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{"id":8000728203514,"title":"Leon Louder \/ Scattered Ensemble \/\/ Habitat LP","handle":"leon-louder-scattered-ensemble-habitat-lp","description":"\u003cp\u003eカナダ・モントリオールのレフトフィールドハウスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnfulfillment主宰Leon Louderが、2022年10月に50部限定で自主リリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自身が主宰するレーベルカラーとは全く異なる物音オーケストラ作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコントラバスやビブラフォン、自家製チター、ピアノ、モジュラー、自家製パーカッションを用いたミニマルなエレクトロアコースティック13曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1896393512\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying text:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMontreal-based composer Leon Louder spent the 2020-21 lockdown period in remote collaboration with four fellow musicians, exploring tones from homemade and traditional instruments and percussion, using a mixture of live sampling and improvisation to create aleatoric tonal landscapes. Inspired by a stay on a remote island in the St-Lawrence River estuary, where the weather can shift dramatically from serene to turbulent at any moment and the dialogue of birds, insects, and seals is omnipresent, Habitat is a sequence of restless sound worlds, an impressionistic depiction of a constantly changing ecosystem that had its parallel in the emotional turmoil of pandemic time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike the phenomena they approximate, the pieces exist in a continual state of composition and recomposition. Populated with melodic fragments that call and respond, break apart and ricochet, they ask the listener to live in the music as much as to listen to it, accepting discord as equal to harmony, chaos as part of the order.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe individual tracks are strikingly varied, not only in their vocabularies of sound but in the moods they create and the hints of environment they evoke. They range from \"Full of Light\", in which mesmerizing bell and woodwind tones\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e interweave in melodic counterpoint, building to a gently driving train-like rhythm that conjures some sort of Celestial Express -- to \"Underpass\", whose low dark sounds and simple repeated rhythms carry us down through subterranean strata bored out by primeval life forms, into what feels like a maze of subway tunnels on another planet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe recordings bring into play double bass, vibraphone, homemade zithers, piano, modular synthesizer, and found percussion, and feature collaborators from the Montreal experimental music community: radio artist Martin Rodriguez, multi disciplinary artist Gabrielle Godbout, drummer and electroacoustic composer Samuel Bobony, and multi instrumentalist Rodney Sothmann.\u003c\/span\u003e \u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Leon Louder \/ Scattered Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e","published_at":"2023-08-01T08:01:33+09:00","created_at":"2023-08-01T08:01:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","jazz","lp","monooto","neo classical","new","self-released"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44409106596090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Leon Louder \/ Scattered Ensemble \/\/ Habitat LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_76a61ac7-a650-45f1-8be1-c58756d13722.jpg?v=1690844468","\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_bd0aaf98-7279-4d61-b0b6-ce21449b4450.jpg?v=1690844468"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_76a61ac7-a650-45f1-8be1-c58756d13722.jpg?v=1690844468","options":["Title"],"media":[{"alt":null,"id":32286798938362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_76a61ac7-a650-45f1-8be1-c58756d13722.jpg?v=1690844468"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_76a61ac7-a650-45f1-8be1-c58756d13722.jpg?v=1690844468","width":700},{"alt":null,"id":32286798971130,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_bd0aaf98-7279-4d61-b0b6-ce21449b4450.jpg?v=1690844468"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_bd0aaf98-7279-4d61-b0b6-ce21449b4450.jpg?v=1690844468","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのレフトフィールドハウスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnfulfillment主宰Leon Louderが、2022年10月に50部限定で自主リリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自身が主宰するレーベルカラーとは全く異なる物音オーケストラ作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコントラバスやビブラフォン、自家製チター、ピアノ、モジュラー、自家製パーカッションを用いたミニマルなエレクトロアコースティック13曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1896393512\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying text:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMontreal-based composer Leon Louder spent the 2020-21 lockdown period in remote collaboration with four fellow musicians, exploring tones from homemade and traditional instruments and percussion, using a mixture of live sampling and improvisation to create aleatoric tonal landscapes. Inspired by a stay on a remote island in the St-Lawrence River estuary, where the weather can shift dramatically from serene to turbulent at any moment and the dialogue of birds, insects, and seals is omnipresent, Habitat is a sequence of restless sound worlds, an impressionistic depiction of a constantly changing ecosystem that had its parallel in the emotional turmoil of pandemic time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike the phenomena they approximate, the pieces exist in a continual state of composition and recomposition. Populated with melodic fragments that call and respond, break apart and ricochet, they ask the listener to live in the music as much as to listen to it, accepting discord as equal to harmony, chaos as part of the order.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe individual tracks are strikingly varied, not only in their vocabularies of sound but in the moods they create and the hints of environment they evoke. They range from \"Full of Light\", in which mesmerizing bell and woodwind tones\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e interweave in melodic counterpoint, building to a gently driving train-like rhythm that conjures some sort of Celestial Express -- to \"Underpass\", whose low dark sounds and simple repeated rhythms carry us down through subterranean strata bored out by primeval life forms, into what feels like a maze of subway tunnels on another planet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe recordings bring into play double bass, vibraphone, homemade zithers, piano, modular synthesizer, and found percussion, and feature collaborators from the Montreal experimental music community: radio artist Martin Rodriguez, multi disciplinary artist Gabrielle Godbout, drummer and electroacoustic composer Samuel Bobony, and multi instrumentalist Rodney Sothmann.\u003c\/span\u003e \u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Leon Louder \/ Scattered Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e"}
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This is a record that was released in October 2022, limited to 10 copies, by Leon Louder, the leader of the leftfield house label Unfulfillment in Montreal, Canada.It is a sound orchestra work that is completely different from the label color that I preside over.Contains 50 minimalist electro-acoustic tracks using contrabass, vibraphone, homemade zither, piano, modular, and homemade percussion. Comes with DL code. ----------------------------------------- Accompanying text: "Montreal-based composer Leon Louder spent the 13-2020...
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{"id":8000002785530,"title":"ZA! \/\/ ZA! \u0026 la TransMegaCobla LP","handle":"za-za-la-transmegacobla-lp-1","description":"\u003cp\u003e過去15年間で700以上のライブを行なってきたスペインのデュオZA!が、2023年2月にポルトガルの密林系レーベルDiscrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポップでパンクな妄想地中海ジャズ・ロック10曲を収録。DLリンク付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=842444703\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa sardana de Baal Hammon 07:44\u003c\/li\u003e\n\u003cli\u003eEl Medisabor de Le'an El Nim 03:07\u003c\/li\u003e\n\u003cli\u003eEl Sweep The Lehelan 00:35 \u003c\/li\u003e\n\u003cli\u003eLa Gnaoua de Yishma Qala! 08:35 \u003c\/li\u003e\n\u003cli\u003eEla Tho 02:56 \u003c\/li\u003e\n\u003cli\u003eEl Gosse de Marpha 06:53 \u003c\/li\u003e\n\u003cli\u003eEl Balearic de Qaa El Ril 00:59 \u003c\/li\u003e\n\u003cli\u003eLa Kopanitza d'Aruj Yamim 02:53 \u003c\/li\u003e\n\u003cli\u003eFandangos d'Aruj Yamim 06:30 \u003c\/li\u003e\n\u003cli\u003eEl Djent d'Aruj Yamim 03:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++ \u003c\/p\u003e\n\u003cp\u003eText via Discogs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ea MegaCobla + Tarta Relena + ZA! = ZA! \u0026amp; la TransMegaCobla\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese three elements come together with the purpose of portraying their own vision of Mediterranean music, filtered by distortion (so current in cognitive, social and identity terms) and psychedelia (so inevitable in an increasingly accelerated and saturated reality). A retro-futuristic journey from folk to free exploring the shores of the Mediterranean, claiming its power as a living core, never as a deadly border.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe TransMegaCobla fuses traditional Mediterranean culture -from buleria to kopanitsa, from gnaoua to sardana- with contemporary culture to create a fictional but deeply human and festive universe. Resurrecting the Phoenician language, the octet seeks common roots to fuse and remake them with contemporary molds such as rock, punk, free jazz and conducted improvisation. A timeless orchestra ready to invent, with real elements, a science-fiction Mediterranean in a parallel reality.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText via \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLovers \u0026amp; Lollypops:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eAfter 15 years and more than 700 shows in all continents, the Spanish experimental duet ZA! present their most populated project:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZA! \u0026amp; la TransMegaCobla\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe new ensemble is composed by:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• La MegaCobla: an experienced traditional Catalan cobla wind quartet, born after an improvisation workshop with ZA! two years ago. Pep Moliner, Jordi Casas, Xavi Molina and Xavi Torrent are four of the most reputable and innovative cobla musicians, experts in hacking tradition and using their folk instruments in any modern musical genre.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Tarta Relena, young a capella trans-folk duet that have shook up theire scene. With their use of polyphony and voice FX, Helena Ros and Marta Torrella are digging in the deepest Mediterranean folk repertoire and placing it in the XXIst century with aesthetic renewal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• ZA!: Papadupau \u0026amp; Spazzfrica Ehd are European benchmarks of the underground Do-It-Yourself music community. Their uniquely intense shows, as well as their collective\/collaborative work (wokshops, benefit shows, Do-it-Together cooperation) have allowed them to tour the whole world, from Tokyo to Maputo, from Tasmania to Sao Paulo, from New York to Saint Petersburg. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ZA!\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKeroxen, Gandula, Indian Runners, Lovers \u0026amp; Lollypops\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-07-29T13:35:11+09:00","created_at":"2023-07-29T12:39:29+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","folk \/ left-field pop","jazz","lp","new"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44398281687290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"ZA! \/\/ ZA! \u0026 la TransMegaCobla LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/za1_b231af7e-dfab-4804-9b5e-ec45bb7a172c.jpg?v=1690601973","\/\/tobirarecords.com\/cdn\/shop\/files\/za2_803e3fec-e0d7-4151-ab2d-b6ea2a3c4c4e.jpg?v=1690601973"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/za1_b231af7e-dfab-4804-9b5e-ec45bb7a172c.jpg?v=1690601973","options":["Title"],"media":[{"alt":null,"id":32277931491578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/za1_b231af7e-dfab-4804-9b5e-ec45bb7a172c.jpg?v=1690601973"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/za1_b231af7e-dfab-4804-9b5e-ec45bb7a172c.jpg?v=1690601973","width":700},{"alt":null,"id":32277931524346,"position":2,"preview_image":{"aspect_ratio":1.434,"height":837,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/za2_803e3fec-e0d7-4151-ab2d-b6ea2a3c4c4e.jpg?v=1690601973"},"aspect_ratio":1.434,"height":837,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/za2_803e3fec-e0d7-4151-ab2d-b6ea2a3c4c4e.jpg?v=1690601973","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去15年間で700以上のライブを行なってきたスペインのデュオZA!が、2023年2月にポルトガルの密林系レーベルDiscrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポップでパンクな妄想地中海ジャズ・ロック10曲を収録。DLリンク付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=842444703\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa sardana de Baal Hammon 07:44\u003c\/li\u003e\n\u003cli\u003eEl Medisabor de Le'an El Nim 03:07\u003c\/li\u003e\n\u003cli\u003eEl Sweep The Lehelan 00:35 \u003c\/li\u003e\n\u003cli\u003eLa Gnaoua de Yishma Qala! 08:35 \u003c\/li\u003e\n\u003cli\u003eEla Tho 02:56 \u003c\/li\u003e\n\u003cli\u003eEl Gosse de Marpha 06:53 \u003c\/li\u003e\n\u003cli\u003eEl Balearic de Qaa El Ril 00:59 \u003c\/li\u003e\n\u003cli\u003eLa Kopanitza d'Aruj Yamim 02:53 \u003c\/li\u003e\n\u003cli\u003eFandangos d'Aruj Yamim 06:30 \u003c\/li\u003e\n\u003cli\u003eEl Djent d'Aruj Yamim 03:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++ \u003c\/p\u003e\n\u003cp\u003eText via Discogs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ea MegaCobla + Tarta Relena + ZA! = ZA! \u0026amp; la TransMegaCobla\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese three elements come together with the purpose of portraying their own vision of Mediterranean music, filtered by distortion (so current in cognitive, social and identity terms) and psychedelia (so inevitable in an increasingly accelerated and saturated reality). A retro-futuristic journey from folk to free exploring the shores of the Mediterranean, claiming its power as a living core, never as a deadly border.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe TransMegaCobla fuses traditional Mediterranean culture -from buleria to kopanitsa, from gnaoua to sardana- with contemporary culture to create a fictional but deeply human and festive universe. Resurrecting the Phoenician language, the octet seeks common roots to fuse and remake them with contemporary molds such as rock, punk, free jazz and conducted improvisation. A timeless orchestra ready to invent, with real elements, a science-fiction Mediterranean in a parallel reality.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText via \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLovers \u0026amp; Lollypops:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eAfter 15 years and more than 700 shows in all continents, the Spanish experimental duet ZA! present their most populated project:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZA! \u0026amp; la TransMegaCobla\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe new ensemble is composed by:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• La MegaCobla: an experienced traditional Catalan cobla wind quartet, born after an improvisation workshop with ZA! two years ago. Pep Moliner, Jordi Casas, Xavi Molina and Xavi Torrent are four of the most reputable and innovative cobla musicians, experts in hacking tradition and using their folk instruments in any modern musical genre.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Tarta Relena, young a capella trans-folk duet that have shook up theire scene. With their use of polyphony and voice FX, Helena Ros and Marta Torrella are digging in the deepest Mediterranean folk repertoire and placing it in the XXIst century with aesthetic renewal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• ZA!: Papadupau \u0026amp; Spazzfrica Ehd are European benchmarks of the underground Do-It-Yourself music community. Their uniquely intense shows, as well as their collective\/collaborative work (wokshops, benefit shows, Do-it-Together cooperation) have allowed them to tour the whole world, from Tokyo to Maputo, from Tasmania to Sao Paulo, from New York to Saint Petersburg. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ZA!\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKeroxen, Gandula, Indian Runners, Lovers \u0026amp; Lollypops\u003c\/span\u003e\u003c\/p\u003e"}
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A record released in February 15 by the Spanish duo ZA!, who have performed over 700 live performances over the past 2023 years, on the Portuguese jungle label Discrepant.Includes 2 pop and punk fantasies of Mediterranean jazz rock. DL link included.Click here for labels and other works /// Click here to see more Discrepant releases available at Tobira. ------------------------------- Includes DL...
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![Brodie West Quintet // Meadow Of Dreams LP [COLOR]](https://tobirarecords.com/cdn/shop/files/me2_a1992c58-46c8-4913-a8be-e8d266bfd94c_medium.jpg?v=1690501511)
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{"id":7999401066746,"title":"Brodie West Quintet \/\/ Meadow Of Dreams LP [COLOR]","handle":"brodie-west-quintet-meadow-of-dreams-lp","description":"\u003cp\u003eカナダ・トロントのアルトサックス奏者Brodie West率いるBrodie West Quintetが、2022年3月にAstral Spiritsと\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnsible Editions\u003c\/span\u003eからダブルネームでリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。 クリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4009461606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3418682906\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 500. \u003c\/span\u003e\u003cspan\u003eFirst pressing split between Ansible Editions and Astral Spirits. The Astral Spirits edition features CLEAR vinyl housed in chipboard jackets with sticker, insert \u0026amp; a special yellow (3mil) album sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEvan Cartwright: drums, vibraphone and guitar\u003cbr\u003eJosh Cole: bass\u003cbr\u003eNick Fraser : drums\u003cbr\u003eTania Gill: piano\u003cbr\u003eBrodie West: alto saxophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Brodie West Quintet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits x Ansible Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-07-28T08:46:36+09:00","created_at":"2023-07-28T08:45:08+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","Ideé Fixe Records","jazz","lp","new"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44393548218618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Brodie West Quintet \/\/ Meadow Of Dreams LP [COLOR]","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a1992c58-46c8-4913-a8be-e8d266bfd94c.jpg?v=1690501511","\/\/tobirarecords.com\/cdn\/shop\/files\/me3_4252a45b-968c-4f56-bc33-a5ef8576c1e6.jpg?v=1690501511"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a1992c58-46c8-4913-a8be-e8d266bfd94c.jpg?v=1690501511","options":["Title"],"media":[{"alt":null,"id":32272982049018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a1992c58-46c8-4913-a8be-e8d266bfd94c.jpg?v=1690501511"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a1992c58-46c8-4913-a8be-e8d266bfd94c.jpg?v=1690501511","width":700},{"alt":null,"id":32272982081786,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me3_4252a45b-968c-4f56-bc33-a5ef8576c1e6.jpg?v=1690501511"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me3_4252a45b-968c-4f56-bc33-a5ef8576c1e6.jpg?v=1690501511","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのアルトサックス奏者Brodie West率いるBrodie West Quintetが、2022年3月にAstral Spiritsと\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnsible Editions\u003c\/span\u003eからダブルネームでリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。 クリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4009461606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3418682906\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 500. \u003c\/span\u003e\u003cspan\u003eFirst pressing split between Ansible Editions and Astral Spirits. The Astral Spirits edition features CLEAR vinyl housed in chipboard jackets with sticker, insert \u0026amp; a special yellow (3mil) album sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEvan Cartwright: drums, vibraphone and guitar\u003cbr\u003eJosh Cole: bass\u003cbr\u003eNick Fraser : drums\u003cbr\u003eTania Gill: piano\u003cbr\u003eBrodie West: alto saxophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Brodie West Quintet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits x Ansible Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This is a record released by the Brodie West Quintet, led by alto saxophonist Brodie West from Toronto, Canada, under the double name of Astral Spirits and Ansible Editions in March 2022.Contains 3 spiritual jazz songs.This is a clear disc. *Please feel free to contact us if you would like a digital sound source Click here to see more Astral Spirits...
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{"id":7998169809146,"title":"John Carroll Kirby \/\/ Dance Ancestral LP","handle":"john-carroll-kirby-dance-ancestral-lpのコピー","description":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2022年7月にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ジャズフュージョン9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3694828424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDance Ancestral is the latest addition to producer and keyboardist John Carroll Kirby’s fast-growing and distinctive body of work. Dance Ancestral sees the acclaimed solo artist teaming up with Canadian producer Yu Su for an album whose central theme is the “intuitive dance” we perform throughout our lives. More electronically focused than Kirby’s previous albums, the result is a vividly imagined yet eminently listenable instrumental record.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2023-07-24T19:07:21+09:00","created_at":"2023-07-24T19:06:26+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","post newage","stones throw"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44378040336634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ Dance Ancestral LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189","\/\/tobirarecords.com\/cdn\/shop\/files\/da2_14d39b72-5f4d-42e0-ba5e-aca2d991c1cf.jpg?v=1690193189"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189","options":["Title"],"media":[{"alt":null,"id":32259199467770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189","width":700},{"alt":null,"id":32259199533306,"position":2,"preview_image":{"aspect_ratio":1.181,"height":1016,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da2_14d39b72-5f4d-42e0-ba5e-aca2d991c1cf.jpg?v=1690193189"},"aspect_ratio":1.181,"height":1016,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da2_14d39b72-5f4d-42e0-ba5e-aca2d991c1cf.jpg?v=1690193189","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2022年7月にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ジャズフュージョン9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3694828424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDance Ancestral is the latest addition to producer and keyboardist John Carroll Kirby’s fast-growing and distinctive body of work. Dance Ancestral sees the acclaimed solo artist teaming up with Canadian producer Yu Su for an album whose central theme is the “intuitive dance” we perform throughout our lives. More electronically focused than Kirby’s previous albums, the result is a vividly imagined yet eminently listenable instrumental record.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
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This is a record released by Stones Throw in July 2022 by John Carroll Kirby, a keyboard player from LA, USA.Contains nine post-new age jazz fusion songs.Click here to see more Leaving Records/Stones Throw releases available...
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{"id":7997003530490,"title":"Oort Smog \/\/ Every Motherfucker Is Your Brother LP","handle":"oort-smog-every-motherfucker-is-your-brother-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのサックス奏者Patrick ShiroishiとドラマーMark KimbrellによるデュオOort Smog\u003c\/span\u003eが、2023年1月にLAのオールジャンルレーベルAKPからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスリリングな実験ジャズ・ロック2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1391959228\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/akprecordings\" title=\"AKP Recordings\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAKP Recordings\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/akprecordings\/sets\/oort-smog-every-motherfucker\" title=\"Oort Smog - Every Motherfucker Is Your Brother\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eOort Smog - Every Motherfucker Is Your Brother\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Every Motherfucker Is Your Brother \u003cem\u003e (28:59)\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOort Smog aims to continue the sax-drum duo tradition, inspired by early formations such as John Coltrane and Rashied Ali and continued through the years by Anthony Braxton \u0026amp; Andrew Cyrille, Sax Ruins \u0026amp; Dead Neanderthals. Mark Kimbrell and Patrick Shiroishi combine elements of brutal prog (both are members in Upsilon Acrux) and free improvisation in their long form composition Every Motherfucker is Your Brother. Written over the course of eighteen months and recorded during the pandemic\/George Floyd \u0026amp; Breonna Taylor protests, Oort Smog drew from a number of influences to create their own sound - one of urgency, heaviness, and hope.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEMIYB is the band’s second offering, continuing the complexities of their first record, a hybrid of tightly arranged changes and free jazz improvisation. Daniel Zaidenstadt returns as engineer to help sculpt the sonics, blending and fully utilizing the space of Human Resources to its fullest potential.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Oort Smog\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-07-28T09:02:50+09:00","created_at":"2023-07-21T13:47:17+09:00","vendor":"Tobira Records","type":"","tags":["akp","jazz","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44365044154618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Oort Smog \/\/ Every Motherfucker Is Your Brother LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_bf8a1844-5dec-419e-b192-2e53560b3cf1.jpg?v=1689914838","\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_f7c5669e-9cb7-40c1-b206-800007f2937f.jpg?v=1689914839"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_bf8a1844-5dec-419e-b192-2e53560b3cf1.jpg?v=1689914838","options":["Title"],"media":[{"alt":null,"id":32248153538810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_bf8a1844-5dec-419e-b192-2e53560b3cf1.jpg?v=1689914838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_bf8a1844-5dec-419e-b192-2e53560b3cf1.jpg?v=1689914838","width":700},{"alt":null,"id":32248153571578,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_f7c5669e-9cb7-40c1-b206-800007f2937f.jpg?v=1689914839"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_f7c5669e-9cb7-40c1-b206-800007f2937f.jpg?v=1689914839","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのサックス奏者Patrick ShiroishiとドラマーMark KimbrellによるデュオOort Smog\u003c\/span\u003eが、2023年1月にLAのオールジャンルレーベルAKPからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスリリングな実験ジャズ・ロック2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1391959228\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/akprecordings\" title=\"AKP Recordings\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAKP Recordings\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/akprecordings\/sets\/oort-smog-every-motherfucker\" title=\"Oort Smog - Every Motherfucker Is Your Brother\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eOort Smog - Every Motherfucker Is Your Brother\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Every Motherfucker Is Your Brother \u003cem\u003e (28:59)\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOort Smog aims to continue the sax-drum duo tradition, inspired by early formations such as John Coltrane and Rashied Ali and continued through the years by Anthony Braxton \u0026amp; Andrew Cyrille, Sax Ruins \u0026amp; Dead Neanderthals. Mark Kimbrell and Patrick Shiroishi combine elements of brutal prog (both are members in Upsilon Acrux) and free improvisation in their long form composition Every Motherfucker is Your Brother. Written over the course of eighteen months and recorded during the pandemic\/George Floyd \u0026amp; Breonna Taylor protests, Oort Smog drew from a number of influences to create their own sound - one of urgency, heaviness, and hope.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEMIYB is the band’s second offering, continuing the complexities of their first record, a hybrid of tightly arranged changes and free jazz improvisation. Daniel Zaidenstadt returns as engineer to help sculpt the sonics, blending and fully utilizing the space of Human Resources to its fullest potential.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Oort Smog\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e"}
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A record released in January 2023 by Oort Smog, a duo of saxophonist Patrick Shiroishi and drummer Mark Kimbrell from LA, USA, on LA's all-genre label AKP.Includes two thrilling experimental jazz-rock tracks. Comes with DL code. AKP Recordings · Oort Smog - Every Motherfucker Is...
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{"id":7996991602938,"title":"Kalia Vandever \/\/ We Fell In Turn LP","handle":"kalia-vandever-we-fell-in-turn-lp","description":"\u003cp\u003eアメリカ・NYのトロンボーン奏者Kalia Vandeverが、2023年3月に同国LAのオールジャンルレーベルAKPからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eトロンボーンのみによるアンビエント・ジャズ\u003c\/span\u003e10曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1478540833\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"AKP Recordings\" href=\"https:\/\/soundcloud.com\/akprecordings\" target=\"_blank\"\u003eAKP Recordings\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Kalia Vandever - We Fell In Turn\" href=\"https:\/\/soundcloud.com\/akprecordings\/sets\/kalia-vandever-we-fell-in-turn\" target=\"_blank\"\u003eKalia Vandever - We Fell In Turn\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eAKP Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eWe Fell In Turn' is the solo debut from Brooklyn-based trombonist, composer, and quartet leader Kalia Vandever. Vandever, who plays with Harry Styles and Japanese Breakfast, “sculpts her trombone’s golden tones into dazzling compositions” (Pitchfork), writing music that tends to “dip you into a feeling or a pattern or a breathing speed, and keep you there” (The New York Times). In 2022, Vandever released Regrowth, an album that “features the ecstatic, brilliant melodies that have become Vandever’s signature sound” (Bandcamp). This spring, Vandever brings contemplative reflection to We Fell in Turn, a brave and understated work from an ascending voice in American jazz.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded over three days in upstate New York, 'We Fell In Turn' is improvisational — a stark palate of solo trombone, voice, effects, and little more. “My solo process has always been heavily rooted in improvisation,” says Vandever. “I wanted the process to feel similar to the way I perform. Lee Meadvin, who engineered and produced the album, had a heavy hand in the creative process as well. He would dictate prompts before I started improvising and those pieces ended up shaping a lot of the imagery that comes up throughout the record.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConnecting the dots between Jeff Parker’s 'Forfolks'\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, and early releases from Grouper, 'We Fell In Turn' is a study of space and patience, embracing vulnerability in its sparse adornment. At times, the album is reminiscent of Patrick Shiroishi’s 'Hidemi', both in its familial inspiration and solo instrument study, while sharing the ineffable feel of William Basinski’s 'The Disintegration Loops' — the traces of her trombone folding in on themselves in an organic loop. Emotionally generous throughout, Vandever acts as a torchbearer for jazz’s historical yearning for connection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn 'We Fell in Turn' Vandever draws inspiration from childhood memories — events that shaped her approach to love, community, and partnership, and her maternal homeland of Hawaii. “We were exploring childhood memories, earliest experiences with disappointment and pain, and my Hawaiian roots,” says Vandever. “We Fell In Turn came after I titled the track \"We Wept In Turn\". Both come from the intangible feeling of waking up from vivid dreams, particularly the experience of falling right before waking up or waking up in tears.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough this exploration into her heritage, Vandever also found guidance. “In Hawaiian mythology, ‘aumākua are known as ancestral spiritual guides that manifest in different forms, whether physical or intangible,” says Vandever. “My ‘aumākua visits me in my dreams, usually with a reassuring hug or a reminder of my past. Memories and early experiences seem to escape me, but find their way back in dreams.” And now they’ve found their way into 'We Fell in Turn', Kalia Vandever’s stunning solo debut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kalia Vandever\u003c\/p\u003e\n\u003cp\u003eLabel : AKP Records\u003c\/p\u003e","published_at":"2023-07-25T07:34:33+09:00","created_at":"2023-07-21T13:36:40+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","jazz","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44364999753978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kalia Vandever \/\/ We Fell In Turn LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/we1_96e750b6-2988-4814-a583-806f97b799b0.jpg?v=1690249650","\/\/tobirarecords.com\/cdn\/shop\/files\/we_211dc884-80dd-404d-ae70-afb0962d9cd9.jpg?v=1690249650"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_96e750b6-2988-4814-a583-806f97b799b0.jpg?v=1690249650","options":["Title"],"media":[{"alt":null,"id":32248110973178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_96e750b6-2988-4814-a583-806f97b799b0.jpg?v=1690249650"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_96e750b6-2988-4814-a583-806f97b799b0.jpg?v=1690249650","width":700},{"alt":null,"id":32248110940410,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we_211dc884-80dd-404d-ae70-afb0962d9cd9.jpg?v=1690249650"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we_211dc884-80dd-404d-ae70-afb0962d9cd9.jpg?v=1690249650","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのトロンボーン奏者Kalia Vandeverが、2023年3月に同国LAのオールジャンルレーベルAKPからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eトロンボーンのみによるアンビエント・ジャズ\u003c\/span\u003e10曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1478540833\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"AKP Recordings\" href=\"https:\/\/soundcloud.com\/akprecordings\" target=\"_blank\"\u003eAKP Recordings\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Kalia Vandever - We Fell In Turn\" href=\"https:\/\/soundcloud.com\/akprecordings\/sets\/kalia-vandever-we-fell-in-turn\" target=\"_blank\"\u003eKalia Vandever - We Fell In Turn\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eAKP Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eWe Fell In Turn' is the solo debut from Brooklyn-based trombonist, composer, and quartet leader Kalia Vandever. Vandever, who plays with Harry Styles and Japanese Breakfast, “sculpts her trombone’s golden tones into dazzling compositions” (Pitchfork), writing music that tends to “dip you into a feeling or a pattern or a breathing speed, and keep you there” (The New York Times). In 2022, Vandever released Regrowth, an album that “features the ecstatic, brilliant melodies that have become Vandever’s signature sound” (Bandcamp). This spring, Vandever brings contemplative reflection to We Fell in Turn, a brave and understated work from an ascending voice in American jazz.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded over three days in upstate New York, 'We Fell In Turn' is improvisational — a stark palate of solo trombone, voice, effects, and little more. “My solo process has always been heavily rooted in improvisation,” says Vandever. “I wanted the process to feel similar to the way I perform. Lee Meadvin, who engineered and produced the album, had a heavy hand in the creative process as well. He would dictate prompts before I started improvising and those pieces ended up shaping a lot of the imagery that comes up throughout the record.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConnecting the dots between Jeff Parker’s 'Forfolks'\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, and early releases from Grouper, 'We Fell In Turn' is a study of space and patience, embracing vulnerability in its sparse adornment. At times, the album is reminiscent of Patrick Shiroishi’s 'Hidemi', both in its familial inspiration and solo instrument study, while sharing the ineffable feel of William Basinski’s 'The Disintegration Loops' — the traces of her trombone folding in on themselves in an organic loop. Emotionally generous throughout, Vandever acts as a torchbearer for jazz’s historical yearning for connection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn 'We Fell in Turn' Vandever draws inspiration from childhood memories — events that shaped her approach to love, community, and partnership, and her maternal homeland of Hawaii. “We were exploring childhood memories, earliest experiences with disappointment and pain, and my Hawaiian roots,” says Vandever. “We Fell In Turn came after I titled the track \"We Wept In Turn\". Both come from the intangible feeling of waking up from vivid dreams, particularly the experience of falling right before waking up or waking up in tears.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough this exploration into her heritage, Vandever also found guidance. “In Hawaiian mythology, ‘aumākua are known as ancestral spiritual guides that manifest in different forms, whether physical or intangible,” says Vandever. “My ‘aumākua visits me in my dreams, usually with a reassuring hug or a reminder of my past. Memories and early experiences seem to escape me, but find their way back in dreams.” And now they’ve found their way into 'We Fell in Turn', Kalia Vandever’s stunning solo debut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kalia Vandever\u003c\/p\u003e\n\u003cp\u003eLabel : AKP Records\u003c\/p\u003e"}
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This is a record released in March 2023 by trombonist Kalia Vandever from New York, USA on the all-genre label AKP in LA.Contains 3 ambient jazz songs by trombone only. Comes with DL code. AKP Recordings · Kalia Vandever - We Fell In Turn Label and other works here ///...
