Liam Kramer-White // Already Gone TAPE

¥1,988

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This cassette was released in October 2023 by collage artist Liam Kramer-White from Massachusetts, USA, on No Rent, an experimental/noise label based in Pennsylvania, in a limited edition of 10 copies.

Includes one song of sound collage.

*If you would like a digital sound source, please feel free to contact us.I will say

Labels and other worksplease use this form. ///Click here to see more No Rent Records releases available at Tobira.

----------------------------------

Cassette in norelco case.

tracklist:

The Gambler 09:05
A Sunset 07:20

No Rent:

"Recorded in the fall 2021, in Maine, and Massachusetts.

'The Gambler' For mechanical feedback system, assembled from an open cassette player, mixing board, street sweeper bristle, loose cables, and music box barrel containing the melody information from 'The Gambler' written by Don Schlitz, popularized by Kenny Rogers.

'A Sunset' For field recordings, screenshots from the Ableton Live session taken during the editing process, converted into a spectrogram, and re-synthesized as audio, analog synthesizer, iPhone XR, and bluetooth speaker."

Artist: Liam Kramer-White

Label: No Rent

Quantity

+ -

Includes one song of sound collage.

*If you would like a digital sound source, please feel free to contact us.I will say

Labels and other worksplease use this form. ///Click here to see more No Rent Records releases available at Tobira.

----------------------------------

Cassette in norelco case.

tracklist:

The Gambler 09:05
A Sunset 07:20

No Rent:

