LARAAJI // Toning Tape

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This is a reissue cassette released in June 2023 by the LA big name New Age writer LARAAJI from LA's long-established all-genre label Stones Throw. (originally released in 6)

open tuningIncludes 2 minutes of 60 Ascension New Age ambient songs with zither and chimes.

Labels and other worksplease use this form. ///Click here to see more Leaving Records / Stones Throw releases available at Tobira.

------------------------

Laraaji – Tonings 1 & 2 1980s, CS

“Tonings 1: Shimmering celestial Zither and OM chant continual deep induction listening for expanded inner-stillness.” -Laraaji

“Tonings 2: OM chimes ladder, Kalimba (African thumb piano), hand chimes, spontaneous laughter release, chant, & chimes distortion (heavy at times towards end.)” -Laraaji

Artist: LARAAJI

Label: Leaving Records

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+ -

This is a reissue cassette released in June 2023 by the LA big name New Age writer LARAAJI from LA's long-established all-genre label Stones Throw. (originally released in 6)

open tuningIncludes 2 minutes of 60 Ascension New Age ambient songs with zither and chimes.

Labels and other worksplease use this form. ///Click here to see more Leaving Records / Stones Throw releases available at Tobira.

------------------------

Artist: LARAAJI

Label: Leaving Records

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This is a record that was released in January 2023 by dungeon synth artist Hermit Knight from New York, USA, on his own label, WeGnome Records, in a limited edition of 1 copies. Contains 200 lyrical fantasy synth to post-new age ambient songs. DL code included. Click here to see more WeGnome Records releases...

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His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e"}