Guido Gamboa // Saturday's Notes LP

¥2,312

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This is the debut record by Guido Gamboa, head of the experimental label Pentiments in Chicago, USA.

Contains 7 sound collage/drone songs that expand the audible range. DL code included.

Labels and other worksplease use this form. ///Click here to see more Pentiments releases available at Tobira.

------------------------------

Includes DL code. 12 "black vinyl.

Tracklist:

1 03:54
2 09:29
3 03:57
4 03:42
5 04:09
6 08:29
7 02:39

Scott Foust @ Swill Radio, via Pentiments:

"Guido Gamboa was a name I did not know until he contacted me. I am glad he did. Saturday's Notes is a superb LP, somewhat in the early 80s UK experimental tape scene mode, but also with elements of Musique Concrète and a perhaps more modern , or at least cleaner sound. The music is very well organized. Tappings, groanings, squeaks, hissings, and field recordings. I have heard way too many 'soundscape' recordings over the last few years and am somewhat dubious as to the future of This style. However, Gamboa's LP is top notch throughout. Saturday's Notes is somewhat similar to the aesthetic of the Vitrine or Crisis Of Taste labels, while at the same time being a bit more considered and less crude. Top notch work."

Artist: Guido Gamboa

Label: Pentiments

Quantity

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This is the debut record by Guido Gamboa, head of the experimental label Pentiments in Chicago, USA.

Contains 7 sound collage/drone songs that expand the audible range. DL code included.

Labels and other worksplease use this form. ///Click here to see more Pentiments releases available at Tobira.

------------------------------

Includes DL code. 12 "black vinyl.

Tracklist:

1 03:54
2 09:29
3 03:57
4 03:42
5 04:09
6 08:29
7 02:39

Scott Foust @ Swill Radio, via Pentiments:

