Dancefloor Classics // Dancefloor Classics Vol. 3 10"

Dancefloor Classics // Dancefloor Classics Vol. 3 10"

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Finnish electronic artist Vladislav Delay aka Dancefloor Classics released 2023" on his own label Rajaton in January 6.

Contains 4 tracks of experimental juke footwork, which is run-on-the-floor. Comes with DL code.

Vo.1とVol.2I also recommend

Labels and other worksplease use this form. ///Click here to see more RAJATON releases available at Tobira.

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10" black vinyl. Edition of 500. 45rpm. Includes DL code.

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Q&A with Sasu Ripatti aka Dancefloor Cassics (via the label):

1) Tell us something about the EP series ”Dancefloor Classics”, what's the idea and what can we expect?

I've been slowly writing these sort of dance music pieces and finally curated them together for a conceptual release. I like to create music for a dancefloor that exists only in my imagination and doesn't try to suck up to the standardized reality.

2) Your vinyl format is 10” which is quite special (as opposed to LP / 12”). Why did you choose it?

It's my favorite format, absolutely. The size is perfect, and you can make it sound really good @ 45 rpm. And you still can make great artwork.

3) You seem interested in sampling/repurposing, what does it mean to you as an artist to approach something already existing from a new angle?

I guess i could flip it around and just say I've outgrown synths or electronic sounds to a great extend, and having gotten rid off all my synths already good while ago I've used samples as my main source material a lot. on this series that i've sampled existing music, but I also sample instruments and things in the studio and resample my own library that I have built over the years, it's quite large. get there. Once I have something on my keyboard and play around, it's all an instrument, though with sampling other music it becomes a really interesting and complex one as you're possibly playing rhythm, but also harmonic content and maybe hooks or whatever, all at once.
I never sample premeditatedly, like listening to records and looking for that mindblowing 3 sec part. I just throw the cards in the air and see what lands where, just full intuition and hopefully zero mind involved, playing tons of stuff, trying things, just recording hours of stuff. Then comes the interesting part to listen to hours of mostly crazy stuff and finding that mindblowing 3 sec part.

4) What is your relationship with the dancefloor (conceptually and/or in experiences/as a performer)?

Very complicated.I have never really felt comfortable on a dancefloor but have always wanted to.There's something in club music, in theory, that really speaks to me.It has never really materialized for me – speaking mainly from a performer's point of view who goes to check on a dancefloor for a moment after a concert.I never have DJ'd or felt much interest towards it.But again,I love the idea and concept of DJing.As well as producing music for imaginary DJs.Lately, as in the past 10+ years, I haven't even performed in any sort of club spaces. So my relationship to the dancefloor is quite removed and reduced, but there's quite a bit of passion and interest left.

Artist : Dancefloor Classics

Label : Rajaton

Finnish electronic artist Vladislav Delay aka Dancefloor Classics released 2023" on his own label Rajaton in January 6.

Contains 4 tracks of experimental juke footwork, which is run-on-the-floor. Comes with DL code.

Vo.1とVol.2I also recommend

Labels and other worksplease use this form. ///Click here to see more RAJATON releases available at Tobira.

------------------------------------

10" black vinyl. Edition of 500. 45rpm. Includes DL code.

