Dve Bajage – Ne Diraj Zgaziće Te Tenk / Hard Core Tapes 2xTAPE

¥ 4,680

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* Since the shape of the artwork is 3 cm or more, it will be shipped by Sagawa Express (550 yen).

A 2-piece cassette by the mysterious LO-FI punk Dve Bajage.It is already out of print.

NoBasementIsDeepEnough · Dve Bajage "Gramofon Tapes 1" (plunderintro)

artist: Dve Bajage

label: No Basement Is Deep Enough

* Since the shape of the artwork is 3 cm or more, it will be shipped by Sagawa Express (550 yen).

A 2-piece cassette by the mysterious LO-FI punk Dve Bajage.It is already out of print.

NoBasementIsDeepEnough · Dve Bajage "Gramofon Tapes 1" (plunderintro)

artist: Dve Bajage

label: No Basement Is Deep Enough

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Quickview {"id":6660508876965,"title":"XT \/\/ Palina'tufa 2xLP","handle":"xt-palinatufa-2lp","description":"\u003cp\u003e香港のギャラリーEmpty Galleryが運営するレーベルEmpty Editions作品の取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、サックス奏者\u003cmeta charset=\"utf-8\"\u003eSeymour WrightとパーカッショニストPaul Abbottによる共作です。ガチンコインプロ4セットを収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの活版印刷所で丁寧に刷っており、インサートも美しいです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3970271403\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmpty Editions presents Palina’tufa, the newest work from saxophonist Seymour Wright and percussionist Paul Abbott’s long-running duo XT. Wright and Abbot’s respective practices have been marked by a simultaneous engagement (with) and desire to challenge the limitations (of) the British tradition of improvised music - represented by groups such as AMM and John Stevens’ Spontaneous Music Ensemble. This album charts a new trajectory for Wright and Abbott, as they draw on recent live collaborations with RP Boo and Container in developing a sound which hybridizes the spontaneous interplay and timbral experimentation of free improvisation with the recursive formal structures of dance music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s title is an enigmatic portmanteau of “Palina” (taken from the name of a species of butterfly sighted by the duo during recording) combined with the word “Tufa” -- a type of rock composed of ash ejected from a vent during a volcanic eruption; the bedrock of the island of Hong Kong. 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Wright and Abbot’s respective practices have been marked by a simultaneous engagement (with) and desire to challenge the limitations (of) the British tradition of improvised music - represented by groups such as AMM and John Stevens’ Spontaneous Music Ensemble. This album charts a new trajectory for Wright and Abbott, as they draw on recent live collaborations with RP Boo and Container in developing a sound which hybridizes the spontaneous interplay and timbral experimentation of free improvisation with the recursive formal structures of dance music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s title is an enigmatic portmanteau of “Palina” (taken from the name of a species of butterfly sighted by the duo during recording) combined with the word “Tufa” -- a type of rock composed of ash ejected from a vent during a volcanic eruption; the bedrock of the island of Hong Kong. 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This approach creates an album architecture, a time\/space organized into “Stacks” (recalling vertical cylinders, tubes, pipes, columns), “Orbits” (recalling Chinese folk music, weather systems, paths travelling upward), and “Angles of Incidence,” (a concept inspired by Pere Portabella and Cecil Taylor) that responds to the social, physical, and temporal forces of a city. Loosely, these structures spatially reorganize the “time” in their playing, reversing, eliding, truncating, and magnifying content. This technique recalls everything from Anthony Braxton’s diagrammatic lines, colours, and figures that encode structural and vibrational elements of sound, through the pentatonic scale of Chinese folk music that was integrated into a symbolic matrix referencing the movements of the seasons, planets, and body-politic, to Alejo Carpentier’s search for a musical origin in fiction...\u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eEmpty Editions\u003c\/p\u003e\n\u003cp\u003eArtist : Seymour Wright and Paul Abbott\u003c\/p\u003e\n\u003cp\u003eLabel : Empty Editions\u003c\/p\u003e"}

We have started handling the works of Empty Editions, a label operated by the Hong Kong gallery Empty Gallery.This work is a collaboration between saxophonist Seymour Wright and percussionist Paul Abbott.Includes 4 sets of Gachin Coin Pro.It is carefully printed at a letterpress printing shop in Germany, and the inserts are also beautiful. "Empty Editions presents Palina'tufa, the newest work from ...

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Jean–Luc Guionnet & Daichi Yoshikawa // Intervivos LP