Artist: Guido Gamboa

Label: Pentiments

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Contained on the disc are seven formidable studies of a kind with some of the more barbed and uncompromising voices that occupy the noisier margins of academic electroacoustic music (the voluminous generative palettes of Kent Tankred, the charred sonic dysfunctions of Benjamin Thigpen and the alien outputs of Roland Kayn’s cybernetic systems all come to mind), although Connor’s work also displays a proclivity for the bare repetition of cells that eschews the itinerant natures of the aforementioned in favor of more homeostatic modes. The accompanying booklet consists mostly of works based on images of home construction disasters and Hans Moravec’s 1980 robotics thesis Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover visually mangled by what is suspected to have been erring optical character recognition during its conversion into a PDF file. The result is an exhibit of algorithmic and diagrammatic crises that emphasize by means of aesthetic embrace the dissimulated pseudo-affects engendered by a computational mechanism’s attempt to parse products of sentience and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e intellect. A stark and laconic argument against the oncoming “technological singularity” rears its ugly head and one is encouraged to find in its code the incidental grandeur of malfunction.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Connor Camburn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-02T19:18:47+09:00","created_at":"2023-10-02T13:21:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","Pentiments","recommended"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44597355282682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Connor Camburn \/\/ 00U0U_akhnQkunEcw_0CI0pI_600x450 CD+BOOKLET","public_title":null,"options":["Default Title"],"price":228000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_8f712c58-d022-4493-b2f9-dc2b83ef362c.jpg?v=1696220479","\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_e93fae6a-e1ea-47d9-b03a-d38c6616a261.jpg?v=1696220480","\/\/tobirarecords.com\/cdn\/shop\/files\/oo3.jpg?v=1696220479"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_8f712c58-d022-4493-b2f9-dc2b83ef362c.jpg?v=1696220479","options":["Title"],"media":[{"alt":null,"id":32516883710202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_8f712c58-d022-4493-b2f9-dc2b83ef362c.jpg?v=1696220479"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_8f712c58-d022-4493-b2f9-dc2b83ef362c.jpg?v=1696220479","width":700},{"alt":null,"id":32516883742970,"position":2,"preview_image":{"aspect_ratio":0.848,"height":1200,"width":1018,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_e93fae6a-e1ea-47d9-b03a-d38c6616a261.jpg?v=1696220480"},"aspect_ratio":0.848,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_e93fae6a-e1ea-47d9-b03a-d38c6616a261.jpg?v=1696220480","width":1018},{"alt":null,"id":32516883775738,"position":3,"preview_image":{"aspect_ratio":0.785,"height":1200,"width":942,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo3.jpg?v=1696220479"},"aspect_ratio":0.785,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo3.jpg?v=1696220479","width":942}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAの実験音楽家Connor Camburnが、2023年9月に同国シカゴの実験レーベルPentimentsから100部限定でリリースしたブックレット付きCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eメロディほぼ皆無のコラージュ・ドローン7曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e12ページのカラーブックレットには、住宅建設の災害イメージと、アメリカの機械工学者\u003cmeta charset=\"utf-8\"\u003eHans Moravecが1980年に発表したロボット工学の論文「Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover」によって構成されたコラージュが掲載されています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/cca\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Pentimentsは、新しくロサンゼルスに拠点を移したアーティストであり、親友でもあるConnor Camburnのオーディオおよびビジュアル作品のセレクションで、CDプライマリーの領域に初めて踏み込んだ。このディスクに収録されているのは、アカデミックな電子音響音楽の騒々しい端っこを占める、より辛辣で妥協のない声（ケント・タンクレッドの膨大なジェネレイティヴ・パレット、ケント・タンクレッドのヴォリュームのあるジェネレイティブ・パレット、ベンジャミン・ティッペンの焦げた音の機能不全、ローランド・ケインのサイバネティック・システムの異質な出力など）が思い浮かぶが、Connorの作品には、前述したような遍歴的な性質を避け、より恒常的なモードを好む、細胞のむき出しの反復への傾向も見られる。付属のブックレットは、主に住宅建設の災害のイメージに基づいた作品と、ハンス・モラヴェックが1980年に発表したロボット工学の論文「Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover」によって構成されている。その結果、アルゴリズミックかつ図式的な危機が展示され、計算メカニズムが感覚と知性の産物を解析しようとする試みによって生じる異化された擬似効果を、美的な抱擁によって強調している。迫り来る「技術的特異点」に対する峻厳で饒舌な反論が醜悪な頭をもたげ、人はそのコードに誤作動の偶発的な壮大さを見出すよう促される。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1113701370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e CD \u003cmeta charset=\"utf-8\"\u003ewith 12-page 8x10\" full color booklet. Edition of 100. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e01082016 03:50\u003c\/li\u003e\n\u003cli\u003e12312021 06:02\u003c\/li\u003e\n\u003cli\u003e01022021 03:19\u003c\/li\u003e\n\u003cli\u003e08112020 04:40\u003c\/li\u003e\n\u003cli\u003e08292021 05:42\u003c\/li\u003e\n\u003cli\u003e08242021 03:53\u003c\/li\u003e\n\u003cli\u003e12312021 05:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePentiments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePentiments takes its first leap into CD-primary territory with a selection of audio and visual works by newly relocated Los Angeles artist and good friend Connor Camburn. Contained on the disc are seven formidable studies of a kind with some of the more barbed and uncompromising voices that occupy the noisier margins of academic electroacoustic music (the voluminous generative palettes of Kent Tankred, the charred sonic dysfunctions of Benjamin Thigpen and the alien outputs of Roland Kayn’s cybernetic systems all come to mind), although Connor’s work also displays a proclivity for the bare repetition of cells that eschews the itinerant natures of the aforementioned in favor of more homeostatic modes. The accompanying booklet consists mostly of works based on images of home construction disasters and Hans Moravec’s 1980 robotics thesis Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover visually mangled by what is suspected to have been erring optical character recognition during its conversion into a PDF file. The result is an exhibit of algorithmic and diagrammatic crises that emphasize by means of aesthetic embrace the dissimulated pseudo-affects engendered by a computational mechanism’s attempt to parse products of sentience and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e intellect. A stark and laconic argument against the oncoming “technological singularity” rears its ugly head and one is encouraged to find in its code the incidental grandeur of malfunction.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Connor Camburn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e"}

This is a CD with a booklet that was released in September 2023 by experimental musician Connor Camburn from Los Angeles, USA, on the Chicago experimental label Pentiments, in a limited edition of 9 copies.Contains 100 collage drone songs with almost no melodies. DL code included. The 7-page color booklet includes images of housing construction disasters and a 12 robotics paper by American mechanical engineer Hans Moravec, "Obstacle Avoidance and Navigation in the Real World by a Seeing...

