavenly Realms\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFTMSI - The Heavenly Realms\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Part 1\u003cbr\u003e2 Part 2\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFolklore Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"Folklore Tapes grow yet another branch of investigation through their new Mystic Series, which begins with the Swedish mystic Emmanuel Swedenborg, who spent the latter portion of his life living in England.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Heavenly Realms unfolded from Folklore Tapes’ residency at Swedenborg House in October 2022. The house, in Bloomsbury Way, London, is the headquarters of the Swedenborg Society, an organisation dedicated to the study and publication of the works of scientist, philosopher and visionary Emmanuel Swedenborg (1688-1772).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSam McLoughlin and David Chatton Barker were invited to respond creatively to Swedenborg’s legacy, and it will come as no surprise to their followers that the duo took inspiration from Swedenborg’s mystical experiences. Swedenborg’s most renowned work, Heaven and Hell (1764), synthesised years of dreams, trance states and ecstatic communications with angels into a complete vision of the afterlife and the spiritual realms. In it Swedenborg meticulously details a stratified order of the heavens, an ultimate reality within which physical matter relates to spirit through divine correspondences emanating from a highest, purest echelon, God.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duo approach this vision of eternity through music created entirely with a collection of antique clock chimes. As is often the case in their work, this seeming limitation is precisely what unfetters the project’s singular, expressive depths. The Heavenly Realms opens with a fade from silence to shimmering tintinnabulations and pealing chimes, a wave of sound whose undertow pulls the listener into collective memories of struck metal as timekeeper, summoner of souls and banisher of evil spirits.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s music held taut by oppositions, at once urgent yet calm, simple yet intricate, with angelic tranquilities humming above a grinding, plaintive underbelly. The drama of the music is as much horizontal as vertical. Choirs of overtones outshine their fundamental frequencies, entwined like Swedenborgian correspondences. Harmonics rising above the audible spectrum imply realms beyond perception, and a certain emphasis on each moment of sound in itself, as distinct from relations between moments, invokes a sense of timelessness, of eternity in each instant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat’s not to say the music doesn’t develop. It charts a contemplative, meditative journey full of variety and interest - it’s just that the listener is invited to listen as much upwards, inwards as forwards. The Heavenly Realms’ most beautiful treasures are reserved for those who listen deeply. A revelatory sound-world manifests, a microcosm of the absolute.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam McLoughlin , David Chatton Barker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Folklore Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-09T12:37:47+09:00","created_at":"2023-11-04T17:45:23+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","folklore tapes","lp","new"],"price":2795,"price_min":2795,"price_max":2795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728642273530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam McLoughlin , David Chatton Barker \/\/ The Heavenly Realms LP+BOOKLET","public_title":null,"options":["Default Title"],"price":2795,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sam1_0d16de46-6ee6-4f75-a6b7-514efee0673b.jpg?v=1699087525","\/\/tobirarecords.com\/cdn\/shop\/files\/sam2_a3a2b5e3-f931-4e2b-b5be-441c9fac8bc7.jpg?v=1699087524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam1_0d16de46-6ee6-4f75-a6b7-514efee0673b.jpg?v=1699087525","options":["Title"],"media":[{"alt":null,"id":32642086961402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam1_0d16de46-6ee6-4f75-a6b7-514efee0673b.jpg?v=1699087525"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam1_0d16de46-6ee6-4f75-a6b7-514efee0673b.jpg?v=1699087525","width":600},{"alt":null,"id":32642086994170,"position":2,"preview_image":{"aspect_ratio":1.02,"height":588,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam2_a3a2b5e3-f931-4e2b-b5be-441c9fac8bc7.jpg?v=1699087524"},"aspect_ratio":1.02,"height":588,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam2_a3a2b5e3-f931-4e2b-b5be-441c9fac8bc7.jpg?v=1699087524","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの妖精音楽家\u003cmeta charset=\"utf-8\"\u003eSam McLoughlinと、民俗研究レーベルFolklore Tapes主宰David Chatton Barkerが、2023年4月にリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデンの神秘家\u003cmeta charset=\"utf-8\"\u003eEmmanuel Swedenborgからインスピレーションを得た、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンティーク時計のチャイムだけで制作した\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Folklore Tapesは、人生の後半をイギリスで過ごしたスウェーデンの神秘家エマニュエル・スウェーデンボルグから始まる新たなミスティック・シリーズを通じて、また新たな調査分野を開拓する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Heavenly Realms』は、2022年10月に\u003cmeta charset=\"utf-8\"\u003eFolklore Tapesがスウェーデンボーグ・ハウスに滞在したことから生まれた。ロンドンのブルームズベリー・ウェイにあるこのハウスは、科学者、哲学者、幻視者であるエマニュエル・スウェーデンボルグ(1688-1772)の著作の研究と出版を目的とする組織、スウェーデンボルグ・ソサエティの本部である。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSam McLoughlinとDavid Chatton Barkerーは、スウェーデンボルグの遺産に創造的に反応するよう招かれたが、二人がスウェーデンボルグの神秘体験からインスピレーションを得たことは、彼らの信奉者にとっては驚くことではないだろう。スウェーデンボルグの最も有名な作品『天国と地獄』(1764年)は、長年にわたる夢、トランス状態、天使との恍惚としたコミュニケーションを統合し、死後の世界と霊的な領域についての完全なビジョンを描き出した。その中でスウェーデンボルグは、階層化された天界の秩序を綿密に詳述している。この究極の現実の中では、物理的な物質が、最高で最も純粋な階層である神から発せられる神聖な対応関係を通じて精神に関係している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこのデュオは、アンティーク時計のチャイムのコレクションだけで作られた音楽を通して、この永遠というビジョンにアプローチしている。彼らの作品ではよくあることだが、この一見制限されたように見えるものこそが、このプロジェクトの特異で表現力豊かな深みを解き放っている。The Heavenly Realmsは、静寂から揺らめくティンティナブラと鳴り響くチャイムへのフェードで幕を開け、その音の波が、タイムキーパー、魂の召喚者、悪霊の追放者としての打ち込みメタルの集合的な記憶へとリスナーを引き込む。\u003cbr\u003e\u003cbr\u003e切迫していながら穏やかで、シンプルでありながら複雑で、天使のような静謐さが軋むような悲しげな底辺の上でハミングしている。音楽のドラマは水平方向にも垂直方向にもある。倍音の大合唱は基本周波数を凌駕し、スウェーデンボルグの対応関係のように絡み合っている。可聴域を超える倍音は知覚を超えた領域を暗示し、瞬間と瞬間の関係とは異なる音の一瞬一瞬に重きを置くことで、時を超越した感覚、一瞬一瞬に宿る永遠性を呼び起こす。\u003cbr\u003e\u003cbr\u003e音楽が発展しないというわけではない。ただ、聴き手は、前方だけでなく、上方や内側にも耳を傾けるように誘われているのだ。天界の最も美しい宝物は、深く耳を傾ける人のために用意されている。啓示的な音世界が現れ、絶対的なものの小宇宙となる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1404356782\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\" title=\"Folklore Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFolklore Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\/ftmsi-the-heavenly-realms\" title=\"FTMSI - The Heavenly Realms\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFTMSI - The Heavenly Realms\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Part 1\u003cbr\u003e2 Part 2\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFolklore Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"Folklore Tapes grow yet another branch of investigation through their new Mystic Series, which begins with the Swedish mystic Emmanuel Swedenborg, who spent the latter portion of his life living in England.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Heavenly Realms unfolded from Folklore Tapes’ residency at Swedenborg House in October 2022. The house, in Bloomsbury Way, London, is the headquarters of the Swedenborg Society, an organisation dedicated to the study and publication of the works of scientist, philosopher and visionary Emmanuel Swedenborg (1688-1772).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSam McLoughlin and David Chatton Barker were invited to respond creatively to Swedenborg’s legacy, and it will come as no surprise to their followers that the duo took inspiration from Swedenborg’s mystical experiences. Swedenborg’s most renowned work, Heaven and Hell (1764), synthesised years of dreams, trance states and ecstatic communications with angels into a complete vision of the afterlife and the spiritual realms. In it Swedenborg meticulously details a stratified order of the heavens, an ultimate reality within which physical matter relates to spirit through divine correspondences emanating from a highest, purest echelon, God.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duo approach this vision of eternity through music created entirely with a collection of antique clock chimes. As is often the case in their work, this seeming limitation is precisely what unfetters the project’s singular, expressive depths. The Heavenly Realms opens with a fade from silence to shimmering tintinnabulations and pealing chimes, a wave of sound whose undertow pulls the listener into collective memories of struck metal as timekeeper, summoner of souls and banisher of evil spirits.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s music held taut by oppositions, at once urgent yet calm, simple yet intricate, with angelic tranquilities humming above a grinding, plaintive underbelly. The drama of the music is as much horizontal as vertical. Choirs of overtones outshine their fundamental frequencies, entwined like Swedenborgian correspondences. Harmonics rising above the audible spectrum imply realms beyond perception, and a certain emphasis on each moment of sound in itself, as distinct from relations between moments, invokes a sense of timelessness, of eternity in each instant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat’s not to say the music doesn’t develop. It charts a contemplative, meditative journey full of variety and interest - it’s just that the listener is invited to listen as much upwards, inwards as forwards. The Heavenly Realms’ most beautiful treasures are reserved for those who listen deeply. A revelatory sound-world manifests, a microcosm of the absolute.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam McLoughlin , David Chatton Barker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Folklore Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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This is a joint record released in April 2023 by British fairy musician Sam McLoughlin and David Chatton Barker, head of the folklore research label Folklore Tapes.Inspired by the Swedish mystic Emmanuel Swedenborg, it includes two minimalist drone songs created using only the chimes of antique clocks. Comes with a 4-page booklet and DL code.Below is an explanation by the label. "Folklore Tapes explores yet another area of investigation with a new mystic series that begins with Emmanuel Swedenborg, a Swedish mystic who spent the latter half of his life in England. 'The Heavenly Realms' will be released in October 2. The Folklore Tapes arose from a stay at Swedenborg House in Bloomsbury Way, London.The house was a research site for the writings of scientist, philosopher and visionary Emanuel Swedenborg (24-2022). It is the headquarters of the Swedenborg Society, an organization whose purpose is to publish and...
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{"id":8056970641658,"title":"Gil Sansón \/\/ con richard (por la adversidad a las estrellas) CD","handle":"gil-sanson-con-richard-por-la-adversidad-a-las-estrellas-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e中南米ベネズエラ・バレンシアの実験音楽家Gil Sansónが\u003c\/span\u003e、2023年10月にベルギー・ブリュッセルの実験レーベルUnfathomlessから200部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のディープリスニング系フィールドレコーディング・コラージュドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/gil-sanson-impostor-syndrome-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"遠くから聞こえる交通の音は、過去の記憶の断片を呼び起こす。最近、私はもっとシンプルな時代、今世紀初頭のニューヨークの思い出がよみがえる。地理的に物理的な接触が不可能になる前に、私たちは多くの音楽的、芸術的な冒険を共有した。記憶の音楽性が明らかになり、物語を描写したり語ったりするのではなく、最も静かな時の街(カラカス)の灰色の音と、私のアーカイブからの断片を混ぜ合わせ、遠い昔に過ぎ去ってしまったが、ある日には本当に近い時間に感じられる感覚を記憶によって再構築する作品を促した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2966447895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eUnfathomless その他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ufom\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ufom\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUnfathomless\u003c\/span\u003e\u003cspan\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in clear vinyl sleeve.\u003cspan\u003e Edition of 175. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003econ richard (por la adversidad a las estrellas) 44:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Gil Sansón, 4 August 2023:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"The hum of traffic from afar brings back fragments of memories from the past. Lately I've been visited by memories from a simpler time, NYC in the early years of the century, and my friend Richard Garet is often on them. We shared many musical and artistic adventures then before geography made physical contact impossible, the musicality of memory became evident and prompted a piece that doesn't describe or narrates a story but that mixes the grey sound of the city (Caracas) at it's quietest with fragments from my archives and reconstruction by memory of sensations long gone but that some days feel really close in time.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gil Sansón\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Unfathomless\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-03T07:59:38+09:00","created_at":"2023-10-30T13:25:12+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","field recording","monooto","new","Unfathomless"],"price":1495,"price_min":1495,"price_max":1495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44704072499450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gil Sansón \/\/ con richard (por la adversidad a las estrellas) CD","public_title":null,"options":["Default Title"],"price":1495,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gil1.jpg?v=1698639914","\/\/tobirarecords.com\/cdn\/shop\/files\/gil2.jpg?v=1698639915"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gil1.jpg?v=1698639914","options":["Title"],"media":[{"alt":null,"id":32620096717050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gil1.jpg?v=1698639914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gil1.jpg?v=1698639914","width":700},{"alt":null,"id":32620096749818,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gil2.jpg?v=1698639915"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gil2.jpg?v=1698639915","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e中南米ベネズエラ・バレンシアの実験音楽家Gil Sansónが\u003c\/span\u003e、2023年10月にベルギー・ブリュッセルの実験レーベルUnfathomlessから200部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のディープリスニング系フィールドレコーディング・コラージュドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/gil-sanson-impostor-syndrome-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"遠くから聞こえる交通の音は、過去の記憶の断片を呼び起こす。最近、私はもっとシンプルな時代、今世紀初頭のニューヨークの思い出がよみがえる。地理的に物理的な接触が不可能になる前に、私たちは多くの音楽的、芸術的な冒険を共有した。記憶の音楽性が明らかになり、物語を描写したり語ったりするのではなく、最も静かな時の街(カラカス)の灰色の音と、私のアーカイブからの断片を混ぜ合わせ、遠い昔に過ぎ去ってしまったが、ある日には本当に近い時間に感じられる感覚を記憶によって再構築する作品を促した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2966447895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eUnfathomless その他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ufom\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ufom\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUnfathomless\u003c\/span\u003e\u003cspan\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in clear vinyl sleeve.\u003cspan\u003e Edition of 175. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003econ richard (por la adversidad a las estrellas) 44:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Gil Sansón, 4 August 2023:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"The hum of traffic from afar brings back fragments of memories from the past. Lately I've been visited by memories from a simpler time, NYC in the early years of the century, and my friend Richard Garet is often on them. We shared many musical and artistic adventures then before geography made physical contact impossible, the musicality of memory became evident and prompted a piece that doesn't describe or narrates a story but that mixes the grey sound of the city (Caracas) at it's quietest with fragments from my archives and reconstruction by memory of sensations long gone but that some days feel really close in time.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gil Sansón\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Unfathomless\u003c\/span\u003e\u003c\/p\u003e"}
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This CD was released in October 2023 by Gil Sansón, an experimental musician from Valencia, Venezuela, in Latin America, on the experimental label Unfathomless in Brussels, Belgium, in a limited edition of 10 copies.This is a deep listening field recording collage drone work with no melody.The previous work is also recommended.Below is an explanation by the author himself. "The distant sound of traffic evokes fragments of memories from the past. Lately, I've been having memories of a simpler time, New York at the beginning of this century, before physical contact became geographically impossible. We shared many musical and artistic adventures. The musicality of memories is revealed, and the gray sounds of the city (Caracas) at its quietest times do not describe or tell a story. and mixed fragments from my archives, prompting a work that uses memory to reconstruct the feeling of a time long gone, but one day feeling really close." Unfathomless Click here for other works / // Click here to see more Unfathomless releases available at Tobira. ...
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{"id":8056694112506,"title":"Gonçalo Cardoso \u0026 Ruben Pater \/\/ A Study into 21st Century Drone Acoustics LP+BOOKLET","handle":"goncalo-cardoso-ruben-pater-a-study-into-21st-century-drone-acoustics-lp","description":"\u003cp\u003eポルトガルの密林レーベルDiscrepant主宰Gonçalo CardosoとデザイナーRuben Paterが、2015年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e音楽ジャンルのドローンではなく、飛行するドローンに焦点を当てた一枚です。\u003c\/p\u003e\n\u003cp\u003eA面は小型ドローンから軍用大型ドローンまで17種類のドローンのフィールドレコーディングを、B面はGonçalo Cardosoによる長尺ドローンを収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLリンクと12ページのブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2531345740\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1161992576\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3551792479\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link and a 12 page booklet.\u003cspan\u003e 12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGonçalo F Cardoso - The Life and Death of a 21st Century Drone Machine 23:08\u003c\/li\u003e\n\u003cli\u003eQAV400 01:14\u003c\/li\u003e\n\u003cli\u003eParrot AR 00:48\u003c\/li\u003e\n\u003cli\u003eRaven RQ-11 01:10\u003c\/li\u003e\n\u003cli\u003eScanEagle 00:35\u003c\/li\u003e\n\u003cli\u003eShadow RQ-7 00:23\u003c\/li\u003e\n\u003cli\u003eHarpy 00:10\u003c\/li\u003e\n\u003cli\u003eRustom-1 00:11\u003c\/li\u003e\n\u003cli\u003eFire Scout MQ-8 01:25\u003c\/li\u003e\n\u003cli\u003eHeron 01:03\u003c\/li\u003e\n\u003cli\u003eHermes 900 01:20\u003c\/li\u003e\n\u003cli\u003eHeron TP 00:38\u003c\/li\u003e\n\u003cli\u003ePredator MQ-1 00:46\u003c\/li\u003e\n\u003cli\u003eReaper MQ - 9 01:09\u003c\/li\u003e\n\u003cli\u003eGlobal Hawk RQ - 4 00:48\u003c\/li\u003e\n\u003cli\u003enEURON 00:12\u003c\/li\u003e\n\u003cli\u003eX - 47B 00:21\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscrepant:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"‘\u003cem\u003eA Study into 21st Century Drone Acoustics’ is an auditive investigation by composer Gonçalo F. Cardoso (Discrepant records) and designer Ruben Pater (Untold Stories). What kind engines are drones equipped with? What do they sound like? What are the psychological effects of the sounds in areas of conflict? Side A features field recordings of 17 drone types, ranging from small consumer drones to large military drones. The B side presents a soundscape by Gonçalo F. Cardoso, inspired by the abusive and destructive power or drone technology. The composition focuses on the conceptual (sound) life and death of an aerial drone machine in the 21st century. The vinyl LP is printed on metallicized cardboard and comes with a 12 page booklet with documentation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gonçalo Cardoso \u0026amp; Ruben Pater\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Discrepant\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-30T14:35:44+09:00","created_at":"2023-10-30T12:01:01+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","drone","field recording","lp","monooto","new"],"price":2595,"price_min":2595,"price_max":2595,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44703626854650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gonçalo Cardoso \u0026 Ruben Pater \/\/ A Study into 21st Century Drone Acoustics LP+BOOKLET","public_title":null,"options":["Default Title"],"price":2595,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gon1.jpg?v=1698634863","\/\/tobirarecords.com\/cdn\/shop\/files\/gon2.jpg?v=1698634862","\/\/tobirarecords.com\/cdn\/shop\/files\/gon3.jpg?v=1698634863"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon1.jpg?v=1698634863","options":["Title"],"media":[{"alt":null,"id":32619906400506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon1.jpg?v=1698634863"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon1.jpg?v=1698634863","width":700},{"alt":null,"id":32619906433274,"position":2,"preview_image":{"aspect_ratio":1.749,"height":686,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon2.jpg?v=1698634862"},"aspect_ratio":1.749,"height":686,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon2.jpg?v=1698634862","width":1200},{"alt":null,"id":32619906466042,"position":3,"preview_image":{"aspect_ratio":1.78,"height":674,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon3.jpg?v=1698634863"},"aspect_ratio":1.78,"height":674,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon3.jpg?v=1698634863","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルの密林レーベルDiscrepant主宰Gonçalo CardosoとデザイナーRuben Paterが、2015年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e音楽ジャンルのドローンではなく、飛行するドローンに焦点を当てた一枚です。\u003c\/p\u003e\n\u003cp\u003eA面は小型ドローンから軍用大型ドローンまで17種類のドローンのフィールドレコーディングを、B面はGonçalo Cardosoによる長尺ドローンを収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLリンクと12ページのブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2531345740\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1161992576\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3551792479\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link and a 12 page booklet.\u003cspan\u003e 12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGonçalo F Cardoso - The Life and Death of a 21st Century Drone Machine 23:08\u003c\/li\u003e\n\u003cli\u003eQAV400 01:14\u003c\/li\u003e\n\u003cli\u003eParrot AR 00:48\u003c\/li\u003e\n\u003cli\u003eRaven RQ-11 01:10\u003c\/li\u003e\n\u003cli\u003eScanEagle 00:35\u003c\/li\u003e\n\u003cli\u003eShadow RQ-7 00:23\u003c\/li\u003e\n\u003cli\u003eHarpy 00:10\u003c\/li\u003e\n\u003cli\u003eRustom-1 00:11\u003c\/li\u003e\n\u003cli\u003eFire Scout MQ-8 01:25\u003c\/li\u003e\n\u003cli\u003eHeron 01:03\u003c\/li\u003e\n\u003cli\u003eHermes 900 01:20\u003c\/li\u003e\n\u003cli\u003eHeron TP 00:38\u003c\/li\u003e\n\u003cli\u003ePredator MQ-1 00:46\u003c\/li\u003e\n\u003cli\u003eReaper MQ - 9 01:09\u003c\/li\u003e\n\u003cli\u003eGlobal Hawk RQ - 4 00:48\u003c\/li\u003e\n\u003cli\u003enEURON 00:12\u003c\/li\u003e\n\u003cli\u003eX - 47B 00:21\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscrepant:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"‘\u003cem\u003eA Study into 21st Century Drone Acoustics’ is an auditive investigation by composer Gonçalo F. Cardoso (Discrepant records) and designer Ruben Pater (Untold Stories). What kind engines are drones equipped with? What do they sound like? What are the psychological effects of the sounds in areas of conflict? Side A features field recordings of 17 drone types, ranging from small consumer drones to large military drones. The B side presents a soundscape by Gonçalo F. Cardoso, inspired by the abusive and destructive power or drone technology. The composition focuses on the conceptual (sound) life and death of an aerial drone machine in the 21st century. The vinyl LP is printed on metallicized cardboard and comes with a 12 page booklet with documentation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gonçalo Cardoso \u0026amp; Ruben Pater\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Discrepant\u003c\/span\u003e\u003c\/p\u003e"}
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This is a joint record released in 2015 by Gonçalo Cardoso, head of the Portuguese jungle label Discrepant, and designer Ruben Pater.This is a piece that focuses on flying drones, rather than music genre drones. Side A contains field recordings of 17 types of drones, from small drones to large military drones, and side B contains a long drone by Gonçalo Cardoso. Includes DL link and 12 page booklet.Click here to see more Discrepant releases available at...
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{"id":8053543731450,"title":"Staalplaatsoundsystem \u0026 Lola Landscape Architects \/\/ Composed Nature \/ Yokomono Pro LP","handle":"staalplaatsoundsystem-lola-landscape-architects-composed-nature-yokomono-pro-lp","description":"\u003cp\u003eオランダのサウンドアート集団Staalplaatsoundsystemと環境建築集団Lola Landscape Architectsが、2011年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eインスタレーション2作を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Staalplaat Soundsystemによって制作されたこのLPレコードは、彼らの最近の音響活動と研究を記録するために、2つのプロジェクトに焦点を当てている。Staalplaat SoundsystemとLOLAランドスケープ・アーキテクトによるComposed Natureは、ドルトレヒト北芸術センター(Centrum voor Beeldende Kunst Dordrecht)のために開発されたインスタレーションで、64本の木のマトリクスで構成されている。制御可能な機械式バイブレーターが個々の木に取り付けられ、カスタムメイドのソフトウェアで操作される。それぞれの木の音は、ほとんど聞こえない音から重々しい「グリーン・ノイズ」まで変化し、それによって演奏される音のテクスチャーが異なる。木々を演奏するために、多くの空間的な音のパターンがプログラムされ、「Shiver Me Timbers」と題された楽曲が作られた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStaalplaat Soundsystemによる「Yokomono pro」は、もともとインドのKhoj(ニューデリーの国際芸術家協会)のために開発された。この作品は、社会的な音やコミュニケーションとしてのクラクションの騒音について問いかけている。インドの交通の信じられないほどの量と大きさ、そしてそれが生み出す音が、このプロジェクトのインスピレーションとなった。彼らのコミュニケーション言語はクラクションで話されているようで、ヨーロッパでウインカーを使うのと同じように、必要なことはすべてクラクションで合図する。私たちは、この車の合図という現象を傍受し、いわゆる意味のある構造の中に重ね合わせようとした。30台のオート人力車を雇い、クラクションを遠隔操作するための技術的な準備をした。これによって、あらかじめ決められたルートを自動車が走るのと同期して、リズミカルなパターンを演奏することが可能になった。クラクションを鳴らすタクシーを合唱団として使い、声のパターンとダイナミックな空間的な動きの組み合わせを形成し、それによって未決定のサウンド・コレオグラフィーが生み出される。\" 注釈と図表を含む4ページのインサート付属。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UXeq-MKUNFo?si=wyE7HjDYpo113hur\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Composed Nature (A Composition For Of 64 Trees) 18:12\u003cbr\u003eB Yokomono Pro (A Composition For Of 30 Cars) 10:48\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"LP Produced by Staalplaat Soundsystem in order to document their recent sonic activities and researches, this LP record is focused on 2 projects. Composed Nature by Staalplaat Soundsystem and LOLA landscape architects, is an installation developed for the Centrum voor Beeldende Kunst Dordrecht, consisting of a matrix of 64 trees. Controllable mechanical vibrators are mounted on individual trees and are operated through custom made software. The sound of each tree can vary from a barely audible noise to a heavy ‘Green noise’, thereby offering different sound textures to be played. To play the trees, many spatial sonic patterns have been programmed, and a musical composition titled ‘Shiver Me Timbers’ has been written. ‘Yokomono pro’ by Staalplaat Soundsystem, was originally developed for the Indian Khoj (International Artists Association in New Delhi). This piece questions horn noise as a social sound and communication. The incredible volume and size of Indian traffic and the sounds it produces, was the inspiration for this project. Their communication language seems to be spoken with the horn; signaling with it everything needed, much the way we use indicator lights in Europe. We seek to intercept this phenomenon of car signaling and overlay it within a so-called meaningful structure. 30 auto rickshaws were hired and prepared technically in order to remotely take over control of their horns. This enabled to synchronously play rhythmic patterns as the autos drive along a pre-determined route. Using the taxis with their horns as a choir, it forms a combination of voice patterns and dynamic spatial movements which in turn create an undetermined sound choreography.” Includes a 4-page insert with notes and diagrams.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staalplaatsoundsystem \u0026amp; Lola Landscape Architects\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-10-31T12:28:36+09:00","created_at":"2023-10-28T14:04:01+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","field recording","lp","monooto","new"],"price":2495,"price_min":2495,"price_max":2495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44696351539450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Staalplaatsoundsystem \u0026 Lola Landscape Architects \/\/ Composed Nature \/ Yokomono Pro LP","public_title":null,"options":["Default Title"],"price":2495,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ad2a1104-2c67-4273-bf6d-9a9a8cafe445.jpg?v=1698469443","\/\/tobirarecords.com\/cdn\/shop\/files\/R-3285296-1465466030-9471.jpg?v=1698722294"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ad2a1104-2c67-4273-bf6d-9a9a8cafe445.jpg?v=1698469443","options":["Title"],"media":[{"alt":null,"id":32613832098042,"position":1,"preview_image":{"aspect_ratio":0.992,"height":599,"width":594,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ad2a1104-2c67-4273-bf6d-9a9a8cafe445.jpg?v=1698469443"},"aspect_ratio":0.992,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ad2a1104-2c67-4273-bf6d-9a9a8cafe445.jpg?v=1698469443","width":594},{"alt":null,"id":32624362979578,"position":2,"preview_image":{"aspect_ratio":0.988,"height":600,"width":593,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-3285296-1465466030-9471.jpg?v=1698722294"},"aspect_ratio":0.988,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-3285296-1465466030-9471.jpg?v=1698722294","width":593}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのサウンドアート集団Staalplaatsoundsystemと環境建築集団Lola Landscape Architectsが、2011年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eインスタレーション2作を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Staalplaat Soundsystemによって制作されたこのLPレコードは、彼らの最近の音響活動と研究を記録するために、2つのプロジェクトに焦点を当てている。Staalplaat SoundsystemとLOLAランドスケープ・アーキテクトによるComposed Natureは、ドルトレヒト北芸術センター(Centrum voor Beeldende Kunst Dordrecht)のために開発されたインスタレーションで、64本の木のマトリクスで構成されている。制御可能な機械式バイブレーターが個々の木に取り付けられ、カスタムメイドのソフトウェアで操作される。それぞれの木の音は、ほとんど聞こえない音から重々しい「グリーン・ノイズ」まで変化し、それによって演奏される音のテクスチャーが異なる。木々を演奏するために、多くの空間的な音のパターンがプログラムされ、「Shiver Me Timbers」と題された楽曲が作られた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStaalplaat Soundsystemによる「Yokomono pro」は、もともとインドのKhoj(ニューデリーの国際芸術家協会)のために開発された。この作品は、社会的な音やコミュニケーションとしてのクラクションの騒音について問いかけている。インドの交通の信じられないほどの量と大きさ、そしてそれが生み出す音が、このプロジェクトのインスピレーションとなった。彼らのコミュニケーション言語はクラクションで話されているようで、ヨーロッパでウインカーを使うのと同じように、必要なことはすべてクラクションで合図する。私たちは、この車の合図という現象を傍受し、いわゆる意味のある構造の中に重ね合わせようとした。30台のオート人力車を雇い、クラクションを遠隔操作するための技術的な準備をした。これによって、あらかじめ決められたルートを自動車が走るのと同期して、リズミカルなパターンを演奏することが可能になった。クラクションを鳴らすタクシーを合唱団として使い、声のパターンとダイナミックな空間的な動きの組み合わせを形成し、それによって未決定のサウンド・コレオグラフィーが生み出される。\" 注釈と図表を含む4ページのインサート付属。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UXeq-MKUNFo?si=wyE7HjDYpo113hur\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Composed Nature (A Composition For Of 64 Trees) 18:12\u003cbr\u003eB Yokomono Pro (A Composition For Of 30 Cars) 10:48\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"LP Produced by Staalplaat Soundsystem in order to document their recent sonic activities and researches, this LP record is focused on 2 projects. Composed Nature by Staalplaat Soundsystem and LOLA landscape architects, is an installation developed for the Centrum voor Beeldende Kunst Dordrecht, consisting of a matrix of 64 trees. Controllable mechanical vibrators are mounted on individual trees and are operated through custom made software. The sound of each tree can vary from a barely audible noise to a heavy ‘Green noise’, thereby offering different sound textures to be played. To play the trees, many spatial sonic patterns have been programmed, and a musical composition titled ‘Shiver Me Timbers’ has been written. ‘Yokomono pro’ by Staalplaat Soundsystem, was originally developed for the Indian Khoj (International Artists Association in New Delhi). This piece questions horn noise as a social sound and communication. The incredible volume and size of Indian traffic and the sounds it produces, was the inspiration for this project. Their communication language seems to be spoken with the horn; signaling with it everything needed, much the way we use indicator lights in Europe. We seek to intercept this phenomenon of car signaling and overlay it within a so-called meaningful structure. 30 auto rickshaws were hired and prepared technically in order to remotely take over control of their horns. This enabled to synchronously play rhythmic patterns as the autos drive along a pre-determined route. Using the taxis with their horns as a choir, it forms a combination of voice patterns and dynamic spatial movements which in turn create an undetermined sound choreography.” Includes a 4-page insert with notes and diagrams.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staalplaatsoundsystem \u0026amp; Lola Landscape Architects\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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This is a collaborative record released by Dutch sound art group Staalplaatsoundsystem and environmental architecture group Lola Landscape Architects on Italian experimental label Alga Marghen in 2011.Contains two installations.Booklet included.Below is an explanation by the label. "This LP record produced by Staalplaat Soundsystem focuses on two projects in order to document their recent sonic activities and research. Composed Nature by Staalplaat Soundsystem and LOLA landscape architects The installation, developed for the Centrum voor Beeldende Kunst Dordrecht, consists of a matrix of 2 trees. Controllable mechanical vibrators are attached to each tree, and custom-made software The sound of each tree varies from almost inaudible to a heavy "green noise", resulting in a different texture of the sound played.Many spatial sound patterns are programmed to play the trees, creating the ``Shiver...''
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{"id":8034447524090,"title":"Ahti \u0026 Ahti \/\/ Nokivesi LP","handle":"ahti-ahti-nokivesi-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eフィンランドの実験音楽家Marja AhtiとNiko-Matti Ahtiが、2023年10月にギリシャの実験レーベルMore Marsから230部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリーとフィールドレコーディング、モジュラーによる音響ドキュメンタリー作品です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Ahti \u0026amp; Ahtiは、フィンランドのサウンドアーティスト\u003cmeta charset=\"utf-8\"\u003eMarja AhtiとNiko-Matti Ahtiのデュオ。ミュジークコンクレートの伝統の片隅で活動する彼らの作品は、空間や出来事、存在や物体の録音を組み合わせ、連想的な方法で注意深く整列させている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eノキヴェシ(煤-水)」は、楽器や電子音とともに、サウンドモンタージュや切り取られた会話を取り入れ、フィールドレコーディングされた音の複雑さと作曲の感性を融合させている。もともとは2020年のオシレーションズ・ラジオマラソンのためのラジオフォニック作品として制作されたもので、この作品は、離島に孤立して暮らす人物について、悲劇的かつ滑稽な人物である2人の声によって語られる断片的な物語を概説している。仙人は近隣の住民と連絡を取り合いながら、主流社会から離れて暮らす彼らの好奇心と想像力を刺激した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの物語は、アコースティックサウンドとドキュメンタリーを融合させた音楽作品の土台となり、テーマに関連した様々なフィールドレコーディング、モジュラーシンセサイザー、デジタル処理を駆使して、いくつもの個別の音楽パートからなる音環境を作り出す。これらのパートは断続的に中断されるが、2人の老人の声によってつながれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1710017976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/moma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/moma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/moma\"\u003ehere\u003c\/a\u003e to see more More Mars releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 230. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Nokivesi (part 1) 20:54\u003cbr\u003eB1. Nokivesi (part 2) 17:17\u003c\/p\u003e\n\u003cp\u003eMore Mars:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAhti \u0026amp; Ahti is the duo of Finnish sound artists Marja Ahti and Niko-Matti Ahti. Operating on the fringes of the musique concrète tradition, their work combines recordings of spaces and events, beings and objects, carefully aligned in an associative way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNokivesi (soot-water) embraces sound montage and cut up conversations alongside instrumental and electronic sound, combining the complexity of the field-recorded sounds and compositional sensitivity. Originally created as a radiophonic piece for the Oscillations Radio Marathon in 2020, the piece outlines a fragmented story told by two voices about a person living isolated on a remote island, a tragic and comic figure. The hermit kept in touch with the nearby residents, but he also stimulated their curiosity and imagination living apart from the mainstream society.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe story lays the foundation to a musical work that combines acousmatic sound and documentary, utilizing a variety of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e thematically associated field recordings, modular synthesizers and digital processing in order to create a sonic environment that consists of a number of discrete musical parts. These parts are intermittently interrupted, but also connected by the voices of two elderly persons.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ahti \u0026amp; Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : More Mars\u003c\/p\u003e","published_at":"2023-10-15T15:48:42+09:00","created_at":"2023-10-15T14:47:37+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","lp","monooto","more mars","new"],"price":2495,"price_min":2495,"price_max":2495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44637495853306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ahti \u0026 Ahti \/\/ Nokivesi LP","public_title":null,"options":["Default Title"],"price":2495,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no2_a65dc4be-77a7-4115-9f67-846ed876ae23.jpg?v=1697348859","\/\/tobirarecords.com\/cdn\/shop\/files\/no1_17805817-992b-4a57-862c-a7463dd591d2.jpg?v=1697348859"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_a65dc4be-77a7-4115-9f67-846ed876ae23.jpg?v=1697348859","options":["Title"],"media":[{"alt":null,"id":32560075931898,"position":1,"preview_image":{"aspect_ratio":0.987,"height":1200,"width":1184,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_a65dc4be-77a7-4115-9f67-846ed876ae23.jpg?v=1697348859"},"aspect_ratio":0.987,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_a65dc4be-77a7-4115-9f67-846ed876ae23.jpg?v=1697348859","width":1184},{"alt":null,"id":32560075964666,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_17805817-992b-4a57-862c-a7463dd591d2.jpg?v=1697348859"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_17805817-992b-4a57-862c-a7463dd591d2.jpg?v=1697348859","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eフィンランドの実験音楽家Marja AhtiとNiko-Matti Ahtiが、2023年10月にギリシャの実験レーベルMore Marsから230部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリーとフィールドレコーディング、モジュラーによる音響ドキュメンタリー作品です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Ahti \u0026amp; Ahtiは、フィンランドのサウンドアーティスト\u003cmeta charset=\"utf-8\"\u003eMarja AhtiとNiko-Matti Ahtiのデュオ。ミュジークコンクレートの伝統の片隅で活動する彼らの作品は、空間や出来事、存在や物体の録音を組み合わせ、連想的な方法で注意深く整列させている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eノキヴェシ(煤-水)」は、楽器や電子音とともに、サウンドモンタージュや切り取られた会話を取り入れ、フィールドレコーディングされた音の複雑さと作曲の感性を融合させている。もともとは2020年のオシレーションズ・ラジオマラソンのためのラジオフォニック作品として制作されたもので、この作品は、離島に孤立して暮らす人物について、悲劇的かつ滑稽な人物である2人の声によって語られる断片的な物語を概説している。仙人は近隣の住民と連絡を取り合いながら、主流社会から離れて暮らす彼らの好奇心と想像力を刺激した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの物語は、アコースティックサウンドとドキュメンタリーを融合させた音楽作品の土台となり、テーマに関連した様々なフィールドレコーディング、モジュラーシンセサイザー、デジタル処理を駆使して、いくつもの個別の音楽パートからなる音環境を作り出す。これらのパートは断続的に中断されるが、2人の老人の声によってつながれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1710017976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/moma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/moma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/moma\"\u003ehere\u003c\/a\u003e to see more More Mars releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 230. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Nokivesi (part 1) 20:54\u003cbr\u003eB1. Nokivesi (part 2) 17:17\u003c\/p\u003e\n\u003cp\u003eMore Mars:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAhti \u0026amp; Ahti is the duo of Finnish sound artists Marja Ahti and Niko-Matti Ahti. Operating on the fringes of the musique concrète tradition, their work combines recordings of spaces and events, beings and objects, carefully aligned in an associative way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNokivesi (soot-water) embraces sound montage and cut up conversations alongside instrumental and electronic sound, combining the complexity of the field-recorded sounds and compositional sensitivity. Originally created as a radiophonic piece for the Oscillations Radio Marathon in 2020, the piece outlines a fragmented story told by two voices about a person living isolated on a remote island, a tragic and comic figure. The hermit kept in touch with the nearby residents, but he also stimulated their curiosity and imagination living apart from the mainstream society.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe story lays the foundation to a musical work that combines acousmatic sound and documentary, utilizing a variety of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e thematically associated field recordings, modular synthesizers and digital processing in order to create a sonic environment that consists of a number of discrete musical parts. These parts are intermittently interrupted, but also connected by the voices of two elderly persons.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ahti \u0026amp; Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : More Mars\u003c\/p\u003e"}
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This is a collaborative record by Finnish experimental musicians Marja Ahti and Niko-Matti Ahti that was released in October 2023 on the Greek experimental label More Mars in a limited edition of 10 copies.This is an audio documentary work using sound poetry, field recording, and modular technology. DL code included.Below is an explanation by the label. "Ahti & Ahti is the duo of Finnish sound artists Marja Ahti and Niko-Matti Ahti. Working on the fringes of the musique concrète tradition, their work combines recordings of spaces, events, beings, and objects, creating associative and Nokivesi (Soot-Water) incorporates sound montages and clipped dialogue, along with instruments and electronic sounds, fusing the complexity of field-recorded sounds with the sensibilities of songwriting. .Originally created as a radiophonic piece for the 230 Oscillations Radio Marathon, this work tells the story of a person living isolated on a remote island through two voices, both tragic and comic. It outlines the fragmented stories that are told.The hermit kept in touch with neighboring residents, stimulating their curiosity and imagination even though they lived far from mainstream society.This story forms the basis for a musical work that combines acoustic sound and documentary, using various thematic field recordings, modular synthesizers, and digital processing to create a sonic environment consisting of a number of individual musical parts.These parts are interrupted intermittently, but are connected by the voices of two old men. " Click here to see other works from the label /// Click here to see...