Quickview {"id":6660497113253,"title":"Jean–Luc Guionnet \u0026 Daichi Yoshikawa \/\/ Intervivos LP","handle":"jean-luc-guionnet-daichi-yoshikawa-intervivos","description":"\u003cp\u003e香港のギャラリーEmpty Galleryが運営するレーベルEmpty Editions作品の取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・リヨンの大御所サックス奏者Jean–Luc Guionnetと、ロンドンとベルリンを拠点に活動するフィードバック奏者Daichi Yoshikawaによる共作です。フリージャズとエレクトアコースティックがぶつかりあう4曲を収録。既に廃盤です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの活版印刷所で丁寧に刷っており、インサートも美しいです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3919175271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmpty Editions is pleased to present Jean–Luc Guionnet and Daichi Yoshikawa’s collaborative debut, Intervivos. Recorded during a week-long residency at Hong Kong’s Empty Gallery, Intervivos (Latin for “between the living”), refers to the vital and unexpected acoustic synergy that developed between Guionnet’s extended alto saxophone techniques and Yoshikawa’s feedback systems during these sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlthough Guionnet and Yoshikawa both come from prolific backgrounds in free jazz and electroacoustic improvisation -- Guionnet plays in The Ames Room with Will Guthrie and Clayton Thomas and Yoshikawa studied with AMM’s Eddie Prevost -- Intervivos sees them developing an approach to improvising which seeks to escape the increasingly narrow stylistic confines of these musical provinces. The album is characterized by a brutal foregrounding of process and material lacking from the experimental music of so many of their contemporaries. Rather than seeking refinement or resolution through existing structures, Guionnet and Yoshikawa prioritize a sort of collaborative musical searching in which the aural entanglement, layering and folding of their scorched intonations creates an emergent musical form -- a non-linear music which sounds both ancient and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e futuristic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCorruscating alto saxophone riffs appear suddenly, before disintegrating amidst slabs of feedback and flurries of metallic percussion. Other times, Yoshikawa and Guionnet conjure shifting clouds of sustained tones from the timbral meshing of their instruments - yielding a sound somewhere between the dense textures of Iancu Dumitrescu and the floating harmonics of Gagaku. Far from improvisation as we know it, this album instead gestures towards a speculative “electronic” music created through the ritualistic misuse of acoustic instruments. Intervivos is a fierce, undecorated triumph in the ruinous expression of instruments -- exalted in both its turbulence, and in its extreme testing of improvisational reality. Put summarily by Seymour Wright in the album’s liner notes: 'You don’t need me to tell you how it sounds, or how to listen [...] this record begins when you play it.'\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jean–Luc Guionnet \u0026amp; Daichi Yoshikawa\u003c\/p\u003e\n\u003cp\u003eLabel : Empty Editions\u003c\/p\u003e","published_at":"2021-04-16T11:25:33+09:00","created_at":"2021-04-16T09:39:50+09:00","vendor":"Tobira Records","type":"","tags":["empty editions","jazz","monooto","new"],"price":278600,"price_min":278600,"price_max":278600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39643725594789,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jean–Luc Guionnet \u0026 Daichi Yoshikawa \/\/ Intervivos LP","public_title":null,"options":["Default Title"],"price":278600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_4656a866-5a33-4698-be5e-1a0902e3b981.jpg?v=1618533591"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_4656a866-5a33-4698-be5e-1a0902e3b981.jpg?v=1618533591","options":["Title"],"media":[{"alt":null,"id":21404211445925,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_4656a866-5a33-4698-be5e-1a0902e3b981.jpg?v=1618533591"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_4656a866-5a33-4698-be5e-1a0902e3b981.jpg?v=1618533591","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e香港のギャラリーEmpty Galleryが運営するレーベルEmpty Editions作品の取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・リヨンの大御所サックス奏者Jean–Luc Guionnetと、ロンドンとベルリンを拠点に活動するフィードバック奏者Daichi Yoshikawaによる共作です。フリージャズとエレクトアコースティックがぶつかりあう4曲を収録。既に廃盤です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの活版印刷所で丁寧に刷っており、インサートも美しいです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3919175271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmpty Editions is pleased to present Jean–Luc Guionnet and Daichi Yoshikawa’s collaborative debut, Intervivos. Recorded during a week-long residency at Hong Kong’s Empty Gallery, Intervivos (Latin for “between the living”), refers to the vital and unexpected acoustic synergy that developed between Guionnet’s extended alto saxophone techniques and Yoshikawa’s feedback systems during these sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlthough Guionnet and Yoshikawa both come from prolific backgrounds in free jazz and electroacoustic improvisation -- Guionnet plays in The Ames Room with Will Guthrie and Clayton Thomas and Yoshikawa studied with AMM’s Eddie Prevost -- Intervivos sees them developing an approach to improvising which seeks to escape the increasingly narrow stylistic confines of these musical provinces. The album is characterized by a brutal foregrounding of process and material lacking from the experimental music of so many of their contemporaries. Rather than seeking refinement or resolution through existing structures, Guionnet and Yoshikawa prioritize a sort of collaborative musical searching in which the aural entanglement, layering and folding of their scorched intonations creates an emergent musical form -- a non-linear music which sounds both ancient and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e futuristic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCorruscating alto saxophone riffs appear suddenly, before disintegrating amidst slabs of feedback and flurries of metallic percussion. Other times, Yoshikawa and Guionnet conjure shifting clouds of sustained tones from the timbral meshing of their instruments - yielding a sound somewhere between the dense textures of Iancu Dumitrescu and the floating harmonics of Gagaku. Far from improvisation as we know it, this album instead gestures towards a speculative “electronic” music created through the ritualistic misuse of acoustic instruments. Intervivos is a fierce, undecorated triumph in the ruinous expression of instruments -- exalted in both its turbulence, and in its extreme testing of improvisational reality. Put summarily by Seymour Wright in the album’s liner notes: 'You don’t need me to tell you how it sounds, or how to listen [...] this record begins when you play it.'\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jean–Luc Guionnet \u0026amp; Daichi Yoshikawa\u003c\/p\u003e\n\u003cp\u003eLabel : Empty Editions\u003c\/p\u003e"}