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{"id":7995615215866,"title":"The Cat \u0026 Bells Club \/\/ The Cat \u0026 Bells Club LP","handle":"the-cat-bells-club-the-cat-bells-club-lp","description":"\u003cp\u003eイギリスの実験音楽家Graham Lambkinと\u003cspan data-mce-fragment=\"1\"\u003eDarren HarrisによるデュオThe Cat \u0026amp; Bells Clubが、2023年7月にアメリカ・NYの実験レーベルBlank Formsからリリースした再発レコードです。（オリジナルは1991年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eリサイクルショップで入手したチューニングがずれたギターや、ドラム代わりのコーヒーカップなどを用いたフリーフォームなインプロ〜サウンドポエトリー〜実験Lo-Fiロック16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=161896343\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=367840319\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=161896343\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 140gram black vinyl.\u003c\/p\u003e\n\u003cp\u003eBlank Forms:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1992, under the guise of the Cat \u0026amp; Bells Club, eighteen-year-old Cheriton residents Graham Lambkin and Darren Harris self-released three tapes—two yellow cassettes and one pink—documenting their earliest musical efforts at S.H.P. studios (Lambkin’s bedroom in his parents’ house). The lowest of all lo-fi recordings, these tracks were laid down live, directly into a boombox with no overdubs. Relieved of their academic expectations and plunged into the workforce, the duo aspired to enter the annals of rock history, making their own primitive teenage overtures to Marc Bolan, the Incredible String Band, Whitehouse, and the Godz. Lyrically and spiritually the Cat \u0026amp; Bells Club had much to do with Bolan’s early Tyrannosaurus Rex project, but with a hyperlocalized Folkestonian twist that nonetheless maintained his penchant for chevaline. While much of the Club’s repertoire comprised freeform instrumental try-outs—untuned charity shop guitars and coffee cup drum kits—a number of songs featured Lambkin’s original lyrics, read by both members of the band, dramatizing the comings and goings of anthropomorphic animals and musing abstractly on the minutiae of daily life in Cheriton (their native C-Town).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking their moniker from a mishearing of “the jester’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e bauble, cap and bells,”' a line from Incredible String Band’s “The Iron Stone,” the duo operated for a brief year under the increasingly esoteric influence of the Fisheye mail-order and then fledgling Forced Exposure fanzine, and from the airwaves via Radio 1’s John Peel show. This collection was compiled by Lambkin in the early aughts for an unrealized release on his now defunct Kye label, but barring a few tracks on a retrospective 7″ issued by Siltbreeze in 2010, hardly any of these recordings have been heard beyond a handful of hangers-on, inner-circle drinking allies, and the most devoted of fans. The Cat \u0026amp; Bells Club set the stage for what was to soon follow, when the group changed its name to the Shadow Ring—the rest is history.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Cat \u0026amp; Bells Club\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e","published_at":"2023-07-20T11:46:08+09:00","created_at":"2023-07-16T17:17:08+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","jazz","lp","new","sound poetry","strange beats"],"price":385000,"price_min":385000,"price_max":385000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44348823240954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Cat \u0026 Bells Club \/\/ The Cat \u0026 Bells Club LP","public_title":null,"options":["Default Title"],"price":385000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_68703260-fa65-4a35-ac38-562f515da389.jpg?v=1689495430","\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_01244d61-a211-4656-97ec-b2421d167a95.jpg?v=1689495430"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_68703260-fa65-4a35-ac38-562f515da389.jpg?v=1689495430","options":["Title"],"media":[{"alt":null,"id":32231186497786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_68703260-fa65-4a35-ac38-562f515da389.jpg?v=1689495430"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_68703260-fa65-4a35-ac38-562f515da389.jpg?v=1689495430","width":700},{"alt":null,"id":32231186530554,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_01244d61-a211-4656-97ec-b2421d167a95.jpg?v=1689495430"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_01244d61-a211-4656-97ec-b2421d167a95.jpg?v=1689495430","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Graham Lambkinと\u003cspan data-mce-fragment=\"1\"\u003eDarren HarrisによるデュオThe Cat \u0026amp; Bells Clubが、2023年7月にアメリカ・NYの実験レーベルBlank Formsからリリースした再発レコードです。（オリジナルは1991年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eリサイクルショップで入手したチューニングがずれたギターや、ドラム代わりのコーヒーカップなどを用いたフリーフォームなインプロ〜サウンドポエトリー〜実験Lo-Fiロック16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=161896343\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=367840319\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=161896343\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 140gram black vinyl.\u003c\/p\u003e\n\u003cp\u003eBlank Forms:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1992, under the guise of the Cat \u0026amp; Bells Club, eighteen-year-old Cheriton residents Graham Lambkin and Darren Harris self-released three tapes—two yellow cassettes and one pink—documenting their earliest musical efforts at S.H.P. studios (Lambkin’s bedroom in his parents’ house). The lowest of all lo-fi recordings, these tracks were laid down live, directly into a boombox with no overdubs. Relieved of their academic expectations and plunged into the workforce, the duo aspired to enter the annals of rock history, making their own primitive teenage overtures to Marc Bolan, the Incredible String Band, Whitehouse, and the Godz. Lyrically and spiritually the Cat \u0026amp; Bells Club had much to do with Bolan’s early Tyrannosaurus Rex project, but with a hyperlocalized Folkestonian twist that nonetheless maintained his penchant for chevaline. While much of the Club’s repertoire comprised freeform instrumental try-outs—untuned charity shop guitars and coffee cup drum kits—a number of songs featured Lambkin’s original lyrics, read by both members of the band, dramatizing the comings and goings of anthropomorphic animals and musing abstractly on the minutiae of daily life in Cheriton (their native C-Town).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking their moniker from a mishearing of “the jester’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e bauble, cap and bells,”' a line from Incredible String Band’s “The Iron Stone,” the duo operated for a brief year under the increasingly esoteric influence of the Fisheye mail-order and then fledgling Forced Exposure fanzine, and from the airwaves via Radio 1’s John Peel show. This collection was compiled by Lambkin in the early aughts for an unrealized release on his now defunct Kye label, but barring a few tracks on a retrospective 7″ issued by Siltbreeze in 2010, hardly any of these recordings have been heard beyond a handful of hangers-on, inner-circle drinking allies, and the most devoted of fans. The Cat \u0026amp; Bells Club set the stage for what was to soon follow, when the group changed its name to the Shadow Ring—the rest is history.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Cat \u0026amp; Bells Club\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e"}
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The Cat & Bells Club duo of British experimental musicians Graham Lambkin and Darren Harris is a reissued record released in July 2023 from New York's experimental label Blank Forms. (Original was released in 7) Includes 1991 free-form improvisations, sound poetry, and experimental Lo-Fi rock, using guitars obtained at recycle shops that are out of tune and coffee cups instead of drums.Click here for label and other works /// Click here to see more Blank Forms...
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{"id":7994215334138,"title":"Evan Parker \/\/ Monoceros LP","handle":"copy-of-evan-parker-monoceros-lp","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのサックス奏者Evan Parkerの1978年リリース作品のレコード再発です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q1nrfaX7eHc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded April 30, 1978 at Wyastone Leys, Monmouth.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis edition cut by Noel Summerville using high resolution recordings prepared by Colin Young taken from the original metal master.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginally released by Incus Records 1978\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Parker uses rapid tonguing techniques and circular breathing to create a sound all his own, marked by the simultaneous intonation of multiple notes. One hears a note as well as all the residual tones around it; each breath ends up sounding like a battle between the different registers of the horn. At various times, Parker’s saxophone sounds like dolphin speech, electronic tape squeals, or human murmurs; namely, anything but what it actually is. His language on the instrument is essential listening for anyone interested in acoustic experimental music.’ \u003cbr\u003e- AllMusic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Eight years after Topography Of The Lungs, and two years after his Saxophone Solos, Monoceros was the most muscular statement of Evan Parker’s solo saxophone muse. Superbly recorded, it seemed to place the listener within the chaotic air flows of the saxophone’s own tubing. Philip Clark said: ‘Parker’s dialogue with the saxophone throws up so much that is unexpected, and indeed unknowable, that the problem he faces is how to keep pace with his own invention’’ \u003cbr\u003e\u003c\/em\u003e- The Wire, Best Albums Of The Year\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Treader\u003c\/p\u003e","published_at":"2023-07-12T19:35:20+09:00","created_at":"2023-07-12T12:52:21+09:00","vendor":"Tobira Records","type":"","tags":["honest jon's records","jazz","lp","new"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44337331896570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Evan Parker \/\/ Monoceros LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_d5bb30ac-ec76-4283-b7d6-d2c8c1d64267.jpg?v=1689133942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_d5bb30ac-ec76-4283-b7d6-d2c8c1d64267.jpg?v=1689133942","options":["Title"],"media":[{"alt":null,"id":32215661248762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_d5bb30ac-ec76-4283-b7d6-d2c8c1d64267.jpg?v=1689133942"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_d5bb30ac-ec76-4283-b7d6-d2c8c1d64267.jpg?v=1689133942","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのサックス奏者Evan Parkerの1978年リリース作品のレコード再発です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q1nrfaX7eHc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded April 30, 1978 at Wyastone Leys, Monmouth.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis edition cut by Noel Summerville using high resolution recordings prepared by Colin Young taken from the original metal master.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginally released by Incus Records 1978\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Parker uses rapid tonguing techniques and circular breathing to create a sound all his own, marked by the simultaneous intonation of multiple notes. One hears a note as well as all the residual tones around it; each breath ends up sounding like a battle between the different registers of the horn. At various times, Parker’s saxophone sounds like dolphin speech, electronic tape squeals, or human murmurs; namely, anything but what it actually is. His language on the instrument is essential listening for anyone interested in acoustic experimental music.’ \u003cbr\u003e- AllMusic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Eight years after Topography Of The Lungs, and two years after his Saxophone Solos, Monoceros was the most muscular statement of Evan Parker’s solo saxophone muse. Superbly recorded, it seemed to place the listener within the chaotic air flows of the saxophone’s own tubing. Philip Clark said: ‘Parker’s dialogue with the saxophone throws up so much that is unexpected, and indeed unknowable, that the problem he faces is how to keep pace with his own invention’’ \u003cbr\u003e\u003c\/em\u003e- The Wire, Best Albums Of The Year\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Treader\u003c\/p\u003e"}
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A vinyl reissue of the 1978 release by British saxophonist Evan Parker. ------------------------------------------ 12" black vinyl. Recorded April 30 , 1978 at Wyastone Leys, Monmouth.
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{"id":7991401578746,"title":"Müller \/ Doskocz \/ Gordoa \/\/ Aural Accidentals TAPE","handle":"muller-doskocz-gordoa-aural-accidentals-tape","description":"\u003cp\u003eドイツとポーランドの即興奏者3名が、2023年4月にアメリカ・マサチューセッツの実験／ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポーランドで行われた実験音楽フェス\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festivalでのライブ録音です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e以下、\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festival主催Andrzej Nowakによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ポズナンのドラゴン・クラブで開催された第5回Spontaneous Music Festivalでは、即興ミュージシャンのアドホック・グループがラインナップを独占し、彼らはステージで初めて顔を合わせました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eイベント最終日の日曜日の夕方、照明が落とされた暗闇の中、3人の勇敢な即興演奏家たちが原始の旅に出ることにしました。ベルリン出身のトロンボーン奏者、マティアス・ミュラーは、多くの音楽的経験とスキルを持ち込みましたが、その中でも特に貴重だったのが、典型的な始まりも終わりもないような長い金管楽器のフレーズを構築する巨大な能力でした。そしてポズナン出身のギタリスト、パヴェウ・ドスコッチと、同じくベルリン出身のエレクトロアコースティック・マルチインストゥルメンタリスト、エミリオ・ゴルドアでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らの旅には、パーカッシブなエレクトロニクスとギターの反復によって生み出される独自のリズムがあり、それは生気に満ちた重厚さと、背景のアンビエントの魅力的で驚くほどマットな美しさを持っていました。「フェイク・サウンド」フェスティバルのようであり、起源を正確に特定できない音の川でした。そして、彼らの音楽の集団的な流れは、鳥のさえずりと数秒の静寂によって終わりを告げ、未完成の音の実験を括弧の中に収め、聴き手の頭の中に実に暗い混乱を生み出しました。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3817374655\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eAndrzej Nowak via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"During the 5th edition of the Spontaneous Music Festival in the Dragon Club in Poznań, the lineup was dominant by ad hoc groups of improvising musicians, who met each other on the stage for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Sunday evening, the last day of the event, in the darkness of the dimmed lights three brave improvisers decided to make their primal journey. Matthias Müller, a trombonist from Berlin, brought a lot of musical experience and skills, one of them exceptionally valuable – a gigantic ability to build long, brass phrases that seem to have no typical beginning or definite end. Two of his much younger colleagues – Paweł Doskocz, a guitarist from Poznań and Emilio Gordoa, an electroacoustic multi-instrumentalist, also from the Berlin – added a tendency of footloose experimentations, characteristic for both young and great artists.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir journey had its own rhythm, created by percussive electronics and guitar repetitions, it had a brassy massiveness and a charming, surprisingly matte beauty of the background ambient. During the concert, which lasted less than two quarters, the artists imbued the narrative with a lots of sonic surprises – it was like a \"fake sounds\" festival, a river of sounds which origin we were not been\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e able to point precisely. And their collective stream of music was ended by birds singing and a few second of silence, which took the unfinished sonic experiments in a bracket, creating a truly dark confusion in the listeners' heads.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Müller \/ Doskocz \/ Gordoa\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2023-07-04T19:17:31+09:00","created_at":"2023-07-03T13:00:05+09:00","vendor":"Tobira Records","type":"","tags":["jazz","new","tape","tripticks tapes"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313472991482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Müller \/ Doskocz \/ Gordoa \/\/ Aural Accidentals TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808","\/\/tobirarecords.com\/cdn\/shop\/files\/aural2.jpg?v=1688356808"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808","options":["Title"],"media":[{"alt":null,"id":32181470068986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808","width":700},{"alt":null,"id":32181470101754,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural2.jpg?v=1688356808"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural2.jpg?v=1688356808","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツとポーランドの即興奏者3名が、2023年4月にアメリカ・マサチューセッツの実験／ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポーランドで行われた実験音楽フェス\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festivalでのライブ録音です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e以下、\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festival主催Andrzej Nowakによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ポズナンのドラゴン・クラブで開催された第5回Spontaneous Music Festivalでは、即興ミュージシャンのアドホック・グループがラインナップを独占し、彼らはステージで初めて顔を合わせました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eイベント最終日の日曜日の夕方、照明が落とされた暗闇の中、3人の勇敢な即興演奏家たちが原始の旅に出ることにしました。ベルリン出身のトロンボーン奏者、マティアス・ミュラーは、多くの音楽的経験とスキルを持ち込みましたが、その中でも特に貴重だったのが、典型的な始まりも終わりもないような長い金管楽器のフレーズを構築する巨大な能力でした。そしてポズナン出身のギタリスト、パヴェウ・ドスコッチと、同じくベルリン出身のエレクトロアコースティック・マルチインストゥルメンタリスト、エミリオ・ゴルドアでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らの旅には、パーカッシブなエレクトロニクスとギターの反復によって生み出される独自のリズムがあり、それは生気に満ちた重厚さと、背景のアンビエントの魅力的で驚くほどマットな美しさを持っていました。「フェイク・サウンド」フェスティバルのようであり、起源を正確に特定できない音の川でした。そして、彼らの音楽の集団的な流れは、鳥のさえずりと数秒の静寂によって終わりを告げ、未完成の音の実験を括弧の中に収め、聴き手の頭の中に実に暗い混乱を生み出しました。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3817374655\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eAndrzej Nowak via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"During the 5th edition of the Spontaneous Music Festival in the Dragon Club in Poznań, the lineup was dominant by ad hoc groups of improvising musicians, who met each other on the stage for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Sunday evening, the last day of the event, in the darkness of the dimmed lights three brave improvisers decided to make their primal journey. Matthias Müller, a trombonist from Berlin, brought a lot of musical experience and skills, one of them exceptionally valuable – a gigantic ability to build long, brass phrases that seem to have no typical beginning or definite end. Two of his much younger colleagues – Paweł Doskocz, a guitarist from Poznań and Emilio Gordoa, an electroacoustic multi-instrumentalist, also from the Berlin – added a tendency of footloose experimentations, characteristic for both young and great artists.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir journey had its own rhythm, created by percussive electronics and guitar repetitions, it had a brassy massiveness and a charming, surprisingly matte beauty of the background ambient. During the concert, which lasted less than two quarters, the artists imbued the narrative with a lots of sonic surprises – it was like a \"fake sounds\" festival, a river of sounds which origin we were not been\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e able to point precisely. And their collective stream of music was ended by birds singing and a few second of silence, which took the unfinished sonic experiments in a bracket, creating a truly dark confusion in the listeners' heads.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Müller \/ Doskocz \/ Gordoa\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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A limited edition of 3 cassettes released by three improvisers from Germany and Poland in April 2023 from Tripticks Tapes, an experimental/jazz label in Massachusetts, USA.Recorded live at Spontaneous Music Festival, an experimental music festival in Poland. Comes with DL code.Below is a commentary by Spontaneous Music Festival organizer Andrzej Nowak. "At the 4th Spontaneous Music Festival at the Dragon Club in Poznan, an ad-hoc group of improvisational musicians dominated the line-up and met for the first time on stage. Lights on Sunday evening, final day of the event. In the darkness that has fallen, three intrepid improvisers decide to embark on a primordial journey.Berlin-born trombonist Matthias Müller brings with him a wealth of musical experience and skill. But among the most valuable of these was his immense ability to construct long brass phrases, typically without beginning or end, and with guitarist Pawel Doscotc, also from Poznań and Berlin. electro-acoustic multi-instrumentalist Emilio Goldoa, their journey has its own rhythms created by percussive electronics and guitar repetitions, with a lively heft and an ambient backdrop. It had a glamorous and surprisingly matte beauty to it, like a 'fake sound' festival, a river of sounds whose origins cannot be pinpointed.And the collective flow of their music ended with a chirping bird and a few seconds of silence, bracketing an unfinished sonic experiment and creating a truly dark mess in the listener's head. rice field. " Click here for labels and other works /// Click here to...
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{"id":7991396466938,"title":"J. Albert Meets Will August Park \/\/ Flat Earth TAPE","handle":"jwpe","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にOpal TapesやForgot Imprintなどから発表しているアメリカ・NYのエレクトロニック作家J. Albertと、カリフォルニアのピアニスト\u003c\/span\u003eWill August Parkが、2023年6月にNYの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e29 Speedwayからリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験ジャズ・ダブテクノ5曲を収録。DLコード付属。 廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311480242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311480242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1021057274\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e29 Speedway:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMeeting as solo artists billed for the same show (Brookyn 2021),\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWill August Park and J were compelled to get in the studio together.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe unification of Will’s impressionistic solo piano compositions and J. Alberts blunted electronic music style lent itself to a holistic workflow, and in this flow they discovered their commonality in taste and musical expression. The two musicians, versatile in both acoustic instruments and electronics, bring together their distinct styles on \"Flat Earth\". The composition process involved free improvisation, crafting layers of lush resonance and paired back beats. The 5 track EP sometimes dances across the mind with ease of groove, while also hyper-focussing on the bold personality of instruments to create textural symphonies.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J. Albert Meets Will August Park\u003c\/p\u003e\n\u003cp\u003eLabel : 29 Speedway\u003c\/p\u003e","published_at":"2023-07-03T15:04:16+09:00","created_at":"2023-07-03T12:44:44+09:00","vendor":"Tobira Records","type":"","tags":["29 Speedway","ambient","jazz","new","recommended","tape","techno \/ house"],"price":235000,"price_min":235000,"price_max":235000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313424199930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"J. Albert Meets Will August Park \/\/ Flat Earth TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_77c572b8-7a6f-4392-b502-062d33003a96.jpg?v=1688355886","\/\/tobirarecords.com\/cdn\/shop\/files\/ea2_c0f650a5-a261-430f-a6bc-5da3c3870c0b.jpg?v=1688355885"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_77c572b8-7a6f-4392-b502-062d33003a96.jpg?v=1688355886","options":["Title"],"media":[{"alt":null,"id":32181401190650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_77c572b8-7a6f-4392-b502-062d33003a96.jpg?v=1688355886"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_77c572b8-7a6f-4392-b502-062d33003a96.jpg?v=1688355886","width":700},{"alt":null,"id":32181401223418,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea2_c0f650a5-a261-430f-a6bc-5da3c3870c0b.jpg?v=1688355885"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea2_c0f650a5-a261-430f-a6bc-5da3c3870c0b.jpg?v=1688355885","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にOpal TapesやForgot Imprintなどから発表しているアメリカ・NYのエレクトロニック作家J. Albertと、カリフォルニアのピアニスト\u003c\/span\u003eWill August Parkが、2023年6月にNYの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e29 Speedwayからリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験ジャズ・ダブテクノ5曲を収録。DLコード付属。 廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311480242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311480242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1021057274\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e29 Speedway:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMeeting as solo artists billed for the same show (Brookyn 2021),\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWill August Park and J were compelled to get in the studio together.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe unification of Will’s impressionistic solo piano compositions and J. Alberts blunted electronic music style lent itself to a holistic workflow, and in this flow they discovered their commonality in taste and musical expression. The two musicians, versatile in both acoustic instruments and electronics, bring together their distinct styles on \"Flat Earth\". The composition process involved free improvisation, crafting layers of lush resonance and paired back beats. The 5 track EP sometimes dances across the mind with ease of groove, while also hyper-focussing on the bold personality of instruments to create textural symphonies.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J. Albert Meets Will August Park\u003c\/p\u003e\n\u003cp\u003eLabel : 29 Speedway\u003c\/p\u003e"}
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This is a collaborative cassette released in June 2023 from New York's 6 Speedway by electronic writer J. Albert from New York, USA, who has released on Opal Tapes and Forgot Imprint in the past, and pianist Will August Park from California.Includes 29 experimental jazz dub techno tracks. Comes with DL code.It is out of print. ---------------------------------------------Includes DL code.5 ...
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{"id":7991228891386,"title":"Tripping Landlocked Infidels \/\/ Gunk Trap TAPE","handle":"tripping-landlocked-infidels-gunk-trap-tape","description":"\u003cp\u003eアメリカ・シカゴの実験レーベルRadical Documents諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国NYのパーカッションデュオTripping Landlocked Infidelsが、2023年3月に50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無の物音・ストレンジビーツ〜物音ジャズ2曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1623939594\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003cbr\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 50.\u003c\/p\u003e\n\u003cp\u003eArtist : Tripping Landlocked Infidels\u003c\/p\u003e\n\u003cp\u003eLabel : Radical Documents\u003c\/p\u003e","published_at":"2023-07-02T15:08:07+09:00","created_at":"2023-07-02T12:19:42+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","new","radical documents","strange beats","tape"],"price":176000,"price_min":176000,"price_max":176000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44311523918074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tripping Landlocked Infidels \/\/ Gunk Trap TAPE","public_title":null,"options":["Default Title"],"price":176000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gun1_ae09924e-865e-4b88-af33-bbc59d3f6f01.jpg?v=1688267984","\/\/tobirarecords.com\/cdn\/shop\/files\/gun2.jpg?v=1688267984"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gun1_ae09924e-865e-4b88-af33-bbc59d3f6f01.jpg?v=1688267984","options":["Title"],"media":[{"alt":null,"id":32178455478522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gun1_ae09924e-865e-4b88-af33-bbc59d3f6f01.jpg?v=1688267984"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gun1_ae09924e-865e-4b88-af33-bbc59d3f6f01.jpg?v=1688267984","width":700},{"alt":null,"id":32178455511290,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gun2.jpg?v=1688267984"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gun2.jpg?v=1688267984","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの実験レーベルRadical Documents諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国NYのパーカッションデュオTripping Landlocked Infidelsが、2023年3月に50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無の物音・ストレンジビーツ〜物音ジャズ2曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1623939594\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003cbr\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 50.\u003c\/p\u003e\n\u003cp\u003eArtist : Tripping Landlocked Infidels\u003c\/p\u003e\n\u003cp\u003eLabel : Radical Documents\u003c\/p\u003e"}
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We have received works by Radical Documents, an experimental label from Chicago, USA.This work is a cassette limited to 2023 released in March 3 by the New York percussion duo Tripping Landlocked Infidels.Contains 50 songs from ``Mononoto'' and ``Strange Beats'' to ``Mononoto Jazz'' with no melody.Click here to see more Radical Documents releases available...
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{"id":7991209001210,"title":"David Michael Moore \/\/ Flatboat River Witch: 1994 - 2015 2xTAPE","handle":"david-michael-moore-flatboat-river-witch-1994-2015-2xtape","description":"\u003cp\u003eアメリカ・ミシシッピー在住71歳の現役木工職人／ポストニューエイジ・ジャズ作家David Michael Mooreが、2022年4月に同国インディアナのカセットレーベルUlyssaからリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003e彼が1994-2015年に自作楽器や様々な楽器を一人で演奏して制作した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストニューエイジ・ジャズ〜妄想ファンク\u003c\/span\u003e22曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e純粋な音楽の楽しみを感じます。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便での発送となりますのでレコード等とお求めいただけますとお得です\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Qt-Bgi1CBs\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=135895913\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3442278255\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100. \u003c\/p\u003e\n\u003cp\u003eULYSSA:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDavid Michael Moore, 71, is an artist and woodworker living in Rosedale, Mississippi. A creator of elegant and unconventional woodcraft, he weaves sycamore branches into shelves, benches, and cradles, and hews local hardwood into massive bowls. Moore also makes his own instruments — zithers, harps, wooden drums, buzz boxes and dog bone xylophones. Using these “perverted”, hybrid instruments — along with regular ones: piano, synths, drums — Moore makes ecstatic music that twirls amid zydeco, Sufi mystical music, and the prepared piano compositions of John Cage. He also incorporates nature sounds of the Mississippi Delta into his mystifying, expressive music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn first pass, his lyricism is both surprising and workaday, both horny and hilarious — think John Prine, JJ Cale and Mark Knopfler. In his songs, we meet real people of The Delta: the beer-swilling, goofy war vet Buster; the ne’er-do-well nymphet Grocery Sto Feet Girl; the deceased Rosie and Mattie. But there’s a deeper, more cosmic element to it. Also present are philosophers Lao Tzu and Heraclitus — ancients who focused on absence of self, solitude in nature, and the embrace of flux. These themes are all present in Moore’s compositions. One thinks of the mighty river that flows just\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e a half mile from Moore’s backyard, its constant flux. One thinks of the human skull (200+ years old; found on the banks of that mighty river) that Moore keeps in his home studio, and then of the “memento mori” salutation used by the Hermits of St. Paul, monks who also kept skulls on their desks so to always ponder Death. And in that pondering, there was a lust for life — Life! which runs white-hot throughout Moore’s songs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt is good to know True American Wildasses like Moore are still out there — that in any simple, tiny, decaying American town there remains raw genius to be discovered. Untainted by vanity or reward, these wildasses don’t care whether you do or don’t share the vision. And now, it is very good to be on this flatboat with David Michael Moore, here in the dark edging along the Mississippi, slowly rounding a bend, ready for whatever’s next.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Michael Moore\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e","published_at":"2023-07-02T08:11:19+09:00","created_at":"2023-07-02T08:10:47+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","new","post newage","recommended","strange beats","tape","ulyssa"],"price":389000,"price_min":389000,"price_max":389000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44311313547514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Michael Moore \/\/ Flatboat River Witch: 1994 - 2015 2xTAPE","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_e76189a3-e243-48ed-a8e5-84ef830bfc8c.jpg?v=1688253050","\/\/tobirarecords.com\/cdn\/shop\/files\/fl2_bbca5b7c-905f-4286-89d5-65d4153b1384.jpg?v=1688253050"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_e76189a3-e243-48ed-a8e5-84ef830bfc8c.jpg?v=1688253050","options":["Title"],"media":[{"alt":null,"id":32178033754362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_e76189a3-e243-48ed-a8e5-84ef830bfc8c.jpg?v=1688253050"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_e76189a3-e243-48ed-a8e5-84ef830bfc8c.jpg?v=1688253050","width":700},{"alt":null,"id":32178033787130,"position":2,"preview_image":{"aspect_ratio":1.439,"height":834,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl2_bbca5b7c-905f-4286-89d5-65d4153b1384.jpg?v=1688253050"},"aspect_ratio":1.439,"height":834,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl2_bbca5b7c-905f-4286-89d5-65d4153b1384.jpg?v=1688253050","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ミシシッピー在住71歳の現役木工職人／ポストニューエイジ・ジャズ作家David Michael Mooreが、2022年4月に同国インディアナのカセットレーベルUlyssaからリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003e彼が1994-2015年に自作楽器や様々な楽器を一人で演奏して制作した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストニューエイジ・ジャズ〜妄想ファンク\u003c\/span\u003e22曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e純粋な音楽の楽しみを感じます。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便での発送となりますのでレコード等とお求めいただけますとお得です\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Qt-Bgi1CBs\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=135895913\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3442278255\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100. \u003c\/p\u003e\n\u003cp\u003eULYSSA:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDavid Michael Moore, 71, is an artist and woodworker living in Rosedale, Mississippi. A creator of elegant and unconventional woodcraft, he weaves sycamore branches into shelves, benches, and cradles, and hews local hardwood into massive bowls. Moore also makes his own instruments — zithers, harps, wooden drums, buzz boxes and dog bone xylophones. Using these “perverted”, hybrid instruments — along with regular ones: piano, synths, drums — Moore makes ecstatic music that twirls amid zydeco, Sufi mystical music, and the prepared piano compositions of John Cage. He also incorporates nature sounds of the Mississippi Delta into his mystifying, expressive music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn first pass, his lyricism is both surprising and workaday, both horny and hilarious — think John Prine, JJ Cale and Mark Knopfler. In his songs, we meet real people of The Delta: the beer-swilling, goofy war vet Buster; the ne’er-do-well nymphet Grocery Sto Feet Girl; the deceased Rosie and Mattie. But there’s a deeper, more cosmic element to it. Also present are philosophers Lao Tzu and Heraclitus — ancients who focused on absence of self, solitude in nature, and the embrace of flux. These themes are all present in Moore’s compositions. One thinks of the mighty river that flows just\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e a half mile from Moore’s backyard, its constant flux. One thinks of the human skull (200+ years old; found on the banks of that mighty river) that Moore keeps in his home studio, and then of the “memento mori” salutation used by the Hermits of St. Paul, monks who also kept skulls on their desks so to always ponder Death. And in that pondering, there was a lust for life — Life! which runs white-hot throughout Moore’s songs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt is good to know True American Wildasses like Moore are still out there — that in any simple, tiny, decaying American town there remains raw genius to be discovered. Untainted by vanity or reward, these wildasses don’t care whether you do or don’t share the vision. And now, it is very good to be on this flatboat with David Michael Moore, here in the dark edging along the Mississippi, slowly rounding a bend, ready for whatever’s next.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Michael Moore\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e"}
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David Michael Moore, a 71-year-old active woodworker/post-New Age jazz writer living in Mississippi, USA, released a two-piece cassette from the Indiana cassette label Ulyssa in April 2022.Includes 4 post-new age jazz and delusional funk songs that he produced by playing his own instruments and various instruments alone from 2 to 1994. Comes with DL code.Feel the pure musical enjoyment. * Due to the shape of the case, it will be shipped by Sagawa Express, so if you can purchase it as a record, etc., it will be a good deal.
