Renato Grieco & Tom White // Accidental Stereo at the Peninsula TAPE
Renato Grieco & Tom White // Accidental Stereo at the Peninsula TAPE
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Italian sound writer KNN aka Renato Grieco and British sound writer Tom White will release a new label in November 2021.From Apologies ImprintIt is a co-produced cassette released only for 100 pieces.Includes two high-speed collage scapes that appear and disappear like a roller coaster. DL code included.
Edition of 100.
Recordings from Greenwich Peninsula, May 2019. Studio Manipulations Naples and London, 2020-2021
artist: Renato Grieco & Tom White
label: Apologies Imprint
Italian sound writer KNN aka Renato Grieco and British sound writer Tom White will release a new label in November 2021.From Apologies ImprintIt is a co-produced cassette released only for 100 pieces.Includes two high-speed collage scapes that appear and disappear like a roller coaster. DL code included.
Tom White · Renato Grieco & Tom White --Acidental Stereo at the Peninsula (Side B excerpt)
Edition of 100.
Recordings from Greenwich Peninsula, May 2019. Studio Manipulations Naples and London, 2020-2021
artist: Renato Grieco & Tom White
label: Apologies Imprint
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{"id":8414481449210,"title":"Carlos Niño \u0026 Friends \/\/ Assortment for Susan's TAPE","handle":"carlos-nino-friends-assortment-for-susans-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年12月にLAのLeaving Recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・スピリチュアルジャズ16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4290817798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMatthewdavid and I agreed that the idea of releasing\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emy three Carlos Niño \u0026amp; Friends full-lengths -\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlutes, Echoes, It's All Happening! (2016), Going Home (2017),\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand Bliss On Dear Oneness (2019) all originally released\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eon LP and Digital by Leaving Records - on cassette for the first time,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewas a good one. When I went to figure out where the side breaks\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewould be in the track sequence, I realized that none of them\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewould fit very well, due to timing and length. I have run into\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ethis issue before with cassette and vinyl sequences, as there\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eis only so much music that can be pressed onto a side.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn some cases I have had to edit or omit songs to fit a side\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eof vinyl.\u003cbr data-mce-fragment=\"1\"\u003eThey make different lengths, durations of tape, and I considered\u003cbr data-mce-fragment=\"1\"\u003edifferent track orders for each individual record, but somehow\u003cbr data-mce-fragment=\"1\"\u003enone of the configurations that I came up with were working\u003cbr data-mce-fragment=\"1\"\u003efor these to become cassette releases. I then conceived of a\u003cbr data-mce-fragment=\"1\"\u003esingle tape (C80, 40 minutes a side) that would compile songs\u003cbr data-mce-fragment=\"1\"\u003efrom these releases with a couple pieces from my previous\u003cbr data-mce-fragment=\"1\"\u003eself-released LP Aurorasmushroomtenderness (2014) and\u003cbr data-mce-fragment=\"1\"\u003ethe one that came before that on (the long defunct) Porter Records\u003cbr data-mce-fragment=\"1\"\u003eAquariusssssss (2012). Matthewdavid and I had always thought\u003cbr data-mce-fragment=\"1\"\u003ethat it would be a good idea for a couple new pieces to come out\u003cbr data-mce-fragment=\"1\"\u003eDigitally in conjunction with the tape releases. In this new concept\u003cbr data-mce-fragment=\"1\"\u003eI was able to start each side with one of the new pieces I had ready.\u003cbr data-mce-fragment=\"1\"\u003eThe title Assortment for Susan's is a living, Loving tribute to our\u003cbr data-mce-fragment=\"1\"\u003eDear Friend and Collaborator Justin Hansohn and his community\u003cbr data-mce-fragment=\"1\"\u003ecompany Anandamide. The Anandamide headquarters\u003cbr data-mce-fragment=\"1\"\u003ein Elysian Park, California is called Susan's, named after the dog\u003cbr data-mce-fragment=\"1\"\u003ethat he shares with his partner Taylor. LOVE to Justin, Taylor,\u003cbr data-mce-fragment=\"1\"\u003eSusan, Monkey, Warren, and all of the Anandamide Family . . .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide A\u003cbr data-mce-fragment=\"1\"\u003e1. Bioluminescence (featuring Laraaji\u003cbr data-mce-fragment=\"1\"\u003eand Ariel Kalma, with Surya Botofasina)\u003cbr data-mce-fragment=\"1\"\u003e2. Pulsating (with Laraaji,\u003cbr data-mce-fragment=\"1\"\u003eJamael Dean and Sharada Shashidhar)\u003cbr data-mce-fragment=\"1\"\u003e3. Forest Pulse (with Laraaji and Photay)\u003cbr data-mce-fragment=\"1\"\u003e4. Esssssssence (with Ish of Shabazz Palaces\u003cbr data-mce-fragment=\"1\"\u003eand Jamael Dean)\u003cbr data-mce-fragment=\"1\"\u003e5. Trance Elation Poem (with Akiko, Hashim and Fuji)\u003cbr data-mce-fragment=\"1\"\u003e6. Jupiter Sings (with lasos)\u003cbr data-mce-fragment=\"1\"\u003e7. Going Home (with Iasos)\u003cbr data-mce-fragment=\"1\"\u003e8. Aetheriaztlan (with Jesse Peterson\u003cbr data-mce-fragment=\"1\"\u003eand Aztlan Unearthed)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B\u003cbr data-mce-fragment=\"1\"\u003e1. Drum Solo +, \"Sounds like memory . . .