+ + +

Artist : Dancefloor Classics

Label : Rajaton

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DL code \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Please Come Out (EP1) 02:47\u003cbr data-mce-fragment=\"1\"\u003e2. Wicked (EP1) 02:06\u003cbr data-mce-fragment=\"1\"\u003e 3. Working With (EP1) 03:10\u003cbr data-mce-fragment=\"1\"\u003e 4. In My Head (EP1) 03:22\u003cbr data-mce-fragment=\"1\"\u003e 5. Got Your Money (EP2) 02:46\u003cbr data-mce-fragment=\"1\"\u003e 6. Didn't You Know (EP2) 03:42\u003cbr data-mce-fragment=\"1\"\u003e 7. Two-Door (EP2) 03:42\u003cbr data-mce-fragment=\"1\"\u003e 8. Memory Lane (EP2) 02:58\u003cbr data-mce-fragment=\"1\"\u003e 9. Good Girls And Boys (EP3) 02:52\u003cbr data-mce-fragment=\"1\"\u003e 10. All I Want From You (EP3) 02:58\u003cbr data-mce-fragment=\"1\"\u003e 11. Don't Sell Rock (EP3) 03:08\u003cbr data-mce-fragment=\"1\"\u003e 12. What Yours (EP3) 02:30\u003cbr data-mce-fragment=\"1\"\u003e 13. Tweets (EP4) 03:05\u003cbr data-mce-fragment=\"1\"\u003e 14. You Check (EP4) 03:04\u003cbr data-mce-fragment=\"1\"\u003e 15. Hero Forever (EP4) 03:52\u003cbr data-mce-fragment=\"1\"\u003e 16. Don't Pick Up (EP4) 02:40\u003cbr data-mce-fragment=\"1\"\u003e 17. You Don't Know Me Anymore (EP5) 04:21\u003cbr data-mce-fragment=\"1\"\u003e 18. Tenderly With You (EP5) 02:42\u003cbr data-mce-fragment=\"1\"\u003e 19. Now Let's Wait (EP5) 03:11 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Sasu Ripatti presents the fifth and last volume in his \"Dancefloor Classics\" series. Music for imaginary dancefloors, released on Ripatti's own label \"Rajaton\".\u003c\/em\u003e \u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"”Look up, into the light” she said, while the camera shutter clicked. ”Like this? Does it look holy?” His neck felt stiff. Her reply: ”Yes, just like that. What do you mean holy? Like religious? ”No, more like trying to look very far, somewhere beyond what we can see.” ”Okay, stand still, I’m going to come close to you now. The light hits your face great.” *click, click, click. \u003cbr\u003e He noticed her fingernails. They were not polished. Natural. Even somewhat rugged, as if something wore out the fingers slightly. What had these hands held besides the camera? What made the edges of her fingernails drift off? \u003cbr\u003e He thought it’s weird to look straight into the camera. The photographer had closed her left eye, the one not looking into the lens. Then it opened, she looked up, perusing the surroundings, then she closed her eye again, then looked up, closed, looking up, very quickly. It all seemed very professional. Maybe she calculated the light, making sure it’s close to perfect. ”What will these photos look like?” – the thought popped into his head briefly. It was\u003cspan class=\"bcTruncateMore\"\u003e liberating to think it wouldn’t matter. \u003cbr\u003e ”What’s that song playing?” he asked. ”Wait a sec, Ol’ Dirty Bastard?” she replied. ”Oh yeah, right. But the sample?” ”Hey, could you look up again, like that. No, lower.” \u003cbr\u003e New directions: ”Look out from the window, turn left.” ”My left or yours?” ”Yours, I always try to think from the direction of my model.” How professional! This is a good shoot, so natural. Should I worry about how the photos look like? No, I don’t want to. His thoughts bounced around. What would the story be like? It’s a big newspaper, everyone will read it. Maybe someone drinks coffee and eats a stroopwafel while they do it. Will they place the waffle on top of the mug for a brief while, so that it gets hot and the syrup melts a little? Then it feels wet, and you can bend the cookie. \u003cbr\u003e She broke his train of thought off midway through: ”Now turn right, but look left, and slightly up, but don’t turn your face right.” ”Umm, like this? Sounds like a set of pilates instructions.” [she laughed] ”You do pilates?” ”Yeah, it’s hard sometimes. Have you tried?” ”No”, she said. ”I’m not good for sports that are done in groups.” ”Yeah, but in pilates you can just be inside your mind, drowning in your private thoughts.” \u003cbr\u003e ”What are you thinking in pilates?” she asked, taking more photos. ”Well, mostly just which way is right. And which left.” *click, click.