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{"id":7989959590138,"title":"John Carroll Kirby \/\/ My Garden LP","handle":"john-carroll-kirby-my-garden-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベルStones Throwからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eバレアリックな風を纏ったスピリチュアルジャズ9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1270660623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePianist, producer and composer John Carroll Kirby will release My Garden, his first solo album for Stones Throw, on April 24.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Garden, a collection of songs written, recorded and produced entirely by Kirby, is a pure distillation of his sound — soulful, spiritual, and evocative. Demonstrating perfectly why Kirby is the go-to collaborator for artists ranging from experimental auteurs Bat for Lashes and Connan Mockasin to pop megastars Harry Styles and Kali Uchis, and R\u0026amp;B innovators Solange and Frank Ocean, My Garden is also a testament to the clarity and singularity of Kirby's vision.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2023-06-28T14:37:38+09:00","created_at":"2023-06-28T14:00:32+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","post newage","stones throw"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44302415692026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ My Garden LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433","\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_27143059-a6fd-4d18-8a08-d149f3a7fa6d.jpg?v=1687928434"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433","options":["Title"],"media":[{"alt":null,"id":32163414671610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433","width":700},{"alt":null,"id":32163414704378,"position":2,"preview_image":{"aspect_ratio":1.271,"height":944,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_27143059-a6fd-4d18-8a08-d149f3a7fa6d.jpg?v=1687928434"},"aspect_ratio":1.271,"height":944,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_27143059-a6fd-4d18-8a08-d149f3a7fa6d.jpg?v=1687928434","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベルStones Throwからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eバレアリックな風を纏ったスピリチュアルジャズ9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1270660623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePianist, producer and composer John Carroll Kirby will release My Garden, his first solo album for Stones Throw, on April 24.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Garden, a collection of songs written, recorded and produced entirely by Kirby, is a pure distillation of his sound — soulful, spiritual, and evocative. Demonstrating perfectly why Kirby is the go-to collaborator for artists ranging from experimental auteurs Bat for Lashes and Connan Mockasin to pop megastars Harry Styles and Kali Uchis, and R\u0026amp;B innovators Solange and Frank Ocean, My Garden is also a testament to the clarity and singularity of Kirby's vision.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
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This is a reissue record released by LA multi-instrumentalist John Carroll Kirby in June 2023 from LA's long-established label Stones Throw. (Original release in 6) Includes 2020 spiritual jazz songs with a Balearic wind.Click here to see more Leaving Records/Stones Throw releases available...
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{"id":7989088354554,"title":"Peace Flag Ensemble \/\/ Astral Plains LP","handle":"peace-flag-ensemble-astral-plains-lp","description":"\u003cp\u003eカナダ・サスカチュワンの5人組ジャズバンドPeace Flag Ensembleが、2023年7月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e晴れ渡った青空のように爽やかなスピリチュアル・ジャズ〜フリージャズ12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2388556456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 500. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 The Work\u003cbr\u003eA2 You Can't Pin Joy Like A Moth\u003cbr\u003eA3 Agnes Martin Dreams Of Macklin\u003cbr\u003eA4 Shamble On\u003cbr\u003eA5 Waiting Is My Favourite Colour\u003cbr\u003eA6 Bluets\u003cbr\u003eB1 Natural Amble\u003cbr\u003eB2 Burner Phone\u003cbr\u003eB3 More Bill Joy Than John Wisdom\u003cbr\u003eB4 Love Notes (For Eli)\u003cbr\u003eB5 Too Beautiful For A Cubicle\u003cbr\u003eB6 Dark Matter, Light Humour\u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePeace Flag Ensemble are a free jazz collective from Saskatchewan. Their sophomore LP, Astral Plains, arrives July 18 via We Are Busy Bodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group’s 2021 debut Noteland was described as “akin to getting stuck in a sensory deprivation tank with Keith Jarrett.” By contrast Astral Plains opens up, offering spacious and blue-sky arrangements and production. Perhaps it’s closer to laying in a prairie field looking for animals in the clouds with Mark Hollis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeace Flag Ensemble brings together a curious range of artistic backgrounds from studied players to left-field experimentalists. Their recordings are a pastiche of improvisation, composition, and collage. Centered around Jon Neher’s piano improvisations and Travis Packer’s electric bass, Astral Plains sees the collective expanded in both size and sound with the addition of percussionist Michael Thievin and contributions from guests including Patrick Shiroishi and Nick Walters. It was produced and mixed by ambient artist Michael Scott Dawson, who also provides subtle electronics, guitars, and field recordings. Paul Gutheil and Dalton Lam, on saxophone and trumpet respectively, provide linear and melodic passages tempered by restraint. They also allow Dawson to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e recontextualize their contributions through effects and tape manipulation. The result is a nuanced and joyous record that finds clarity through experimentation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Peace Flag Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e","published_at":"2023-06-27T13:33:08+09:00","created_at":"2023-06-26T20:24:18+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","we are busy bodies"],"price":365000,"price_min":365000,"price_max":365000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44299527913722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Peace Flag Ensemble \/\/ Astral Plains LP","public_title":null,"options":["Default Title"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_da0d9c8f-d31e-40bb-84e9-2872c41a0b22.jpg?v=1687778660","\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_8a09354c-270a-43b9-928a-145aa08c41e4.jpg?v=1687778660"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_da0d9c8f-d31e-40bb-84e9-2872c41a0b22.jpg?v=1687778660","options":["Title"],"media":[{"alt":null,"id":32156890497274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_da0d9c8f-d31e-40bb-84e9-2872c41a0b22.jpg?v=1687778660"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_da0d9c8f-d31e-40bb-84e9-2872c41a0b22.jpg?v=1687778660","width":700},{"alt":null,"id":32156890530042,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_8a09354c-270a-43b9-928a-145aa08c41e4.jpg?v=1687778660"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_8a09354c-270a-43b9-928a-145aa08c41e4.jpg?v=1687778660","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・サスカチュワンの5人組ジャズバンドPeace Flag Ensembleが、2023年7月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e晴れ渡った青空のように爽やかなスピリチュアル・ジャズ〜フリージャズ12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2388556456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 500. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 The Work\u003cbr\u003eA2 You Can't Pin Joy Like A Moth\u003cbr\u003eA3 Agnes Martin Dreams Of Macklin\u003cbr\u003eA4 Shamble On\u003cbr\u003eA5 Waiting Is My Favourite Colour\u003cbr\u003eA6 Bluets\u003cbr\u003eB1 Natural Amble\u003cbr\u003eB2 Burner Phone\u003cbr\u003eB3 More Bill Joy Than John Wisdom\u003cbr\u003eB4 Love Notes (For Eli)\u003cbr\u003eB5 Too Beautiful For A Cubicle\u003cbr\u003eB6 Dark Matter, Light Humour\u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePeace Flag Ensemble are a free jazz collective from Saskatchewan. Their sophomore LP, Astral Plains, arrives July 18 via We Are Busy Bodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group’s 2021 debut Noteland was described as “akin to getting stuck in a sensory deprivation tank with Keith Jarrett.” By contrast Astral Plains opens up, offering spacious and blue-sky arrangements and production. Perhaps it’s closer to laying in a prairie field looking for animals in the clouds with Mark Hollis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeace Flag Ensemble brings together a curious range of artistic backgrounds from studied players to left-field experimentalists. Their recordings are a pastiche of improvisation, composition, and collage. Centered around Jon Neher’s piano improvisations and Travis Packer’s electric bass, Astral Plains sees the collective expanded in both size and sound with the addition of percussionist Michael Thievin and contributions from guests including Patrick Shiroishi and Nick Walters. It was produced and mixed by ambient artist Michael Scott Dawson, who also provides subtle electronics, guitars, and field recordings. Paul Gutheil and Dalton Lam, on saxophone and trumpet respectively, provide linear and melodic passages tempered by restraint. They also allow Dawson to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e recontextualize their contributions through effects and tape manipulation. The result is a nuanced and joyous record that finds clarity through experimentation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Peace Flag Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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A record released in July 5 by the 2023-piece jazz band Peace Flag Ensemble from Saskatchewan, Canada, in a limited edition of 7 copies from the all-genre label We Are Busy Bodies in Toronto, Canada.Includes 500 songs from spiritual jazz to free jazz that are as refreshing as the clear blue sky. Comes with DL code.Click here for labels and other works /// Click here to see more We Are Busy...
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{"id":7987862372602,"title":"aja monet \/\/ when the poems do what they do 2xLP","handle":"aja-monet-when-the-poems-do-what-they-do-2xlp","description":"\u003cp\u003eアメリカ・NYの詩人aja monetが、2023年6月にNYのdrink sum wtrからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー・ジャズヒップホップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e16ページの写真\u0026amp;歌詞ブックレットとポスター付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3097307146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes a limited edition 16-page full color photo \u0026amp; lyric booklet and 18\" x 24\" glossy full color photo poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edrink sum wtr:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eaja monet’s poems are a work of gravity. A surrealist blues poet, storyteller, and organizer born and raised in Brooklyn, NY, aja won the legendary Nuyorican Poets Cafe Grand Slam poetry award title in 2007. In 2018, she was nominated for a NAACP Literary Award for Poetry and in 2019 was awarded the Marjory Stoneman Douglas Award for Poetry for her cultural organizing work in South Florida. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, releasing June 9 via drink sum wtr, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn when the poems do what they do, aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, “Who’s got time for poems when the world is on fire?!.” And this work isn’t one to pull apart into one liners, these are poems of things felt. There is a fullness here that can’t be encapsulated in even the boundaries that language offers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eaja is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together, creating music that is insistent and unrelenting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : aja monet\u003c\/p\u003e\n\u003cp\u003eLabel : drink sum wtr\u003c\/p\u003e","published_at":"2023-06-24T08:21:30+09:00","created_at":"2023-06-23T19:24:29+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","new"],"price":599000,"price_min":599000,"price_max":599000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295040893178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"aja monet \/\/ when the poems do what they do 2xLP","public_title":null,"options":["Default Title"],"price":599000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871","\/\/tobirarecords.com\/cdn\/shop\/files\/wh2_d8df0f9c-bfa9-4ad0-aa43-46040f044fc9.jpg?v=1687515871"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871","options":["Title"],"media":[{"alt":null,"id":32146932826362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871","width":700},{"alt":null,"id":32146932859130,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh2_d8df0f9c-bfa9-4ad0-aa43-46040f044fc9.jpg?v=1687515871"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh2_d8df0f9c-bfa9-4ad0-aa43-46040f044fc9.jpg?v=1687515871","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの詩人aja monetが、2023年6月にNYのdrink sum wtrからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー・ジャズヒップホップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e16ページの写真\u0026amp;歌詞ブックレットとポスター付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3097307146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes a limited edition 16-page full color photo \u0026amp; lyric booklet and 18\" x 24\" glossy full color photo poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edrink sum wtr:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eaja monet’s poems are a work of gravity. A surrealist blues poet, storyteller, and organizer born and raised in Brooklyn, NY, aja won the legendary Nuyorican Poets Cafe Grand Slam poetry award title in 2007. In 2018, she was nominated for a NAACP Literary Award for Poetry and in 2019 was awarded the Marjory Stoneman Douglas Award for Poetry for her cultural organizing work in South Florida. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, releasing June 9 via drink sum wtr, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn when the poems do what they do, aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, “Who’s got time for poems when the world is on fire?!.” And this work isn’t one to pull apart into one liners, these are poems of things felt. There is a fullness here that can’t be encapsulated in even the boundaries that language offers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eaja is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together, creating music that is insistent and unrelenting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : aja monet\u003c\/p\u003e\n\u003cp\u003eLabel : drink sum wtr\u003c\/p\u003e"}
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A 2023-disc set record released by drink sum wtr in New York in June 6 by aja monet, a poet from New York, USA.Contains 2 songs of sound poetry jazz hip hop. Includes 13-page photo & lyrics booklet and poster. ------------------------------------- 16x2" black vinyl. Includes a limited edition 12-page. ..
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{"id":7987848872186,"title":"Okonkolo \/\/ Rezos 10\"","handle":"okonkolo-rezos-10","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eヨルバ・アフロバンドOkonkoloが、2016年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3205780126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eBig Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThe musical prayers that make up Okonkolo’s debut EP Rezos (Prayers) are some of the most complex and beautiful that any classical tradition has produced. They are also some of the oldest, addressing Obatala, the creator of the world, Ochun, the goddess of love and beauty, and Chango, God of the drum. Okonkolo is a result of this collaboration – Abrahams soulful voice calling down the Orishas, the bata drums and voices soaring through the horns and guitars of Plasses’s production. The beauty and otherworldliness of these prayers endures, the rhythms and chants reimagined in a way that is somehow both ancient and new.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e","published_at":"2023-06-24T09:39:39+09:00","created_at":"2023-06-23T19:01:09+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","field recording","jazz","new","tape"],"price":218000,"price_min":218000,"price_max":218000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295005274362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Okonkolo \/\/ Rezos 10\"","public_title":null,"options":["Default Title"],"price":218000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ok1_a4d12f86-2b6c-4459-aedf-bbdae92b28f5.jpg?v=1687514471","\/\/tobirarecords.com\/cdn\/shop\/files\/ok2_5477ca55-4b21-42d9-927e-d3336886c268.jpg?v=1687514471"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok1_a4d12f86-2b6c-4459-aedf-bbdae92b28f5.jpg?v=1687514471","options":["Title"],"media":[{"alt":null,"id":32146832621818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok1_a4d12f86-2b6c-4459-aedf-bbdae92b28f5.jpg?v=1687514471"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok1_a4d12f86-2b6c-4459-aedf-bbdae92b28f5.jpg?v=1687514471","width":700},{"alt":null,"id":32146832654586,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok2_5477ca55-4b21-42d9-927e-d3336886c268.jpg?v=1687514471"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok2_5477ca55-4b21-42d9-927e-d3336886c268.jpg?v=1687514471","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eヨルバ・アフロバンドOkonkoloが、2016年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3205780126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eBig Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThe musical prayers that make up Okonkolo’s debut EP Rezos (Prayers) are some of the most complex and beautiful that any classical tradition has produced. They are also some of the oldest, addressing Obatala, the creator of the world, Ochun, the goddess of love and beauty, and Chango, God of the drum. Okonkolo is a result of this collaboration – Abrahams soulful voice calling down the Orishas, the bata drums and voices soaring through the horns and guitars of Plasses’s production. The beauty and otherworldliness of these prayers endures, the rhythms and chants reimagined in a way that is somehow both ancient and new.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e"}
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Yoruba Afro band Okonkolo released a record in 2016 from Big Crown in New York, USA.Click here for labels and other works /// Click here to see more Big Crown Records releases available at Tobira.
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{"id":7986246877434,"title":"Giuseppe Mistretta \/\/ completely engaged in your action as everything else dissipates into a fine mist LP","handle":"giuseppe-mistretta-completely-engaged-in-your-action-as-everything-else-dissipates-into-a-fine-mist-lp","description":"\u003cp\u003eスコットランド・グラスゴーの音響作家Giuseppe Mistrettaが、2023年6月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishingから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーとフィールドレコーディングによる即興コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースは、今この瞬間に自分の行動に関与することをテーマにしています。この2つのレコーディングは、シンセサイザーとフィールドレコーディングによる即興演奏です。これらはグラスゴーの自宅で制作したもので、当時は他人と一緒に音楽を見たり演奏したりすることができませんでした。音を導くための刺激を与えてくれる他者がいない状態で、これらの作品を演奏するのは奇妙な感じがしました。何を選ぶべきか、何を残すべきか、何を省くべきか、判断が難しかったです。その結果、良いものも悪いものも含めて、全曲を録音することにしました。私が選んだ2つの作品は、2、3日かけて作ったもので、同じような声の構成から始めました。結果はまったく異なっています。その瞬間、私はさまざまな場所に連れて行かれました。これらの録音を聴き返すと、興奮から恥ずかしさまで、さまざまな感情を感じます。時が過ぎ、録音はそれを表現する試みであるという結論に達しました。録音は、私を成長させる一種の喪失感なのです。あなたがこれらの作品に魅力を感じ、何らかの形で思考や感情、情動に火をつけてくれることを願っています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2531438673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eCalling Cards Publishing:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGiuseppe Mistretta is an artist and writer based in Glasgow. He works with synthesis and field recordings to create atmospheres for others to inhabit. Mistretta is interested in what can unfold in the present moment and how different variables can help shape it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement :\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“This release is about engaging in your actions in the present moment. The two recordings are improvisations made with synthesiser and field recordings. They were made at my home in Glasgow at a time when the experience of seeing or playing music with others was not possible. It felt strange to perform these pieces without others to give me stimulus to guide the sounds. I found it difficult to know what to choose, what to keep or leave out. The decision was to take whole recordings, good and bad. The two pieces that I chose were made over a couple of days and started with a similar configuration of voices. The results feel quite different. The moments took me to an array of places. Listening back to these recordings I feel a range of emotions from excitement to shame. I have come to the conclusion that the time has passed and the recordings are an attempt to represent it. They are a kind of loss that has encouraged me to grow. I hope you find them engaging and they spark thoughts, feelings and emotions in some way.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Mistretta\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e","published_at":"2023-06-21T18:14:12+09:00","created_at":"2023-06-20T13:39:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","calling cards publishing","jazz","lp","monooto","new","noise"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44287987548410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Giuseppe Mistretta \/\/ completely engaged in your action as everything else dissipates into a fine mist LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_30b6655d-568a-4e30-b58d-93bb6a320562.jpg?v=1687235955","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_4ae58bf6-23a6-44e0-b400-086995674141.jpg?v=1687235955"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_30b6655d-568a-4e30-b58d-93bb6a320562.jpg?v=1687235955","options":["Title"],"media":[{"alt":null,"id":32133657067770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_30b6655d-568a-4e30-b58d-93bb6a320562.jpg?v=1687235955"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_30b6655d-568a-4e30-b58d-93bb6a320562.jpg?v=1687235955","width":700},{"alt":null,"id":32133657100538,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_4ae58bf6-23a6-44e0-b400-086995674141.jpg?v=1687235955"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_4ae58bf6-23a6-44e0-b400-086995674141.jpg?v=1687235955","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスコットランド・グラスゴーの音響作家Giuseppe Mistrettaが、2023年6月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishingから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーとフィールドレコーディングによる即興コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースは、今この瞬間に自分の行動に関与することをテーマにしています。この2つのレコーディングは、シンセサイザーとフィールドレコーディングによる即興演奏です。これらはグラスゴーの自宅で制作したもので、当時は他人と一緒に音楽を見たり演奏したりすることができませんでした。音を導くための刺激を与えてくれる他者がいない状態で、これらの作品を演奏するのは奇妙な感じがしました。何を選ぶべきか、何を残すべきか、何を省くべきか、判断が難しかったです。その結果、良いものも悪いものも含めて、全曲を録音することにしました。私が選んだ2つの作品は、2、3日かけて作ったもので、同じような声の構成から始めました。結果はまったく異なっています。その瞬間、私はさまざまな場所に連れて行かれました。これらの録音を聴き返すと、興奮から恥ずかしさまで、さまざまな感情を感じます。時が過ぎ、録音はそれを表現する試みであるという結論に達しました。録音は、私を成長させる一種の喪失感なのです。あなたがこれらの作品に魅力を感じ、何らかの形で思考や感情、情動に火をつけてくれることを願っています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2531438673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eCalling Cards Publishing:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGiuseppe Mistretta is an artist and writer based in Glasgow. He works with synthesis and field recordings to create atmospheres for others to inhabit. Mistretta is interested in what can unfold in the present moment and how different variables can help shape it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement :\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“This release is about engaging in your actions in the present moment. The two recordings are improvisations made with synthesiser and field recordings. They were made at my home in Glasgow at a time when the experience of seeing or playing music with others was not possible. It felt strange to perform these pieces without others to give me stimulus to guide the sounds. I found it difficult to know what to choose, what to keep or leave out. The decision was to take whole recordings, good and bad. The two pieces that I chose were made over a couple of days and started with a similar configuration of voices. The results feel quite different. The moments took me to an array of places. Listening back to these recordings I feel a range of emotions from excitement to shame. I have come to the conclusion that the time has passed and the recordings are an attempt to represent it. They are a kind of loss that has encouraged me to grow. I hope you find them engaging and they spark thoughts, feelings and emotions in some way.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Mistretta\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e"}
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Sound artist Giuseppe Mistretta from Glasgow, Scotland released a limited edition of 2023 copies from British experimental label Calling Cards Publishing in June 6.Includes two improvisational collagescapes using modular and field recordings. Comes with DL code.Mastered by Giuseppe Ielashi.Below is a commentary by the author himself. "This release is all about engaging with your actions in the present moment. These two recordings are improvisations with synthesizers and field recordings. They were made at my home in Glasgow, at the time. I was unable to see or play the music with others, and it felt strange to perform these works without others to inspire me to guide the sounds. It was hard to decide what to choose, what to keep, and what to leave out, so I decided to record all the songs, the good and the bad. The two pieces were made over the course of two or three days and started with similar vocal compositions, the results are very different, and in that moment they took me to different places. When I listen back to the recording of , I feel a range of emotions, from excitement to embarrassment.As time passed, I came to the conclusion that the recording was an attempt to express it.The recording is a kind of loss that makes me grow. I hope that you will be fascinated by these works and somehow ignite your thoughts, feelings and emotions." Labels and other works here /// Click here to see more Calling Cards. ..
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{"id":7984149135610,"title":"Claire Rousay \u0026 Morita Vargas, KMRU, Maria Chavez \u0026 Valentina Magaletti \/\/ Remotely Together LP","handle":"rew1","description":"\u003cp\u003eオランダの実験フェスRewireが、2023年6月にリリースした3-wayスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003eClaire Rousay \u0026amp; Morita Vargas, KMRU, Maria Chavez \u0026amp; Valentina Magalettiによるコラージュ・アンビエントドローン〜ドローン・ジャズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Remotely Togetherは、rewireの2021年オンライン版でリモート・レジデンスを行ったclaire rousay \u0026amp; Morita Vargas 、Maria Chavez \u0026amp; Valentina Magaletti 、KMRUによる新作を紹介します。COVID-19のロックダウンの中、Rewireは世界中の異質なアーティスト同士のコラボレーションを開始し、彼らを遠隔地からつなぎ、オンラインでも孤立した状態でも新しい創造的手法を探求しました。これらのレジデンスのオーディオビジュアル結果は、2021年のフェスティバルのオンライン版で発表されました。このたび、これらのパフォーマンスの一部を新たに編集し、リリースすることになりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアンビエント、ノイズ、フィールドレコーディング、実験的サウンドアートの魅力的なミックスで構成されたRemotely Togetherは、北米のパーカッショニスト兼インプロヴァイザーの\u003cmeta charset=\"utf-8\"\u003eclaire rousayイとアルゼンチンのボーカリスト\u003cmeta charset=\"utf-8\"\u003eMorita Vargasのコラボ曲で、草原で足音が響くシーンからスタートします。フィールドレコーディング、日常音、ディープエレクトロニクスをミックスしたrousayのテクスチャーとVargasの幽玄なボーカルが融合し、聴く者を徐々にその神秘的なサウンドワールドに引き込んでいく魅力的な音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e一方、ニューヨークを拠点に活動するターンテーブリストMaria Chavezとイタリアの著名なパーカッショニスト\u003cmeta charset=\"utf-8\"\u003eValentina Magalettiがコラボレートした「Particle」は、催眠的なテクスチャーと夢のようなパーカッションが特徴で、音が前に進むようで、ゆっくりと豊かで重厚なフリージャズの作品へと展開していきます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eケニアのサウンドアーティストKMRUは、オンラインレジデンスの期間中、オランダの映像作家Donna Verheijdenとチームを組みました。MicroVerseでは、フィールドレコーディング、魅惑的なノイズ、即興演奏をミックスし、一見穏やかな自然界の音が、ドローンのような人工的なノイズの中に溶け込むような作品に仕上がっているのが印象的です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eペルー生まれでアムステルダム在住のグラフィックデザイナー、ジョナサン・カストロ・アレホスが『Remotely Together』のアートワークをデザインしています。この作品は、パンデミック発生時にアムステルダムとリマの間で行われた、気づかれない都市の仕草を彫刻的に記録したもので、Rewireのリモートレジデンスで探求された孤立と相互接続の関係をさらに強化するものとなっています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1262412372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e ----------------------------\n\u003cp\u003eVinyl edition of 300. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eRewire:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Remotely Together introduces new works by claire rousay \u0026amp; Morita Vargas, Maria Chavez \u0026amp; Valentina Magaletti, and KMRU, all commissioned through remote residencies for Rewire’s 2021 - online edition. In the midst of COVID-19 lockdowns, Rewire initiated these collaborations between disparate artists from all over the world, connecting them remotely to explore new creative practices both online and in isolation. The audiovisual results of these residencies were presented during the online edition of the 2021 festival. Newly edited versions of a selection of these performances have now been compiled for this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing an enthralling mix of ambient, noise, field recording, and experimental sound art, the scene of Remotely Together is set by the crunching sounds of footsteps over a grassy environment on atmospheric opener Humo De Margatina Dulce, a collaborative song between North American percussionist and improviser claire rousay and Argentinian vocalist Morita Vargas. rousay’s textural mix of field recordings, everyday sounds, and deep electronics coalesce with Vargas’s ethereal vocals, paving the way for compelling music that gradually draws its listeners deeper into its mysterious soundworld.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeanwhile, New York–based turntablist Maria Chavez and celebrated Italian percussionist Valentina Magaletti collaborate on Particle, featuring hypnotic textures and dreamlike percussion that seems to sonically propel itself forward, slowly expanding into a rich and layered work of stretched-out free jazz.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his online residency, Kenyan sound artist KMRU teamed up with Dutch filmmaker Donna Verheijden. MicroVerse showcases his evocative mixing of field recordings, entrancing noise, and improvisation, resulting in a piece where the seemingly gentle sounds of the natural world begin to blend in with the artificial muck of droning noise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePeruvian-born and Amsterdam-based graphic designer Jonathan Castro Alejos has designed the artwork of Remotely Together. It was thought of as a sculptural documentation of the unnoticed urban gestures between Amsterdam and Lima during the pandemic – further reinforcing the relationship between isolation and interconnectivity explored during the remote residencies of Rewire.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented on vinyl and as digital, Remotely Together further solidifies Rewire’s ambition to function as a dedicated platform for the launching and supporting of adventurous and experimental music. Operating as a label that works closely with artists on the releases of original and commissioned music allows new ways of helping and presenting artists outside of the festival and year-round events.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRemotely Together is available Friday 2 June 2023 on LP and digital platforms. The visual counterparts – including Donna Verheijden’s video work for MicroVerse – that originally premiered during the 2021 - online edition of Rewire will be made available via our video channels. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Claire Rousay, KMRU, Valentina Magaletti\u003c\/p\u003e\n\u003cp\u003eLabel : rewire\u003c\/p\u003e","published_at":"2023-06-13T11:03:24+09:00","created_at":"2023-06-13T10:52:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","lp","monooto","new"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44277746434298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Claire Rousay \u0026 Morita Vargas, KMRU, Maria Chavez \u0026 Valentina Magaletti \/\/ Remotely Together LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rwr-1_Cover.jpg?v=1686621222","\/\/tobirarecords.com\/cdn\/shop\/files\/0031769620_10.jpg?v=1686621337","\/\/tobirarecords.com\/cdn\/shop\/files\/0031769621_10.jpg?v=1686621338"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rwr-1_Cover.jpg?v=1686621222","options":["Title"],"media":[{"alt":null,"id":32108494291194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rwr-1_Cover.jpg?v=1686621222"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rwr-1_Cover.jpg?v=1686621222","width":600},{"alt":null,"id":32108497010938,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031769620_10.jpg?v=1686621337"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031769620_10.jpg?v=1686621337","width":1200},{"alt":null,"id":32108497109242,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031769621_10.jpg?v=1686621338"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031769621_10.jpg?v=1686621338","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの実験フェスRewireが、2023年6月にリリースした3-wayスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003eClaire Rousay \u0026amp; Morita Vargas, KMRU, Maria Chavez \u0026amp; Valentina Magalettiによるコラージュ・アンビエントドローン〜ドローン・ジャズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Remotely Togetherは、rewireの2021年オンライン版でリモート・レジデンスを行ったclaire rousay \u0026amp; Morita Vargas 、Maria Chavez \u0026amp; Valentina Magaletti 、KMRUによる新作を紹介します。COVID-19のロックダウンの中、Rewireは世界中の異質なアーティスト同士のコラボレーションを開始し、彼らを遠隔地からつなぎ、オンラインでも孤立した状態でも新しい創造的手法を探求しました。これらのレジデンスのオーディオビジュアル結果は、2021年のフェスティバルのオンライン版で発表されました。このたび、これらのパフォーマンスの一部を新たに編集し、リリースすることになりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアンビエント、ノイズ、フィールドレコーディング、実験的サウンドアートの魅力的なミックスで構成されたRemotely Togetherは、北米のパーカッショニスト兼インプロヴァイザーの\u003cmeta charset=\"utf-8\"\u003eclaire rousayイとアルゼンチンのボーカリスト\u003cmeta charset=\"utf-8\"\u003eMorita Vargasのコラボ曲で、草原で足音が響くシーンからスタートします。フィールドレコーディング、日常音、ディープエレクトロニクスをミックスしたrousayのテクスチャーとVargasの幽玄なボーカルが融合し、聴く者を徐々にその神秘的なサウンドワールドに引き込んでいく魅力的な音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e一方、ニューヨークを拠点に活動するターンテーブリストMaria Chavezとイタリアの著名なパーカッショニスト\u003cmeta charset=\"utf-8\"\u003eValentina Magalettiがコラボレートした「Particle」は、催眠的なテクスチャーと夢のようなパーカッションが特徴で、音が前に進むようで、ゆっくりと豊かで重厚なフリージャズの作品へと展開していきます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eケニアのサウンドアーティストKMRUは、オンラインレジデンスの期間中、オランダの映像作家Donna Verheijdenとチームを組みました。MicroVerseでは、フィールドレコーディング、魅惑的なノイズ、即興演奏をミックスし、一見穏やかな自然界の音が、ドローンのような人工的なノイズの中に溶け込むような作品に仕上がっているのが印象的です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eペルー生まれでアムステルダム在住のグラフィックデザイナー、ジョナサン・カストロ・アレホスが『Remotely Together』のアートワークをデザインしています。この作品は、パンデミック発生時にアムステルダムとリマの間で行われた、気づかれない都市の仕草を彫刻的に記録したもので、Rewireのリモートレジデンスで探求された孤立と相互接続の関係をさらに強化するものとなっています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1262412372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e ----------------------------\n\u003cp\u003eVinyl edition of 300. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eRewire:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Remotely Together introduces new works by claire rousay \u0026amp; Morita Vargas, Maria Chavez \u0026amp; Valentina Magaletti, and KMRU, all commissioned through remote residencies for Rewire’s 2021 - online edition. In the midst of COVID-19 lockdowns, Rewire initiated these collaborations between disparate artists from all over the world, connecting them remotely to explore new creative practices both online and in isolation. The audiovisual results of these residencies were presented during the online edition of the 2021 festival. Newly edited versions of a selection of these performances have now been compiled for this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing an enthralling mix of ambient, noise, field recording, and experimental sound art, the scene of Remotely Together is set by the crunching sounds of footsteps over a grassy environment on atmospheric opener Humo De Margatina Dulce, a collaborative song between North American percussionist and improviser claire rousay and Argentinian vocalist Morita Vargas. rousay’s textural mix of field recordings, everyday sounds, and deep electronics coalesce with Vargas’s ethereal vocals, paving the way for compelling music that gradually draws its listeners deeper into its mysterious soundworld.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeanwhile, New York–based turntablist Maria Chavez and celebrated Italian percussionist Valentina Magaletti collaborate on Particle, featuring hypnotic textures and dreamlike percussion that seems to sonically propel itself forward, slowly expanding into a rich and layered work of stretched-out free jazz.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his online residency, Kenyan sound artist KMRU teamed up with Dutch filmmaker Donna Verheijden. MicroVerse showcases his evocative mixing of field recordings, entrancing noise, and improvisation, resulting in a piece where the seemingly gentle sounds of the natural world begin to blend in with the artificial muck of droning noise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePeruvian-born and Amsterdam-based graphic designer Jonathan Castro Alejos has designed the artwork of Remotely Together. It was thought of as a sculptural documentation of the unnoticed urban gestures between Amsterdam and Lima during the pandemic – further reinforcing the relationship between isolation and interconnectivity explored during the remote residencies of Rewire.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented on vinyl and as digital, Remotely Together further solidifies Rewire’s ambition to function as a dedicated platform for the launching and supporting of adventurous and experimental music. Operating as a label that works closely with artists on the releases of original and commissioned music allows new ways of helping and presenting artists outside of the festival and year-round events.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRemotely Together is available Friday 2 June 2023 on LP and digital platforms. The visual counterparts – including Donna Verheijden’s video work for MicroVerse – that originally premiered during the 2021 - online edition of Rewire will be made available via our video channels. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Claire Rousay, KMRU, Valentina Magaletti\u003c\/p\u003e\n\u003cp\u003eLabel : rewire\u003c\/p\u003e"}
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A 2023-way split record released in June 6 by Dutch experimental festival Rewire. Includes three collage ambient drone to drone jazz tracks by Claire Rousay & Morita Vargas, KMRU, Maria Chavez & Valentina Magaletti. *Please feel free to contact us if you would like a digital sound source Below is an explanation by the label. ...