\"\u003cbr data-mce-fragment=\"1\"\u003e(featuring Marcus Gilmore, with Devin Daniels,\u003cbr data-mce-fragment=\"1\"\u003eNate Mercereau, Maia, and Surya Botofasina)\u003cbr data-mce-fragment=\"1\"\u003e2. Light-Codes (with Dexter Story,\u003cbr data-mce-fragment=\"1\"\u003eJosh Johnson and SK Kakraba)\u003cbr data-mce-fragment=\"1\"\u003e3. OrganicSelf (with Deantoni Parks, Dexter Story,\u003cbr data-mce-fragment=\"1\"\u003eJosh Johnson, and Miguel Atwood-Ferguson)\u003cbr data-mce-fragment=\"1\"\u003e4. Mezame (Awakening)\u003cbr data-mce-fragment=\"1\"\u003e(by Carlos Niño \u0026amp; Miguel Atwood-Ferguson)\u003cbr data-mce-fragment=\"1\"\u003e5. Ojai CBD 072918 (with Jamire Williams and Sam Gendel)\u003cbr data-mce-fragment=\"1\"\u003e6. Calimayan (with Nate Morgan and Yaakov Levy)\u003cbr data-mce-fragment=\"1\"\u003e7. Heatwaves (with Daedelus) \/ Forward To The Sun\u003cbr data-mce-fragment=\"1\"\u003e(with Jesse Peterson and Kamasi Washington)\u003cbr data-mce-fragment=\"1\"\u003e8. Baawdoobipp 032215\u003cbr data-mce-fragment=\"1\"\u003e(with Brandon Eugene Owens,\u003cbr data-mce-fragment=\"1\"\u003eDexter Story, Kamasi Washington,\u003cbr data-mce-fragment=\"1\"\u003eMiguel Atwood-Fergsuon,\u003cbr data-mce-fragment=\"1\"\u003eand Mark De Clive-Lowe)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eCarlos Niño \u0026amp; Friends\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-04T08:51:16+09:00","created_at":"2024-05-04T08:50:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","leaving records","new","post newage","tape"],"price":229500,"price_min":229500,"price_max":229500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45847976050938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Niño \u0026 Friends \/\/ Assortment for Susan's TAPE","public_title":null,"options":["Default Title"],"price":229500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1115365897_16.jpg?v=1714780250","\/\/tobirarecords.com\/cdn\/shop\/files\/0030712212_10.jpg?v=1714780250"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1115365897_16.jpg?v=1714780250","options":["Title"],"media":[{"alt":null,"id":33932650479866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1115365897_16.jpg?v=1714780250"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1115365897_16.jpg?v=1714780250","width":700},{"alt":null,"id":33932650512634,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030712212_10.jpg?v=1714780250"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030712212_10.jpg?v=1714780250","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年12月にLAのLeaving Recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・スピリチュアルジャズ16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4290817798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMatthewdavid and I agreed that the idea of releasing\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emy three Carlos Niño \u0026amp; Friends full-lengths -\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlutes, Echoes, It's All Happening! (2016), Going Home (2017),\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand Bliss On Dear Oneness (2019) all originally released\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eon LP and Digital by Leaving Records - on cassette for the first time,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewas a good one. When I went to figure out where the side breaks\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewould be in the track sequence, I realized that none of them\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewould fit very well, due to timing and length. I have run into\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ethis issue before with cassette and vinyl sequences, as there\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eis only so much music that can be pressed onto a side.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn some cases I have had to edit or omit songs to fit a side\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eof vinyl.\u003cbr data-mce-fragment=\"1\"\u003eThey make different lengths, durations of tape, and I considered\u003cbr data-mce-fragment=\"1\"\u003edifferent track orders for each individual record, but somehow\u003cbr data-mce-fragment=\"1\"\u003enone of the configurations that I came up with were working\u003cbr data-mce-fragment=\"1\"\u003efor these to become cassette releases. I then conceived of a\u003cbr data-mce-fragment=\"1\"\u003esingle tape (C80, 40 minutes a side) that would compile songs\u003cbr data-mce-fragment=\"1\"\u003efrom these releases with a couple pieces from my previous\u003cbr data-mce-fragment=\"1\"\u003eself-released LP Aurorasmushroomtenderness (2014) and\u003cbr data-mce-fragment=\"1\"\u003ethe one that came before that on (the long defunct) Porter Records\u003cbr data-mce-fragment=\"1\"\u003eAquariusssssss (2012). Matthewdavid and I had always thought\u003cbr data-mce-fragment=\"1\"\u003ethat it would be a good idea for a couple new pieces to come out\u003cbr data-mce-fragment=\"1\"\u003eDigitally in conjunction with the tape releases. In this new concept\u003cbr data-mce-fragment=\"1\"\u003eI was able to start each side with one of the new pieces I had ready.\u003cbr data-mce-fragment=\"1\"\u003eThe title Assortment for Susan's is a living, Loving tribute to our\u003cbr data-mce-fragment=\"1\"\u003eDear Friend and Collaborator Justin Hansohn and his community\u003cbr data-mce-fragment=\"1\"\u003ecompany Anandamide. The Anandamide headquarters\u003cbr data-mce-fragment=\"1\"\u003ein Elysian Park, California is called Susan's, named after the dog\u003cbr data-mce-fragment=\"1\"\u003ethat he shares with his partner Taylor. LOVE to Justin, Taylor,\u003cbr data-mce-fragment=\"1\"\u003eSusan, Monkey, Warren, and all of the Anandamide Family . . .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide A\u003cbr data-mce-fragment=\"1\"\u003e1. Bioluminescence (featuring Laraaji\u003cbr data-mce-fragment=\"1\"\u003eand Ariel Kalma, with Surya Botofasina)\u003cbr data-mce-fragment=\"1\"\u003e2. Pulsating (with Laraaji,\u003cbr data-mce-fragment=\"1\"\u003eJamael Dean and Sharada Shashidhar)\u003cbr data-mce-fragment=\"1\"\u003e3. Forest Pulse (with Laraaji and Photay)\u003cbr data-mce-fragment=\"1\"\u003e4. Esssssssence (with Ish of Shabazz Palaces\u003cbr data-mce-fragment=\"1\"\u003eand Jamael Dean)\u003cbr data-mce-fragment=\"1\"\u003e5. Trance Elation Poem (with Akiko, Hashim and Fuji)\u003cbr data-mce-fragment=\"1\"\u003e6. Jupiter Sings (with lasos)\u003cbr data-mce-fragment=\"1\"\u003e7. Going Home (with Iasos)\u003cbr data-mce-fragment=\"1\"\u003e8. Aetheriaztlan (with Jesse Peterson\u003cbr data-mce-fragment=\"1\"\u003eand Aztlan Unearthed)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B\u003cbr data-mce-fragment=\"1\"\u003e1. Drum Solo +, \"Sounds like memory . . .