¥2,280

Quickview {"id":8026622787834,"title":"Sunshine Has Blown \/\/ Sunshine Has Blown LP+CD","handle":"sunshine-has-blown-sunshine-has-blown-lp-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリアのインプロデュオSunshine Has Blownが、2022年12月にアメリカの実験レーベルPentimentsからリリースした再発レコード＋CDです。（オリジナルは2006年にCDRリリース）\u003c\/p\u003e\n\u003cp\u003eシュールな夢を見ているかのような錯覚に陥るインプロ・ストレンジビーツ〜Lo-Fiノイズ8曲を収録。CDには同様のトラック＋未発表曲3曲を収録。\u003c\/p\u003e\n\u003cp\u003eマニアックすぎる再発物件です。Horn of Plenty関連作品が好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LH9dRejUhBc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1Zf0xqHseeg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2022 reissue of the now cult classic 2006 CDr release by Australian improvisers Joel Stern and Adam Park.\u003c\/p\u003e\n\u003cp\u003eText by Christoph J. Harris:\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \"\u003cem\u003eI was first introduced to the record Sunshine Has Blown in 2010 by my dearest friend Rich. It was a record then in which – even in its most irreversibly compressed form — still had a Benjaminian aura about itself. I recall upon my first listen the archaeological approach to its shape and form – as if these musicians were excavating lost sound objects beneath a dense sonic field that had previously been interred. There’s a kitty-cornered concentration on event, space, and moment in history (the track titles themselves resembling almost carbon-dated documentations of each vamp) that feels like a brown study on ekstasis. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Unlike perhaps the more formal peers of its time period in the broader catalogue of electroacoustic improvisational music, Sunshine Has Blown is situated with a drollness that is more akin to the celestial antics of the Taj-Mahal Travellers than the more inkhorn swotting of AMM. This is neither meant as glib irreverence nor fanatical idolism; rather, it is merely a commentary on its execution of style. There is a ludic intensity to this music that erupts through the freeform transmissions of its jaunty obversion of symbols – seemingly every creative instinct being guided away from itself by the fervent spirits of its earthlike grounds. In an essay on the subject of the syncretic nature shared between musical expression and body-motion in reference to Aristides Quintilianus’ De Musica, Albrecht Riethmüller writes: “‘Body’ can refer to at least three things: first, to every real (that is, without transferred meaning) body that participates in making sound; second, to the planets or stars, insofar as they not only are a paradigm for the motion of all bodies but also embody the harmony of the spheres; and third, to the human body, insofar as it participates in musical processes or the production of sonic phenomena (p. 153).” This kinesthesis between raw and organic matter, haptic sensation, and environmental shifts is based on a concept of rhythm that can be defined as “…a system of chronoi (time elements or ‘times’) that are arranged in some order (p. 155).” Taking this ancient Greek theoretical approach to music as a prefatory inquiry thus offers key insights into the anima of this record. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e If there is one core ambition behind this music that is synoptic of its contents therein, it is an ascetic meditation on texture. Between its phantom-like undertow of tape hisses and gnarled electronics, sporadic percussive chants of thumb pianos and drums, and the recycled echoes of extended techniques on trumpet and found objects, there is truly an amalgam of sounds here that somewhat recalls the ancient cultural practices of shadow play. As much exploratory as it is diegetic, Sunshine Has Blown is a record to put on when one is in need of a nautical almanac. Included in this remastering are two additional pieces – one of which is a shorter, alternate version of the second track as well as a two-part, longform piece that makes additional use of lap steel guitar and banjo. Both, however, further engrave at the surface of sound as new imaginings continue to vanish and reappear.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eRiethmüller, Albert. “The Matter of Music Is Sound and Body-Motion.”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMaterialities of Communication\u003c\/em\u003e, edited by Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, Stanford University Press, Redwood City, CA, 1994, pp. 147–156.