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eSasu Ripatti aka Dancefloor Classics\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : RAJATON\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-01-22T19:28:00+09:00","created_at":"2024-01-22T19:05:35+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","rajaton","recommended","techno \/ house"],"price":1278000,"price_min":1278000,"price_max":1278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45065865494778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dancefloor Classics \/\/ Dancefloor Classics Vol. 1-5 5x10\"","public_title":null,"options":["Default Title"],"price":1278000,"weight":1000,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_4958.jpg?v=1705971830","\/\/tobirarecords.com\/cdn\/shop\/files\/0034166573_10.jpg?v=1705971830","\/\/tobirarecords.com\/cdn\/shop\/files\/0034166574_10.jpg?v=1705971830","\/\/tobirarecords.com\/cdn\/shop\/files\/0034166576_10.jpg?v=1705971830","\/\/tobirarecords.com\/cdn\/shop\/files\/0034166577_10.jpg?v=1705971830","\/\/tobirarecords.com\/cdn\/shop\/files\/0034166578_10.jpg?v=1705971830","\/\/tobirarecords.com\/cdn\/shop\/files\/a2196737404_16.jpg?v=1705971830"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_4958.jpg?v=1705971830","options":["Title"],"media":[{"alt":null,"id":33031739605242,"position":1,"preview_image":{"aspect_ratio":0.899,"height":3362,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_4958.jpg?v=1705971830"},"aspect_ratio":0.899,"height":3362,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_4958.jpg?v=1705971830","width":3024},{"alt":null,"id":33026989490426,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166573_10.jpg?v=1705971830"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166573_10.jpg?v=1705971830","width":1200},{"alt":null,"id":33026989523194,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166574_10.jpg?v=1705971830"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166574_10.jpg?v=1705971830","width":1200},{"alt":null,"id":33026989850874,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166576_10.jpg?v=1705971830"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166576_10.jpg?v=1705971830","width":1200},{"alt":null,"id":33026990014714,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166577_10.jpg?v=1705971830"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166577_10.jpg?v=1705971830","width":1200},{"alt":null,"id":33026990178554,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166578_10.jpg?v=1705971830"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034166578_10.jpg?v=1705971830","width":1200},{"alt":null,"id":33026986148090,"position":7,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2196737404_16.jpg?v=1705971830"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2196737404_16.jpg?v=1705971830","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※送料無料です\u003c\/p\u003e\n\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delay aka Dancefloor Classicsが、2024年1月に自身主宰レーベルRajatonからリリースした5枚組10\"です。\u003c\/p\u003e\n\u003cp\u003eフロア置き去り突っ走り系の実験ジュークフットワーク19曲を収録。DLコード付属。45回転です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDancefloor Classicsシリーズは個別にもご注文いただけます。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/dacl\"\u003eVol.1\u003c\/a\u003e　\u003ca href=\"https:\/\/tobirarecords.com\/products\/dancefloor-classics-dancefloor-classics-vol-2\"\u003evol.2\u003c\/a\u003e　\u003ca href=\"https:\/\/tobirarecords.com\/products\/dancefloor-classics-dancefloor-classics-vol-3-10\"\u003evol.3\u003c\/a\u003e　\u003ca href=\"https:\/\/tobirarecords.com\/products\/dancefloor-classics-dancefloor-classics-vol-4-10\"\u003evol.4\u003c\/a\u003e　\u003ca href=\"https:\/\/tobirarecords.com\/products\/dancefloor-classics-dancefloor-classics-vol-5-10\"\u003evol.5\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"カメラのシャッターを切りながら、彼女は言った。「こんな感じ？神聖に見える？首がこわばった。彼女の返事：「そうよ、こんな感じ神聖ってどういう意味？宗教的な？「いや、もっと遠くを見ようとしてるんだ。じゃあ、立ち止まって。光が顔によく当たるよ。」*カチッ、カチッ、カチッ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e彼は彼女の爪に気づいた。磨いていない。自然だ。まるで何かが指をわずかにすり減らしたかのように、いくらか無骨でさえある。この手はカメラ以外に何を握っていたのだろう？何が彼女の爪の端を流れ落ちさせたのだろう？\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eカメラをまっすぐ見るのは変だと思った。カメラマンはレンズを見ていない方の左目を閉じていた。それから目を開き、彼女は顔を上げて周囲を見回し、それからまた目を閉じ、顔を上げ、閉じ、見上げ、とても素早く目を閉じた。すべてがプロフェッショナルに見えた。多分、彼女は光を計算し、完璧に近いことを確認しているのだろう。「この写真はどんな風に見えるのだろう？- という思いが一瞬頭をよぎった。そんなことはどうでもいいと思うと、開放的な気分になった。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「あの曲は何？」と彼は尋ねた。「ちょっと待って、Ol' Dirty Bastard？」と彼女は答えた。「そうそう。でもサンプルは？\"」「ねえ、もう一度上を見てくれない？いや、もっと下。\u003c\/em\u003e」\u003cbr\u003e\u003cem\u003e新しい道案内：「窓から外を見て、左に曲がって。」「私の左、それともあなたの？」「私はいつもモデルの方向から考えるようにしているの。」なんてプロフェッショナルなんだ！これはいい撮影だ。写真の仕上がりを気にするべき？いや、気にしたくない。彼の思考はぐるぐると回った。どんな記事になるだろう？大きな新聞だから、みんな読むだろうか。誰かがコーヒーを飲みながら、ストロープワッフルを食べるかもしれない。ワッフルをマグカップの上にしばらく置いて、熱くなってシロップが少し溶けるようにするのだろうか。そうすれば、ぬるぬるして、クッキーを曲げることができる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼女は途中で彼の思考回路を断ち切った。「今度は右を向いて、でも左を見て、少し上を向いて、でも顔は右に向けないで。」「うーん、こんな感じ？ピラティスのやり方みたい。」[ピラティスをやっているの？「うん、時々。難しいよ。やったことある？」「いいえ」と彼女は言った。「集団でやるスポーツは苦手なの。」「でも、ピラティスでは、自分の心の中に入って、プライベートな考えに溺れることができるよ。」\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「ピラティスでは何を考えているの？」と彼女は尋ねた。「うーん、ほとんどはどっちが左か右かを考えているよ。」