Artist: Liam Kramer-White

Label: No Rent

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Edition of 220. \u003c\/p\u003e\n\u003cp\u003eInserts included:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eKinetic Pouim\u003c\/em\u003e\u003cspan\u003e” (1966), drawing with notes and photos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eWhat to do with Poetry\u003c\/em\u003e\u003cspan\u003e” (1966-69), graphic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eReveil du Chaos\u003c\/em\u003e\u003cspan\u003e” (1967), excerpt of the score with notes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eBetekste Condoom\u003c\/em\u003e\u003cspan\u003e” (1967), photo of condom poetry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eSix-Clus\u003c\/em\u003e\u003cspan\u003e” (1967), envelope with 5 graphic prints and score excerpt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eVerbosonies \u0026amp; Phonographies\u003c\/em\u003e\u003cspan\u003e” (1968), essay\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003e40+ Product of Holland\u003c\/em\u003e\u003cspan\u003e” (1968), poster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eCapsule-Pouim\u003c\/em\u003e\u003cspan\u003e” (1968), micro-poem in plastic envelope\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eOzon\u003c\/em\u003e\u003cspan\u003e” (1969), poster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003ePsychocybernetic Performance\u003c\/em\u003e\u003cspan\u003e” (1973), score and photos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eBeveiliging\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eGrands Prix\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eArt Director\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eDe taal vormt het proeven voor\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eDe Radioaktieve-Vuilnisman\u003c\/em\u003e\u003cspan\u003e” (1975), poster\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Alga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHemann Damen is a Dutch artist and language designer who, among \u003c\/em\u003e\u003cem\u003eother things, has created visual poems, performance works and \u003c\/em\u003e\u003cem\u003everbosonies – a genre that Damen developed where vocalised morphomic \u003c\/em\u003e\u003cem\u003eelements are assembled in different ways. In his works he has been \u003c\/em\u003e\u003cem\u003eexploring ‘kinetic language’ and the spatial aspects of language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDamen’s manifesto “Semiotic Theatre” states that his work “places \u003c\/em\u003e\u003cem\u003eitself outside official literature and wants to fascinate, shock or \u003c\/em\u003e\u003cem\u003eactivate people by combining and replacing writing and articulation \u003c\/em\u003e\u003cem\u003ewith extra-linguistic signs and techniques like pictures, drawings, \u003c\/em\u003e\u003cem\u003egraphics, photos, montages, collages, de-collages, projects, objects, \u003c\/em\u003e\u003cem\u003elight, darkness, signals, symbols, gestures, happenings, noise, \u003c\/em\u003e\u003cem\u003esilence, smells, tastes, situations, states, properties, streets, \u003c\/em\u003e\u003cem\u003elandscapes, etc…”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e But most of all, Hermann Damen work is SONICO, or disintegrated \u003c\/em\u003e\u003cem\u003elanguage treated via electronic means and GRAPHICO, or Kinetic \/ \u003c\/em\u003e\u003cem\u003eEdible \/ Political \/ Sexual \/ Capsule \/ Visual Poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSONICO\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The first side of this LP presents five verbosonies recorded \u003c\/em\u003e\u003cem\u003ebetween 1966 and 1970. “Automaton-Pouim”; “Voices”, a radiophonical \u003c\/em\u003e\u003cem\u003earrangement in six overlapping parts of sounds made with jaws, nose, \u003c\/em\u003e\u003cem\u003echeeks, lips, teeth, tongue, uvula and palate; “Monologue-Machine”, \u003c\/em\u003e\u003cem\u003econsisting of speech sounds from different languages and an \u003c\/em\u003e\u003cem\u003eextra-vocal sound in superposed layers, located in the space by using \u003c\/em\u003e\u003cem\u003ea four-track magnetophone; “Magic”, a multi-track improvisation with \u003c\/em\u003e\u003cem\u003ethe intentional use of a defective microphone; “Plastic-Elastic”, for \u003c\/em\u003e\u003cem\u003esynthetic voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The second side presents three phonographies recorded between 1967 \u003c\/em\u003e\u003cem\u003eand 1973. “Reveil du chaos”, an audio collage with tape manipulations \u003c\/em\u003e\u003cem\u003efor the experimental movie with the same tile; “Hommage à Orff”, the \u003c\/em\u003e\u003cem\u003esixth part of a work presented in 1970 at Stedelijk Museum, Amsterdam, \u003c\/em\u003e\u003cem\u003ea sonic piece activated by people entering a 5-edge room where amorph \u003c\/em\u003e\u003cem\u003ematerial graphic works (a, âme, amo, amor, amorf) were placed and thus \u003c\/em\u003e\u003cem\u003ecompleting the installation; “Psychocybernetic Performance”, created \u003c\/em\u003e\u003cem\u003eat the Electronic Music Studio in Stockholm for the Sixth Text-Sound \u003c\/em\u003e\u003cem\u003eFestival at Fylkingen in 1973.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGRAPHICO\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Hermann Damen was the founder and editor of the AH! Magazine, a \u003c\/em\u003e\u003cem\u003emagazine for ‘verbal plasticism’. Somehow parallel in contents with \u003c\/em\u003e\u003cem\u003ethe legendary Revue OU, Damen’s AH! occasionally also included vinyl \u003c\/em\u003e\u003cem\u003erecords and represented an ante-litteram multi-media.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Herman Damen\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-D 33VocSon174\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-30T15:27:35+09:00","created_at":"2024-04-30T14:50:04+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto","new","recommended"],"price":498800,"price_min":498800,"price_max":498800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45833693823226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Herman Damen \/\/ Verbosonies and Phonographies LP+INSERTS","public_title":null,"options":["Default Title"],"price":498800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3193.jpg?v=1714456206","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3194.jpg?v=1714456206"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3193.jpg?v=1714456206","options":["Title"],"media":[{"alt":null,"id":33910530507002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2915,"width":2915,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3193.jpg?v=1714456206"},"aspect_ratio":1.0,"height":2915,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3193.jpg?v=1714456206","width":2915},{"alt":null,"id":33910530539770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2657,"width":2657,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3194.jpg?v=1714456206"},"aspect_ratio":1.0,"height":2657,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_3194.jpg?v=1714456206","width":2657}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの実験音楽家／美術家Herman Damenが、2024年3月にイタリアの実験レーベルArga Marghenから220部限定でリリースしたレコード＋インサートです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1966-1973年に制作したコラージュ〜サウンドポエトリー8曲を収録。