Julius Eastman // Femenine 2xLP/CD

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This is a live recording of a concert held in New York in 1974 by American post-minimal music pioneer Julius Eastman.

It is a minimal neo-classical ambient work that paralyzes the sense of time.Record mastered by Jim O'Rourke is in charge.

The CD comes with a poster and liner notes.

*If you would like a digital sound source, please feel free to contact us.

----------------------------------

Vinyl edition of 'Femenine', remastered by Jim O'Rourke, and presented across four sides of black vinyl in a gatefold sleeve.

CD in card package with small poster/liner-note insert. Original master by Denis Blackham.

Recorded live on Wednesday, November 6, 1974 at Composers Forum in Albany, The Arts Center on the Campus of the Academy of the Holy Names, Albany, New York.

Artist: Julius Eastman

Label : frozen seeds

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This is a live recording of a concert held in New York in 1974 by American post-minimal music pioneer Julius Eastman.

It is a minimal neo-classical ambient work that paralyzes the sense of time.Record mastered by Jim O'Rourke is in charge.

The CD comes with a poster and liner notes.

*If you would like a digital sound source, please feel free to contact us.

----------------------------------

Vinyl edition of 'Femenine', remastered by Jim O'Rourke, and presented across four sides of black vinyl in a gatefold sleeve.

CD in card package with small poster/liner-note insert. Original master by Denis Blackham.

Recorded live on Wednesday, November 6, 1974 at Composers Forum in Albany, The Arts Center on the Campus of the Academy of the Holy Names, Albany, New York.

Artist: Julius Eastman

Label : frozen seeds

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His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e"}