\"\u003cbr data-mce-fragment=\"1\"\u003e(featuring Marcus Gilmore, with Devin Daniels,\u003cbr data-mce-fragment=\"1\"\u003eNate Mercereau, Maia, and Surya Botofasina)\u003cbr data-mce-fragment=\"1\"\u003e2. Light-Codes (with Dexter Story,\u003cbr data-mce-fragment=\"1\"\u003eJosh Johnson and SK Kakraba)\u003cbr data-mce-fragment=\"1\"\u003e3. OrganicSelf (with Deantoni Parks, Dexter Story,\u003cbr data-mce-fragment=\"1\"\u003eJosh Johnson, and Miguel Atwood-Ferguson)\u003cbr data-mce-fragment=\"1\"\u003e4. Mezame (Awakening)\u003cbr data-mce-fragment=\"1\"\u003e(by Carlos Niño \u0026amp; Miguel Atwood-Ferguson)\u003cbr data-mce-fragment=\"1\"\u003e5. Ojai CBD 072918 (with Jamire Williams and Sam Gendel)\u003cbr data-mce-fragment=\"1\"\u003e6. Calimayan (with Nate Morgan and Yaakov Levy)\u003cbr data-mce-fragment=\"1\"\u003e7. Heatwaves (with Daedelus) \/ Forward To The Sun\u003cbr data-mce-fragment=\"1\"\u003e(with Jesse Peterson and Kamasi Washington)\u003cbr data-mce-fragment=\"1\"\u003e8. Baawdoobipp 032215\u003cbr data-mce-fragment=\"1\"\u003e(with Brandon Eugene Owens,\u003cbr data-mce-fragment=\"1\"\u003eDexter Story, Kamasi Washington,\u003cbr data-mce-fragment=\"1\"\u003eMiguel Atwood-Fergsuon,\u003cbr data-mce-fragment=\"1\"\u003eand Mark De Clive-Lowe)\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eCarlos Niño \u0026amp; Friends\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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This is a cassette released by Los Angeles percussionist Carlos Niño in December 2022 from LA's Leaving Records. Contains 12 ambient spiritual jazz songs. *We will send you the digital sound source free of charge, so please feel free to contact us. Click here for his label and other works /// Click here to see more Leaving Records / Stones Throw ...
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{"id":8414481252602,"title":"Black Taffy \/\/ Six Arrows for Naydra TAPE","handle":"black-taffy-six-arrows-for-naydra-tape","description":"\u003cp\u003eアメリカ・テキサスのビートメイカーBlack Taffyが、2023年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003empc2500と\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003esp404sx、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003esp303、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eroland rs-505を用いた\u003c\/span\u003eレイドバックなインストヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ゼルダにのめり込んだのは2020年のクオレンタインの時です。当時は私と子猫の2人暮らしで、いつまた人間に触れることができるのかわからず、とても落ち込んでいました。Breath Of The Wildは、必要な逃避行であり、ある種の聖域となりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eタイトルの \"Six Arrows For Naydra \"は、サイドクエストでリンクが雪山をパラグライダーで下りながら、アイスドラゴンであるナイドラと一緒に悪意のある目玉を射抜いて、最終的に彼女の病気を治すというものです。初めてこの体験をしたときは、まるで熱病の夢のような気分でした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=65175559\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Black Taffy via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"i didn’t really get into Zelda until the quarantine of 2020. i was living alone at the time just me and the kitty. after 3-4 months i didn’t know when i was going to touch another human again and feeling really down. Breath Of The Wild was a much needed escape and became a sanctuary of sorts. it still is.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe title “Six Arrows For Naydra” is a reference to a side-quest where Link paraglides down a snowy mountain alongside an ice dragon named Naydra while shooting these malice eyeballs off of her which eventually heals her illness. the first time i had this experience it felt like a fever dream.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Black Taffy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-04T08:49:37+09:00","created_at":"2024-05-04T08:48:24+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","leaving records","new","tape"],"price":229500,"price_min":229500,"price_max":229500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45847973921018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Black Taffy \/\/ Six Arrows for Naydra TAPE","public_title":null,"options":["Default Title"],"price":229500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_77acb518-6fa4-447e-a5a0-3b622667195b.jpg?v=1714780107","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_27c2babb-a4a4-46d1-8cec-f19b50760bbc.jpg?v=1714780107"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_77acb518-6fa4-447e-a5a0-3b622667195b.jpg?v=1714780107","options":["Title"],"media":[{"alt":null,"id":33932645433594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_77acb518-6fa4-447e-a5a0-3b622667195b.jpg?v=1714780107"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_77acb518-6fa4-447e-a5a0-3b622667195b.jpg?v=1714780107","width":700},{"alt":null,"id":33932645466362,"position":2,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_27c2babb-a4a4-46d1-8cec-f19b50760bbc.jpg?v=1714780107"},"aspect_ratio":1.432,"height":838,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_27c2babb-a4a4-46d1-8cec-f19b50760bbc.jpg?v=1714780107","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスのビートメイカーBlack Taffyが、2023年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003empc2500と\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003esp404sx、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003esp303、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eroland rs-505を用いた\u003c\/span\u003eレイドバックなインストヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ゼルダにのめり込んだのは2020年のクオレンタインの時です。当時は私と子猫の2人暮らしで、いつまた人間に触れることができるのかわからず、とても落ち込んでいました。Breath Of The Wildは、必要な逃避行であり、ある種の聖域となりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eタイトルの \"Six Arrows For Naydra \"は、サイドクエストでリンクが雪山をパラグライダーで下りながら、アイスドラゴンであるナイドラと一緒に悪意のある目玉を射抜いて、最終的に彼女の病気を治すというものです。初めてこの体験をしたときは、まるで熱病の夢のような気分でした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=65175559\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Black Taffy via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"i didn’t really get into Zelda until the quarantine of 2020. i was living alone at the time just me and the kitty. after 3-4 months i didn’t know when i was going to touch another human again and feeling really down. Breath Of The Wild was a much needed escape and became a sanctuary of sorts. it still is.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe title “Six Arrows For Naydra” is a reference to a side-quest where Link paraglides down a snowy mountain alongside an ice dragon named Naydra while shooting these malice eyeballs off of her which eventually heals her illness. the first time i had this experience it felt like a fever dream.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Black Taffy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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A cassette released by Texas beat maker Black Taffy in June 2023 from Leaving Records, a long-established all-genre label in LA. Includes 6 laid-back instrumental hip-hop songs using mpc2500, sp404sx, sp303, and roland rs-505. *Please feel free to contact us if you would like a digital sound source Below is a commentary by the artist himself. "I fell in love with Zelda during Quarentine 6. At that time, it was just me and my kitten, and I was very depressed, not knowing when I would be able to touch humans again. Breath Of The Wild , has become a necessary escape and a sanctuary of sorts.The title "Six Arrows For...