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{"id":7982963261690,"title":"Bendik Giske \/\/ Bendik Giske LP","handle":"bendik-giske-bendik-giske-lp","description":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e awakening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e","published_at":"2023-06-09T07:57:51+09:00","created_at":"2023-06-08T21:46:27+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","smalltown supersound"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271931719930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bendik Giske \/\/ Bendik Giske LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","options":["Title"],"media":[{"alt":null,"id":32092892627194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","width":700},{"alt":null,"id":32092892659962,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e awakening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e"}
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Norwegian saxophonist Bendik Giske released this record in June 2023 on Smalltown Supersound.Includes 6 minimal experimental jazz tracks. Beatrice Dillon is participating in the remix.Click here for labels and other works /// Click here to see more Smalltown Supersound releases available...
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{"id":7982960476410,"title":"Lucky Rosenbloom \/\/ Keep Your Faith In God \/ Give It All To Christ 7\" [COLOR]","handle":"lucky-rosenbloom-keep-your-faith-in-god-give-it-all-to-christ-7-color","description":"\u003cp\u003eアメリカ・ミネアポリスのディスコ作家Lucky Rosenbloomが、1985年に人知れず200部限定で自主リリースした幻の作品がこの度Numeroより再発。\u003c\/p\u003e\n\u003cp\u003eファンキーなエレクトロニック・フュージョン2曲を収録。クリア盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rMHRIKhD7rg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OYO1qIjzwYM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e7\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA. Keep Your Faith In God \u003cbr\u003eB. Give It All To Christ \u003c\/p\u003e\n\u003cp\u003eArtist : Lucky Rosenbloom\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e","published_at":"2023-06-09T08:02:45+09:00","created_at":"2023-06-08T21:25:19+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","new","numero group"],"price":146000,"price_min":146000,"price_max":146000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271916253434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lucky Rosenbloom \/\/ Keep Your Faith In God \/ Give It All To Christ 7\" [COLOR]","public_title":null,"options":["Default Title"],"price":146000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ke1_ed31011a-b53e-41e8-8828-2bcee99c0a55.jpg?v=1686227122","\/\/tobirarecords.com\/cdn\/shop\/files\/ke2_d4151a0a-c346-4c86-b147-30d01ab5d8dc.jpg?v=1686227122","\/\/tobirarecords.com\/cdn\/shop\/files\/ke3_ad92b1f8-2dfc-4018-8c6a-42e8520fe5c8.jpg?v=1686227121"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke1_ed31011a-b53e-41e8-8828-2bcee99c0a55.jpg?v=1686227122","options":["Title"],"media":[{"alt":null,"id":32092823748858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke1_ed31011a-b53e-41e8-8828-2bcee99c0a55.jpg?v=1686227122"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke1_ed31011a-b53e-41e8-8828-2bcee99c0a55.jpg?v=1686227122","width":600},{"alt":null,"id":32092823781626,"position":2,"preview_image":{"aspect_ratio":1.014,"height":591,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke2_d4151a0a-c346-4c86-b147-30d01ab5d8dc.jpg?v=1686227122"},"aspect_ratio":1.014,"height":591,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke2_d4151a0a-c346-4c86-b147-30d01ab5d8dc.jpg?v=1686227122","width":599},{"alt":null,"id":32092823814394,"position":3,"preview_image":{"aspect_ratio":0.998,"height":599,"width":598,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke3_ad92b1f8-2dfc-4018-8c6a-42e8520fe5c8.jpg?v=1686227121"},"aspect_ratio":0.998,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke3_ad92b1f8-2dfc-4018-8c6a-42e8520fe5c8.jpg?v=1686227121","width":598}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ミネアポリスのディスコ作家Lucky Rosenbloomが、1985年に人知れず200部限定で自主リリースした幻の作品がこの度Numeroより再発。\u003c\/p\u003e\n\u003cp\u003eファンキーなエレクトロニック・フュージョン2曲を収録。クリア盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rMHRIKhD7rg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OYO1qIjzwYM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e7\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA. Keep Your Faith In God \u003cbr\u003eB. Give It All To Christ \u003c\/p\u003e\n\u003cp\u003eArtist : Lucky Rosenbloom\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e"}
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Lucky Rosenbloom, a disco artist from Minneapolis, USA, secretly released a limited edition of 1985 copies in 200, which is now reissued on Numero.Includes two funky electronic fusion songs.It is a clear board.Click here for labels and other works /// Click here to see more Numero Group releases available at Tobira. ----------------------------.. .
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{"id":7982055293178,"title":"Bauzer Vep \/\/ The Gurner LP","handle":"bauzer-vep-the-gurner-lp","description":"\u003cp\u003eアメリカ・フロリダのノーウェーブ作家Bauzer Vepが、2023年5月にドイツ・ベルリンのレフトフィールドダンスレーベルDomesticated傘下Assemblies Of Godからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eマフィア・ラウンジダブ〜ノーウェーブ〜ポストインダストリアル・ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1591591096\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bruno Schmidt\" href=\"https:\/\/soundcloud.com\/bruno-schmidt\" target=\"_blank\"\u003eBruno Schmidt\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bauzer Vep - The Gurner LP - Assemblies Of God 001\" href=\"https:\/\/soundcloud.com\/bruno-schmidt\/sets\/bauzer-vep-the-gurner-lp-assemblies-of-god-001\" target=\"_blank\"\u003eBauzer Vep - The Gurner LP - Assemblies Of God 001\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eAssemblies of God:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePablo Arrangoiz, a man of many monikers, has quite a few experimental releases as well as some dance floor treasures under his belt. His work navigates unholy experimental sounds, spooky atmospheric endeavors, clownish takes on Bach’s canons and much more. The Gurner, released under his new alias Baüzer Vep, fits the bill perfectly: it induces you in a dream-like, slightly nightmarish state, but does so with irony and without neglecting grooves.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bauzer Vep \u003c\/p\u003e\n\u003cp\u003eLabel : Assemblies of God\u003c\/p\u003e","published_at":"2023-06-05T19:41:45+09:00","created_at":"2023-06-05T15:09:48+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats"],"price":288000,"price_min":288000,"price_max":288000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44267236917498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bauzer Vep \/\/ The Gurner LP","public_title":null,"options":["Default Title"],"price":288000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-06-05at3.07.45pm.png?v=1685945391","\/\/tobirarecords.com\/cdn\/shop\/files\/bau2.jpg?v=1685945390"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-06-05at3.07.45pm.png?v=1685945391","options":["Title"],"media":[{"alt":null,"id":32074793189626,"position":1,"preview_image":{"aspect_ratio":1.002,"height":501,"width":502,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-06-05at3.07.45pm.png?v=1685945391"},"aspect_ratio":1.002,"height":501,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-06-05at3.07.45pm.png?v=1685945391","width":502},{"alt":null,"id":32074793222394,"position":2,"preview_image":{"aspect_ratio":0.978,"height":600,"width":587,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bau2.jpg?v=1685945390"},"aspect_ratio":0.978,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bau2.jpg?v=1685945390","width":587}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フロリダのノーウェーブ作家Bauzer Vepが、2023年5月にドイツ・ベルリンのレフトフィールドダンスレーベルDomesticated傘下Assemblies Of Godからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eマフィア・ラウンジダブ〜ノーウェーブ〜ポストインダストリアル・ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1591591096\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bruno Schmidt\" href=\"https:\/\/soundcloud.com\/bruno-schmidt\" target=\"_blank\"\u003eBruno Schmidt\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bauzer Vep - The Gurner LP - Assemblies Of God 001\" href=\"https:\/\/soundcloud.com\/bruno-schmidt\/sets\/bauzer-vep-the-gurner-lp-assemblies-of-god-001\" target=\"_blank\"\u003eBauzer Vep - The Gurner LP - Assemblies Of God 001\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eAssemblies of God:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePablo Arrangoiz, a man of many monikers, has quite a few experimental releases as well as some dance floor treasures under his belt. His work navigates unholy experimental sounds, spooky atmospheric endeavors, clownish takes on Bach’s canons and much more. The Gurner, released under his new alias Baüzer Vep, fits the bill perfectly: it induces you in a dream-like, slightly nightmarish state, but does so with irony and without neglecting grooves.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bauzer Vep \u003c\/p\u003e\n\u003cp\u003eLabel : Assemblies of God\u003c\/p\u003e"}
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This is a record released in May 2023 by Bauzer Vep, a no-wave artist from Florida, USA, on Assemblies Of God, a subsidiary of Berlin's leftfield dance label Domesticated.Includes 5 songs from Mafia Lounge Dub - No Wave - Post-Industrial Strange Beats. Bruno Schmidt · Bauzer Vep - The Gurner LP...
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{"id":7980221956346,"title":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP \/ 2xCD","handle":"copy-of-jeff-parker-mondays-at-the-enfield-tennis-academy-2xlp-2xcd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2022年10月にベルギーの実験レーベルAguirreからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeff Parker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLee Morgan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiles Davis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan data-mce-fragment=\"1\"\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003eLive in Seattle\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-05-30T17:50:00+09:00","created_at":"2023-05-30T15:02:59+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","cd","jazz","lp","new","recommended"],"price":348000,"price_min":348000,"price_max":528000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259748872442,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39426471395578,"product_id":7980221956346,"position":1,"created_at":"2023-05-30T15:03:01+09:00","updated_at":"2023-05-30T15:03:01+09:00","alt":null,"width":900,"height":891,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","variant_ids":[44259748872442,44259748905210]},"available":false,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP \/ 2xCD - LP","public_title":"LP","options":["LP"],"price":528000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44259748905210,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39426471395578,"product_id":7980221956346,"position":1,"created_at":"2023-05-30T15:03:01+09:00","updated_at":"2023-05-30T15:03:01+09:00","alt":null,"width":900,"height":891,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","variant_ids":[44259748872442,44259748905210]},"available":false,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP \/ 2xCD - CD","public_title":"CD","options":["CD"],"price":348000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","options":["Format"],"media":[{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"},"aspect_ratio":1.01,"height":891,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2022年10月にベルギーの実験レーベルAguirreからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeff Parker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLee Morgan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiles Davis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan data-mce-fragment=\"1\"\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003eLive in Seattle\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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American jazz player Jeff Parker, who was also a Tortoise guitarist, released an album in October 2022 from the Belgian experimental label Aguirre. Recorded live at a bar called ETA (named after David Foster Wallace) in LA's Highland Park, it features four long-form improvised jazz tracks performed with drummer Jay Bellerose, bassist Anna Butterss, and alto saxophonist Josh Johnson.It is out of print. Lee Morgan's "Live at the Lighthouse" and Miles Davis' "In...
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{"id":7979961975034,"title":"Saddleback \/\/ Everything's a Love Letter LP","handle":"saddleback-everythings-a-love-letter-lp","description":"\u003cp\u003eオーストラリアのネオクラシカル作家Saddlebackが、2022年にドイツのアンビエント〜フォークレーベルOscarsonからリリースした再発レコードです。（オリジナルは2004年リリース）\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・フォーク〜アンビエント・ジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=700239549\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 200.\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAll the music was made and mixed on the south coast of New South Wales, Australia. I want to express a mountain of gratitude to everyone who has been kind, encouraging and understanding. Everything is appreciated.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Saddleback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Oscarson\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-03T08:50:17+09:00","created_at":"2023-05-29T16:09:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","neo classical","new","oscarson"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258530590970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Saddleback \/\/ Everything's a Love Letter LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/love1.jpg?v=1685344172","\/\/tobirarecords.com\/cdn\/shop\/files\/love2.jpg?v=1685344172"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1.jpg?v=1685344172","options":["Title"],"media":[{"alt":null,"id":32032644071674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1.jpg?v=1685344172"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1.jpg?v=1685344172","width":700},{"alt":null,"id":32032644104442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love2.jpg?v=1685344172"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love2.jpg?v=1685344172","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのネオクラシカル作家Saddlebackが、2022年にドイツのアンビエント〜フォークレーベルOscarsonからリリースした再発レコードです。（オリジナルは2004年リリース）\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・フォーク〜アンビエント・ジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=700239549\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 200.\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAll the music was made and mixed on the south coast of New South Wales, Australia. I want to express a mountain of gratitude to everyone who has been kind, encouraging and understanding. Everything is appreciated.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Saddleback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Oscarson\u003c\/span\u003e\u003c\/p\u003e"}
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This is a reissue record by Australian neo-classical artist Saddleback released in 2022 on German ambient/folk label Oscarson. (Original was released in 2004) Contains 10 songs from neo-classical folk to ambient jazz. Comes with DL code.Click here for labels and other works /// Click here to see more Oscarson releases available at Tobira. ------------------------ Includes DL...
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{"id":7979892277498,"title":"Sam Gendel \/\/ Pass If Music LP","handle":"sam-gendel-pass-if-music-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4235605404\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRandall Roberts for the Los Angeles Times:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIt’s hard to tell on first listen, but the L.A.-based Gendel made every sound on his new album using his alto saxophone. “Pass If Music” is hardly a solo jazz album, though. Rather, the musician harnesses his horn in service of ambient tones and experimental works that reside outside genre distinctions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“East L.A. Haze Dream” floats like an amorphous cloud of vapor as Gendel layers gently blown notes with the occasional brief sax run. “Trudge” is a darkened mantra featuring lower-register hums and a minimal rhythm that marches with determination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn notes, the artist writes that it and the other eight pieces were inspired by the motion picture “The Labyrinth \u0026amp; the Long Road,” [directed by Daniel Oh] for which Gendel contributed the score, and that makes sense. It’s an atmospheric work that evokes its own brand of drama.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-29T08:17:48+09:00","created_at":"2023-05-29T08:17:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new","recommended"],"price":329000,"price_min":329000,"price_max":329000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258114109690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Gendel \/\/ Pass If Music LP","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","options":["Title"],"media":[{"alt":null,"id":32031334367482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","width":700},{"alt":null,"id":32031334859002,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4235605404\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRandall Roberts for the Los Angeles Times:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIt’s hard to tell on first listen, but the L.A.-based Gendel made every sound on his new album using his alto saxophone. “Pass If Music” is hardly a solo jazz album, though. Rather, the musician harnesses his horn in service of ambient tones and experimental works that reside outside genre distinctions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“East L.A. Haze Dream” floats like an amorphous cloud of vapor as Gendel layers gently blown notes with the occasional brief sax run. “Trudge” is a darkened mantra featuring lower-register hums and a minimal rhythm that marches with determination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn notes, the artist writes that it and the other eight pieces were inspired by the motion picture “The Labyrinth \u0026amp; the Long Road,” [directed by Daniel Oh] for which Gendel contributed the score, and that makes sense. It’s an atmospheric work that evokes its own brand of drama.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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Sam Gendel, a saxophonist from LA, USA, released a limited edition of 2023 copies from LA's long-established all-genre label Leaving Records in May 5.Contains 400 tracks of dreamy ambient drones and experimental ambient jazz produced using alto saxophone. Comes with DL code.Click here to see more Leaving Records/Stones Throw releases available...
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{"id":7979891851514,"title":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","handle":"sam-wilkes-jacob-mann-perform-the-compositions-of-sam-wilkes-jacob-mann-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2023-05-29T08:07:46+09:00","created_at":"2023-05-29T08:07:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","house","jazz","leaving records","lp","new","recommended"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258104836346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662","\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","options":["Title"],"media":[{"alt":null,"id":32031311266042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","width":700},{"alt":null,"id":32031323226362,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662","width":1200},{"alt":null,"id":32031323324666,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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American bassist Sam Wilkes and pianist Jacob Mann released a collaborative record in April 2023 from the country's long-established label Leaving Records.Contains 4 songs from laid back ambient jazz to instrumental hip hop. Comes with DL code.Also recommended for hip-hop and house listeners.Click here for labels and other works /// Click here to see more Leaving Records/Stones Throw releases...
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{"id":7978809327866,"title":"giovanni di domenico \/\/ Polvere Di Rabbia LP","handle":"giovanni-di-domenico-polvere-di-rabbia-lp","description":"\u003cp\u003e過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022年4月に\u003cmeta charset=\"utf-8\"\u003eタリア・トレントの実験レーベルKohlhaasから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2794046392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eTHE TRAIN - You cannot take yourself too seriously. Engine spins, with no hint of stopping. A gentle ticking, no frills, passing from one side to another. Always at exchange points, a tortuous side and a straight one. A thin layer of morbidity disappears. Like an inside-out hole, it felt confident, it kept going reverse. Generally speaking, it can always be done. And that ticking again, this time darker, and sadder. Swimming into the earth. Going through a wall. Giving it a chance. Revealing. An awful smell is passing through me. Dead-end track. Uncombed stones. Metal bushes. Abstract snow. And an endless row of passions. He has always stood out, one step after another. And here as well, concentric lines will always bring you back to the starting point. And again. His mouth was shaking, arid. He felt he was getting closer. He shouldn’t have leaned out anymore. Noticing a small dot. Detecting. And that engine again, sleepy. Deciphering the impossible. Sticking to reality. Overstepping. That humming was still behind him. Docile and thoughtful, located along a line, this time a much darker line. He cannot do without it anymore. Revealing oneself. A strong blow of breath. Buckets of color.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA SINGLE FACE - Smooth sanding, a grid of endless screams. Frenzy. Bubbles bursting. Air falling apart. Red and white lights. A sequence of thoughtful layers. Parallel lines. Movement is an illusion. Holding tight, fronting onto the unexpected. More lines. Crooked. I immerse myself in a butter of false decisions. I agree to decipher a step. Blocks. Insensitive starts. A false step. Dark reflections. Stumbling. The unparalleled illusion of emptiness. Once, twice. An infinite arc. Disillusion of movement. As if it was necessary. Another step, false. Paths, lit up in the daytime. Falsifications. Unheard-of battles. Outside, in the center, distracted fires. Absent crackles, nonsensical forms, crowds of thoughts. Burnt snow. Settlings. Cave-ins. Unconfessable secrets. Lying to survive. The void and nothing more, like an inverted ring-a-ring-o’roses. More and more in a hurry, with no smudges nor hints of tremblings. Agitated effusions, lukewarm assents, icy absences. Of many expressions, a single face. Of many faces, a single page, white. Of many blank pages, only one, for me. Of many voids, you. Dust of anger, of those that stick on you despite having no fixed abode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAN EGG - And yet, I felt as if I had told you. I felt as if I had got inside you and done everything I could. Walked all over your veins. Swum through your bones. Swung between your nerves, which were stretched like the strings of a concrete guitar. I didn't want to, I didn't want to touch you lightly and take the bloom out of you with a sentimentalism that cannot find peace, not even within a glass of chamomile tea. I didn't want, or couldn’t, sedate you from your morning nightmares. On certain occasions it takes super-seeing, overdoing and being extra amazed.\u003cbr data-mce-fragment=\"1\"\u003eBut in this layer of insane poetry that pervades me there is nothing I can get rid of, it would be like to separate the yolk from the white. It is like being the hair when splitting hairs (a child’s hair), vague, and vagrant without an impossible destination. Are you there? I would like to tell you, again, and again and again. To intertwine your worlds with mine, to tie your pages with mine, to make a book out of them and then throwing it to the wind (the only trusted messenger between us). I wish I held you up while you sleep, I wish I made you levitate so that you won’t feel the weight of your own breathing, I wish I became a warm breath of tenderness. Yet still, there are battles of extreme wills lurking within me, with nowhere to go but the exit, a one-way exit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWINDLESS SNOW - If in the seasons of purity one goes in search of the abyss, like self-hatred goes and ignites a fight with no defeater. If one finds a curved black broken finger in the madness glove. If everywhere one goes one comes across the same exhausted throb of old visions. If in the veiled embrace, one contorts, does sensorial somersaults and drowns. If all of this made sense, if it had a shape, and if this shape could not be touched, smelled, neither felt, but it could only be lived. If what we don’t know yet would come down to us like windless snow.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist :giovanni di domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e","published_at":"2023-05-26T11:01:28+09:00","created_at":"2023-05-26T11:00:37+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","kohlhaas","lp","monooto","new","recommended"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44252831678714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"giovanni di domenico \/\/ Polvere Di Rabbia LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","options":["Title"],"media":[{"alt":null,"id":32018114347258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","width":700},{"alt":null,"id":32018114380026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022年4月に\u003cmeta charset=\"utf-8\"\u003eタリア・トレントの実験レーベルKohlhaasから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2794046392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eTHE TRAIN - You cannot take yourself too seriously. Engine spins, with no hint of stopping. A gentle ticking, no frills, passing from one side to another. Always at exchange points, a tortuous side and a straight one. A thin layer of morbidity disappears. Like an inside-out hole, it felt confident, it kept going reverse. Generally speaking, it can always be done. And that ticking again, this time darker, and sadder. Swimming into the earth. Going through a wall. Giving it a chance. Revealing. An awful smell is passing through me. Dead-end track. Uncombed stones. Metal bushes. Abstract snow. And an endless row of passions. He has always stood out, one step after another. And here as well, concentric lines will always bring you back to the starting point. And again. His mouth was shaking, arid. He felt he was getting closer. He shouldn’t have leaned out anymore. Noticing a small dot. Detecting. And that engine again, sleepy. Deciphering the impossible. Sticking to reality. Overstepping. That humming was still behind him. Docile and thoughtful, located along a line, this time a much darker line. He cannot do without it anymore. Revealing oneself. A strong blow of breath. Buckets of color.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA SINGLE FACE - Smooth sanding, a grid of endless screams. Frenzy. Bubbles bursting. Air falling apart. Red and white lights. A sequence of thoughtful layers. Parallel lines. Movement is an illusion. Holding tight, fronting onto the unexpected. More lines. Crooked. I immerse myself in a butter of false decisions. I agree to decipher a step. Blocks. Insensitive starts. A false step. Dark reflections. Stumbling. The unparalleled illusion of emptiness. Once, twice. An infinite arc. Disillusion of movement. As if it was necessary. Another step, false. Paths, lit up in the daytime. Falsifications. Unheard-of battles. Outside, in the center, distracted fires. Absent crackles, nonsensical forms, crowds of thoughts. Burnt snow. Settlings. Cave-ins. Unconfessable secrets. Lying to survive. The void and nothing more, like an inverted ring-a-ring-o’roses. More and more in a hurry, with no smudges nor hints of tremblings. Agitated effusions, lukewarm assents, icy absences. Of many expressions, a single face. Of many faces, a single page, white. Of many blank pages, only one, for me. Of many voids, you. Dust of anger, of those that stick on you despite having no fixed abode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAN EGG - And yet, I felt as if I had told you. I felt as if I had got inside you and done everything I could. Walked all over your veins. Swum through your bones. Swung between your nerves, which were stretched like the strings of a concrete guitar. I didn't want to, I didn't want to touch you lightly and take the bloom out of you with a sentimentalism that cannot find peace, not even within a glass of chamomile tea. I didn't want, or couldn’t, sedate you from your morning nightmares. On certain occasions it takes super-seeing, overdoing and being extra amazed.\u003cbr data-mce-fragment=\"1\"\u003eBut in this layer of insane poetry that pervades me there is nothing I can get rid of, it would be like to separate the yolk from the white. It is like being the hair when splitting hairs (a child’s hair), vague, and vagrant without an impossible destination. Are you there? I would like to tell you, again, and again and again. To intertwine your worlds with mine, to tie your pages with mine, to make a book out of them and then throwing it to the wind (the only trusted messenger between us). I wish I held you up while you sleep, I wish I made you levitate so that you won’t feel the weight of your own breathing, I wish I became a warm breath of tenderness. Yet still, there are battles of extreme wills lurking within me, with nowhere to go but the exit, a one-way exit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWINDLESS SNOW - If in the seasons of purity one goes in search of the abyss, like self-hatred goes and ignites a fight with no defeater. If one finds a curved black broken finger in the madness glove. If everywhere one goes one comes across the same exhausted throb of old visions. If in the veiled embrace, one contorts, does sensorial somersaults and drowns. If all of this made sense, if it had a shape, and if this shape could not be touched, smelled, neither felt, but it could only be lived. If what we don’t know yet would come down to us like windless snow.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist :giovanni di domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e"}
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Italian-born Belgian pianist giovanni di domenico, who has published on tsss and canti magnetici in the past, released a limited edition of 2022 copies from Talia Trent's experimental label Kohlhaas in April 4.Includes 300 songs that transcend genres such as free jazz, spoken word, and ambient drone. Comes with DL code.Mastered by Giuseppe Ielashi.Click here to see more Kohlhaas releases...
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{"id":7978109436154,"title":"Ryo Fukui \/\/ A Letter from Slowboat LP","handle":"ryo-fukui-a-letter-from-slowboat-lp","description":"\u003cp\u003e北海道のジャズピアニストRyo Fukuiの2020年再発レコードです。（オリジナルは2015年）\u003c\/p\u003e\n\u003cp\u003e今も色褪せないジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278090493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180gram black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWRWTFWW Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial reissue of the final album from the legendary Hokkaido pianist behind Scenery and Mellow Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryo Fukui\u003c\/p\u003e\n\u003cp\u003eLabel : WRWTFWW\u003c\/p\u003e","published_at":"2023-05-24T06:10:44+09:00","created_at":"2023-05-23T17:50:38+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","WRWTFWW Records"],"price":418000,"price_min":418000,"price_max":418000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44249361678586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ryo Fukui \/\/ A Letter from Slowboat LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","options":["Title"],"media":[{"alt":null,"id":32007922876666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","width":700},{"alt":null,"id":32007922909434,"position":2,"preview_image":{"aspect_ratio":1.009,"height":1189,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840"},"aspect_ratio":1.009,"height":1189,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北海道のジャズピアニストRyo Fukuiの2020年再発レコードです。（オリジナルは2015年）\u003c\/p\u003e\n\u003cp\u003e今も色褪せないジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278090493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180gram black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWRWTFWW Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial reissue of the final album from the legendary Hokkaido pianist behind Scenery and Mellow Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryo Fukui\u003c\/p\u003e\n\u003cp\u003eLabel : WRWTFWW\u003c\/p\u003e"}
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Hokkaido jazz pianist Ryo Fukui's 2020 reissue record. (Original 2015) Includes 8 jazz songs that still hold their color. It is a 180g weight board.Click here for labels and other works /// Click here to see more WRWTFWW Records releases available at Tobira. -- 12"...
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{"id":7978080239866,"title":"Mark \/\/ So You Betrayed The Creative Arts For Your Own Personal Ends LP","handle":"msyb","description":"\u003cp\u003eドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3322151377\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDid you come here to serve art and make sacrifices for its sake? Or to exploit your own personal ends?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint and collaborating with likeminded peers in both classical and soundsystem spheres, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work: the mechanics of force, the cunning of reason, the invisible but crucial hand of chance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages—the latter most deeply explored in Not Kennt Kein Gebot!\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (2022), a heart-on-your-sleeve mixtape pitting post-Second Viennese School disciples like Luigi Dallapiccola against an era-fusing suite of compositions from Radulescu, Zemlinsky and Monteverdi. This direction is also explored on Mark's monthly NTS Radio show, True As Few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBridging the sonic qualities of post-tonal composition and soundsystem frequencies is nothing new—the oeuvre of Christoph de Babalon immediately comes to mind—but here, Mark attempts to meet both poles on their own terms through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perception. What on the surface seems hostile reveals a welcoming catacomb of connections between elements that stake their claim, disappear, merge and finally reappear—their return sculpted by the intricate mediation of similar and dissimilar elements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is deeply personal, too. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mark\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e","published_at":"2023-05-28T07:55:58+09:00","created_at":"2023-05-23T15:05:26+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","techno \/ house"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44249136693498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mark \/\/ So You Betrayed The Creative Arts For Your Own Personal Ends LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","options":["Title"],"media":[{"alt":null,"id":32007216398586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","width":700},{"alt":null,"id":32007216431354,"position":2,"preview_image":{"aspect_ratio":1.142,"height":1051,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928"},"aspect_ratio":1.142,"height":1051,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3322151377\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDid you come here to serve art and make sacrifices for its sake? Or to exploit your own personal ends?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint and collaborating with likeminded peers in both classical and soundsystem spheres, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work: the mechanics of force, the cunning of reason, the invisible but crucial hand of chance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages—the latter most deeply explored in Not Kennt Kein Gebot!\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (2022), a heart-on-your-sleeve mixtape pitting post-Second Viennese School disciples like Luigi Dallapiccola against an era-fusing suite of compositions from Radulescu, Zemlinsky and Monteverdi. This direction is also explored on Mark's monthly NTS Radio show, True As Few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBridging the sonic qualities of post-tonal composition and soundsystem frequencies is nothing new—the oeuvre of Christoph de Babalon immediately comes to mind—but here, Mark attempts to meet both poles on their own terms through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perception. What on the surface seems hostile reveals a welcoming catacomb of connections between elements that stake their claim, disappear, merge and finally reappear—their return sculpted by the intricate mediation of similar and dissimilar elements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is deeply personal, too. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mark\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e"}
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This is a record released in April 2023 by Mark, a dnb writer from Berlin, Germany, on the leftfield dance label A Colorful Storm in Melbourne, Australia.Includes 4 songs from dnb to breakbeats, which are extremely close to jazz. --------------------------------------- 2" black vinyl. A Colorful Storm: "Did you come...