\u003c\/p\u003e\n\u003cp\u003eポスターや写真、ポストカード、コラージュなど21点のインサートが付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/77380545\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0VtM9zzi1DI?si=nRROuB8dVzefK-Dt\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1932502576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4060120382\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/76057519\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 21 inserts. Edition of 220. \u003c\/p\u003e\n\u003cp\u003eInserts included:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eKinetic Pouim\u003c\/em\u003e\u003cspan\u003e” (1966), drawing with notes and photos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eWhat to do with Poetry\u003c\/em\u003e\u003cspan\u003e” (1966-69), graphic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eReveil du Chaos\u003c\/em\u003e\u003cspan\u003e” (1967), excerpt of the score with notes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eBetekste Condoom\u003c\/em\u003e\u003cspan\u003e” (1967), photo of condom poetry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eSix-Clus\u003c\/em\u003e\u003cspan\u003e” (1967), envelope with 5 graphic prints and score excerpt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eVerbosonies \u0026amp; Phonographies\u003c\/em\u003e\u003cspan\u003e” (1968), essay\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003e40+ Product of Holland\u003c\/em\u003e\u003cspan\u003e” (1968), poster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eCapsule-Pouim\u003c\/em\u003e\u003cspan\u003e” (1968), micro-poem in plastic envelope\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eOzon\u003c\/em\u003e\u003cspan\u003e” (1969), poster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003ePsychocybernetic Performance\u003c\/em\u003e\u003cspan\u003e” (1973), score and photos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eBeveiliging\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eGrands Prix\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eArt Director\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eDe taal vormt het proeven voor\u003c\/em\u003e\u003cspan\u003e” (1974), collage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- “\u003c\/span\u003e\u003cem\u003eDe Radioaktieve-Vuilnisman\u003c\/em\u003e\u003cspan\u003e” (1975), poster\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Alga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHemann Damen is a Dutch artist and language designer who, among \u003c\/em\u003e\u003cem\u003eother things, has created visual poems, performance works and \u003c\/em\u003e\u003cem\u003everbosonies – a genre that Damen developed where vocalised morphomic \u003c\/em\u003e\u003cem\u003eelements are assembled in different ways. In his works he has been \u003c\/em\u003e\u003cem\u003eexploring ‘kinetic language’ and the spatial aspects of language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDamen’s manifesto “Semiotic Theatre” states that his work “places \u003c\/em\u003e\u003cem\u003eitself outside official literature and wants to fascinate, shock or \u003c\/em\u003e\u003cem\u003eactivate people by combining and replacing writing and articulation \u003c\/em\u003e\u003cem\u003ewith extra-linguistic signs and techniques like pictures, drawings, \u003c\/em\u003e\u003cem\u003egraphics, photos, montages, collages, de-collages, projects, objects, \u003c\/em\u003e\u003cem\u003elight, darkness, signals, symbols, gestures, happenings, noise, \u003c\/em\u003e\u003cem\u003esilence, smells, tastes, situations, states, properties, streets, \u003c\/em\u003e\u003cem\u003elandscapes, etc…”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e But most of all, Hermann Damen work is SONICO, or disintegrated \u003c\/em\u003e\u003cem\u003elanguage treated via electronic means and GRAPHICO, or Kinetic \/ \u003c\/em\u003e\u003cem\u003eEdible \/ Political \/ Sexual \/ Capsule \/ Visual Poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSONICO\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The first side of this LP presents five verbosonies recorded \u003c\/em\u003e\u003cem\u003ebetween 1966 and 1970. “Automaton-Pouim”; “Voices”, a radiophonical \u003c\/em\u003e\u003cem\u003earrangement in six overlapping parts of sounds made with jaws, nose, \u003c\/em\u003e\u003cem\u003echeeks, lips, teeth, tongue, uvula and palate; “Monologue-Machine”, \u003c\/em\u003e\u003cem\u003econsisting of speech sounds from different languages and an \u003c\/em\u003e\u003cem\u003eextra-vocal sound in superposed layers, located in the space by using \u003c\/em\u003e\u003cem\u003ea four-track magnetophone; “Magic”, a multi-track improvisation with \u003c\/em\u003e\u003cem\u003ethe intentional use of a defective microphone; “Plastic-Elastic”, for \u003c\/em\u003e\u003cem\u003esynthetic voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The second side presents three phonographies recorded between 1967 \u003c\/em\u003e\u003cem\u003eand 1973. “Reveil du chaos”, an audio collage with tape manipulations \u003c\/em\u003e\u003cem\u003efor the experimental movie with the same tile; “Hommage à Orff”, the \u003c\/em\u003e\u003cem\u003esixth part of a work presented in 1970 at Stedelijk Museum, Amsterdam, \u003c\/em\u003e\u003cem\u003ea sonic piece activated by people entering a 5-edge room where amorph \u003c\/em\u003e\u003cem\u003ematerial graphic works (a, âme, amo, amor, amorf) were placed and thus \u003c\/em\u003e\u003cem\u003ecompleting the installation; “Psychocybernetic Performance”, created \u003c\/em\u003e\u003cem\u003eat the Electronic Music Studio in Stockholm for the Sixth Text-Sound \u003c\/em\u003e\u003cem\u003eFestival at Fylkingen in 1973.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGRAPHICO\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Hermann Damen was the founder and editor of the AH! Magazine, a \u003c\/em\u003e\u003cem\u003emagazine for ‘verbal plasticism’. Somehow parallel in contents with \u003c\/em\u003e\u003cem\u003ethe legendary Revue OU, Damen’s AH! occasionally also included vinyl \u003c\/em\u003e\u003cem\u003erecords and represented an ante-litteram multi-media.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Herman Damen\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-D 33VocSon174\u003c\/span\u003e\u003c\/p\u003e"}