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{"id":8414479188218,"title":"Green-House \/\/ A Host for All Kinds of Life LP \/ TAPE","handle":"green-house-a-host-for-all-kinds-of-life","description":"\u003cp\u003eアメリカ・LAのアンビエントデュオGreen-Houseが、2023年10月にLAのオールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e穏やかなポストニューエイジ・シンセアンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"人為的な気候変動によるカオスが蔓延する時代において、「ソラスタルジア」（環境の変化／劣化に対する反応として個人が経験する憧れや苦悩）は、便利で半流行的な概念として登場した。しかし、私たちの多くにとって、この概念／前提の核心には問題、罠、言いようのない空虚感が存在する。特に、自然から疎遠になり、それでも問題の深刻さと複雑さを理解している終生都市生活者にとっては。どのように嘆くのだろうか？オリーヴ・アルディゾーニが立ち上げ、現在は長年の協力者であり親友でもあるマイケル・フラナガンと正式にデュオ・プロジェクトとして活動しているGreen-Houseは、おそらく間接的に、つまり探求的で非独断的なやり方で、この理解のギャップに取り組もうとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2020年にリリースされたGreen-HouseデビューEP『Six Songs for Invisible Gardens』は、Covid-19の「ロックダウン」の深淵と時を同じくして、特に非田舎で蔓延する人間と植物の心労に応えるものだった。カセット・リリースのパッケージには、リスナーが撒けるように野草の種が入っていたことで有名だ。このジェスチャーは、アルディゾーニの真摯で真剣な信念の証である。Six Songsをカルト的なエコ・アンビエント・ヒットとして定着させた方式をさらに洗練させた『Music for Living Space』は、2021年にGreen-House初のフルレングスLPとしてリリースされた。2023年10月13日にLeaving RecordsからリリースされたLP『A Host For All Kinds of Life』は、シリーズ3作目の作品であり、そのタイトルはすべて \"for \"を中心に展開されている。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのLPのタイトルと、フラナガンがデザインした万華鏡のようなフラクタルなジャケット・アートを考えればわかるだろう。一見ソフトに見える曲が、実はエッジの効いたものだとしたら？楽で瞑想的な喜びが、私たちの考え方を根本的に変えてしまうとしたら？世俗的な主体としての私たちの役割そのものを？リン・マーグリスの作品と、生物学的相互主義（両方の種が利益を得る種同士の結びつき）の進化的役割に関する我々の急成長中の理解を基にした『A Host For All Kinds of Life』は、深く根付いた、政治的根拠のある歌曲組曲である。レコードの9曲目、最後から2番目のトラック「Everything is Okay」（ちなみにこの曲は、アルディゾーニの母親がアルディゾーニに残した優しいメッセージという、このリリース唯一の人間の声で終わっている）の金色の、60年代を彷彿とさせるメロディックなアラベスクを見てほしい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreen-Houseの存在そのものが、反逆の行為として喜びを選ぶだけでなく、身近な環境にあるどんな植物の生命にもその喜びを見出すという意識的な決断に行き着くのだ。この意味で、Green-Houseのすべてのリリース（特に『A Host for All Kinds of Life』）は、カジュアルなリスナーや初めて聴くリスナーには理解できない過激さを体現している。病める世界で喜びを選択し、模範とし、表現するには勇気が必要だ。『A Host For all Kinds of Life』は、聴く人に、ゆっくりとした時間を持ち、自分の周りにある人間以上の世界に耳を傾け、これから起こる不確実性を踏まえて勇気と喜びを集めるよう促す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416132444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=3382\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable as 12\" black vinyl or cassette. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoquina 04:47\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLichen Maps 03:20\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesire Path 04:03\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCastle Song 02:53\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFar More Other 03:14\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuna Clipper 03:41\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFerndell Shade 03:53\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Host for All Kinds of Life 03:59\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEverything is Okay 04:40\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMany Years Later 02:45\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn an era of rampant, man-made climate chaos, “solastalgia” (the longing and distress experienced by individuals as a response to environmental change\/degradation) has emerged as a useful, semi-viral concept — a catch-all term for the pervasive sense that the world as we know it is far from well, and only growing less so. But, for many of us, a problem, a trap, an ineffable hollowness, exists at the very crux of this concept\/premise: how can we mourn (or even sense the loss of) that which we have never known? Especially for lifelong urbanites estranged from nature, who nevertheless grasp the severity and complexity of the problem—how might they remember? How might they mourn? Perhaps indirectly—that is to say, in an exploratory and non-dogmatic fashion—Green-House, a project birthed by Olive Ardizoni and now officially a duo project featuring long-time collaborator and confidant, Michael Flanagan, seeks to address this gap in understanding.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSix Songs for Invisible Gardens, the debut Green-House EP whose 2020 release coincided with the depths of Covid-19 “lockdown,” responded to the rampant heartsickness of human and plant life, especially in non-rural areas. The packaging of the cassette release famously included wildflower seeds for the listener to scatter\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. This gesture (at once simple and daring, especially when one considers the logistical element) exists as testament to the sincerity and seriousness of Ardizoni’s convictions. Music for Living Spaces, the first full-length Green-House LP, followed in 2021— a refinement of the formula that enshrined Six Songs as a cult, eco-ambient hit. Out October 13, 2023 on Leaving Records, they have returned with the LP A Host For All Kinds of Life, a third entry in a series of releases whose titles have incidentally all revolved around the “for” construction: an unofficial canon of offerings, or maybe rather instructions as to how the music contained therein might, could, and should operate in\/on the listener’s life and “living space(s).”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDecidedly the most expansive Green-House release — one need only consider the LP’s title and the kaleidoscopic, fractal cover art designed by Flanagan—A Host For All Kinds of Life troubles the very notion of “ambient music,” a category with whom Green-House has always existed in some degree of tension. What if a song’s seeming softness constitutes its biting edge? What if easeful, contemplative pleasure can radically alter our mindset? Our very role as worldly subjects? Drawing on the works of Lynn Margulis and our burgeoning understanding of the evolutionary role of biological mutualism (associations between species in which both species benefit), A Host For All Kinds of Life is a deeply entrenched and politically grounded song suite. And there are indeed discrete songs here, with defined structure, momentum, and sway; see the gilded, sixties-evoking melodic arabesque of the record’s ninth and penultimate track, “Everything is Okay” (which incidentally ends with the release’s only human voice—a tender message left for Ardizoni by their mother).