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{"id":7977790931194,"title":"Sunik Kim \/\/ Raid on the White Tiger Regiment TAPE","handle":"copy-of-sunik-kim-raid-on-the-white-tiger-regiment-tape","description":"\u003cp\u003e韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253004901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for download code. Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Sunik Kim’s Raid on the White Tiger Regiment arrives three years after 2019’s Zero Chime on First Terrace Records. Raid has strong political undertones and is named after one of the eight core revolutionary operas produced during the Cultural Revolution. This particular opera focuses on the joint struggle of Chinese and Korean communists during the Korean War, during which there were devastating US attacks on the northern part of the peninsula. Raid is an insanely wild ride made with software Sunik custom-built in Max MSP and SuperCollider using free orchestral soundfonts at hyper-speed tempos. Despite the presumed chaos of this album, there is a strong and present voice that permeates the barrage of noises, almost as if the teeming and swirling sounds coalesce to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e create a slowly shifting mass that is somehow \u003c\/em\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003esoothing. There is a constant regeneration of textures and sensations here: simultaneously shedding and accumulating, receding and emerging. A multidirectional presence, both solidly grounded but also unpredictable in its motion. Side B presents a unique live document of Sunik’s performances of the Raid material: a lengthy 30 minute piece created from multiple field recordings of the performances at Cafe OTO in London and Counterflows in Glasgow. “Raid Live” stands as an interesting counter to the meticulously crafted studio-created material. Its weight is held by roomtone, pockmarked with the audience’s yelling and mingling; a cathartic experience felt by many.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e++\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eArtist's statement by \u003cmeta charset=\"utf-8\"\u003eSunik Kim, 2022:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003e\"This is possibly the second album named after one of the eight core revolutionary operas produced during the Cultural Revolution; to my knowledge, the first is Brian Eno’s Taking Tiger Mountain By Strategy. Raid on the White Tiger Regiment, the opera, focuses on the joint struggle of Chinese and Korean communists during the Korean War—a truly “forgotten war” in much of the world, in which the US dropped 635,000 tons of explosives and 32,557 tons of napalm on the northern part of the peninsula, killing 20 percent of the population, and massacred tens of thousands of Korean communists and suspected sympathizers from Nogeun-ri to Daejeon.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRaid, the album, pulls its titles from the opera’s program and thereby positions the music as a soundtrack: an inherently limited and dependent form that requires a broader historical and political context—a connection with the world—to reach its fullest state of development. In substituting my wordless, “abstract” music for that of the original opera, I hope to establish a living nexus of contradictions between: (1) the original opera, as direct an example of “political art” as there can be; (2) the extended historical and political processes that birthed it; (3) our current conjuncture; (4) the immediate listening experience. In this clashing and intertwining of timelines, histories, and sense-perceptions, I hope to facilitate a visceral act of comparison, a tracking of excess and deficiency: what aligns, what collides, what falls horribly or comically flat, what brings tears of joy or sadness? And why?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music is constructed with custom software I built with Max\/MSP and SuperCollider that controls banks of free orchestral soundfonts at chaotic tempos. I hope the overt “cheapness” of the materials, and their constantly coalescing, collapsing, disintegrating, reassembling movement, establishes a dramatic—operatic!—tension internal to the logic of the music itself: one that, above all, argues that possibilities—aesthetic, yes, but also historical and political—have nowhere near been exhausted, and that the present order will one day be rightfully relegated to “the museum of antiquities, next to the spinning wheel and the bronze ax.”\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sunik Kim\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e","published_at":"2023-05-22T15:23:00+09:00","created_at":"2023-05-22T14:25:31+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","noise","notice recordings","tape","techno \/ house"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247308632314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sunik Kim \/\/ Raid on the White Tiger Regiment TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","options":["Title"],"media":[{"alt":null,"id":32002070413562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","width":700},{"alt":null,"id":32002070446330,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253004901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for download code. Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Sunik Kim’s Raid on the White Tiger Regiment arrives three years after 2019’s Zero Chime on First Terrace Records. Raid has strong political undertones and is named after one of the eight core revolutionary operas produced during the Cultural Revolution. This particular opera focuses on the joint struggle of Chinese and Korean communists during the Korean War, during which there were devastating US attacks on the northern part of the peninsula. Raid is an insanely wild ride made with software Sunik custom-built in Max MSP and SuperCollider using free orchestral soundfonts at hyper-speed tempos. Despite the presumed chaos of this album, there is a strong and present voice that permeates the barrage of noises, almost as if the teeming and swirling sounds coalesce to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e create a slowly shifting mass that is somehow \u003c\/em\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003esoothing. There is a constant regeneration of textures and sensations here: simultaneously shedding and accumulating, receding and emerging. A multidirectional presence, both solidly grounded but also unpredictable in its motion. Side B presents a unique live document of Sunik’s performances of the Raid material: a lengthy 30 minute piece created from multiple field recordings of the performances at Cafe OTO in London and Counterflows in Glasgow. “Raid Live” stands as an interesting counter to the meticulously crafted studio-created material. Its weight is held by roomtone, pockmarked with the audience’s yelling and mingling; a cathartic experience felt by many.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e++\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eArtist's statement by \u003cmeta charset=\"utf-8\"\u003eSunik Kim, 2022:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003e\"This is possibly the second album named after one of the eight core revolutionary operas produced during the Cultural Revolution; to my knowledge, the first is Brian Eno’s Taking Tiger Mountain By Strategy. Raid on the White Tiger Regiment, the opera, focuses on the joint struggle of Chinese and Korean communists during the Korean War—a truly “forgotten war” in much of the world, in which the US dropped 635,000 tons of explosives and 32,557 tons of napalm on the northern part of the peninsula, killing 20 percent of the population, and massacred tens of thousands of Korean communists and suspected sympathizers from Nogeun-ri to Daejeon.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRaid, the album, pulls its titles from the opera’s program and thereby positions the music as a soundtrack: an inherently limited and dependent form that requires a broader historical and political context—a connection with the world—to reach its fullest state of development. In substituting my wordless, “abstract” music for that of the original opera, I hope to establish a living nexus of contradictions between: (1) the original opera, as direct an example of “political art” as there can be; (2) the extended historical and political processes that birthed it; (3) our current conjuncture; (4) the immediate listening experience. In this clashing and intertwining of timelines, histories, and sense-perceptions, I hope to facilitate a visceral act of comparison, a tracking of excess and deficiency: what aligns, what collides, what falls horribly or comically flat, what brings tears of joy or sadness? And why?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music is constructed with custom software I built with Max\/MSP and SuperCollider that controls banks of free orchestral soundfonts at chaotic tempos. I hope the overt “cheapness” of the materials, and their constantly coalescing, collapsing, disintegrating, reassembling movement, establishes a dramatic—operatic!—tension internal to the logic of the music itself: one that, above all, argues that possibilities—aesthetic, yes, but also historical and political—have nowhere near been exhausted, and that the present order will one day be rightfully relegated to “the museum of antiquities, next to the spinning wheel and the bronze ax.”\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sunik Kim\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e"}
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Korean experimental musician Sunik Kim released a limited edition of 2022 cassettes in December 12 from the experimental label Notice Recordings in New York, USA. Includes 100 songs from Max/MSP's collage juke to free jazz/noise. *Please feel free to contact us if you would like a digital sound source. Click here for labels and other works /// Click here to see more Notice Recordings releases available at...
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{"id":7977048801530,"title":"Howie Lee \/\/ Birdy Island LP","handle":"howie-lee-birdy-island-lp","description":"\u003cp\u003e中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1849902179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eMais Um:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSwirling layers of OST-style sound design, dreamy choir vocals and traditional Chinese folk combine across eight dynamic and transportive tracks on Birdy Island, the latest album by Beijing-based producer\/artist, Howie Lee, due out in April 2021 on Mais Um.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFresh off the back of several high impact, club-centring album releases on Maloca, SVBKVLT and his influential, Do Hits label, on top of remixes for artists including Lawfawndah, Charlie\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e XCX \u0026amp; Sophie, Lee presents his most organic and expansive project to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten, produced and recorded entirely by Lee at the back end of 2018 (with the exception of the album’s resident four-piece choir made up of rising Beijing artist, Fishdoll, Shanghai singer\/producer, Yehaiyahan and West by West, with Lee himself also included), Birdy Island’s almost exclusively acoustic yet broad sound palette threads continuities between ceremonial Taoist music, early Buchla synth experiments, and FWD\u0026gt;\u0026gt; nights at London’s Plastic People.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This album just came very natural. It was all recorded little by little. Layer upon layer. The approach was to just record. I had all these instruments around me and I just thought, i’m gonna play and keep playing”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowie’s latest offering is as enchanting as it is boundlessly imaginative. “I’ve always had this concept in my mind about making an album based around an island”. Loosely based around Lee’s own long-formed concept of a floating Sicilian theme park, co-inhabited by both birds and ancestral spirits, Howie remarks: \"Birdy Island to me is a palace in the clouds and the birds are worshipped like Gods. Not like a western God though.” Reminiscent of Hayao Miyazaki’s Laputa (in the 1986 film Castle In The Sky), Lee’s Birdy Island has been built by a Chinese investment company seeking to re-sync our relationship with the spiritual and natural world after years of economic collapse and degradation, and who invite Howie to compose the park’s soundtrack. Inside Birdy Island’s 30-minute gallery of collaged sound, Lee draws on a wide history of traditional pan-Asian music, filtered through his unique lens of contemporary electronic production.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the playful percussion and child-like wonderment of Time To The Sun, featuring Yehaiyahan on vocals to the beguiling loop-based poise of Wave,Wave,Wave offering our first taste of the almost-devotional chanting choir accompaniment. The album title track and first single Birdy Island continues down a similar trajectory, combining Kaitlyn Aurelia Smith-esque synths with rattling bells and AI-manipulated birdsong to saintly effect. Stripped-back UK grime sonics (Foreign Flowers) and Chicago footwork (Dawn Of The Idols) seep into the larger whole, as does elements of jazz fusion, ambient and video game-composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince discovering punk and Fruity Loops at age 15 and making DIY tapes for friends at school, Howie Lee has become one of the most influential players within contemporary Chinese music and arts\/culture. Having co-founded Do Hits as a club night in 2011 (levelling up as a label in 2015), as an outlet to showcase Beijing’s exciting musical underground, Lee’s conceptually intricate brand of traditional Chinese folk meets experimental bass weight sound, has been picked up by listeners worldwide, even securing remix duties for Snoop Dogg (in his Snoop Lion moniker), back in 2012.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom Daoist scripture to 1970s martial arts-themed wuxia novels, Howie’s myriad strands of musical and visual output have often enveloped themes circling modern and ancient Chinese history. Lee’s Socialism Core Value EP series and the dystopian-horror 3D animation for 2017 single Bankers (created and directed by Howie himself), as well as his work with visual artist and video game designer, Teom Chen (the pair have gone on to tour their collaborations across China as part of Lee’s live show), offer a glimpse into the broad social and cultural questions intrinsically entwined throughout his discography.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Howie Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Mais Um\u003c\/p\u003e","published_at":"2023-05-28T09:52:42+09:00","created_at":"2023-05-19T12:50:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","post newage"],"price":325000,"price_min":325000,"price_max":325000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44243987398906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Howie Lee \/\/ Birdy Island LP","public_title":null,"options":["Default Title"],"price":325000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","options":["Title"],"media":[{"alt":null,"id":31990429581562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","width":700},{"alt":null,"id":31990429614330,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1849902179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eMais Um:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSwirling layers of OST-style sound design, dreamy choir vocals and traditional Chinese folk combine across eight dynamic and transportive tracks on Birdy Island, the latest album by Beijing-based producer\/artist, Howie Lee, due out in April 2021 on Mais Um.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFresh off the back of several high impact, club-centring album releases on Maloca, SVBKVLT and his influential, Do Hits label, on top of remixes for artists including Lawfawndah, Charlie\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e XCX \u0026amp; Sophie, Lee presents his most organic and expansive project to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten, produced and recorded entirely by Lee at the back end of 2018 (with the exception of the album’s resident four-piece choir made up of rising Beijing artist, Fishdoll, Shanghai singer\/producer, Yehaiyahan and West by West, with Lee himself also included), Birdy Island’s almost exclusively acoustic yet broad sound palette threads continuities between ceremonial Taoist music, early Buchla synth experiments, and FWD\u0026gt;\u0026gt; nights at London’s Plastic People.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This album just came very natural. It was all recorded little by little. Layer upon layer. The approach was to just record. I had all these instruments around me and I just thought, i’m gonna play and keep playing”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowie’s latest offering is as enchanting as it is boundlessly imaginative. “I’ve always had this concept in my mind about making an album based around an island”. Loosely based around Lee’s own long-formed concept of a floating Sicilian theme park, co-inhabited by both birds and ancestral spirits, Howie remarks: \"Birdy Island to me is a palace in the clouds and the birds are worshipped like Gods. Not like a western God though.” Reminiscent of Hayao Miyazaki’s Laputa (in the 1986 film Castle In The Sky), Lee’s Birdy Island has been built by a Chinese investment company seeking to re-sync our relationship with the spiritual and natural world after years of economic collapse and degradation, and who invite Howie to compose the park’s soundtrack. Inside Birdy Island’s 30-minute gallery of collaged sound, Lee draws on a wide history of traditional pan-Asian music, filtered through his unique lens of contemporary electronic production.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the playful percussion and child-like wonderment of Time To The Sun, featuring Yehaiyahan on vocals to the beguiling loop-based poise of Wave,Wave,Wave offering our first taste of the almost-devotional chanting choir accompaniment. The album title track and first single Birdy Island continues down a similar trajectory, combining Kaitlyn Aurelia Smith-esque synths with rattling bells and AI-manipulated birdsong to saintly effect. Stripped-back UK grime sonics (Foreign Flowers) and Chicago footwork (Dawn Of The Idols) seep into the larger whole, as does elements of jazz fusion, ambient and video game-composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince discovering punk and Fruity Loops at age 15 and making DIY tapes for friends at school, Howie Lee has become one of the most influential players within contemporary Chinese music and arts\/culture. Having co-founded Do Hits as a club night in 2011 (levelling up as a label in 2015), as an outlet to showcase Beijing’s exciting musical underground, Lee’s conceptually intricate brand of traditional Chinese folk meets experimental bass weight sound, has been picked up by listeners worldwide, even securing remix duties for Snoop Dogg (in his Snoop Lion moniker), back in 2012.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom Daoist scripture to 1970s martial arts-themed wuxia novels, Howie’s myriad strands of musical and visual output have often enveloped themes circling modern and ancient Chinese history. Lee’s Socialism Core Value EP series and the dystopian-horror 3D animation for 2017 single Bankers (created and directed by Howie himself), as well as his work with visual artist and video game designer, Teom Chen (the pair have gone on to tour their collaborations across China as part of Lee’s live show), offer a glimpse into the broad social and cultural questions intrinsically entwined throughout his discography.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Howie Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Mais Um\u003c\/p\u003e"}
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This is a record released in 2021 by Howie Lee, an electronic artist from Beijing, China.Contains 8 songs from post-new age ambient to post-new age jazz. ---------------------------------------- 12" black vinyl. Mais Um: "Swirling layers of OST-style sound...
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{"id":7977046311162,"title":"memotone \/\/ Memotone EP 12\"","handle":"memotone-memotone-ep-12","description":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e","published_at":"2023-05-19T13:34:00+09:00","created_at":"2023-05-19T12:47:52+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","sahko recordings"],"price":385000,"price_min":385000,"price_max":385000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44243980615930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"memotone \/\/ Memotone EP 12\"","public_title":null,"options":["Default Title"],"price":385000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","options":["Title"],"media":[{"alt":null,"id":31990418374906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","width":700},{"alt":null,"id":31990418407674,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e"}
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A record released in May 2023 by memotone, a multi-instrumentalist from Bristol, England, on the experimental/dance label Sahko Recordings in Helsinki, Finland.Contains 5 songs from experimental electronic jazz to downtempo jazz.I also recommend the previous work. *Please feel free to contact us if you would like a digital sound source. Click here for labels and other works /// Click here to see more Sahko Recordings releases available at...
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{"id":7976727085306,"title":"Lorena Álvarez \u0026 Alejandro Palacios \/\/ Paisajes Para Torcer al Reloj TAPE","handle":"lorena-alvarez-alejandro-palacios-paisajes-para-torcer-al-reloj-tape","description":"\u003cp\u003eチリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065229613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eNot Not Fun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist \/ DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve \u0026amp; Smog arts residency in Santiago, Chile in April 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lorena Álvarez \u0026amp; Alejandro Palacios\u003c\/p\u003e\n\u003cp\u003eLabel : Not Not Fun Records\u003c\/p\u003e","published_at":"2023-05-24T14:57:09+09:00","created_at":"2023-05-18T16:07:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","new","not not fun","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44242450776314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lorena Álvarez \u0026 Alejandro Palacios \/\/ Paisajes Para Torcer al Reloj TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","options":["Title"],"media":[{"alt":null,"id":31987044614394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","width":700},{"alt":null,"id":31987044647162,"position":2,"preview_image":{"aspect_ratio":1.353,"height":887,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678"},"aspect_ratio":1.353,"height":887,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065229613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eNot Not Fun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist \/ DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve \u0026amp; Smog arts residency in Santiago, Chile in April 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lorena Álvarez \u0026amp; Alejandro Palacios\u003c\/p\u003e\n\u003cp\u003eLabel : Not Not Fun Records\u003c\/p\u003e"}
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A cassette released by keyboard player Lorena Álvarez and multi-instrumentalist Alejandro Palacios from Santiago, Chile in June 2023 on the ambient label Not Not Fun in California, USA.Contains 6 improvised, minimalist ambient jazz songs. Comes with DL code.Click here for labels and other works /// Click here to see more Not Not Fun Records...
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{"id":7975545274618,"title":"Emily Rach Beisel \/\/ Particle Of Organs CD","handle":"emily-rach-beisel-particle-of-organs-cd","description":"\u003cp\u003eアメリカ・シカゴの地下ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmalgam諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、シカゴのクラリネット奏者／講師Emily Rach Beiselが、2023年5月に100部限定でリリースしたデビューCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットによるジャズ・ドローン10曲を収録。DLコード付属。 デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362991231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003ehere\u003c\/a\u003e to see more Amalgam releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. CD in digipack.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e Monret, 2023 (via the label):\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From the very first track, it becomes apparent that this album is a unique and daring exploration of sound. Particle of Organs showcases the raw, unadulterated power of the body and the instrument, weaving together sounds that are both corrosive and tender. Emily Rach Beisel seamlessly blends elements of death vocals, extended vocal and instrumental techniques, analogue timbral effects and rich bass clarinet tone, creating a sonic landscape that is both weighty and exhilarating.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile the album can be challenging to listen to at times, there are moments of lyricism and tenderness that provide a welcome respite from the intensity. Tracks such as “warm upon your face” and “as a Jian-bird alone” showcase Beisel's ability to create beauty from chaos, weaving together delicate melodies with more abrasive elements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOverall, Particle of Organs is a daring, uncompromising album that moves effortlessly through disparate styles and sound worlds. Beisel's use of the body and instrument as sources of unexpected sound is nothing short of breathtaking, and the result is an album that is both physically commanding and deeply rewarding.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emily Rach Beisel\u003c\/p\u003e\n\u003cp\u003eLabel : Amalgam\u003c\/p\u003e","published_at":"2023-05-17T07:36:24+09:00","created_at":"2023-05-14T12:15:31+09:00","vendor":"Tobira Records","type":"","tags":["amalgam","cd","drone","jazz","new"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44233655255290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Emily Rach Beisel \/\/ Particle Of Organs CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_3f17282e-491f-4ee8-96f5-b1961ef7f3ef.jpg?v=1684034134","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_2347d2c3-91f7-4b0e-83f5-2cf39e1a5b46.jpg?v=1684034133"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_3f17282e-491f-4ee8-96f5-b1961ef7f3ef.jpg?v=1684034134","options":["Title"],"media":[{"alt":null,"id":31969138934010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_3f17282e-491f-4ee8-96f5-b1961ef7f3ef.jpg?v=1684034134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_3f17282e-491f-4ee8-96f5-b1961ef7f3ef.jpg?v=1684034134","width":700},{"alt":null,"id":31969138966778,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_2347d2c3-91f7-4b0e-83f5-2cf39e1a5b46.jpg?v=1684034133"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_2347d2c3-91f7-4b0e-83f5-2cf39e1a5b46.jpg?v=1684034133","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの地下ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmalgam諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、シカゴのクラリネット奏者／講師Emily Rach Beiselが、2023年5月に100部限定でリリースしたデビューCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットによるジャズ・ドローン10曲を収録。DLコード付属。 デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362991231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003ehere\u003c\/a\u003e to see more Amalgam releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. CD in digipack.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e Monret, 2023 (via the label):\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From the very first track, it becomes apparent that this album is a unique and daring exploration of sound. Particle of Organs showcases the raw, unadulterated power of the body and the instrument, weaving together sounds that are both corrosive and tender. Emily Rach Beisel seamlessly blends elements of death vocals, extended vocal and instrumental techniques, analogue timbral effects and rich bass clarinet tone, creating a sonic landscape that is both weighty and exhilarating.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile the album can be challenging to listen to at times, there are moments of lyricism and tenderness that provide a welcome respite from the intensity. Tracks such as “warm upon your face” and “as a Jian-bird alone” showcase Beisel's ability to create beauty from chaos, weaving together delicate melodies with more abrasive elements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOverall, Particle of Organs is a daring, uncompromising album that moves effortlessly through disparate styles and sound worlds. Beisel's use of the body and instrument as sources of unexpected sound is nothing short of breathtaking, and the result is an album that is both physically commanding and deeply rewarding.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emily Rach Beisel\u003c\/p\u003e\n\u003cp\u003eLabel : Amalgam\u003c\/p\u003e"}
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Amalgam, an underground jazz label from Chicago, USA, has arrived.This work is the debut CD released in May 2023, limited to 5 copies, by Emily Rach Beisel, a clarinetist/lecturer from Chicago.Contains 100 jazz drones by clarinet. Comes with DL code.Digipak, shrink specification.Click here for labels and other works /// Click here to see more Amalgam releases available at...
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{"id":7974890504442,"title":"Anima Sound \/\/ Underground Altena LP","handle":"anima-sound-underground-altena-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eドイツの実験夫婦Anima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-14T14:30:13+09:00","created_at":"2023-05-12T15:03:37+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230592954618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anima Sound \/\/ Underground Altena LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","options":["Title"],"media":[{"alt":null,"id":31959430103290,"position":1,"preview_image":{"aspect_ratio":1.053,"height":570,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419"},"aspect_ratio":1.053,"height":570,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","width":600},{"alt":null,"id":31959430136058,"position":2,"preview_image":{"aspect_ratio":1.115,"height":392,"width":437,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419"},"aspect_ratio":1.115,"height":392,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","width":437},{"alt":null,"id":31959430168826,"position":3,"preview_image":{"aspect_ratio":1.155,"height":374,"width":432,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"},"aspect_ratio":1.155,"height":374,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418","width":432}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eドイツの実験夫婦Anima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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German experimental couple Anima Sound released a record in 2022 from the Italian experimental label Alga Marghen. Includes two tracks from Krautrock to Free Jazz recorded in 1973.Below is an explanation by the label. "Alga Marghen presents 'Underground Altena', two visionary feature films by Anima Sound, the freedom-seeking duo of Paul and Limpe Fuchs. 2 marks the peak of Anima Sound's pursuit of sculptural sounds at the intersection of krautrock, free jazz and experimental music.Limpe Fuchs studied piano, violin and percussion in Munich, but in the late 2s he met the sculptor Paul Fuchs, and in the sculptural environment he was able to come into direct contact with the material, allowing him to experiment and discover on his own. Everything changed when I knew there was room.Paul first made a horn as a sculpture (the famous Fuchshorn) and began experimenting with its sound.He then built a pedal kettledrum, added a wood block to it, welded a steel ring to the hi-hat stand, strung some strings, and used limpe toe-pluck, saw blades and shovels. wasPaul and Limpe were initially interested in experimental cinema, but there were other communities such as Amon Dür and Tangerine Dream, and Anima began touring with them, Popol Vuh, Kusor, and this krautrock scene. and became famous in no time. After participating in the Underground Explosion Tour in 1973 and the Tractor Tour from Munich to Rotterdam at 1960km/h in 1969, Friedrich Gulda joined them in the early 1971s.He really liked the duo, especially Limpe's singing and the way they just improvised.Although he was a well-known arranger, he always wanted to play in improvisational groups.Afterwards, Anima became the infamous "Nurse...