\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2220925190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1377824972\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2202752175\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003ehere\u003c\/a\u003e to see more RAJATON releases available at Tobira.\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Vinyl Bundle of all 5 Dancefloor Classics 10\"s, 45rpm, incl. DL code \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Please Come Out (EP1) 02:47\u003cbr data-mce-fragment=\"1\"\u003e2. Wicked (EP1) 02:06\u003cbr data-mce-fragment=\"1\"\u003e 3. Working With (EP1) 03:10\u003cbr data-mce-fragment=\"1\"\u003e 4. In My Head (EP1) 03:22\u003cbr data-mce-fragment=\"1\"\u003e 5. Got Your Money (EP2) 02:46\u003cbr data-mce-fragment=\"1\"\u003e 6. Didn't You Know (EP2) 03:42\u003cbr data-mce-fragment=\"1\"\u003e 7. Two-Door (EP2) 03:42\u003cbr data-mce-fragment=\"1\"\u003e 8. Memory Lane (EP2) 02:58\u003cbr data-mce-fragment=\"1\"\u003e 9. Good Girls And Boys (EP3) 02:52\u003cbr data-mce-fragment=\"1\"\u003e 10. All I Want From You (EP3) 02:58\u003cbr data-mce-fragment=\"1\"\u003e 11. Don't Sell Rock (EP3) 03:08\u003cbr data-mce-fragment=\"1\"\u003e 12. What Yours (EP3) 02:30\u003cbr data-mce-fragment=\"1\"\u003e 13. Tweets (EP4) 03:05\u003cbr data-mce-fragment=\"1\"\u003e 14. You Check (EP4) 03:04\u003cbr data-mce-fragment=\"1\"\u003e 15. Hero Forever (EP4) 03:52\u003cbr data-mce-fragment=\"1\"\u003e 16. Don't Pick Up (EP4) 02:40\u003cbr data-mce-fragment=\"1\"\u003e 17. You Don't Know Me Anymore (EP5) 04:21\u003cbr data-mce-fragment=\"1\"\u003e 18. Tenderly With You (EP5) 02:42\u003cbr data-mce-fragment=\"1\"\u003e 19. Now Let's Wait (EP5) 03:11 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Sasu Ripatti presents the fifth and last volume in his \"Dancefloor Classics\" series. Music for imaginary dancefloors, released on Ripatti's own label \"Rajaton\".\u003c\/em\u003e \u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"”Look up, into the light” she said, while the camera shutter clicked. ”Like this? Does it look holy?” His neck felt stiff. Her reply: ”Yes, just like that. What do you mean holy? Like religious? ”No, more like trying to look very far, somewhere beyond what we can see.” ”Okay, stand still, I’m going to come close to you now. The light hits your face great.” *click, click, click. \u003cbr\u003e He noticed her fingernails. They were not polished. Natural. Even somewhat rugged, as if something wore out the fingers slightly. What had these hands held besides the camera? What made the edges of her fingernails drift off? \u003cbr\u003e He thought it’s weird to look straight into the camera. The photographer had closed her left eye, the one not looking into the lens. Then it opened, she looked up, perusing the surroundings, then she closed her eye again, then looked up, closed, looking up, very quickly. It all seemed very professional. Maybe she calculated the light, making sure it’s close to perfect. ”What will these photos look like?” – the thought popped into his head briefly. It was\u003cspan class=\"bcTruncateMore\"\u003e liberating to think it wouldn’t matter. \u003cbr\u003e ”What’s that song playing?” he asked. ”Wait a sec, Ol’ Dirty Bastard?” she replied. ”Oh yeah, right. But the sample?” ”Hey, could you look up again, like that. No, lower.” \u003cbr\u003e New directions: ”Look out from the window, turn left.” ”My left or yours?” ”Yours, I always try to think from the direction of my model.” How professional! This is a good shoot, so natural. Should I worry about how the photos look like? No, I don’t want to. His thoughts bounced around. What would the story be like? It’s a big newspaper, everyone will read it. Maybe someone drinks coffee and eats a stroopwafel while they do it. Will they place the waffle on top of the mug for a brief while, so that it gets hot and the syrup melts a little? Then it feels wet, and you can bend the cookie. \u003cbr\u003e She broke his train of thought off midway through: ”Now turn right, but look left, and slightly up, but don’t turn your face right.” ”Umm, like this? Sounds like a set of pilates instructions.” [she laughed] ”You do pilates?” ”Yeah, it’s hard sometimes. Have you tried?” ”No”, she said. ”I’m not good for sports that are done in groups.” ”Yeah, but in pilates you can just be inside your mind, drowning in your private thoughts.” \u003cbr\u003e ”What are you thinking in pilates?” she asked, taking more photos. ”Well, mostly just which way is right. And which left.” *click, click.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eSasu Ripatti aka Dancefloor Classics\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : RAJATON\u003c\/span\u003e\u003c\/p\u003e"}