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn conversation, Ardizoni speaks often of the centrality of joy—that Green-House’s very existence can be traced to a conscious decision they made to not only choose joy as an act of rebellion, but to find that joy in whatever plant life they could access in their immediate environment. In this sense, all of Green-House’s releases (and A Host for All Kinds of Life especially) embody a radicality that may elude the casual or first-time listener. To choose, model, and express joy in an ailing world requires courage, a courage that must be jealously guarded and constantly replenished. A Host For all Kinds of Life encourages the listener to slow down, take stock, tune in to the more-than-human world around them, and gather their courage and joy in light of the uncertainty to come.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Green-House\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003eCat. Number : \u003cspan class=\"product-meta__sku\"\u003e\u003cspan class=\"product-meta__sku-number\"\u003eLR248LP\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-04T08:40:09+09:00","created_at":"2024-05-04T08:39:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","lp","new","post 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LP","public_title":"LP","options":["LP"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33932629868794,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033097197_10_f3820dd3-407e-4bd1-869f-2a537b19105a.jpg?v=1714779579"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45847963828474,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41206165242106,"product_id":8414479188218,"position":4,"created_at":"2024-05-04T08:39:39+09:00","updated_at":"2024-05-04T08:39:39+09:00","alt":null,"width":540,"height":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033097223_71_2128d590-3cd3-432a-9d7d-2ede6792ddba.jpg?v=1714779579","variant_ids":[45847963828474]},"available":true,"name":"Green-House \/\/ A Host for All Kinds of Life LP 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Recordsからリリースしたアルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e穏やかなポストニューエイジ・シンセアンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"人為的な気候変動によるカオスが蔓延する時代において、「ソラスタルジア」（環境の変化／劣化に対する反応として個人が経験する憧れや苦悩）は、便利で半流行的な概念として登場した。しかし、私たちの多くにとって、この概念／前提の核心には問題、罠、言いようのない空虚感が存在する。特に、自然から疎遠になり、それでも問題の深刻さと複雑さを理解している終生都市生活者にとっては。どのように嘆くのだろうか？オリーヴ・アルディゾーニが立ち上げ、現在は長年の協力者であり親友でもあるマイケル・フラナガンと正式にデュオ・プロジェクトとして活動しているGreen-Houseは、おそらく間接的に、つまり探求的で非独断的なやり方で、この理解のギャップに取り組もうとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2020年にリリースされたGreen-HouseデビューEP『Six Songs for Invisible Gardens』は、Covid-19の「ロックダウン」の深淵と時を同じくして、特に非田舎で蔓延する人間と植物の心労に応えるものだった。カセット・リリースのパッケージには、リスナーが撒けるように野草の種が入っていたことで有名だ。このジェスチャーは、アルディゾーニの真摯で真剣な信念の証である。Six Songsをカルト的なエコ・アンビエント・ヒットとして定着させた方式をさらに洗練させた『Music for Living Space』は、2021年にGreen-House初のフルレングスLPとしてリリースされた。2023年10月13日にLeaving RecordsからリリースされたLP『A Host For All Kinds of Life』は、シリーズ3作目の作品であり、そのタイトルはすべて \"for \"を中心に展開されている。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのLPのタイトルと、フラナガンがデザインした万華鏡のようなフラクタルなジャケット・アートを考えればわかるだろう。一見ソフトに見える曲が、実はエッジの効いたものだとしたら？楽で瞑想的な喜びが、私たちの考え方を根本的に変えてしまうとしたら？世俗的な主体としての私たちの役割そのものを？リン・マーグリスの作品と、生物学的相互主義（両方の種が利益を得る種同士の結びつき）の進化的役割に関する我々の急成長中の理解を基にした『A Host For All Kinds of Life』は、深く根付いた、政治的根拠のある歌曲組曲である。レコードの9曲目、最後から2番目のトラック「Everything is Okay」（ちなみにこの曲は、アルディゾーニの母親がアルディゾーニに残した優しいメッセージという、このリリース唯一の人間の声で終わっている）の金色の、60年代を彷彿とさせるメロディックなアラベスクを見てほしい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreen-Houseの存在そのものが、反逆の行為として喜びを選ぶだけでなく、身近な環境にあるどんな植物の生命にもその喜びを見出すという意識的な決断に行き着くのだ。この意味で、Green-Houseのすべてのリリース（特に『A Host for All Kinds of Life』）は、カジュアルなリスナーや初めて聴くリスナーには理解できない過激さを体現している。病める世界で喜びを選択し、模範とし、表現するには勇気が必要だ。『A Host For all Kinds of Life』は、聴く人に、ゆっくりとした時間を持ち、自分の周りにある人間以上の世界に耳を傾け、これから起こる不確実性を踏まえて勇気と喜びを集めるよう促す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416132444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=3382\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable as 12\" black vinyl or cassette. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoquina 04:47\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLichen Maps 03:20\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesire Path 04:03\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCastle Song 02:53\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFar More Other 03:14\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuna Clipper 03:41\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFerndell Shade 03:53\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Host for All Kinds of Life 03:59\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEverything is Okay 04:40\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMany Years Later 02:45\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn an era of rampant, man-made climate chaos, “solastalgia” (the longing and distress experienced by individuals as a response to environmental change\/degradation) has emerged as a useful, semi-viral concept — a catch-all term for the pervasive sense that the world as we know it is far from well, and only growing less so. But, for many of us, a problem, a trap, an ineffable hollowness, exists at the very crux of this concept\/premise: how can we mourn (or even sense the loss of) that which we have never known? Especially for lifelong urbanites estranged from nature, who nevertheless grasp the severity and complexity of the problem—how might they remember? How might they mourn? Perhaps indirectly—that is to say, in an exploratory and non-dogmatic fashion—Green-House, a project birthed by Olive Ardizoni and now officially a duo project featuring long-time collaborator and confidant, Michael Flanagan, seeks to address this gap in understanding.