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{"id":8030362927354,"title":"R. Pierre \/\/ Antigua CDr","handle":"r-pierre-antigua-cdr","description":"\u003cp\u003eアメリカ・LAの実験/ダンスレーベルJungle Gym主宰R. Pierreが、2023年8月にLAの実験レーベルTouristから20部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによる物音コラージュ作品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43358895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in plastic sleeve with card insert. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Antigua Suite 27:02\u003c\/p\u003e\n\u003cp\u003eArtist : R. Pierre\u003c\/p\u003e\n\u003cp\u003eLabel : Tourist\u003c\/p\u003e","published_at":"2023-10-15T13:11:33+09:00","created_at":"2023-10-08T16:00:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","Jungle Gym","monooto","new"],"price":895,"price_min":895,"price_max":895,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44613968462074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"R. Pierre \/\/ Antigua CDr","public_title":null,"options":["Default Title"],"price":895,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/an_9986d5c0-313c-4ac7-85ad-5a44f03f6e00.jpg?v=1696748445","\/\/tobirarecords.com\/cdn\/shop\/files\/an2_9b828a2d-33f9-4d65-ab3d-4da108a0963c.jpg?v=1696748445","\/\/tobirarecords.com\/cdn\/shop\/files\/an3_629f9032-3561-4f4e-a690-066e8999036e.jpg?v=1696748445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/an_9986d5c0-313c-4ac7-85ad-5a44f03f6e00.jpg?v=1696748445","options":["Title"],"media":[{"alt":null,"id":32535939645690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an_9986d5c0-313c-4ac7-85ad-5a44f03f6e00.jpg?v=1696748445"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an_9986d5c0-313c-4ac7-85ad-5a44f03f6e00.jpg?v=1696748445","width":600},{"alt":null,"id":32535939678458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_9b828a2d-33f9-4d65-ab3d-4da108a0963c.jpg?v=1696748445"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_9b828a2d-33f9-4d65-ab3d-4da108a0963c.jpg?v=1696748445","width":600},{"alt":null,"id":32535939711226,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an3_629f9032-3561-4f4e-a690-066e8999036e.jpg?v=1696748445"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an3_629f9032-3561-4f4e-a690-066e8999036e.jpg?v=1696748445","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの実験/ダンスレーベルJungle Gym主宰R. Pierreが、2023年8月にLAの実験レーベルTouristから20部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによる物音コラージュ作品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43358895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in plastic sleeve with card insert. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Antigua Suite 27:02\u003c\/p\u003e\n\u003cp\u003eArtist : R. Pierre\u003c\/p\u003e\n\u003cp\u003eLabel : Tourist\u003c\/p\u003e"}
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This is a CDr released in August 2023 by R. Pierre, owner of experimental/dance label Jungle Gym in Los Angeles, USA, in a limited edition of 8 copies from Tourist, an experimental label in LA.This is a collage of sounds made from field recordings. --------------------------------------- CDr in plastic sleeve with card insert. Tracklist: 20 ...
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{"id":8018691195130,"title":"Umeko Ando \/\/ Upopo Sanke 2xLP","handle":"umeko-ando-upopo-sanke-2x12","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※1月上旬再入荷後発送します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアイヌのシンガー/口琴奏者Umeko Andoが、2023年8月にリリースした再発2枚組レコードです。(オリジナルは2003年リリース)\u003c\/p\u003e\n\u003cp\u003e十勝の農場で録音した14曲を収録。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1960794117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChorakkun (チョーラックン) 02:50\u003c\/li\u003e\n\u003cli\u003eEri Rimse (エリ リムセ) 04:10\u003c\/li\u003e\n\u003cli\u003eSaranpe (サランペ ) 04:53\u003c\/li\u003e\n\u003cli\u003eIuta Upopo (イウタ ウポポ) 06:22\u003c\/li\u003e\n\u003cli\u003eSuchochoy (スチョチョイ) 04:52\u003c\/li\u003e\n\u003cli\u003eChup Kamuy Ho (チュプ カムイ ホー) 01:15\u003c\/li\u003e\n\u003cli\u003eSarukiusinay Kotan (サルキウシナイ コタン) 03:20\u003c\/li\u003e\n\u003cli\u003eUtari Opun Parewa (ウタリ オブン パレワ) 03:58\u003c\/li\u003e\n\u003cli\u003eMukkkuri Hawehe (ムックリ ハゥエヘ) 02:58\u003c\/li\u003e\n\u003cli\u003eEmusi Rimse (エムシ リムセ) 03:44\u003c\/li\u003e\n\u003cli\u003eKu Rimse (クー リムセ) 04:57\u003c\/li\u003e\n\u003cli\u003eHerekan Ho (ヘレカン ホー) 03:13\u003c\/li\u003e\n\u003cli\u003eRera Suye (レラ スエ) 00:47\u003c\/li\u003e\n\u003cli\u003eAruo (アルオー) 05:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eUpopo Sanke“ means “Let's sing a song\" in the Ainu language. Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. She sings their traditional songs together with Oki Kano on the Tonkori harp, who also recorded the album. The two are supported by members of the female vocal group Marewrew as well as Ainu percussionists, a string player and a male singer who provides rhythmic shouts and also throat singing. The call-and-response structure of many of the songs is performed with a mantric, hypnotic quality in a vocal style that is perhaps best described as elastic, relaxed and breathing. The lyrics praise the lush nature of the islands. They mention the deity Kamuy, who can appear in the form of animals such as bears or swordfish, and the singers repeatedly ask the audience to dance. Listening to this music can be a meditative experience. There seems to be a gentle smile in every note and syllable. This music softly hits the heart.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Upopo Sanke“ was recorded on a farm in Tokachi in the summer of 2003. We hear dogs barking, a distant thunderstorm and voices imitating animals. The liner notes that accompany the 2LP release gather the anecdotal memories of Umeko Ando and Oki\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Kano about the stories of the 14 songs.\u003cbr data-mce-fragment=\"1\"\u003eOki Kano is a musical ambassador of the Ainu culture who tours worldwide with his Oki Dub Ainu Band and also gives solo concerts, always playing the Tonkori, the five-stringed Ainu harp.\u003cbr data-mce-fragment=\"1\"\u003eThe Ainu have suffered from the oppression of their culture and language by Japan, especially since the 18th and 19th centuries. Only recently, in 2008, were the Ainu officially recognized again as an indigenous people culturally independent of Japan. As a result of the marginalization, there are now only a few hundred native speakers of the Ainu language left, making it a particularly worthy object of preservation. This music would not exist if the Ainu had not maintained their culture in remote and secret communities against Japanese hegemony. Thanks to Oki Kano, Umeko Ando's interpretation of Ainu music has been recorded in great detail from within the community. \"Upopo Sanke\" is a treasure of the Ainu heritage.\u003cbr data-mce-fragment=\"1\"\u003e\"Upopo Sanke\" was mixed again in part by Oki Kano before being mastered and cut to vinyl by Kassian Troyer. The 2LP plays on 45rpm and it sounds fantastic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album was the second album by Umeko Ando, the follow-up to \"Ihunke\", originally recorded in 2000 and also re-released in 2018 by Pingipung together with Oki Kano. The vinyl editions of \"Ihunke\" and also the 7’' single \"Iuta Upopo\" including an M.RUX remix have long been sold out. They will be made available again in the course of the release of \"Upopo Sanke\".\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e","published_at":"2023-09-18T07:31:39+09:00","created_at":"2023-09-17T12:03:51+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","pingipung"],"price":3495,"price_min":3495,"price_max":3495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44568249073914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Umeko Ando \/\/ Upopo Sanke 2xLP","public_title":null,"options":["Default Title"],"price":3495,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/upopo1.jpg?v=1694919833","\/\/tobirarecords.com\/cdn\/shop\/files\/upopo2.jpg?v=1694919833"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo1.jpg?v=1694919833","options":["Title"],"media":[{"alt":null,"id":32463931506938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo1.jpg?v=1694919833"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo1.jpg?v=1694919833","width":700},{"alt":null,"id":32463931539706,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo2.jpg?v=1694919833"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo2.jpg?v=1694919833","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※1月上旬再入荷後発送します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアイヌのシンガー/口琴奏者Umeko Andoが、2023年8月にリリースした再発2枚組レコードです。(オリジナルは2003年リリース)\u003c\/p\u003e\n\u003cp\u003e十勝の農場で録音した14曲を収録。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1960794117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChorakkun (チョーラックン) 02:50\u003c\/li\u003e\n\u003cli\u003eEri Rimse (エリ リムセ) 04:10\u003c\/li\u003e\n\u003cli\u003eSaranpe (サランペ ) 04:53\u003c\/li\u003e\n\u003cli\u003eIuta Upopo (イウタ ウポポ) 06:22\u003c\/li\u003e\n\u003cli\u003eSuchochoy (スチョチョイ) 04:52\u003c\/li\u003e\n\u003cli\u003eChup Kamuy Ho (チュプ カムイ ホー) 01:15\u003c\/li\u003e\n\u003cli\u003eSarukiusinay Kotan (サルキウシナイ コタン) 03:20\u003c\/li\u003e\n\u003cli\u003eUtari Opun Parewa (ウタリ オブン パレワ) 03:58\u003c\/li\u003e\n\u003cli\u003eMukkkuri Hawehe (ムックリ ハゥエヘ) 02:58\u003c\/li\u003e\n\u003cli\u003eEmusi Rimse (エムシ リムセ) 03:44\u003c\/li\u003e\n\u003cli\u003eKu Rimse (クー リムセ) 04:57\u003c\/li\u003e\n\u003cli\u003eHerekan Ho (ヘレカン ホー) 03:13\u003c\/li\u003e\n\u003cli\u003eRera Suye (レラ スエ) 00:47\u003c\/li\u003e\n\u003cli\u003eAruo (アルオー) 05:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eUpopo Sanke“ means “Let's sing a song\" in the Ainu language. Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. She sings their traditional songs together with Oki Kano on the Tonkori harp, who also recorded the album. The two are supported by members of the female vocal group Marewrew as well as Ainu percussionists, a string player and a male singer who provides rhythmic shouts and also throat singing. The call-and-response structure of many of the songs is performed with a mantric, hypnotic quality in a vocal style that is perhaps best described as elastic, relaxed and breathing. The lyrics praise the lush nature of the islands. They mention the deity Kamuy, who can appear in the form of animals such as bears or swordfish, and the singers repeatedly ask the audience to dance. Listening to this music can be a meditative experience. There seems to be a gentle smile in every note and syllable. This music softly hits the heart.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Upopo Sanke“ was recorded on a farm in Tokachi in the summer of 2003. We hear dogs barking, a distant thunderstorm and voices imitating animals. The liner notes that accompany the 2LP release gather the anecdotal memories of Umeko Ando and Oki\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Kano about the stories of the 14 songs.\u003cbr data-mce-fragment=\"1\"\u003eOki Kano is a musical ambassador of the Ainu culture who tours worldwide with his Oki Dub Ainu Band and also gives solo concerts, always playing the Tonkori, the five-stringed Ainu harp.\u003cbr data-mce-fragment=\"1\"\u003eThe Ainu have suffered from the oppression of their culture and language by Japan, especially since the 18th and 19th centuries. Only recently, in 2008, were the Ainu officially recognized again as an indigenous people culturally independent of Japan. As a result of the marginalization, there are now only a few hundred native speakers of the Ainu language left, making it a particularly worthy object of preservation. This music would not exist if the Ainu had not maintained their culture in remote and secret communities against Japanese hegemony. Thanks to Oki Kano, Umeko Ando's interpretation of Ainu music has been recorded in great detail from within the community. \"Upopo Sanke\" is a treasure of the Ainu heritage.\u003cbr data-mce-fragment=\"1\"\u003e\"Upopo Sanke\" was mixed again in part by Oki Kano before being mastered and cut to vinyl by Kassian Troyer. The 2LP plays on 45rpm and it sounds fantastic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album was the second album by Umeko Ando, the follow-up to \"Ihunke\", originally recorded in 2000 and also re-released in 2018 by Pingipung together with Oki Kano. The vinyl editions of \"Ihunke\" and also the 7’' single \"Iuta Upopo\" including an M.RUX remix have long been sold out. They will be made available again in the course of the release of \"Upopo Sanke\".\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e"}
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※1月上旬再入荷後発送します アイヌのシンガー/口琴奏者Umeko Andoが、2023年8月にリリースした再発2枚組レコードです。(オリジナルは2003年リリース) 十勝の農場で録音した14曲を収録。ライナーノーツとDLコード付属。 --------------------------------------- 2x12" black vinyl. Includes DL code. Tracklist: Chorakkun (チョーラックン)...
€34,95

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{"id":8017029497082,"title":"Staubitz and Waterhouse \/\/ Out and About LP","handle":"staubitz-and-waterhouse-out-and-about-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ロードアイランドの物音デュオStaubitz and Waterhouseが\u003c\/span\u003e、2023年5月に同国実験レーベルGertrude \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTapes\u003c\/span\u003eから125部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eA面は2年かけて収集した様々な音をコラージュして制作した架空の「平均的なある1日」を、B面はNYのハドソン渓谷を訪れた際の旅の音記録を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/staubitz-and-waterhouse-deluxe-romantic-suite-accessible-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarrett Clark\u003c\/span\u003eによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"これらの「ありふれたもの」について、私たちはどのように語ればいいのだろうか。どのようにすれば、むしろどのようにすれば、それらを探し出すことができるのだろうか。- Georges Perec - The Infra-Ordinary (1973)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStaubitz and Waterhouseが新譜を持って帰ってきた!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2022年のフルレングス・デビュー作『コモン・メタルズ』、『リージョナル・ベアーズ』のミニ・アルバム、『チョコレート・モンク』のシェイマス・ウィリアムズとのコラボEPに続き、オーシャン・ステートのリュックとブリュンヒルド・フェラーリが、これまでで最も魅力的で万華鏡のようなアルバム『 Out and About』を携えてGertrude Tapesに戻ってきた。アメリカ産業革命とウェンディ・カルロスの生まれ故郷であるロードアイランド州ポータケットを拠点とするStaubitz and Waterhouseは、勤勉さと繊細さ、そしてユーモアをもって自分たちの人生を記録し続けている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドAは、2年間にわたって録音されたもので、数十に及ぶ個別の現場を、デュオにとっての架空の \"平均的な1日 \"に凝縮している。このアルバムは、夜明けに彼らの家の階段で始まり、早朝の屋外アンティークマーケットを散策し、ジェームズ・タレルのスカイスペースやホテルのプールに立ち寄る。ホット・スタンパーは、私たちが毎日遭遇するさまざまなテクノフォニーの源をモンタージュした作品である。食料品の買い物中、洗車場、工場の建物内、家具店のトイレ。その日の夜、勇敢なオーラル探検家たちは、30年前に2人が出会いかけた「グレート・ウッズ」での「ピットブル」のコンサートを楽しんでいる。当然のように、2人は帰りにラファイエットに立ち寄ってナイトキャップを楽しみ、そこでジャズ全般についての刺激的な会話を耳にする。バケツの下に閉じ込められた猛烈な虫のベリンバウ風の抗議にもかかわらず、夜は至福の眠りで締めくくられる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドBは、2022年初頭の週末に録音された旅行記で、伝説的なタビーズのパティオで演奏するためにニューヨークのハドソン渓谷を訪れた旅の記録である。このサイドの曲調は、よりルーズでのびのびとしており、Staubitz and Waterhouseにとって、生きることと演奏することに違いはなく、それは連続したものであることを示している。それは、端々に滲み出るキングストンの音や、セット全体に流れる狂気の鳥のテープに聴こえ、何が本物で何が作為なのかの境界を濁している。アルバムの最後を飾るのは、ダイアビーコンの洞窟のような空間で、幽霊のような幻影がちらちらと見え隠れし、空間全体を浮遊している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e言っておくが、彼らは常に行動を求めているのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2994206290\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 125. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMorning Chorus 03:16\u003c\/li\u003e\n\u003cli\u003eHeart of the Mart 02:35\u003c\/li\u003e\n\u003cli\u003eVocaloids 02:20\u003c\/li\u003e\n\u003cli\u003eNo Recess 01:11\u003c\/li\u003e\n\u003cli\u003eHot Stamper 03:39\u003c\/li\u003e\n\u003cli\u003eDale 00:33\u003c\/li\u003e\n\u003cli\u003eJazz Conversation 04:13\u003c\/li\u003e\n\u003cli\u003eNight Sweats 02:21\u003c\/li\u003e\n\u003cli\u003eI Am Sitting in a Car 02:04\u003c\/li\u003e\n\u003cli\u003eNo Coffee at the Rodeway 01:33\u003c\/li\u003e\n\u003cli\u003eLive at Tubby's 10:11\u003c\/li\u003e\n\u003cli\u003eLouise's Attic 06:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Barrett Clark, Record Producer\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Following 2022's full-length debut Common Metals, a mini-album for Regional Bears, and a collaborative EP with Seamus Williams for Chocolate Monk, the Luc and Brunhild Ferrari of the Ocean State have returned to Gertrude Tapes with Out and About, their most engaging and kaleidoscopic album to date. Based in Pawtucket, Rhode Island, the birthplace of the American Industrial Revolution and Wendy Carlos, Staubitz and Waterhouse continue to document their lives with diligence, sensitivity, and humor.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide A, recorded over two years, distills dozens of discrete sites into an imaginary \"average day\" for the duo. The album begins at dawn on their stoop, proceeds to an early morning stroll at an\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e outdoor antique market, makes a pit stop at a James Turrell Skyspace and a hotel\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epool - all before a chaotic lunch at a woefully beleaguered charter school. Moving on, through, and out of the halls of education, \"Hot Stamper\" is a montage of the many sources of technophony we encounter every day: while grocery shopping, at a car wash, inside mill buildings, or in the bathroom at a furniture store. Later that evening our intrepid aural explorers find themselves at a lively \"Pitbull\" concert at \"Great Woods,\" where the two nearly met three decades prior. Par for the course, they stop in for a nightcap at the Lafayette on their way home, where they overhear a scintillating conversation about all things jazz. The night concludes with blissful slumber, despite the berimbau-esque protestations of a furious bug trapped under a bucket.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide B is a travelogue recorded over one weekend in early 2022, which documents their journey to the Hudson Valley in New York to play on the patio of the legendary Tubby's. The tone of this side is more loose and sprawling, and demonstrates that for Staubitz and Waterhouse there is no difference between living and performing - it exists on a continuum. You can hear it in the sounds of Kingston that bleed in around the edges, and in the tapes of insane birds that run\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethroughout their set, muddying the boundaries between what is real and what is artifice. The album concludes with a trip to the cavernous confines of Dia Beacon, where ghostly apparitions flicker in and out of focus and float throughout the space.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staubitz and Waterhouse\u003c\/p\u003e\n\u003cp\u003eLabel : Gertrude Tapes\u003c\/p\u003e","published_at":"2023-09-12T18:48:02+09:00","created_at":"2023-09-12T11:54:34+09:00","vendor":"Tobira Records","type":"","tags":["field recording","Gertrude Tapes","monooto","new","tape"],"price":2495,"price_min":2495,"price_max":2495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44556302188794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Staubitz and Waterhouse \/\/ Out and About LP","public_title":null,"options":["Default Title"],"price":2495,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_a77cf889-52a8-4440-8d0c-d6d76010c5bb.jpg?v=1694487276","\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_5f32fa88-a074-450e-9db5-afe50d33e760.jpg?v=1694487276"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_a77cf889-52a8-4440-8d0c-d6d76010c5bb.jpg?v=1694487276","options":["Title"],"media":[{"alt":null,"id":32436718534906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_a77cf889-52a8-4440-8d0c-d6d76010c5bb.jpg?v=1694487276"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_a77cf889-52a8-4440-8d0c-d6d76010c5bb.jpg?v=1694487276","width":700},{"alt":null,"id":32436718567674,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_5f32fa88-a074-450e-9db5-afe50d33e760.jpg?v=1694487276"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_5f32fa88-a074-450e-9db5-afe50d33e760.jpg?v=1694487276","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ロードアイランドの物音デュオStaubitz and Waterhouseが\u003c\/span\u003e、2023年5月に同国実験レーベルGertrude \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTapes\u003c\/span\u003eから125部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eA面は2年かけて収集した様々な音をコラージュして制作した架空の「平均的なある1日」を、B面はNYのハドソン渓谷を訪れた際の旅の音記録を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/staubitz-and-waterhouse-deluxe-romantic-suite-accessible-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarrett Clark\u003c\/span\u003eによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"これらの「ありふれたもの」について、私たちはどのように語ればいいのだろうか。どのようにすれば、むしろどのようにすれば、それらを探し出すことができるのだろうか。- Georges Perec - The Infra-Ordinary (1973)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStaubitz and Waterhouseが新譜を持って帰ってきた!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2022年のフルレングス・デビュー作『コモン・メタルズ』、『リージョナル・ベアーズ』のミニ・アルバム、『チョコレート・モンク』のシェイマス・ウィリアムズとのコラボEPに続き、オーシャン・ステートのリュックとブリュンヒルド・フェラーリが、これまでで最も魅力的で万華鏡のようなアルバム『 Out and About』を携えてGertrude Tapesに戻ってきた。アメリカ産業革命とウェンディ・カルロスの生まれ故郷であるロードアイランド州ポータケットを拠点とするStaubitz and Waterhouseは、勤勉さと繊細さ、そしてユーモアをもって自分たちの人生を記録し続けている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドAは、2年間にわたって録音されたもので、数十に及ぶ個別の現場を、デュオにとっての架空の \"平均的な1日 \"に凝縮している。このアルバムは、夜明けに彼らの家の階段で始まり、早朝の屋外アンティークマーケットを散策し、ジェームズ・タレルのスカイスペースやホテルのプールに立ち寄る。ホット・スタンパーは、私たちが毎日遭遇するさまざまなテクノフォニーの源をモンタージュした作品である。食料品の買い物中、洗車場、工場の建物内、家具店のトイレ。その日の夜、勇敢なオーラル探検家たちは、30年前に2人が出会いかけた「グレート・ウッズ」での「ピットブル」のコンサートを楽しんでいる。当然のように、2人は帰りにラファイエットに立ち寄ってナイトキャップを楽しみ、そこでジャズ全般についての刺激的な会話を耳にする。バケツの下に閉じ込められた猛烈な虫のベリンバウ風の抗議にもかかわらず、夜は至福の眠りで締めくくられる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドBは、2022年初頭の週末に録音された旅行記で、伝説的なタビーズのパティオで演奏するためにニューヨークのハドソン渓谷を訪れた旅の記録である。このサイドの曲調は、よりルーズでのびのびとしており、Staubitz and Waterhouseにとって、生きることと演奏することに違いはなく、それは連続したものであることを示している。それは、端々に滲み出るキングストンの音や、セット全体に流れる狂気の鳥のテープに聴こえ、何が本物で何が作為なのかの境界を濁している。アルバムの最後を飾るのは、ダイアビーコンの洞窟のような空間で、幽霊のような幻影がちらちらと見え隠れし、空間全体を浮遊している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e言っておくが、彼らは常に行動を求めているのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2994206290\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/gertrude-tapes\"\u003ehere\u003c\/a\u003e to see more Gertrude Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 125. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMorning Chorus 03:16\u003c\/li\u003e\n\u003cli\u003eHeart of the Mart 02:35\u003c\/li\u003e\n\u003cli\u003eVocaloids 02:20\u003c\/li\u003e\n\u003cli\u003eNo Recess 01:11\u003c\/li\u003e\n\u003cli\u003eHot Stamper 03:39\u003c\/li\u003e\n\u003cli\u003eDale 00:33\u003c\/li\u003e\n\u003cli\u003eJazz Conversation 04:13\u003c\/li\u003e\n\u003cli\u003eNight Sweats 02:21\u003c\/li\u003e\n\u003cli\u003eI Am Sitting in a Car 02:04\u003c\/li\u003e\n\u003cli\u003eNo Coffee at the Rodeway 01:33\u003c\/li\u003e\n\u003cli\u003eLive at Tubby's 10:11\u003c\/li\u003e\n\u003cli\u003eLouise's Attic 06:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Barrett Clark, Record Producer\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Following 2022's full-length debut Common Metals, a mini-album for Regional Bears, and a collaborative EP with Seamus Williams for Chocolate Monk, the Luc and Brunhild Ferrari of the Ocean State have returned to Gertrude Tapes with Out and About, their most engaging and kaleidoscopic album to date. Based in Pawtucket, Rhode Island, the birthplace of the American Industrial Revolution and Wendy Carlos, Staubitz and Waterhouse continue to document their lives with diligence, sensitivity, and humor.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide A, recorded over two years, distills dozens of discrete sites into an imaginary \"average day\" for the duo. The album begins at dawn on their stoop, proceeds to an early morning stroll at an\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e outdoor antique market, makes a pit stop at a James Turrell Skyspace and a hotel\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epool - all before a chaotic lunch at a woefully beleaguered charter school. Moving on, through, and out of the halls of education, \"Hot Stamper\" is a montage of the many sources of technophony we encounter every day: while grocery shopping, at a car wash, inside mill buildings, or in the bathroom at a furniture store. Later that evening our intrepid aural explorers find themselves at a lively \"Pitbull\" concert at \"Great Woods,\" where the two nearly met three decades prior. Par for the course, they stop in for a nightcap at the Lafayette on their way home, where they overhear a scintillating conversation about all things jazz. The night concludes with blissful slumber, despite the berimbau-esque protestations of a furious bug trapped under a bucket.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide B is a travelogue recorded over one weekend in early 2022, which documents their journey to the Hudson Valley in New York to play on the patio of the legendary Tubby's. The tone of this side is more loose and sprawling, and demonstrates that for Staubitz and Waterhouse there is no difference between living and performing - it exists on a continuum. You can hear it in the sounds of Kingston that bleed in around the edges, and in the tapes of insane birds that run\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethroughout their set, muddying the boundaries between what is real and what is artifice. The album concludes with a trip to the cavernous confines of Dia Beacon, where ghostly apparitions flicker in and out of focus and float throughout the space.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staubitz and Waterhouse\u003c\/p\u003e\n\u003cp\u003eLabel : Gertrude Tapes\u003c\/p\u003e"}
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This is a record that was released in May 2023 by the American Rhode Island noise duo Staubitz and Waterhouse on the country's experimental label Gertrude Tapes in a limited edition of 5 copies. Side A is a fictional ``average day'' created by collaging various sounds collected over two years, and side B is a sound recording of a trip to New York's Hudson Valley. DL code included.The previous work is also recommended.The following is an explanation by Barrett Clark: ``How should we talk about these ``common things''?How, or rather, how can we find them? - Georges Perec - The Infra-Ordinary (125)Staubitz...
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{"id":8012700287226,"title":"Maalem Mahmoud Gania \/\/ Colours of the Night 2xLP","handle":"maalem-mahmoud-gania-colours-of-the-night-2xlp","description":"\u003cp\u003eモロッコで最も有名なグナワ音楽家の一人Maalem Mahmoud Ganiaの再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003eHive Mindは、偉大な故Maalem Mahmoud Ganiによる深く催眠的なグナワの最後のスタジオ録音である『Colours of the Night』を発表できることを誇りに思う。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eこの録音は2017年9月8日にモロッコ国外での初リリースを迎え、2枚組LPで発売される。このリリースは、Ganiaの家族から直接ライセンスを受け、オリジナルのレコーディングに携わったすべての人々のサポートを受けている。Colours of the NightはGaniaにとって初のレコードリリースとなる。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMaalem Mahmoud Ganiは、モロッコで最も有名なグナワ・ミュージシャンのひとりである。グナワはサハラ以南のアフリカに起源をもつ音楽的、精神的伝統で、何世紀にもわたってモロッコ社会のサブカルチャーとして存続してきた。ブルースのルーツはその催眠術のようなリズムにある。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3765249079\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003ehere\u003c\/a\u003e to see more Hive Mind Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. 2023 repress edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSadati Houma El Bouhala 08:59\u003c\/li\u003e\n\u003cli\u003eShaba Kouria 08:51\u003c\/li\u003e\n\u003cli\u003eBala Matinba 11:00\u003c\/li\u003e\n\u003cli\u003eAmara Mousseye 08:16\u003c\/li\u003e\n\u003cli\u003eFoulani 09:42\u003c\/li\u003e\n\u003cli\u003eSidi Sma Ya Boulandi 08:06\u003c\/li\u003e\n\u003cli\u003eBa Yourki 08:04\u003c\/li\u003e\n\u003cli\u003eMrahba Baba Hamouda 07:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHive Mind Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHive Mind Records are proud to present Colours of the Night, the final studio recordings of deep, hypnotic Gnawa songs from the late, great Maalem Mahmoud Gania.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recordings see their first release outside of Morocco on 8 September 2017, and are available as a double vinyl LP and digital download. The release has been licensed directly from the Gania family and comes with the support of all who were involved in the original recordings. Colours of the Night is his first album to receive a vinyl release.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaalem Mahmoud Gania was one of Morocco's most famous Gnawa musicians. Gnawa is a musical and spiritual tradition originating in sub-Saharan Africa that has survived as a subculture within Moroccan society for centuries. The roots of the blues can be heard in its hypnotic rhythms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maalem Mahmoud Gania\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e","published_at":"2023-08-31T19:17:39+09:00","created_at":"2023-08-31T15:11:17+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hive mind records","lp","new"],"price":3295,"price_min":3295,"price_max":3295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44528205562106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Maalem Mahmoud Gania \/\/ Colours of the Night 2xLP","public_title":null,"options":["Default Title"],"price":3295,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/night1.jpg?v=1693462279","\/\/tobirarecords.com\/cdn\/shop\/files\/night2.jpg?v=1693462280"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/night1.jpg?v=1693462279","options":["Title"],"media":[{"alt":null,"id":32390824526074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night1.jpg?v=1693462279"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night1.jpg?v=1693462279","width":700},{"alt":null,"id":32390824591610,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night2.jpg?v=1693462280"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night2.jpg?v=1693462280","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eモロッコで最も有名なグナワ音楽家の一人Maalem Mahmoud Ganiaの再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003eHive Mindは、偉大な故Maalem Mahmoud Ganiによる深く催眠的なグナワの最後のスタジオ録音である『Colours of the Night』を発表できることを誇りに思う。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eこの録音は2017年9月8日にモロッコ国外での初リリースを迎え、2枚組LPで発売される。このリリースは、Ganiaの家族から直接ライセンスを受け、オリジナルのレコーディングに携わったすべての人々のサポートを受けている。Colours of the NightはGaniaにとって初のレコードリリースとなる。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMaalem Mahmoud Ganiは、モロッコで最も有名なグナワ・ミュージシャンのひとりである。グナワはサハラ以南のアフリカに起源をもつ音楽的、精神的伝統で、何世紀にもわたってモロッコ社会のサブカルチャーとして存続してきた。ブルースのルーツはその催眠術のようなリズムにある。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3765249079\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003ehere\u003c\/a\u003e to see more Hive Mind Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. 2023 repress edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSadati Houma El Bouhala 08:59\u003c\/li\u003e\n\u003cli\u003eShaba Kouria 08:51\u003c\/li\u003e\n\u003cli\u003eBala Matinba 11:00\u003c\/li\u003e\n\u003cli\u003eAmara Mousseye 08:16\u003c\/li\u003e\n\u003cli\u003eFoulani 09:42\u003c\/li\u003e\n\u003cli\u003eSidi Sma Ya Boulandi 08:06\u003c\/li\u003e\n\u003cli\u003eBa Yourki 08:04\u003c\/li\u003e\n\u003cli\u003eMrahba Baba Hamouda 07:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHive Mind Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHive Mind Records are proud to present Colours of the Night, the final studio recordings of deep, hypnotic Gnawa songs from the late, great Maalem Mahmoud Gania.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recordings see their first release outside of Morocco on 8 September 2017, and are available as a double vinyl LP and digital download. The release has been licensed directly from the Gania family and comes with the support of all who were involved in the original recordings. Colours of the Night is his first album to receive a vinyl release.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaalem Mahmoud Gania was one of Morocco's most famous Gnawa musicians. Gnawa is a musical and spiritual tradition originating in sub-Saharan Africa that has survived as a subculture within Moroccan society for centuries. The roots of the blues can be heard in its hypnotic rhythms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maalem Mahmoud Gania\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e"}
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A reissue double record set by Maalem Mahmoud Gania, one of the most famous Gnawa musicians in Morocco.Below is an explanation by the label. Hive Mind is proud to present Colors of the Night, the last studio recording of the deeply hypnotic Gnawa by the late great Maalem Mahmoud Gani.The recording will be released on 2 September 2017 for the first time outside of Morocco and will be released as a double LP.This release was licensed directly from Gania's family and supported by all those involved in the original recording. Colors of the Night will be Gania's first record release. Maalem...