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{"id":7972798136570,"title":"Mishagas \/\/ 1996-1997 TAPE","handle":"mishagas-1996-1997-tape","description":"\u003cp\u003eアメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1996-1997年に録音したフリージャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Colpitts - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Daniel - Alto Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Lee - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1228154267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text\/essay by the artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA priest, a drummer, and a tennis pro step onto a stage. . .\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Who is in Mishagas? Were they any good?” - Josh Fox.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was the drummer - just out of Middlebury College and untouched by cynicism. I arrived at the doorstep of the Tribeca Knitting Factory in the summer of 1996 and landed a job booking tours for musicians associated with the venue - John Zorn, Dave Douglas, William Hooker, Thomas Chapin, Charles Gayle. It was a heady time for The Knit and sponsorship flowed freely from a few alcohol and cigarette manufacturers convinced that experimental music was profitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was not.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was sleeping on a high school friend’s floor somewhere in Manhattan. I remember coming home after my first, long day of unpaid “trial” work at the Knitting Factory and thinking - how is it possible for someone to have an office job? How do you survive this kind of shit? There is something particularly perverse and damaging about sitting at a desk for 8 hours, and to top it off, I was in a basement. I’d decided that I did not have the talent to make music - at 22 or 23 - I was too old. But a few friends still thought that playing music - just that abstract idea with absolutely no ambition attached - was desirable and possible in New York City\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. But the gang with whom I shared these vague dreams were not in New York yet. So I was adrift, watching a few friends scramble to play shitty shows at places like the Spiral and a threadbare CBs Gallery. You’d think I would have had some kind of connection because I worked at the Knitting Factory, but the guy who booked the club, a lanky dude named John, once stopped me with a raised finger and an arched eyebrow when I paused in front of his desk, cairns of demo tapes stacked on every surface. In the moment I gathered a breath to speak, he said, “No.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a pause.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I will not book your band here so don’t even ask.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut yeah - I was a drummer - even though my drums had not migrated to the city yet. I did not have a permanent place to live. But as I hung out with the various interns who lurked around the Knit’s basement office - it emerged that one of them (perhaps on the same day he arrived toting a full set of audio gear, having just recorded his entire subway ride) knew a couple of guys who were looking for a drummer. Having no prospects - I was happy to meet them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Lee was the guitarist (now an Episcopal priest at Grace Church Brooklyn) and Scott Daniel the sax man who we nicknamed “Captain Jazz” (later turned tennis pro, now retired and living in Brooklyn playing acoustic finger-style guitar). They met each other at Mondo Kim’s: a multi-storied record shop and video store that was a kind of apex of hip cultural retail NYC. Right off Cooper Square on St Mark’s Place, it deserves a book all it’s own. Before the internet was populated with the entire history of recorded music - Kim’s was the place to surf for new sounds under the contemptuous gaze of the sullen staff. It was here that Chris and Scott gravitated towards each other. The way they tell it, in the absurd melange of the ultra knowledgeable that constituted the Kim’s staff, they were as normal and down to earth as possible for ESP Records hounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpeaking of which, the ESP catalog was the perfect amalgam of the threads that Chris and Scott were following - the sleazy White punk of The Godz and The Fugs shared a catalog with the Black loft jazz of Sonny Simmons, Albert Ayler and Milford Graves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris was also obsessed with The Dirty Three and was looking to form a trio with a melodic instrument to go along with his guitar. He was getting into free jazz at the same time, so adding Scott on alto made sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I was trying to play like Sonny Sharrock - not well. The tunings were all open chords - they weren’t dissonant tunings. It was all about unison, open, ringing sounds with tons of overtones. That all comes from My Bloody Valentine and the Cocteau Twins. That was my base. Kevin Shields was about as good as I could get technique-wise,” Chris told me recently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott came from Minneapolis and had transitioned from punk bass, to standup, then on to alto sax. He took lessons with David Murray’s arranger Benny Russell at the Brooklyn Conservatory of Music. He had only been playing the horn for about 5 years when he and Chris started jamming together at Chris’s 2nd floor apartment on 16th St and 8th Ave in Park Slope Brooklyn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris came out to a forgettable show at the Knitting Factory, and brought me a cassette of influences. The tape was programmed with tracks by the Dirty Three, Albert Ayler, and the Sun City Girls. I dutifully checked the tunes out and we made plans to jam at the Ludlow Street Studios - a basement-level rehearsal spot down the block from Katz’s Deli on the Lower East Side. The dingy rooms were equipped with amps, drums, PAs and a cassette deck for recording. We think that perhaps a few of the tunes that made the album in your hands were from our first meeting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was struck by Chris’s wild, emotional guitar playing and Scott’s empathetic, succinct phrasing. These guys listened a lot for young dudes in their early 20s. I tried to fit myself into the spaces - charged up by the old guard heads I was mingling with at the Knitting Factory: Sonny Murray, who demanded weed before he went on stage, Rashied Ali, whose wrists were bound to treat some intractable carpal tunnel, and Andrew Cyrille, whose ferocious, delicate and stoic performances kept me guessing. I had just come from a few months in Amsterdam, plopping myself down at the BimHuis every night, seeing all kinds of Dutch legends play to small audiences. I stirred in a little Han Bennink. I was flailing as well. Any technical shortcomings I had were papered over by shear audacity and unearned confidence. All fairly new to the city, we became fast friends and collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince rehearsal space was at a premium I asked the band if they’d be open to waking up early to practice in the basement of the Knitting Factory. The club had backline - drums and amps - and the Alterknit Theater was soundproofed. We would arrive at around 8am - I would brew some coffee at the upstairs bar - and then we’d play for a couple of hours before I started work at 10:30am.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe learned a few songs - Albert Ayler’s “Ghosts” for one - but quickly realized that we ended up in more interesting places without the heads. “Let’s just shred,” was our mantra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur first show was opening for an experimental theater performance of “American Interference” at the Angel Orensanz Center. It was written and directed by Josh Fox - who went on to direct the anti-fracking documentary Gasland (among many other films). We played for about 20 minutes before the show started. We can’t remember if we were paid. Contacted for these liner notes Fox barely remembered our participation. We set up in a corner in front of the stage and we asked our friend Barry London to record us onto a 4-track cassette machine. He set up mics and we started.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter we jammed, he approached us and said - “OK I have levels. Let me know when you’re gonna do your set.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat was the set!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarry did manage to record a second show - but we can’t find the tape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe arrived in NYC during the very last gasps of the hollowed out 80s. We played the very well lit 5th Street squat with Gold Sparkle Quartet and Sunday Puncher, a mere week before a small fire led to the building’s destruction by wrecking ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were sets at ABC No Rio and the Alterknit - the small 80 person capacity room where we had morning rehearsals at the Knitting Factory. Eventually we were granted a show there, but it was probably after I took over the role of booking the club. I remember hearing that Thurston Moore came to a set and dug it, that would have been very exciting to us. Somehow the NYC shows were well attended and in the heat and the rattling crescendos, one of Scott’s friends passed out. That was the vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no significant attachments, and a naive understanding of the music business, we played constantly over the course of that year, touring around the North East and Mid-Atlantic and recording at what feels like in retrospect, an absurdly breakneck pace. Because of my connections at the Knitting Factory, we sometimes played with jazz groups that were more left of center, but still jazz. Our thing was less refined and way more punk. In Baltimore, we played with a band led by a saxophonist whose day job was with the Tommy Dorsey Band. He happened to be really into Evan Parker. But our unstudied thing did not go over well. Chris remembers, “The guitar player wanted to kick my ass after the gig - he thought I was the biggest charlatan in the world. He had come up as a punk rocker but had learned jazz guitar. I got up there, six beers in, and afterwards he wouldn’t talk to me. He wanted nothing to do with us.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShortly following our second tour - the band broke up. By that time - we’d hit a wall. Scott says now, “I remember asking ourselves, ‘what does it mean to improvise? We say we’re free but every gig kind of sounds the same. Why don’t we dance?’” So Chris and Scott started vocalizing and dancing on stage in the mode of Min Tanaka. They’d seen him perform solo at PS122. As I write this now, I do remember feeling a bit uneasy about the turn towards vocalizing and dance. But I was crawling around the floor rattling my heavy molded plastic cymbal case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guys had to remind me how disappointed I was about the break up. Shortly after Mishagas split, Oneida became more of a priority. Our first album came out in the fall of 1997 and we toured for about 3 months. I was hurt that Mishagas ended, but I poured myself into Oneida. Honestly, my time at the Knit had really soured me on the personalities of the NYC jazz scene. I stopped doing improv until I started playing with Jim Sauter in 2012 or so.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott moved to Seattle with his soon-to-be wife Nancy and opened an art gallery connected to a store dealing in mid-century modern furniture. Around the same time, Scott decided to release a CD of material from our time together. The CD came in a slim white cardboard sleeve with no spine. Chris designed a hand stamp that impressed “POE(1)MISHAGASlive” on the cover. The back was stamped with the label name, “Proof of Existence,” and Scott’s Seattle address. Proof of Existence - a label that no one’s heard of until now. The CD, from which most of this collection is drawn, was not exactly “Live” in the traditionally understood sense. The recordings were not all from a concert in front of an audience. Some were - but others were recorded at various home studio set ups. We simply meant - the music was created on the spot, no matter the context. These nuances were only clear to the three of us - or maybe not even that.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnsurprisingly, the release fell through the cracks. Sure it’s tough stuff and not for everyone. The package had no spine, listed no credits or song titles or much identifying information at all. Scott never received a fan letter. It’s a peak of a kind of willful obscurantism that felt intriguing, but was maybe dumb. The CD was distributed by a few outlets and reviewed in the Wire, Willamette Week and no one else. Tom Ridge, writing for The Wire, called us “an exhilarating, combustible mixture of free jazz and avant-rock” - which I’ll take.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut despite the fact that the group barely made a whimper, and is remembered by almost no one - I still would occasionally find myself listening to the album and being moved by the noise, the dedication, and the guileless openness of it all. I always felt like we had something and I was sad, especially when I got back into improvisation after fifteen years of rock and roll, that this stuff was never heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris went on to record a number of great solo albums with no reference to our kind of thing. Oneida kept moving forward - we have a new album coming out this year. But Mishagas, during our short time alive, was as real as we might have ever gotten.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnjoy the shred\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mishagas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-21T18:13:35+09:00","created_at":"2023-05-09T15:16:16+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","new","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222403969274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mishagas \/\/ 1996-1997 TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","options":["Title"],"media":[{"alt":null,"id":31944756887802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","width":700},{"alt":null,"id":31944756953338,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1996-1997年に録音したフリージャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Colpitts - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Daniel - Alto Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Lee - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1228154267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text\/essay by the artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA priest, a drummer, and a tennis pro step onto a stage. . .\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Who is in Mishagas? Were they any good?” - Josh Fox.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was the drummer - just out of Middlebury College and untouched by cynicism. I arrived at the doorstep of the Tribeca Knitting Factory in the summer of 1996 and landed a job booking tours for musicians associated with the venue - John Zorn, Dave Douglas, William Hooker, Thomas Chapin, Charles Gayle. It was a heady time for The Knit and sponsorship flowed freely from a few alcohol and cigarette manufacturers convinced that experimental music was profitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was not.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was sleeping on a high school friend’s floor somewhere in Manhattan. I remember coming home after my first, long day of unpaid “trial” work at the Knitting Factory and thinking - how is it possible for someone to have an office job? How do you survive this kind of shit? There is something particularly perverse and damaging about sitting at a desk for 8 hours, and to top it off, I was in a basement. I’d decided that I did not have the talent to make music - at 22 or 23 - I was too old. But a few friends still thought that playing music - just that abstract idea with absolutely no ambition attached - was desirable and possible in New York City\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. But the gang with whom I shared these vague dreams were not in New York yet. So I was adrift, watching a few friends scramble to play shitty shows at places like the Spiral and a threadbare CBs Gallery. You’d think I would have had some kind of connection because I worked at the Knitting Factory, but the guy who booked the club, a lanky dude named John, once stopped me with a raised finger and an arched eyebrow when I paused in front of his desk, cairns of demo tapes stacked on every surface. In the moment I gathered a breath to speak, he said, “No.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a pause.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I will not book your band here so don’t even ask.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut yeah - I was a drummer - even though my drums had not migrated to the city yet. I did not have a permanent place to live. But as I hung out with the various interns who lurked around the Knit’s basement office - it emerged that one of them (perhaps on the same day he arrived toting a full set of audio gear, having just recorded his entire subway ride) knew a couple of guys who were looking for a drummer. Having no prospects - I was happy to meet them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Lee was the guitarist (now an Episcopal priest at Grace Church Brooklyn) and Scott Daniel the sax man who we nicknamed “Captain Jazz” (later turned tennis pro, now retired and living in Brooklyn playing acoustic finger-style guitar). They met each other at Mondo Kim’s: a multi-storied record shop and video store that was a kind of apex of hip cultural retail NYC. Right off Cooper Square on St Mark’s Place, it deserves a book all it’s own. Before the internet was populated with the entire history of recorded music - Kim’s was the place to surf for new sounds under the contemptuous gaze of the sullen staff. It was here that Chris and Scott gravitated towards each other. The way they tell it, in the absurd melange of the ultra knowledgeable that constituted the Kim’s staff, they were as normal and down to earth as possible for ESP Records hounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpeaking of which, the ESP catalog was the perfect amalgam of the threads that Chris and Scott were following - the sleazy White punk of The Godz and The Fugs shared a catalog with the Black loft jazz of Sonny Simmons, Albert Ayler and Milford Graves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris was also obsessed with The Dirty Three and was looking to form a trio with a melodic instrument to go along with his guitar. He was getting into free jazz at the same time, so adding Scott on alto made sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I was trying to play like Sonny Sharrock - not well. The tunings were all open chords - they weren’t dissonant tunings. It was all about unison, open, ringing sounds with tons of overtones. That all comes from My Bloody Valentine and the Cocteau Twins. That was my base. Kevin Shields was about as good as I could get technique-wise,” Chris told me recently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott came from Minneapolis and had transitioned from punk bass, to standup, then on to alto sax. He took lessons with David Murray’s arranger Benny Russell at the Brooklyn Conservatory of Music. He had only been playing the horn for about 5 years when he and Chris started jamming together at Chris’s 2nd floor apartment on 16th St and 8th Ave in Park Slope Brooklyn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris came out to a forgettable show at the Knitting Factory, and brought me a cassette of influences. The tape was programmed with tracks by the Dirty Three, Albert Ayler, and the Sun City Girls. I dutifully checked the tunes out and we made plans to jam at the Ludlow Street Studios - a basement-level rehearsal spot down the block from Katz’s Deli on the Lower East Side. The dingy rooms were equipped with amps, drums, PAs and a cassette deck for recording. We think that perhaps a few of the tunes that made the album in your hands were from our first meeting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was struck by Chris’s wild, emotional guitar playing and Scott’s empathetic, succinct phrasing. These guys listened a lot for young dudes in their early 20s. I tried to fit myself into the spaces - charged up by the old guard heads I was mingling with at the Knitting Factory: Sonny Murray, who demanded weed before he went on stage, Rashied Ali, whose wrists were bound to treat some intractable carpal tunnel, and Andrew Cyrille, whose ferocious, delicate and stoic performances kept me guessing. I had just come from a few months in Amsterdam, plopping myself down at the BimHuis every night, seeing all kinds of Dutch legends play to small audiences. I stirred in a little Han Bennink. I was flailing as well. Any technical shortcomings I had were papered over by shear audacity and unearned confidence. All fairly new to the city, we became fast friends and collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince rehearsal space was at a premium I asked the band if they’d be open to waking up early to practice in the basement of the Knitting Factory. The club had backline - drums and amps - and the Alterknit Theater was soundproofed. We would arrive at around 8am - I would brew some coffee at the upstairs bar - and then we’d play for a couple of hours before I started work at 10:30am.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe learned a few songs - Albert Ayler’s “Ghosts” for one - but quickly realized that we ended up in more interesting places without the heads. “Let’s just shred,” was our mantra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur first show was opening for an experimental theater performance of “American Interference” at the Angel Orensanz Center. It was written and directed by Josh Fox - who went on to direct the anti-fracking documentary Gasland (among many other films). We played for about 20 minutes before the show started. We can’t remember if we were paid. Contacted for these liner notes Fox barely remembered our participation. We set up in a corner in front of the stage and we asked our friend Barry London to record us onto a 4-track cassette machine. He set up mics and we started.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter we jammed, he approached us and said - “OK I have levels. Let me know when you’re gonna do your set.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat was the set!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarry did manage to record a second show - but we can’t find the tape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe arrived in NYC during the very last gasps of the hollowed out 80s. We played the very well lit 5th Street squat with Gold Sparkle Quartet and Sunday Puncher, a mere week before a small fire led to the building’s destruction by wrecking ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were sets at ABC No Rio and the Alterknit - the small 80 person capacity room where we had morning rehearsals at the Knitting Factory. Eventually we were granted a show there, but it was probably after I took over the role of booking the club. I remember hearing that Thurston Moore came to a set and dug it, that would have been very exciting to us. Somehow the NYC shows were well attended and in the heat and the rattling crescendos, one of Scott’s friends passed out. That was the vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no significant attachments, and a naive understanding of the music business, we played constantly over the course of that year, touring around the North East and Mid-Atlantic and recording at what feels like in retrospect, an absurdly breakneck pace. Because of my connections at the Knitting Factory, we sometimes played with jazz groups that were more left of center, but still jazz. Our thing was less refined and way more punk. In Baltimore, we played with a band led by a saxophonist whose day job was with the Tommy Dorsey Band. He happened to be really into Evan Parker. But our unstudied thing did not go over well. Chris remembers, “The guitar player wanted to kick my ass after the gig - he thought I was the biggest charlatan in the world. He had come up as a punk rocker but had learned jazz guitar. I got up there, six beers in, and afterwards he wouldn’t talk to me. He wanted nothing to do with us.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShortly following our second tour - the band broke up. By that time - we’d hit a wall. Scott says now, “I remember asking ourselves, ‘what does it mean to improvise? We say we’re free but every gig kind of sounds the same. Why don’t we dance?’” So Chris and Scott started vocalizing and dancing on stage in the mode of Min Tanaka. They’d seen him perform solo at PS122. As I write this now, I do remember feeling a bit uneasy about the turn towards vocalizing and dance. But I was crawling around the floor rattling my heavy molded plastic cymbal case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guys had to remind me how disappointed I was about the break up. Shortly after Mishagas split, Oneida became more of a priority. Our first album came out in the fall of 1997 and we toured for about 3 months. I was hurt that Mishagas ended, but I poured myself into Oneida. Honestly, my time at the Knit had really soured me on the personalities of the NYC jazz scene. I stopped doing improv until I started playing with Jim Sauter in 2012 or so.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott moved to Seattle with his soon-to-be wife Nancy and opened an art gallery connected to a store dealing in mid-century modern furniture. Around the same time, Scott decided to release a CD of material from our time together. The CD came in a slim white cardboard sleeve with no spine. Chris designed a hand stamp that impressed “POE(1)MISHAGASlive” on the cover. The back was stamped with the label name, “Proof of Existence,” and Scott’s Seattle address. Proof of Existence - a label that no one’s heard of until now. The CD, from which most of this collection is drawn, was not exactly “Live” in the traditionally understood sense. The recordings were not all from a concert in front of an audience. Some were - but others were recorded at various home studio set ups. We simply meant - the music was created on the spot, no matter the context. These nuances were only clear to the three of us - or maybe not even that.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnsurprisingly, the release fell through the cracks. Sure it’s tough stuff and not for everyone. The package had no spine, listed no credits or song titles or much identifying information at all. Scott never received a fan letter. It’s a peak of a kind of willful obscurantism that felt intriguing, but was maybe dumb. The CD was distributed by a few outlets and reviewed in the Wire, Willamette Week and no one else. Tom Ridge, writing for The Wire, called us “an exhilarating, combustible mixture of free jazz and avant-rock” - which I’ll take.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut despite the fact that the group barely made a whimper, and is remembered by almost no one - I still would occasionally find myself listening to the album and being moved by the noise, the dedication, and the guileless openness of it all. I always felt like we had something and I was sad, especially when I got back into improvisation after fifteen years of rock and roll, that this stuff was never heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris went on to record a number of great solo albums with no reference to our kind of thing. Oneida kept moving forward - we have a new album coming out this year. But Mishagas, during our short time alive, was as real as we might have ever gotten.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnjoy the shred\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mishagas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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This is a record released in November 2022 by the free jazz band Mishagas from New York, USA, from the Texas jazz label Astral Spirits. Contains 11 free jazz songs recorded in 1996-1997. John Colpitts - DrumsScott Daniel - Alto SaxChris Lee - Guitar...
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{"id":7972788011258,"title":"Aaron Leaney feat. Guy Thouin \/\/ Lockdown LP","handle":"aaron-leaney-feat-guy-thouin-lockdown-lp","description":"\u003cp\u003eカナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343372428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wLHs6V8w-h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 1st edition of 400.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAARON LEANEY - Tenor \u0026amp; Alto Saxophones, Mbira, Flulani Flute, Kathak Brass Bells\u003cbr\u003eGUY THOUIN - Drums, Cymbals, Kick Drums, Toms, Tablas, Cow Bell, Gongs, Percussion\u003cbr\u003eRecorded and Mixed by Radwani Ghazi Moumneh, November 23-25, 2021, at Thee Mighty Hotel2Tango\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Leaney feat. Guy Thouin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-10T06:07:46+09:00","created_at":"2023-05-09T15:04:07+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp","new"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222368284922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aaron Leaney feat. Guy Thouin \/\/ Lockdown LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","options":["Title"],"media":[{"alt":null,"id":31944664875258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","width":700},{"alt":null,"id":31944664908026,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343372428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wLHs6V8w-h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 1st edition of 400.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAARON LEANEY - Tenor \u0026amp; Alto Saxophones, Mbira, Flulani Flute, Kathak Brass Bells\u003cbr\u003eGUY THOUIN - Drums, Cymbals, Kick Drums, Toms, Tablas, Cow Bell, Gongs, Percussion\u003cbr\u003eRecorded and Mixed by Radwani Ghazi Moumneh, November 23-25, 2021, at Thee Mighty Hotel2Tango\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Leaney feat. Guy Thouin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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This is a collaborative record released in March 2023 by saxophonist Aaron Leaney and percussionist Guy Thouin from Montreal, Canada on the jazz label Astral Spirits in Texas, USA.Contains 3 exotic free jazz songs by saxophone, mbira and African flute. Comes with DL code.Click here for label and other works /// Click here to see more Astral Spirits releases available at Tobira....
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{"id":7972763730170,"title":"memotone \/\/ How Was Your Life? LP","handle":"memotone-how-was-your-life-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベル\u003c\/span\u003ePatience \/ Impatience\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなエレクトロニック・ジャズ\u003cmeta charset=\"utf-8\"\u003eフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259194236\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol multi-instrumentalist, producer and nature freak Will Yates offers a new record from his Memotone alias, an expansive, hypothetical revue titled How Was Your Life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaunching from terrains recognizable to fans of Will’s extensive, restless discography, How Was Your Life? packs up his penchant for baroque druid folk, homespun electronics and weightless woodwinds and explodes them into glistening, fractal star dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstigated by the purchase of an antiquated Y2K era guitar synthesizer, the record was produced over the first half of 2022, in a large part the result of in-studio improvisation. Where Will’s previous releases under various guises have often been conceived by conceptual frameworks, HWYL? was carved by equipment that offered both possibilities and parameters that Will relished and explored to the nth degree. The Roland GR33 not only provided sublime guitar sounds but also empowered the guitar to convincingly mimic fretless bass, tabla and a vast percussive array, also summoning an artillery of uniquely outre atmospheres over the course of the record. The resulting concoction sounds familiar yet subtly, unshakeably otherworldly, shaping up as perhaps the most honed, energized and beatific Memotone album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eParadise Drips gently lifts off with wobbly guitar, randomized sequences and unidentifiable percussive elements situating us somewhere in an unearthly realm, before Open World zaps the serotonin receptors and gushes with ecstatic warmth, it’s quietly insistent soft disco shuffle and levitational fretless driving towards a totally blissed and very soft “drop”. Forest Zone sees Memotone deep in the green, with a loose, propulsive groove and dancing flutes stumbling into a medieval ritual in the clearing halfway through, and Glow In The Dark deftly bounces between spacey ambience and an undulating no wave vamp. Carved By The Moon is a delightfully melted classical cut, while Canteen Sandwich offers the record’s most explicitly nod to modernity in the form of a nimble drum workout with samurai synths and melodic percussion that heaves towards a genuine peak. Lonehead immediately backs right off, viscerally melancholic clarinet and bubbling fx making for the records most hefty introspective moment, before Walking Backwards simmers all the way down on an wistful arpeggio, rooting back in earthly reality with charmed rhythms and jazzy tunings. Catharsis complete, Memotone is onto the next incarnation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWill Yates has been making music as Memotone since 2010, releasing music on labels like Black Acre, Disktopia and Accidental Meetings, also releasing music as O.G. Jigg and Half Nelson. He’s worked as a producer, session musician and live performer on a broad spectrum of projects, and recently provided source sounds that made up Batu’s “Opal” on Timedance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e","published_at":"2023-05-09T15:15:42+09:00","created_at":"2023-05-09T14:34:51+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","patience impatience","strange beats"],"price":367000,"price_min":367000,"price_max":367000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222278336762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"memotone \/\/ How Was Your Life? LP","public_title":null,"options":["Default Title"],"price":367000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","options":["Title"],"media":[{"alt":null,"id":31944419279098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","width":700},{"alt":null,"id":31944419311866,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベル\u003c\/span\u003ePatience \/ Impatience\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなエレクトロニック・ジャズ\u003cmeta charset=\"utf-8\"\u003eフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259194236\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol multi-instrumentalist, producer and nature freak Will Yates offers a new record from his Memotone alias, an expansive, hypothetical revue titled How Was Your Life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaunching from terrains recognizable to fans of Will’s extensive, restless discography, How Was Your Life? packs up his penchant for baroque druid folk, homespun electronics and weightless woodwinds and explodes them into glistening, fractal star dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstigated by the purchase of an antiquated Y2K era guitar synthesizer, the record was produced over the first half of 2022, in a large part the result of in-studio improvisation. Where Will’s previous releases under various guises have often been conceived by conceptual frameworks, HWYL? was carved by equipment that offered both possibilities and parameters that Will relished and explored to the nth degree. The Roland GR33 not only provided sublime guitar sounds but also empowered the guitar to convincingly mimic fretless bass, tabla and a vast percussive array, also summoning an artillery of uniquely outre atmospheres over the course of the record. The resulting concoction sounds familiar yet subtly, unshakeably otherworldly, shaping up as perhaps the most honed, energized and beatific Memotone album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eParadise Drips gently lifts off with wobbly guitar, randomized sequences and unidentifiable percussive elements situating us somewhere in an unearthly realm, before Open World zaps the serotonin receptors and gushes with ecstatic warmth, it’s quietly insistent soft disco shuffle and levitational fretless driving towards a totally blissed and very soft “drop”. Forest Zone sees Memotone deep in the green, with a loose, propulsive groove and dancing flutes stumbling into a medieval ritual in the clearing halfway through, and Glow In The Dark deftly bounces between spacey ambience and an undulating no wave vamp. Carved By The Moon is a delightfully melted classical cut, while Canteen Sandwich offers the record’s most explicitly nod to modernity in the form of a nimble drum workout with samurai synths and melodic percussion that heaves towards a genuine peak. Lonehead immediately backs right off, viscerally melancholic clarinet and bubbling fx making for the records most hefty introspective moment, before Walking Backwards simmers all the way down on an wistful arpeggio, rooting back in earthly reality with charmed rhythms and jazzy tunings. Catharsis complete, Memotone is onto the next incarnation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWill Yates has been making music as Memotone since 2010, releasing music on labels like Black Acre, Disktopia and Accidental Meetings, also releasing music as O.G. Jigg and Half Nelson. He’s worked as a producer, session musician and live performer on a broad spectrum of projects, and recently provided source sounds that made up Batu’s “Opal” on Timedance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e"}
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A record released in May 2023 by Memotone, a multi-instrumentalist from Bristol, England, on the experimental/dance label Patience / Impatience in New York, USA.Contains 5 tracks of exotic electronic jazz fusion.It's a very difficult piece to categorize. Comes with DL code.Click here for label and other works /// Click here to see more Patience / Impatience releases available at...
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{"id":7966683824378,"title":"Magnus Granberg with Apartment House \/\/ Evening Star, Vesper Bell CD","handle":"magnus-granberg-with-apartment-house-evening-star-vesper-bell-tape","description":"\u003cp\u003eスウェーデン・ストックホルムの作曲家Magnus Granbergが、2023年4月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eApartment House演奏による54分の室内楽作品です。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592471371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in hard cover. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeautiful 54-minute work by Magnus Granberg, written for and wonderfully played by Apartment House. As with almost all of Granberg's compositions, a strong ability in improvisation is essential as the score presents musicians with pools of musical material from which they have to select sounds according to what they are hearing in the moment from the other musicians Sumptuously gorgeous music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magnus Granberg with Apartment House\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2023-05-02T10:58:46+09:00","created_at":"2023-04-30T10:35:41+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","jazz","new"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44201791815930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Magnus Granberg with Apartment House \/\/ Evening Star, Vesper Bell CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/even1.jpg?v=1682818543","\/\/tobirarecords.com\/cdn\/shop\/files\/even2.jpg?v=1682818543"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/even1.jpg?v=1682818543","options":["Title"],"media":[{"alt":null,"id":31899347550458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even1.jpg?v=1682818543"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even1.jpg?v=1682818543","width":700},{"alt":null,"id":31899347583226,"position":2,"preview_image":{"aspect_ratio":1.054,"height":1138,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even2.jpg?v=1682818543"},"aspect_ratio":1.054,"height":1138,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even2.jpg?v=1682818543","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムの作曲家Magnus Granbergが、2023年4月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eApartment House演奏による54分の室内楽作品です。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592471371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in hard cover. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeautiful 54-minute work by Magnus Granberg, written for and wonderfully played by Apartment House. As with almost all of Granberg's compositions, a strong ability in improvisation is essential as the score presents musicians with pools of musical material from which they have to select sounds according to what they are hearing in the moment from the other musicians Sumptuously gorgeous music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magnus Granberg with Apartment House\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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Magnus Granberg, a composer from Stockholm, Sweden, released a CD in April 2023 from the British contemporary classic label Another Timbre. A 4-minute chamber music piece performed by Apartment House.Digipak, shrink specification.Click here for label and other works /// Click here to see more Another Timbre releases available at...
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{"id":7965942743290,"title":"John Carroll Kirby \/\/ Septet 2xLP","handle":"john-carroll-kirby-septet-2xlpのコピー","description":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2021年6月にStones Throwからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ8曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2449815274\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eClash:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat ‘Septet’ really does well is show how accomplished Kirby has become in his writing. The music is fun, with a joyous bounce, but also hints at a deep melancholy. It’s not sad, but it’s also not happy. Which, if we choose to admit it, is what the past 18 months have been... It truly is a product of its time, but instead of focusing on the negativity Kirby concentrates on those little moments that bring happiness. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stone's Throw\u003c\/p\u003e","published_at":"2023-04-28T15:26:58+09:00","created_at":"2023-04-28T15:26:10+09:00","vendor":"Tobira Records","type":"","tags":["jazz","leaving records","lp","new"],"price":428000,"price_min":428000,"price_max":428000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44198465569018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ Septet 2xLP","public_title":null,"options":["Default Title"],"price":428000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172","options":["Title"],"media":[{"alt":null,"id":31891253559546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2021年6月にStones Throwからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ8曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2449815274\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eClash:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat ‘Septet’ really does well is show how accomplished Kirby has become in his writing. The music is fun, with a joyous bounce, but also hints at a deep melancholy. It’s not sad, but it’s also not happy. Which, if we choose to admit it, is what the past 18 months have been... It truly is a product of its time, but instead of focusing on the negativity Kirby concentrates on those little moments that bring happiness. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stone's Throw\u003c\/p\u003e"}
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This is a two-disc record released by Stones Throw in June 2021 by John Carroll Kirby, a multi-instrumentalist from LA, USA.Includes 6 pieces of contemporary jazz. Clash: "What 'Septet' really does well is show how...