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Sunshine Has Blown\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e","published_at":"2023-10-01T20:22:59+09:00","created_at":"2023-10-01T20:21:44+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","new","Pentiments","recommended","strange beats"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44596385480954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sunshine Has Blown \/\/ Sunshine Has Blown LP+CD","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307","options":["Title"],"media":[{"alt":null,"id":32515229024506,"position":1,"preview_image":{"aspect_ratio":1.001,"height":767,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307"},"aspect_ratio":1.001,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307","width":768}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリアのインプロデュオSunshine Has Blownが、2022年12月にアメリカの実験レーベルPentimentsからリリースした再発レコード＋CDです。（オリジナルは2006年にCDRリリース）\u003c\/p\u003e\n\u003cp\u003eシュールな夢を見ているかのような錯覚に陥るインプロ・ストレンジビーツ〜Lo-Fiノイズ8曲を収録。CDには同様のトラック＋未発表曲3曲を収録。\u003c\/p\u003e\n\u003cp\u003eマニアックすぎる再発物件です。Horn of Plenty関連作品が好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LH9dRejUhBc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1Zf0xqHseeg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2022 reissue of the now cult classic 2006 CDr release by Australian improvisers Joel Stern and Adam Park.\u003c\/p\u003e\n\u003cp\u003eText by Christoph J. Harris:\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \"\u003cem\u003eI was first introduced to the record Sunshine Has Blown in 2010 by my dearest friend Rich. It was a record then in which – even in its most irreversibly compressed form — still had a Benjaminian aura about itself. I recall upon my first listen the archaeological approach to its shape and form – as if these musicians were excavating lost sound objects beneath a dense sonic field that had previously been interred. There’s a kitty-cornered concentration on event, space, and moment in history (the track titles themselves resembling almost carbon-dated documentations of each vamp) that feels like a brown study on ekstasis. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Unlike perhaps the more formal peers of its time period in the broader catalogue of electroacoustic improvisational music, Sunshine Has Blown is situated with a drollness that is more akin to the celestial antics of the Taj-Mahal Travellers than the more inkhorn swotting of AMM. This is neither meant as glib irreverence nor fanatical idolism; rather, it is merely a commentary on its execution of style. There is a ludic intensity to this music that erupts through the freeform transmissions of its jaunty obversion of symbols – seemingly every creative instinct being guided away from itself by the fervent spirits of its earthlike grounds. In an essay on the subject of the syncretic nature shared between musical expression and body-motion in reference to Aristides Quintilianus’ De Musica, Albrecht Riethmüller writes: “‘Body’ can refer to at least three things: first, to every real (that is, without transferred meaning) body that participates in making sound; second, to the planets or stars, insofar as they not only are a paradigm for the motion of all bodies but also embody the harmony of the spheres; and third, to the human body, insofar as it participates in musical processes or the production of sonic phenomena (p. 153).” This kinesthesis between raw and organic matter, haptic sensation, and environmental shifts is based on a concept of rhythm that can be defined as “…a system of chronoi (time elements or ‘times’) that are arranged in some order (p. 155).” Taking this ancient Greek theoretical approach to music as a prefatory inquiry thus offers key insights into the anima of this record. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e If there is one core ambition behind this music that is synoptic of its contents therein, it is an ascetic meditation on texture. Between its phantom-like undertow of tape hisses and gnarled electronics, sporadic percussive chants of thumb pianos and drums, and the recycled echoes of extended techniques on trumpet and found objects, there is truly an amalgam of sounds here that somewhat recalls the ancient cultural practices of shadow play. As much exploratory as it is diegetic, Sunshine Has Blown is a record to put on when one is in need of a nautical almanac. Included in this remastering are two additional pieces – one of which is a shorter, alternate version of the second track as well as a two-part, longform piece that makes additional use of lap steel guitar and banjo. Both, however, further engrave at the surface of sound as new imaginings continue to vanish and reappear.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eRiethmüller, Albert. “The Matter of Music Is Sound and Body-Motion.”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMaterialities of Communication\u003c\/em\u003e, edited by Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, Stanford University Press, Redwood City, CA, 1994, pp. 147–156.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Sunshine Has Blown\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e"}