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSix Songs for Invisible Gardens, the debut Green-House EP whose 2020 release coincided with the depths of Covid-19 “lockdown,” responded to the rampant heartsickness of human and plant life, especially in non-rural areas. The packaging of the cassette release famously included wildflower seeds for the listener to scatter\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. This gesture (at once simple and daring, especially when one considers the logistical element) exists as testament to the sincerity and seriousness of Ardizoni’s convictions. Music for Living Spaces, the first full-length Green-House LP, followed in 2021— a refinement of the formula that enshrined Six Songs as a cult, eco-ambient hit. Out October 13, 2023 on Leaving Records, they have returned with the LP A Host For All Kinds of Life, a third entry in a series of releases whose titles have incidentally all revolved around the “for” construction: an unofficial canon of offerings, or maybe rather instructions as to how the music contained therein might, could, and should operate in\/on the listener’s life and “living space(s).”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDecidedly the most expansive Green-House release — one need only consider the LP’s title and the kaleidoscopic, fractal cover art designed by Flanagan—A Host For All Kinds of Life troubles the very notion of “ambient music,” a category with whom Green-House has always existed in some degree of tension. What if a song’s seeming softness constitutes its biting edge? What if easeful, contemplative pleasure can radically alter our mindset? Our very role as worldly subjects? Drawing on the works of Lynn Margulis and our burgeoning understanding of the evolutionary role of biological mutualism (associations between species in which both species benefit), A Host For All Kinds of Life is a deeply entrenched and politically grounded song suite. And there are indeed discrete songs here, with defined structure, momentum, and sway; see the gilded, sixties-evoking melodic arabesque of the record’s ninth and penultimate track, “Everything is Okay” (which incidentally ends with the release’s only human voice—a tender message left for Ardizoni by their mother).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn conversation, Ardizoni speaks often of the centrality of joy—that Green-House’s very existence can be traced to a conscious decision they made to not only choose joy as an act of rebellion, but to find that joy in whatever plant life they could access in their immediate environment. In this sense, all of Green-House’s releases (and A Host for All Kinds of Life especially) embody a radicality that may elude the casual or first-time listener. To choose, model, and express joy in an ailing world requires courage, a courage that must be jealously guarded and constantly replenished. A Host For all Kinds of Life encourages the listener to slow down, take stock, tune in to the more-than-human world around them, and gather their courage and joy in light of the uncertainty to come.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Green-House\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003eCat. Number : \u003cspan class=\"product-meta__sku\"\u003e\u003cspan class=\"product-meta__sku-number\"\u003eLR248LP\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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This is an album released by the American LA ambient duo Green-House from LA's all-genre label Leaving Records in October 2023.Contains 10 gentle post-new age synth ambient songs. *If you would like a digital sound source, please feel free to contact us. Below is an explanation by the label. In an age of widespread chaos caused by anthropogenic climate change, ``solastalgia'' (the longing and suffering experienced by individuals in response to environmental change/deterioration) has emerged as a convenient, semi-fashionable concept.But for many of us, there is a problem, a trap, an indescribable emptiness at the heart of this concept/premise.Especially for lifelong city dwellers who have become estranged from nature and yet understand the seriousness and complexity of the problem.How do we grieve?Founded by Olive Ardizzoni and now officially a duo project with long-time collaborator and close friend Michael Flanagan, Green-House is perhaps indirectly known for its exploratory, non-dogmatic nature. We are trying to address this gap in understanding in a new way. Released in 10, Green-House's debut EP, Six Songs for Invisible Gardens, coincides with the depths of the Covid-2020 "lockdown" and responds to the human and plant worries prevalent especially in non-rural areas. It was something.The cassette release packaging famously included wildflower seeds for listeners to sow.This gesture is proof of Ardizzoni's sincere and serious beliefs. Music for Living further refines the formula that established Six Songs as a cult eco-ambient hit.
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{"id":8414104092922,"title":"Martin Franklin \u0026 Michael O'Dempsey \/\/ Kolbe TAPE","handle":"martin-franklin-michael-odempsey-kolbe-tape","description":"\u003cp\u003e80-90年代に活動していたイギリスのバンドTuuの中心メンバーMartin Franklinと Michael O'Dempseyが、2023年7月に同国発掘系レーベルInfinite Expanseからリリースしたサウンドトラック作品です。\u003c\/p\u003e\n\u003cp\u003e1985-1986年に演劇用に製作したLo-Fiインダストリアル・ドローン〜ネオクラシカル・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"歴史的文脈に浸り、不気味なテープ・ループ、フィードバック、80年代のストンプ・ボックス・エフェクトに初期のデジタル・シンセシスをミックスしたサウンドで構成されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKolbeは、第二次世界大戦中にアウシュビッツで身代わりに死ぬことを志願したポーランドのカトリック神父の物語である。1941年7月、収容所から一人の囚人が脱走し、副司令官はさらなる脱走を阻止するため、地下壕で餓死させる10人の男を選んだ。選ばれた一人、若い夫であり父親でもあったフランシシェク・ガジョーニチェクが泣き叫ぶと、マクシミリアン・コルベが志願して彼の身代わりになった。当時、用務員の助手だった目撃者によると、コルベは牢獄の独房で、囚人たちに祈りをささげたという。看守がコルベの様子をうかがうたびに、コルベは独房の真ん中に立ったり、ひざまずいたりして、入ってくる囚人たちを穏やかに見つめていた。2週間も飢えと水不足が続いた後、生きていたのはコルベと他の3人だけだった。看守は壕を空にしたかったので、残った4人の囚人に致死注射を打った。コルベは1941年8月14日に死んだ。数年後、彼は1971年に教皇パウロ6世によって信仰の告白者として列福され、1982年には教皇ヨハネ・パウロ2世によって聖人に列せられた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1985年から86年にかけて、制作会社Theatre of Polandは、デズモンド・フォリスタルの著書を基にした劇『Kolbe』をヨーロッパ各地のカトリック教会で上演した。ここで紹介する録音は、ツアー中に販売されたカセットの一部で、ニュージーランドのリッテルトンで回収され、2023年4月にオーストラリアのブリスベンでマスタリングされた。