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{"id":8012079300858,"title":"コージュン Kojun \/\/ 水中庭園 (The Water Garden) LP","handle":"コージュン-kojun-水中庭園-the-water-garden-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e沖縄の音楽家コージュンが、2023年8月に大阪のEM Recordsからリリースした再発レコードです。(オリジナルは1993年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\"「平和なアジア」の心象風景を託した琉球電子サロンミュージック。この二つとない逸品『水中庭園』(1993)の発表30周年を祝した初LPリリース。 ボーナス曲を加えてお届けします。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e沖縄の音楽家、コージュンこと國場幸順(こくば こうじゅん)は、70年代から数々のバンドと関わって「裏方のコージュン」と呼ばれ、80年代半ばに六人組という幻のバンド(※註)を作ったことで一部に知られる。この『水中庭園』は、琉球王朝交易時代に着想をえた「平和なアジア」をイメージした「BGM」を作ろうと制作着手された作品だが、予期せぬコンサートバンド結成(のちの六人組)のため制作は中断。その後、バンドが消滅してプロジェクトが白紙に返ったものの、彼は機会を待ち1993 年に本作を完成させた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e『水中庭園』は、沖縄をルーツとしながら広くアジアの音楽にも影響されており、アジア各地の伝統的音階に由来するフレーズを重ね、改変し、典型的な西洋の和音ハーモニーの動きを排除した点に大きな特徴がある。電子楽器とマルチトラックを使い、彼いわく「線を積み重ねる」ようなメロディー集積の実験は、沖縄からアジア世界へ新しいエネルギーを拡散させることを目指したかのようだ。そのすがすがしさと不思議さ、楽しさと色気のユニークな混合物であるサウンドはアジア由来の音階を束ねた結果に思われる。シンセとドラムマシンを駆使して心地よく特徴的なリズムを刻んでいるが、それはダンスフロアのためではなく、テクノロジーを駆使した「BGM=軽音楽」としての電子サロンミュージックをイメージしている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e國場のいう「平和なアジア」とは、海上交易で繁栄した近世以前の東アジア~東南アジアの営みを想像したもので、そのネットワークでは物だけでなく音も行き来し、どの音楽(音階)も新しく「ポップな」ものとして迎えられたと彼は思い描く。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e※註:六人組は坂本龍一のレーベルメイトとして、ビル・ラズウェルのプロデュースで世界デビューする予定だったが、不運が重なって解散した。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1843743829\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes english + japanese liner notes. Originally released on CD in 1993. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Kaw * [1’55”]\u003cbr\u003eA2. Parade [4’37”]\u003cbr\u003eA3. Lady with Chinese Parasol [4’09”]\u003cbr\u003eA4. Gate of Market [4’14”]\u003cbr\u003eA5. A Trip to the Bamboo Forest * [4’49”]\u003cbr\u003e\u003cbr\u003eB1. The Water Garden [7’50”]\u003cbr\u003eB2. Vessel with Torch [4’24”]\u003cbr\u003eB3. Ravine [4’18”]\u003cbr\u003eB4. Dancing in the Lotus Garden [5’47”]\u003cbr\u003e+ BONUS TRACK\u003c\/p\u003e\n\u003cp\u003eEM Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A buoyant masterpiece from the early 90s, “The Water Garden” was created by Okinawa-born Kojun Kokuba under the inspiring image of a “happy Asia” thriving in the sea-based trading networks of the medieval to pre-modern era, with the concept that various types of music, as well as physical goods, were distributed and dispersed across the seas connecting various parts of east and southeast Asia. Fittingly, the music here has definite and distinctive Ryukyu island roots, but is informed by a number of other Asian musical traditions, layering phrases derived from numerous Asian scales, often altered by Kojun, eschewing typical Western chordal harmonic movement. Kojun uses the synths and multitrack recorders of the early 90s to, in his words, “pile up lines” in sweet and not at all overbearing melodic accumulations, with a desire to distribute and disperse a new energy from Okinawa to the rest of Asia and the world. Despite a pleasing and compelling rhythmic lilt and the use of synths and drum machines, this music was not created as a product for the dance floor; Kojun envisioned a type of electronic salon music, a “light music” made with contemporary technology. This is the first LP edition of the self-produced original 1993 CD release and includes bonus tracks and liner notes in English and\u003cspan class=\"bcTruncateMore\"\u003e Japanese.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : コージュン Kojun\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e","published_at":"2023-08-29T14:53:06+09:00","created_at":"2023-08-29T14:22:02+09:00","vendor":"Tobira Records","type":"","tags":["em records","field recording","lp","new","post newage"],"price":2395,"price_min":2395,"price_max":2395,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44524227625210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"コージュン Kojun \/\/ 水中庭園 (The Water Garden) LP","public_title":null,"options":["Default Title"],"price":2395,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_8f1c6b24-0e4c-44d4-97b1-184c04c02ad8.jpg?v=1693286524","\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_78660c9d-6e91-4229-b7ab-d8c6dafec4eb.jpg?v=1693286524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_8f1c6b24-0e4c-44d4-97b1-184c04c02ad8.jpg?v=1693286524","options":["Title"],"media":[{"alt":null,"id":32383496257786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_8f1c6b24-0e4c-44d4-97b1-184c04c02ad8.jpg?v=1693286524"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_8f1c6b24-0e4c-44d4-97b1-184c04c02ad8.jpg?v=1693286524","width":700},{"alt":null,"id":32383496290554,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_78660c9d-6e91-4229-b7ab-d8c6dafec4eb.jpg?v=1693286524"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_78660c9d-6e91-4229-b7ab-d8c6dafec4eb.jpg?v=1693286524","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e沖縄の音楽家コージュンが、2023年8月に大阪のEM Recordsからリリースした再発レコードです。(オリジナルは1993年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\"「平和なアジア」の心象風景を託した琉球電子サロンミュージック。この二つとない逸品『水中庭園』(1993)の発表30周年を祝した初LPリリース。 ボーナス曲を加えてお届けします。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e沖縄の音楽家、コージュンこと國場幸順(こくば こうじゅん)は、70年代から数々のバンドと関わって「裏方のコージュン」と呼ばれ、80年代半ばに六人組という幻のバンド(※註)を作ったことで一部に知られる。この『水中庭園』は、琉球王朝交易時代に着想をえた「平和なアジア」をイメージした「BGM」を作ろうと制作着手された作品だが、予期せぬコンサートバンド結成(のちの六人組)のため制作は中断。その後、バンドが消滅してプロジェクトが白紙に返ったものの、彼は機会を待ち1993 年に本作を完成させた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e『水中庭園』は、沖縄をルーツとしながら広くアジアの音楽にも影響されており、アジア各地の伝統的音階に由来するフレーズを重ね、改変し、典型的な西洋の和音ハーモニーの動きを排除した点に大きな特徴がある。電子楽器とマルチトラックを使い、彼いわく「線を積み重ねる」ようなメロディー集積の実験は、沖縄からアジア世界へ新しいエネルギーを拡散させることを目指したかのようだ。そのすがすがしさと不思議さ、楽しさと色気のユニークな混合物であるサウンドはアジア由来の音階を束ねた結果に思われる。シンセとドラムマシンを駆使して心地よく特徴的なリズムを刻んでいるが、それはダンスフロアのためではなく、テクノロジーを駆使した「BGM=軽音楽」としての電子サロンミュージックをイメージしている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e國場のいう「平和なアジア」とは、海上交易で繁栄した近世以前の東アジア~東南アジアの営みを想像したもので、そのネットワークでは物だけでなく音も行き来し、どの音楽(音階)も新しく「ポップな」ものとして迎えられたと彼は思い描く。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e※註:六人組は坂本龍一のレーベルメイトとして、ビル・ラズウェルのプロデュースで世界デビューする予定だったが、不運が重なって解散した。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1843743829\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes english + japanese liner notes. Originally released on CD in 1993. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Kaw * [1’55”]\u003cbr\u003eA2. Parade [4’37”]\u003cbr\u003eA3. Lady with Chinese Parasol [4’09”]\u003cbr\u003eA4. Gate of Market [4’14”]\u003cbr\u003eA5. A Trip to the Bamboo Forest * [4’49”]\u003cbr\u003e\u003cbr\u003eB1. The Water Garden [7’50”]\u003cbr\u003eB2. Vessel with Torch [4’24”]\u003cbr\u003eB3. Ravine [4’18”]\u003cbr\u003eB4. Dancing in the Lotus Garden [5’47”]\u003cbr\u003e+ BONUS TRACK\u003c\/p\u003e\n\u003cp\u003eEM Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A buoyant masterpiece from the early 90s, “The Water Garden” was created by Okinawa-born Kojun Kokuba under the inspiring image of a “happy Asia” thriving in the sea-based trading networks of the medieval to pre-modern era, with the concept that various types of music, as well as physical goods, were distributed and dispersed across the seas connecting various parts of east and southeast Asia. Fittingly, the music here has definite and distinctive Ryukyu island roots, but is informed by a number of other Asian musical traditions, layering phrases derived from numerous Asian scales, often altered by Kojun, eschewing typical Western chordal harmonic movement. Kojun uses the synths and multitrack recorders of the early 90s to, in his words, “pile up lines” in sweet and not at all overbearing melodic accumulations, with a desire to distribute and disperse a new energy from Okinawa to the rest of Asia and the world. Despite a pleasing and compelling rhythmic lilt and the use of synths and drum machines, this music was not created as a product for the dance floor; Kojun envisioned a type of electronic salon music, a “light music” made with contemporary technology. This is the first LP edition of the self-produced original 1993 CD release and includes bonus tracks and liner notes in English and\u003cspan class=\"bcTruncateMore\"\u003e Japanese.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : コージュン Kojun\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e"}
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This is a reissue record released by Okinawan musician Kohjun from EM Records in Osaka in August 2023. (Original was released in 8) Below is a commentary by the label. "Ryukyu electronic salon music entrusted with the image of "peaceful Asia".The first LP release to celebrate the 1993th anniversary of the release of this one-of-a-kind masterpiece "Underwater Garden" (1993).We will add bonus songs.Kojun Kokuba, an Okinawan musician, has been involved with numerous bands since the 30s and is known as the "Kojun behind the scenes". Known to some for creatingThe production of "Underwater Garden" was started with the intention of creating "BGM" with the image of "peaceful Asia" inspired by the trading era of the Ryukyu dynasty, but due to the unexpected formation of a concert band (later the six members). Production suspended.After that, the band disbanded and the project was scrapped, but he waited for the opportunity and completed this work in 70. "Underwater Garden" has its roots in Okinawa, but is also widely influenced by Asian music, layering and modifying phrases derived from traditional musical scales from various parts of Asia, and eliminating typical Western chord harmonies. The point has great features.Using electronic instruments and multi-tracks, his experiments in accumulating melodies in what he calls "stacking lines" seem to aim to spread new energy from Okinawa to the Asian world.A unique mixture of freshness and wonder, fun and sensuality, the sound seems to be the result of a bundle of Asian scales.He makes full use of synths and drum machines to create a comfortable and distinctive rhythm, but it is not for the dance floor, but for the image of electronic salon music as "BGM = light music" that makes full use of technology.Kokuba's "peaceful Asia" is an image of the activities of East Asia and Southeast Asia before the early modern period when maritime trade prospered. He envisions it as being greeted with a new 'pop'. *Note: Six members were scheduled to make their world debut as Ryuichi Sakamoto's labelmates, produced by Bill Laswell, but due to a series of bad luck, they were disbanded. " Click here to see more EM Records releases /// Click here to see more EM Records releases...
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{"id":8011727634682,"title":"Titi Bakorta \/\/ Molende LP","handle":"titi-bakorta-molende-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコンゴのマルチ奏者/ポップ作家Titi Bakortaが、2023年8月にNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Titi Bakortaは危うく助からないところだった。キンシャサで生まれ育ったコンゴ人のマルチ奏者は、ウガンダに向かう途中、大河コンゴ川を横断中にボートから落ちた。泳げなかったBakortaは友人に救われ、最寄りの都市キサンガニまで引きずられ、そこで思いがけず地元のシンガーダンサー・パパラスと知り合った。すぐに彼らは一緒にバンドを組み、大陸を渡り歩き、タンザニア、南スーダン、ドバイに定住し、伝説的なスークス・バンド、グランド・ザイコ・ワワ、チョック・スターズ、ビッグ・スターズの前座を務めたコンゴの愛すべきヴォーカリスト、ジェネラル・デファオの前にも姿を現した。現在カンパラを拠点に活動するバコルタは、コンゴのポップスやフォーク・サウンドに独自のテイストを加え、伝統的な要素をサイケデリックなギター・ループの格子や揶揄されるような声、エキセントリックなビートボックスのリズムに織り交ぜたデビュー作を発表している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKop'では、木版画のスナップを吃音(きつおん)のようなぼやけ方に曲げ、うねるようなリフと奇妙で芝居がかった木琴のきらめきの上で感情的に泣き叫ぶ。これは、あるレベルではまだポップミュージックだが、Bakortaの扱いにくい個人的な物語を中心に湾曲している。いつすべてが崩壊してもおかしくないような感覚があるが、Bakortaの自信に満ちた現代的なプロダクションの賢さによって、すべてがうまくまとまっている。Elles Vaisは、タイトでエレクトロニックなドラムの上に浮かぶ天空のようなスーク・ヴォーカルで、より風通しが良い。絡み合ったギターのエコーが、密やかに織り上げられたタペストリーのように重なり合い、Bakortaの切迫したドライブするパルスと完璧なコントラストをなしている。Molendeでは、賛美音楽とコンテンポラリーなR\u0026amp;Bの間を、彼のチャントとフレーズがきれいに飛び交う。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのラストトラックであるTitis Haunted Houseで、Bakortaがメタル・プレイヤーズのジェシー・ハケットと組んだのも納得がいく。ハケットの不気味なシンセは、バコルタの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。ハケットの不気味なシンセが、Bakortaの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。このアルバムは、コンゴのポップとフォーク・サウンドを、独創的なプロダクションとソングライティングの奇抜さの鮮やかな紗の後ろで誇示することができ、コンゴで最も革新的な才能の1人を紹介している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QxEHCcKaqJs?si=hplsdpx8azZ70Ht5\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165565195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElles Vais 04:44\u003c\/li\u003e\n\u003cli\u003eMolende 03:35\u003c\/li\u003e\n\u003cli\u003eKop 02:47\u003c\/li\u003e\n\u003cli\u003eLaisse Moi Dancer 03:29\u003c\/li\u003e\n\u003cli\u003eGrand Kasai 05:18\u003c\/li\u003e\n\u003cli\u003eLibala Makambo 02:38\u003c\/li\u003e\n\u003cli\u003eNdima Kaka 04:29\u003c\/li\u003e\n\u003cli\u003eNyonso Epesameli Nga 03:04\u003c\/li\u003e\n\u003cli\u003eMotema 03:08\u003c\/li\u003e\n\u003cli\u003eTiti's Haunted House (ft Metal Preyers) 03:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTiti Bakorta almost didn't make it. Born in and raised in Kinshasa, the Congolese multi-instrumentalist was on his way to Uganda when he fell of the boat as it traversed the mighty Congo River. Unable to swim, Bakorta was saved by a friend who dragged him to the closest city Kisangani, where he was unexpectedly acquainted with local singer Dancer Papalas. Soon they were performing in bands together, traveling across the continents and settling in Tanzania, South Sudan and Dubai - they even appeared in front of General Defao, the beloved Congolese vocalist who fronted legendary soukous bands Grand Zaiko Wawa, Choc Stars and Big Stars. Now based in Kampala, Bakorta offers his own unique take on Congolese pop and folk sounds, weaving traditional elements through a psychedelic lattice of guitar loops, mangled voices and eccentric beatbox rhythms on his debut full-length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe bends woodblock snaps on 'Kop' into stuttered blurs, wailing emotionally over twanging riffs and bizarre, theatrical xylophone twinkles. It's still pop music on some level, but curved around Bakorta's unwieldy personal narrative - there's a sense that everything could unravel at any time but it all hangs together, strengthened by Bakorta's confident, contemporary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e production smarts. 'Elles Vais' is more airy, with celestial soukous vocals that float above tight, electronic drums. Tangled guitar echoes overlap each other like dense, weaved tapestries, contrasting perfectly with Bakorta's urgent, driving pulse. Occasionally, he transcends completely, like on 'Molende' where his chants and phrases neatly flutter between praise music and contemporary R\u0026amp;B. \"Hustling, hustling, hustling, everyday I'm hustling,\" an angelic voice coos over phased electric guitar plucks and looped, AutoTuned chorals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt makes perfect sense that Bakorta should team up with Metal Preyers' Jesse Hackett on the album's final track, the aptly-titled 'Titis Haunted House'. The two artists share a similar obsession with moonlit, carnivalesque soundscapes, and Hackett's eerie synths provide a suitably eccentric foundation for Bakorta's ghostly wails and fuzzy guitar sounds. This closes an album that's able to flaunt Congolese pop and folk sounds behind a vivid gauze of inventive production and songwriting quirks, introducing one of the country's most innovative talents.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-08-27T18:28:24+09:00","created_at":"2023-08-27T17:11:30+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","lp","new"],"price":1995,"price_min":1995,"price_max":1995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44522091315450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Titi Bakorta \/\/ Molende LP","public_title":null,"options":["Default Title"],"price":1995,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892","\/\/tobirarecords.com\/cdn\/shop\/files\/mol2.jpg?v=1693123892"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892","options":["Title"],"media":[{"alt":null,"id":32379443020026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892","width":700},{"alt":null,"id":32379443052794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol2.jpg?v=1693123892"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol2.jpg?v=1693123892","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコンゴのマルチ奏者/ポップ作家Titi Bakortaが、2023年8月にNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Titi Bakortaは危うく助からないところだった。キンシャサで生まれ育ったコンゴ人のマルチ奏者は、ウガンダに向かう途中、大河コンゴ川を横断中にボートから落ちた。泳げなかったBakortaは友人に救われ、最寄りの都市キサンガニまで引きずられ、そこで思いがけず地元のシンガーダンサー・パパラスと知り合った。すぐに彼らは一緒にバンドを組み、大陸を渡り歩き、タンザニア、南スーダン、ドバイに定住し、伝説的なスークス・バンド、グランド・ザイコ・ワワ、チョック・スターズ、ビッグ・スターズの前座を務めたコンゴの愛すべきヴォーカリスト、ジェネラル・デファオの前にも姿を現した。現在カンパラを拠点に活動するバコルタは、コンゴのポップスやフォーク・サウンドに独自のテイストを加え、伝統的な要素をサイケデリックなギター・ループの格子や揶揄されるような声、エキセントリックなビートボックスのリズムに織り交ぜたデビュー作を発表している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKop'では、木版画のスナップを吃音(きつおん)のようなぼやけ方に曲げ、うねるようなリフと奇妙で芝居がかった木琴のきらめきの上で感情的に泣き叫ぶ。これは、あるレベルではまだポップミュージックだが、Bakortaの扱いにくい個人的な物語を中心に湾曲している。いつすべてが崩壊してもおかしくないような感覚があるが、Bakortaの自信に満ちた現代的なプロダクションの賢さによって、すべてがうまくまとまっている。Elles Vaisは、タイトでエレクトロニックなドラムの上に浮かぶ天空のようなスーク・ヴォーカルで、より風通しが良い。絡み合ったギターのエコーが、密やかに織り上げられたタペストリーのように重なり合い、Bakortaの切迫したドライブするパルスと完璧なコントラストをなしている。Molendeでは、賛美音楽とコンテンポラリーなR\u0026amp;Bの間を、彼のチャントとフレーズがきれいに飛び交う。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのラストトラックであるTitis Haunted Houseで、Bakortaがメタル・プレイヤーズのジェシー・ハケットと組んだのも納得がいく。ハケットの不気味なシンセは、バコルタの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。ハケットの不気味なシンセが、Bakortaの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。このアルバムは、コンゴのポップとフォーク・サウンドを、独創的なプロダクションとソングライティングの奇抜さの鮮やかな紗の後ろで誇示することができ、コンゴで最も革新的な才能の1人を紹介している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QxEHCcKaqJs?si=hplsdpx8azZ70Ht5\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165565195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElles Vais 04:44\u003c\/li\u003e\n\u003cli\u003eMolende 03:35\u003c\/li\u003e\n\u003cli\u003eKop 02:47\u003c\/li\u003e\n\u003cli\u003eLaisse Moi Dancer 03:29\u003c\/li\u003e\n\u003cli\u003eGrand Kasai 05:18\u003c\/li\u003e\n\u003cli\u003eLibala Makambo 02:38\u003c\/li\u003e\n\u003cli\u003eNdima Kaka 04:29\u003c\/li\u003e\n\u003cli\u003eNyonso Epesameli Nga 03:04\u003c\/li\u003e\n\u003cli\u003eMotema 03:08\u003c\/li\u003e\n\u003cli\u003eTiti's Haunted House (ft Metal Preyers) 03:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTiti Bakorta almost didn't make it. Born in and raised in Kinshasa, the Congolese multi-instrumentalist was on his way to Uganda when he fell of the boat as it traversed the mighty Congo River. Unable to swim, Bakorta was saved by a friend who dragged him to the closest city Kisangani, where he was unexpectedly acquainted with local singer Dancer Papalas. Soon they were performing in bands together, traveling across the continents and settling in Tanzania, South Sudan and Dubai - they even appeared in front of General Defao, the beloved Congolese vocalist who fronted legendary soukous bands Grand Zaiko Wawa, Choc Stars and Big Stars. Now based in Kampala, Bakorta offers his own unique take on Congolese pop and folk sounds, weaving traditional elements through a psychedelic lattice of guitar loops, mangled voices and eccentric beatbox rhythms on his debut full-length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe bends woodblock snaps on 'Kop' into stuttered blurs, wailing emotionally over twanging riffs and bizarre, theatrical xylophone twinkles. It's still pop music on some level, but curved around Bakorta's unwieldy personal narrative - there's a sense that everything could unravel at any time but it all hangs together, strengthened by Bakorta's confident, contemporary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e production smarts. 'Elles Vais' is more airy, with celestial soukous vocals that float above tight, electronic drums. Tangled guitar echoes overlap each other like dense, weaved tapestries, contrasting perfectly with Bakorta's urgent, driving pulse. Occasionally, he transcends completely, like on 'Molende' where his chants and phrases neatly flutter between praise music and contemporary R\u0026amp;B. \"Hustling, hustling, hustling, everyday I'm hustling,\" an angelic voice coos over phased electric guitar plucks and looped, AutoTuned chorals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt makes perfect sense that Bakorta should team up with Metal Preyers' Jesse Hackett on the album's final track, the aptly-titled 'Titis Haunted House'. The two artists share a similar obsession with moonlit, carnivalesque soundscapes, and Hackett's eerie synths provide a suitably eccentric foundation for Bakorta's ghostly wails and fuzzy guitar sounds. This closes an album that's able to flaunt Congolese pop and folk sounds behind a vivid gauze of inventive production and songwriting quirks, introducing one of the country's most innovative talents.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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Congolese multi-instrumentalist/pop artist Titi Bakorta released a record on Nyege Nyege in August 2023.Here's the label's commentary: "Titi Bakorta was nearly doomed. The Congolese multi-instrumentalist, born and raised in Kinshasa, fell off a boat while crossing the mighty Congo River en route to Uganda. He couldn't swim. Bakorta was rescued by a friend and dragged to the nearest city, Kisangani, where he unexpectedly met local singer-dancer Papparas, and soon they formed a band together and traveled across continents, settling in Tanzania, South Sudan and Dubai. He also appeared in front of the beloved Congolese vocalist General Defao, who opened for the legendary Souks bands Grand Zaiko Wawa, Chock Stars and Big Stars, now based in Kampala. Bacorta, who is active, puts his own twist on Congolese pop and folk sounds, weaving traditional elements into a grid of psychedelic guitar loops, mocking voices and eccentric beatbox rhythms in his debut. On Kop', he bends woodblock snaps into a stuttering blur, emotionally wailing over rolling riffs and weird, theatrical glints of xylophones. It's still pop music on some levels, but it curves around Bakorta's unwieldy personal narrative, which feels like everything could fall apart at any moment, but Bakorta's confident modernity. It's all held together by a quintessential production cleverness: Elles Vais is airier with her sky-high souk vocals hovering over tight, electronic drums, and entwined guitar echoes slink away. They overlap like a tapestry woven into the fabric of the album, providing a perfect contrast to Bakorta's impending, driving pulse, while on Molende his chants and phrases fly cleanly between hymns and contemporary R&B. It's no surprise that Bakorta teamed up with Metal Players' Jessie Hackett on the final track, Titis Haunted House, whose eerie synths are eccentric enough to match Bacorta's ghostly wails and fuzzy guitar sounds. Hackett's eerie synths provide a fitting eccentric foundation for Bakorta's ghostly wails and fuzzy guitar sounds.Able to showcase Congolese pop and folk sounds behind a brilliant gauze of inventive production and songwriting quirkiness, the album showcases one of Congo's most innovative talents. there is " Click here for labels and other works /// Click here to see more Hakuna...
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{"id":8008440381690,"title":"Raed Yassin \/\/ CW Tapes LP","handle":"raed-yassin-cw-tapes-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレバノンのコラージュ作家\u003c\/span\u003e\u003cspan\u003eRead Yassinが、2019年にポルトガルの密林レーベルDiscrepantからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレバノンの内戦が激化していた1980年代の政治的なスピーチ、ラジオやテレビのニュースやジングル、ポップ音楽、革命歌などをコラージュした風刺的レコードです。\u003c\/span\u003e\u003cspan\u003eDLリンク付属。マスタリングは\u003cmeta charset=\"utf-8\"\u003eRashad Beckerが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e以下、ジャーナリストRayya Badran Beirutによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"Yassinは、この24分の作品に、戦争を目撃した人々が経験した聴覚的、音響的風景を凝縮し、初めてオリジナル名で発表した。1975年から1990年にかけてレバノンを襲った内戦が激化していた1980年代、停電や地下シェルターでの待機が続く中、人々がニュースを聞く唯一の手段はテレビ、そしてトランジスタラジオだった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音声素材は、Yassinがレバノン全土の民兵や政党、ラジオ局やテレビ局、レコード店などの分散して放置されたアーカイブを定期的に訪ね歩いて収集したものである。Yassinは300時間を超える素材から、政治演説、ラジオやテレビのコマーシャル、ニュースのフラッシュやジングル、地元の80年代ポップミュージック、日本のアニメソングの吹き替え、プロパガンダ、レジスタンス、革命党の歌、ジアド・ラーバーニの劇の断片など、さまざまなものを使って作曲した。CW Tapesに収録された音源は、戦争とその直後を記憶している年代であれば、プルーストのマドレーヌに相当する。コマーシャル、歌、スピーチが、まるでYassinがラジオチューナーを自分の心に差し込んだかのようにぶつかり合い、絡み合い、まるで夢(または悪夢)の中で聞いたかのように音が浮き沈みする、同時代の人々の隠された音の記憶と響き合う、深く個人的な音の地形を鳴り響かせる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそのサウンドの多様性もさることながら、このアルバムで最も印象的なのは、Yassinが使用したさまざまなレコーディングが、プロパガンダ音楽であれ、ヴォーカル・パターンであれ、ニュースのジングルであれ、その音楽性に細心の注意を払っていることだ。例えば、CW Tapesの冒頭で聴けるのは、1980年代にレバノンのメディアに登場したさまざまな政治的・音楽的人物に対するYassinの憧憬である。この不可解な導入部で彼は、バチール・ゲマイエル(右派政党キリスト教ファランジュの幹部で、レバノン内戦初期の民兵組織レバノン軍の創設者であり司令官だったが、1982年に大統領に選出された際に殺害された)の政治演説と、レバノンのポップシンガー、サミー・クラークの軽薄で陽気なポップソングを並べることで、戦争の不条理さを浮き彫りにしている。重なり合う音色とテクスチャーの配列、そして当時の古風な技術に宿る加工された声によるグロソラリアが展開される。曲が進むにつれて、言葉は次第に解読不能になり、Yassinがため息や呼吸を分離させる美しいパッセージでは、まるで戦時中の休息を示すかのように、また別のコマーシャルソングやポップソングがフルボリュームで流される。また、Yassinの他の音楽プロジェクトでは定番となっている、歌に乗せて歌ったり口笛を吹いたりする場面も散見される。レバノンの最近の過去にまつわる音のアーカイブを掘り起こし、作業するという彼の絶え間ない努力の中で、このCW Tapesは、おそらくYassinにとってこれまでで最も個人的な作品である。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909978721\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn this 24-minute composition, released here in its original name for the first time, Yassin encapsulates and condenses the aural and sonic landscapes experienced by those who bore witness to the war. In the 1980s, while the Lebanese Civil War, which ravaged the country between 1975 and 1990, was raging, television but particularly transistor radios were the only means through which people heard the news during interminable periods of power cuts or waiting in basement shelters.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe audio material was collected by Yassin on his regular trips to the dispersed and neglected archives of militias and political parties, radio and TV stations, and record shops across Lebanon. Built from over 300 hours of material, Yassin has woven together a composition using political speeches; radio and television commercials; news flashes and jingles; local 80s pop music; dubbed Japanese anime songs; propaganda, resistance, and revolutionary party songs; snippets from Ziad Rahbani plays and many more. The recordings in CW Tapes are the sonic equivalents of Proust’s madeleines to any individual who was old enough to remember the war and its immediate aftermath; they effortlessly conjure the collective memory of children, teenagers and adults alike. Commercials\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e, songs and speeches collide and intertwine as if Yassin had plugged a radio tuner into his mind, sounding out a deeply personal sonic terrain that echoes the hidden sonic memories of his contemporaries in which sounds ebb and flow as if they were heard in a dream (or nightmare).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBeside the diversity of its sounds, what is most striking in this record is the minute attention to the musicality of the different recordings Yassin uses, whether they are propaganda pieces, vocal patterns or news jingles. What you hear in the beginning of the CW Tapes, for example, is Raed Yassin’s fascination for the different political and musical figures that populated the Lebanese media landscape across the 1980s. In this bewildering introduction, he highlights the absurdity of the war by lacing together a political speech given by Bachir Gemayel (a senior member of the right-wing Christian Phalange party and the founder and commander of the Lebanese Forces militia during the early years of the Lebanese Civil War who was killed in 1982 when he was elected president) with a frivolous and upbeat pop song by Lebanese pop singer Sammy Clark whose tunes are heard at different moments in the piece. The composition unfurls an array of overlapping tonalities and textures as well as a glossolalia made of processed voices that inhabited the archaic technologies of the time. Words become increasingly indecipherable as the piece progresses, with a beautiful passage in which Yassin isolates sighs and breaths — as if to mark moments of respite during the war— until another commercial or pop song is blasted at full volume again. We can also hear what has become a staple in Yassin’s other musical projects, which is the sporadic inclusion of him singing or whistling over songs. In his continuous efforts to mine and work through the sonic archives of Lebanon’s recent past, the CW Tapes is possibly Yassin’s most personal output to date.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Rayya Badran Beirut January, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Raed Yassin\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e","published_at":"2023-08-19T14:51:30+09:00","created_at":"2023-08-19T14:50:34+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","field recording","lp","monooto","new","strange beats"],"price":2595,"price_min":2595,"price_max":2595,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44490878877946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Raed Yassin \/\/ CW Tapes LP","public_title":null,"options":["Default Title"],"price":2595,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cw1_bede2385-5696-447a-bc13-c5d3a2cb7809.jpg?v=1692424236"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cw1_bede2385-5696-447a-bc13-c5d3a2cb7809.jpg?v=1692424236","options":["Title"],"media":[{"alt":null,"id":32348651258106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cw1_bede2385-5696-447a-bc13-c5d3a2cb7809.jpg?v=1692424236"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cw1_bede2385-5696-447a-bc13-c5d3a2cb7809.jpg?v=1692424236","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレバノンのコラージュ作家\u003c\/span\u003e\u003cspan\u003eRead Yassinが、2019年にポルトガルの密林レーベルDiscrepantからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレバノンの内戦が激化していた1980年代の政治的なスピーチ、ラジオやテレビのニュースやジングル、ポップ音楽、革命歌などをコラージュした風刺的レコードです。\u003c\/span\u003e\u003cspan\u003eDLリンク付属。マスタリングは\u003cmeta charset=\"utf-8\"\u003eRashad Beckerが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e以下、ジャーナリストRayya Badran Beirutによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"Yassinは、この24分の作品に、戦争を目撃した人々が経験した聴覚的、音響的風景を凝縮し、初めてオリジナル名で発表した。1975年から1990年にかけてレバノンを襲った内戦が激化していた1980年代、停電や地下シェルターでの待機が続く中、人々がニュースを聞く唯一の手段はテレビ、そしてトランジスタラジオだった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音声素材は、Yassinがレバノン全土の民兵や政党、ラジオ局やテレビ局、レコード店などの分散して放置されたアーカイブを定期的に訪ね歩いて収集したものである。Yassinは300時間を超える素材から、政治演説、ラジオやテレビのコマーシャル、ニュースのフラッシュやジングル、地元の80年代ポップミュージック、日本のアニメソングの吹き替え、プロパガンダ、レジスタンス、革命党の歌、ジアド・ラーバーニの劇の断片など、さまざまなものを使って作曲した。CW Tapesに収録された音源は、戦争とその直後を記憶している年代であれば、プルーストのマドレーヌに相当する。コマーシャル、歌、スピーチが、まるでYassinがラジオチューナーを自分の心に差し込んだかのようにぶつかり合い、絡み合い、まるで夢(または悪夢)の中で聞いたかのように音が浮き沈みする、同時代の人々の隠された音の記憶と響き合う、深く個人的な音の地形を鳴り響かせる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそのサウンドの多様性もさることながら、このアルバムで最も印象的なのは、Yassinが使用したさまざまなレコーディングが、プロパガンダ音楽であれ、ヴォーカル・パターンであれ、ニュースのジングルであれ、その音楽性に細心の注意を払っていることだ。例えば、CW Tapesの冒頭で聴けるのは、1980年代にレバノンのメディアに登場したさまざまな政治的・音楽的人物に対するYassinの憧憬である。この不可解な導入部で彼は、バチール・ゲマイエル(右派政党キリスト教ファランジュの幹部で、レバノン内戦初期の民兵組織レバノン軍の創設者であり司令官だったが、1982年に大統領に選出された際に殺害された)の政治演説と、レバノンのポップシンガー、サミー・クラークの軽薄で陽気なポップソングを並べることで、戦争の不条理さを浮き彫りにしている。重なり合う音色とテクスチャーの配列、そして当時の古風な技術に宿る加工された声によるグロソラリアが展開される。曲が進むにつれて、言葉は次第に解読不能になり、Yassinがため息や呼吸を分離させる美しいパッセージでは、まるで戦時中の休息を示すかのように、また別のコマーシャルソングやポップソングがフルボリュームで流される。また、Yassinの他の音楽プロジェクトでは定番となっている、歌に乗せて歌ったり口笛を吹いたりする場面も散見される。レバノンの最近の過去にまつわる音のアーカイブを掘り起こし、作業するという彼の絶え間ない努力の中で、このCW Tapesは、おそらくYassinにとってこれまでで最も個人的な作品である。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909978721\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn this 24-minute composition, released here in its original name for the first time, Yassin encapsulates and condenses the aural and sonic landscapes experienced by those who bore witness to the war. In the 1980s, while the Lebanese Civil War, which ravaged the country between 1975 and 1990, was raging, television but particularly transistor radios were the only means through which people heard the news during interminable periods of power cuts or waiting in basement shelters.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe audio material was collected by Yassin on his regular trips to the dispersed and neglected archives of militias and political parties, radio and TV stations, and record shops across Lebanon. Built from over 300 hours of material, Yassin has woven together a composition using political speeches; radio and television commercials; news flashes and jingles; local 80s pop music; dubbed Japanese anime songs; propaganda, resistance, and revolutionary party songs; snippets from Ziad Rahbani plays and many more. The recordings in CW Tapes are the sonic equivalents of Proust’s madeleines to any individual who was old enough to remember the war and its immediate aftermath; they effortlessly conjure the collective memory of children, teenagers and adults alike. Commercials\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e, songs and speeches collide and intertwine as if Yassin had plugged a radio tuner into his mind, sounding out a deeply personal sonic terrain that echoes the hidden sonic memories of his contemporaries in which sounds ebb and flow as if they were heard in a dream (or nightmare).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBeside the diversity of its sounds, what is most striking in this record is the minute attention to the musicality of the different recordings Yassin uses, whether they are propaganda pieces, vocal patterns or news jingles. What you hear in the beginning of the CW Tapes, for example, is Raed Yassin’s fascination for the different political and musical figures that populated the Lebanese media landscape across the 1980s. In this bewildering introduction, he highlights the absurdity of the war by lacing together a political speech given by Bachir Gemayel (a senior member of the right-wing Christian Phalange party and the founder and commander of the Lebanese Forces militia during the early years of the Lebanese Civil War who was killed in 1982 when he was elected president) with a frivolous and upbeat pop song by Lebanese pop singer Sammy Clark whose tunes are heard at different moments in the piece. The composition unfurls an array of overlapping tonalities and textures as well as a glossolalia made of processed voices that inhabited the archaic technologies of the time. Words become increasingly indecipherable as the piece progresses, with a beautiful passage in which Yassin isolates sighs and breaths — as if to mark moments of respite during the war— until another commercial or pop song is blasted at full volume again. We can also hear what has become a staple in Yassin’s other musical projects, which is the sporadic inclusion of him singing or whistling over songs. In his continuous efforts to mine and work through the sonic archives of Lebanon’s recent past, the CW Tapes is possibly Yassin’s most personal output to date.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Rayya Badran Beirut January, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Raed Yassin\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e"}
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Lebanese collage artist Read Yassin released this record in 2019 on the Portuguese jungle label Discrepant.A satirical record that collages political speeches, radio and TV news, jingles, pop music, and revolutionary songs from the 1980s when Lebanon's civil war was raging. DL link included.Mastered by Rashad Becker.Below is a commentary by journalist Rayya Badran Beirut. "In this 24-minute piece, Yassin encapsulates the auditory and acoustic landscapes experienced by those who witnessed the war, and published it for the first time under its original name. The civil war that raged in Lebanon from 1975 to 1990 escalated. In the 1980s, when power outages and underground shelters continued, the only way people heard the news was through television and transistor radios. Collected through regular visits to scattered and neglected archives of record stores, etc. Yassin draws from over 300 hours of material, including political speeches, radio and television commercials, news flashes and jingles, and local media. 80s pop music, dubbed Japanese anime songs, propaganda, resistance, revolutionary songs, and fragments of Ziad Rabani's plays. If you remember the period immediately after, it's like Proust's Madeleine: commercials, songs, and speeches collide and intertwine as if Yassin had inserted a radio tuner into his mind, creating a dream ( Or a nightmare), the sound rises and falls, resonates with the hidden sound memories of his contemporaries, and resonates with a deeply personal terrain of sound. What is most impressive about this album is the meticulous attention to musicality that Yassin has used in the various recordings, whether propaganda music, vocal patterns or news jingles. , The CW Tapes opens with Yassin's adoration of various political and musical figures who appeared in the Lebanese media in the 1980s. Lebanese pop singer, Lebanese pop singer The absurdity of war is highlighted by juxtapositions of Sammy Clarke's frivolous pop songs, an array of overlapping tones and textures, and glossolalia of processed voices that dwell in archaic techniques of the time. As the song progresses, the words become increasingly undecipherable, and in beautiful passages where Yassin separates sighs and breaths, as if to indicate a wartime respite, yet another commercial or pop song at full volume. be swept away.There are also occasional scenes of Yassin singing and whistling along with the song, which is a staple of Yassin's other music projects.In his relentless effort to mine and work with the sonic archives of Lebanon's recent past, the CW Tapes are perhaps Yassin's most personal work to date. " Click here for labels and other works /// Click here to see...