This is a reissue record + CD released by Australian improv duo Sunshine Has Blown on the American experimental label Pentiments in December 2022. (Originally released on CDR in 12) Contains 2006 improvised strange beats ~ Lo-Fi noise songs that will make you feel like you're in a surreal dream. The CD includes similar tracks plus 8 unreleased songs.This is a reoccurring property that is too maniacal. Recommended for those who like Horn of Plenty related works.Click here to see more Pentiments releases available...

¥2,980

Quickview {"id":7915771003130,"title":"Joseph Nechvatal \/\/ The Viral Tempest 2xLP+BOOKLET","handle":"joseph-nechvatal-the-viral-tempest-2xlp-booklet","description":"\u003cp\u003eアメリカのポストコンセプチュアル・デジタルアーティストJoseph Nechvatalが、2023年1月に同国シカゴの実験レーベルPentimentsからリリースした2枚組レコードです。フルカラーのブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ポストコンセプチュアルアーティストであり作家でもあるJoseph Nechvatalの最新オーディオ作品2枚組LP『The Viral Tempest』を発表することを光栄に思っています。Andrew Deutschとのコラボレーションによる最初の作品「OrlandO et la tempete viral symphOny redux suite」は、ヴァージニア・ウルフの「Orlando」を匿名で読んだものを、2006年の作品「viral symphOny: the enthrOning」の第1楽章の、ウイルスをモデルにした人工生命のオーディオ素材を再生させる音の特徴として使っています。第2曲目のpour finir avec le jugement de dieu viral symphOny plagueは、第1曲目の兄弟組曲として、代わりにAntonin Artaudのラジオ劇To Have Done with the Judgement of Godの録音パフォーマンスを、Nechvatalが分解、錯綜、織りなす新しい素材、根本的に変化した素材として彼のviral symphOnyという生きた織物に使用する音響図形として使用しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eネクヴァタルのオリジナルのウイルスシンフォニーレコーディングは、オープンエンドなプロセスとデトリタルダイナミズムへの没入に関する先行声明として参照することができますが、この兄弟の組曲は、これらのオーディオ組曲と対になる一連のウイルスモデルの生命絵画、そして一般的には彼のノイズアートの哲学において顕著に特徴づけられる、このダイナミックな空間におけるアイデンティティと形象のリゾーム的再認識について、より明確に理解することができます．ウルフやアルトーの脱主体化された主題を、混沌としたウイルス・エネルギーの超個人的で無限の空間に折り込むことは、ネクヴァタルの言葉を借りれば、「最も重要な特徴の一つは、振動する覆いのフィールド内に存在を包み込むという感覚であるが、絡み合ったエンボス加工の覆いは、閉じた、決まりきった、視覚・音声信号とは対立し、開かれた活気の中に我々を再定位する」プロセスと慣習を反映しているのです。ウールフィアンのオーランドというキャラクターと、彼／彼女の男／女という超自然的な条件によって呼び起こされたジェンダーの流動性という特別な問題は、ネクヴァタルが社会と環境の嵐の中で受け入れ、さらに強化する補足的な感覚的材料に姿を変えています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラディカルな流動性と内在性、そして器官を持たないドロイゾグアタリアンの身体に対するノイズ指向の再考への傾倒は、相対化された強度のリレー、速度と影響の変化、言語と記号の創造的・破壊的再構成、様々なジャンル（話し言葉、コンピュータ音楽、ノイズ、シューゲイズ、環境）への移行などに満ちた作品の、より直接的な音の特徴を同様に忠実に描写しているのです。ネクヴァタルは、オーディオ、ビジュアル、テキスト作品のこのような無数の相乗効果を通して、文化的・政治的なものと感覚的なものの間の不安定な関係を理論化し、経験する新しい、より拡大した方法を見る者に提示することを最終的に目指しています。それは、結束した忠誠によって還元、解析、成文化するのではなく、想像的喜びによって困惑させ問題化することを選択したものです。私は、直感に反して、文化的なノイズのスタイルこそ、今日必要なアートであると考えるようになりました。それは、すぐに読み取れるスペクタクルの必要性に屈しないからです。実際、それは芸術の抵抗の責任を回復させます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117463041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Pentiments releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. \u003cbr\u003eEdition of 200. \u003c\/span\u003e\u003cspan\u003eComes in a full color gatefold jacket.\u003cbr\u003eIncludes a 11x11\" 12-page full color exhibition catalog documenting the paintings featured in Nechvatal's 2020 Orlando et la tempête art exhibition at Galerie Richard (Paris) + 8.5x11\" insert featuring an interview with Nechvatal by S.K.G. Noise Admiration regarding his art of noise philosophy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Pentiments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn tandem with our publishing of his decades-spanning cassette retrospective Selected Sound Works (1981-2021), Pentiments is honored to present The Viral Tempest, a double LP collection of two recent audio works by post-conceptual artist and writer Joseph Nechvatal. The first piece in collaboration with Andrew Deutsch, OrlandO et la tempete viral symphOny redux suite, uses an anonymous reading of Virginia Woolf's Orlando as a type of recurring sonic signature around which the virus-modeled artificial life audio material from the first movement of Nechvatal’s 2006 