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{"id":7964285239546,"title":"Natural Information Society \/\/ Since Time Is Gravity 2xLP","handle":"natural-information-society-since-time-is-gravity-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの11人編成バンドNatural Information Societyが、2023年4月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eモロッコの伝統楽器ゲンブリやハルモニウム、サックス、クラリネット、ドラムなどによるトライバル・ジャズ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276757214\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black double vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e01 Moontide Chorus 6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Is 11:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Murmuration 17:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Wane 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Stigmergy 13:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Immemorial 8:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Wax 3:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Gravity 7:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eEssay by Stuart Broomer, April 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer \u0026amp; multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums \u0026amp;-counting flagship ensemble. Joining the core NIS of Abrams (guimbri \u0026amp; bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) \u0026amp; Jason Stein (bass clarinet)\u003cspan class=\"bcTruncateMore\"\u003e are Hamid Drake (percussion), Josh Berman \u0026amp; Ben Lamar Gay (cornets), Nick Mazzarella \u0026amp; Mai Sugimoto (alto saxophones \u0026amp; flute), Kara Bershad (harp) \u0026amp; Chicago living legend of the tenor saxophone Ari Brown. Recorded live to tape at Electrical Audio \u0026amp; The Graham Foundation, cover painting Vibratory Cartography: Nepantla, by Lisa Alvarado. 2xLP on Eremite USA, 2xLP \u0026amp; CD on Aguirre\/Eremite Europe. Out 14-04.\u003cbr\u003e\u003cbr\u003eSince first developing Natural Information Society in 2010, Joshua Abrams has been gradually expanding the group’s conceptual underpinnings, its musical references \u0026amp; the sheer number of the group’s members. Its music is, in a sense, an expansive form of minimalism, based in repeated \u0026amp; overlaid rhythmic patterns, ostinatos \u0026amp; modality. Its roots, its scale \u0026amp; its meaning become clearer in time. If time is gravity, it also allows us to carry more. Having begun as fundamentally a rhythm section with Abrams’ guimbri at its core, the version here can stretch to a tentet, including six horns.\u003cbr\u003e\u003cbr\u003eAbrams has been expanding his minimalism gradually, but he has long understood a key to minimalism’s potential: the breadth of its roots in the late 1950s \u0026amp; early 1960s, ranging from the dissatisfaction of young European-stream composers with the limitations of serialism to the simultaneous dissatisfaction of jazz musicians with the dense harmonic vocabulary of bop \u0026amp; hard bop. The former began exploring rhythmic complexity \u0026amp; narrow tonal palates in place of harmonic abstraction (Steve Reich’s Drumming, Philip Glass’ Music with Changing Parts; perhaps above all Terry Riley’s In C \u0026amp; his late ‘60s all-night organ \u0026amp; loop concerts); the later reduced dense chord changes to scales (signally with Miles Davis' Kind of Blue, but rapidly expanding with John Coltrane’s vast project). In the 1950s the LP record opened the world with documentation of Asian \u0026amp; African musics, key influences on both minimalists \u0026amp; jazz musicians. If John Coltrane’s soprano saxophone suggested the keening shehnai of Bismillah Khan, the instrument was rapidly taken up by two key minimalists, LaMonte Young \u0026amp; Riley, similarly appreciative of its flexible intonation, the same thing that kept it out of big bands.\u003cbr\u003e\u003cbr\u003eIf the guimbri, the North African hide-covered lute that Abrams plays with NIS, involves a rich tradition of hypnotic healing music associated with the Gnawa people, Abrams’ music also touches on other musics as well — other depths, memories \u0026amp; healings, different drones, rhythms \u0026amp; modes. As the group expands on Since Time Is Gravity, he has made certain jazz traditions in the same stream more explicit as well. If there is a mystical \u0026amp; elastic quality involved in the experience of time, both in direction \u0026amp; duration, you will catch it here. The parts for the choir of winds expand on the roles of Abrams’ guimbri, Mikel Patrick Avery \u0026amp; Hamid Drake’s percussion \u0026amp; Lisa Alvarado’s harmonium: at times, the winds are almost looping in the tentet version, each hitting a repeating note in turn, at once drone \u0026amp; distinct inflection on temporal sequence. The brilliance of the work resides in Abrams’ compositions, the NIS’ intuitive execution \u0026amp; in Ari Brown’s singular embodiment of the great tenor saxophone tradition, including the oracular genius of Eddie “Lockjaw” Davis, \u0026amp; Yusef Lateef. The three pieces by the expanded NIS featuring Brown —the opening “Moontide Chorus” \u0026amp; “Is” \u0026amp; the ultimate “Gravity”— have an immediate impact, \u0026amp; togther might be considered a kind of concerto for tenor saxophone. Here Brown presses almost indistinguishably from composed melody to improvised speech, getting so close to language that he might have a text. Everything here is a sign. Note the tap of the Rhythm Ace that links “Moontide Chorus” to “Is”, the attentive heart always present, even when signed by a machine. There’s a link here to the methodologies \u0026amp; meanings of dub music \u0026amp; the linear \u0026amp; vertical collage of beats, textures \u0026amp; tongues: treated with reverence, a sample of a beat-box can be as soulful, as hypnotic, as a mbira or a tamboura. If those pieces with Brown are heard as a suspended concerto, the three embrace \u0026amp; enfold the other works, like the sepals of a flower. That placement will also touch on the mysteries of our perception of time.\u003cbr\u003e\u003cbr\u003eParticularly in “Is”, but elsewhere as well, a phenomenon of transcendence arises in which time appears to be tripartite, at once moving backwards \u0026amp; forwards \u0026amp; standing still. This is an act of technical brilliance certainly, but also an illumination of music’s ability to represent temporal consciousness through polymetrics. This particular listener has only heard it before in a few places, including the horn shouts \u0026amp; bowed basses of Coltrane’s Africa, in moments of Charles Mingus’ The Black Saint \u0026amp; the Sinner Lady, in certain pieces where tapes were literally running backwards, \u0026amp; earlier still in Dizzy Gillespie’s Cubana Be, Cubana Bop, in which the composer George Russell \u0026amp; conguero Chano Pozo found a music that spoke at once in the voices of Stravinsky’s Rite of Spring \u0026amp; the vestigial rites, rhythms \u0026amp; songs of the Yoruba language \u0026amp; Santeria religion of inland Cuba.\u003cbr\u003e\u003cbr\u003eIn Joshua Abrams’ compositions \u0026amp; the realization of them by the NIS, in the time of one’s close listening \u0026amp; memory thereof, distinctions between the “natural” \u0026amp; the “social”, the “quotidian” \u0026amp; the “transcendent” are erased, suspended or perhaps irrelevant. Consider two of the ensemble pieces, one named for nature, the other social science. In “Murmuration” the repeated wind figures of flute \u0026amp; alto saxophone combine with the interlocking patterns of harp, guimbri \u0026amp; frame drum (tar) to create a perfect moving stillness, not an imitation but a witness to the miracle of the starlings’ astonishing collective art, a surfeit of beauty that might be the ultimate defense tactic.\u003cbr\u003e\u003cbr\u003e“Stigmergy” takes its name \u0026amp; concept from the Occupy movement’s Heather Marsh, who proposes a social system based on a cooperative rather than competitive models, one in which ideas are freely contributed \u0026amp; developed as ideas rather than an individual’s property. In its form, Abrams’ “Stigmergy” is the closes thing to traditional jazz, a series of accompanied solos by each of the wind players. However, the composed accompaniment is a radically collectivist notion: a repeated rhythmic figure, call it ostinato or riff, in which the different winds each play only a note or two of the figure, a concept both more collectivist \u0026amp; individualistic in its conception than any typical unison figure. It suggests another of the underlying recognitions that propel the Natural Information Society, the group as social organism, the teleology of hypnotic anarchy, all parts in place, functioning systematically, evolving \u0026amp; expressing itself, its nature \u0026amp; society, as a transformative organism.\u003cbr\u003e\u003cbr\u003eGeorge Lewis has described music as “a space for reflection on the human condition”. This suggests that, rather than a “distraction”, at least some music might serve as a distraction from distraction. It’s a focus, a clarity, a awareness, an external invitation to interiority, as if music itself is a model for form \u0026amp; contemplation, an organism contemplating for us or as us. If that is a possibility, \u0026amp; I am sure I have heard such musics, than this music is among them. How many of our rhythms, melodies \u0026amp; harmonies (cultural, historical, biological, psychic) might such music carry, translate \u0026amp; transform in the particulate ecstasy of our own murmuration? \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre \/ eremite records\u003c\/p\u003e","published_at":"2023-05-01T14:32:04+09:00","created_at":"2023-04-26T10:30:30+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":499000,"price_min":499000,"price_max":499000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44193397473530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Natural Information Society \/\/ Since Time Is Gravity 2xLP","public_title":null,"options":["Default Title"],"price":499000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632","\/\/tobirarecords.com\/cdn\/shop\/files\/gr2.jpg?v=1682472633"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632","options":["Title"],"media":[{"alt":null,"id":31880778875130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632","width":700},{"alt":null,"id":31880778907898,"position":2,"preview_image":{"aspect_ratio":0.978,"height":552,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2.jpg?v=1682472633"},"aspect_ratio":0.978,"height":552,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2.jpg?v=1682472633","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの11人編成バンドNatural Information Societyが、2023年4月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eモロッコの伝統楽器ゲンブリやハルモニウム、サックス、クラリネット、ドラムなどによるトライバル・ジャズ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276757214\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black double vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e01 Moontide Chorus 6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Is 11:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Murmuration 17:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Wane 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Stigmergy 13:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Immemorial 8:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Wax 3:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Gravity 7:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eEssay by Stuart Broomer, April 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer \u0026amp; multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums \u0026amp;-counting flagship ensemble. Joining the core NIS of Abrams (guimbri \u0026amp; bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) \u0026amp; Jason Stein (bass clarinet)\u003cspan class=\"bcTruncateMore\"\u003e are Hamid Drake (percussion), Josh Berman \u0026amp; Ben Lamar Gay (cornets), Nick Mazzarella \u0026amp; Mai Sugimoto (alto saxophones \u0026amp; flute), Kara Bershad (harp) \u0026amp; Chicago living legend of the tenor saxophone Ari Brown. Recorded live to tape at Electrical Audio \u0026amp; The Graham Foundation, cover painting Vibratory Cartography: Nepantla, by Lisa Alvarado. 2xLP on Eremite USA, 2xLP \u0026amp; CD on Aguirre\/Eremite Europe. Out 14-04.\u003cbr\u003e\u003cbr\u003eSince first developing Natural Information Society in 2010, Joshua Abrams has been gradually expanding the group’s conceptual underpinnings, its musical references \u0026amp; the sheer number of the group’s members. Its music is, in a sense, an expansive form of minimalism, based in repeated \u0026amp; overlaid rhythmic patterns, ostinatos \u0026amp; modality. Its roots, its scale \u0026amp; its meaning become clearer in time. If time is gravity, it also allows us to carry more. Having begun as fundamentally a rhythm section with Abrams’ guimbri at its core, the version here can stretch to a tentet, including six horns.\u003cbr\u003e\u003cbr\u003eAbrams has been expanding his minimalism gradually, but he has long understood a key to minimalism’s potential: the breadth of its roots in the late 1950s \u0026amp; early 1960s, ranging from the dissatisfaction of young European-stream composers with the limitations of serialism to the simultaneous dissatisfaction of jazz musicians with the dense harmonic vocabulary of bop \u0026amp; hard bop. The former began exploring rhythmic complexity \u0026amp; narrow tonal palates in place of harmonic abstraction (Steve Reich’s Drumming, Philip Glass’ Music with Changing Parts; perhaps above all Terry Riley’s In C \u0026amp; his late ‘60s all-night organ \u0026amp; loop concerts); the later reduced dense chord changes to scales (signally with Miles Davis' Kind of Blue, but rapidly expanding with John Coltrane’s vast project). In the 1950s the LP record opened the world with documentation of Asian \u0026amp; African musics, key influences on both minimalists \u0026amp; jazz musicians. If John Coltrane’s soprano saxophone suggested the keening shehnai of Bismillah Khan, the instrument was rapidly taken up by two key minimalists, LaMonte Young \u0026amp; Riley, similarly appreciative of its flexible intonation, the same thing that kept it out of big bands.\u003cbr\u003e\u003cbr\u003eIf the guimbri, the North African hide-covered lute that Abrams plays with NIS, involves a rich tradition of hypnotic healing music associated with the Gnawa people, Abrams’ music also touches on other musics as well — other depths, memories \u0026amp; healings, different drones, rhythms \u0026amp; modes. As the group expands on Since Time Is Gravity, he has made certain jazz traditions in the same stream more explicit as well. If there is a mystical \u0026amp; elastic quality involved in the experience of time, both in direction \u0026amp; duration, you will catch it here. The parts for the choir of winds expand on the roles of Abrams’ guimbri, Mikel Patrick Avery \u0026amp; Hamid Drake’s percussion \u0026amp; Lisa Alvarado’s harmonium: at times, the winds are almost looping in the tentet version, each hitting a repeating note in turn, at once drone \u0026amp; distinct inflection on temporal sequence. The brilliance of the work resides in Abrams’ compositions, the NIS’ intuitive execution \u0026amp; in Ari Brown’s singular embodiment of the great tenor saxophone tradition, including the oracular genius of Eddie “Lockjaw” Davis, \u0026amp; Yusef Lateef. The three pieces by the expanded NIS featuring Brown —the opening “Moontide Chorus” \u0026amp; “Is” \u0026amp; the ultimate “Gravity”— have an immediate impact, \u0026amp; togther might be considered a kind of concerto for tenor saxophone. Here Brown presses almost indistinguishably from composed melody to improvised speech, getting so close to language that he might have a text. Everything here is a sign. Note the tap of the Rhythm Ace that links “Moontide Chorus” to “Is”, the attentive heart always present, even when signed by a machine. There’s a link here to the methodologies \u0026amp; meanings of dub music \u0026amp; the linear \u0026amp; vertical collage of beats, textures \u0026amp; tongues: treated with reverence, a sample of a beat-box can be as soulful, as hypnotic, as a mbira or a tamboura. If those pieces with Brown are heard as a suspended concerto, the three embrace \u0026amp; enfold the other works, like the sepals of a flower. That placement will also touch on the mysteries of our perception of time.\u003cbr\u003e\u003cbr\u003eParticularly in “Is”, but elsewhere as well, a phenomenon of transcendence arises in which time appears to be tripartite, at once moving backwards \u0026amp; forwards \u0026amp; standing still. This is an act of technical brilliance certainly, but also an illumination of music’s ability to represent temporal consciousness through polymetrics. This particular listener has only heard it before in a few places, including the horn shouts \u0026amp; bowed basses of Coltrane’s Africa, in moments of Charles Mingus’ The Black Saint \u0026amp; the Sinner Lady, in certain pieces where tapes were literally running backwards, \u0026amp; earlier still in Dizzy Gillespie’s Cubana Be, Cubana Bop, in which the composer George Russell \u0026amp; conguero Chano Pozo found a music that spoke at once in the voices of Stravinsky’s Rite of Spring \u0026amp; the vestigial rites, rhythms \u0026amp; songs of the Yoruba language \u0026amp; Santeria religion of inland Cuba.\u003cbr\u003e\u003cbr\u003eIn Joshua Abrams’ compositions \u0026amp; the realization of them by the NIS, in the time of one’s close listening \u0026amp; memory thereof, distinctions between the “natural” \u0026amp; the “social”, the “quotidian” \u0026amp; the “transcendent” are erased, suspended or perhaps irrelevant. Consider two of the ensemble pieces, one named for nature, the other social science. In “Murmuration” the repeated wind figures of flute \u0026amp; alto saxophone combine with the interlocking patterns of harp, guimbri \u0026amp; frame drum (tar) to create a perfect moving stillness, not an imitation but a witness to the miracle of the starlings’ astonishing collective art, a surfeit of beauty that might be the ultimate defense tactic.\u003cbr\u003e\u003cbr\u003e“Stigmergy” takes its name \u0026amp; concept from the Occupy movement’s Heather Marsh, who proposes a social system based on a cooperative rather than competitive models, one in which ideas are freely contributed \u0026amp; developed as ideas rather than an individual’s property. In its form, Abrams’ “Stigmergy” is the closes thing to traditional jazz, a series of accompanied solos by each of the wind players. However, the composed accompaniment is a radically collectivist notion: a repeated rhythmic figure, call it ostinato or riff, in which the different winds each play only a note or two of the figure, a concept both more collectivist \u0026amp; individualistic in its conception than any typical unison figure. It suggests another of the underlying recognitions that propel the Natural Information Society, the group as social organism, the teleology of hypnotic anarchy, all parts in place, functioning systematically, evolving \u0026amp; expressing itself, its nature \u0026amp; society, as a transformative organism.\u003cbr\u003e\u003cbr\u003eGeorge Lewis has described music as “a space for reflection on the human condition”. This suggests that, rather than a “distraction”, at least some music might serve as a distraction from distraction. It’s a focus, a clarity, a awareness, an external invitation to interiority, as if music itself is a model for form \u0026amp; contemplation, an organism contemplating for us or as us. If that is a possibility, \u0026amp; I am sure I have heard such musics, than this music is among them. How many of our rhythms, melodies \u0026amp; harmonies (cultural, historical, biological, psychic) might such music carry, translate \u0026amp; transform in the particulate ecstasy of our own murmuration? \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre \/ eremite records\u003c\/p\u003e"}
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A two-disc record released by the American 11-piece band Natural Information Society in April 2023 from the Belgian experimental label Aguirre.Contains 4 tribal jazz songs using traditional Moroccan instruments such as genburi, harmonium, saxophone, clarinet, and drums.Click here for labels and other works /// Click here to see more Aguirre releases available at Tobira. "...
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{"id":7961158844666,"title":"Josiah Steinbrick \/\/ For Anyone That Knows You LP","handle":"josiah-steinbrick-for-anyone-that-knows-you-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者Josiah Steinbrickが、2023年4月に同国アンビエントレーベルUnseen Worldsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノソロを中心としたアンビエント・ジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eSam Gendelがサックスで参加。マスタリングはTaylor Deupreeが担当しています。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=429367445\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eFor Anyone That Knows You, an album of mostly piano solos by Josiah Steinbrick, was recorded not for smoothness or posterity but to emphasize the piano as object, the person playing it, and the moment it sounds. On three of the pieces, the saxophone of Sam Gendel hovers over the piano like a faint change in the light, adding resonance and gentle reinforcement rather than counterpoint. Three others are delicate renditions: “Green Glass” interprets an untitled recording by Quechuan folk musicians Leandro Apaza Romas and Benjamin Clara Quispe; “Elyne Road” abbreviates one of Malian kora master Toumani Diabaté’s most tender compositions; and “Lullaby” is an arrangement of a traditional Creole song, originally recorded in 1954 by the Haitian-American guitarist Frantz Casseus. \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Josiah Steinbrick\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e","published_at":"2023-04-19T11:41:55+09:00","created_at":"2023-04-19T11:41:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","neo classical","new","unseen worlds"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44179292750074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Josiah Steinbrick \/\/ For Anyone That Knows You LP","public_title":null,"options":["Default Title"],"price":339000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0765118125_16.jpg?v=1681872302","\/\/tobirarecords.com\/cdn\/shop\/products\/0031692988_10.jpg?v=1681872302"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0765118125_16.jpg?v=1681872302","options":["Title"],"media":[{"alt":null,"id":31851203231994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0765118125_16.jpg?v=1681872302"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0765118125_16.jpg?v=1681872302","width":700},{"alt":null,"id":31851203264762,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031692988_10.jpg?v=1681872302"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031692988_10.jpg?v=1681872302","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者Josiah Steinbrickが、2023年4月に同国アンビエントレーベルUnseen Worldsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノソロを中心としたアンビエント・ジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eSam Gendelがサックスで参加。マスタリングはTaylor Deupreeが担当しています。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=429367445\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eFor Anyone That Knows You, an album of mostly piano solos by Josiah Steinbrick, was recorded not for smoothness or posterity but to emphasize the piano as object, the person playing it, and the moment it sounds. On three of the pieces, the saxophone of Sam Gendel hovers over the piano like a faint change in the light, adding resonance and gentle reinforcement rather than counterpoint. Three others are delicate renditions: “Green Glass” interprets an untitled recording by Quechuan folk musicians Leandro Apaza Romas and Benjamin Clara Quispe; “Elyne Road” abbreviates one of Malian kora master Toumani Diabaté’s most tender compositions; and “Lullaby” is an arrangement of a traditional Creole song, originally recorded in 1954 by the Haitian-American guitarist Frantz Casseus. \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Josiah Steinbrick\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e"}
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This is a record released in April 2023 by Josiah Steinbrick, a multi-instrumentalist from LA, USA, on the country's ambient label Unseen Worlds.Contains 4 ambient jazz songs, mainly piano solos. Comes with DL code. Sam Gendel joins on saxophone.Mastered by Taylor Deupree.Click here for label and other works /// Click here to see more Unseen Worlds releases...
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{"id":7958788997370,"title":"Pharoah Sanders \/\/ Live in Paris (1975) LP","handle":"pharoah-sanders-live-in-paris-1975-lp","description":"\u003cp\u003e2022年に他界したアメリカのジャズサックス奏者Pharoah Sandersが、1975年にパリで行ったライブの録音盤です。\u003c\/p\u003e\n\u003cp\u003e英語とフランス語によるライナーノーツ付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1419031460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003ehere\u003c\/a\u003e to see more Transversales Disques releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe Edition - Classic Gatefold Tip-On Jacket \u003c\/span\u003e\u003cspan\u003eincluding exclusive liner notes and pictures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORTF Recordings by the Pharoah Sanders Quartet, \u003c\/span\u003e\u003cspan\u003elive at Studio 104, Maison de la Radio, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pharoah Sanders\u003c\/p\u003e\n\u003cp\u003eLabel : Transversales Disques\u003c\/p\u003e","published_at":"2023-04-15T14:53:43+09:00","created_at":"2023-04-15T12:23:57+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","transversales disques"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44171222057210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pharoah Sanders \/\/ Live in Paris (1975) LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_6f244614-94d8-437a-a0af-e8d11f5052a1.jpg?v=1681529039","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_f2845343-a6f1-4f07-b669-3c9a7ef3e9d5.jpg?v=1681529039"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_6f244614-94d8-437a-a0af-e8d11f5052a1.jpg?v=1681529039","options":["Title"],"media":[{"alt":null,"id":31834578321658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_6f244614-94d8-437a-a0af-e8d11f5052a1.jpg?v=1681529039"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_6f244614-94d8-437a-a0af-e8d11f5052a1.jpg?v=1681529039","width":700},{"alt":null,"id":31834578354426,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_f2845343-a6f1-4f07-b669-3c9a7ef3e9d5.jpg?v=1681529039"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_f2845343-a6f1-4f07-b669-3c9a7ef3e9d5.jpg?v=1681529039","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2022年に他界したアメリカのジャズサックス奏者Pharoah Sandersが、1975年にパリで行ったライブの録音盤です。\u003c\/p\u003e\n\u003cp\u003e英語とフランス語によるライナーノーツ付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1419031460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003ehere\u003c\/a\u003e to see more Transversales Disques releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe Edition - Classic Gatefold Tip-On Jacket \u003c\/span\u003e\u003cspan\u003eincluding exclusive liner notes and pictures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORTF Recordings by the Pharoah Sanders Quartet, \u003c\/span\u003e\u003cspan\u003elive at Studio 104, Maison de la Radio, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pharoah Sanders\u003c\/p\u003e\n\u003cp\u003eLabel : Transversales Disques\u003c\/p\u003e"}
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American jazz saxophonist Pharoah Sanders, who passed away in 2022, recorded a live performance in Paris in 1975.Includes liner notes in English and French.Click here for labels and other works /// Click here to see more Transversales Disques releases available at Tobira. ----------------------------.. .
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{"id":7956893335802,"title":"Fuubutsuhi \/\/ Shiki 4xCD BOX","handle":"fuubutsuhi-shiki-4xcd-box","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※最終入荷です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e毎度予約時点で完売するアンビエント作家4名によるアンビエント・\u003cmeta charset=\"utf-8\"\u003eジャズバンドFuubutsushiが季節ごとにリリースするシリーズ4作のBOXが登場です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChris Jusell、\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地良いアンビエント・ジャズ作品に仕上がっております。全36曲を収録\u003c\/span\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e昨今盛り上がりを見せるアンビエント・\u003c\/span\u003e\u003cspan\u003eジャズの最重要アルバムのひとつで、これからも長く楽しめるBOXかと思います。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3061826114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A compendium physical\/digital release that collects all four seasons\/four albums by Fuubutsushi recorded 2020-2021. The physical edition includes 4 CDs in a fold-out digipak housed with a full color booklet in an O-card sleeve.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCombining many genres and elements, Fuubutsushi's catalog is one marked by playful and trusting exploration between four musicians; though each loosely assumes a role -- Jusell on violin, Prymek on guitars, Sage on percussion\/keys, Shiroishi on woodwinds -- the group has, in their hallmark year of long-distance collaboration, established a free-form vocabulary. Borrowing idioms from ECM, cool jazz, ambient music, minimalism, city pop, post rock, folk, and Americana, this music thoughtfully roams across landscapes like a wandering cloud. At times it falls into valleys, at times in soars far above the surface, it falls and collects in puddles and lakes, it thaws and runs like rivers, it collects in snow banks and freezes solid.\"\u003c\/em\u003e\u003c\/p\u003e\nChris Jusell - violin\n\u003cp\u003e\u003cspan\u003eChaz Prymek - guitars, field recordings, voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Sage - keyboards, percussion, voice, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatrick Shiroishi - alto \u0026amp; tenor saxophones, clarinet, flute, glockenspiel, samples, whistling, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jusell, Prymek, Sage, Shiroishi \u003c\/p\u003e\n\u003cp\u003elabel : cached media\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2023-04-11T07:29:59+09:00","created_at":"2023-04-11T07:28:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cached media","cd","folk \/ left-field pop","jazz","new","recommended"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44163204645114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fuubutsuhi \/\/ Shiki 4xCD BOX","public_title":null,"options":["Default Title"],"price":498000,"weight":300,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3855712907_16.jpg?v=1681165775","\/\/tobirarecords.com\/cdn\/shop\/products\/0026589145_10.jpg?v=1681165776","\/\/tobirarecords.com\/cdn\/shop\/products\/0026589146_10.jpg?v=1681165782"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3855712907_16.jpg?v=1681165775","options":["Title"],"media":[{"alt":null,"id":31815596474618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3855712907_16.jpg?v=1681165775"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3855712907_16.jpg?v=1681165775","width":700},{"alt":null,"id":31815596507386,"position":2,"preview_image":{"aspect_ratio":1.496,"height":802,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026589145_10.jpg?v=1681165776"},"aspect_ratio":1.496,"height":802,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026589145_10.jpg?v=1681165776","width":1200},{"alt":null,"id":31815596769530,"position":3,"preview_image":{"aspect_ratio":1.496,"height":802,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026589146_10.jpg?v=1681165782"},"aspect_ratio":1.496,"height":802,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026589146_10.jpg?v=1681165782","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※最終入荷です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e毎度予約時点で完売するアンビエント作家4名によるアンビエント・\u003cmeta charset=\"utf-8\"\u003eジャズバンドFuubutsushiが季節ごとにリリースするシリーズ4作のBOXが登場です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChris Jusell、\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地良いアンビエント・ジャズ作品に仕上がっております。全36曲を収録\u003c\/span\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e昨今盛り上がりを見せるアンビエント・\u003c\/span\u003e\u003cspan\u003eジャズの最重要アルバムのひとつで、これからも長く楽しめるBOXかと思います。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3061826114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A compendium physical\/digital release that collects all four seasons\/four albums by Fuubutsushi recorded 2020-2021. The physical edition includes 4 CDs in a fold-out digipak housed with a full color booklet in an O-card sleeve.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCombining many genres and elements, Fuubutsushi's catalog is one marked by playful and trusting exploration between four musicians; though each loosely assumes a role -- Jusell on violin, Prymek on guitars, Sage on percussion\/keys, Shiroishi on woodwinds -- the group has, in their hallmark year of long-distance collaboration, established a free-form vocabulary. Borrowing idioms from ECM, cool jazz, ambient music, minimalism, city pop, post rock, folk, and Americana, this music thoughtfully roams across landscapes like a wandering cloud. At times it falls into valleys, at times in soars far above the surface, it falls and collects in puddles and lakes, it thaws and runs like rivers, it collects in snow banks and freezes solid.\"\u003c\/em\u003e\u003c\/p\u003e\nChris Jusell - violin\n\u003cp\u003e\u003cspan\u003eChaz Prymek - guitars, field recordings, voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Sage - keyboards, percussion, voice, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatrick Shiroishi - alto \u0026amp; tenor saxophones, clarinet, flute, glockenspiel, samples, whistling, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jusell, Prymek, Sage, Shiroishi \u003c\/p\u003e\n\u003cp\u003elabel : cached media\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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*This is the final arrival. A series of 4 boxes released by the ambient jazz band Fuubutsushi by 4 ambient artists, who are sold out at the time of reservation every time, is now available. A collaboration between Chris Jusell, Chaz Prymek, Matthew Sage and Patrick Shiroishi.Each member has played his or her own role to the fullest, resulting in a pleasant ambient jazz piece.Contains 36 songs.This is one of the most important ambient jazz albums that has been gaining momentum recently, and I think it will be a box that can be enjoyed for a long time. Comes with DL code.Click here for labels and other works /// Click here to see more...
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{"id":7956347224314,"title":"Mohamad Zatari Trio \/\/ Istehlal LP","handle":"mohamad-zatari-trio-istehlal-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシリア・アレッポのウード奏者Mohamad Zatari率いる\u003cmeta charset=\"utf-8\"\u003eシリアとインド、イラン出身のメンバーからなる中東ジャズバンドMohamad Zatari Trioが、2023年1月に中東／アジア／北アフリカ専門レーベルZehraからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウードとタブラ、タールによるオリエンタルなコンテンポラリー・ジャズ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3861170550\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eZehra:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eZEHRA is proud to present the debut album ISTEHLAL by the MOHAMAD ZATARI TRIO, consisting of musicians from Syria, Iran \u0026amp; India. The trio merges traditional Middle Eastern sounds with contemporary vibes incl. interpretations of Hossein Alizadeh \u0026amp; Riad Al-Sunbati classics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a contemporary globalised world where music has lost its borders and is fighting a constant – yet particular – stream of Western commodification, the Mohamad Zatari Trio stands out as an original cultural artefact, aiming at transcending the boundaries between different music worlds.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFounded in 2019 the ensemble had its first public appearance in 2020 at the Outernational Virtual Festival. Comprising the performers Sara Eslami (Iran) on tar, Avadhut Kasinadhuni (India \/ Romania) on tabla and Mohamad Zatari (Syria) on oud. \u003c\/em\u003e\u003cem\u003eTheir debut ISTEHLAL plunges into its own aesthetics, politics and sound intricacies and represents the combined efforts of three musicians hailing from different, yet deeply rooted cultures. Over the course of eleven songs, the album transcends stylistic, ideologic and \u003c\/em\u003e\u003cem\u003egeographic boundaries and reflects on the human condition in an interconnected and interrelated technological world. The\u003cspan class=\"bcTruncateMore\"\u003e repertoire includes not only original compositions in different stylistics but also rearranged traditional pieces by influential composers Riad Al Sunbati (Egypt) and Hossein Alizadeh (Iran). The Mohamad Zatari Trio introduces itself as a strong new voice within a new generation of young musicians that carry the musical heritage of great masters like Ravi Shankar, Nusrat Fateh Ali Khan or Zakir Hussain with a fresh and contemporary approach.\u003cbr\u003e\u003cbr\u003eMohamad Zatari is a composer and oud player from Aleppo, Syria, currently based in Bucharest, Romania. His artistic effort is devoted to deconstructing stereotypes and blending various musical genres. He has been taught traditional and regional music by Tarek Al-Sayed, and has a Bachelor in classical composition at the National University of Music Bucharest (2021). His compositions were used for short films as well as educational courses. He performed in various ensembles and groups, in countries such as Syria, Romania, Hungary, Germany, Italy\u003cbr\u003eand Austria.\u003cbr\u003e\u003cbr\u003eSara Eslami is an Iranian composer, tar and setar instrumentalist and improviser. She has a bachelor’s in musical Performing at the Tehran University of Arts (2011).\u003cbr\u003e\u003cbr\u003eRomanian\/Indian Avadhut Kasinadhuni has a Master in Musical Performing \/ Violin at the National University of Music Bucharest (2022) and started studying tabla intermittently in India with Prof. Kamal Kant (2008) and Prof. Durjay Bhaumik (2017).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist : MOHAMAD ZATARI TRIO\u003c\/div\u003e\n\u003cp\u003eLabel : Zehra\u003c\/p\u003e","published_at":"2023-04-15T08:33:22+09:00","created_at":"2023-04-09T18:28:50+09:00","vendor":"Tobira Records","type":"","tags":["field recording","jazz","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44160688062714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mohamad Zatari Trio \/\/ Istehlal LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/za1_794ae1cd-8311-4a43-b1aa-a54a96ec9330.jpg?v=1681032532","\/\/tobirarecords.com\/cdn\/shop\/products\/za2_0c63a00a-0276-40f9-b3c1-e04d5abb4189.jpg?v=1681032532"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/za1_794ae1cd-8311-4a43-b1aa-a54a96ec9330.jpg?v=1681032532","options":["Title"],"media":[{"alt":null,"id":31808995688698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/za1_794ae1cd-8311-4a43-b1aa-a54a96ec9330.jpg?v=1681032532"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/za1_794ae1cd-8311-4a43-b1aa-a54a96ec9330.jpg?v=1681032532","width":700},{"alt":null,"id":31808995721466,"position":2,"preview_image":{"aspect_ratio":0.948,"height":1200,"width":1137,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/za2_0c63a00a-0276-40f9-b3c1-e04d5abb4189.jpg?v=1681032532"},"aspect_ratio":0.948,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/za2_0c63a00a-0276-40f9-b3c1-e04d5abb4189.jpg?v=1681032532","width":1137}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシリア・アレッポのウード奏者Mohamad Zatari率いる\u003cmeta charset=\"utf-8\"\u003eシリアとインド、イラン出身のメンバーからなる中東ジャズバンドMohamad Zatari Trioが、2023年1月に中東／アジア／北アフリカ専門レーベルZehraからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウードとタブラ、タールによるオリエンタルなコンテンポラリー・ジャズ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3861170550\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eZehra:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eZEHRA is proud to present the debut album ISTEHLAL by the MOHAMAD ZATARI TRIO, consisting of musicians from Syria, Iran \u0026amp; India. The trio merges traditional Middle Eastern sounds with contemporary vibes incl. interpretations of Hossein Alizadeh \u0026amp; Riad Al-Sunbati classics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a contemporary globalised world where music has lost its borders and is fighting a constant – yet particular – stream of Western commodification, the Mohamad Zatari Trio stands out as an original cultural artefact, aiming at transcending the boundaries between different music worlds.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFounded in 2019 the ensemble had its first public appearance in 2020 at the Outernational Virtual Festival. Comprising the performers Sara Eslami (Iran) on tar, Avadhut Kasinadhuni (India \/ Romania) on tabla and Mohamad Zatari (Syria) on oud. \u003c\/em\u003e\u003cem\u003eTheir debut ISTEHLAL plunges into its own aesthetics, politics and sound intricacies and represents the combined efforts of three musicians hailing from different, yet deeply rooted cultures. Over the course of eleven songs, the album transcends stylistic, ideologic and \u003c\/em\u003e\u003cem\u003egeographic boundaries and reflects on the human condition in an interconnected and interrelated technological world. The\u003cspan class=\"bcTruncateMore\"\u003e repertoire includes not only original compositions in different stylistics but also rearranged traditional pieces by influential composers Riad Al Sunbati (Egypt) and Hossein Alizadeh (Iran). The Mohamad Zatari Trio introduces itself as a strong new voice within a new generation of young musicians that carry the musical heritage of great masters like Ravi Shankar, Nusrat Fateh Ali Khan or Zakir Hussain with a fresh and contemporary approach.\u003cbr\u003e\u003cbr\u003eMohamad Zatari is a composer and oud player from Aleppo, Syria, currently based in Bucharest, Romania. His artistic effort is devoted to deconstructing stereotypes and blending various musical genres. He has been taught traditional and regional music by Tarek Al-Sayed, and has a Bachelor in classical composition at the National University of Music Bucharest (2021). His compositions were used for short films as well as educational courses. He performed in various ensembles and groups, in countries such as Syria, Romania, Hungary, Germany, Italy\u003cbr\u003eand Austria.\u003cbr\u003e\u003cbr\u003eSara Eslami is an Iranian composer, tar and setar instrumentalist and improviser. She has a bachelor’s in musical Performing at the Tehran University of Arts (2011).\u003cbr\u003e\u003cbr\u003eRomanian\/Indian Avadhut Kasinadhuni has a Master in Musical Performing \/ Violin at the National University of Music Bucharest (2022) and started studying tabla intermittently in India with Prof. Kamal Kant (2008) and Prof. Durjay Bhaumik (2017).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist : MOHAMAD ZATARI TRIO\u003c\/div\u003e\n\u003cp\u003eLabel : Zehra\u003c\/p\u003e"}
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The Mohamad Zatari Trio, a Middle Eastern jazz band led by Mohamad Zatari, an oud player from Aleppo, Syria, and consisting of members from Syria, India, and Iran, released a record in January 2023 from Zehra, a label specializing in the Middle East/Asia/North Africa.Contains 1 oriental contemporary jazz pieces by oud, tabla and tar.Click here for labels and other works /// Click here to see more Karl Records/Zehra releases available at...