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{"id":8008433664250,"title":"Niagara \/\/ 1807 - Músicas Retiradas Dos CDRs LP","handle":"niagara-1807-musicas-retiradas-dos-cdrs-lp","description":"\u003cp\u003eポルトガル・ロウレスのコラージュ・ストレンジビーツトリオNiagaraが、2021年に同国密林レーベルDiscrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らが2014-2018年に自主リリースしたCDRからのコンパイルアルバムです。密林系テクノ〜ニューエイジ・アンビエント17曲を収録。\u003c\/p\u003e\n\u003cp\u003eDJツールとしても利便性が高い一枚です。DLリンク付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1161724730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes DL link. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePombal 02:31\u003c\/li\u003e\n\u003cli\u003eEsc8 03:13 \u003c\/li\u003e\n\u003cli\u003eEgyptiu 01:25\u003c\/li\u003e\n\u003cli\u003eMégane 03:05\u003c\/li\u003e\n\u003cli\u003eEsc4 00:54 \u003c\/li\u003e\n\u003cli\u003eLanterna 01:28 \u003c\/li\u003e\n\u003cli\u003eEsc10 02:04 \u003c\/li\u003e\n\u003cli\u003eEspuma 03:25\u003c\/li\u003e\n\u003cli\u003eEsc1 02:15 \u003c\/li\u003e\n\u003cli\u003e7 02:05\u003c\/li\u003e\n\u003cli\u003eCorsa 01:18\u003c\/li\u003e\n\u003cli\u003eDacia 01:46\u003c\/li\u003e\n\u003cli\u003eA8 00:40\u003c\/li\u003e\n\u003cli\u003eMapas 02:29\u003c\/li\u003e\n\u003cli\u003ePEna 01:28\u003c\/li\u003e\n\u003cli\u003eEsc12 01:30\u003c\/li\u003e\n\u003cli\u003ePonta Delgada 02:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++ \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscrepant :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn what seems like some sort of cosmic alignment bound to happen, the ever prolific and somewhat elusive Niagara make their way into the Discrepant catalogue with '1807'. Compiling tracks recorded between 2014 and 2018 that appeared scattered among very limited and long out of print self released CDRs, the record feels as much out of time as deeply resonant with these times with no dancefloors. Stripping away most of the beat based approach of early Príncipe releases and Ascender EPs, these 17 vignettes presented in the classic dance maxi 12\" format dabble with escapism in a manner that projects them as potential DJ tools for lockdown.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeeply idiosyncratic, the trio from Loures shows an internal coherence that while not easy to grasp given their mutating creative impulses, weaves each different path into a sonic fiction all their own. Cobbled together from countless hours of jamming on warm spectral synths, field recordings, otherworldly textures or devious drum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emachines '1807' paints a vivid and dreamlike escape route that goes from the hypnotic arpeggios and rarefied synths of 'Esc8' through the glowing tones and fragmented melodies of 'Egyptiu' and into the malfunctioning swirl of the stark 'Esc 10' or the polluted 4\/4 thump and funky guitar line of 'Mapas'. Equally disruptive and inviting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Niagara\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscrepant\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-19T14:37:03+09:00","created_at":"2023-08-19T14:36:24+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","field recording","lp","new","post newage","strange beats"],"price":2295,"price_min":2295,"price_max":2295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44490790469882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Niagara \/\/ 1807 - Músicas Retiradas Dos CDRs LP","public_title":null,"options":["Default Title"],"price":2295,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2338866564_16_8e3ee1b4-59ee-4b65-8e3b-2fd60bd863db.jpg?v=1692423387","\/\/tobirarecords.com\/cdn\/shop\/files\/0024949654_10_56636cab-a1f7-469a-8687-530f6d6b8ab9.jpg?v=1692423387"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2338866564_16_8e3ee1b4-59ee-4b65-8e3b-2fd60bd863db.jpg?v=1692423387","options":["Title"],"media":[{"alt":null,"id":32348555870458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2338866564_16_8e3ee1b4-59ee-4b65-8e3b-2fd60bd863db.jpg?v=1692423387"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2338866564_16_8e3ee1b4-59ee-4b65-8e3b-2fd60bd863db.jpg?v=1692423387","width":700},{"alt":null,"id":32348555903226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0024949654_10_56636cab-a1f7-469a-8687-530f6d6b8ab9.jpg?v=1692423387"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0024949654_10_56636cab-a1f7-469a-8687-530f6d6b8ab9.jpg?v=1692423387","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガル・ロウレスのコラージュ・ストレンジビーツトリオNiagaraが、2021年に同国密林レーベルDiscrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らが2014-2018年に自主リリースしたCDRからのコンパイルアルバムです。密林系テクノ〜ニューエイジ・アンビエント17曲を収録。\u003c\/p\u003e\n\u003cp\u003eDJツールとしても利便性が高い一枚です。DLリンク付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1161724730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes DL link. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePombal 02:31\u003c\/li\u003e\n\u003cli\u003eEsc8 03:13 \u003c\/li\u003e\n\u003cli\u003eEgyptiu 01:25\u003c\/li\u003e\n\u003cli\u003eMégane 03:05\u003c\/li\u003e\n\u003cli\u003eEsc4 00:54 \u003c\/li\u003e\n\u003cli\u003eLanterna 01:28 \u003c\/li\u003e\n\u003cli\u003eEsc10 02:04 \u003c\/li\u003e\n\u003cli\u003eEspuma 03:25\u003c\/li\u003e\n\u003cli\u003eEsc1 02:15 \u003c\/li\u003e\n\u003cli\u003e7 02:05\u003c\/li\u003e\n\u003cli\u003eCorsa 01:18\u003c\/li\u003e\n\u003cli\u003eDacia 01:46\u003c\/li\u003e\n\u003cli\u003eA8 00:40\u003c\/li\u003e\n\u003cli\u003eMapas 02:29\u003c\/li\u003e\n\u003cli\u003ePEna 01:28\u003c\/li\u003e\n\u003cli\u003eEsc12 01:30\u003c\/li\u003e\n\u003cli\u003ePonta Delgada 02:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++ \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscrepant :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn what seems like some sort of cosmic alignment bound to happen, the ever prolific and somewhat elusive Niagara make their way into the Discrepant catalogue with '1807'. Compiling tracks recorded between 2014 and 2018 that appeared scattered among very limited and long out of print self released CDRs, the record feels as much out of time as deeply resonant with these times with no dancefloors. Stripping away most of the beat based approach of early Príncipe releases and Ascender EPs, these 17 vignettes presented in the classic dance maxi 12\" format dabble with escapism in a manner that projects them as potential DJ tools for lockdown.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeeply idiosyncratic, the trio from Loures shows an internal coherence that while not easy to grasp given their mutating creative impulses, weaves each different path into a sonic fiction all their own. Cobbled together from countless hours of jamming on warm spectral synths, field recordings, otherworldly textures or devious drum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emachines '1807' paints a vivid and dreamlike escape route that goes from the hypnotic arpeggios and rarefied synths of 'Esc8' through the glowing tones and fragmented melodies of 'Egyptiu' and into the malfunctioning swirl of the stark 'Esc 10' or the polluted 4\/4 thump and funky guitar line of 'Mapas'. Equally disruptive and inviting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Niagara\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscrepant\u003c\/span\u003e\u003c\/p\u003e"}
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This is a record released in 2021 by the collage strange beat trio Niagara from Lawless, Portugal on the country's jungle label Discrepant.This is a compiled album from CDRs that they independently released in 2014-2018.Contains 17 jungle techno and new age ambient tracks. It is a highly convenient piece as a DJ tool. DL link included.Click here for labels and other works /// Click here to see more Discrepant releases available at Tobira. Edition...
€22,95

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{"id":8003356098810,"title":"Various Artists (Death Is Not The End) \/\/ Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. II TAPE","handle":"various-artists-waiting-for-your-return-a-shidaiqu-anthology-1927-1952-pt-ii-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの発掘専門レーベルDeath Is Not The Endが2023年2月にリリースした、忘れ去られた上海産民謡「シダイク」のコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Shidaiqu(シダイク)は文字通り「時代の歌」を意味し、1920年代後半に国際都市上海に浸透し始めたハイブリッドな音楽ジャンルを表す言葉として使われている。西洋のポップス、ジャズ、ブルース、ハリウッド映画にインスパイアされた映画のサウンドトラックを、中国の伝統的な要素と融合させたシダイクは、共産主義以前の戦間期における中国大衆歌謡と映画の黄金時代を形成することになる、音楽と文化の融合を象徴している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaiting for Your Returnは、このスタイルのアンソロジー的概観のために、幅広いレコーディング・コレクションを集めたものである。先駆的な作曲家である李錦輝(1927年、娘の李明輝がヴォーカルをとった「霧雨」は、しばしば最初のシダイク・レコードと呼ばれる)の作品から、より洗練された1930年代、40年代の作品まで、その初期を紹介する、 中国の西洋の影響を受けたポピュラー音楽と映画産業が、七大歌姫(\u003cmeta charset=\"utf-8\"\u003eBai Hong, Bai Guang, Gong Qiuxia, Li Xianglan, Wu Yingyin, Yao Lee、そして最も多作なZhou Xuan)の流行とともに黄金期を迎えた頃である。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのコレクションに収録されているのは、1950年代初頭に上海でこの音楽が終焉を迎える直前まで録音されたトラックである。この時期、中国共産党はシダイクを「イエローミュージック」と非難し、ナイトクラブやポップミュージックの制作を非合法化し、西洋式の楽器を破壊した。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3948382603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYan Fei - Little Things 02:56\u003c\/li\u003e\n\u003cli\u003eBai Lizhu - Tuberose 03:05\u003c\/li\u003e\n\u003cli\u003eYao Lee - Send You Off 02:44\u003c\/li\u003e\n\u003cli\u003eChen Yumei - Spring Night Song 02:43\u003c\/li\u003e\n\u003cli\u003eYing Yin - Pillow Picture 02:34\u003c\/li\u003e\n\u003cli\u003eZhou Xuan - Spring Flowers like Brocade 03:06\u003c\/li\u003e\n\u003cli\u003eBai Hong - Falling Flowers and Flowing Water 03:12\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - Meet by Chance 02:52\u003c\/li\u003e\n\u003cli\u003eZhou Xuan \u0026amp; Yan Hua - The Destination of Love 03:06\u003c\/li\u003e\n\u003cli\u003eLi Li-Hua - I Want to Follow You 03:15\u003c\/li\u003e\n\u003cli\u003eZhou Xuan - Prayer under the Moon 02:57\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - Spring Breeze Brings Troubles 03:05\u003c\/li\u003e\n\u003cli\u003eChen Juanjuan - Window to the Soul 02:50\u003c\/li\u003e\n\u003cli\u003eMin Yao - Rural Song 02:57\u003c\/li\u003e\n\u003cli\u003eBai Guang - Dongshan Green 02:54\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - I Want to Forget You 02:44\u003c\/li\u003e\n\u003cli\u003eGong Qiuxia \u0026amp; Huang Yuanyin - I Ask You 02:58\u003c\/li\u003e\n\u003cli\u003eLu Ming - In the Mood for Love 02:27\u003c\/li\u003e\n\u003cli\u003eWang Qinglong - Spring Flowers, When Will You Come Again 02:41\u003c\/li\u003e\n\u003cli\u003eLi Xianglan - Second Dream 02:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShidaiqu literally means “songs of the era”, a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtracks with traditional Chinese elements, the shidaiqu represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song \u0026amp; film in the pre-communism interwar period.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaiting for Your Return brings together a wide collection of recordings for an anthological overview of the style. Taking in it's early beginnings in the work of the pioneering composer Li Jinhui - whose 1927 song \"Drizzle\", featuring the vocals of his daughter Li Minghui, is often referred to as the first shidaiqu record - through to more polished 1930s \u0026amp; 40s examples, when China's western-influenced popular music \u0026amp; movie industry reached it's golden age with the prevalence of the Seven Great Singing Stars (Bai Hong, Bai Guang, Gong Qiuxia, Li Xianglan, Wu Yingyin, Yao Lee and perhaps most prolific of all, Zhou Xuan).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIncluded in the collection are tracks recorded right up until the music's demise in Shanghai in the early 1950s - during which time the Chinese Communist Party denounced shidaiqu as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e \"yellow music\", outlawed nightclubs and pop music production, and destroyed western-style instruments - following which, much of these singers would decamp to Hong Kong where many saw further success throughout the 1950s and into the 1960s.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2023-08-09T15:20:13+09:00","created_at":"2023-08-08T23:40:12+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","tape"],"price":1595,"price_min":1595,"price_max":1595,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44440625479930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Various Artists (Death Is Not The End) \/\/ Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. II TAPE","public_title":null,"options":["Default Title"],"price":1595,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wait1.jpg?v=1691505614","\/\/tobirarecords.com\/cdn\/shop\/files\/wait2.jpg?v=1691505614"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait1.jpg?v=1691505614","options":["Title"],"media":[{"alt":null,"id":32310698475770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait1.jpg?v=1691505614"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait1.jpg?v=1691505614","width":700},{"alt":null,"id":32310698508538,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait2.jpg?v=1691505614"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait2.jpg?v=1691505614","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの発掘専門レーベルDeath Is Not The Endが2023年2月にリリースした、忘れ去られた上海産民謡「シダイク」のコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Shidaiqu(シダイク)は文字通り「時代の歌」を意味し、1920年代後半に国際都市上海に浸透し始めたハイブリッドな音楽ジャンルを表す言葉として使われている。西洋のポップス、ジャズ、ブルース、ハリウッド映画にインスパイアされた映画のサウンドトラックを、中国の伝統的な要素と融合させたシダイクは、共産主義以前の戦間期における中国大衆歌謡と映画の黄金時代を形成することになる、音楽と文化の融合を象徴している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaiting for Your Returnは、このスタイルのアンソロジー的概観のために、幅広いレコーディング・コレクションを集めたものである。先駆的な作曲家である李錦輝(1927年、娘の李明輝がヴォーカルをとった「霧雨」は、しばしば最初のシダイク・レコードと呼ばれる)の作品から、より洗練された1930年代、40年代の作品まで、その初期を紹介する、 中国の西洋の影響を受けたポピュラー音楽と映画産業が、七大歌姫(\u003cmeta charset=\"utf-8\"\u003eBai Hong, Bai Guang, Gong Qiuxia, Li Xianglan, Wu Yingyin, Yao Lee、そして最も多作なZhou Xuan)の流行とともに黄金期を迎えた頃である。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのコレクションに収録されているのは、1950年代初頭に上海でこの音楽が終焉を迎える直前まで録音されたトラックである。この時期、中国共産党はシダイクを「イエローミュージック」と非難し、ナイトクラブやポップミュージックの制作を非合法化し、西洋式の楽器を破壊した。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3948382603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYan Fei - Little Things 02:56\u003c\/li\u003e\n\u003cli\u003eBai Lizhu - Tuberose 03:05\u003c\/li\u003e\n\u003cli\u003eYao Lee - Send You Off 02:44\u003c\/li\u003e\n\u003cli\u003eChen Yumei - Spring Night Song 02:43\u003c\/li\u003e\n\u003cli\u003eYing Yin - Pillow Picture 02:34\u003c\/li\u003e\n\u003cli\u003eZhou Xuan - Spring Flowers like Brocade 03:06\u003c\/li\u003e\n\u003cli\u003eBai Hong - Falling Flowers and Flowing Water 03:12\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - Meet by Chance 02:52\u003c\/li\u003e\n\u003cli\u003eZhou Xuan \u0026amp; Yan Hua - The Destination of Love 03:06\u003c\/li\u003e\n\u003cli\u003eLi Li-Hua - I Want to Follow You 03:15\u003c\/li\u003e\n\u003cli\u003eZhou Xuan - Prayer under the Moon 02:57\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - Spring Breeze Brings Troubles 03:05\u003c\/li\u003e\n\u003cli\u003eChen Juanjuan - Window to the Soul 02:50\u003c\/li\u003e\n\u003cli\u003eMin Yao - Rural Song 02:57\u003c\/li\u003e\n\u003cli\u003eBai Guang - Dongshan Green 02:54\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - I Want to Forget You 02:44\u003c\/li\u003e\n\u003cli\u003eGong Qiuxia \u0026amp; Huang Yuanyin - I Ask You 02:58\u003c\/li\u003e\n\u003cli\u003eLu Ming - In the Mood for Love 02:27\u003c\/li\u003e\n\u003cli\u003eWang Qinglong - Spring Flowers, When Will You Come Again 02:41\u003c\/li\u003e\n\u003cli\u003eLi Xianglan - Second Dream 02:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShidaiqu literally means “songs of the era”, a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtracks with traditional Chinese elements, the shidaiqu represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song \u0026amp; film in the pre-communism interwar period.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaiting for Your Return brings together a wide collection of recordings for an anthological overview of the style. Taking in it's early beginnings in the work of the pioneering composer Li Jinhui - whose 1927 song \"Drizzle\", featuring the vocals of his daughter Li Minghui, is often referred to as the first shidaiqu record - through to more polished 1930s \u0026amp; 40s examples, when China's western-influenced popular music \u0026amp; movie industry reached it's golden age with the prevalence of the Seven Great Singing Stars (Bai Hong, Bai Guang, Gong Qiuxia, Li Xianglan, Wu Yingyin, Yao Lee and perhaps most prolific of all, Zhou Xuan).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIncluded in the collection are tracks recorded right up until the music's demise in Shanghai in the early 1950s - during which time the Chinese Communist Party denounced shidaiqu as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e \"yellow music\", outlawed nightclubs and pop music production, and destroyed western-style instruments - following which, much of these singers would decamp to Hong Kong where many saw further success throughout the 1950s and into the 1960s.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}
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A compilation cassette of the forgotten Shanghai folk song "Shidaiku" released in February 2023 by the British excavation label Death Is Not The End.Below is an explanation by the label. "Shidaiqu" literally means "song of the times" and is used to describe a hybrid musical genre that began to permeate the cosmopolitan city of Shanghai in the late 2s.Inspired by Western pop, jazz, blues, and Hollywood movies, the movie soundtrack fuses traditional Chinese elements with Shidaiku, which explores the golden age of Chinese popular song and cinema during the pre-communist interwar period. It symbolizes the fusion of music and culture that would form. Waiting for Your Return assembles an extensive collection of recordings for an anthological overview of the style.From the work of pioneering composer Lee Geum-hui (1920's "Dripping Rain," with vocals by his daughter Lee Myung-hui, is often referred to as the first Shidaiku record) to the more sophisticated works of the 1927s and '1930s. , an early introduction to the Western-influenced popular music and film industry in China, led by the Seven Great Songstresses (Bai Hong, Bai Guang,...
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{"id":8002735898874,"title":"Michael Allen Z Prime \/\/ Bioelectrical Music 3xCD","handle":"miaz","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアイルランド・コークの実験音楽家/エコロジストMichael Allen Z Primeが、2023年6月にイギリスの実験レーベルParadigm Discから400部限定でリリースした3枚組CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eバイオエレクトリカル音楽(植物や菌類から発生される生体電位を利用した音楽)による物音〜ミニマル・ノイズドローン27曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e植物神経生物学の歴史と発展について彼自身が解説した44ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3940570705\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WAWr052qqlQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e本作には収録されていませんが、BBCによるMichael Allen Z Primeの特集をご紹介します。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\" あなたが耳にする音は、菌によって生成された活動電位を音で直接トレースしたものです。 活動電位とは、電気活動の短いバーストです。長い音の連続のようには聞こえないし、キノコや摘み取られた葉が作り出すものでもありません。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vWKu8eMlLLc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3xCD includes\u003cspan data-mce-fragment=\"1\"\u003e 44 page booklet.\u003cbr\u003eEdition of 400 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eParadigm Discs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"We have not had a physical release by composer and ecologist Michael Prime since the release of Borneo in 2007. This new 3CD set brings us up to date with a series of recordings from across the years. It also sees a new refinement in his working practice as well as a new extension to his original name. Bioelectrical Music by Michael Allen Z Prime consists of recordings that fall into 3 defined categories - Bioelectrical Compositions, Bioelectrical Field Recordings and Bioelectrical Installations. All three use the bioelectrical potentials generated by plants and fungi, although these sound sources are now no longer purely seen as raw material available for multi-tracking or further electronic processing of the signal path. Now, the bioactivity signals themselves form the basis of the music. Following a framework of self imposed rules that restrict the extent that the source sounds can be altered, such that the essential voice of the living sound sources remain identifiable. The development of this framework is a direction that Prime’s music has been moving towards for some years now, and this box set collects various recordings made between 1990 and 2019 that fall into the remit of this new development. The pieces included here range from short sound studies to lengthy compositions and installation\u003cspan class=\"bcTruncateMore\"\u003e recordings made at a wide variety of locations. The 3CDs are accompanied by a 44 page booklet with an essay by Prime outlining the history and development of our understanding of plant neurophysiology. There is also a short piece written by author and fungal enthusiast Merlin Sheldrake.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Michael Allen Z Prime\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Paradigm Discs\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-07T20:07:13+09:00","created_at":"2023-08-07T20:07:13+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","cd","drone","field recording","monooto","new","noise","recommended"],"price":4395,"price_min":4395,"price_max":4395,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44435895222522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Michael Allen Z Prime \/\/ Bioelectrical Music 3xCD","public_title":null,"options":["Default Title"],"price":4395,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2858524388_16.jpg?v=1691406851","\/\/tobirarecords.com\/cdn\/shop\/files\/0032446662_10.jpg?v=1691406851","\/\/tobirarecords.com\/cdn\/shop\/files\/0032446714_10_e63407f6-649d-423d-9e01-cd8714727cb2.jpg?v=1691406847","\/\/tobirarecords.com\/cdn\/shop\/files\/0032446699_10_8d01ceab-b833-4a48-8bf7-73f94a426360.jpg?v=1691406850","\/\/tobirarecords.com\/cdn\/shop\/files\/0032446677_10_5e94ab7c-ab21-4536-92d5-7e89cdb4e12c.jpg?v=1691406869"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2858524388_16.jpg?v=1691406851","options":["Title"],"media":[{"alt":null,"id":32306590056698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2858524388_16.jpg?v=1691406851"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2858524388_16.jpg?v=1691406851","width":700},{"alt":null,"id":32306590023930,"position":2,"preview_image":{"aspect_ratio":0.998,"height":1200,"width":1198,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032446662_10.jpg?v=1691406851"},"aspect_ratio":0.998,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032446662_10.jpg?v=1691406851","width":1198},{"alt":null,"id":32306590482682,"position":3,"preview_image":{"aspect_ratio":0.988,"height":1200,"width":1185,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032446714_10_e63407f6-649d-423d-9e01-cd8714727cb2.jpg?v=1691406847"},"aspect_ratio":0.988,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032446714_10_e63407f6-649d-423d-9e01-cd8714727cb2.jpg?v=1691406847","width":1185},{"alt":null,"id":32306590810362,"position":4,"preview_image":{"aspect_ratio":0.989,"height":1200,"width":1187,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032446699_10_8d01ceab-b833-4a48-8bf7-73f94a426360.jpg?v=1691406850"},"aspect_ratio":0.989,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032446699_10_8d01ceab-b833-4a48-8bf7-73f94a426360.jpg?v=1691406850","width":1187},{"alt":null,"id":32306591727866,"position":5,"preview_image":{"aspect_ratio":0.986,"height":1200,"width":1183,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032446677_10_5e94ab7c-ab21-4536-92d5-7e89cdb4e12c.jpg?v=1691406869"},"aspect_ratio":0.986,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032446677_10_5e94ab7c-ab21-4536-92d5-7e89cdb4e12c.jpg?v=1691406869","width":1183}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアイルランド・コークの実験音楽家/エコロジストMichael Allen Z Primeが、2023年6月にイギリスの実験レーベルParadigm Discから400部限定でリリースした3枚組CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eバイオエレクトリカル音楽(植物や菌類から発生される生体電位を利用した音楽)による物音〜ミニマル・ノイズドローン27曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e植物神経生物学の歴史と発展について彼自身が解説した44ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3940570705\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WAWr052qqlQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e本作には収録されていませんが、BBCによるMichael Allen Z Primeの特集をご紹介します。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\" あなたが耳にする音は、菌によって生成された活動電位を音で直接トレースしたものです。 活動電位とは、電気活動の短いバーストです。長い音の連続のようには聞こえないし、キノコや摘み取られた葉が作り出すものでもありません。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vWKu8eMlLLc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3xCD includes\u003cspan data-mce-fragment=\"1\"\u003e 44 page booklet.\u003cbr\u003eEdition of 400 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eParadigm Discs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"We have not had a physical release by composer and ecologist Michael Prime since the release of Borneo in 2007. This new 3CD set brings us up to date with a series of recordings from across the years. It also sees a new refinement in his working practice as well as a new extension to his original name. Bioelectrical Music by Michael Allen Z Prime consists of recordings that fall into 3 defined categories - Bioelectrical Compositions, Bioelectrical Field Recordings and Bioelectrical Installations. All three use the bioelectrical potentials generated by plants and fungi, although these sound sources are now no longer purely seen as raw material available for multi-tracking or further electronic processing of the signal path. Now, the bioactivity signals themselves form the basis of the music. Following a framework of self imposed rules that restrict the extent that the source sounds can be altered, such that the essential voice of the living sound sources remain identifiable. The development of this framework is a direction that Prime’s music has been moving towards for some years now, and this box set collects various recordings made between 1990 and 2019 that fall into the remit of this new development. The pieces included here range from short sound studies to lengthy compositions and installation\u003cspan class=\"bcTruncateMore\"\u003e recordings made at a wide variety of locations. The 3CDs are accompanied by a 44 page booklet with an essay by Prime outlining the history and development of our understanding of plant neurophysiology. There is also a short piece written by author and fungal enthusiast Merlin Sheldrake.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Michael Allen Z Prime\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Paradigm Discs\u003c\/span\u003e\u003c\/p\u003e"}
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An experimental musician/ecologist from Cork, Ireland, Michael Allen Z Prime released a limited edition of 2023 CDs from the British experimental label Paradigm Disc in June 6.Contains 400 minimal noise drones from sounds made by bioelectrical music (music that utilizes the bioelectric potential generated by plants and fungi).Includes a 3-page booklet in which he explains the history and development of plant neurobiology.Although not included in this work, we will introduce the special feature of Michael Allen Z Prime by BBC. " The sounds you hear are direct acoustic traces of action potentials produced by fungi. Action potentials are short bursts of electrical activity. Nor is it produced by plucked leaves." --------------------------------------- ---...
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{"id":8002360639738,"title":"Various Artists \/\/ Field of Progress 2xTAPE","handle":"various-artists-field-of-progress-2xtape","description":"\u003cp\u003eドイツ・ベルリンの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKashual Plastikが、2022年9月に\u003c\/span\u003eリリースした2本組コンピレーションカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eほぼメロディー無しの物音コラージュ〜フィールドレコーディング28曲を収録。DLコード付属。既に廃盤のため今回限りの入荷です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=344706716\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3191550807\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2296992055\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003ehere\u003c\/a\u003e to see more Kashual Plastik releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2 x Cassette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMark Harwood - Berlin Field Recording... 04:57\u003c\/li\u003e\n\u003cli\u003eFeronia Wennborg - Window 04:23\u003c\/li\u003e\n\u003cli\u003eNika Son - Hippo 02:54\u003c\/li\u003e\n\u003cli\u003eEls Vanderweyer - Kuhstall 02:30\u003c\/li\u003e\n\u003cli\u003eJS - Størung der heiligen Einsamkeit 02:44\u003c\/li\u003e\n\u003cli\u003eArv \u0026amp; Miljö - Orario Di Chiusura 03:21\u003c\/li\u003e\n\u003cli\u003eML - Fraukes Rechner rechnet ab 02:10\u003c\/li\u003e\n\u003cli\u003eRed Brut - Spring Fog 05:33\u003c\/li\u003e\n\u003cli\u003eMøn - Whale Waves 03:49\u003c\/li\u003e\n\u003cli\u003eMoniek Darge - Nile SoundieDef 02:10\u003c\/li\u003e\n\u003cli\u003eDan Gilmore - Goldingesque 00:58\u003c\/li\u003e\n\u003cli\u003eFelix Kubin - Geschirrspüler 04:23\u003c\/li\u003e\n\u003cli\u003eMCBN - Bike 01:03\u003c\/li\u003e\n\u003cli\u003eRobert Schwarz - Lobau bleibt! 02:47\u003c\/li\u003e\n\u003cli\u003eLouise Wilson - Tuatara 03:19\u003c\/li\u003e\n\u003cli\u003eMalvern Brume - Snow Contacts \u0026amp; Marsh Walks 04:54\u003c\/li\u003e\n\u003cli\u003eNein Rodere - Rat Spandau Afternoon 01:51\u003c\/li\u003e\n\u003cli\u003eLaila Sakini - Baby 04:23\u003c\/li\u003e\n\u003cli\u003eGreymouth - Kumomi (edit) 02:15\u003c\/li\u003e\n\u003cli\u003eTerres - Davis is dead, long life the geese 04:25\u003c\/li\u003e\n\u003cli\u003eSusannah Stark - Rùm 02:34\u003c\/li\u003e\n\u003cli\u003eSholto - Solo Organ 01:52\u003c\/li\u003e\n\u003cli\u003eAnna Murray - Chofu station 04:08\u003c\/li\u003e\n\u003cli\u003eLung Dart - Room Tones 05:01\u003c\/li\u003e\n\u003cli\u003eA Method To Exist - Tubes to Oldtown 01:58\u003c\/li\u003e\n\u003cli\u003eDan Gilmore - Working Sunday for Chris 03:36\u003c\/li\u003e\n\u003cli\u003eJamie Burke - Ode To Kingsland High St 02:30\u003c\/li\u003e\n\u003cli\u003eLaura Not - Latent Heat of Fusion 02:42\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Kashual Plastik \u003c\/p\u003e","published_at":"2023-08-07T14:42:15+09:00","created_at":"2023-08-06T15:53:58+09:00","vendor":"Tobira Records","type":"","tags":["field recording","kashual plastik","monooto","new","recommended","tape"],"price":2295,"price_min":2295,"price_max":2295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44430821622010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Field of Progress 2xTAPE","public_title":null,"options":["Default Title"],"price":2295,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/field1.jpg?v=1691304840","\/\/tobirarecords.com\/cdn\/shop\/files\/field2.jpg?v=1691304840"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/field1.jpg?v=1691304840","options":["Title"],"media":[{"alt":null,"id":32302941143290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/field1.jpg?v=1691304840"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/field1.jpg?v=1691304840","width":700},{"alt":null,"id":32302941176058,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/field2.jpg?v=1691304840"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/field2.jpg?v=1691304840","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKashual Plastikが、2022年9月に\u003c\/span\u003eリリースした2本組コンピレーションカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eほぼメロディー無しの物音コラージュ〜フィールドレコーディング28曲を収録。DLコード付属。既に廃盤のため今回限りの入荷です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=344706716\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3191550807\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2296992055\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003ehere\u003c\/a\u003e to see more Kashual Plastik releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2 x Cassette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMark Harwood - Berlin Field Recording... 04:57\u003c\/li\u003e\n\u003cli\u003eFeronia Wennborg - Window 04:23\u003c\/li\u003e\n\u003cli\u003eNika Son - Hippo 02:54\u003c\/li\u003e\n\u003cli\u003eEls Vanderweyer - Kuhstall 02:30\u003c\/li\u003e\n\u003cli\u003eJS - Størung der heiligen Einsamkeit 02:44\u003c\/li\u003e\n\u003cli\u003eArv \u0026amp; Miljö - Orario Di Chiusura 03:21\u003c\/li\u003e\n\u003cli\u003eML - Fraukes Rechner rechnet ab 02:10\u003c\/li\u003e\n\u003cli\u003eRed Brut - Spring Fog 05:33\u003c\/li\u003e\n\u003cli\u003eMøn - Whale Waves 03:49\u003c\/li\u003e\n\u003cli\u003eMoniek Darge - Nile SoundieDef 02:10\u003c\/li\u003e\n\u003cli\u003eDan Gilmore - Goldingesque 00:58\u003c\/li\u003e\n\u003cli\u003eFelix Kubin - Geschirrspüler 04:23\u003c\/li\u003e\n\u003cli\u003eMCBN - Bike 01:03\u003c\/li\u003e\n\u003cli\u003eRobert Schwarz - Lobau bleibt! 02:47\u003c\/li\u003e\n\u003cli\u003eLouise Wilson - Tuatara 03:19\u003c\/li\u003e\n\u003cli\u003eMalvern Brume - Snow Contacts \u0026amp; Marsh Walks 04:54\u003c\/li\u003e\n\u003cli\u003eNein Rodere - Rat Spandau Afternoon 01:51\u003c\/li\u003e\n\u003cli\u003eLaila Sakini - Baby 04:23\u003c\/li\u003e\n\u003cli\u003eGreymouth - Kumomi (edit) 02:15\u003c\/li\u003e\n\u003cli\u003eTerres - Davis is dead, long life the geese 04:25\u003c\/li\u003e\n\u003cli\u003eSusannah Stark - Rùm 02:34\u003c\/li\u003e\n\u003cli\u003eSholto - Solo Organ 01:52\u003c\/li\u003e\n\u003cli\u003eAnna Murray - Chofu station 04:08\u003c\/li\u003e\n\u003cli\u003eLung Dart - Room Tones 05:01\u003c\/li\u003e\n\u003cli\u003eA Method To Exist - Tubes to Oldtown 01:58\u003c\/li\u003e\n\u003cli\u003eDan Gilmore - Working Sunday for Chris 03:36\u003c\/li\u003e\n\u003cli\u003eJamie Burke - Ode To Kingsland High St 02:30\u003c\/li\u003e\n\u003cli\u003eLaura Not - Latent Heat of Fusion 02:42\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Kashual Plastik \u003c\/p\u003e"}
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A two-piece compilation cassette released in September 2022 by Kashual Plastik, an experimental label in Berlin, Germany.Sound collage with almost no melody - 9 field recordings. Comes with DL code.It is already out of print, so it is only available this time.Click here for labels and other works /// Click here to see more Kashual Plastik releases available at Tobira. ---...