piece viral symphOny: the enthrOning is reanimated. The second piece, pour finir avec le jugement de dieu viral symphOny plague, serves as a brother suite to the first and instead uses Antonin Artaud's controversial recorded performance of his radio play To Have Done with the Judgement of God as the sonic figure which Nechvatal deconstructs, convolutes and weaves as a new and radically transformed material into the returning living fabric of his viral symphOny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile one can refer to Nechvatal's original viral symphOny recordings as a preceding statement on open-ended process and immersion into detrital dynamism, this pair of sibling suites can be understood more specifically as elaborating on the rhizomatic re\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e-conceptualizations of identity and figuration within this dynamic space that feature prominently in the series of virus modeled a-life paintings paired with these audio suites and, generally, in his philosophy of noise art. The folding of the de-subjectified subjects of Woolf and Artaud into a supra-individual, boundless space of chaotic viral energy reflects a process and practice wherein, to quote Nechvatal, \"one of the most important characteristics [. . .] is its sense of encompassing being within a field of vibratory enshrouding—but an intertwined embossed shrouding that places being at odds with closed, cliché, visual-audio signals and resituates us within open vibrancy.\" The particular matter of gender fluidity, invoked by the Woolfian character of Orlando and his\/her preternatural condition of man-become-woman, is transfigured into supplementary sensual material which Nechvatal embraces and intensifies further within the context of societal and environmental storms, for in his words, \"Storms have no gender and mean full-blown fluidity.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA turn towards radical flux and immanence and a noise-oriented rethinking of the Deleuzoguattarian body without organs describes just as faithfully the more immediate sonic character of the works, replete as they are with relays of relativized intensities, variations in speed and affect, creative-destructive reconfigurations of language and signs, the passing through of various genre-becomings (spoken word, computer music, noise, shoegaze, ambient), and so on. Through this teeming synergy of his audio, visual and textual works, Nechvatal ultimately aims to present the beholder with a new and more expansive way of theorizing and experiencing the fraught relationship between the cultural-political and the sensate, one that chooses to perplex and problematize with imaginative pleasure rather than reduce, parse and codify through cohesive allegiances. As he writes, 'I have come, counter-intuitively, to see the style of cultural noise as the necessary art of today—precisely because it does not cave into the supposed need for immediately legible spectacle. Indeed, it restores art's responsibility of resistance.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joseph Nechvatal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-11T22:11:49+09:00","created_at":"2023-02-11T12:37:51+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new","Pentiments"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979848319226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Nechvatal \/\/ The Viral Tempest 2xLP+BOOKLET","public_title":null,"options":["Default