このカセットには、1986年9月にウィンザーのセント・エドワーズ教会で行われた劇場公演のライブ録音や、映画『Tag der Freiheit： また、映画『Tag der Freiheit: Unsere Wehrmacht』（1935年）、『Festliches Nuernberg - Ein Film a Stadt der Reichsparteitage』（1937年）からの断片も収録されている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2194055369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4075811632\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2194055369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2194055369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=306414800\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eC45 cassette with on-body printing in jewel case, printed two-sided j-card and wrap-around o-card sleeve.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKolbe Theme 02:11\u003c\/li\u003e\n\u003cli\u003eHoess Theme 07:27\u003c\/li\u003e\n\u003cli\u003eDarkness 01:39\u003c\/li\u003e\n\u003cli\u003eWire 02:58\u003c\/li\u003e\n\u003cli\u003eThe Final Solution 05:19\u003c\/li\u003e\n\u003cli\u003eCello Solo 00:53\u003c\/li\u003e\n\u003cli\u003eSketch In Light 04:09\u003c\/li\u003e\n\u003cli\u003eThe Parade Ground 03:05\u003c\/li\u003e\n\u003cli\u003eKarol Rodzinski 01:51\u003c\/li\u003e\n\u003cli\u003eHolocaust 01:37\u003c\/li\u003e\n\u003cli\u003eThe Death Cell 03:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Experimental soundtrack to a play you probably didn’t think existed, and definitely didn’t think you’d hear, steeped in historical context, and comprising a sonic mixture of early digital synthesis with eerie tape loops, feedback and 80’s stomp box effects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKolbe tells the story of a Polish Catholic priest who \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003evolunteered to die in place of another man in Auschwitz during WWII. In July 1941, a prisoner escaped from the camp, prompting the deputy commander to pick ten men to be starved to death in an underground\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e bunker to deter further escape attempts. When one of the men selected, Franciscek Gajowniczek, a young husband and father, cried out, Maximilian Kolbe volunteered to take his place. According to an eyewitness, who was an assistant janitor at that time, in his prison cell Kolbe led the prisoners in prayer. Each time the guards checked on him, he was standing or kneeling in the middle of the cell and looking calmly at those who entered. After they had been starved and deprived of water for two weeks, only Kolbe and three others remained alive. The guards wanted the bunker emptied, so they gave the four remaining prisoners lethal injections. He died on 14 August 1941. Years later he was beatified as a Confessor of the Faith by Pope Paul VI in 1971 and canonised as a saint by Pope John Paul II in 1982, with a feast day celebrated since on the day of his death as part of the General Roman Calendar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the course of 1985-86, the production company Theatre of Poland, toured Kolbe, a play based on the book by Desmond Forristal, to Catholic churches around Europe. The recordings presented here are part of a cassette that sold on the tour, recovered in Lyttelton, New Zealand, and then mastered in Brisbane, Australia, in April 2023. Audio snippets have also been added to the cassette, including live recordings from the theatrical performance at St Edwards Church, Windsor, September 1986, as well as snippets from the films, Tag der Freiheit: Unsere Wehrmacht (1935), and Festliches Nuernberg - Ein Film aus der Stadt der Reichsparteitage (1937).\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Martin Franklin \u0026amp; Michael O'Dempsey\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e","published_at":"2024-05-04T06:28:22+09:00","created_at":"2024-05-03T13:43:16+09:00","vendor":"Tobira Records","type":"","tags":["drone","Infinite Expanse","monooto","neo classical","new","noise","tape"],"price":259000,"price_min":259000,"price_max":259000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45846120104186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Martin Franklin \u0026 Michael O'Dempsey \/\/ Kolbe TAPE","public_title":null,"options":["Default Title"],"price":259000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_1d5f91e6-eaff-4328-861c-15353bfdd74c.jpg?v=1714711403","\/\/tobirarecords.com\/cdn\/shop\/files\/lo2_fc3f79c3-51a2-402b-84b1-56bc6c6b42ed.jpg?v=1714711403","\/\/tobirarecords.com\/cdn\/shop\/files\/0032875182_10_d7ddd361-1d46-49b0-9683-765f0c68df18.jpg?v=1714711403"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_1d5f91e6-eaff-4328-861c-15353bfdd74c.jpg?v=1714711403","options":["Title"],"media":[{"alt":null,"id":33929002254586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_1d5f91e6-eaff-4328-861c-15353bfdd74c.jpg?v=1714711403"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_1d5f91e6-eaff-4328-861c-15353bfdd74c.jpg?v=1714711403","width":700},{"alt":null,"id":33929002287354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo2_fc3f79c3-51a2-402b-84b1-56bc6c6b42ed.jpg?v=1714711403"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo2_fc3f79c3-51a2-402b-84b1-56bc6c6b42ed.jpg?v=1714711403","width":1200},{"alt":null,"id":33929002320122,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032875182_10_d7ddd361-1d46-49b0-9683-765f0c68df18.jpg?v=1714711403"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032875182_10_d7ddd361-1d46-49b0-9683-765f0c68df18.jpg?v=1714711403","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e80-90年代に活動していたイギリスのバンドTuuの中心メンバーMartin Franklinと Michael O'Dempseyが、2023年7月に同国発掘系レーベルInfinite Expanseからリリースしたサウンドトラック作品です。\u003c\/p\u003e\n\u003cp\u003e1985-1986年に演劇用に製作したLo-Fiインダストリアル・ドローン〜ネオクラシカル・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"歴史的文脈に浸り、不気味なテープ・ループ、フィードバック、80年代のストンプ・ボックス・エフェクトに初期のデジタル・シンセシスをミックスしたサウンドで構成されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKolbeは、第二次世界大戦中にアウシュビッツで身代わりに死ぬことを志願したポーランドのカトリック神父の物語である。1941年7月、収容所から一人の囚人が脱走し、副司令官はさらなる脱走を阻止するため、地下壕で餓死させる10人の男を選んだ。選ばれた一人、若い夫であり父親でもあったフランシシェク・ガジョーニチェクが泣き叫ぶと、マクシミリアン・コルベが志願して彼の身代わりになった。当時、用務員の助手だった目撃者によると、コルベは牢獄の独房で、囚人たちに祈りをささげたという。