*Free shipping This is a 2024-disc 1" set released by Finnish electronic artist Vladislav Delay aka Dancefloor Classics on his own label Rajaton in January 5. Contains 10 songs of experimental juke footwork that leaves the floor behind and rushes. DL code included. . 19 rotations. Dancefloor Classics series can also be ordered individually. Vol.45 vol.1 vol.2 vol.3 vol.4 The following is an explanation by the artist herself. "As she clicked the camera shutter, she said, Ta. "Like this? Does it look sacred? My neck stiffens." Her reply: "Yes, like this. What do you mean by sacred? Religious? "No, I'm trying to look further. Now stop. The light hits your face better.'' *Click, click, click. He noticed her nails. Not polished. It's natural. It's even somewhat rugged, as if something has worn her fingers slightly. What else was this hand holding besides the camera? What made the ends of her nails run down? She thought it was weird to look straight into the camera. The photographer closed her left eye, the one not looking into the lens. Then opened her eyes, she raised her face and looked around her, then closed her eyes again, raised her face, closed, looked up and very quickly closed her eyes. Everything looked professional. Maybe she's calculating the light and making sure it's close to perfect. “What does this photo look like?”

¥12,780

Quickview {"id":8150165324026,"title":"Dancefloor Classics \/\/ Dancefloor Classics Vol. 5 10\"","handle":"dancefloor-classics-dancefloor-classics-vol-5-10","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフィンランドのエレクトロニック作家Vladislav Delay aka Dancefloor Classicsが、2024年1月に自身主宰レーベルRajatonからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eフロア置き去り突っ走り系の実験ジュークフットワーク3曲を収録。DLコード付属。45回転です。\u003c\/p\u003e\n\u003cp\u003eDancefloor Classicsはこれにて完結です。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"カメラのシャッターを切りながら、彼女は言った。「こんな感じ？神聖に見える？首がこわばった。彼女の返事：「そうよ、こんな感じ神聖ってどういう意味？宗教的な？「いや、もっと遠くを見ようとしてるんだ。じゃあ、立ち止まって。光が顔によく当たるよ。」*カチッ、カチッ、カチッ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e彼は彼女の爪に気づいた。磨いていない。自然だ。まるで何かが指をわずかにすり減らしたかのように、いくらか無骨でさえある。この手はカメラ以外に何を握っていたのだろう？何が彼女の爪の端を流れ落ちさせたのだろう？\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eカメラをまっすぐ見るのは変だと思った。カメラマンはレンズを見ていない方の左目を閉じていた。それから目を開き、彼女は顔を上げて周囲を見回し、それからまた目を閉じ、顔を上げ、閉じ、見上げ、とても素早く目を閉じた。すべてがプロフェッショナルに見えた。多分、彼女は光を計算し、完璧に近いことを確認しているのだろう。「この写真はどんな風に見えるのだろう？- という思いが一瞬頭をよぎった。そんなことはどうでもいいと思うと、開放的な気分になった。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「あの曲は何？」と彼は尋ねた。「ちょっと待って、Ol' Dirty Bastard？」と彼女は答えた。「そうそう。でもサンプルは？\"」「ねえ、もう一度上を見てくれない？いや、もっと下。\u003c\/em\u003e」\u003cbr\u003e\u003cem\u003e新しい道案内：「窓から外を見て、左に曲がって。」「私の左、それともあなたの？」「私はいつもモデルの方向から考えるようにしているの。」なんてプロフェッショナルなんだ！これはいい撮影だ。写真の仕上がりを気にするべき？いや、気にしたくない。彼の思考はぐるぐると回った。どんな記事になるだろう？大きな新聞だから、みんな読むだろうか。誰かがコーヒーを飲みながら、ストロープワッフルを食べるかもしれない。ワッフルをマグカップの上にしばらく置いて、熱くなってシロップが少し溶けるようにするのだろうか。そうすれば、ぬるぬるして、クッキーを曲げることができる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼女は途中で彼の思考回路を断ち切った。「今度は右を向いて、でも左を見て、少し上を向いて、でも顔は右に向けないで。」「うーん、こんな感じ？ピラティスのやり方みたい。」[ピラティスをやっているの？「うん、時々。難しいよ。やったことある？」「いいえ」と彼女は言った。「集団でやるスポーツは苦手なの。」「でも、ピラティスでは、自分の心の中に入って、プライベートな考えに溺れることができるよ。」\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「ピラティスでは何を考えているの？」と彼女は尋ねた。「うーん、ほとんどはどっちが左か右かを考えているよ。」\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2202752175\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003ehere\u003c\/a\u003e to see more RAJATON releases available at Tobira.\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl.\u003cspan\u003e Edition of 500. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e1. You Don't Know Me Anymore 04:21\u003cbr\u003e2. Tenderly With You 02:42\u003cbr\u003e3. Now Let's Wait 03:11\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Sasu Ripatti presents the fifth and last volume in his \"Dancefloor Classics\" series. Music for imaginary dancefloors, released on Ripatti's own label \"Rajaton\".\u003c\/em\u003e \u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"”Look up, into the light” she said, while the camera shutter clicked. ”Like this? Does it look holy?” His neck felt stiff. Her reply: ”Yes, just like that. What do you mean holy? Like religious? ”No, more like trying to look very far, somewhere beyond what we can see.” ”Okay, stand still, I’m going to come close to you now. The light hits your face great.” *click, click, click. \u003cbr\u003e He noticed her fingernails. They were not polished. Natural. Even somewhat rugged, as if something wore out the fingers slightly. What had these hands held besides the camera? What made the edges of her fingernails drift off? \u003cbr\u003e He thought it’s weird to look straight into the camera. The photographer had closed her left eye, the one not looking into the lens. Then it opened, she looked up, perusing the surroundings, then she closed her eye again, then looked up, closed, looking up, very quickly. It all seemed very professional. Maybe she calculated the light, making sure it’s close to perfect. ”What will these photos look like?” – the thought popped into his head briefly. It was\u003cspan class=\"bcTruncateMore\"\u003e liberating to think it wouldn’t matter. \u003cbr\u003e ”What’s that song playing?” he asked. ”Wait a sec, Ol’ Dirty Bastard?” she replied. ”Oh yeah, right. But the sample?” ”Hey, could you look up again, like that. No, lower.” \u003cbr\u003e New directions: ”Look out from the window, turn left.” ”My left or yours?” ”Yours, I always try to think from the direction of my model.” How professional! This is a good shoot, so natural. Should I worry about how the photos look like? No, I don’t want to. His thoughts bounced around. What would the story be like? It’s a big newspaper, everyone will read it. Maybe someone drinks coffee and eats a stroopwafel while they do it. Will they place the waffle on top of the mug for a brief while, so that it gets hot and the syrup melts a little? Then it feels wet, and you can bend the cookie. \u003cbr\u003e She broke his train of thought off midway through: ”Now turn right, but look left, and slightly up, but don’t turn your face right.” ”Umm, like this? Sounds like a set of pilates instructions.” [she laughed] ”You do pilates?” ”Yeah, it’s hard sometimes. Have you tried?” ”No”, she said. ”I’m not good for sports that are done in groups.” ”Yeah, but in pilates you can just be inside your mind, drowning in your private thoughts.” \u003cbr\u003e ”What are you thinking in pilates?” she asked, taking more photos. ”Well, mostly just which way is right. And which left.” *click, click.