Karen Vogt // Losing the Sea + Remixes TAPE

Karen Vogt // Losing the Sea + Remixes TAPE

¥2,290

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Karen Vogt, an experimental vocalist born in Australia and living in France, independently released a limited edition of 2023 cassettes in May 5.

Contains 24 ambient drone songs, 90 minutes long, with voices as the main source. DL code included.Out of print.

Four female writers France Jobin, Lucy Adlington, Jolanda Moletta, and Claire Deak are participating in the remix.

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Includes DL code. Edition of 100. C-90 Ferro tape.

Cassette includes remix album, original album, bonus track, and sea recordings = 90 mins of music.

* Side 1: Original album + bonus track, sea recordings
* Side 2: Remix album + sea recordings

Review excerpt from Cyclic Defrost [link]:

" In February Australian artist Karen Vogt released Losing The Sea, a 6 track mini-album about her longing for the ocean after spending the last 15 years living in Paris. It's an album tinged in nostalgia, a kind of wistful beauty that reminds you of a shimmering horizon line and lazy days spent watching the swells. It's an hypnotic work that married electric guitar, gorgeous drones with drifting washed out vocals"

Artist: Karen Vogt

Label: Label:

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Karen Vogt, an experimental vocalist born in Australia and living in France, independently released a limited edition of 2023 cassettes in May 5.

Contains 24 ambient drone songs, 90 minutes long, with voices as the main source. DL code included.Out of print.

Four female writers France Jobin, Lucy Adlington, Jolanda Moletta, and Claire Deak are participating in the remix.

----------------------------------

Review excerpt from Cyclic Defrost [link]:

Artist: Karen Vogt

Label: Label:

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His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e"}