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{"id":7954601017594,"title":"Sheng Jie aka gogoj 盛洁 \/\/ Review TAPE","handle":"sheng-jie-aka-gogoj-盛洁-review-tape","description":"\u003cp\u003e中国・北京のマルチ奏者Sheng Jie aka gogojが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eエレキギターとエレキチェロ、シンセを用いたコラージュ〜実験ジャズ〜ドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3709388554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. Edition of 50.\u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy the time of winter 2022, musicians around the globe had stopped making lockdown albums. Telling stories of the pandemic had been out of fashion in some parts of the world, and no longer emotionally bearable in others. This was the time when Sheng Jie recorded Review in Beijing, as accumulated feelings of anxiety, frustration, and loss rose to the peak across China. A deeply personal project from start to finish, Review bears the heavy weight of these collective sentiments in its genesis, and voices them out in a sincere, unsettling way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA classically trained multi-instrumentalist and veteran in Beijing’s underground, Sheng Jie is known for making beautiful noises. Over the years, she has developed a distinctive aesthetic which combines elegantly balanced compositions with relentless walls of string drones, marking her recorded works with a signature sound blending etherealness, intensity and warmth. Review makes a radical departure, taking instead a close-up on the raw texture of the everyday in the time of crisis and social control. Using her mobile phone, Sheng Jie recorded bits and pieces of life in her estranged hometown: the mechanical whirring of an elevator at the supermarket, the sound of the night crowding into her room from an open\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e window, voice loops from a loudspeaker instructing citizens to scan the QR code for nucleic acid test. In between, she played guitar, cello, and an analogue synthesiser. The instrumentations are casual and sparse, they convey a sense of stone-cold apathy, a state of emotional exhaustion in which one loses the ability to be either hopeful or hopeless. For Sheng Jie, this was “the ultimate emotional response” to Beijing’s new normal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShortly after the album was made, three years of zero-COVID campaign in China came to an abrupt end. History hastily moves on. Review, in this sense, speaks of memories and feelings that are too soon left behind, it makes a stand to look back. Against a bitterly divided world, it also gestures towards resonance and reconnection.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sheng Jie aka gogoj 盛洁\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e","published_at":"2023-04-06T17:34:10+09:00","created_at":"2023-04-06T12:43:23+09:00","vendor":"Tobira Records","type":"","tags":["drone","dusty ballz","jazz","monooto","new","tape"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154575159546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sheng Jie aka gogoj 盛洁 \/\/ Review TAPE","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/re1_8f83cff2-67f0-429d-bb85-c253d1a4e8b3.jpg?v=1680752605","\/\/tobirarecords.com\/cdn\/shop\/products\/re2_b28b0983-b9e3-4300-b42b-bbbac3d82352.jpg?v=1680752605"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_8f83cff2-67f0-429d-bb85-c253d1a4e8b3.jpg?v=1680752605","options":["Title"],"media":[{"alt":null,"id":31793516839162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_8f83cff2-67f0-429d-bb85-c253d1a4e8b3.jpg?v=1680752605"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_8f83cff2-67f0-429d-bb85-c253d1a4e8b3.jpg?v=1680752605","width":700},{"alt":null,"id":31793516871930,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_b28b0983-b9e3-4300-b42b-bbbac3d82352.jpg?v=1680752605"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_b28b0983-b9e3-4300-b42b-bbbac3d82352.jpg?v=1680752605","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・北京のマルチ奏者Sheng Jie aka gogojが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eエレキギターとエレキチェロ、シンセを用いたコラージュ〜実験ジャズ〜ドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3709388554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. Edition of 50.\u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy the time of winter 2022, musicians around the globe had stopped making lockdown albums. Telling stories of the pandemic had been out of fashion in some parts of the world, and no longer emotionally bearable in others. This was the time when Sheng Jie recorded Review in Beijing, as accumulated feelings of anxiety, frustration, and loss rose to the peak across China. A deeply personal project from start to finish, Review bears the heavy weight of these collective sentiments in its genesis, and voices them out in a sincere, unsettling way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA classically trained multi-instrumentalist and veteran in Beijing’s underground, Sheng Jie is known for making beautiful noises. Over the years, she has developed a distinctive aesthetic which combines elegantly balanced compositions with relentless walls of string drones, marking her recorded works with a signature sound blending etherealness, intensity and warmth. Review makes a radical departure, taking instead a close-up on the raw texture of the everyday in the time of crisis and social control. Using her mobile phone, Sheng Jie recorded bits and pieces of life in her estranged hometown: the mechanical whirring of an elevator at the supermarket, the sound of the night crowding into her room from an open\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e window, voice loops from a loudspeaker instructing citizens to scan the QR code for nucleic acid test. In between, she played guitar, cello, and an analogue synthesiser. The instrumentations are casual and sparse, they convey a sense of stone-cold apathy, a state of emotional exhaustion in which one loses the ability to be either hopeful or hopeless. For Sheng Jie, this was “the ultimate emotional response” to Beijing’s new normal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShortly after the album was made, three years of zero-COVID campaign in China came to an abrupt end. History hastily moves on. Review, in this sense, speaks of memories and feelings that are too soon left behind, it makes a stand to look back. Against a bitterly divided world, it also gestures towards resonance and reconnection.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sheng Jie aka gogoj 盛洁\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e"}
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Multi-instrumentalist Sheng Jie aka gogoj from Beijing, China released a limited edition of 2023 cassettes from London's experimental label Dusty Ballz in March 3.A collage using electric guitar, electric cello, and synthesizer, experimental jazz, and 50 drone tracks. Comes with DL code.Click here to see more Dusty Ballz releases available...
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{"id":7954595709178,"title":"Mind Fiber \/\/ Ya Cha Ban 丫杈坂 TAPE","handle":"mind-fiber-ya-cha-ban-丫杈坂-tape","description":"\u003cp\u003e中国の実験デュオMind Fiberが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから30本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e浙江省・励家にある丫杈坂という丘で録音した物音〜インプロ5曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=102222924\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYa Cha Ban is a hill to the north of Lijia Village, a village in South China, where Li Jianhong grew up. On one side of the hill lies a woodland graveyard where the village ancestors are buried, the other hillside, facing the sun, used to be local kids’ secret playground, it also buries Li Jianghong’s own sweet childhood memories.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLi Jianhong left the village in 1994 for Hangzhou, the capital city of the province, he would move on to establish a career as a versatile guitarist and free improviser, before returning to Ya Cha Ban in 2010, by which time the hill had long been abandoned by the village kids. And so was the village itself, withering away in China’s decades-long project of radical urbanization.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt Ya Cha Ban, Li Jianhong and Wei Wei, who performs improvised sounds and processed signals under the moniker VAVABOND, made their first recording as Mind Fiber. Previously unreleased, the pieces in this cassette document a charming moment in the early phase of the duo’s still ongoing exploration of what they call “environment improvisation”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWei Wei was raised in a Northern Chinese city. Untuned to her partner’s bittersweet homecoming, she was a complete outlander to Ya Cha Ban. Feeling initially at sea, Wei Wei soon\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e opened up her senses to the woods, which in return embraced her with a vibrating calmness. Sitting on the grass, the duo improvised with Ya Cha Ban’s spontaneous soundscape: the whistling of mountain wind, the hiss of grass and bamboo leaves, the chirps of frogs, birds, and insects, and the distant murmur of suburban traffic. A symphony of tiny, subtle resonances entangled with whirling emotions and fragments of scattered memories. They played from noon until daylight faded.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn her recording notes, Wei Wei writes to the listeners: “the coexistence of every individual and her environment, her fellow humans, and her own emotions creates and constitutes her own world, her own memories, and her own lived experience. And you will create and harvest your own through this record.” We do sincerely hope so.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mind Fiber\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e","published_at":"2023-04-06T14:26:18+09:00","created_at":"2023-04-06T12:38:27+09:00","vendor":"Tobira Records","type":"","tags":["drone","dusty ballz","jazz","monooto","tape"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154551206138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mind Fiber \/\/ Ya Cha Ban 丫杈坂 TAPE","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ya1_b92f2090-5966-47d3-80ba-93dafd305eab.jpg?v=1680752309","\/\/tobirarecords.com\/cdn\/shop\/products\/ya2_242c84b6-b9db-4782-bcd5-def3264828ee.jpg?v=1680752309"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya1_b92f2090-5966-47d3-80ba-93dafd305eab.jpg?v=1680752309","options":["Title"],"media":[{"alt":null,"id":31793491345658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya1_b92f2090-5966-47d3-80ba-93dafd305eab.jpg?v=1680752309"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya1_b92f2090-5966-47d3-80ba-93dafd305eab.jpg?v=1680752309","width":700},{"alt":null,"id":31793491378426,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya2_242c84b6-b9db-4782-bcd5-def3264828ee.jpg?v=1680752309"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya2_242c84b6-b9db-4782-bcd5-def3264828ee.jpg?v=1680752309","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国の実験デュオMind Fiberが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから30本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e浙江省・励家にある丫杈坂という丘で録音した物音〜インプロ5曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=102222924\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYa Cha Ban is a hill to the north of Lijia Village, a village in South China, where Li Jianhong grew up. On one side of the hill lies a woodland graveyard where the village ancestors are buried, the other hillside, facing the sun, used to be local kids’ secret playground, it also buries Li Jianghong’s own sweet childhood memories.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLi Jianhong left the village in 1994 for Hangzhou, the capital city of the province, he would move on to establish a career as a versatile guitarist and free improviser, before returning to Ya Cha Ban in 2010, by which time the hill had long been abandoned by the village kids. And so was the village itself, withering away in China’s decades-long project of radical urbanization.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt Ya Cha Ban, Li Jianhong and Wei Wei, who performs improvised sounds and processed signals under the moniker VAVABOND, made their first recording as Mind Fiber. Previously unreleased, the pieces in this cassette document a charming moment in the early phase of the duo’s still ongoing exploration of what they call “environment improvisation”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWei Wei was raised in a Northern Chinese city. Untuned to her partner’s bittersweet homecoming, she was a complete outlander to Ya Cha Ban. Feeling initially at sea, Wei Wei soon\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e opened up her senses to the woods, which in return embraced her with a vibrating calmness. Sitting on the grass, the duo improvised with Ya Cha Ban’s spontaneous soundscape: the whistling of mountain wind, the hiss of grass and bamboo leaves, the chirps of frogs, birds, and insects, and the distant murmur of suburban traffic. A symphony of tiny, subtle resonances entangled with whirling emotions and fragments of scattered memories. They played from noon until daylight faded.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn her recording notes, Wei Wei writes to the listeners: “the coexistence of every individual and her environment, her fellow humans, and her own emotions creates and constitutes her own world, her own memories, and her own lived experience. And you will create and harvest your own through this record.” We do sincerely hope so.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mind Fiber\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e"}
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Chinese experimental duo Mind Fiber is a reissue cassette released in March 2023 from the experimental label Dusty Ballz in London, England, limited to 3 copies.Includes 30 improvisational songs recorded on a hill called Yujia Hill in Zhejiang Province. Comes with DL code.Click here to see more Dusty Ballz releases available at Tobira....
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{"id":7954594595066,"title":"Chunyang Yao 姚春旸 \/\/ Post-Oblivion 泯默集 TAPE","handle":"chunyang-yao-姚春旸-post-oblivion-泯默集-tape","description":"\u003cp\u003e中国・\u003cmeta charset=\"utf-8\"\u003e麗江出身ナシ族の実験音楽家Chunyang Yaoが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eフリージャズ〜ドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cem\u003e2019年9月、麗江スタジオがキュレーションするレジデンス交換プログラムで、姚春旸は日本の先住民族であるアイヌが歴史的に居住していた北海道の町、白老に足を踏み入れた。その時、彼女は奇妙な逆転の感覚に襲われた。南西部の都市・麗江で生まれたナシ族のアーティストであるヤオは、中国ではある種のエキゾチックな視線にさらされながらパフォーマンスをすることに慣れていた。しかし、アイヌの難解な生活世界に足を踏み入れたとき、彼女は初めて自分が他民族の不思議な観客であり、その中に深い両義性をもって自分の民族の影を見ることになった。この絡み合いの瞬間は、ゆっくりと反響し、近代化の周縁で記憶する権利を求めてもがく2つの少数民族の伝統の間の繊細な共鳴に変換される。記憶が聞こえるものであるならば、忘れることは音を立てるのだろうか。この問いが、『\u003cmeta charset=\"utf-8\"\u003ePost-Oblivion』の制作の原動力となった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Post-Oblivion』は、そのタイトルから想像されるものとは異なり、聴く者に感情を要求する。カセットテープのA面には、ヤオが北海道に滞在して収集したフィールドレコーディングをもとにした5楽章のコンポジションが収録されており、B面には、声、ノイズサンプル、シンセサイザーによる長大な即興演奏が収録されている。作曲家として、またヴォーカルやエレクトロニクスの即興演奏家として、ヤオのユニークな芸術的センスが発揮された2つの面。また、現代アーティストとして、母親として、ナシ族の子孫として、そして異国の地を旅する者として、彼女のアイデンティティが重なり合い、複雑な音の風景が広がっている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアイヌとナシ族は汎神論的な自然観を共有し、宗教と文化はその環境環境の中に組み込まれている。ナシ族のドンバ文字では、「音なし」と言うには、鉛の石、一対の角、欠けた月、クォークの4つのグリフが必要である。同様に、ヤオはアイヌのコミュニティと直接レコーディングするのではなく、北海道の自然の音風景から音楽の手がかりを集めた。海辺の町、苫小牧の上空で吹く風、猛烈な間欠泉、カモメの鳴き声、カラスが飛び回る音。それらを、「衣食住は土から生まれる」というナシ族のことわざを断片的に詠唱し、島をさまよう自分の存在と同じように織り込んでいく。ポスト・オブリビオンは、このように、喪失と同時に永続についても歌っている。自然のリズムと調和を通して、植民地時代の過去と文化的記憶の政治に立ち向かう、轟音のような沈黙を伝えている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3727912409\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code.\u003cspan\u003e Edition of 50.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDusty Ballz:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThere is nothing better than oblivion, since in oblivion there is no wish unfulfilled. (H. P. Lovecraft)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSeptember 2019, during a residency exchange programme curated by the Lijiang Studio, Chunyang Yao set foot in Shiraoi, a town in Hokkaido historically populated by Japan’s indigenous people, the Ainu. A peculiar sense of inversion struck her. Being a Naxi artist emerging from the southwestern city of Lijiang, Yao had become accustomed to performing under a certain exotic gaze in China. Yet, dipping into the arcane, almost bygone lifeworld of the Ainu, for the first time she found herself to be the curious spectator upon another ethnic group, in whom she saw, with profound ambivalence, the shadow of her own people. This moment of entanglement reverberates on, slowly translating into a delicate resonance between two ethnic minority traditions, both struggling for the right to remembrance on the margins of modernity. If memory is audible, does forgetting make a sound? This question drove the making of Post-Oblivion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnlike what the title suggests, listening to Post-Oblivion demands emotion. Side A of the cassette contains a composition in five movements, which is based on field recordings collected\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e during Yao’s stay in Hokkaido; Side B presents a long-form improvisation of voice, noise samples, and synthesisers, the track gets its title “AyuDabuya” from the babbling of Yao’s daughter after she heard the recording. Respectively, the two sides showcase Yao’s unique artistic sensibility as a composer and as a vocal\/electronics improviser. Together they also present an intricate landscape of sound, cut across by her multiple, overlapping identities: as a contemporary artist, a mother, a Naxi descendent, and a traveller in a foreign land.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Ainu and the Naxi share a pantheistic vision of nature, through which religion and culture are embedded in their environmental surroundings. In the Naxi Dongba script, to say “without a sound” takes four glyphs: a lead stone, a pair of horns, a waning moon, and quark. Likewise, instead of recording directly with the Ainu community, Yao gathered musical cues from Hokkaido’s natural soundscape — onshore breezes, a raging geyser, cries of the seagulls, and crows hovering above the seaside town of Tomakomai. She stitched them with a fragmented chant of the ancient Naxi proverb: “All food and clothing arise from the soil”, which weaves in and out just like her own wandering presence on the island. Post-Oblivion, as such, sings about loss but also perpetuity. Through nature’s own rhythm and harmony, it channels a roaring silence confronting colonial pasts and the politics of cultural memories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Chunyang Yao 姚春旸\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dusty Ballz\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-07T06:40:25+09:00","created_at":"2023-04-06T12:34:28+09:00","vendor":"Tobira Records","type":"","tags":["drone","dusty ballz","jazz","new","tape"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154544259322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Chunyang Yao 姚春旸 \/\/ Post-Oblivion 泯默集 TAPE","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/po1_6989cecf-4c7f-4005-901e-11ceabd64faa.jpg?v=1680752070","\/\/tobirarecords.com\/cdn\/shop\/products\/po2_f6328338-190f-462c-b8ee-bc86c741a9c5.jpg?v=1680752070"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_6989cecf-4c7f-4005-901e-11ceabd64faa.jpg?v=1680752070","options":["Title"],"media":[{"alt":null,"id":31793473782010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_6989cecf-4c7f-4005-901e-11ceabd64faa.jpg?v=1680752070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_6989cecf-4c7f-4005-901e-11ceabd64faa.jpg?v=1680752070","width":700},{"alt":null,"id":31793473814778,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_f6328338-190f-462c-b8ee-bc86c741a9c5.jpg?v=1680752070"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_f6328338-190f-462c-b8ee-bc86c741a9c5.jpg?v=1680752070","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・\u003cmeta charset=\"utf-8\"\u003e麗江出身ナシ族の実験音楽家Chunyang Yaoが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eフリージャズ〜ドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cem\u003e2019年9月、麗江スタジオがキュレーションするレジデンス交換プログラムで、姚春旸は日本の先住民族であるアイヌが歴史的に居住していた北海道の町、白老に足を踏み入れた。その時、彼女は奇妙な逆転の感覚に襲われた。南西部の都市・麗江で生まれたナシ族のアーティストであるヤオは、中国ではある種のエキゾチックな視線にさらされながらパフォーマンスをすることに慣れていた。しかし、アイヌの難解な生活世界に足を踏み入れたとき、彼女は初めて自分が他民族の不思議な観客であり、その中に深い両義性をもって自分の民族の影を見ることになった。この絡み合いの瞬間は、ゆっくりと反響し、近代化の周縁で記憶する権利を求めてもがく2つの少数民族の伝統の間の繊細な共鳴に変換される。記憶が聞こえるものであるならば、忘れることは音を立てるのだろうか。この問いが、『\u003cmeta charset=\"utf-8\"\u003ePost-Oblivion』の制作の原動力となった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Post-Oblivion』は、そのタイトルから想像されるものとは異なり、聴く者に感情を要求する。カセットテープのA面には、ヤオが北海道に滞在して収集したフィールドレコーディングをもとにした5楽章のコンポジションが収録されており、B面には、声、ノイズサンプル、シンセサイザーによる長大な即興演奏が収録されている。作曲家として、またヴォーカルやエレクトロニクスの即興演奏家として、ヤオのユニークな芸術的センスが発揮された2つの面。また、現代アーティストとして、母親として、ナシ族の子孫として、そして異国の地を旅する者として、彼女のアイデンティティが重なり合い、複雑な音の風景が広がっている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアイヌとナシ族は汎神論的な自然観を共有し、宗教と文化はその環境環境の中に組み込まれている。ナシ族のドンバ文字では、「音なし」と言うには、鉛の石、一対の角、欠けた月、クォークの4つのグリフが必要である。同様に、ヤオはアイヌのコミュニティと直接レコーディングするのではなく、北海道の自然の音風景から音楽の手がかりを集めた。海辺の町、苫小牧の上空で吹く風、猛烈な間欠泉、カモメの鳴き声、カラスが飛び回る音。それらを、「衣食住は土から生まれる」というナシ族のことわざを断片的に詠唱し、島をさまよう自分の存在と同じように織り込んでいく。ポスト・オブリビオンは、このように、喪失と同時に永続についても歌っている。自然のリズムと調和を通して、植民地時代の過去と文化的記憶の政治に立ち向かう、轟音のような沈黙を伝えている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3727912409\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code.\u003cspan\u003e Edition of 50.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDusty Ballz:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThere is nothing better than oblivion, since in oblivion there is no wish unfulfilled. (H. P. Lovecraft)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSeptember 2019, during a residency exchange programme curated by the Lijiang Studio, Chunyang Yao set foot in Shiraoi, a town in Hokkaido historically populated by Japan’s indigenous people, the Ainu. A peculiar sense of inversion struck her. Being a Naxi artist emerging from the southwestern city of Lijiang, Yao had become accustomed to performing under a certain exotic gaze in China. Yet, dipping into the arcane, almost bygone lifeworld of the Ainu, for the first time she found herself to be the curious spectator upon another ethnic group, in whom she saw, with profound ambivalence, the shadow of her own people. This moment of entanglement reverberates on, slowly translating into a delicate resonance between two ethnic minority traditions, both struggling for the right to remembrance on the margins of modernity. If memory is audible, does forgetting make a sound? This question drove the making of Post-Oblivion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnlike what the title suggests, listening to Post-Oblivion demands emotion. Side A of the cassette contains a composition in five movements, which is based on field recordings collected\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e during Yao’s stay in Hokkaido; Side B presents a long-form improvisation of voice, noise samples, and synthesisers, the track gets its title “AyuDabuya” from the babbling of Yao’s daughter after she heard the recording. Respectively, the two sides showcase Yao’s unique artistic sensibility as a composer and as a vocal\/electronics improviser. Together they also present an intricate landscape of sound, cut across by her multiple, overlapping identities: as a contemporary artist, a mother, a Naxi descendent, and a traveller in a foreign land.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Ainu and the Naxi share a pantheistic vision of nature, through which religion and culture are embedded in their environmental surroundings. In the Naxi Dongba script, to say “without a sound” takes four glyphs: a lead stone, a pair of horns, a waning moon, and quark. Likewise, instead of recording directly with the Ainu community, Yao gathered musical cues from Hokkaido’s natural soundscape — onshore breezes, a raging geyser, cries of the seagulls, and crows hovering above the seaside town of Tomakomai. She stitched them with a fragmented chant of the ancient Naxi proverb: “All food and clothing arise from the soil”, which weaves in and out just like her own wandering presence on the island. Post-Oblivion, as such, sings about loss but also perpetuity. Through nature’s own rhythm and harmony, it channels a roaring silence confronting colonial pasts and the politics of cultural memories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Chunyang Yao 姚春旸\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dusty Ballz\u003c\/span\u003e\u003c\/p\u003e"}
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Chunyang Yao, a Naxi experimental musician from Lijiang, China, released a limited edition of 2023 cassettes from Dusty Ballz, a Chinese underground music label based in London, England, in March 3.Contains 50 songs from free jazz to drone. Comes with DL code.Below is an explanation by the label. In September 6, during a residency exchange program curated by the Lijiang Studio, Chunju Yao set foot in Shiraoi, Hokkaido, a town historically inhabited by Japan's indigenous Ainu people.At that moment, she had a strange feeling of reversal.A Naxi artist born in the southwestern city of Lijiang, Yao was accustomed to performing under a certain exotic gaze in China.However, when she stepped into the esoteric world of Ainu life, she realized for the first time that she was a mysterious spectator of other races, and in it she saw the shadow of her own race with her deep ambiguity. Became.This entwined moment slowly reverberates and translates into a delicate resonance between two minority traditions struggling for their right to be remembered on the fringes of modernity.If memories are audible, does forgetting make noise?This question was the driving force behind the creation of Post-Oblivion. Post-Oblivion, unlike what you might expect from its title, demands emotion from the listener.Side A of the cassette tape contains a five-movement composition based on field recordings Yao collected during his stay in Hokkaido, while Side B is a lengthy improvisation with voice, noise samples and synthesizers. A performance is recorded.Two facets of Yao's unique artistic flair, both as a composer and as a vocal and electronic improviser.As a contemporary artist, as her mother, as a descendant of the Naxi tribe, and as a traveler in a foreign land, her identities overlap, creating a complex soundscape.The Ainu and Naxi share a pantheistic view of nature, and religion and culture are embedded within their environment.In the Naxi Dongba script, four glyphs are required to say "no sound": a lead stone, a pair of horns, a chipped moon, and a quark.Similarly, rather than recording directly with the Ainu community, Yao gathered her musical cues from the natural soundscapes of Hokkaido.Wind blowing over the seaside town of Tomakomai, fierce geysers, the cries of seagulls, the sound of crows flying around.She recites fragments of the Naxi proverb that "clothing, food and shelter are born from the soil," and weaves them in the same way as her own existence wandering around the island.Post Oblivion thus sings about permanence as well as loss.Through the rhythms and harmony of nature, it conveys a thunderous silence that confronts the politics of the colonial past and cultural memory.Click here to see more Dusty Ballz releases available...
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{"id":7954594103546,"title":"Lao Dan 老丹 \/\/ Chinese Medicine 草乙术 TAPE","handle":"lao-dan-老丹-chinese-medicine-草乙术-tape","description":"\u003cp\u003e中国・杭州の竹笛奏者Lao Danが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eサックスと古筝のみのインプロ3曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=367654598\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. 2nd edition of 50. \u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA classically trained Chinese bamboo flautist, Lao Dan picked up the saxophone again around 2013 as he went wildly astray in the world of avant-garde jazz and free improvisation. While demonstrating an ever-growing ability to deliver explosive force and intensity in his free playing, Lao Dan keeps a brutal honesty in his approach to the instrument. He plays ‘jazz’ as what it is, not what it’s supposed to be. Navigating constantly between the East and the West, Lao Dan embraces a unique aesthetic which fuses all his past influences into a voice of glorious mayhem and sheer zaniness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded in June 2019, this is a solo set in which two instruments – tenor saxophone and Zheng, also known as the Chinese zither – were played successively and simultaneously by hands and feet. The recording was made in one go with no overdub or effect added. Lao Dan never learned to play the Zheng properly before this very first attempt. As a result, he didn’t struggle at all to play it in an awkward way, while with the saxophone he did, as always, try very hard to do that.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe cover art, created by Shenzhen-based artist Tiemei, is a portrait of Shennong, the Deity of medicine and agriculture in ancient Chinese mythology. The three tracks in Chinese Medicine are\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e named after three species of herb each believed to have unique medicinal properties. It is our responsibility to remind you to take them with extra caution. In Chinese medicine, after all, every drug is a thirty-percent poison.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Dusty Ballz is a London-based label that releases Chinese underground music on cassette tapes. The term originates in an old Soviet joke, which somehow still speaks to the situation today.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lao Dan 老丹\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e","published_at":"2023-04-07T06:33:44+09:00","created_at":"2023-04-06T12:32:38+09:00","vendor":"Tobira Records","type":"","tags":["dusty ballz","jazz","new","tape"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154542293242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lao Dan 老丹 \/\/ Chinese Medicine 草乙术 TAPE","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_f276b0a4-b665-4394-82de-3c828ddc287d.jpg?v=1680751960","\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_44c53930-9e99-4cf5-9d81-0cc2c0d8e041.jpg?v=1680751960"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_f276b0a4-b665-4394-82de-3c828ddc287d.jpg?v=1680751960","options":["Title"],"media":[{"alt":null,"id":31793465295098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_f276b0a4-b665-4394-82de-3c828ddc287d.jpg?v=1680751960"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_f276b0a4-b665-4394-82de-3c828ddc287d.jpg?v=1680751960","width":700},{"alt":null,"id":31793465327866,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_44c53930-9e99-4cf5-9d81-0cc2c0d8e041.jpg?v=1680751960"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_44c53930-9e99-4cf5-9d81-0cc2c0d8e041.jpg?v=1680751960","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・杭州の竹笛奏者Lao Danが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eサックスと古筝のみのインプロ3曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=367654598\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. 2nd edition of 50. \u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA classically trained Chinese bamboo flautist, Lao Dan picked up the saxophone again around 2013 as he went wildly astray in the world of avant-garde jazz and free improvisation. While demonstrating an ever-growing ability to deliver explosive force and intensity in his free playing, Lao Dan keeps a brutal honesty in his approach to the instrument. He plays ‘jazz’ as what it is, not what it’s supposed to be. Navigating constantly between the East and the West, Lao Dan embraces a unique aesthetic which fuses all his past influences into a voice of glorious mayhem and sheer zaniness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded in June 2019, this is a solo set in which two instruments – tenor saxophone and Zheng, also known as the Chinese zither – were played successively and simultaneously by hands and feet. The recording was made in one go with no overdub or effect added. Lao Dan never learned to play the Zheng properly before this very first attempt. As a result, he didn’t struggle at all to play it in an awkward way, while with the saxophone he did, as always, try very hard to do that.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe cover art, created by Shenzhen-based artist Tiemei, is a portrait of Shennong, the Deity of medicine and agriculture in ancient Chinese mythology. The three tracks in Chinese Medicine are\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e named after three species of herb each believed to have unique medicinal properties. It is our responsibility to remind you to take them with extra caution. In Chinese medicine, after all, every drug is a thirty-percent poison.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Dusty Ballz is a London-based label that releases Chinese underground music on cassette tapes. The term originates in an old Soviet joke, which somehow still speaks to the situation today.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lao Dan 老丹\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e"}
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Lao Dan, a bamboo flute player from Hangzhou, China, released a limited edition of 2023 cassettes from Dusty Ballz, a Chinese underground music label based in London, England, in March 3.Includes 50 improvisational songs with saxophone and guzheng only. Comes with DL code.Click here to see more Dusty Ballz releases available at Tobira....
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{"id":7954520473850,"title":"Claude Lavender \/\/ Lavender II TAPE","handle":"claude-lavender-lavender-ii-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eにリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eClaude節といわんばかりの懐かしい響きのラウンジ〜ジャズ・フュージョン〜インストポップ12曲を収録。インストなのにもかかわらず、思わずシンガロングしてしまうほどにキャッチーです。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3006129268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=439021737\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code\u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e","published_at":"2023-04-06T07:51:03+09:00","created_at":"2023-04-06T07:51:03+09:00","vendor":"Tobira Records","type":"","tags":["claude lavender","folk \/ left-field pop","jazz","new","self-released","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154237124858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Claude Lavender \/\/ Lavender II TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_a7c7c387-2c61-41f0-8816-fd4505b7c3b6.jpg?v=1680735066","\/\/tobirarecords.com\/cdn\/shop\/products\/la2_5f2b171a-250e-45aa-923b-5911172bf960.jpg?v=1680735066"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_a7c7c387-2c61-41f0-8816-fd4505b7c3b6.jpg?v=1680735066","options":["Title"],"media":[{"alt":null,"id":31792721592570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_a7c7c387-2c61-41f0-8816-fd4505b7c3b6.jpg?v=1680735066"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_a7c7c387-2c61-41f0-8816-fd4505b7c3b6.jpg?v=1680735066","width":700},{"alt":null,"id":31792721625338,"position":2,"preview_image":{"aspect_ratio":1.158,"height":1036,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_5f2b171a-250e-45aa-923b-5911172bf960.jpg?v=1680735066"},"aspect_ratio":1.158,"height":1036,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_5f2b171a-250e-45aa-923b-5911172bf960.jpg?v=1680735066","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eにリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eClaude節といわんばかりの懐かしい響きのラウンジ〜ジャズ・フュージョン〜インストポップ12曲を収録。インストなのにもかかわらず、思わずシンガロングしてしまうほどにキャッチーです。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3006129268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=439021737\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code\u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e"}
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This is a cassette released in 2020 by Claude Lavender, an underground lounge writer in Toronto, Canada, who is familiar with our store. Contains 12 tracks of nostalgic lounge, jazz fusion, and instrumental pop.Even though it's an instrumental, it's so catchy that you can't help but sing along. Comes with DL code.See more works by the artist /// Click here to see more Claude Lavender releases available at Tobira. Includes...
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{"id":7954520178938,"title":"Claude Lavender \/\/ Control Point TAPE","handle":"claude-lavender-control-point-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eに自主リリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMOTHER2などのゲームのサントラカバー集です\u003c\/span\u003e。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1216514877\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2541852522\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA cover album containing some selected works of themes from the golden age of gaming.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e","published_at":"2023-04-06T07:49:14+09:00","created_at":"2023-04-06T07:49:14+09:00","vendor":"Tobira Records","type":"","tags":["claude lavender","folk \/ left-field pop","jazz","new","self-released","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154235158778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Claude Lavender \/\/ Control Point TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_42e895e7-8241-4e9d-b2db-6e5840b712df.jpg?v=1680734958","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_bd14f7ac-330d-4948-9ea3-5d72168ace26.jpg?v=1680734958"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_42e895e7-8241-4e9d-b2db-6e5840b712df.jpg?v=1680734958","options":["Title"],"media":[{"alt":null,"id":31792716841210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_42e895e7-8241-4e9d-b2db-6e5840b712df.jpg?v=1680734958"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_42e895e7-8241-4e9d-b2db-6e5840b712df.jpg?v=1680734958","width":700},{"alt":null,"id":31792716873978,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_bd14f7ac-330d-4948-9ea3-5d72168ace26.jpg?v=1680734958"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_bd14f7ac-330d-4948-9ea3-5d72168ace26.jpg?v=1680734958","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eに自主リリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMOTHER2などのゲームのサントラカバー集です\u003c\/span\u003e。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1216514877\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2541852522\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA cover album containing some selected works of themes from the golden age of gaming.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e"}
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A cassette released in 2020 by Claude Lavender, an underground lounge writer in Toronto, Canada, who is familiar with our store. A collection of soundtrack covers for games such as MOTHER2. Comes with DL code.Click here for artists and other works /// Click here to see more Claude Lavender releases available at Tobira.
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