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{"id":8000001605882,"title":"Carlos Casas \/\/ Kamana LP+CD+7\" \/ LP+CD","handle":"copy-of-carlos-casas-kamana-lp-cd-7-lp-cd","description":"\u003cp\u003e過去にMatiere MemoireやCanti Magneticiなどから発表しているスペイン・バルセロナの音響作家Carlos Casasが、2021年9月にイギリス密林系レーベルDiscrepantからリリースした最新レコード+CD+7\"を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、彼がフィリピン・サンバレス地方の先住民族アエタ族とともに生活する中で、彼らの\u003cspan data-mce-fragment=\"1\"\u003e文化と伝統に着想を得て制作したマルチフォーマット作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e現実から想像へ、転写からシンクレティズムへ、具体から抽象へと変化していくソニック\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eエクソシスム7曲を収録。CDには現地で収集したフィールドレコーディングを、7\"にはコウモリハンターのインタビューを収録しています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Kamanaは、数年前に私を受け入れてくれたアエタ族のコミュニティへのオマージュです。1991年のピナツボ火山の噴火で壊滅的な打撃を受けながらも、先祖代々の土地に戻って基本的な農業を営み、コウモリや野ブタを狩って生き延びてきた人々の耐久力と土地とのつながりに魅了されました。彼らと数週間生活を共にしたことで、重要なフィールド・レコーディングやサウンドを収集することができました。このリリースは、誰もがアクセスでき、このユニークなコミュニティの生活への窓を提供するアーカイブ・ドキュメントであると同時に、彼らとジャングルで生活をしたときの記憶や感情を呼び起こそうとするオーディオダイヤリーでもあるのです。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3673089773\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP with printed inners + \u003cmeta charset=\"utf-8\"\u003especial CD only mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePugot Pugot 07:39\u003c\/li\u003e\n\u003cli\u003ePanilan 06:32 \u003c\/li\u003e\n\u003cli\u003eKamote 10:15 \u003c\/li\u003e\n\u003cli\u003eLahar 06:54 \u003c\/li\u003e\n\u003cli\u003eTorture Dance 06:29 \u003c\/li\u003e\n\u003cli\u003eTalipi 08:04 \u003c\/li\u003e\n\u003cli\u003eIngalu 10:10 \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e ++\u003c\/p\u003e\n\u003cp\u003eText by Discrepant :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKamana is a multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines. One of the oldest inhabitants of the region the Aetas are also some of the most fascinating and ancient nomadic and hunter gathering cultures. The release goes from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract. An (un)real Sonic Exorcism filled with Ancestral Frequencies, Haunted Ghosts and other animistic spirits roaming the Pinatubo forests.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe release features a series of materials released in different formats from the Field recording digital only release, an LP and CD release to a special 7inch vinyl featuring an Interview with a bat hunter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Kamana is a long due homage to the Aeta community that hosted me a few years back, fascinated by the endurance of these people and their connection to their land, devastated by the eruption of the Pinatubo volcano in 1991, they continued to go back to their ancestral lands surviving on basic agriculture and hunting bats and wild pigs. Living with them for weeks, I managed to capture some essential field recordings and sounds that form and com- pose the basis for this release, from the more reprocessed and interpreted LP\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e release to the pure field recording documentation of the digital release. It is meant to be accessible to all and provide a window to the livelihoods of these unique communities. For this reason, this release serves as both an archival document and a syncretic one, trying to channel memories and feelings of living in these jungles whilst listening to their stories as well as witnessing their lifestyles.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Casas\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e","published_at":"2023-07-29T13:33:48+09:00","created_at":"2023-07-29T12:27:20+09:00","vendor":"Tobira Records","type":"","tags":["cd","Discrepant","drone","field recording","lp","monooto","new","strange beats"],"price":2695,"price_min":2695,"price_max":3195,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44398277361914,"title":"LP+CD","option1":"LP+CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Casas \/\/ Kamana LP+CD+7\" \/ LP+CD - LP+CD","public_title":"LP+CD","options":["LP+CD"],"price":2695,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44398277394682,"title":"LP+CD+7\"","option1":"LP+CD+7\"","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Carlos Casas \/\/ Kamana LP+CD+7\" \/ LP+CD - LP+CD+7\"","public_title":"LP+CD+7\"","options":["LP+CD+7\""],"price":3195,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ka1_40b72d3b-134a-4e8e-b44c-167bf32a8e19.jpg?v=1690601245","\/\/tobirarecords.com\/cdn\/shop\/files\/ka2_cd1ddb7c-56f5-422b-9b1d-7fd6d364dcf9.jpg?v=1690601245","\/\/tobirarecords.com\/cdn\/shop\/files\/ka3_d1b1059e-0bfd-4c3d-aed9-8759270233d3.jpg?v=1690601245"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka1_40b72d3b-134a-4e8e-b44c-167bf32a8e19.jpg?v=1690601245","options":["Format"],"media":[{"alt":null,"id":32277900329210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka1_40b72d3b-134a-4e8e-b44c-167bf32a8e19.jpg?v=1690601245"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka1_40b72d3b-134a-4e8e-b44c-167bf32a8e19.jpg?v=1690601245","width":700},{"alt":null,"id":32277900361978,"position":2,"preview_image":{"aspect_ratio":1.542,"height":778,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka2_cd1ddb7c-56f5-422b-9b1d-7fd6d364dcf9.jpg?v=1690601245"},"aspect_ratio":1.542,"height":778,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka2_cd1ddb7c-56f5-422b-9b1d-7fd6d364dcf9.jpg?v=1690601245","width":1200},{"alt":null,"id":32277900394746,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka3_d1b1059e-0bfd-4c3d-aed9-8759270233d3.jpg?v=1690601245"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ka3_d1b1059e-0bfd-4c3d-aed9-8759270233d3.jpg?v=1690601245","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にMatiere MemoireやCanti Magneticiなどから発表しているスペイン・バルセロナの音響作家Carlos Casasが、2021年9月にイギリス密林系レーベルDiscrepantからリリースした最新レコード+CD+7\"を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、彼がフィリピン・サンバレス地方の先住民族アエタ族とともに生活する中で、彼らの\u003cspan data-mce-fragment=\"1\"\u003e文化と伝統に着想を得て制作したマルチフォーマット作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e現実から想像へ、転写からシンクレティズムへ、具体から抽象へと変化していくソニック\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eエクソシスム7曲を収録。CDには現地で収集したフィールドレコーディングを、7\"にはコウモリハンターのインタビューを収録しています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Kamanaは、数年前に私を受け入れてくれたアエタ族のコミュニティへのオマージュです。1991年のピナツボ火山の噴火で壊滅的な打撃を受けながらも、先祖代々の土地に戻って基本的な農業を営み、コウモリや野ブタを狩って生き延びてきた人々の耐久力と土地とのつながりに魅了されました。彼らと数週間生活を共にしたことで、重要なフィールド・レコーディングやサウンドを収集することができました。このリリースは、誰もがアクセスでき、このユニークなコミュニティの生活への窓を提供するアーカイブ・ドキュメントであると同時に、彼らとジャングルで生活をしたときの記憶や感情を呼び起こそうとするオーディオダイヤリーでもあるのです。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3673089773\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP with printed inners + \u003cmeta charset=\"utf-8\"\u003especial CD only mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePugot Pugot 07:39\u003c\/li\u003e\n\u003cli\u003ePanilan 06:32 \u003c\/li\u003e\n\u003cli\u003eKamote 10:15 \u003c\/li\u003e\n\u003cli\u003eLahar 06:54 \u003c\/li\u003e\n\u003cli\u003eTorture Dance 06:29 \u003c\/li\u003e\n\u003cli\u003eTalipi 08:04 \u003c\/li\u003e\n\u003cli\u003eIngalu 10:10 \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e ++\u003c\/p\u003e\n\u003cp\u003eText by Discrepant :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKamana is a multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines. One of the oldest inhabitants of the region the Aetas are also some of the most fascinating and ancient nomadic and hunter gathering cultures. The release goes from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract. An (un)real Sonic Exorcism filled with Ancestral Frequencies, Haunted Ghosts and other animistic spirits roaming the Pinatubo forests.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe release features a series of materials released in different formats from the Field recording digital only release, an LP and CD release to a special 7inch vinyl featuring an Interview with a bat hunter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Kamana is a long due homage to the Aeta community that hosted me a few years back, fascinated by the endurance of these people and their connection to their land, devastated by the eruption of the Pinatubo volcano in 1991, they continued to go back to their ancestral lands surviving on basic agriculture and hunting bats and wild pigs. Living with them for weeks, I managed to capture some essential field recordings and sounds that form and com- pose the basis for this release, from the more reprocessed and interpreted LP\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e release to the pure field recording documentation of the digital release. It is meant to be accessible to all and provide a window to the livelihoods of these unique communities. For this reason, this release serves as both an archival document and a syncretic one, trying to channel memories and feelings of living in these jungles whilst listening to their stories as well as witnessing their lifestyles.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Casas\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e"}
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Carlos Casas, a sound artist from Barcelona, Spain, who has released on Matiere Memoire and Canti Magnetici in the past, has received the latest record + CD + 2021" released from British jungle label Discrepant in September 9. , a multi-format work inspired by the culture and traditions of the Aeta people of the Zambales region of the Philippines.From reality to imagination, from transcription to syncretism, from concrete to abstraction. Contains 7 songs of Sonic Exorcism that change into different sounds.The CD contains field recordings collected locally, and the 7" contains an interview with a bat hunter. Comes with DL code.Below is a commentary by the author himself. "Kamana is a tribute to the Aeta community that welcomed me years ago. Despite being devastated by the 7 eruption of Mt. I was fascinated by the resilience and connection to the land of people who survived by farming and hunting bats and wild pigs, and spent a few weeks living with them collecting important field recordings and sounds. This release is an archival document that is accessible to everyone and provides a window into the lives of this unique community, as well as evoking the memories and emotions of living with them in the jungle. It's also an audio diary to wake you up." Click here to see more Discrepant releases available...
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{"id":7996641640698,"title":"Francesco Fabris \u0026 Ben Frost \/\/ Vakning LP","handle":"francesco-fabris-ben-frost-vakning-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアイスランド・レイキャビクの実験音楽家Francesco FabrisとBen Frostが、2023年3月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアイスランドのファグラダルスフィヤル火山で録音したフィールドレコーディング〜天然ドローン7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"固定されたもの、永続的なもの、誰にとっても、どんなときでも、どんなものでもない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちが安定した惑星だと思い込んでいるように、この惑星はそうではない。紙一重の薄い地殻は、私たちが身を置き、主に関心を寄せているゾーンであるが、それは控えめなヴェールとして存在し、ダイナミックな地震の乱れを覆い隠している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、破裂が起こる瞬間もある。内部からの圧力は、破壊と原始的な景観を同時にもたらしながら、地球の表面へと、そしてそれを通り抜けていく。地質学的な時間が凝縮され、世界の構築が、自由奔放で挑発的な細部にわたって目に見え、耳に聞こえてくる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrancesco FabrisとBen FrostがVakningで捉えたような火山の破裂は、まさに生きている地球の地質を物語っている。至近距離で撮影されたこれらの記録は、液体の岩石が固体になる結節点に存在している。変容の瞬間、消滅の瞬間、創造の瞬間を、しばしば一度に捉えている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらは、ダイナミックで自由奔放な、生きている物質的な惑星の記録である。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=295248973\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3926703846\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=295248973\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHarmonic Tremor \u003c\/li\u003e\n\u003cli\u003eVakning \u003c\/li\u003e\n\u003cli\u003eWalking Like A Royal Snake Down The Mountain Towards The Sea \u003c\/li\u003e\n\u003cli\u003eMagma Fields \u003c\/li\u003e\n\u003cli\u003eÖskubrot \u003c\/li\u003e\n\u003cli\u003eGas Warning \u003c\/li\u003e\n\u003cli\u003eNew Shield Loop \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lawrence English:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e...t\u003c\/em\u003e\u003cem\u003ehese volcanic ruptures, such as those captured on Vakning by Francesco Fabris and Ben Frost, speak to the very living geology of Earth. These recordings, captured at close range, exist at a nexus where liquid rock becomes solid. They capture moments of transformation, of obliteration and of creation, often all at once.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese are recordings of a living, material planet, dynamic and unrestrained.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Francesco Fabris \u0026amp; Ben Frost\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-20T19:40:52+09:00","created_at":"2023-07-20T15:10:50+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","lp","monooto","new","recommended","room40"],"price":2495,"price_min":2495,"price_max":2495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361098526970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Francesco Fabris \u0026 Ben Frost \/\/ Vakning LP","public_title":null,"options":["Default Title"],"price":2495,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/va_869c4c5a-a2db-4720-bd40-32ff0e83fa89.jpg?v=1689833452","\/\/tobirarecords.com\/cdn\/shop\/files\/va2_8d85578b-f238-4494-bc5f-cd2d8b639624.jpg?v=1689833452"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/va_869c4c5a-a2db-4720-bd40-32ff0e83fa89.jpg?v=1689833452","options":["Title"],"media":[{"alt":null,"id":32245390180602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/va_869c4c5a-a2db-4720-bd40-32ff0e83fa89.jpg?v=1689833452"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/va_869c4c5a-a2db-4720-bd40-32ff0e83fa89.jpg?v=1689833452","width":700},{"alt":null,"id":32245390213370,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/va2_8d85578b-f238-4494-bc5f-cd2d8b639624.jpg?v=1689833452"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/va2_8d85578b-f238-4494-bc5f-cd2d8b639624.jpg?v=1689833452","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアイスランド・レイキャビクの実験音楽家Francesco FabrisとBen Frostが、2023年3月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアイスランドのファグラダルスフィヤル火山で録音したフィールドレコーディング〜天然ドローン7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"固定されたもの、永続的なもの、誰にとっても、どんなときでも、どんなものでもない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちが安定した惑星だと思い込んでいるように、この惑星はそうではない。紙一重の薄い地殻は、私たちが身を置き、主に関心を寄せているゾーンであるが、それは控えめなヴェールとして存在し、ダイナミックな地震の乱れを覆い隠している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、破裂が起こる瞬間もある。内部からの圧力は、破壊と原始的な景観を同時にもたらしながら、地球の表面へと、そしてそれを通り抜けていく。地質学的な時間が凝縮され、世界の構築が、自由奔放で挑発的な細部にわたって目に見え、耳に聞こえてくる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrancesco FabrisとBen FrostがVakningで捉えたような火山の破裂は、まさに生きている地球の地質を物語っている。至近距離で撮影されたこれらの記録は、液体の岩石が固体になる結節点に存在している。変容の瞬間、消滅の瞬間、創造の瞬間を、しばしば一度に捉えている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらは、ダイナミックで自由奔放な、生きている物質的な惑星の記録である。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=295248973\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3926703846\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=295248973\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHarmonic Tremor \u003c\/li\u003e\n\u003cli\u003eVakning \u003c\/li\u003e\n\u003cli\u003eWalking Like A Royal Snake Down The Mountain Towards The Sea \u003c\/li\u003e\n\u003cli\u003eMagma Fields \u003c\/li\u003e\n\u003cli\u003eÖskubrot \u003c\/li\u003e\n\u003cli\u003eGas Warning \u003c\/li\u003e\n\u003cli\u003eNew Shield Loop \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lawrence English:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e...t\u003c\/em\u003e\u003cem\u003ehese volcanic ruptures, such as those captured on Vakning by Francesco Fabris and Ben Frost, speak to the very living geology of Earth. These recordings, captured at close range, exist at a nexus where liquid rock becomes solid. They capture moments of transformation, of obliteration and of creation, often all at once.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese are recordings of a living, material planet, dynamic and unrestrained.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Francesco Fabris \u0026amp; Ben Frost\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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This is a collaborative record released by experimental musicians Francesco Fabris and Ben Frost from Reykjavik, Iceland on the experimental label room2023 in Brisbane, Australia in March 3.Contains field recordings made at the Fagradalsfjall volcano in Iceland - 40 natural drone songs. DL code included.Out of print.Below is an explanation by the label. "Nothing is fixed, nothing is permanent, nothing is for anyone, at any time, for anything. This planet is not as stable as we think it is. It is a paper-thin crust. is the zone in which we find ourselves and are primarily concerned, but it exists as a discreet veil, concealing dynamic seismic disturbances.However, there are moments when ruptures occur.Inside. Pressures from the Earth move to and through the Earth's surface, bringing destruction and pristine landscapes at once. Geological time is condensed, and world-building is brought to life in freewheeling and provocative detail. Visible and audible across the globe, volcanic eruptions like those captured by Francesco Fabris and Ben Frost in Vakning speak volumes about the living geology of our planet. , existing at the juncture of liquid rock becoming solid, capturing moments of transformation, annihilation, and creation, often all at once.These are dynamic, free-spirited, living material objects. This is a record of a beautiful planet." Click here to see more Room7 releases...
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{"id":7993209192698,"title":"Kiwiro Boys \/\/ Vijana Wa Kazi LP","handle":"kiwiro-boys-vijana-wa-kazi-lp","description":"\u003cp\u003e1970年代に活動していたケニアのKiwiro Boysが、2023年4月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースした再発レコードです。(オリジナルは1979年にリリース)\u003c\/p\u003e\n\u003cp\u003e軽快なアフリカン・ポップ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2379693541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe Are Busy Bodies:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eVijana Wa Kazi is a Kenyan benga rarity by one of the country's leading 70's groups that compiles several of their singles into a standalone album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLed by the late John Otonde, the group issued nearly two dozen 7” singles between 1976 and the early 1980s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album has been remastered by Jason NeSmith at Chase Park Transduction. Art restoration has been completed by Steve Lewin.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kiwiro Boys\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : We Are Busy Bodies\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-07-09T13:24:57+09:00","created_at":"2023-07-09T10:44:17+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","we are busy bodies"],"price":2395,"price_min":2395,"price_max":2395,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44326699794682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kiwiro Boys \/\/ Vijana Wa Kazi LP","public_title":null,"options":["Default Title"],"price":2395,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_09ac7bfe-ec04-47a6-bbf7-8d4ea61cb196.jpg?v=1688867059","\/\/tobirarecords.com\/cdn\/shop\/files\/ki2_14b5a404-dd0c-4c2b-a600-f75f5af7112c.jpg?v=1688867059"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_09ac7bfe-ec04-47a6-bbf7-8d4ea61cb196.jpg?v=1688867059","options":["Title"],"media":[{"alt":null,"id":32203490787578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_09ac7bfe-ec04-47a6-bbf7-8d4ea61cb196.jpg?v=1688867059"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_09ac7bfe-ec04-47a6-bbf7-8d4ea61cb196.jpg?v=1688867059","width":700},{"alt":null,"id":32203490820346,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki2_14b5a404-dd0c-4c2b-a600-f75f5af7112c.jpg?v=1688867059"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki2_14b5a404-dd0c-4c2b-a600-f75f5af7112c.jpg?v=1688867059","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1970年代に活動していたケニアのKiwiro Boysが、2023年4月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースした再発レコードです。(オリジナルは1979年にリリース)\u003c\/p\u003e\n\u003cp\u003e軽快なアフリカン・ポップ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2379693541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe Are Busy Bodies:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eVijana Wa Kazi is a Kenyan benga rarity by one of the country's leading 70's groups that compiles several of their singles into a standalone album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLed by the late John Otonde, the group issued nearly two dozen 7” singles between 1976 and the early 1980s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album has been remastered by Jason NeSmith at Chase Park Transduction. Art restoration has been completed by Steve Lewin.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kiwiro Boys\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : We Are Busy Bodies\u003c\/span\u003e\u003c\/p\u003e"}
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This is a reissue record released by Kenya's Kiwiro Boys, who were active in the 1970s, in April 2023 from Toronto's all-genre label We Are Busy Bodies, limited to 4 copies. (Original released in 500) Contains 1979 light African pop songs. Comes with DL code.Click here for labels and other works /// Click here to see more We Are Busy Bodies...
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{"id":7987864469754,"title":"Aselefech Ashine \u0026 Getenesh Kebret \/\/ Beauties LP","handle":"aselefech-ashine-getenesh-kebret-ሸገኔዎች-beauties-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエチオピア・ジャズの名作がこの度\u003cmeta charset=\"utf-8\"\u003eMississippiの手により再発。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"この1976年の珠玉のレコードでは、アセレフェク・アシーヌとゲテネシュ・ケブレの歌声が緊密なハーモニーを奏で、2人の \"美女 \"が10曲にわたってデュエットしています。トラフーン・ゲッセやマフムード・アーメドといった偉大なミュージシャンのバックを務めたアーミー・バンドは、ムラトゥ風のマイナー調のピアノ・ラン、連動するパーカッション、ロック的で安定したベースラインをもたらします。アレンジャーのテショメ・シセイのフルートが、華やかでウキウキするようなホーンをつなぎながら、楽曲の中を吹き抜けていきます。エチオピアの黄金時代の最高の要素が、この時代の最後のレコードの1枚に結集しています。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアセレフェシュとゲテネシュは、帝国末期のアディスアベバの賑やかなコスモポリタンな世界で育ちました。ふたりはアジスの伝説的な芸術文化学習センターであるハーガー・フィクル・シアターで出会い、そこで何世紀にもわたる発声法や演技の訓練を受けました。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBEAUTIESはヒットし、1976年の発売と同時に完売しました。しかし、その栄光は長くは続きませんでした。デルク政権は音楽と芸術表現に厳しい弾圧を加えていました。退位したハイレ・セラシエ皇帝の同盟国として標的にされたアーティストたち(そしてほとんどのミュージシャン)は、目立たないようにしなければなりませんでした。20年間、エチオピアではほとんどすべてのレコーディングとライブ音楽が中止されました。本作は、エチオピア黄金期最後の名盤のひとつです。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2枚目のレコードをリリースすることはできませんでしたが、アセレフェク・アシネは自分の作品に誇りを持っています。アジスの自宅から彼女は言います。\"今、このアルバムが再びリリースされれば、人気が出てヒット作になるという全幅の信頼を寄せているわ!\"。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e長い間制作されていたこのアルバムは、アーティストとニューオーリンズの強豪ドミノ・サウンドとのコラボレーションでリリースされます。新たにリマスターされたヴァイナルは、歌詞対訳、写真、アセレフェク・アシーンのインタビュー付きのオールドスクールな \"チップ・オン \"ジャケット仕様です。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1772479199\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003ehere\u003c\/a\u003e to see more Mississippi Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes insert with \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elyric translations and short interview with Aselefech Ashine. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMississippi Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA lost classic of the Ethiopian Golden Age, reissued in full for the first time!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn this 1976 gem of a record, Aselefech Ashine and Getenesh Kebret’s voices intertwine in close harmony, the two “beauties” singing in duet across 10 gorgeous tracks. The Army Band, which backed greats like Tlahoun Gesesse and Mahmoud Ahmed, brings Mulatu-esque minor-key piano runs, interlocking percussion, and rock-steady basslines. Arranger Teshome Sisay’s flute winds through the compositions, tying together gloriously woozy horns. The greatest elements of Ethiopia’s Golden Age combine here, in one of the final records of the era.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAselefech and Getenesh were raised in the bustling cosmopolitan world of late-empire Addis Ababa. They met at the Hager Fikr Theatre, the legendary center for art and cultural learning in Addis, where they were trained in centuries-old vocal techniques as well as acting.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBEAUTIES was a hit, selling out upon its release in 1976. But its glory was short-lived. The Derg Regime was imposing strict crackdowns on music and artistic expression. Targeted as allies of the deposed Emperor Haile Selassie, the artists (and most musicians) had\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e to keep a low profile. For two decades, nearly all recording and live music would cease in Ethiopia. This is one of the last great releases of the Ethiopian Golden Age.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough she was never able to release a second record, Aselefech Ashine is proud of her work. From her home in Addis she says: “I have full confidence that this album will be popular and a hit when it is released again now!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album, long in the works, is released in collaboration with the artists and the mighty Domino Sound of New Orleans. Newly remastered vinyl comes in old-school “tip-on” jacket with lyric translations, photos, and an interview with Aselefech Ashine.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aselefech Ashine \u0026amp; Getenesh Kebret\u003c\/p\u003e\n\u003cp\u003eLabel : Mississippi Records\u003c\/p\u003e","published_at":"2023-06-24T08:12:49+09:00","created_at":"2023-06-23T19:30:28+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","mississipi records","new"],"price":2095,"price_min":2095,"price_max":2095,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295049183482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aselefech Ashine \u0026 Getenesh Kebret \/\/ Beauties LP","public_title":null,"options":["Default Title"],"price":2095,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_5dab2c66-ed04-4e44-9f5e-ff4cc1d70bdb.jpg?v=1687516230","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_23010b72-1ae7-4173-9a25-b3b8c416e8f4.jpg?v=1687516230"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_5dab2c66-ed04-4e44-9f5e-ff4cc1d70bdb.jpg?v=1687516230","options":["Title"],"media":[{"alt":null,"id":32146953797882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_5dab2c66-ed04-4e44-9f5e-ff4cc1d70bdb.jpg?v=1687516230"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_5dab2c66-ed04-4e44-9f5e-ff4cc1d70bdb.jpg?v=1687516230","width":700},{"alt":null,"id":32146953863418,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_23010b72-1ae7-4173-9a25-b3b8c416e8f4.jpg?v=1687516230"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_23010b72-1ae7-4173-9a25-b3b8c416e8f4.jpg?v=1687516230","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエチオピア・ジャズの名作がこの度\u003cmeta charset=\"utf-8\"\u003eMississippiの手により再発。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"この1976年の珠玉のレコードでは、アセレフェク・アシーヌとゲテネシュ・ケブレの歌声が緊密なハーモニーを奏で、2人の \"美女 \"が10曲にわたってデュエットしています。トラフーン・ゲッセやマフムード・アーメドといった偉大なミュージシャンのバックを務めたアーミー・バンドは、ムラトゥ風のマイナー調のピアノ・ラン、連動するパーカッション、ロック的で安定したベースラインをもたらします。アレンジャーのテショメ・シセイのフルートが、華やかでウキウキするようなホーンをつなぎながら、楽曲の中を吹き抜けていきます。エチオピアの黄金時代の最高の要素が、この時代の最後のレコードの1枚に結集しています。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアセレフェシュとゲテネシュは、帝国末期のアディスアベバの賑やかなコスモポリタンな世界で育ちました。ふたりはアジスの伝説的な芸術文化学習センターであるハーガー・フィクル・シアターで出会い、そこで何世紀にもわたる発声法や演技の訓練を受けました。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBEAUTIESはヒットし、1976年の発売と同時に完売しました。しかし、その栄光は長くは続きませんでした。デルク政権は音楽と芸術表現に厳しい弾圧を加えていました。退位したハイレ・セラシエ皇帝の同盟国として標的にされたアーティストたち(そしてほとんどのミュージシャン)は、目立たないようにしなければなりませんでした。20年間、エチオピアではほとんどすべてのレコーディングとライブ音楽が中止されました。本作は、エチオピア黄金期最後の名盤のひとつです。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2枚目のレコードをリリースすることはできませんでしたが、アセレフェク・アシネは自分の作品に誇りを持っています。アジスの自宅から彼女は言います。\"今、このアルバムが再びリリースされれば、人気が出てヒット作になるという全幅の信頼を寄せているわ!\"。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e長い間制作されていたこのアルバムは、アーティストとニューオーリンズの強豪ドミノ・サウンドとのコラボレーションでリリースされます。新たにリマスターされたヴァイナルは、歌詞対訳、写真、アセレフェク・アシーンのインタビュー付きのオールドスクールな \"チップ・オン \"ジャケット仕様です。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1772479199\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/missrec\"\u003ehere\u003c\/a\u003e to see more Mississippi Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes insert with \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elyric translations and short interview with Aselefech Ashine. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMississippi Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA lost classic of the Ethiopian Golden Age, reissued in full for the first time!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn this 1976 gem of a record, Aselefech Ashine and Getenesh Kebret’s voices intertwine in close harmony, the two “beauties” singing in duet across 10 gorgeous tracks. The Army Band, which backed greats like Tlahoun Gesesse and Mahmoud Ahmed, brings Mulatu-esque minor-key piano runs, interlocking percussion, and rock-steady basslines. Arranger Teshome Sisay’s flute winds through the compositions, tying together gloriously woozy horns. The greatest elements of Ethiopia’s Golden Age combine here, in one of the final records of the era.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAselefech and Getenesh were raised in the bustling cosmopolitan world of late-empire Addis Ababa. They met at the Hager Fikr Theatre, the legendary center for art and cultural learning in Addis, where they were trained in centuries-old vocal techniques as well as acting.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBEAUTIES was a hit, selling out upon its release in 1976. But its glory was short-lived. The Derg Regime was imposing strict crackdowns on music and artistic expression. Targeted as allies of the deposed Emperor Haile Selassie, the artists (and most musicians) had\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e to keep a low profile. For two decades, nearly all recording and live music would cease in Ethiopia. This is one of the last great releases of the Ethiopian Golden Age.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough she was never able to release a second record, Aselefech Ashine is proud of her work. From her home in Addis she says: “I have full confidence that this album will be popular and a hit when it is released again now!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album, long in the works, is released in collaboration with the artists and the mighty Domino Sound of New Orleans. Newly remastered vinyl comes in old-school “tip-on” jacket with lyric translations, photos, and an interview with Aselefech Ashine.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aselefech Ashine \u0026amp; Getenesh Kebret\u003c\/p\u003e\n\u003cp\u003eLabel : Mississippi Records\u003c\/p\u003e"}
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A masterpiece of Ethiopian jazz has been reissued by Mississippi.Below is an explanation by the label. "On this gem of a 1976 record, the voices of Aselefek Asine and Getenesh Khebre sing in close harmony, and the two 'beauties' sing duets over 2 songs. Backed by eccentric musicians, the Army Band delivers Muratou-esque minor piano runs, interlocking percussion, and rock-steady basslines, while arranger Teshome Sisei's flute is flamboyant and exhilarating. The best elements of Ethiopia's Golden Age come together on one of the last records of this era: Aselefesh and Getenesh, in Addis at the end of the empire. Raised in the bustling, cosmopolitan world of Ababa, the two met at Addis' legendary center for arts and cultural learning, the Harger Fikr Theater, where they received centuries of vocal and acting training. BEAUTIES was a hit and sold out as soon as it was released in 10. However, its glory was short-lived, as the Derk regime imposed a severe crackdown on music and artistic expression. Artists (and most musicians) targeted as allies had to keep a low profile, and for 1 years almost all recording and live music was canceled in Ethiopia. One of the last great records of the golden age.Although we were unable to release a second record, Aserefek Asine is proud of her work.From her home in Addis, she says now." I have full confidence that if this album is released again, it will become popular and become a hit! Long in the making, this album is a collaboration between the artist and New Orleans powerhouses Domino Sound. Old-school "Tip-on" jacket specification. /// Click here to see more Mississippi Records releases...
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{"id":7987849822458,"title":"Okonkolo \/\/ Cantos LP","handle":"okonkolo-cantos-lp","description":"\u003cp\u003eヨルバ・アフロバンドOkonkoloが、2018年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198039142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eText excerpt by Big Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a world where chaos seems to be in control more often than not, music can occasionally be a temporary respite; and at best, a form of salvation. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the transcendent realm of Okonkolo: Yoruban Santeria music like you have never heard before. Okonkolo transports listeners to another realm; a spiritual dance with gods beyond our grasp, held together by rhythm, passion and musical virtuosity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group is the life’s work of New York-born percussionist and Yoruba Chango priest Abraham “Aby” Rodriguez. His group quietly released Rezos, a gorgeous 10-Inch EP in 2016 on Brooklyn’s Big Crown, and has now returned to give the world even more hypnotic incantations on their debut full length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing nine songs, each of the group’s religious epiphanies on Cantos follow a similar path, with transcendently hypnotic results. As with all Santeria ritual musical accompaniment, drums are at the center of all offerings – namely, the Bata and Coro. In Okonkolo, they are played by Rodriguez, Gene Golden and Xavier Rivera. Building on these rhythms, vocals play an equally important role in the proceedings, sung in Yoruba, contributed by Aby and the powerful female voices of Amma McKen and Jadele\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e McPherson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...On Cantos there are multiple examples of how this musical hybrid can move listeners. Take “Yemaya,” where plucked guitars break down into dissonant sul pont violin textures. As the batá drums build in intensity the arrangement culminates in guitars and descending clarinet arpeggios, Nick Movshon's propulsive bass brings the piece to a climactic finale. Or “Canto Asoyin” where an imagined Santeria \/ Stax session gives way to a gutbucket guitar refrain, before transitioning to a high-life section where ancient and modern Nigerian musical traditions wink slyly at each other.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Ochun” is sung first by Abraham and then by Amma McKen, and each version is quietly startling. Amma's begins with ominous piano chords that lead to plucked cellos and violins in counterpoint against a soca guitar riff, preceding a descrescendo into baritone sax and viola tremolos. As Amma explains, “Through the song, there is possession. We are the vehicles through which all of this positive energy flows. It’s a language, and it’s very sacred.” And then there is “Obatala,” which has a sublime breakdown where pizzicato violins, violas and cellos mimic the different drums of the batá ensemble.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMany listeners will barely register these mercurial arrangements and their admittedly strange juxtapositions against Orisha music. Only upon closer inspection does one become aware of how these ancient songs are being shifted and reimagined, and how they linger ethereally between worlds, just like the orishas.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e","published_at":"2023-06-24T09:38:32+09:00","created_at":"2023-06-23T19:03:48+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","field recording","jazz","lp","new"],"price":1895,"price_min":1895,"price_max":1895,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295007600890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Okonkolo \/\/ Cantos LP","public_title":null,"options":["Default Title"],"price":1895,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630","\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_6a194984-816e-47fe-a28d-01dfd1052f75.jpg?v=1687514630"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630","options":["Title"],"media":[{"alt":null,"id":32146842059002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630","width":700},{"alt":null,"id":32146842091770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_6a194984-816e-47fe-a28d-01dfd1052f75.jpg?v=1687514630"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_6a194984-816e-47fe-a28d-01dfd1052f75.jpg?v=1687514630","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eヨルバ・アフロバンドOkonkoloが、2018年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198039142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eText excerpt by Big Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a world where chaos seems to be in control more often than not, music can occasionally be a temporary respite; and at best, a form of salvation. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the transcendent realm of Okonkolo: Yoruban Santeria music like you have never heard before. Okonkolo transports listeners to another realm; a spiritual dance with gods beyond our grasp, held together by rhythm, passion and musical virtuosity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group is the life’s work of New York-born percussionist and Yoruba Chango priest Abraham “Aby” Rodriguez. His group quietly released Rezos, a gorgeous 10-Inch EP in 2016 on Brooklyn’s Big Crown, and has now returned to give the world even more hypnotic incantations on their debut full length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing nine songs, each of the group’s religious epiphanies on Cantos follow a similar path, with transcendently hypnotic results. As with all Santeria ritual musical accompaniment, drums are at the center of all offerings – namely, the Bata and Coro. In Okonkolo, they are played by Rodriguez, Gene Golden and Xavier Rivera. Building on these rhythms, vocals play an equally important role in the proceedings, sung in Yoruba, contributed by Aby and the powerful female voices of Amma McKen and Jadele\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e McPherson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...On Cantos there are multiple examples of how this musical hybrid can move listeners. Take “Yemaya,” where plucked guitars break down into dissonant sul pont violin textures. As the batá drums build in intensity the arrangement culminates in guitars and descending clarinet arpeggios, Nick Movshon's propulsive bass brings the piece to a climactic finale. Or “Canto Asoyin” where an imagined Santeria \/ Stax session gives way to a gutbucket guitar refrain, before transitioning to a high-life section where ancient and modern Nigerian musical traditions wink slyly at each other.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Ochun” is sung first by Abraham and then by Amma McKen, and each version is quietly startling. Amma's begins with ominous piano chords that lead to plucked cellos and violins in counterpoint against a soca guitar riff, preceding a descrescendo into baritone sax and viola tremolos. As Amma explains, “Through the song, there is possession. We are the vehicles through which all of this positive energy flows. It’s a language, and it’s very sacred.” And then there is “Obatala,” which has a sublime breakdown where pizzicato violins, violas and cellos mimic the different drums of the batá ensemble.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMany listeners will barely register these mercurial arrangements and their admittedly strange juxtapositions against Orisha music. Only upon closer inspection does one become aware of how these ancient songs are being shifted and reimagined, and how they linger ethereally between worlds, just like the orishas.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e"}
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Yoruba Afro band Okonkolo released a record in 2018 from Big Crown in New York, USA.Click here for labels and other works /// Click here to see more Big Crown Records releases available at Tobira.
€18,95

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{"id":7987847495930,"title":"Roger Bekono \/\/ Roger Bekono LP \/ TAPE","handle":"rober","description":"\u003cp\u003eカメルーン・ヤウンデのビクツィ作家Roger Bekonoが、2023年6月にリリースした再発アルバムです。(オリジナルは1989年リリース)\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメルーン出身のアーティスト、ミュージシャン、作曲家、パフォーマー、ギタリストであるRoger Bekonoは、4つ打ちの激しいビクツィを通して、カメルーン音楽の現代史に深い足跡を残しました。このエウォンド語のダンス・ポップ・スタイルは、3連符のリズムがうねるように絡み合うタペストリーを形成し、90年代に入るとヨーロッパの「ワールド・ミュージック」シーンで国際的に脚光を浴びるようになりました。コンゴのルンバ、メレンゲ、マコッサといった既成の音楽と肩を並べる国際的な音楽へと発展したのです。Bekonoは、そのユニークな、そしてスウェーヴな声で、10年以上にわたって、この伝統的なリズムから都市型ダンス・ムーヴメントへと変化したムーヴメントの進化に大きく貢献しました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1282623719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003ehere\u003c\/a\u003e to see more Awesome Tapes From Africa releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or cassette. LP includes extensive liner notes. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJolie Poupée 07:25\u003c\/li\u003e\n\u003cli\u003eEtom Mot 07:29\u003c\/li\u003e\n\u003cli\u003eEnying Moni 07:29\u003c\/li\u003e\n\u003cli\u003eYe Wo Kombel 07:51\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Awesome Tapes From Africa:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCameroonian artist, musician, author, composer, performer and guitarist Roger Bekono made a deep mark in the contemporary history of Cameroonian music through the four-on-the-floor, ribald intensity of bikutsi. The Ewondo-language dance-pop style that forms an undulating tapestry of interlocking triplet rhythmic interplay came to international prominence in the European “world music” scene as the 90s began. But the relentless sound of bikutsi developed in Yaoundé at the hands of Bekono and many others, as it developed from a village-based singing style performed mostly by women into a cosmopolitan music force that rivaled the popularity of established musics like Congolese rhumba, merengue and makossa. With his unique—some say suave—voice, Bekono contributed much over a period of more than 10 years as part of the evolution of this traditional rhythm-turned-urban dance movement...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roger Bekono\u003c\/p\u003e\n\u003cp\u003eLabel : Awesome Tapes From Africa\u003c\/p\u003e","published_at":"2023-06-23T19:30:38+09:00","created_at":"2023-06-23T18:58:13+09:00","vendor":"Tobira Records","type":"","tags":["awesome tapes from africa","field recording","lp","new","tape"],"price":1095,"price_min":1095,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295001112826,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39534360035578,"product_id":7987847495930,"position":2,"created_at":"2023-06-23T18:58:13+09:00","updated_at":"2023-06-23T18:58:15+09:00","alt":null,"width":1200,"height":902,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295","variant_ids":[44295001112826]},"available":true,"name":"Roger Bekono \/\/ Roger Bekono LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":1995,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32146823053562,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44295001145594,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39534360002810,"product_id":7987847495930,"position":3,"created_at":"2023-06-23T18:58:13+09:00","updated_at":"2023-06-23T18:58:15+09:00","alt":null,"width":1200,"height":895,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295","variant_ids":[44295001145594]},"available":true,"name":"Roger Bekono \/\/ Roger Bekono LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":1095,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32146823119098,"position":3,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_41508500-5b8d-4ada-aecb-e14fa63dd6aa.jpg?v=1687514295","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295","\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_41508500-5b8d-4ada-aecb-e14fa63dd6aa.jpg?v=1687514295","options":["Format"],"media":[{"alt":null,"id":32146823020794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_41508500-5b8d-4ada-aecb-e14fa63dd6aa.jpg?v=1687514295"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_41508500-5b8d-4ada-aecb-e14fa63dd6aa.jpg?v=1687514295","width":700},{"alt":null,"id":32146823053562,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295","width":1200},{"alt":null,"id":32146823119098,"position":3,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカメルーン・ヤウンデのビクツィ作家Roger Bekonoが、2023年6月にリリースした再発アルバムです。(オリジナルは1989年リリース)\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメルーン出身のアーティスト、ミュージシャン、作曲家、パフォーマー、ギタリストであるRoger Bekonoは、4つ打ちの激しいビクツィを通して、カメルーン音楽の現代史に深い足跡を残しました。このエウォンド語のダンス・ポップ・スタイルは、3連符のリズムがうねるように絡み合うタペストリーを形成し、90年代に入るとヨーロッパの「ワールド・ミュージック」シーンで国際的に脚光を浴びるようになりました。コンゴのルンバ、メレンゲ、マコッサといった既成の音楽と肩を並べる国際的な音楽へと発展したのです。Bekonoは、そのユニークな、そしてスウェーヴな声で、10年以上にわたって、この伝統的なリズムから都市型ダンス・ムーヴメントへと変化したムーヴメントの進化に大きく貢献しました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1282623719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003ehere\u003c\/a\u003e to see more Awesome Tapes From Africa releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or cassette. LP includes extensive liner notes. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJolie Poupée 07:25\u003c\/li\u003e\n\u003cli\u003eEtom Mot 07:29\u003c\/li\u003e\n\u003cli\u003eEnying Moni 07:29\u003c\/li\u003e\n\u003cli\u003eYe Wo Kombel 07:51\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Awesome Tapes From Africa:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCameroonian artist, musician, author, composer, performer and guitarist Roger Bekono made a deep mark in the contemporary history of Cameroonian music through the four-on-the-floor, ribald intensity of bikutsi. The Ewondo-language dance-pop style that forms an undulating tapestry of interlocking triplet rhythmic interplay came to international prominence in the European “world music” scene as the 90s began. But the relentless sound of bikutsi developed in Yaoundé at the hands of Bekono and many others, as it developed from a village-based singing style performed mostly by women into a cosmopolitan music force that rivaled the popularity of established musics like Congolese rhumba, merengue and makossa. With his unique—some say suave—voice, Bekono contributed much over a period of more than 10 years as part of the evolution of this traditional rhythm-turned-urban dance movement...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roger Bekono\u003c\/p\u003e\n\u003cp\u003eLabel : Awesome Tapes From Africa\u003c\/p\u003e"}
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This is a reissue album released in June 2023 by Bikzi writer Roger Bekono from Yaoundé, Cameroon. (Original was released in 6) Below is a commentary by the label. "Cameroonian artist, musician, composer, performer and guitarist Roger Bekono has left a deep mark on the contemporary history of Cameroonian music through his 1989/4 beat vikzi. This Ewondo dance-pop style. formed a tapestry of undulating, intertwining triplet rhythms, and in the 3s came to international prominence on the European 'world music' scene.It has developed into an international music that stands shoulder to shoulder with established music such as Congolese rumba, meringue, and makossa. With his unique and swaying voice, Bekono has played a major role in the evolution of this movement from traditional rhythms to urban dance movements over the last decade. " Labels and other works here /// Click here to see more Awesome Tapes From Africa releases...
