Lost Few // Between The Silence 2x12"

¥3,633

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Lost Few, a post-industrial artist from Melbourne, Australia, joined the Melbourne deep techno label in 2019.This is the debut 2-disc 12" released by Southern Lights.

Tribal drone techno that flies low from beginning to endContains 9 dark ambient songs.

*If you would like a digital sound source, please feel free to contact us.

Labels and other worksplease use this form. ///Click here to see more Southern Lights releases available at Tobira.

------------------------------------

2x12" black vinyl.

Tracklist:

Blessed Are The Tears We Forget To Shed 06:17
Indecision 06:03
Bound Many Eyes 05:12 video
Expectations Are The Devil 05:04
Many An Idle Stone 05:25
Meek 03:56
Quietly We Wish For Silence 06:56
Tears Adorn Him 05:45
TMMFHTWNBIV 05:04

Southern Lights:

"Lost Few is the audio-visual project of David Thomson, an experimental artist based in Melbourne, Australia.

Fusing his relationship with the physical form, which includes found sounds from the Buchan Caves in Victoria and the Tasmanian wilderness, his debut artist album showcases ambient techno, disturbed electronics, processed instrumentation and sub-bass experiments, leading the listener to a journey that traverses a world that possesses a sharp, dissonant edge."

Artist: Lost Few

Label: Southern Lights

Quantity

+ -

Lost Few, a post-industrial artist from Melbourne, Australia, joined the Melbourne deep techno label in 2019.This is the debut 2-disc 12" released by Southern Lights.

Tribal drone techno that flies low from beginning to endContains 9 dark ambient songs.

*If you would like a digital sound source, please feel free to contact us.

Labels and other worksplease use this form. ///Click here to see more Southern Lights releases available at Tobira.

------------------------------------

2x12" black vinyl.

Tracklist:

Blessed Are The Tears We Forget To Shed 06:17
Indecision 06:03
Bound Many Eyes 05:12 video
Expectations Are The Devil 05:04
Many An Idle Stone 05:25
Meek 03:56
Quietly We Wish For Silence 06:56
Tears Adorn Him 05:45
TMMFHTWNBIV 05:04

Southern Lights:

Artist: Lost Few

Label: Southern Lights

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Cycle 1 14:58\u003cbr\u003e2. Cycle 2 14:56\u003cbr\u003e3. Cycle 3 14:56\u003cbr\u003e4. Cycle 4 15:01\u003cbr\u003e5. Cycle 5 14:53\u003cbr\u003e6. Cycle 6 15:02\u003cbr\u003e7. Cycle 7 15:03\u003cbr\u003e8. Cycle 8 15:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDEEWEE:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eSpeak to most musicians about their motivations, inspirations and processes and you will, generally, get variations on a similar, broadly consensual, theme. Natasha Pirard is genuinely different. Her interest in sound goes way beyond the superficial and the ephemeral. She is fascinated by how and why sound makes us feel, the political implications of sound, noise pollution and the everyday sounds embedded in our immediate environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContextually, this makes a lot of sense when confronted with her debut release for DEEWEE, Dream Cycles. A 120-minute exploration of sounds, loops, frequencies and waves, it’s an eight- part musical cycle split into 15-minute sections across four cassettes, she believes, reflects on this notion of cyclical, rather than linear, time. The eight song cycles are repetitive. They start off basic and functional and build over time. They begin with one sound but soon you hear other sounds. From there you get taken to another point, where you hear something else and so on and so forth. The circle is never-ending.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNatasha Pirard is a musicologist and composer from Ghent. She will be releasing her album Dream Cycles on February 21st, as a limited edition four cassette box set, marking her debut on the Ghent-based label DEEWEE.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Natasha Pirard\u003c\/p\u003e\n\u003cp\u003eLabel : DEEWEE\u003c\/p\u003e\n\u003cp\u003eCAT No: DEEWEE 057\u003c\/p\u003e"}

This is a 2024-disc cassette box limited to 2 copies released by Natasha Pirard, an ambient artist/musicologist from Ghent, Belgium, in February 100 from DEEWEE in Ghent. Contains 4 songs from ambient to ambient drone to drone. DL code included. Below is an explanation by the label. "If you talk to most musicians about their motivations, inspirations, and processes, you'll usually find variations on similar, broadly agreeable themes. Natasha Pirard is really different. Her musical interests are... , she explores how and why sound makes us feel, the political implications of sound, noise pollution, and our immediate environment. I'm fascinated by the everyday sounds embedded in me, and with DEEWEE's debut release, Dream Cycles, this makes a lot of sense in the context of sounds, loops, frequencies, and waves. The piece, which took 8 minutes to explore, is an eight-part musical cycle made up of four cassette tapes divided into 120-minute sections, reflecting the idea of cyclical rather than linear time, she said. The cycle of eight songs is repetitive, starting with something basic and functional and building up over time. It starts with one note, but soon others. From there you hear another sound, and so on. The circle never ends. ----------------------- Includes DL code. 4 x...