This is a record + insert released by Dutch experimental musician/artist Herman Damen in March 2024 on Italian experimental label Arga Marghen in a limited edition of 3 copies. Contains eight collage-sound poems created by him between 220 and 1966. Includes 1973 inserts including posters, photos, postcards, and collages. It will be announced as a record only. Click here to see more Alga Marghen releases available...

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Quickview {"id":8411295056122,"title":"Carlos Casas \/\/ Mutia 3xLP","handle":"carlos-casas-mutia-3xlp","description":"\u003cp\u003e過去にVonやSecond Sleep、Canti Magneticiなどのレーベルから作品を発表しているスペインの映像作家 \/ 音響作家Carlos Casasが、2019年にベルギーの実験レーベルmatière mémoireからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼が制作していた\u003cspan data-mce-fragment=\"1\"\u003e「\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e象の墓場\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e」（象は死期が近づくと群れから離れこの場所に行くそうです）についての映画を音響で表現するために制作したアンビエント〜コラージュ・ドローン6曲を収録。ゲートフォルド仕様。赤盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスリランカの神聖なジャングルの吐息を是非レコードでご体感ください。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/673185200\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"matière-mémoire\" href=\"https:\/\/soundcloud.com\/matiere-memoire\" target=\"_blank\"\u003ematière-mémoire\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Hornspell (side 1)\" href=\"https:\/\/soundcloud.com\/matiere-memoire\/hornspell-side-1\" target=\"_blank\"\u003eHornspell (side 1)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/673185197\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"matière-mémoire\" href=\"https:\/\/soundcloud.com\/matiere-memoire\" target=\"_blank\"\u003ematière-mémoire\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Stupa (side 3)\" href=\"https:\/\/soundcloud.com\/matiere-memoire\/stupa-side-3\" target=\"_blank\"\u003eStupa (side 3)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"While developing my last film about the elephant graveyard myth, I tried to imagine what that jungle and landscape that protected it might sound like. To do this, I created a series of soundscapes, atmospheres to help me understand that park, to imagine it; I tried to place it in the near future, around 2046. All the sounds that make up those sound compositions come from my references throughout the project, and from the atmospheres and radiofrequencies captured during the filming in Sri Lanka; the deep jungles and magical places that helped me undertake that journey. When I finally finished editing the film itself, I decided to rework those sessions, to create an album that would recap that entire imaginary world I had created. The album is a way of inviting audiences to undertake that journey.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eCarlos Casas, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Casas\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatière Mémoire\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-30T14:44:40+09:00","created_at":"2024-04-30T14:44:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","matière mémoire","monooto","new"],"price":698000,"price_min":698000,"price_max":698000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45833681305850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Carlos Casas \/\/ Mutia 3xLP","public_title":null,"options":["Default Title"],"price":698000,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mutia1.jpg?v=1714455852"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mutia1.jpg?v=1714455852","options":["Title"],"media":[{"alt":null,"id":33910494462202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mutia1.jpg?v=1714455852"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mutia1.jpg?v=1714455852","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にVonやSecond Sleep、Canti Magneticiなどのレーベルから作品を発表しているスペインの映像作家 \/ 音響作家Carlos Casasが、2019年にベルギーの実験レーベルmatière mémoireからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼が制作していた\u003cspan data-mce-fragment=\"1\"\u003e「\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e象の墓場\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e」（象は死期が近づくと群れから離れこの場所に行くそうです）についての映画を音響で表現するために制作したアンビエント〜コラージュ・ドローン6曲を収録。ゲートフォルド仕様。赤盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスリランカの神聖なジャングルの吐息を是非レコードでご体感ください。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/673185200\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"matière-mémoire\" href=\"https:\/\/soundcloud.com\/matiere-memoire\" target=\"_blank\"\u003ematière-mémoire\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Hornspell (side 1)\" href=\"https:\/\/soundcloud.com\/matiere-memoire\/hornspell-side-1\" target=\"_blank\"\u003eHornspell (side 1)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/673185197\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"matière-mémoire\" href=\"https:\/\/soundcloud.com\/matiere-memoire\" target=\"_blank\"\u003ematière-mémoire\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Stupa (side 3)\" href=\"https:\/\/soundcloud.com\/matiere-memoire\/stupa-side-3\" target=\"_blank\"\u003eStupa (side 3)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"While developing my last film about the elephant graveyard myth, I tried to imagine what that jungle and landscape that protected it might sound like. To do this, I created a series of soundscapes, atmospheres to help me understand that park, to imagine it; I tried to place it in the near future, around 2046. All the sounds that make up those sound compositions come from my references throughout the project, and from the atmospheres and radiofrequencies captured during the filming in Sri Lanka; the deep jungles and magical places that helped me undertake that journey. When I finally finished editing the film itself, I decided to rework those sessions, to create an album that would recap that entire imaginary world I had created. The album is a way of inviting audiences to undertake that journey.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eCarlos Casas, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Casas\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatière Mémoire\u003c\/span\u003e\u003c\/p\u003e"}