€10,95

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{"id":7984169713914,"title":"Mélia Roger \/ Grégoire Chauvot \/\/ TAPE SERIES 006 TAPE","handle":"melia-roger-gregoire-chauvot-tape-series-006-tape","description":"\u003cp\u003eフランスのMélia RogerとGrégoire Chauvotフィールドレコーディング作家2名が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年5月に\u003c\/span\u003e同国フィールドレコーディング専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス中南部シャン=シュル=タロンテーヌ=マルシャルでの\u003c\/span\u003eフィールドレコーディングです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、作家たちによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"何週間も続いた干ばつの後、カンタル高原の空は暗くなりつつあります。夜、トレーラーの窓を開けてすきま風を作りながら、嵐が谷に届きます。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、 \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e作家たち\u003c\/span\u003eによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"大晦日、遠くで花火が鳴り響き、雨が優しく降ります。窓から吊るされたマイクには、苦い一年を振り返り、静かに愉しむ数人の声があります。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4108767393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Edition of 53.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement \/ track information via Presque Tout:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"► MÉLIA ROGER \u0026amp; GRÉGOIRE CHAUVOT\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChamps-sur-Tarentaine-Marchal (FR)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e08\/17\/22, 10 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[45.405456, 2.530528]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter long weeks of drought, the sky is darkening on the Cantal plateaus. At night, we open the windows of the trailer to make a draft, while the storm reaches the valley.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophones : LCR Sennheiser 8040 ORTF, 8050 Center, mixed into a stereo file\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sound Devices MixPre6\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e++\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► MÉLIA ROGER \u0026amp; GRÉGOIRE CHAUVOT\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAix-les-bains (FR)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12\/31\/20, 11:50 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[45.705821, 5.907033]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt new year's Eve, fireworks echo in the distance as rain gently begins to fall. Microphones hanging from the window, a few voices are quietly amused after a bitter year.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophones : Usi Pro AB Drop rig set-up\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sony PCM-M10\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : MÉLIA ROGER \/ GRÉGOIRE CHAUVOT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Presque Tout\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-13T13:55:18+09:00","created_at":"2023-06-13T13:24:10+09:00","vendor":"Tobira Records","type":"","tags":["field recording","new","presque tout","tape"],"price":1195,"price_min":1195,"price_max":1195,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44277873246458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mélia Roger \/ Grégoire Chauvot \/\/ TAPE SERIES 006 TAPE","public_title":null,"options":["Default Title"],"price":1195,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mel1_fea0966a-cc3e-4717-9036-4bcb00656dfb.jpg?v=1686630252","\/\/tobirarecords.com\/cdn\/shop\/files\/mel2_5e04bf87-b556-449a-b976-166bef0e5c9f.jpg?v=1686630252"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mel1_fea0966a-cc3e-4717-9036-4bcb00656dfb.jpg?v=1686630252","options":["Title"],"media":[{"alt":null,"id":32108778455290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mel1_fea0966a-cc3e-4717-9036-4bcb00656dfb.jpg?v=1686630252"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mel1_fea0966a-cc3e-4717-9036-4bcb00656dfb.jpg?v=1686630252","width":700},{"alt":null,"id":32108778488058,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mel2_5e04bf87-b556-449a-b976-166bef0e5c9f.jpg?v=1686630252"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mel2_5e04bf87-b556-449a-b976-166bef0e5c9f.jpg?v=1686630252","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのMélia RogerとGrégoire Chauvotフィールドレコーディング作家2名が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年5月に\u003c\/span\u003e同国フィールドレコーディング専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス中南部シャン=シュル=タロンテーヌ=マルシャルでの\u003c\/span\u003eフィールドレコーディングです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、作家たちによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"何週間も続いた干ばつの後、カンタル高原の空は暗くなりつつあります。夜、トレーラーの窓を開けてすきま風を作りながら、嵐が谷に届きます。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、 \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e作家たち\u003c\/span\u003eによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"大晦日、遠くで花火が鳴り響き、雨が優しく降ります。窓から吊るされたマイクには、苦い一年を振り返り、静かに愉しむ数人の声があります。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4108767393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Edition of 53.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement \/ track information via Presque Tout:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"► MÉLIA ROGER \u0026amp; GRÉGOIRE CHAUVOT\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChamps-sur-Tarentaine-Marchal (FR)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e08\/17\/22, 10 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[45.405456, 2.530528]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter long weeks of drought, the sky is darkening on the Cantal plateaus. At night, we open the windows of the trailer to make a draft, while the storm reaches the valley.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophones : LCR Sennheiser 8040 ORTF, 8050 Center, mixed into a stereo file\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sound Devices MixPre6\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e++\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► MÉLIA ROGER \u0026amp; GRÉGOIRE CHAUVOT\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAix-les-bains (FR)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12\/31\/20, 11:50 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[45.705821, 5.907033]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt new year's Eve, fireworks echo in the distance as rain gently begins to fall. Microphones hanging from the window, a few voices are quietly amused after a bitter year.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophones : Usi Pro AB Drop rig set-up\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sony PCM-M10\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : MÉLIA ROGER \/ GRÉGOIRE CHAUVOT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Presque Tout\u003c\/span\u003e\u003c\/p\u003e"}
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This is a collaborative cassette released in May 2 by two French field recording artists, Mélia Roger and Grégoire Chauvot, with a limited edition of 2023 from Presque Tout, a label specializing in field recording in France.Field recording in Champs-sur-Tarontaine-Martial in south central France.It is out of print. *Please feel free to contact us if you would like a digital sound source. "After weeks of drought, the skies over the Cantal Plateau are getting darker. At night, with the trailer windows open to create a draft, a storm hits the valley." is. "On New Year's Eve, fireworks are blaring in the distance and the rain is falling gently. Microphones hung from the window have the voices of a few people quietly enjoying themselves, looking back on the bitter year." Other works on the label /// Click here to see...
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{"id":7984169648378,"title":"Jana Winderen \/ Hubert Michel \/\/ TAPE SERIES 005 TAPE","handle":"jana-winderen-hubert-michel-tape-series-005-tape","description":"\u003cp\u003eノルウェーのJana WinderenとフランスのHubert Michelフィールドレコーディング作家2名が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年5月にフランスの\u003c\/span\u003eフィールドレコーディング専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA面は彼女のスタジオ近く、B面はフランス・マルティニーク島での\u003c\/span\u003eフィールドレコーディングです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、Jana WinderenによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"スタジオの窓の外、古いカエデの木の下で録音しました。一晩でカエデの種が全部地面に落ちて、雪の中に埋もれてしまいました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan\u003e Hubert Michel\u003c\/span\u003eによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マルティニークで休暇を過ごしたとき、私は日暮れ時の音の移り変わりに衝撃を受けました。クロツグミが次第に鳴き止み、マルティニークのヒロデスガエルが反復的かつ精巧な作曲をします。\u003cbr data-mce-fragment=\"1\"\u003e夜明けには、この録音を象徴するような、さまざまな音の出来事が起こります。窓は内と外を隔てるものであり、私たちはバカンス客の活動も聞くことができます。ミュリエル・パレンヌ(当時は録音に気づいていなかった)による蚊取りは、その良い例です。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2203567294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Edition of 53.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement \/ track information via Presque Tout:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003e► JANA WINDEREN\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBreeze from the South\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e01\/29\/2023, 11:45 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded outside my studio window under the old maple tree. Overnight all the maple seeds fell to the ground and got buried in the snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophone : Sound Field 350\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sonosax R4+\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(Jana Winderen is published by Touch Music \/ Fairwood Music (UK) Ltd)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e++\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► HUBERT MICHEL\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrande Anse, Les Anses-d'Arlet, Martinique (FR)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e08\/08\/2022, at dusk\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[14°29'54.9\"N 61°04'51.4\"W]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpending holidays in Martinique, I was struck by the sonic transition taking place at nightfall. Blackbird Grackles gradually stop singing while the martinican Hylodes frogs set up their repetitive and elaborate compositions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMany sound events emerge at dawn, ponctuating this\u003cspan class=\"bcTruncateMore\"\u003e recording. A window being a separation between an inside and an outside, we can also hear our vacationer activities, the mosquito hunt by Murielle Palenne - unaware of the recording at the time - is a good example of these.\u003cbr\u003e\u003cbr\u003eRecorder : Tascam DR-70D\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jana Winderen \/ Hubert Michel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Presque Tout\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-13T14:01:27+09:00","created_at":"2023-06-13T13:21:25+09:00","vendor":"Tobira Records","type":"","tags":["field recording","new","presque tout","tape"],"price":1195,"price_min":1195,"price_max":1195,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44277873180922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jana Winderen \/ Hubert Michel \/\/ TAPE SERIES 005 TAPE","public_title":null,"options":["Default Title"],"price":1195,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tape1_9458831e-368f-4e01-ad5d-a18d2e2f63db.jpg?v=1686630087","\/\/tobirarecords.com\/cdn\/shop\/files\/tape2_6cf4010f-8309-456a-9a80-c9df9e213ee7.jpg?v=1686630087"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape1_9458831e-368f-4e01-ad5d-a18d2e2f63db.jpg?v=1686630087","options":["Title"],"media":[{"alt":null,"id":32108777308410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape1_9458831e-368f-4e01-ad5d-a18d2e2f63db.jpg?v=1686630087"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape1_9458831e-368f-4e01-ad5d-a18d2e2f63db.jpg?v=1686630087","width":700},{"alt":null,"id":32108777341178,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape2_6cf4010f-8309-456a-9a80-c9df9e213ee7.jpg?v=1686630087"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape2_6cf4010f-8309-456a-9a80-c9df9e213ee7.jpg?v=1686630087","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのJana WinderenとフランスのHubert Michelフィールドレコーディング作家2名が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年5月にフランスの\u003c\/span\u003eフィールドレコーディング専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA面は彼女のスタジオ近く、B面はフランス・マルティニーク島での\u003c\/span\u003eフィールドレコーディングです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、Jana WinderenによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"スタジオの窓の外、古いカエデの木の下で録音しました。一晩でカエデの種が全部地面に落ちて、雪の中に埋もれてしまいました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan\u003e Hubert Michel\u003c\/span\u003eによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マルティニークで休暇を過ごしたとき、私は日暮れ時の音の移り変わりに衝撃を受けました。クロツグミが次第に鳴き止み、マルティニークのヒロデスガエルが反復的かつ精巧な作曲をします。\u003cbr data-mce-fragment=\"1\"\u003e夜明けには、この録音を象徴するような、さまざまな音の出来事が起こります。窓は内と外を隔てるものであり、私たちはバカンス客の活動も聞くことができます。ミュリエル・パレンヌ(当時は録音に気づいていなかった)による蚊取りは、その良い例です。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2203567294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Edition of 53.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement \/ track information via Presque Tout:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003e► JANA WINDEREN\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBreeze from the South\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e01\/29\/2023, 11:45 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded outside my studio window under the old maple tree. Overnight all the maple seeds fell to the ground and got buried in the snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophone : Sound Field 350\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sonosax R4+\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(Jana Winderen is published by Touch Music \/ Fairwood Music (UK) Ltd)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e++\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► HUBERT MICHEL\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrande Anse, Les Anses-d'Arlet, Martinique (FR)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e08\/08\/2022, at dusk\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[14°29'54.9\"N 61°04'51.4\"W]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpending holidays in Martinique, I was struck by the sonic transition taking place at nightfall. Blackbird Grackles gradually stop singing while the martinican Hylodes frogs set up their repetitive and elaborate compositions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMany sound events emerge at dawn, ponctuating this\u003cspan class=\"bcTruncateMore\"\u003e recording. A window being a separation between an inside and an outside, we can also hear our vacationer activities, the mosquito hunt by Murielle Palenne - unaware of the recording at the time - is a good example of these.\u003cbr\u003e\u003cbr\u003eRecorder : Tascam DR-70D\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jana Winderen \/ Hubert Michel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Presque Tout\u003c\/span\u003e\u003c\/p\u003e"}
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Jana Winderen from Norway and Hubert Michel from France, two field recording artists, released a limited edition of 2 copies from French field recording label Presque Tout in May 2023. Side A is near her studio, Side B is a field recording in Martinique, France. *Please feel free to contact us if you would like a digital sound source Below is a commentary on side A by Jana Winderen. "Recorded outside the studio window under an old maple tree. Overnight all the maple seeds fell to the ground and were buried in the snow." Hubert Michel explains the B-side below. . "When I was on holiday in Martinique, I was struck by the transition of sounds at sunset. Various sonic events take place, symbolic of the recording: the window separates the inside from the outside, and we can also hear the activities of the vacationers.Muriel Parenne A good example of this is the mosquito repellent by the artist." Labels and other works /// Click here to...
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{"id":7984169222394,"title":"Pablo Diserens \/ Marc Namblard \/\/ TAPE SERIES 004 TAPE","handle":"pablo-diserens-marc-namblard-tape-series-004-tape","description":"\u003cp\u003eドイツ・ベルリンのPablo DiserensとフランスのMarc Namblardフィールドレコーディング作家2名が、2023年5月にフランスのフィールドレコーディング専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はドイツ・ラウジッツの池、B面はフランス領ギニア・\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eスラでの\u003c\/span\u003eフィールドレコーディングです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、Pablo DiserensによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"葦原に面した廃墟のようなシェルターの隙間には、たくさんの池が点在しています。緑に隠れるように、アヌランのグループが年中行事のように鳴いています。ヒキガエル(Bombina Bombina)の鳴き声とアマガエル(Hyla arborea)の鳴き声が織り成す日没のタペストリー。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、Marc NamblardによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カイエンヌに夕方到着した私は、数時間後、マクーリアの住宅街で時差ボケを回復していました。夜明け前、両生類(後にLeptodactylus stenodemaと判明)を思わせる鳴き声の繰り返しで目が覚めました。この音を拾うために、急いで窓際にマイクを立てましたが(録音では2分50秒から3分46秒まで再び登場)、すぐに眠りにつきました。この装置は数時間稼働し、昆虫、両生類、鳥類が生息する庭の音環境の変遷を、太陽が昇るまで記録します。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=590368776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Edition of 53.\u003c\/p\u003e\n\u003cp\u003e+\u003c\/p\u003e\n\u003cp\u003eArtist statement \/ track information via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"► PABLO DISERENS\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConstellation of ponds, Lusatia (DE)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e04\/06\/2021, 10:27 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[at the request of biologists: location kept concealed for conservation purposes]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eForgotten among a constellation of ponds, an opening in an abandoned shelter borders a reedbed. Hidden in the greenery, an anuran community sound their annual conjunction. The murmurs of fire-bellied toads (Bombina Bombina) and the croaks of tree frogs (Hyla arborea) interweave into a vespertine tapestry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophones : LOM Uši Pro\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sound Devices MixPre-6 II\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e++\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► MARC NAMBLARD\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSoula, Tonate-Macouria, French Guiana (FR)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e11\/14\/2014, 5:30 a.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[4.930636, -52.403963]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eArrived in Cayenne in the evening, I found myself a few hours later in a residential area of Macouria recovering from jet lag. I was awaken shortly before daybreak by repetitive cries that\u003cspan class=\"bcTruncateMore\"\u003e immediately reminded me of an amphibian (I will later identify Leptodactylus stenodema). I hastily sat up my microphones at the window to pick this sound up (it appears again in the recording - from 2'50'' to 3'46'') but I went back to sleep soon after. The equipment will run for several hours and capture the evolution of the sound environment in the garden, populated by insects, amphibians and birds, until the arrival of the sun.\u003cbr\u003e\u003cbr\u003eMicrophones : pair of Sennheiser MKH20\u003cbr\u003eRecorder : Nagra Ares BB+\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pablo Diserens \/ Marc Namblard\u003c\/p\u003e\n\u003cp\u003eLabel : Presque Tout\u003c\/p\u003e","published_at":"2023-06-13T13:47:06+09:00","created_at":"2023-06-13T13:18:59+09:00","vendor":"Tobira Records","type":"","tags":["field recording","new","presque tout","recommended","tape"],"price":1195,"price_min":1195,"price_max":1195,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44277872722170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pablo Diserens \/ Marc Namblard \/\/ TAPE SERIES 004 TAPE","public_title":null,"options":["Default Title"],"price":1195,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ser1.jpg?v=1686629941","\/\/tobirarecords.com\/cdn\/shop\/files\/ser2.jpg?v=1686629942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ser1.jpg?v=1686629941","options":["Title"],"media":[{"alt":null,"id":32108776227066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ser1.jpg?v=1686629941"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ser1.jpg?v=1686629941","width":700},{"alt":null,"id":32108776259834,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ser2.jpg?v=1686629942"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ser2.jpg?v=1686629942","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのPablo DiserensとフランスのMarc Namblardフィールドレコーディング作家2名が、2023年5月にフランスのフィールドレコーディング専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はドイツ・ラウジッツの池、B面はフランス領ギニア・\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eスラでの\u003c\/span\u003eフィールドレコーディングです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、Pablo DiserensによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"葦原に面した廃墟のようなシェルターの隙間には、たくさんの池が点在しています。緑に隠れるように、アヌランのグループが年中行事のように鳴いています。ヒキガエル(Bombina Bombina)の鳴き声とアマガエル(Hyla arborea)の鳴き声が織り成す日没のタペストリー。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、Marc NamblardによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カイエンヌに夕方到着した私は、数時間後、マクーリアの住宅街で時差ボケを回復していました。夜明け前、両生類(後にLeptodactylus stenodemaと判明)を思わせる鳴き声の繰り返しで目が覚めました。この音を拾うために、急いで窓際にマイクを立てましたが(録音では2分50秒から3分46秒まで再び登場)、すぐに眠りにつきました。この装置は数時間稼働し、昆虫、両生類、鳥類が生息する庭の音環境の変遷を、太陽が昇るまで記録します。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=590368776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Edition of 53.\u003c\/p\u003e\n\u003cp\u003e+\u003c\/p\u003e\n\u003cp\u003eArtist statement \/ track information via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"► PABLO DISERENS\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConstellation of ponds, Lusatia (DE)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e04\/06\/2021, 10:27 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[at the request of biologists: location kept concealed for conservation purposes]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eForgotten among a constellation of ponds, an opening in an abandoned shelter borders a reedbed. Hidden in the greenery, an anuran community sound their annual conjunction. The murmurs of fire-bellied toads (Bombina Bombina) and the croaks of tree frogs (Hyla arborea) interweave into a vespertine tapestry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophones : LOM Uši Pro\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sound Devices MixPre-6 II\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e++\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► MARC NAMBLARD\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSoula, Tonate-Macouria, French Guiana (FR)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e11\/14\/2014, 5:30 a.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[4.930636, -52.403963]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eArrived in Cayenne in the evening, I found myself a few hours later in a residential area of Macouria recovering from jet lag. I was awaken shortly before daybreak by repetitive cries that\u003cspan class=\"bcTruncateMore\"\u003e immediately reminded me of an amphibian (I will later identify Leptodactylus stenodema). I hastily sat up my microphones at the window to pick this sound up (it appears again in the recording - from 2'50'' to 3'46'') but I went back to sleep soon after. The equipment will run for several hours and capture the evolution of the sound environment in the garden, populated by insects, amphibians and birds, until the arrival of the sun.\u003cbr\u003e\u003cbr\u003eMicrophones : pair of Sennheiser MKH20\u003cbr\u003eRecorder : Nagra Ares BB+\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pablo Diserens \/ Marc Namblard\u003c\/p\u003e\n\u003cp\u003eLabel : Presque Tout\u003c\/p\u003e"}
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It is a split cassette released in May 2 by Pablo Diserens of Berlin, Germany and Marc Namblard of France, two field recording writers, with a limited edition of 2023 from French field recording label Presque Tout. The A side is a pond in Lausitz, Germany, and the B side is a field recording in French Guinea Sula.It is out of print. *Please feel free to contact us if you would like a digital sound source Below is a commentary on side A by Pablo Diserens. "There are many ponds scattered in the cracks of the ruined shelter facing the reed field. Groups of Anurans are singing like an annual event, hidden in the greenery. Toad (Bombina Bombina) A tapestry of sunsets woven by the call of a tree frog (Hyla arborea)." Below is Marc Namblard's commentary on the B-side. "Arriving in Cayenne in the evening, I was recovering from jet lag a few hours later in the residential area of Macouria. Before dawn, an amphibian (later Leptodactylus...
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{"id":7980203901178,"title":"Namian Sidibé \/\/ Namian Sidibé LP","handle":"namian-sidibe-namian-sidibe-lp","description":"\u003cp\u003e西アフリカ・マリ共和国のシンガーソングライターNamian Sidibéが、2023年5月に西アフリカ専門レーベルSahel Soundsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声というシンプルな構成で紡がれるアフリカン・プリミティブ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3838483663\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother side of modern Malian praise songs: an intimate, stripped down, acoustic session from Namian Sidibé. From a rising generation of young Malian divas leveraging social media, Namian has built a following, publishing videos and dedications in song, accompanied by her cousin Jules Diabaté on acoustic guitar. Recorded at her home, with powerful yet restrained vocals that drift over melancholy acoustic guitar, Namian explores epic generational songs and poetry, brought into the Tik Tok age.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Namian Sidibé\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e","published_at":"2023-05-30T19:54:37+09:00","created_at":"2023-05-30T13:46:55+09:00","vendor":"Tobira Records","type":"","tags":["field recording","folk \/ left-field pop","lp","new","sahel sounds"],"price":2195,"price_min":2195,"price_max":2195,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259672391930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Namian Sidibé \/\/ Namian Sidibé LP","public_title":null,"options":["Default Title"],"price":2195,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017","\/\/tobirarecords.com\/cdn\/shop\/files\/nam2_3c6a7a08-93f7-4201-9275-f00cb59bacda.jpg?v=1685422017"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017","options":["Title"],"media":[{"alt":null,"id":32036800987386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017","width":700},{"alt":null,"id":32036801020154,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam2_3c6a7a08-93f7-4201-9275-f00cb59bacda.jpg?v=1685422017"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam2_3c6a7a08-93f7-4201-9275-f00cb59bacda.jpg?v=1685422017","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e西アフリカ・マリ共和国のシンガーソングライターNamian Sidibéが、2023年5月に西アフリカ専門レーベルSahel Soundsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声というシンプルな構成で紡がれるアフリカン・プリミティブ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3838483663\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother side of modern Malian praise songs: an intimate, stripped down, acoustic session from Namian Sidibé. From a rising generation of young Malian divas leveraging social media, Namian has built a following, publishing videos and dedications in song, accompanied by her cousin Jules Diabaté on acoustic guitar. Recorded at her home, with powerful yet restrained vocals that drift over melancholy acoustic guitar, Namian explores epic generational songs and poetry, brought into the Tik Tok age.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Namian Sidibé\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e"}
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This is the debut record released in May 2023 by Namian Sidibé, a singer-songwriter from the West African Republic of Mali, on the West African specialty label Sahel Sounds.Contains 5 African primitive songs with a simple composition of acoustic guitar and voice.Click here for label and other works /// Click here to see more Sahel Sounds releases available at Tobira. ...
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{"id":7978355622138,"title":"murmer \/\/ tether LP","handle":"murmer-tether-lp","description":"\u003cp\u003eアメリカ/エストニアの実験音楽家/フィールドレコーディング作家murmerが、2023年5月に同国テキサスの実験/ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eHelen Scarsdale Agencyから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるロングフォームなローエンド・ドローン〜物音ドローン2曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"2006年、エストニア南東部のムーステにある携帯電話電波塔で録音したコレクションを制作しました。高さ80メートルのガイディング・タワーで、3つの支点に重いケーブルで固定されています。このケーブルに自作のコンタクトマイクをポスタータックで取り付け、風や天候の変化(夏でした)、タワーやケーブルの上を通過したり定住したりする鳥たちを、数週間にわたって何時間もかけて記録しました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eタワーにはフェンスもプロテクションもなく、田舎の未舗装道路沿いの背の高い草原の真ん中に、近くの数軒の家からは見えないように建っていました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e16年以上前から、私はこの場所と録音について考え続けてきました。何度かインスタレーションに使用したり、Aporee Soundmapsに短い編集をアップロードしたことはありますが、作曲した作品に使用することはできませんでした。単体で置いても、他の音と組み合わせても、私が提供できるどんな構造に対しても、それらはいつも大きすぎるように思えました。そして2019年、長年にわたって置いては拾い、置いては拾いを繰り返してきたそれらの素材は、私が提供できるものに満足するまでさらに数年かかったものの、私を受け入れてくれたようです。この作品のレイヤーサウンドの大部分は、これらのケーブル録音を様々に編集したものですが、私は他に2つの対照的な音を加えました。1つは、マイクを入れたプラスチックのケーキ箱に繊細に降り注ぐ雪、もう1つは、軽く暖まった秋の朝に解凍された草の霜のついた畑です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのケーブルの音を聴いていると、これまで一緒に過ごし、録音しながらも戻ってこなかった風の音がたくさん浮かんできて、それらを探してアーカイブを掘り起こすようになりました。その結果、ワイヤー、ケーブル、フェンス、ポール、ファン、通気口などの共鳴音を集め、それが今回の第2作のベースとなりました。1999年、北ロンドンで働いていたパブのビールクーラーのリズミカルなファンの音です。この作品には、2008年にフランスの北海岸で録音した別の電話塔、2010年にボジョレー地方で録音した電柱、2012年にスロベニアのテズノの工場で録音した換気扇のドローン、2013年にスコットランドの国境にある電気羊柵、2016年にフィンランドのロヴァニエミの倉庫にある吊りワイヤー、ケーブルや風とは全く関係ないが2019年にエストニアで電気ケトルの内部から洗浄中のカルシウム付着物が、その他の音として含まれています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの2つの新作を、2018年以来のソロ出版として提供します、 また、2016年以来、初めて物理的な媒体でリリースします。私は、自分の作品を「完成した」と考える前に、作品の周りに物理的な時間の空間を残す必要があるようです。おそらくそれは、自分がどのように何かをしたのか、あるいは何かをしたことを忘れるという単純な欲求なのでしょう。また、初めて聴く人のように作品を聴くことができなければ、そのような出会いの準備ができたとは思えないのです。心のどこかで、その作品を手放す前に忘れてしまわなければならないのです。ロンドンのビールクーラーも、ボジョレーを歩いたことも(今は亡き父と)、ボーダーズのキャンプ場の隣にあった羊の柵も、水漏れしているケトルも、もう忘れようとしています。だから、今がその時なのだと思います。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4142793949\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003emurmer is the long-standing project of american\/estonian field recordist and composer patrick mcginley, and with tether, the helen scarsdale agency welcomes murmer back to our roster, over a decade since he graced us with his last production for the agency. his field recordings often center upon the amplification and activation of resonance from a particular space, landscape, or object. such sounds emerge from a condition as being fleeting, inconsequential, or ephemeral and explode into that which is alien, sublime, and profound. here lies the tremendous prowess of the contact microphone, as wielded by an accomplished musician! the source material cited by mcginley includes cables, fences, wires, and vents.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethere is a heft to many of these sounds as heard throughout all of \"taevast\" with deep throbbing pulsations from arctic wind generating subharmonic patterns upon thick high-tension wires. elsewhere the subtle dissonance from a rasping cooling fan blooms into a brooding ambience that is sublimely rich in its metallic timbres and complex reverberations. mcginley has long been an exemplary artist in the field of phonography even as he is less prolific than others. on tether, he has produced a majestic if occasionally foreboding work on par with the mythic wire recordings of alan lamb, jacob kirkegaard's haunted resonance from chernobyl, and much of the touch catalogue for that matter!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePatrick McGinley :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In 2006, I made a collection of recordings at a mobile phone mast in Mooste, southeast Estonia. It is a guyed tower, 80 meters tall, affixed to 3 support points with heavy cables. I attached my self-made contact microphones to these cables with poster tack, and spent many hours over several weeks recording the various wind and weather variances (it was summer), and the birds that passed or settled on the tower or cables.\u003cbr\u003eThis was one of my first visits to Estonia, where I now live, and one of the things that marked me about that experience was the access: the tower had no fences or protections around it (I have not been back there recently to answer my own question of whether or not this is still the case); it stands in the middle of a field of tall grass along a dirt road in the countryside, just out of view of the few nearby houses, and during all the hours I spent there I was never disturbed or shooed away.\u003cbr\u003e\u003cbr\u003eFor more than 16 years, I have been thinking about this location and these recordings, and have made several attempts to work with them. I have used the sounds in installations a handful of times, and uploaded one short edit to the Aporee Soundmaps, but have never managed to use them in any composed work. They always seemed too big for any structure I could provide them, whether I left them on their own, or partnered them with other sounds. Finally, in 2019, after putting them down and picking them up again repeatedly over so many years, they seemed to allow me in, although it took me another few years before they were happy with what I could offer. They stand now not quite alone - the majority of the layered sounds in the piece come from various edits of those cable recordings, but I added two other contrasting sounds, related to one another: one is snowflakes landing delicately on a plastic cakebox with microphones inside it, and the other is a frosted field of grass thawing on a lightly warming autumn morning (both these recordings can also be heard on their own on Aporee).\u003cbr\u003e\u003cbr\u003eComing back to those cables brought to mind so many other wind-driven sounds that I had spent time with and recorded, but never returned to, that I began digging through my archives looking for them. I ended up with a pool of sounds from resonant wires, cables, fences, poles, fans, and vents, which became the basis for the 2nd work on this release. One of these sounds is among the first sounds I ever recorded, possibly within a month or so of buying my first microphone and minidisc recorder: the rhythmic fan of a beer cooler in a pub where I worked in North London in 1999. Other sounds in the piece include another phone tower, recorded on the northern coast of France in 2008, a telephone pole recorded in the Beaujolais region in 2010, the drone of ventilator fans at a factory in Tezno, Slovenia in 2012, an electric sheep fence in the Scottish Borders in 2013, a hanging wire in a storage space in Rovaniemi, Finland in 2016, and, with no relation to cables or wind at all, calcium deposits being cleaned from the inside of an electric kettle here in Estonia in 2019.\u003cbr\u003e\u003cbr\u003eI offer these two new pieces as my first solo publication since 2018, the first release on a physical medium since 2016. No one has ever accused me of working too fast, or being too prolific. I have a need, it seems, to leave a physical space of time around my work, before I can consider it 'finished'. Perhaps it is a simple need to forget how I did something, or *that* I did something; perhaps I have a need to be able to hear a work as a first-time listener would, before I can consider it ready for such an encounter. In some part of my mind I have to forget it before I can let it go. Well, I've just about forgotten that London beer cooler now, and that walk in the Beaujolais (with my father, who has since passed away), and that sheep fence next to our campsite in the Borders, and that kettle that is now leaky. So I guess it's time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : murmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-24T15:48:50+09:00","created_at":"2023-05-24T15:24:57+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","Helen Scarsdale Agency","lp","monooto","new"],"price":2195,"price_min":2195,"price_max":2195,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44250545684730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"murmer \/\/ tether LP","public_title":null,"options":["Default Title"],"price":2195,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499","\/\/tobirarecords.com\/cdn\/shop\/files\/te2_6e176f8a-0ec5-4c03-a88a-34c99053efdf.jpg?v=1684909499"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499","options":["Title"],"media":[{"alt":null,"id":32011517952250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499","width":700},{"alt":null,"id":32011518017786,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te2_6e176f8a-0ec5-4c03-a88a-34c99053efdf.jpg?v=1684909499"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te2_6e176f8a-0ec5-4c03-a88a-34c99053efdf.jpg?v=1684909499","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ/エストニアの実験音楽家/フィールドレコーディング作家murmerが、2023年5月に同国テキサスの実験/ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eHelen Scarsdale Agencyから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるロングフォームなローエンド・ドローン〜物音ドローン2曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"2006年、エストニア南東部のムーステにある携帯電話電波塔で録音したコレクションを制作しました。高さ80メートルのガイディング・タワーで、3つの支点に重いケーブルで固定されています。このケーブルに自作のコンタクトマイクをポスタータックで取り付け、風や天候の変化(夏でした)、タワーやケーブルの上を通過したり定住したりする鳥たちを、数週間にわたって何時間もかけて記録しました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eタワーにはフェンスもプロテクションもなく、田舎の未舗装道路沿いの背の高い草原の真ん中に、近くの数軒の家からは見えないように建っていました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e16年以上前から、私はこの場所と録音について考え続けてきました。何度かインスタレーションに使用したり、Aporee Soundmapsに短い編集をアップロードしたことはありますが、作曲した作品に使用することはできませんでした。単体で置いても、他の音と組み合わせても、私が提供できるどんな構造に対しても、それらはいつも大きすぎるように思えました。そして2019年、長年にわたって置いては拾い、置いては拾いを繰り返してきたそれらの素材は、私が提供できるものに満足するまでさらに数年かかったものの、私を受け入れてくれたようです。この作品のレイヤーサウンドの大部分は、これらのケーブル録音を様々に編集したものですが、私は他に2つの対照的な音を加えました。1つは、マイクを入れたプラスチックのケーキ箱に繊細に降り注ぐ雪、もう1つは、軽く暖まった秋の朝に解凍された草の霜のついた畑です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのケーブルの音を聴いていると、これまで一緒に過ごし、録音しながらも戻ってこなかった風の音がたくさん浮かんできて、それらを探してアーカイブを掘り起こすようになりました。その結果、ワイヤー、ケーブル、フェンス、ポール、ファン、通気口などの共鳴音を集め、それが今回の第2作のベースとなりました。1999年、北ロンドンで働いていたパブのビールクーラーのリズミカルなファンの音です。この作品には、2008年にフランスの北海岸で録音した別の電話塔、2010年にボジョレー地方で録音した電柱、2012年にスロベニアのテズノの工場で録音した換気扇のドローン、2013年にスコットランドの国境にある電気羊柵、2016年にフィンランドのロヴァニエミの倉庫にある吊りワイヤー、ケーブルや風とは全く関係ないが2019年にエストニアで電気ケトルの内部から洗浄中のカルシウム付着物が、その他の音として含まれています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの2つの新作を、2018年以来のソロ出版として提供します、 また、2016年以来、初めて物理的な媒体でリリースします。私は、自分の作品を「完成した」と考える前に、作品の周りに物理的な時間の空間を残す必要があるようです。おそらくそれは、自分がどのように何かをしたのか、あるいは何かをしたことを忘れるという単純な欲求なのでしょう。また、初めて聴く人のように作品を聴くことができなければ、そのような出会いの準備ができたとは思えないのです。心のどこかで、その作品を手放す前に忘れてしまわなければならないのです。ロンドンのビールクーラーも、ボジョレーを歩いたことも(今は亡き父と)、ボーダーズのキャンプ場の隣にあった羊の柵も、水漏れしているケトルも、もう忘れようとしています。だから、今がその時なのだと思います。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4142793949\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003emurmer is the long-standing project of american\/estonian field recordist and composer patrick mcginley, and with tether, the helen scarsdale agency welcomes murmer back to our roster, over a decade since he graced us with his last production for the agency. his field recordings often center upon the amplification and activation of resonance from a particular space, landscape, or object. such sounds emerge from a condition as being fleeting, inconsequential, or ephemeral and explode into that which is alien, sublime, and profound. here lies the tremendous prowess of the contact microphone, as wielded by an accomplished musician! the source material cited by mcginley includes cables, fences, wires, and vents.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethere is a heft to many of these sounds as heard throughout all of \"taevast\" with deep throbbing pulsations from arctic wind generating subharmonic patterns upon thick high-tension wires. elsewhere the subtle dissonance from a rasping cooling fan blooms into a brooding ambience that is sublimely rich in its metallic timbres and complex reverberations. mcginley has long been an exemplary artist in the field of phonography even as he is less prolific than others. on tether, he has produced a majestic if occasionally foreboding work on par with the mythic wire recordings of alan lamb, jacob kirkegaard's haunted resonance from chernobyl, and much of the touch catalogue for that matter!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePatrick McGinley :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In 2006, I made a collection of recordings at a mobile phone mast in Mooste, southeast Estonia. It is a guyed tower, 80 meters tall, affixed to 3 support points with heavy cables. I attached my self-made contact microphones to these cables with poster tack, and spent many hours over several weeks recording the various wind and weather variances (it was summer), and the birds that passed or settled on the tower or cables.\u003cbr\u003eThis was one of my first visits to Estonia, where I now live, and one of the things that marked me about that experience was the access: the tower had no fences or protections around it (I have not been back there recently to answer my own question of whether or not this is still the case); it stands in the middle of a field of tall grass along a dirt road in the countryside, just out of view of the few nearby houses, and during all the hours I spent there I was never disturbed or shooed away.\u003cbr\u003e\u003cbr\u003eFor more than 16 years, I have been thinking about this location and these recordings, and have made several attempts to work with them. I have used the sounds in installations a handful of times, and uploaded one short edit to the Aporee Soundmaps, but have never managed to use them in any composed work. They always seemed too big for any structure I could provide them, whether I left them on their own, or partnered them with other sounds. Finally, in 2019, after putting them down and picking them up again repeatedly over so many years, they seemed to allow me in, although it took me another few years before they were happy with what I could offer. They stand now not quite alone - the majority of the layered sounds in the piece come from various edits of those cable recordings, but I added two other contrasting sounds, related to one another: one is snowflakes landing delicately on a plastic cakebox with microphones inside it, and the other is a frosted field of grass thawing on a lightly warming autumn morning (both these recordings can also be heard on their own on Aporee).\u003cbr\u003e\u003cbr\u003eComing back to those cables brought to mind so many other wind-driven sounds that I had spent time with and recorded, but never returned to, that I began digging through my archives looking for them. I ended up with a pool of sounds from resonant wires, cables, fences, poles, fans, and vents, which became the basis for the 2nd work on this release. One of these sounds is among the first sounds I ever recorded, possibly within a month or so of buying my first microphone and minidisc recorder: the rhythmic fan of a beer cooler in a pub where I worked in North London in 1999. Other sounds in the piece include another phone tower, recorded on the northern coast of France in 2008, a telephone pole recorded in the Beaujolais region in 2010, the drone of ventilator fans at a factory in Tezno, Slovenia in 2012, an electric sheep fence in the Scottish Borders in 2013, a hanging wire in a storage space in Rovaniemi, Finland in 2016, and, with no relation to cables or wind at all, calcium deposits being cleaned from the inside of an electric kettle here in Estonia in 2019.\u003cbr\u003e\u003cbr\u003eI offer these two new pieces as my first solo publication since 2018, the first release on a physical medium since 2016. No one has ever accused me of working too fast, or being too prolific. I have a need, it seems, to leave a physical space of time around my work, before I can consider it 'finished'. Perhaps it is a simple need to forget how I did something, or *that* I did something; perhaps I have a need to be able to hear a work as a first-time listener would, before I can consider it ready for such an encounter. In some part of my mind I have to forget it before I can let it go. Well, I've just about forgotten that London beer cooler now, and that walk in the Beaujolais (with my father, who has since passed away), and that sheep fence next to our campsite in the Borders, and that kettle that is now leaky. So I guess it's time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : murmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e"}
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American/Estonian experimental musician/field recording artist murmer released a limited edition of 2023 copies in May 5 from the Texas experimental/noise label Helen Scarsdale Agency.Includes 200 long-form low-end drones and noise drones by field recordings. Comes with DL code.Below is a commentary by the author himself. "In 2, I made a collection recorded on a mobile phone tower in Mouste, south-eastern Estonia. It is an 2006-meter-tall guiding tower, anchored at three fulcrums by heavy cables. I attached a home made contact mic with postertacks and spent hours over the course of several weeks recording wind and weather changes (it was summer) and birds passing and settling on towers and cables. The tower had no fencing or protection and stood in the middle of a tall meadow along a rural dirt road, out of sight of a few nearby houses. I've been thinking about location and recording, and although I've used it in several installations and uploaded short edits to Aporee Soundmaps, I've never been able to use it in a composed piece. Combined with other sounds, they always seemed too loud for any structure I could offer, and in 80, I've been putting them down and picking them up over the years. material seems to have embraced me, even though it took me a few more years before I was satisfied with what it had to offer.Most of the layered sounds on this piece come from various compilations of these cable recordings. But I also added two other contrasting sounds: snow falling delicately on a plastic cake box containing a mic, and thawing on a slightly warm autumn morning. It's a field of frosted grass, and when I listen to the sound of this cable, I'm reminded of the many sounds of the wind that I've spent time with, recorded but never returned, and I've started digging through the archives looking for them. As a result, I collected the resonances of wires, cables, fences, poles, fans, vents, etc., which became the basis for this second work.In 3, I was working in a pub in North London where I was working on a beer. The rhythmic fan sound of a cooler.This work includes another telephone tower recorded on the north coast of France in 16, a telephone pole recorded in the Beaujolais region in 2019, and a factory in Tesno, Slovenia in 2. Ventilation fan drone, electric sheep fencing at the Scottish border in 1, hanging wires in a warehouse in Rovaniemi, Finland in 1, nothing to do with cables or wind, but cleaning from the inside of an electric kettle in Estonia in 2 Calcium deposits are included as other sounds.I offer these two new works as my first solo publication since 1999, and for the first time since 2008 to release them on physical media.It seems to me that I need to leave a physical time space around my work before I can consider it 'finished'.Perhaps it's a simple desire to forget how or what you did.And if I can't listen to the work like a first-time listener, I don't think I'm ready for such an encounter.Somewhere in your mind, you have to forget the work before you let it go.I'm about to forget the beer coolers in London, the Beaujolais walks (with my now-deceased father), the sheep fence next to the Borders campsite, and the leaking kettle.So I think now is the time. " Labels and other works /// Click here to see more Helen Scarsdale...