看守がコルベの様子をうかがうたびに、コルベは独房の真ん中に立ったり、ひざまずいたりして、入ってくる囚人たちを穏やかに見つめていた。2週間も飢えと水不足が続いた後、生きていたのはコルベと他の3人だけだった。看守は壕を空にしたかったので、残った4人の囚人に致死注射を打った。コルベは1941年8月14日に死んだ。数年後、彼は1971年に教皇パウロ6世によって信仰の告白者として列福され、1982年には教皇ヨハネ・パウロ2世によって聖人に列せられた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1985年から86年にかけて、制作会社Theatre of Polandは、デズモンド・フォリスタルの著書を基にした劇『Kolbe』をヨーロッパ各地のカトリック教会で上演した。ここで紹介する録音は、ツアー中に販売されたカセットの一部で、ニュージーランドのリッテルトンで回収され、2023年4月にオーストラリアのブリスベンでマスタリングされた。このカセットには、1986年9月にウィンザーのセント・エドワーズ教会で行われた劇場公演のライブ録音や、映画『Tag der Freiheit： また、映画『Tag der Freiheit: Unsere Wehrmacht』（1935年）、『Festliches Nuernberg - Ein Film a Stadt der Reichsparteitage』（1937年）からの断片も収録されている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2194055369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4075811632\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2194055369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2194055369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=306414800\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eC45 cassette with on-body printing in jewel case, printed two-sided j-card and wrap-around o-card sleeve.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKolbe Theme 02:11\u003c\/li\u003e\n\u003cli\u003eHoess Theme 07:27\u003c\/li\u003e\n\u003cli\u003eDarkness 01:39\u003c\/li\u003e\n\u003cli\u003eWire 02:58\u003c\/li\u003e\n\u003cli\u003eThe Final Solution 05:19\u003c\/li\u003e\n\u003cli\u003eCello Solo 00:53\u003c\/li\u003e\n\u003cli\u003eSketch In Light 04:09\u003c\/li\u003e\n\u003cli\u003eThe Parade Ground 03:05\u003c\/li\u003e\n\u003cli\u003eKarol Rodzinski 01:51\u003c\/li\u003e\n\u003cli\u003eHolocaust 01:37\u003c\/li\u003e\n\u003cli\u003eThe Death Cell 03:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Experimental soundtrack to a play you probably didn’t think existed, and definitely didn’t think you’d hear, steeped in historical context, and comprising a sonic mixture of early digital synthesis with eerie tape loops, feedback and 80’s stomp box effects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKolbe tells the story of a Polish Catholic priest who \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003evolunteered to die in place of another man in Auschwitz during WWII. In July 1941, a prisoner escaped from the camp, prompting the deputy commander to pick ten men to be starved to death in an underground\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e bunker to deter further escape attempts. When one of the men selected, Franciscek Gajowniczek, a young husband and father, cried out, Maximilian Kolbe volunteered to take his place. According to an eyewitness, who was an assistant janitor at that time, in his prison cell Kolbe led the prisoners in prayer. Each time the guards checked on him, he was standing or kneeling in the middle of the cell and looking calmly at those who entered. After they had been starved and deprived of water for two weeks, only Kolbe and three others remained alive. The guards wanted the bunker emptied, so they gave the four remaining prisoners lethal injections. He died on 14 August 1941. Years later he was beatified as a Confessor of the Faith by Pope Paul VI in 1971 and canonised as a saint by Pope John Paul II in 1982, with a feast day celebrated since on the day of his death as part of the General Roman Calendar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the course of 1985-86, the production company Theatre of Poland, toured Kolbe, a play based on the book by Desmond Forristal, to Catholic churches around Europe. The recordings presented here are part of a cassette that sold on the tour, recovered in Lyttelton, New Zealand, and then mastered in Brisbane, Australia, in April 2023. Audio snippets have also been added to the cassette, including live recordings from the theatrical performance at St Edwards Church, Windsor, September 1986, as well as snippets from the films, Tag der Freiheit: Unsere Wehrmacht (1935), and Festliches Nuernberg - Ein Film aus der Stadt der Reichsparteitage (1937).\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Martin Franklin \u0026amp; Michael O'Dempsey\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e"}
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This is a soundtrack work released by Martin Franklin and Michael O'Dempsey, core members of the British band Tuu, who were active in the 80s and 90s, on the British excavation label Infinite Expanse in July 2023. Contains 7 Lo-Fi industrial drone ~ neoclassical ambient songs created for theater in 1985-1986. *Please feel free to contact us as we will send you the digital sound source free of charge.The following is an explanation by the label. "Immersed in historical context, the sound consists of eerie tape loops, feedback, and '11s stomp box effects mixed with early digital synthesis. This is the story of a Polish Catholic priest who volunteered to die in his stead in July 80, when a prisoner escaped from the camp, and the second-in-command had 1941 prisoners starved to death in an underground bunker to prevent further escapes. When one of the chosen men, a young husband and father, cried out, Maximilian Kolbe volunteered to take his place, according to an eyewitness who was the janitor's assistant at the time. Kolbe is said to have prayed for the prisoners in his prison cell. Whenever the guards checked on Kolbe, he would stand or kneel in the middle of the cell and calmly greet the prisoners as they entered. After two weeks of starvation and lack of water, the guards wanted to empty the bunker and administered lethal injections to the remaining four prisoners. Kolbe died on August 7, 10. A few years later, he was beatified as a confessor of the faith by Pope Paul VI in 2 and canonized as a saint by Pope John Paul II in 3. From 4 to 1941, the production company Theater of Poland performed the play Kolbe, based on the book by Desmond Forristal, in Catholic churches throughout Europe. Some of the cassettes sold during the tour were recovered in Lyttelton, New Zealand and mastered in Brisbane, Australia in April 8. Live recordings of theater performances and the film ``Tag der Freiheit''.
¥2,590