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eSasu Ripatti aka Dancefloor Classics\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : RAJATON\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-01-22T19:02:12+09:00","created_at":"2024-01-22T18:45:32+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","rajaton","recommended","techno \/ house"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45065478734074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dancefloor Classics \/\/ Dancefloor Classics Vol. 5 10\"","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3058325676_16.jpg?v=1705917600","\/\/tobirarecords.com\/cdn\/shop\/files\/0034154741_10.jpg?v=1705917600","\/\/tobirarecords.com\/cdn\/shop\/files\/0034154743_10.jpg?v=1705917600"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3058325676_16.jpg?v=1705917600","options":["Title"],"media":[{"alt":null,"id":33026933555450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3058325676_16.jpg?v=1705917600"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3058325676_16.jpg?v=1705917600","width":700},{"alt":null,"id":33026933096698,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034154741_10.jpg?v=1705917600"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034154741_10.jpg?v=1705917600","width":1200},{"alt":null,"id":33026933293306,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034154743_10.jpg?v=1705917600"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034154743_10.jpg?v=1705917600","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフィンランドのエレクトロニック作家Vladislav Delay aka Dancefloor Classicsが、2024年1月に自身主宰レーベルRajatonからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eフロア置き去り突っ走り系の実験ジュークフットワーク3曲を収録。DLコード付属。45回転です。\u003c\/p\u003e\n\u003cp\u003eDancefloor Classicsはこれにて完結です。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"カメラのシャッターを切りながら、彼女は言った。「こんな感じ？神聖に見える？首がこわばった。彼女の返事：「そうよ、こんな感じ神聖ってどういう意味？宗教的な？「いや、もっと遠くを見ようとしてるんだ。じゃあ、立ち止まって。光が顔によく当たるよ。」*カチッ、カチッ、カチッ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e彼は彼女の爪に気づいた。磨いていない。自然だ。まるで何かが指をわずかにすり減らしたかのように、いくらか無骨でさえある。この手はカメラ以外に何を握っていたのだろう？何が彼女の爪の端を流れ落ちさせたのだろう？\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eカメラをまっすぐ見るのは変だと思った。カメラマンはレンズを見ていない方の左目を閉じていた。それから目を開き、彼女は顔を上げて周囲を見回し、それからまた目を閉じ、顔を上げ、閉じ、見上げ、とても素早く目を閉じた。すべてがプロフェッショナルに見えた。多分、彼女は光を計算し、完璧に近いことを確認しているのだろう。「この写真はどんな風に見えるのだろう？- という思いが一瞬頭をよぎった。そんなことはどうでもいいと思うと、開放的な気分になった。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「あの曲は何？」と彼は尋ねた。「ちょっと待って、Ol' Dirty Bastard？」と彼女は答えた。「そうそう。でもサンプルは？\"」「ねえ、もう一度上を見てくれない？いや、もっと下。\u003c\/em\u003e」\u003cbr\u003e\u003cem\u003e新しい道案内：「窓から外を見て、左に曲がって。」「私の左、それともあなたの？」「私はいつもモデルの方向から考えるようにしているの。」なんてプロフェッショナルなんだ！これはいい撮影だ。写真の仕上がりを気にするべき？いや、気にしたくない。彼の思考はぐるぐると回った。どんな記事になるだろう？大きな新聞だから、みんな読むだろうか。誰かがコーヒーを飲みながら、ストロープワッフルを食べるかもしれない。ワッフルをマグカップの上にしばらく置いて、熱くなってシロップが少し溶けるようにするのだろうか。そうすれば、ぬるぬるして、クッキーを曲げることができる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼女は途中で彼の思考回路を断ち切った。「今度は右を向いて、でも左を見て、少し上を向いて、でも顔は右に向けないで。」「うーん、こんな感じ？ピラティスのやり方みたい。」[ピラティスをやっているの？「うん、時々。難しいよ。やったことある？」「いいえ」と彼女は言った。「集団でやるスポーツは苦手なの。」「でも、ピラティスでは、自分の心の中に入って、プライベートな考えに溺れることができるよ。」\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「ピラティスでは何を考えているの？」と彼女は尋ねた。「うーん、ほとんどはどっちが左か右かを考えているよ。」\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2202752175\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003ehere\u003c\/a\u003e to see more RAJATON releases available at Tobira.\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl.\u003cspan\u003e Edition of 500. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e1. You Don't Know Me Anymore 04:21\u003cbr\u003e2. Tenderly With You 02:42\u003cbr\u003e3. Now Let's Wait 03:11\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Sasu Ripatti presents the fifth and last volume in his \"Dancefloor Classics\" series. Music for imaginary dancefloors, released on Ripatti's own label \"Rajaton\".\u003c\/em\u003e \u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"”Look up, into the light” she said, while the camera shutter clicked. ”Like this? Does it look holy?” His neck felt stiff. Her reply: ”Yes, just like that. What do you mean holy? Like religious? ”No, more like trying to look very far, somewhere beyond what we can see.” ”Okay, stand still, I’m going to come close to you now. The light hits your face great.” *click, click, click. \u003cbr\u003e He noticed her fingernails. They were not polished. Natural. Even somewhat rugged, as if something wore out the fingers slightly. What had these hands held besides the camera? What made the edges of her fingernails drift off? \u003cbr\u003e He thought it’s weird to look straight into the camera. The photographer had closed her left eye, the one not looking into the lens. Then it opened, she looked up, perusing the surroundings, then she closed her eye again, then looked up, closed, looking up, very quickly. It all seemed very professional. Maybe she calculated the light, making sure it’s close to perfect. ”What will these photos look like?” – the thought popped into his head briefly. It was\u003cspan class=\"bcTruncateMore\"\u003e liberating to think it wouldn’t matter. \u003cbr\u003e ”What’s that song playing?” he asked. ”Wait a sec, Ol’ Dirty Bastard?” she replied. ”Oh yeah, right. But the sample?” ”Hey, could you look up again, like that. No, lower.” \u003cbr\u003e New directions: ”Look out from the window, turn left.” ”My left or yours?” ”Yours, I always try to think from the direction of my model.” How professional! This is a good shoot, so natural. Should I worry about how the photos look like? No, I don’t want to. His thoughts bounced around. What would the story be like? It’s a big newspaper, everyone will read it. Maybe someone drinks coffee and eats a stroopwafel while they do it. Will they place the waffle on top of the mug for a brief while, so that it gets hot and the syrup melts a little? Then it feels wet, and you can bend the cookie. \u003cbr\u003e She broke his train of thought off midway through: ”Now turn right, but look left, and slightly up, but don’t turn your face right.” ”Umm, like this? Sounds like a set of pilates instructions.” [she laughed] ”You do pilates?” ”Yeah, it’s hard sometimes. Have you tried?” ”No”, she said. ”I’m not good for sports that are done in groups.” ”Yeah, but in pilates you can just be inside your mind, drowning in your private thoughts.” \u003cbr\u003e ”What are you thinking in pilates?” she asked, taking more photos. ”Well, mostly just which way is right. And which left.” *click, click.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eSasu Ripatti aka Dancefloor Classics\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : RAJATON\u003c\/span\u003e\u003c\/p\u003e"}