Title"],"price":438000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_2c63348f-bbe0-4086-b9af-80d63e2887e9.jpg?v=1676086673","\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e9abcd90-8fbf-49ab-a4f1-eed72ad8af04.jpg?v=1676086673","\/\/tobirarecords.com\/cdn\/shop\/products\/te3_5bd2f454-3d25-468e-9f67-4ef33ee1915c.jpg?v=1676086673"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_2c63348f-bbe0-4086-b9af-80d63e2887e9.jpg?v=1676086673","options":["Title"],"media":[{"alt":null,"id":31510245212410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_2c63348f-bbe0-4086-b9af-80d63e2887e9.jpg?v=1676086673"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_2c63348f-bbe0-4086-b9af-80d63e2887e9.jpg?v=1676086673","width":700},{"alt":null,"id":31510245245178,"position":2,"preview_image":{"aspect_ratio":0.895,"height":1200,"width":1074,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e9abcd90-8fbf-49ab-a4f1-eed72ad8af04.jpg?v=1676086673"},"aspect_ratio":0.895,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e9abcd90-8fbf-49ab-a4f1-eed72ad8af04.jpg?v=1676086673","width":1074},{"alt":null,"id":31510245277946,"position":3,"preview_image":{"aspect_ratio":1.222,"height":982,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te3_5bd2f454-3d25-468e-9f67-4ef33ee1915c.jpg?v=1676086673"},"aspect_ratio":1.222,"height":982,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te3_5bd2f454-3d25-468e-9f67-4ef33ee1915c.jpg?v=1676086673","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのポストコンセプチュアル・デジタルアーティストJoseph Nechvatalが、2023年1月に同国シカゴの実験レーベルPentimentsからリリースした2枚組レコードです。フルカラーのブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ポストコンセプチュアルアーティストであり作家でもあるJoseph Nechvatalの最新オーディオ作品2枚組LP『The Viral Tempest』を発表することを光栄に思っています。Andrew Deutschとのコラボレーションによる最初の作品「OrlandO et la tempete viral symphOny redux suite」は、ヴァージニア・ウルフの「Orlando」を匿名で読んだものを、2006年の作品「viral symphOny: the enthrOning」の第1楽章の、ウイルスをモデルにした人工生命のオーディオ素材を再生させる音の特徴として使っています。第2曲目のpour finir avec le jugement de dieu viral symphOny plagueは、第1曲目の兄弟組曲として、代わりにAntonin Artaudのラジオ劇To Have Done with the Judgement of Godの録音パフォーマンスを、Nechvatalが分解、錯綜、織りなす新しい素材、根本的に変化した素材として彼のviral symphOnyという生きた織物に使用する音響図形として使用しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eネクヴァタルのオリジナルのウイルスシンフォニーレコーディングは、オープンエンドなプロセスとデトリタルダイナミズムへの没入に関する先行声明として参照することができますが、この兄弟の組曲は、これらのオーディオ組曲と対になる一連のウイルスモデルの生命絵画、そして一般的には彼のノイズアートの哲学において顕著に特徴づけられる、このダイナミックな空間におけるアイデンティティと形象のリゾーム的再認識について、より明確に理解することができます．ウルフやアルトーの脱主体化された主題を、混沌としたウイルス・エネルギーの超個人的で無限の空間に折り込むことは、ネクヴァタルの言葉を借りれば、「最も重要な特徴の一つは、振動する覆いのフィールド内に存在を包み込むという感覚であるが、絡み合ったエンボス加工の覆いは、閉じた、決まりきった、視覚・音声信号とは対立し、開かれた活気の中に我々を再定位する」プロセスと慣習を反映しているのです。ウールフィアンのオーランドというキャラクターと、彼／彼女の男／女という超自然的な条件によって呼び起こされたジェンダーの流動性という特別な問題は、ネクヴァタルが社会と環境の嵐の中で受け入れ、さらに強化する補足的な感覚的材料に姿を変えています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラディカルな流動性と内在性、そして器官を持たないドロイゾグアタリアンの身体に対するノイズ指向の再考への傾倒は、相対化された強度のリレー、速度と影響の変化、言語と記号の創造的・破壊的再構成、様々なジャンル（話し言葉、コンピュータ音楽、ノイズ、シューゲイズ、環境）への移行などに満ちた作品の、より直接的な音の特徴を同様に忠実に描写しているのです。ネクヴァタルは、オーディオ、ビジュアル、テキスト作品のこのような無数の相乗効果を通して、文化的・政治的なものと感覚的なものの間の不安定な関係を理論化し、経験する新しい、より拡大した方法を見る者に提示することを最終的に目指しています。それは、結束した忠誠によって還元、解析、成文化するのではなく、想像的喜びによって困惑させ問題化することを選択したものです。私は、直感に反して、文化的なノイズのスタイルこそ、今日必要なアートであると考えるようになりました。それは、すぐに読み取れるスペクタクルの必要性に屈しないからです。実際、それは芸術の抵抗の責任を回復させます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117463041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Pentiments releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. \u003cbr\u003eEdition of 200. \u003c\/span\u003e\u003cspan\u003eComes in a full color gatefold jacket.