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{"id":7977869574394,"title":"Adriano Cava \/\/ Inutile Discendere TAPE","handle":"adriano-cava-inutile-discendere-tape","description":"\u003cp\u003eイタリア・トリノの音響作家Adriano Cavaが、2023年5月に同国実験レーベルSecond Sleepからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによる物音ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/adriano-cava-transient-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1519672783\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded between Po river, Trasimeno lake and Monte Catarelto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adriano Cava\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Second Sleep\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-22T20:55:17+09:00","created_at":"2023-05-22T20:08:48+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","monooto","new","recommended","second sleep","tape"],"price":1295,"price_min":1295,"price_max":1295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247709057274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adriano Cava \/\/ Inutile Discendere TAPE","public_title":null,"options":["Default Title"],"price":1295,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/di1_0dc81e5d-4ee4-4662-8205-0ea7878e6cec.jpg?v=1684753730","\/\/tobirarecords.com\/cdn\/shop\/files\/di2_3ed1dcc4-f5d9-43ee-9950-7d28b92ec18a.jpg?v=1684753730"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_0dc81e5d-4ee4-4662-8205-0ea7878e6cec.jpg?v=1684753730","options":["Title"],"media":[{"alt":null,"id":32003212083450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_0dc81e5d-4ee4-4662-8205-0ea7878e6cec.jpg?v=1684753730"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_0dc81e5d-4ee4-4662-8205-0ea7878e6cec.jpg?v=1684753730","width":700},{"alt":null,"id":32003212148986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di2_3ed1dcc4-f5d9-43ee-9950-7d28b92ec18a.jpg?v=1684753730"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di2_3ed1dcc4-f5d9-43ee-9950-7d28b92ec18a.jpg?v=1684753730","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・トリノの音響作家Adriano Cavaが、2023年5月に同国実験レーベルSecond Sleepからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによる物音ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/adriano-cava-transient-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1519672783\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded between Po river, Trasimeno lake and Monte Catarelto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adriano Cava\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Second Sleep\u003c\/span\u003e\u003c\/p\u003e"}
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Acoustic artist Adriano Cava from Turin, Italy released a cassette from the country's experimental label Second Sleep in May 2023.Includes 5 sound drone tracks from field recordings.I also recommend the previous work.Click here for label and other works /// Click here to see more Second Sleep releases available at...
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{"id":7977673064698,"title":"Mykolaiv Singers \/\/ Winter Songs, Wedding Songs LP","handle":"mykolaiv-singers-winter-songs-wedding-songs-lp","description":"\u003cp\u003eウクライナ南部・\u003cmeta charset=\"utf-8\"\u003eムィコラーイウで受け継がれる民謡を民俗学者\u003cmeta charset=\"utf-8\"\u003eTETIANO CHUKNOがコンパイルしたレコードです。\u003c\/p\u003e\n\u003cp\u003ePurgeならではの装丁も素晴らしいです。ウクライナ語と英語による歌詞シートを含む20ページのブックレットが付属。デジタルのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"長い間制作されていたこのLPの発表は、ロシアのウクライナ侵攻によって急がれました。\u003cmeta charset=\"utf-8\"\u003eムィコラーイウ地方で配布された数本のテープを除き、すべて未発表のもので、ウクライナ・ムィコラーイウの村々で主に女性グループによって歌われる古い古い歌(冬、結婚式、戦争、セックス、パンの歌)です。歌手であり民\u003cspan data-mce-fragment=\"1\"\u003e俗\u003c\/span\u003e学者でもあるTETIANO CHUKNOが過去10年間に収集したこのLPには、各曲のウクライナ語のオリジナル歌詞シートと、KSENIA GINCHUK、STEPHEN WATTS \u0026amp; STANLEY SCHTINTERによる英語訳を含む20ページのブックレットが付属しています。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=223925412\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003ehere\u003c\/a\u003e to see more Purge releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. Includes 20-page booklet \u003cmeta charset=\"utf-8\"\u003econtaining the Ukrainian-language original lyric sheet for each song, along with its English translation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. untitled\u003cbr\u003eB. untitled\u003c\/p\u003e\n\u003cp\u003ePurge:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe announcement of this long in the making LP was hastened by Russia’s invasion of Ukraine. All previously unreleased in any form - spare a few tapes distributed in the Mykolaiv region - these are old, old songs (of winter, weddings, war, sex, bread) predominantly sung by groups of women, and all from the villages of Mykolaiv, Ukraine. Collected over the last decade by singer and ethnographer, TETIANO CHUKNO, the LP comes with a 20-page booklet containing the Ukrainian-language original lyric sheet for each song, along with its English translation: by KSENIA GINCHUK, and STEPHEN WATTS \u0026amp; STANLEY SCHTINTER.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mykolaiv Singers\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e","published_at":"2023-05-25T07:15:48+09:00","created_at":"2023-05-21T14:52:57+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","purge","recommended"],"price":3695,"price_min":3695,"price_max":3695,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44246555459834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mykolaiv Singers \/\/ Winter Songs, Wedding Songs LP","public_title":null,"options":["Default Title"],"price":3695,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/win1_a5ca0ce3-8b4d-4210-bd6a-8bc72e4b4b07.jpg?v=1684648379","\/\/tobirarecords.com\/cdn\/shop\/files\/win2_c024918c-e909-4788-b21a-4a577caf0def.jpg?v=1684648379"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_a5ca0ce3-8b4d-4210-bd6a-8bc72e4b4b07.jpg?v=1684648379","options":["Title"],"media":[{"alt":null,"id":31999230181626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_a5ca0ce3-8b4d-4210-bd6a-8bc72e4b4b07.jpg?v=1684648379"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_a5ca0ce3-8b4d-4210-bd6a-8bc72e4b4b07.jpg?v=1684648379","width":700},{"alt":null,"id":31999230214394,"position":2,"preview_image":{"aspect_ratio":0.993,"height":1200,"width":1192,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_c024918c-e909-4788-b21a-4a577caf0def.jpg?v=1684648379"},"aspect_ratio":0.993,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_c024918c-e909-4788-b21a-4a577caf0def.jpg?v=1684648379","width":1192}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウクライナ南部・\u003cmeta charset=\"utf-8\"\u003eムィコラーイウで受け継がれる民謡を民俗学者\u003cmeta charset=\"utf-8\"\u003eTETIANO CHUKNOがコンパイルしたレコードです。\u003c\/p\u003e\n\u003cp\u003ePurgeならではの装丁も素晴らしいです。ウクライナ語と英語による歌詞シートを含む20ページのブックレットが付属。デジタルのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"長い間制作されていたこのLPの発表は、ロシアのウクライナ侵攻によって急がれました。\u003cmeta charset=\"utf-8\"\u003eムィコラーイウ地方で配布された数本のテープを除き、すべて未発表のもので、ウクライナ・ムィコラーイウの村々で主に女性グループによって歌われる古い古い歌(冬、結婚式、戦争、セックス、パンの歌)です。歌手であり民\u003cspan data-mce-fragment=\"1\"\u003e俗\u003c\/span\u003e学者でもあるTETIANO CHUKNOが過去10年間に収集したこのLPには、各曲のウクライナ語のオリジナル歌詞シートと、KSENIA GINCHUK、STEPHEN WATTS \u0026amp; STANLEY SCHTINTERによる英語訳を含む20ページのブックレットが付属しています。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=223925412\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003ehere\u003c\/a\u003e to see more Purge releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. Includes 20-page booklet \u003cmeta charset=\"utf-8\"\u003econtaining the Ukrainian-language original lyric sheet for each song, along with its English translation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. untitled\u003cbr\u003eB. untitled\u003c\/p\u003e\n\u003cp\u003ePurge:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe announcement of this long in the making LP was hastened by Russia’s invasion of Ukraine. All previously unreleased in any form - spare a few tapes distributed in the Mykolaiv region - these are old, old songs (of winter, weddings, war, sex, bread) predominantly sung by groups of women, and all from the villages of Mykolaiv, Ukraine. Collected over the last decade by singer and ethnographer, TETIANO CHUKNO, the LP comes with a 20-page booklet containing the Ukrainian-language original lyric sheet for each song, along with its English translation: by KSENIA GINCHUK, and STEPHEN WATTS \u0026amp; STANLEY SCHTINTER.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mykolaiv Singers\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e"}
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A record compiled by folklorist TETIANO CHUKNO from folk songs passed down in Mykolaiv, southern Ukraine. The binding unique to Purge is also wonderful.Includes 20-page booklet with lyric sheets in Ukrainian and English.It will be released digitally only.Below is an explanation by the label. "The release of this long-produced LP was rushed by the Russian invasion of Ukraine. All unreleased, except for a few tapes distributed in the Mykolaiv region, in the villages of Mykolaiv, Ukraine. Old old songs (winter, wedding, war, sex, bread songs) sung mainly by female groups, collected by singer and folklorist TETIANO CHUKNO over the past decade, this LP contains Comes with an original Ukrainian lyric sheet and a 10-page booklet with English translations by KSENIA GINCHUK, STEPHEN WATTS & STANLEY SCHTINTER." Label and other works here /// Click here to...
€36,95

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{"id":7974890963194,"title":"Damião Experiença \/\/ Planeta Lamma LP","handle":"damiao-experienca-planeta-lamma-lp","description":"\u003cp\u003eブラジルのアウトサイダー・シンガーソングライターDamião Experiença (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1935-2016)が、1971年に発表したデビューアルバムの再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e魂を揺さぶるアウトサイダー・フォーク12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e4種のアートワークをランダムでお送りします\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mVVKMRN6P3Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 1308 Registrou Gravou Rose Oliria Experiença\u003cbr\u003eA2 Que Dor Eu Sinto\u003cbr\u003eA3 A Vida É Sempre Assim\u003cbr\u003eA4 Linguagem Do Povo Do Infinito Ao Universo De Rose De 1999\u003cbr\u003eA5 Loucura Total 1999 A Damião Experiença\u003cbr\u003eA6 Amente Astrologica 1999\u003cbr\u003eA7 Planeta Lamma\u003cbr\u003eB1 Minha Dor\u003cbr\u003eB2 Som Planeta Lamma\u003cbr\u003eB3 Planeta Bicho\u003cbr\u003eB4 Mundo No Espaço\u003cbr\u003eB5 Meu Passado? Meu Presente\u003cbr\u003eB6 Linguagem Do Planeta Lamma Musica Do Planeta Lamma\u003c\/p\u003e\n\u003cp\u003eArtist : Damião Experiença\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-14T08:53:32+09:00","created_at":"2023-05-12T15:13:08+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","field recording","folk \/ left-field pop","lp","new","recommended"],"price":2595,"price_min":2595,"price_max":2595,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230601474298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Damião Experiença \/\/ Planeta Lamma LP","public_title":null,"options":["Default Title"],"price":2595,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_859f0595-9ad2-4ded-9c6e-1f9b5991ba1d.png?v=1690779167","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2186.jpg?v=1690779167","\/\/tobirarecords.com\/cdn\/shop\/files\/pl2.png?v=1684043351"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_859f0595-9ad2-4ded-9c6e-1f9b5991ba1d.png?v=1690779167","options":["Title"],"media":[{"alt":null,"id":31959484956922,"position":1,"preview_image":{"aspect_ratio":1.074,"height":515,"width":553,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_859f0595-9ad2-4ded-9c6e-1f9b5991ba1d.png?v=1690779167"},"aspect_ratio":1.074,"height":515,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_859f0595-9ad2-4ded-9c6e-1f9b5991ba1d.png?v=1690779167","width":553},{"alt":null,"id":31969630028026,"position":2,"preview_image":{"aspect_ratio":0.969,"height":2615,"width":2533,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2186.jpg?v=1690779167"},"aspect_ratio":0.969,"height":2615,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2186.jpg?v=1690779167","width":2533},{"alt":null,"id":31959484989690,"position":3,"preview_image":{"aspect_ratio":1.08,"height":512,"width":553,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2.png?v=1684043351"},"aspect_ratio":1.08,"height":512,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2.png?v=1684043351","width":553}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eブラジルのアウトサイダー・シンガーソングライターDamião Experiença (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1935-2016)が、1971年に発表したデビューアルバムの再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e魂を揺さぶるアウトサイダー・フォーク12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e4種のアートワークをランダムでお送りします\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mVVKMRN6P3Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 1308 Registrou Gravou Rose Oliria Experiença\u003cbr\u003eA2 Que Dor Eu Sinto\u003cbr\u003eA3 A Vida É Sempre Assim\u003cbr\u003eA4 Linguagem Do Povo Do Infinito Ao Universo De Rose De 1999\u003cbr\u003eA5 Loucura Total 1999 A Damião Experiença\u003cbr\u003eA6 Amente Astrologica 1999\u003cbr\u003eA7 Planeta Lamma\u003cbr\u003eB1 Minha Dor\u003cbr\u003eB2 Som Planeta Lamma\u003cbr\u003eB3 Planeta Bicho\u003cbr\u003eB4 Mundo No Espaço\u003cbr\u003eB5 Meu Passado? Meu Presente\u003cbr\u003eB6 Linguagem Do Planeta Lamma Musica Do Planeta Lamma\u003c\/p\u003e\n\u003cp\u003eArtist : Damião Experiença\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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Brazilian outsider singer-songwriter Damião Experiença (1935-2016) reissues his 1971 debut album.Contains 12 soul-stirring outsider folk songs. 4 types of artwork will be sent at random Click here to see more Alga Marghen releases available at...
€25,95

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{"id":7966981128442,"title":"Babsy Konate \/\/ Tounga TAPE","handle":"babsy-konate-tounga-tape","description":"\u003cp\u003eサハラ砂漠の端にあるマリ共和国・ガオのポップ/ガオラップ作家Babsy Konateが、2023年4月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSahel Soundsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e陽気な\u003cmeta charset=\"utf-8\"\u003eガオラップ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1835238733\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eComing from the city of Gao, on the edge of the Saharan desert, Malian producer Baba ‘’Babsy’’ Konate is one of the key figures in the development of \"Gao Rap\", a regional genre of modern autotuned Songhoi music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter presenting some of his work on our Gao Rap compilation from 2018, Tounga is the first release of the artist’s solo work, gathering a decade of tracks that merge sweet autotuned vocals, crunchy drum loops and plucked digital harpsichord, in a playful testament to 2000s PC music, with the sample packs of a modest FruityLoops project. 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His productions soon became synonymous with the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e regional style of modern Gao music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGlobal audiences might place Babsy's compositions alongside trap or soundcloud experiments, with collaged pastiche, hyper kitsch, and lo-fi aesthetics. This mix of disparate influences is best heard on tracks like the upbeat ‘’Erness Fassa’’, a dedication to a close friend, that sports a vaguely Caribbean flavor with elastic, highly addictive spacey beats, or the hypnotic programming and quivering synth pads of \"Tounga\", where Babsy asks Malians in exile to remember home and to their families they left behind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough the sound may converge with familiar genres, Babsy's tracks are soulfully earnest, with love ballads, praise songs and advice. 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His productions soon became synonymous with the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e regional style of modern Gao music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGlobal audiences might place Babsy's compositions alongside trap or soundcloud experiments, with collaged pastiche, hyper kitsch, and lo-fi aesthetics. This mix of disparate influences is best heard on tracks like the upbeat ‘’Erness Fassa’’, a dedication to a close friend, that sports a vaguely Caribbean flavor with elastic, highly addictive spacey beats, or the hypnotic programming and quivering synth pads of \"Tounga\", where Babsy asks Malians in exile to remember home and to their families they left behind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough the sound may converge with familiar genres, Babsy's tracks are soulfully earnest, with love ballads, praise songs and advice. 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A cassette released by Sahel Sounds in April 2023 by pop/gao rap artist Babsy Konate from Gao, Mali, on the edge of the Sahara Desert.Includes 4 hilarious Gaorap songs.Click here for label and other works /// Click here to see more Sahel Sounds releases available at Tobira. ...
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{"id":7954623693050,"title":"Philip Samartzis \/\/ Atmospheres And Disturbances CD+BOOKLET","handle":"philip-samartzis-atmospheres-and-disturbances-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eフィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3021633728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve, with insert card and artist book featuring essay and photographs from Philip Samartzis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement from Philip Samartzis:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance the way we perceive and engage with notions of place, community, and environmental dissonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring fieldwork I used different microphones to record a variety of acoustic, spatial, atmospheric, and vibration-based phenomena. Omnidirectional microphones registered wind, snow, and ice as well as social, material, and industrial sound emanating from the nearby train terminus and viewing platforms. Hydrophones were placed within water and ice to record geophysical sound resonating within the frozen environment of Jungfraujoch and the adjacent glacier. The recordings capture the pervasive presence of anthropogenic sound permeating throughout the landscape produced by tourists, transport operations and recreational sports. Accelerometers were\u003cspan class=\"bcTruncateMore\"\u003e attached to various surfaces and structures to record solid vibration generated by high-velocity wind, and the process of melting and freezing. The recordings produced by the accelerometers clearly express the stress and fatigue occurring within the material structure of buildings and infrastructure.\u003cbr\u003e\u003cbr\u003eAtmospheres and Disturbances is designed to place audiences deep inside an extreme environment to afford embodied experiences of an alpine ecology under duress.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Samartzis\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-04-19T11:14:11+09:00","created_at":"2023-04-06T13:30:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","room40"],"price":1995,"price_min":1995,"price_max":1995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154679099642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Philip Samartzis \/\/ Atmospheres And Disturbances CD+BOOKLET","public_title":null,"options":["Default Title"],"price":1995,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","options":["Title"],"media":[{"alt":null,"id":31793702338810,"position":1,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","width":1200},{"alt":null,"id":31793702371578,"position":2,"preview_image":{"aspect_ratio":2.885,"height":416,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429"},"aspect_ratio":2.885,"height":416,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eフィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3021633728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve, with insert card and artist book featuring essay and photographs from Philip Samartzis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement from Philip Samartzis:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance the way we perceive and engage with notions of place, community, and environmental dissonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring fieldwork I used different microphones to record a variety of acoustic, spatial, atmospheric, and vibration-based phenomena. Omnidirectional microphones registered wind, snow, and ice as well as social, material, and industrial sound emanating from the nearby train terminus and viewing platforms. Hydrophones were placed within water and ice to record geophysical sound resonating within the frozen environment of Jungfraujoch and the adjacent glacier. The recordings capture the pervasive presence of anthropogenic sound permeating throughout the landscape produced by tourists, transport operations and recreational sports. Accelerometers were\u003cspan class=\"bcTruncateMore\"\u003e attached to various surfaces and structures to record solid vibration generated by high-velocity wind, and the process of melting and freezing. The recordings produced by the accelerometers clearly express the stress and fatigue occurring within the material structure of buildings and infrastructure.\u003cbr\u003e\u003cbr\u003eAtmospheres and Disturbances is designed to place audiences deep inside an extreme environment to afford embodied experiences of an alpine ecology under duress.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Samartzis\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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A CD and booklet released in March 2023 by the sound artist Philip Samartzis from Melbourne, Australia, on the country's experimental label Room3.Includes 40 field recordings.The booklet contains essays and photographs.Below is a commentary by the author himself. "Atmospheres and Disturbances" documents the changes in highland ecosystems caused by rising global temperatures.This work is based on fieldwork done at the High Altitude Research Station in Jungfraujoch, Switzerland. Over the course of four weeks, I placed various recording devices around the station and in the surrounding alpine environment to record natural, man-made, and geophysical forces.This project offers a new encounter with the endangered alpine environment and enhances our perception and engagement with the concepts of place, community and environmental dissonance.Fieldwork used a variety of microphones to record different acoustic, spatial, atmospheric, and vibration-based phenomena.Omnidirectional microphones recorded wind, snow, ice, and social, material, and industrial sounds emanating from nearby train terminans and observatories.Hydrophones were also placed in water and ice to record the physical sounds that resonate in the frozen environment of the Jungfraujoch and adjacent glaciers.Man-made sounds produced by tourists, transportation, and recreational sports are documented as permeating the entire landscape.Accelerometers are attached to various surfaces and structures to record solid vibrations caused by high velocity winds and melting and freezing processes.Accelerometer recordings provide a clear representation of stress and fatigue occurring within the material structure of buildings and infrastructure. "Atmospheres and Disturbances" is designed to allow the audience to experience the endangered alpine ecosystem by immersing themselves in an extreme environment.See more Room5 releases /// Click here to see more Room4 releases...
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{"id":7945855041786,"title":"Adam Matschulat \/\/ Formosa LP","handle":"adam-matschulat-formosa-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※国内は当店限定販売です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eブラジルの音響作家Adam Matschulatが、2023年3月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishingから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼の故郷フォルモサで録音した、場所と家族についてのセルフドキュメンタリー・ミュージックコンクレート2曲を収録。DLコードとインサート付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFormosaは、作曲家Adam Matschulatのフルネームでの最初の主要作品であり、キッチン、教会、森、農場などの音をフィールドレコーディングし、ミュジック・コンクレートの構成で表現した深くパーソナルなアルバムです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMatschulatはフォルモサについて、「ここは私が故郷と呼ぶ場所です」と言います。「夏休みはいつもここで過ごしていました。ここは私が安全だと感じる場所であり、私が困難だと感じていた都会での生活からの避難場所でした。このアルバムは、この美しい安全感と、この場所の魔法に対する尊敬の念を混ぜ合わせたものです。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2つのサイドロングのコンポジションには、彼の家族間の親密な瞬間(母親が祖父にドイツ語を話す)、教会の歌声、家族のバーベキューの音など、フォルモサで録音されたものが含まれています。また、腐敗して土に還ることを暗示するハエの雲など、死生観の潜在的な暗示も含まれています。「このアルバムは、死について、そして森について、土地のサイクル、そしてその周りにいる私たちの小さな存在について書かれています」と彼は言います。「私の祖父は、私が知る限り最も強い男です。彼は親切で優しく、支えてくれるのですが、象のように働きました。80歳まで農作業のすべてをこなしていましたが、心臓が悪くなり、アコーディオンを持つことさえできなくなりました。彼は目的意識を失っていたのです。その感覚をレコーディングで探りたかったのです」。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、2面構成の長大な楽曲で構成されています。1枚目は、死と土地とのつながりを探るもので、場所と会話の縦糸と横糸を中心に構成されています。遠くから見ると、農作業中の農場のフィールドレコーディング、テーブルを囲んでの会話、夜の虫の音のベッドの上でアコーディオンが止まりながらゆらめくドイツ歌曲、一度テープの静電気で取り除かれた賛美歌、まるで覚えているかのように、あるいは心理的な離脱の音的シンボルのように見えます。よく聴くと、コラージュとエレクトロアコースティックの巧みな操作に気づかされます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMatschulatの実家の農場は大西洋の原生林に囲まれており、木々が保護されているため、多くの録音はこの天蓋の下で行われたものです。Matschulatは子供の頃、まるで閾値を越えたかのような感覚を覚え、この環境に含まれる魔法と恐怖を感じたといいます。「フォルモサでは森の中に入ってレコーディングをしました。蛇や、いろいろな種類のものがいて、踏みたくないものがあります。フォルモサはブラジルの南部にあり、彼の母の一族は1880年代にプロイセンから移住してきました。彼の曾祖父はそこに教会を建て、今でもその教会は残っていて、信徒たちは1850年代のドイツの賛美歌集で歌っています。伝道師としての役割は、彼の祖父に受け継がれ、祖父はアコーディオンを弾きながら仕事をしました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e森に囲まれた敬虔な集落の家長として、農業を営んでいました。真っ暗闇の中で、幻覚を見るようになりました」。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFormosaの2曲目は人生についてで、スリーブノートにレシピが掲載されている、祖母が家族でバーベキューをするときに作った記憶が鮮明に残っているポテトサラダへの愛情という形で表現されています。この曲は、水の入ったボウルにゆで卵を入れるという不思議な音で始まり、電話が鳴り響き、シンク、皿、カトラリー、マヨネーズとジャガイモの音など、家庭の音へと変化していきます。食事ができるまで静かに時間が流れていく、平和な家庭の風景です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFormosaに収録されている2つの作品は、家庭や家族との日常的なつながり、そしてより広くは生、死、帰属に関する概念についての瞑想です。このアルバムは、私たちの日常的な音の世界が持つ意味について、場所のテレロジー、安全や家についての心理的な地図帳を作成するものです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1223552144\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eNationwide Tobira Exclusive\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 200.\u003c\/p\u003e\n\u003cp\u003eCalling Cards Publishing:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFormosa is composer Adam Matschulat's first major work under his own full name, a deeply personal album of field recordings capturing sounds from kitchens, churches, forests and farmyards in a compositional net of musique concrète that speaks directly to his family's history in the south of Brazil, exploring what it means to feel safe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"It's where I call home,\" Matschulat says of Formosa. \"It’s where we spent all our summer holidays. This was a place I felt safe, and was a refuge from life in the city, which I found hard. This album is a mixture of this beautiful sense of safety and also a sense of respect I have for the magic of the place.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two side-long compositions contain recordings made in Formosa, from intimate moments between his family members – his mother speaking German to his grandfather – to church singing and the sound of family BBQs. It also contains latent suggestions of mortality – clouds of flies suggestive of rotting and returning to the earth. \"This album is about mortality, but also the woods – the cycles of the land and our tiny existence around it,” he says. \"My grandad is the strongest man I’ve ever known – he's kind, gentle, supportive but worked like an elephant. Until he was 80 he did all the\u003cspan class=\"bcTruncateMore\"\u003e farmwork, then his heart went and he couldn't even hold his accordion. He'd lost his sense of purpose. I wanted to explore that feeling in the recordings.\"\u003cbr\u003e\u003cbr\u003eThe album is made of two-side long distinct compositions. The first explores his connection between mortality and the land, structured around warp and weft of place and conversation. From a distance, the scene appears to be straightforward field recordings of a working farm; of conversations around a table; wobbling German songs with halting accordion on a bed of night-time insect sounds; of hymns once removed by tape static as if remembered, or as a sonic symbol of psychological detachment. Closer listening reveals astute collaging and electro-acoustic manipulations.\u003cbr\u003e\u003cbr\u003eMatschulat’s family’s farm is surrounded by virgin Atlantic wood, where the trees are protected, and many of the recordings are from under this canopy. Matschulat remembers as a child feeling as if he had crossed a threshold, and the magic and fear contained in this environment. \"For Formosa I went and recorded in the forest,\" he says, \"but I've never been there at night. There's stuff you don't want to step on there – snakes and all sorts. I got myself completely wrapped up so I didn't get bitten to shreds, Formosa is in the South of Brazil, where his mother's family emigrated from Prussia in the 1880s. His great-great grandfather built a church there, which still stands and where the congregation still sing from 1850s German hymn books. The role of preacher passed down in the family to his grandfather, who played accordion and worked his\u003cbr\u003efarm as the patriarch of what remains a pious community surrounded by forest. and crossed over into the forest at about 3am, and stood there recording for a long time. In the pitch black – and it is completely dark in there – I began to hallucinate.\"\u003cbr\u003e\u003cbr\u003eThe second piece on Formosa is about life, in the form of love for his grandmother’s potato salad, the recipe for which is included in the sleeve notes and which he has vivid memories of his grandmother making for family BBQs. The piece opens with a curious rattling sound: boiled eggs in a bowl of water, giving way to a phone ringing off the hook and the sounds of a household: of sinks, plates and cutlery, and the close mic’d squelching of mayonnaise and potatoes. It is a peaceful domestic scene, where time passes quietly in the production of a meal.\u003cbr\u003e\u003cbr\u003eThe two pieces on Formosa are meditations on everyday connections to home and family, and more broadly on notions of life, death and belonging. It is an album about the significance of our everyday sonic worlds that creates a teleology of place, and a psychological cartography of safety and home.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Adam Matschulat\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e","published_at":"2023-03-29T15:06:05+09:00","created_at":"2023-03-29T14:50:17+09:00","vendor":"Tobira Records","type":"","tags":["calling cards publishing","field recording","lp","monooto","recommended"],"price":2295,"price_min":2295,"price_max":2295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44132606509306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adam Matschulat \/\/ Formosa LP","public_title":null,"options":["Default Title"],"price":2295,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_ed8a9e0d-c546-4de0-aa3a-4d67b13161db.jpg?v=1680069018","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_d854fc95-75ea-4939-9479-55a039241cf3.jpg?v=1680069019"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_ed8a9e0d-c546-4de0-aa3a-4d67b13161db.jpg?v=1680069018","options":["Title"],"media":[{"alt":null,"id":31748220223738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_ed8a9e0d-c546-4de0-aa3a-4d67b13161db.jpg?v=1680069018"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_ed8a9e0d-c546-4de0-aa3a-4d67b13161db.jpg?v=1680069018","width":700},{"alt":null,"id":31748220256506,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_d854fc95-75ea-4939-9479-55a039241cf3.jpg?v=1680069019"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_d854fc95-75ea-4939-9479-55a039241cf3.jpg?v=1680069019","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※国内は当店限定販売です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eブラジルの音響作家Adam Matschulatが、2023年3月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishingから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼の故郷フォルモサで録音した、場所と家族についてのセルフドキュメンタリー・ミュージックコンクレート2曲を収録。DLコードとインサート付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFormosaは、作曲家Adam Matschulatのフルネームでの最初の主要作品であり、キッチン、教会、森、農場などの音をフィールドレコーディングし、ミュジック・コンクレートの構成で表現した深くパーソナルなアルバムです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMatschulatはフォルモサについて、「ここは私が故郷と呼ぶ場所です」と言います。「夏休みはいつもここで過ごしていました。ここは私が安全だと感じる場所であり、私が困難だと感じていた都会での生活からの避難場所でした。このアルバムは、この美しい安全感と、この場所の魔法に対する尊敬の念を混ぜ合わせたものです。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2つのサイドロングのコンポジションには、彼の家族間の親密な瞬間(母親が祖父にドイツ語を話す)、教会の歌声、家族のバーベキューの音など、フォルモサで録音されたものが含まれています。また、腐敗して土に還ることを暗示するハエの雲など、死生観の潜在的な暗示も含まれています。「このアルバムは、死について、そして森について、土地のサイクル、そしてその周りにいる私たちの小さな存在について書かれています」と彼は言います。「私の祖父は、私が知る限り最も強い男です。彼は親切で優しく、支えてくれるのですが、象のように働きました。80歳まで農作業のすべてをこなしていましたが、心臓が悪くなり、アコーディオンを持つことさえできなくなりました。彼は目的意識を失っていたのです。その感覚をレコーディングで探りたかったのです」。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、2面構成の長大な楽曲で構成されています。1枚目は、死と土地とのつながりを探るもので、場所と会話の縦糸と横糸を中心に構成されています。遠くから見ると、農作業中の農場のフィールドレコーディング、テーブルを囲んでの会話、夜の虫の音のベッドの上でアコーディオンが止まりながらゆらめくドイツ歌曲、一度テープの静電気で取り除かれた賛美歌、まるで覚えているかのように、あるいは心理的な離脱の音的シンボルのように見えます。よく聴くと、コラージュとエレクトロアコースティックの巧みな操作に気づかされます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMatschulatの実家の農場は大西洋の原生林に囲まれており、木々が保護されているため、多くの録音はこの天蓋の下で行われたものです。Matschulatは子供の頃、まるで閾値を越えたかのような感覚を覚え、この環境に含まれる魔法と恐怖を感じたといいます。「フォルモサでは森の中に入ってレコーディングをしました。蛇や、いろいろな種類のものがいて、踏みたくないものがあります。フォルモサはブラジルの南部にあり、彼の母の一族は1880年代にプロイセンから移住してきました。彼の曾祖父はそこに教会を建て、今でもその教会は残っていて、信徒たちは1850年代のドイツの賛美歌集で歌っています。伝道師としての役割は、彼の祖父に受け継がれ、祖父はアコーディオンを弾きながら仕事をしました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e森に囲まれた敬虔な集落の家長として、農業を営んでいました。真っ暗闇の中で、幻覚を見るようになりました」。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFormosaの2曲目は人生についてで、スリーブノートにレシピが掲載されている、祖母が家族でバーベキューをするときに作った記憶が鮮明に残っているポテトサラダへの愛情という形で表現されています。この曲は、水の入ったボウルにゆで卵を入れるという不思議な音で始まり、電話が鳴り響き、シンク、皿、カトラリー、マヨネーズとジャガイモの音など、家庭の音へと変化していきます。食事ができるまで静かに時間が流れていく、平和な家庭の風景です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFormosaに収録されている2つの作品は、家庭や家族との日常的なつながり、そしてより広くは生、死、帰属に関する概念についての瞑想です。このアルバムは、私たちの日常的な音の世界が持つ意味について、場所のテレロジー、安全や家についての心理的な地図帳を作成するものです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1223552144\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eNationwide Tobira Exclusive\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 200.\u003c\/p\u003e\n\u003cp\u003eCalling Cards Publishing:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFormosa is composer Adam Matschulat's first major work under his own full name, a deeply personal album of field recordings capturing sounds from kitchens, churches, forests and farmyards in a compositional net of musique concrète that speaks directly to his family's history in the south of Brazil, exploring what it means to feel safe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"It's where I call home,\" Matschulat says of Formosa. \"It’s where we spent all our summer holidays. This was a place I felt safe, and was a refuge from life in the city, which I found hard. This album is a mixture of this beautiful sense of safety and also a sense of respect I have for the magic of the place.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two side-long compositions contain recordings made in Formosa, from intimate moments between his family members – his mother speaking German to his grandfather – to church singing and the sound of family BBQs. It also contains latent suggestions of mortality – clouds of flies suggestive of rotting and returning to the earth. \"This album is about mortality, but also the woods – the cycles of the land and our tiny existence around it,” he says. \"My grandad is the strongest man I’ve ever known – he's kind, gentle, supportive but worked like an elephant. Until he was 80 he did all the\u003cspan class=\"bcTruncateMore\"\u003e farmwork, then his heart went and he couldn't even hold his accordion. He'd lost his sense of purpose. I wanted to explore that feeling in the recordings.\"\u003cbr\u003e\u003cbr\u003eThe album is made of two-side long distinct compositions. The first explores his connection between mortality and the land, structured around warp and weft of place and conversation. From a distance, the scene appears to be straightforward field recordings of a working farm; of conversations around a table; wobbling German songs with halting accordion on a bed of night-time insect sounds; of hymns once removed by tape static as if remembered, or as a sonic symbol of psychological detachment. Closer listening reveals astute collaging and electro-acoustic manipulations.\u003cbr\u003e\u003cbr\u003eMatschulat’s family’s farm is surrounded by virgin Atlantic wood, where the trees are protected, and many of the recordings are from under this canopy. Matschulat remembers as a child feeling as if he had crossed a threshold, and the magic and fear contained in this environment. \"For Formosa I went and recorded in the forest,\" he says, \"but I've never been there at night. There's stuff you don't want to step on there – snakes and all sorts. I got myself completely wrapped up so I didn't get bitten to shreds, Formosa is in the South of Brazil, where his mother's family emigrated from Prussia in the 1880s. His great-great grandfather built a church there, which still stands and where the congregation still sing from 1850s German hymn books. The role of preacher passed down in the family to his grandfather, who played accordion and worked his\u003cbr\u003efarm as the patriarch of what remains a pious community surrounded by forest. and crossed over into the forest at about 3am, and stood there recording for a long time. In the pitch black – and it is completely dark in there – I began to hallucinate.\"\u003cbr\u003e\u003cbr\u003eThe second piece on Formosa is about life, in the form of love for his grandmother’s potato salad, the recipe for which is included in the sleeve notes and which he has vivid memories of his grandmother making for family BBQs. The piece opens with a curious rattling sound: boiled eggs in a bowl of water, giving way to a phone ringing off the hook and the sounds of a household: of sinks, plates and cutlery, and the close mic’d squelching of mayonnaise and potatoes. It is a peaceful domestic scene, where time passes quietly in the production of a meal.\u003cbr\u003e\u003cbr\u003eThe two pieces on Formosa are meditations on everyday connections to home and family, and more broadly on notions of life, death and belonging. It is an album about the significance of our everyday sonic worlds that creates a teleology of place, and a psychological cartography of safety and home.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Adam Matschulat\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e"}
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*Available only at our store in Japan This is a record released in March 2023 by Brazilian sound artist Adam Matschulat from British experimental label Calling Cards Publishing in a limited edition of 3 copies.Includes two self-documentary musique concretes about places and family, recorded in his hometown of Formosa. Comes with DL code and insert.Below is an explanation by the label. Formosa, composer Adam Matschulat's first major work under his full name, is a deeply personal album of field recordings of kitchens, churches, forests and farms expressed in musique concrète structures. "This is the place I call home," says Matschulat of Formosa. “I used to spend all my summer vacations here. It was a place where I felt safe, a refuge from the city life that I found difficult. and a reverence for the magic of this place."Two sidelong compositions include moments of intimacy between his families (his mother speaks German to his grandfather), the singing of the church. , which includes those recorded in Formosa, such as the sounds of a family barbecue.It also contains latent allusions to life and death, such as the cloud of flies, which suggests decay and return to the soil. "This album is about death and about the forest, about the cycle of the land and our little beings around it," he says. “My grandfather is the strongest man I have ever known. It got so bad he couldn't even hold an accordion. He had lost his sense of purpose, and I wanted to explore that feeling in my recordings."This album consists of two large songs. The first explores the connection between death and land and is built around the warp and weft of place and dialogue.Seen from a distance, field recordings of farm work in progress, conversations around the table, German songs shimmering as the accordion stops on a bed of night bug sounds, hymns once removed by the static electricity of the tape, like It looks like a sonic symbol of remembrance or psychological detachment.If you listen closely, you will notice the skillful manipulation of collage and electro-acoustic. Matschulat's family farm is surrounded by native Atlantic forest, and the trees are protected, so many of the recordings were made under this canopy. As a child, Matschulat said he felt as if he had crossed a threshold, and felt the magic and horror contained in this environment. "In Formosa we went into the woods and recorded. There are snakes and all kinds of things that you don't want to step on. Formosa is in the south of Brazil and his mother's family lived in Prussia in the 200s. His great-grandfather built a church there, which still stands today, and the congregation sings in German hymnbooks from the 2s. My grandfather worked while playing the accordion, farming as the head of a pious village surrounded by forests. Formosa's second track is about life, expressed in the form of her love for the potato salad whose recipe is on the sleeve note and which her grandmother has a vivid memory of making at her family's barbecues. It has been.The song begins with the strange sound of a boiled egg being put into a bowl of water, then the phone rings, sinks, plates, cutlery, mayonnaise and potatoes, and the sounds of a home.It is a peaceful family scene where time passes quietly until the meal is ready. The two works in Formosa are meditations on everyday connections with home and family, and more broadly on concepts of life, death and belonging.This album creates a psychological atlas about the meaning of our everyday sound world, the teleology of places, safety and home.Click here for labels and other works /// Click here to see more Calling Cards...