This is a 2024" released by Finnish electronic artist Vladislav Delay aka Dancefloor Classics on his own label Rajaton in January 1. Contains 10 experimental juke footwork songs that leave the floor behind. DL code included. 3 rpm. Dancefloor Classics This is the end of the story. The following is the explanation by the author. ``She said while pressing the shutter of the camera. "Like this? Does it look sacred? My neck stiffens." Her reply: "Yes, like this. What do you mean by sacred? Religious? "No, I'm trying to look further. Now stop. The light hits your face better.'' *Click, click, click. He noticed her nails. Not polished. It's natural. It's even somewhat rugged, as if something has worn her fingers slightly. What else was this hand holding besides the camera? What made the ends of her nails run down? She thought it was weird to look straight into the camera. The photographer closed her left eye, the one not looking into the lens. Then opened her eyes, she raised her face and looked around her, then closed her eyes again, raised her face, closed, looked up and very quickly closed her eyes. Everything looked professional. Maybe she's calculating the light and making sure it's close to perfect. ``What does this photo look like?'' was the thought that crossed her mind for a moment. Once she realized that it didn't matter, she felt liberated. ``What's that song?'' he asked. "Wait a minute, Ol' Dirty...

¥3,380

Quickview {"id":8150118531322,"title":"Vladislav Delay \/\/ Hide Behind The Silence EP 5 10\"","handle":"vladislav-delay-hide-behind-the-silence-ep-5-10","description":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delayが、2024年1月に自身主宰レーベルRajatonからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系実験テクノ2曲を収録。DLコー\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eド付属。45回転です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHide Behind The Silenceシリーズはこれにて完結です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"静寂は神話である。「静止した水」や「静止した空気」といった概念を考えてみよう。レストランに行き、静止した水の入ったグラスを頼み、それを光に当ててみてほしい。水そのものはグラスの中に閉じ込められ、呼吸を止めない。小さな粒子で満たされ、踊っている。すべては分子レベルで説明することができるが、私たちは科学者ではないので、たとえあなたが科学者であったとしても、私を感動させるのは知覚という自然の世界なのだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e静止した空気もよく似ている。風のない暑い夏の日は、完全に静止しているように感じる。完全な静けさに最も近い感覚だ。あるいは、もっと都会に適応するために、普通のアパートの中の同じ雰囲気を想像してみてほしい。そのような瞬間、静寂の実験によって啓示や心を揺さぶられるような体験ができる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e試してみてほしい：晴れた日に、十分な自然光があることを確認して、1分間座ってみる。何もしないで。少し息を止めて。(精神的な支えが必要なら、頭の中でケージの『4'33\"』を演奏してもいいが、それ以外は何もしないこと）。塵の小さな点が踊るのを見よう :...' ̈.:; ́ ́*°.,':,. ̈ ̈ ̈ ̈:,.'\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e動きはクレイジーだが、静寂を感じるのは、それがいかに繊細かを目の当たりにしているからだ。完全に静止している（と思われる）状態では、微細な動きのひとつひとつがすべてを物語っているように見える。しかし、その静けさが決して完全ではないということは、心強くもあり、奇妙な脅威にも感じられる。もし私たちに絶対的な静けさが必要だとしたら？それとも、何かをそのように知覚できるだけで十分なのだろうか？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e極端なものは極端なものを引き寄せるから、水にとっても空気にとっても、並外れた動きは同じように魅力的だ。それはある種の贅沢品でもある。私たちがとても \"うるさい \"水や空気を楽しむためには、安全で、状況を十分にコントロールできる必要がある。だから、そのようなときには、注意を払い、すべてを受け入れる価値がある。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e非常に力強く、ギリギリのコントロールで自由に流れる急流。その水の流れを見よ！静水はなく、\"きらめき \"だけだ。風の強い日、鳥たちは飛ぶことの難しさに驚いているようだが、最後には飛ぶことができる。木は曲がるが折れない。風はその動きを見せてくれるが、あなたを傷つけることはない。風は親しみやすく、自分の大きさを理解していない不器用な大きな犬のように感じる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e要素の客人でありながら、翻弄されないのは美しい。新しい対話が生まれる。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3718550466\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003ehere\u003c\/a\u003e to see more RAJATON releases available at Tobira.\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl.\u003cspan\u003e Edition of 500. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNomen Nescio 05:02\u003c\/li\u003e\n\u003cli\u003eSynopsis 05:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Vladislav Delay presents the fifth and last EP in his \"Hide Behind The Silence\" series. Intuitive and raw music, momentary and reflective, released on Ripatti's own label \"Rajaton\". \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Stillness is a myth. Consider concepts such as ”still water”, or ”still air” for that matter. Go to a restaurant, ask them for a glass of still water, hold it against the light and see where we’re at. Even though the water itself has been captured and imprisoned in the glass, it never stops breathing. It’s filled with tiny particles, dancing. Everything can be explained on a molecular level, but since we’re not scientists – and even if you happen to be – it’s the natural world of perception that moves me. \u003cbr data-mce-fragment=\"1\"\u003e Still air is very similar. A hot summer’s day with zero wind feels completely still. It’s the closest I have felt to complete stillness. Or for a more urban adaptation, imagine the same vibe inside a normal apartment. In those moments, revelations and mind- blowing experiences can be had with experiments in stillness. \u003cbr data-mce-fragment=\"1\"\u003e Try this: Just sit down for a minute on a sunny day, making sure there’s enough natural light. Do absolutely nothing. Try not to breathe for a bit. (If you need a mental anchor, you can play Cage’s 4’33” in your head but nothing else.) Watch the tiny dots of dust dancing :..’ ̈.:\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e; ́ ́*°.,’:,. ̈ ̈ ̈ ̈:,.’ \u003cbr data-mce-fragment=\"1\"\u003e The movement is crazy, but the feeling of stillness comes from witnessing how subtle it is. In (perceived) complete stillness, every act of microscopic mobility seems to speak volumes. Yet, it feels both reassuring and oddly threatening that the stillness is never complete. What if we would need absolute stillness? Or is it just enough that we can perceive something as such? \u003cbr data-mce-fragment=\"1\"\u003e Extremes attract, so for both water and air, extraordinary movement is equally fascinating. That is also a luxury item of sorts. For us to enjoy a very ”loud” body of water or air, we need to be safe, in enough control of the situation. So when you are, it’s worthwhile to pay attention and take it all in. \u003cbr data-mce-fragment=\"1\"\u003e A rapid flowing free with extreme strength and just barely in control. Look at that water go! No still water on this one, only ”sparkling”. A windy day when birds seem surprised how hard it is to fly, but in the end they make it. Trees bend but don’t break. The wind shows you its movement but doesn’t hurt you. It feels friendly, like a big clumsy dog that doesn’t quite understand its size. \u003cbr data-mce-fragment=\"1\"\u003e It’s beautiful to be a guest of the elements, but not at the mercy of them. A new kind of dialogue forms. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Vladislav Delay\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : RAJATON\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-01-22T17:44:19+09:00","created_at":"2024-01-22T17:33:20+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","rajaton","recommended","techno \/ house"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45064662450426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Vladislav Delay \/\/ Hide Behind The Silence EP 5 10\"","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3922405947_16.jpg?v=1705914228","\/\/tobirarecords.com\/cdn\/shop\/files\/0034154772_10.jpg?v=1705914228","\/\/tobirarecords.com\/cdn\/shop\/files\/0034154775_10.jpg?v=1705914228"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3922405947_16.jpg?v=1705914228","options":["Title"],"media":[{"alt":null,"id":33026588705018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3922405947_16.jpg?v=1705914228"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3922405947_16.jpg?v=1705914228","width":700},{"alt":null,"id":33026469658874,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034154772_10.jpg?v=1705914228"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034154772_10.jpg?v=1705914228","width":1200},{"alt":null,"id":33026469560570,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034154775_10.jpg?v=1705914228"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034154775_10.jpg?v=1705914228","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delayが、2024年1月に自身主宰レーベルRajatonからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系実験テクノ2曲を収録。DLコー\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eド付属。45回転です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHide Behind The Silenceシリーズはこれにて完結です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"静寂は神話である。「静止した水」や「静止した空気」といった概念を考えてみよう。レストランに行き、静止した水の入ったグラスを頼み、それを光に当ててみてほしい。水そのものはグラスの中に閉じ込められ、呼吸を止めない。小さな粒子で満たされ、踊っている。すべては分子レベルで説明することができるが、私たちは科学者ではないので、たとえあなたが科学者であったとしても、私を感動させるのは知覚という自然の世界なのだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e静止した空気もよく似ている。風のない暑い夏の日は、完全に静止しているように感じる。完全な静けさに最も近い感覚だ。あるいは、もっと都会に適応するために、普通のアパートの中の同じ雰囲気を想像してみてほしい。そのような瞬間、静寂の実験によって啓示や心を揺さぶられるような体験ができる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e試してみてほしい：晴れた日に、十分な自然光があることを確認して、1分間座ってみる。何もしないで。少し息を止めて。(精神的な支えが必要なら、頭の中でケージの『4'33\"』を演奏してもいいが、それ以外は何もしないこと）。塵の小さな点が踊るのを見よう :...' ̈.:; ́ ́*°.,':,. ̈ ̈ ̈ ̈:,.'\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e動きはクレイジーだが、静寂を感じるのは、それがいかに繊細かを目の当たりにしているからだ。完全に静止している（と思われる）状態では、微細な動きのひとつひとつがすべてを物語っているように見える。しかし、その静けさが決して完全ではないということは、心強くもあり、奇妙な脅威にも感じられる。もし私たちに絶対的な静けさが必要だとしたら？それとも、何かをそのように知覚できるだけで十分なのだろうか？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e極端なものは極端なものを引き寄せるから、水にとっても空気にとっても、並外れた動きは同じように魅力的だ。それはある種の贅沢品でもある。私たちがとても \"うるさい \"水や空気を楽しむためには、安全で、状況を十分にコントロールできる必要がある。だから、そのようなときには、注意を払い、すべてを受け入れる価値がある。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e非常に力強く、ギリギリのコントロールで自由に流れる急流。その水の流れを見よ！静水はなく、\"きらめき \"だけだ。風の強い日、鳥たちは飛ぶことの難しさに驚いているようだが、最後には飛ぶことができる。木は曲がるが折れない。風はその動きを見せてくれるが、あなたを傷つけることはない。風は親しみやすく、自分の大きさを理解していない不器用な大きな犬のように感じる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e要素の客人でありながら、翻弄されないのは美しい。新しい対話が生まれる。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3718550466\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003ehere\u003c\/a\u003e to see more RAJATON releases available at Tobira.\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl.\u003cspan\u003e Edition of 500. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNomen Nescio 05:02\u003c\/li\u003e\n\u003cli\u003eSynopsis 05:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Vladislav Delay presents the fifth and last EP in his \"Hide Behind The Silence\" series. Intuitive and raw music, momentary and reflective, released on Ripatti's own label \"Rajaton\". \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Stillness is a myth. Consider concepts such as ”still water”, or ”still air” for that matter. Go to a restaurant, ask them for a glass of still water, hold it against the light and see where we’re at. Even though the water itself has been captured and imprisoned in the glass, it never stops breathing. It’s filled with tiny particles, dancing. Everything can be explained on a molecular level, but since we’re not scientists – and even if you happen to be – it’s the natural world of perception that moves me. \u003cbr data-mce-fragment=\"1\"\u003e Still air is very similar. A hot summer’s day with zero wind feels completely still. It’s the closest I have felt to complete stillness. Or for a more urban adaptation, imagine the same vibe inside a normal apartment. In those moments, revelations and mind- blowing experiences can be had with experiments in stillness. \u003cbr data-mce-fragment=\"1\"\u003e Try this: Just sit down for a minute on a sunny day, making sure there’s enough natural light. Do absolutely nothing. Try not to breathe for a bit. (If you need a mental anchor, you can play Cage’s 4’33” in your head but nothing else.) Watch the tiny dots of dust dancing :..’ ̈.:\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e; ́ ́*°.,’:,. ̈ ̈ ̈ ̈:,.’ \u003cbr data-mce-fragment=\"1\"\u003e The movement is crazy, but the feeling of stillness comes from witnessing how subtle it is. In (perceived) complete stillness, every act of microscopic mobility seems to speak volumes. Yet, it feels both reassuring and oddly threatening that the stillness is never complete. What if we would need absolute stillness? Or is it just enough that we can perceive something as such? \u003cbr data-mce-fragment=\"1\"\u003e Extremes attract, so for both water and air, extraordinary movement is equally fascinating. That is also a luxury item of sorts. For us to enjoy a very ”loud” body of water or air, we need to be safe, in enough control of the situation. So when you are, it’s worthwhile to pay attention and take it all in. \u003cbr data-mce-fragment=\"1\"\u003e A rapid flowing free with extreme strength and just barely in control. Look at that water go! No still water on this one, only ”sparkling”. A windy day when birds seem surprised how hard it is to fly, but in the end they make it. Trees bend but don’t break. The wind shows you its movement but doesn’t hurt you. It feels friendly, like a big clumsy dog that doesn’t quite understand its size. \u003cbr data-mce-fragment=\"1\"\u003e It’s beautiful to be a guest of the elements, but not at the mercy of them. A new kind of dialogue forms. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Vladislav Delay\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : RAJATON\u003c\/span\u003e\u003c\/p\u003e"}