\u003cbr\u003eIncludes a 11x11\" 12-page full color exhibition catalog documenting the paintings featured in Nechvatal's 2020 Orlando et la tempête art exhibition at Galerie Richard (Paris) + 8.5x11\" insert featuring an interview with Nechvatal by S.K.G. Noise Admiration regarding his art of noise philosophy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Pentiments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn tandem with our publishing of his decades-spanning cassette retrospective Selected Sound Works (1981-2021), Pentiments is honored to present The Viral Tempest, a double LP collection of two recent audio works by post-conceptual artist and writer Joseph Nechvatal. The first piece in collaboration with Andrew Deutsch, OrlandO et la tempete viral symphOny redux suite, uses an anonymous reading of Virginia Woolf's Orlando as a type of recurring sonic signature around which the virus-modeled artificial life audio material from the first movement of Nechvatal’s 2006 piece viral symphOny: the enthrOning is reanimated. The second piece, pour finir avec le jugement de dieu viral symphOny plague, serves as a brother suite to the first and instead uses Antonin Artaud's controversial recorded performance of his radio play To Have Done with the Judgement of God as the sonic figure which Nechvatal deconstructs, convolutes and weaves as a new and radically transformed material into the returning living fabric of his viral symphOny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile one can refer to Nechvatal's original viral symphOny recordings as a preceding statement on open-ended process and immersion into detrital dynamism, this pair of sibling suites can be understood more specifically as elaborating on the rhizomatic re\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e-conceptualizations of identity and figuration within this dynamic space that feature prominently in the series of virus modeled a-life paintings paired with these audio suites and, generally, in his philosophy of noise art. The folding of the de-subjectified subjects of Woolf and Artaud into a supra-individual, boundless space of chaotic viral energy reflects a process and practice wherein, to quote Nechvatal, \"one of the most important characteristics [. . .] is its sense of encompassing being within a field of vibratory enshrouding—but an intertwined embossed shrouding that places being at odds with closed, cliché, visual-audio signals and resituates us within open vibrancy.\" The particular matter of gender fluidity, invoked by the Woolfian character of Orlando and his\/her preternatural condition of man-become-woman, is transfigured into supplementary sensual material which Nechvatal embraces and intensifies further within the context of societal and environmental storms, for in his words, \"Storms have no gender and mean full-blown fluidity.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA turn towards radical flux and immanence and a noise-oriented rethinking of the Deleuzoguattarian body without organs describes just as faithfully the more immediate sonic character of the works, replete as they are with relays of relativized intensities, variations in speed and affect, creative-destructive reconfigurations of language and signs, the passing through of various genre-becomings (spoken word, computer music, noise, shoegaze, ambient), and so on. Through this teeming synergy of his audio, visual and textual works, Nechvatal ultimately aims to present the beholder with a new and more expansive way of theorizing and experiencing the fraught relationship between the cultural-political and the sensate, one that chooses to perplex and problematize with imaginative pleasure rather than reduce, parse and codify through cohesive allegiances. As he writes, 'I have come, counter-intuitively, to see the style of cultural noise as the necessary art of today—precisely because it does not cave into the supposed need for immediately legible spectacle. Indeed, it restores art's responsibility of resistance.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joseph Nechvatal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e"}