¥5,980

Quickview {"id":8411295056122,"title":"Carlos Casas \/\/ Mutia 3xLP","handle":"carlos-casas-mutia-3xlp","description":"\u003cp\u003e過去にVonやSecond Sleep、Canti Magneticiなどのレーベルから作品を発表しているスペインの映像作家 \/ 音響作家Carlos Casasが、2019年にベルギーの実験レーベルmatière mémoireからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼が制作していた\u003cspan data-mce-fragment=\"1\"\u003e「\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e象の墓場\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e」（象は死期が近づくと群れから離れこの場所に行くそうです）についての映画を音響で表現するために制作したアンビエント〜コラージュ・ドローン6曲を収録。ゲートフォルド仕様。赤盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスリランカの神聖なジャングルの吐息を是非レコードでご体感ください。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/673185200\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"matière-mémoire\" href=\"https:\/\/soundcloud.com\/matiere-memoire\" target=\"_blank\"\u003ematière-mémoire\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Hornspell (side 1)\" href=\"https:\/\/soundcloud.com\/matiere-memoire\/hornspell-side-1\" target=\"_blank\"\u003eHornspell (side 1)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/673185197\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"matière-mémoire\" href=\"https:\/\/soundcloud.com\/matiere-memoire\" target=\"_blank\"\u003ematière-mémoire\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Stupa (side 3)\" href=\"https:\/\/soundcloud.com\/matiere-memoire\/stupa-side-3\" target=\"_blank\"\u003eStupa (side 3)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"While developing my last film about the elephant graveyard myth, I tried to imagine what that jungle and landscape that protected it might sound like. To do this, I created a series of soundscapes, atmospheres to help me understand that park, to imagine it; I tried to place it in the near future, around 2046. All the sounds that make up those sound compositions come from my references throughout the project, and from the atmospheres and radiofrequencies captured during the filming in Sri Lanka; the deep jungles and magical places that helped me undertake that journey. When I finally finished editing the film itself, I decided to rework those sessions, to create an album that would recap that entire imaginary world I had created. The album is a way of inviting audiences to undertake that journey.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eCarlos Casas, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Casas\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatière Mémoire\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-30T14:44:40+09:00","created_at":"2024-04-30T14:44:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","matière mémoire","monooto","new"],"price":698000,"price_min":698000,"price_max":698000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45833681305850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Casas \/\/ Mutia 3xLP","public_title":null,"options":["Default Title"],"price":698000,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mutia1.jpg?v=1714455852"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mutia1.jpg?v=1714455852","options":["Title"],"media":[{"alt":null,"id":33910494462202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mutia1.jpg?v=1714455852"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mutia1.jpg?v=1714455852","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にVonやSecond Sleep、Canti Magneticiなどのレーベルから作品を発表しているスペインの映像作家 \/ 音響作家Carlos Casasが、2019年にベルギーの実験レーベルmatière mémoireからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼が制作していた\u003cspan data-mce-fragment=\"1\"\u003e「\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e象の墓場\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e」（象は死期が近づくと群れから離れこの場所に行くそうです）についての映画を音響で表現するために制作したアンビエント〜コラージュ・ドローン6曲を収録。ゲートフォルド仕様。赤盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスリランカの神聖なジャングルの吐息を是非レコードでご体感ください。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/673185200\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"matière-mémoire\" href=\"https:\/\/soundcloud.com\/matiere-memoire\" target=\"_blank\"\u003ematière-mémoire\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Hornspell (side 1)\" href=\"https:\/\/soundcloud.com\/matiere-memoire\/hornspell-side-1\" target=\"_blank\"\u003eHornspell (side 1)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/673185197\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"matière-mémoire\" href=\"https:\/\/soundcloud.com\/matiere-memoire\" target=\"_blank\"\u003ematière-mémoire\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Stupa (side 3)\" href=\"https:\/\/soundcloud.com\/matiere-memoire\/stupa-side-3\" target=\"_blank\"\u003eStupa (side 3)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"While developing my last film about the elephant graveyard myth, I tried to imagine what that jungle and landscape that protected it might sound like. To do this, I created a series of soundscapes, atmospheres to help me understand that park, to imagine it; I tried to place it in the near future, around 2046. All the sounds that make up those sound compositions come from my references throughout the project, and from the atmospheres and radiofrequencies captured during the filming in Sri Lanka; the deep jungles and magical places that helped me undertake that journey. When I finally finished editing the film itself, I decided to rework those sessions, to create an album that would recap that entire imaginary world I had created. The album is a way of inviting audiences to undertake that journey.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eCarlos Casas, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Casas\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatière Mémoire\u003c\/span\u003e\u003c\/p\u003e"}