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{"id":7939707502842,"title":"Vitesse et Précipitation \/\/ st LP","handle":"do-it-youssef-vitesse-et-precipitation-lp","description":"\u003cp\u003eフランスのエキゾチック・フォークトリオVitesse et Précipitationが、2023年2月に300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eバンジョーとバイオリン、ベンディールによるエキゾチック・フォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2333512157\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl edition of 300.\u003c\/p\u003e\n\u003cp\u003eRecorded in October 2021 by Vitesse et Précipitation in Marseille.\u003cbr data-mce-fragment=\"1\"\u003eMixed in February 2022 by Richard Cuvillier in Lille. \u003c\/p\u003e\n\u003cp\u003eArtist : Do It Youssef !\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDo It Youssef !\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-03-18T14:20:02+09:00","created_at":"2023-03-18T12:09:03+09:00","vendor":"Tobira Records","type":"","tags":["field recording","folk \/ left-field pop","lp","new"],"price":2395,"price_min":2395,"price_max":2395,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44097623523578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Vitesse et Précipitation \/\/ st LP","public_title":null,"options":["Default Title"],"price":2395,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8b5c92c3-2528-40e2-bf11-19aa256f4f61.jpg?v=1679108945","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_d6bf5fc2-779d-402c-b6aa-62abf71cf2db.jpg?v=1679108944"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8b5c92c3-2528-40e2-bf11-19aa256f4f61.jpg?v=1679108945","options":["Title"],"media":[{"alt":null,"id":31697228103930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8b5c92c3-2528-40e2-bf11-19aa256f4f61.jpg?v=1679108945"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8b5c92c3-2528-40e2-bf11-19aa256f4f61.jpg?v=1679108945","width":700},{"alt":null,"id":31697228136698,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_d6bf5fc2-779d-402c-b6aa-62abf71cf2db.jpg?v=1679108944"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_d6bf5fc2-779d-402c-b6aa-62abf71cf2db.jpg?v=1679108944","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのエキゾチック・フォークトリオVitesse et Précipitationが、2023年2月に300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eバンジョーとバイオリン、ベンディールによるエキゾチック・フォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2333512157\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl edition of 300.\u003c\/p\u003e\n\u003cp\u003eRecorded in October 2021 by Vitesse et Précipitation in Marseille.\u003cbr data-mce-fragment=\"1\"\u003eMixed in February 2022 by Richard Cuvillier in Lille. \u003c\/p\u003e\n\u003cp\u003eArtist : Do It Youssef !\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDo It Youssef !\u003c\/span\u003e\u003c\/p\u003e"}
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French exotic folk trio Vitesse et Precipitation's debut record released in February 2023 with a limited edition of 2 copies.Contains 300 exotic folk songs by banjo, violin and Bendir. Comes with DL code. ----------------------------------------- 8" black vinyl edition of 12. Recorded in October...
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{"id":7939703767290,"title":"Various Artists \/\/ River of Revenge: Brazilian Country Music 1929-1961, Vol. 2 TAPE","handle":"various-artists-river-of-revenge-brazilian-country-music-1929-1961-vol-2-tape","description":"\u003cp\u003e20-60年代のブラジルのカントリー音楽のコンピレーションカセットです。DLコード付属。 以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eブラジルのカントリー・ミュージック、ムジカ・カイピラ(ヒルビリー・ミュージック)の調査第2弾です。このコレクションは、1920年代末に先駆的な民俗学者コルネリオ・ピレスによって録音された初期のものから、30年代、40年代、50年代、60年代初頭のレコードまでをカバーしています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eポルトガルのトルバドール民謡の伝統に根ざしたカイピラ音楽は、通常、デュオが3分の1と6分の1を平行して歌い、ポルトガル・ブラジルの様式であるモーダ・デ・ヴィオラ(ヴィオラはカイピラというブラジル風の10弦ギター)を取り入れて演奏されます。ブラジル北東部の「奥地」風の地域から生まれたこれらの曲は、痛み、愛、喪失、裏切りの物語を、しばしば、独自のチューニングを用いた自作ギターをバックに歌います。セルタネージャの洗練されたポップカントリーやウェスタンスタイルから離れたこれらのレコーディングは、アメリカのダストボールやアパラチアのルーツミュージックに相当するブラジルの音楽と見なすことができるでしょう。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4196799316\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe second volume in a survey of a form of Brazilian country music known as música caipira (\"hillbilly music\") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country \u0026amp; western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s \u0026amp; 50s and the beginning of the 60s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhat rooted in Portuguese troubadour folk traditions, música caipira is typically performed by a duo singing in parallel thirds and sixths, drawing upon a Portuguese-Brazilian style known as moda de viola - with the viola being the viola caipira, a Brazilian-style ten-string guitar that is the core instrument of the music. Born out of the \"outback\"-style region in north-eastern Brazil, these songs tell stories of pain, love, loss \u0026amp; betrayal - often backed by homemade guitars using invented tunings. Away from the polished pop country \u0026amp; western-stylings of the sertaneja, these recordings could be viewed as the Brazilian equivalent to the roots music of the American dustbowl or Appalachia.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2023-03-18T14:26:29+09:00","created_at":"2023-03-18T11:56:44+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","folk \/ left-field pop","new","tape"],"price":1595,"price_min":1595,"price_max":1595,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44097563918586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ River of Revenge: Brazilian Country Music 1929-1961, Vol. 2 TAPE","public_title":null,"options":["Default Title"],"price":1595,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ri1_d4684a01-f305-4b91-be91-927258459ff3.jpg?v=1679108205","\/\/tobirarecords.com\/cdn\/shop\/products\/ri2_25d5b85a-e46a-423e-b172-b1a7286b5f03.jpg?v=1679108205"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ri1_d4684a01-f305-4b91-be91-927258459ff3.jpg?v=1679108205","options":["Title"],"media":[{"alt":null,"id":31697217913082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ri1_d4684a01-f305-4b91-be91-927258459ff3.jpg?v=1679108205"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ri1_d4684a01-f305-4b91-be91-927258459ff3.jpg?v=1679108205","width":700},{"alt":null,"id":31697217945850,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ri2_25d5b85a-e46a-423e-b172-b1a7286b5f03.jpg?v=1679108205"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ri2_25d5b85a-e46a-423e-b172-b1a7286b5f03.jpg?v=1679108205","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e20-60年代のブラジルのカントリー音楽のコンピレーションカセットです。DLコード付属。 以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eブラジルのカントリー・ミュージック、ムジカ・カイピラ(ヒルビリー・ミュージック)の調査第2弾です。このコレクションは、1920年代末に先駆的な民俗学者コルネリオ・ピレスによって録音された初期のものから、30年代、40年代、50年代、60年代初頭のレコードまでをカバーしています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eポルトガルのトルバドール民謡の伝統に根ざしたカイピラ音楽は、通常、デュオが3分の1と6分の1を平行して歌い、ポルトガル・ブラジルの様式であるモーダ・デ・ヴィオラ(ヴィオラはカイピラというブラジル風の10弦ギター)を取り入れて演奏されます。ブラジル北東部の「奥地」風の地域から生まれたこれらの曲は、痛み、愛、喪失、裏切りの物語を、しばしば、独自のチューニングを用いた自作ギターをバックに歌います。セルタネージャの洗練されたポップカントリーやウェスタンスタイルから離れたこれらのレコーディングは、アメリカのダストボールやアパラチアのルーツミュージックに相当するブラジルの音楽と見なすことができるでしょう。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4196799316\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe second volume in a survey of a form of Brazilian country music known as música caipira (\"hillbilly music\") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country \u0026amp; western which in it's contemporary form has come to dominate the domestic music industry in recent decades. 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Away from the polished pop country \u0026amp; western-stylings of the sertaneja, these recordings could be viewed as the Brazilian equivalent to the roots music of the American dustbowl or Appalachia.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}
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A compilation cassette of Brazilian country music from the 20's to 60's. Comes with DL code.Below is an explanation by the label.This is the second survey of Brazilian country music, musica caipira (hillbilly music).The collection ranges from early recordings by pioneering folklorist Cornelio Pires in the late 2s to records from the 1920's, 30's, 40's and early 50's.Caipira music, rooted in the tradition of Portuguese troubadour folk songs, is usually performed by a duo singing the third and sixth in parallel, in the Portuguese-Brazilian style moda de viola (the viola is the Brazilian caipira). It is played with a 60-string guitar of the wind).Originating from the "hinterland" regions of northeastern Brazil, these songs tell stories of pain, love, loss and betrayal, often accompanied by self-made guitars in unique tunings.A departure from the sophisticated pop country and western styles of Sertaneja, these recordings could be considered the Brazilian equivalent of American dustball and Appalachian roots music.Click here for label and other works /// Click here to see more Death Is Not The End releases available...
€15,95

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{"id":7939697180922,"title":"Pheobe riley Law \/ Jez riley French \/\/ TAPE SERIES 003 TAPE","handle":"pheobe-riley-law-jez-riley-french-tape-series-003-tape","description":"\u003cp\u003eイギリスの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング作家\u003c\/span\u003ePheobe riley LawとJez riley Frenchが、フランスのフィールドレコーディングレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサウンドスケープ2曲を収録。DLコード付属。 廃盤です。\u003c\/p\u003e\n\u003cp\u003eA面 West Dean 2019年9月29日 6:37PM\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB面 録音場所不明 2021年12月9日 4:48PM\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3789415977\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 53. \u003cbr\u003eSold out at label. \u003c\/p\u003e\n\u003cp\u003eArtist : Pheobe riley Law \/ Jez riley French\u003c\/p\u003e\n\u003cp\u003eLabel : Presque Tout\u003c\/p\u003e","published_at":"2023-03-18T13:47:18+09:00","created_at":"2023-03-18T11:43:56+09:00","vendor":"Tobira Records","type":"","tags":["field recording","new","presque tout","tape"],"price":1295,"price_min":1295,"price_max":1295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44097491140858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pheobe riley Law \/ Jez riley French \/\/ TAPE SERIES 003 TAPE","public_title":null,"options":["Default Title"],"price":1295,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ta1_9ec0636f-71b2-41c7-9e45-7f38e9d7b34b.jpg?v=1679107437","\/\/tobirarecords.com\/cdn\/shop\/products\/ta2_ef52b1d5-d909-4590-8d92-f08634e53bdf.jpg?v=1679107437"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta1_9ec0636f-71b2-41c7-9e45-7f38e9d7b34b.jpg?v=1679107437","options":["Title"],"media":[{"alt":null,"id":31697202610426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta1_9ec0636f-71b2-41c7-9e45-7f38e9d7b34b.jpg?v=1679107437"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta1_9ec0636f-71b2-41c7-9e45-7f38e9d7b34b.jpg?v=1679107437","width":700},{"alt":null,"id":31697202643194,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta2_ef52b1d5-d909-4590-8d92-f08634e53bdf.jpg?v=1679107437"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta2_ef52b1d5-d909-4590-8d92-f08634e53bdf.jpg?v=1679107437","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング作家\u003c\/span\u003ePheobe riley LawとJez riley Frenchが、フランスのフィールドレコーディングレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサウンドスケープ2曲を収録。DLコード付属。 廃盤です。\u003c\/p\u003e\n\u003cp\u003eA面 West Dean 2019年9月29日 6:37PM\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB面 録音場所不明 2021年12月9日 4:48PM\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3789415977\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 53. \u003cbr\u003eSold out at label. \u003c\/p\u003e\n\u003cp\u003eArtist : Pheobe riley Law \/ Jez riley French\u003c\/p\u003e\n\u003cp\u003eLabel : Presque Tout\u003c\/p\u003e"}
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British field recording writers Pheobe riley Law and Jez riley French released a split cassette limited edition of 53 from French field recording label Presque Tout.Includes 2 soundscapes. Comes with DL code.It is out of print. Side A West Dean September 2019, 9 29:6PM Side B Recording location unknown December 37, 2021...
€12,95

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{"id":7930480427258,"title":"Nikolaus Utermöhlen \/\/ Karlsbad LP","handle":"nikolaus-utermohlen-karlsbad-lp","description":"\u003cp\u003e\u003cspan\u003e1980年に西ドイツ・ベルリンで結成された実験パフォーマンス集団\u003cmeta charset=\"utf-8\"\u003eDie Tödliche Doris創立メンバーNikolaus Utermöhlenが、1989年にリリースしたソロ作品\u003cmeta charset=\"utf-8\"\u003eKarlsbadの再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eクラリネット、アコーディオン、パーカッション、リコーダー、ヴァイオリン、ギター、オルガンのためのウィットに富んだ23曲を収録。8ページのブックレットとDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4037925502\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1563769144\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4037925502\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa Scie Doree:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A slice of flamboyant wellness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recordings of this album were made for the ‘Georgette Meunier’ film by Tania Stöcklin and Cyrille Rey-Coquais.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIssued from the original master tapes and includes the 8 page booklet with engravings from the Karlsbad spa era.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Nikolaus Utermöhlen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : La Scie Doree\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-03-05T05:55:00+09:00","created_at":"2023-03-04T20:20:01+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","La Scie Doree","lp","strange beats"],"price":2595,"price_min":2595,"price_max":2595,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44045481967866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nikolaus Utermöhlen \/\/ Karlsbad LP","public_title":null,"options":["Default Title"],"price":2595,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_0122b606-847b-4165-9135-400eaab7fd08.jpg?v=1677928803"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_0122b606-847b-4165-9135-400eaab7fd08.jpg?v=1677928803","options":["Title"],"media":[{"alt":null,"id":31627831967994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_0122b606-847b-4165-9135-400eaab7fd08.jpg?v=1677928803"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_0122b606-847b-4165-9135-400eaab7fd08.jpg?v=1677928803","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e1980年に西ドイツ・ベルリンで結成された実験パフォーマンス集団\u003cmeta charset=\"utf-8\"\u003eDie Tödliche Doris創立メンバーNikolaus Utermöhlenが、1989年にリリースしたソロ作品\u003cmeta charset=\"utf-8\"\u003eKarlsbadの再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eクラリネット、アコーディオン、パーカッション、リコーダー、ヴァイオリン、ギター、オルガンのためのウィットに富んだ23曲を収録。8ページのブックレットとDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4037925502\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1563769144\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4037925502\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa Scie Doree:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A slice of flamboyant wellness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recordings of this album were made for the ‘Georgette Meunier’ film by Tania Stöcklin and Cyrille Rey-Coquais.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIssued from the original master tapes and includes the 8 page booklet with engravings from the Karlsbad spa era.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Nikolaus Utermöhlen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : La Scie Doree\u003c\/span\u003e\u003c\/p\u003e"}
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Nikolaus Utermöhlen, a founding member of the experimental performance group Die Tödliche Doris formed in Berlin, West Germany in 1980, reissued his 1989 solo work Karlsbad.23 witty pieces for clarinet, accordion, percussion, recorder, violin, guitar and organ. Comes with an 8-page booklet and DL code.Click here for labels and other works /// Click here to see more La Scie Doree / Metaphon...
€25,95

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{"id":7925527904506,"title":"Various Artists \/\/ Longing for the Shadow: Ryūkōka Recordings, 1921-1939 LP","handle":"various-artists-longing-for-the-shadow-ryukoka-recordings-1921-1939-lp","description":"\u003cp\u003e1920-1930年代の日本の流行歌のコンピレーションレコードです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4252093764\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSeki Taneko - Akemi's Poems 03:26\u003c\/li\u003e\n\u003cli\u003eKusunoki Shigeo - Longing for the Shadow 03:35\u003c\/li\u003e\n\u003cli\u003eYayoi Tanaka - Sad Gull 03:24\u003c\/li\u003e\n\u003cli\u003eAkasaka Koume - Please Forgive Me 03:12\u003c\/li\u003e\n\u003cli\u003eIchimaru - If You Go Down the Tenryū 03:15\u003c\/li\u003e\n\u003cli\u003eMitsuko Nemoto - Cosmos Elegy 02:45\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama - Tokyo Daughter 02:44\u003c\/li\u003e\n\u003cli\u003eChiyako Sato - Skyscraper 03:10\u003c\/li\u003e\n\u003cli\u003eYayoi Tanaka - The Dream Is Short Lived 03:05\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama \u0026amp; Masao Koga - Is Sake Tears or Sighs? 03:27\u003c\/li\u003e\n\u003cli\u003eOtomaru - Yoneyama Sanri 03:25\u003c\/li\u003e\n\u003cli\u003eHamako Watanabe - I Don't Forget 03:13\u003c\/li\u003e\n\u003cli\u003eAkasaka Koume - Asama Smoke 03:40\u003c\/li\u003e\n\u003cli\u003eYoshio Tabata - Farewell Ship 03:38\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama - Farewell Youth 02:46\u003c\/li\u003e\n\u003cli\u003eKouta Katsutaro - Stand Up Tomorrow 03:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeath Is Not The End:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues \u0026amp; jazz elements into traditional and classical Japanese music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis collection of 1920s \u0026amp; 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of western pop music during post-war US occupation.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2023-02-25T16:40:41+09:00","created_at":"2023-02-25T15:31:21+09:00","vendor":"Tobira Records","type":"","tags":["asia","death is not the end","field recording","lp"],"price":2695,"price_min":2695,"price_max":2695,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44023441522938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Longing for the Shadow: Ryūkōka Recordings, 1921-1939 LP","public_title":null,"options":["Default Title"],"price":2695,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_c27d6d7e-a42f-4716-b6e5-08bc3f5ae347.jpg?v=1677306720","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_fed987dd-0776-4c8e-bf31-ad191f19a163.jpg?v=1677306719"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_c27d6d7e-a42f-4716-b6e5-08bc3f5ae347.jpg?v=1677306720","options":["Title"],"media":[{"alt":null,"id":31584866402554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_c27d6d7e-a42f-4716-b6e5-08bc3f5ae347.jpg?v=1677306720"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_c27d6d7e-a42f-4716-b6e5-08bc3f5ae347.jpg?v=1677306720","width":700},{"alt":null,"id":31584866435322,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_fed987dd-0776-4c8e-bf31-ad191f19a163.jpg?v=1677306719"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_fed987dd-0776-4c8e-bf31-ad191f19a163.jpg?v=1677306719","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1920-1930年代の日本の流行歌のコンピレーションレコードです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4252093764\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSeki Taneko - Akemi's Poems 03:26\u003c\/li\u003e\n\u003cli\u003eKusunoki Shigeo - Longing for the Shadow 03:35\u003c\/li\u003e\n\u003cli\u003eYayoi Tanaka - Sad Gull 03:24\u003c\/li\u003e\n\u003cli\u003eAkasaka Koume - Please Forgive Me 03:12\u003c\/li\u003e\n\u003cli\u003eIchimaru - If You Go Down the Tenryū 03:15\u003c\/li\u003e\n\u003cli\u003eMitsuko Nemoto - Cosmos Elegy 02:45\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama - Tokyo Daughter 02:44\u003c\/li\u003e\n\u003cli\u003eChiyako Sato - Skyscraper 03:10\u003c\/li\u003e\n\u003cli\u003eYayoi Tanaka - The Dream Is Short Lived 03:05\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama \u0026amp; Masao Koga - Is Sake Tears or Sighs? 03:27\u003c\/li\u003e\n\u003cli\u003eOtomaru - Yoneyama Sanri 03:25\u003c\/li\u003e\n\u003cli\u003eHamako Watanabe - I Don't Forget 03:13\u003c\/li\u003e\n\u003cli\u003eAkasaka Koume - Asama Smoke 03:40\u003c\/li\u003e\n\u003cli\u003eYoshio Tabata - Farewell Ship 03:38\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama - Farewell Youth 02:46\u003c\/li\u003e\n\u003cli\u003eKouta Katsutaro - Stand Up Tomorrow 03:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeath Is Not The End:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues \u0026amp; jazz elements into traditional and classical Japanese music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis collection of 1920s \u0026amp; 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of western pop music during post-war US occupation.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}
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A compilation record of popular Japanese songs from the 1920s and 1930s.Click here for label and other works /// Click here to see more Death Is Not The End releases available at Tobira....
€26,95

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{"id":7922230624506,"title":"R. Pierre \/\/ KTLA TAPE","handle":"r-pierre-ktla-tape","description":"\u003cp\u003eアメリカ・LAの実験/ダンスレーベルJungle Gym主宰\u003cspan data-mce-fragment=\"1\"\u003eR. Pierreが、2023年2月に\u003c\/span\u003e40本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを加工したミニマル・物音コラージュ2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684475633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003ehere\u003c\/a\u003e to see more Jungle Gym Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 40. \u003c\/p\u003e\n\u003cp\u003eArtist : R. Pierre\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJungle Gym Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2023-02-21T06:42:58+09:00","created_at":"2023-02-21T06:42:58+09:00","vendor":"Tobira Records","type":"","tags":["field recording","Jungle Gym","monooto","new","sale22","tape"],"price":995,"price_min":995,"price_max":995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44009481306362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"R. Pierre \/\/ KTLA TAPE","public_title":null,"options":["Default Title"],"price":995,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3678543032_16.jpg?v=1676929466","\/\/tobirarecords.com\/cdn\/shop\/products\/0031361061_10.jpg?v=1676929506"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3678543032_16.jpg?v=1676929466","options":["Title"],"media":[{"alt":null,"id":31558444974330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3678543032_16.jpg?v=1676929466"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3678543032_16.jpg?v=1676929466","width":700},{"alt":null,"id":31558446547194,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031361061_10.jpg?v=1676929506"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031361061_10.jpg?v=1676929506","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの実験/ダンスレーベルJungle Gym主宰\u003cspan data-mce-fragment=\"1\"\u003eR. Pierreが、2023年2月に\u003c\/span\u003e40本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを加工したミニマル・物音コラージュ2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684475633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003ehere\u003c\/a\u003e to see more Jungle Gym Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 40. \u003c\/p\u003e\n\u003cp\u003eArtist : R. Pierre\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJungle Gym Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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R. Pierre, president of the experimental/dance label Jungle Gym in Los Angeles, USA, released a limited edition of 2023 cassettes in February 2.Includes 40 minimalist/noise collages processed from field recordings.Click here for labels and other works /// Click here to see more Jungle Gym Records releases available at...
€9,95

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{"id":7869289496826,"title":"Domiziana Bocina \u0026 Edoardo Cammisa \/\/ Lake Studies CDR+PRINTS","handle":"domiziana-bocina-edoardo-cammisa-lake-studies-cd-prints","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアの実験/物音レーベル\u003cmeta charset=\"utf-8\"\u003eSounds Against Humanity主宰Edoardo Cammisaと写真家Domiziana Bocinaが、2022年11月に15部限定でリリースしたCDR+写真です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアヴィリアーナ湖自然公園での\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング〜物音13曲を収録。\u003cmeta charset=\"utf-8\"\u003e湖畔で撮影した写真13枚とDLコード付属。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eDomiziana Bocina(写真) Edoardo Cammisa(録音)は、イタリア・アヴィリアーナ湖自然公園の水景の中で起こる出来事をインタラクティブに解釈している。この作品自体は、ドライな研究でも、徹底的な創造的再文脈化でもないが、この作品の方法論は、両方のアプローチから得られている。この作品は、人間と自然の二元論に対して大きく両義的な、曖昧で超現実的な立場を見出し、そこから、ドキュメンテーションにつきものの力学を考察し、関与している。つまり、ドキュメンテーションする者とされる者がいかに構築され定義されるか、可視化され物語られ、相互に影響力を交換するように示される。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアーティストたちのプロセスは、撮影(記録者と被記録者の相互作用、被写体の識別と隔離、視覚的構成)、後処理(電気音響と電子写真の操作)、テキスト性(曲名)などに及んでる。桟橋の足音、木の伐採、カメラのシャッター、避けられない高速道路のうめき声、植生に負ける人工構造物、葉の間を通り抜ける風、水鳥の鳴き声、水中の秘密の出来事がハイドロフォンによって暴露される、厳しいフィルタリングと微妙なサンプリング、タイトル、いくつかは説明的、いくつかは反射的です。世界の中の世界、世界の下の世界、世界に対する世界、すべての相互関係。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4202731170\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSounds Against Humanity その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sah\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sah\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSounds Against Humanity releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Limited edition of \u003cspan data-mce-fragment=\"1\"\u003e15 hand-numbered copies. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Full prints of the thirteen photographs on high quality 300 gr. cardboard.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— White CDr.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Transparent plastic envelope.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eEdward Trethowan:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Domiziana Bocina (photography) and Edoardo Cammisa (sound recording) here interactively interpret events amid waterscapes of the Lago Grande, Parco Naturale dei Laghi di Avigliana, Italy. Although itself neither a dry study nor a thorough creative recontextualisation, this work’s methodology draws from both approaches. It finds its own vague, surreal position, largely ambivalent towards human–nature dualism, from which to consider and engage with some of documentation’s familiar dynamics: how documenter and documented are constructed and delineated, made visible, narrated, shown to interact and exchange influence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe process of the artists reaches across capture (documenter–documented interaction, subject discrimination and isolation, visual composition), post-processing (electroacoustic and electrophotographic manipulation) and textuality (track titles). At these levels, direct and indirect human and non-human activities continuously overlap: jetty footsteps, a tree felling, camera shutters, the inevitable motorway moan; synthetic structures succumbing to vegetation, wind wisping through and by leaves, waterfowl chatter, secret underwater events hydrophonically exposed; strict filtering and subtle sampling; titles, some descriptive and others reflective. Worlds within and beneath and against worlds, all interrelation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Domiziana Bocina \u0026amp; Edoardo Cammisa\u003c\/p\u003e\n\u003cp\u003eLabel : Sounds Against Humanity\u003c\/p\u003e","published_at":"2022-12-16T16:11:19+09:00","created_at":"2022-12-16T12:18:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","sounds against humanity"],"price":1695,"price_min":1695,"price_max":1695,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43778011234554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Domiziana Bocina \u0026 Edoardo Cammisa \/\/ Lake Studies CDR+PRINTS","public_title":null,"options":["Default Title"],"price":1695,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8a82c366-fbb7-4cb9-a300-c00043482e20.jpg?v=1671160688","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_a9fb37d9-a412-4e9b-8e10-fcff1707c6a5.jpg?v=1671160687","\/\/tobirarecords.com\/cdn\/shop\/products\/do3_2ead4d4b-8bd9-4c50-afa7-97bb40774fcc.jpg?v=1671160687","\/\/tobirarecords.com\/cdn\/shop\/products\/do4_8d91bda6-9514-46ca-a6c5-22f8bd5a7850.jpg?v=1671160688"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8a82c366-fbb7-4cb9-a300-c00043482e20.jpg?v=1671160688","options":["Title"],"media":[{"alt":null,"id":31201092534522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8a82c366-fbb7-4cb9-a300-c00043482e20.jpg?v=1671160688"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8a82c366-fbb7-4cb9-a300-c00043482e20.jpg?v=1671160688","width":700},{"alt":null,"id":31201092567290,"position":2,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_a9fb37d9-a412-4e9b-8e10-fcff1707c6a5.jpg?v=1671160687"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_a9fb37d9-a412-4e9b-8e10-fcff1707c6a5.jpg?v=1671160687","width":1200},{"alt":null,"id":31201092600058,"position":3,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do3_2ead4d4b-8bd9-4c50-afa7-97bb40774fcc.jpg?v=1671160687"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do3_2ead4d4b-8bd9-4c50-afa7-97bb40774fcc.jpg?v=1671160687","width":1200},{"alt":null,"id":31201092632826,"position":4,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do4_8d91bda6-9514-46ca-a6c5-22f8bd5a7850.jpg?v=1671160688"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do4_8d91bda6-9514-46ca-a6c5-22f8bd5a7850.jpg?v=1671160688","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアの実験/物音レーベル\u003cmeta charset=\"utf-8\"\u003eSounds Against Humanity主宰Edoardo Cammisaと写真家Domiziana Bocinaが、2022年11月に15部限定でリリースしたCDR+写真です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアヴィリアーナ湖自然公園での\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング〜物音13曲を収録。\u003cmeta charset=\"utf-8\"\u003e湖畔で撮影した写真13枚とDLコード付属。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eDomiziana Bocina(写真) Edoardo Cammisa(録音)は、イタリア・アヴィリアーナ湖自然公園の水景の中で起こる出来事をインタラクティブに解釈している。この作品自体は、ドライな研究でも、徹底的な創造的再文脈化でもないが、この作品の方法論は、両方のアプローチから得られている。この作品は、人間と自然の二元論に対して大きく両義的な、曖昧で超現実的な立場を見出し、そこから、ドキュメンテーションにつきものの力学を考察し、関与している。つまり、ドキュメンテーションする者とされる者がいかに構築され定義されるか、可視化され物語られ、相互に影響力を交換するように示される。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアーティストたちのプロセスは、撮影(記録者と被記録者の相互作用、被写体の識別と隔離、視覚的構成)、後処理(電気音響と電子写真の操作)、テキスト性(曲名)などに及んでる。桟橋の足音、木の伐採、カメラのシャッター、避けられない高速道路のうめき声、植生に負ける人工構造物、葉の間を通り抜ける風、水鳥の鳴き声、水中の秘密の出来事がハイドロフォンによって暴露される、厳しいフィルタリングと微妙なサンプリング、タイトル、いくつかは説明的、いくつかは反射的です。世界の中の世界、世界の下の世界、世界に対する世界、すべての相互関係。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4202731170\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSounds Against Humanity その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sah\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sah\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSounds Against Humanity releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Limited edition of \u003cspan data-mce-fragment=\"1\"\u003e15 hand-numbered copies. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Full prints of the thirteen photographs on high quality 300 gr. cardboard.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— White CDr.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Transparent plastic envelope.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eEdward Trethowan:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Domiziana Bocina (photography) and Edoardo Cammisa (sound recording) here interactively interpret events amid waterscapes of the Lago Grande, Parco Naturale dei Laghi di Avigliana, Italy. Although itself neither a dry study nor a thorough creative recontextualisation, this work’s methodology draws from both approaches. It finds its own vague, surreal position, largely ambivalent towards human–nature dualism, from which to consider and engage with some of documentation’s familiar dynamics: how documenter and documented are constructed and delineated, made visible, narrated, shown to interact and exchange influence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe process of the artists reaches across capture (documenter–documented interaction, subject discrimination and isolation, visual composition), post-processing (electroacoustic and electrophotographic manipulation) and textuality (track titles). At these levels, direct and indirect human and non-human activities continuously overlap: jetty footsteps, a tree felling, camera shutters, the inevitable motorway moan; synthetic structures succumbing to vegetation, wind wisping through and by leaves, waterfowl chatter, secret underwater events hydrophonically exposed; strict filtering and subtle sampling; titles, some descriptive and others reflective. Worlds within and beneath and against worlds, all interrelation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Domiziana Bocina \u0026amp; Edoardo Cammisa\u003c\/p\u003e\n\u003cp\u003eLabel : Sounds Against Humanity\u003c\/p\u003e"}
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Edoardo Cammisa, head of the Italian experimental/noise label Sounds Against Humanity, and photographer Domiziana Bocina released a limited edition of 2022 CDR+ photos in November 11.Field recordings at Lake Aviliana Natural Park - 15 sounds.13 photos taken at the lakeside and DL code included.Below is an explanation by the label. Domiziana Bocina (picture) Edoardo Cammisa (recording) is an interactive interpretation of events that occur in the aquascape of Lake Aviliana Natural Park, Italy.The work itself is neither a dry study nor an exhaustive creative recontextualization, but its methodology draws from both approaches.The work finds a deeply ambiguous, ambiguous and surreal stance on the dualism of man and nature, from which it examines and engages with the dynamics inherent in documentation.That is, how the documenter and the documenter are constructed and defined are visualized, narrated, and shown to exchange influence with one another.The artist's process extends to photography (interaction between recorder and recordee, identification and isolation of subjects, visual composition), post-processing (manipulation of electroacoustics and electrophotography), textuality (song titles), and more. be.Footsteps on piers, tree felling, camera shutters, the inevitable moaning of highways, man-made structures succumbing to vegetation, winds passing through foliage, calls of waterfowl, secret underwater happenings exposed by hydrophones. , harsh filtering and subtle sampling, titles, some descriptive, some reflective.Worlds within worlds, worlds under worlds, worlds to worlds, all interrelationships. Click here for Sounds Against Humanity and other works ///...
€16,95