Dve Bajage – Ne Diraj Zgaziće Te Tenk / Hard Core Tapes 2xTAPE
Dve Bajage – Ne Diraj Zgaziće Te Tenk / Hard Core Tapes 2xTAPE
¥4,480
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* Since the shape of the artwork is 3 cm or more, it will be shipped by Sagawa Express (550 yen).
A 2-piece cassette by the mysterious LO-FI punk Dve Bajage.It is already out of print.
Labels and other worksClick here to register: /// Click here to see more No Basement Is Deep Enough releases available at Tobira.
artist: Dve Bajage
label: No Basement Is Deep Enough
* Since the shape of the artwork is 3 cm or more, it will be shipped by Sagawa Express (550 yen).
A 2-piece cassette by the mysterious LO-FI punk Dve Bajage.It is already out of print.
Labels and other worksClick here to register: /// Click here to see more No Basement Is Deep Enough releases available at Tobira.
artist: Dve Bajage
label: No Basement Is Deep Enough
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{"id":7484388966650,"title":"Graham Lambkin \u0026 Joe McPhee \/\/ The Wolf Has Come Down from the North 7\"","handle":"graham-lambkin-joe-mcphee-the-wolf-has-come-down-from-the-north-7","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNY在住のサウンドアーティストGraham Lambkinとフリージャズ界の大御所Joe McPheeによる共作がNY実験レーベルBlank Forms Editionsより270部限定でリリース。5分の即興曲2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=670529132\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 270.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis record of absurd, delirious sound poetry, drawn primarily from the voices of Graham Lambkin and Joe McPhee, marks their first vinyl release as a duo...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJoe McPhee has been a deeply emotional composer, improviser, and multi-instrumentalist since his emergence on the creative jazz and new music scenes in the late 60s. Inspired by the music of Albert Ayler, he taught himself the saxophone and proceeded to cut two records that remain defining monuments to the civil rights era: the out free jazz of Underground Railroad and avant-funk of Nation Time. His odyssey since has taken McPhee through Deep Listening collaborations with Pauline Oliveros and countless left field improv sessions both within and way outside of the jazz tradition. Graham Lambkin is a multidisciplinary artist who first came to prominence in the early 90s through the formation of his experimental music group The Shadow Ring. A sound organizer rather than music maker, Lambkin looks at an everyday object and sees an ocean of possibility, continually transforming quotidian atmospheres and the mundane into expressive sound art using tape manipulation techniques, chance operations and the thick ambience of domestic field\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 1993 one of the chief concerns of Graham Lambkin’s then fledgling Shadow Ring was to emulate, on a cheap Casio keyboard, the electronic textures of ’70s Joe McPhee collaborator John Snyder’s ARP synthesizer. Twenty-two years later Lambkin and McPhee recorded their \"Chance Meeting\" album using chimes, whistle, pocket synthesizer, tape, Baoding balls and other objects. That and subsequent recordings such as this one are marked by the jovial spirit and wry humor that characterizes their collaborative dynamic, both in performance and friendship.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Graham Lambkin \u0026amp; Joe McPhee\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-06T12:46:55+09:00","created_at":"2021-12-06T11:34:42+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","jazz","lp","new"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42154074931450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Graham Lambkin \u0026 Joe McPhee \/\/ The Wolf Has Come Down from the North 7\"","public_title":null,"options":["Default Title"],"price":168000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co1_e124c40a-2ad2-4c9f-8b8e-a03bcb4c853e.jpg?v=1638758084","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co2_edb6828e-8f78-475b-94fd-1ae623b0d01f.jpg?v=1638758084"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co1_e124c40a-2ad2-4c9f-8b8e-a03bcb4c853e.jpg?v=1638758084","options":["Title"],"media":[{"alt":null,"id":28822064136442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co1_e124c40a-2ad2-4c9f-8b8e-a03bcb4c853e.jpg?v=1638758084"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co1_e124c40a-2ad2-4c9f-8b8e-a03bcb4c853e.jpg?v=1638758084","width":700},{"alt":null,"id":28822064169210,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co2_edb6828e-8f78-475b-94fd-1ae623b0d01f.jpg?v=1638758084"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co2_edb6828e-8f78-475b-94fd-1ae623b0d01f.jpg?v=1638758084","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNY在住のサウンドアーティストGraham Lambkinとフリージャズ界の大御所Joe McPheeによる共作がNY実験レーベルBlank Forms Editionsより270部限定でリリース。5分の即興曲2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=670529132\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 270.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis record of absurd, delirious sound poetry, drawn primarily from the voices of Graham Lambkin and Joe McPhee, marks their first vinyl release as a duo...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJoe McPhee has been a deeply emotional composer, improviser, and multi-instrumentalist since his emergence on the creative jazz and new music scenes in the late 60s. Inspired by the music of Albert Ayler, he taught himself the saxophone and proceeded to cut two records that remain defining monuments to the civil rights era: the out free jazz of Underground Railroad and avant-funk of Nation Time. His odyssey since has taken McPhee through Deep Listening collaborations with Pauline Oliveros and countless left field improv sessions both within and way outside of the jazz tradition. Graham Lambkin is a multidisciplinary artist who first came to prominence in the early 90s through the formation of his experimental music group The Shadow Ring. A sound organizer rather than music maker, Lambkin looks at an everyday object and sees an ocean of possibility, continually transforming quotidian atmospheres and the mundane into expressive sound art using tape manipulation techniques, chance operations and the thick ambience of domestic field\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 1993 one of the chief concerns of Graham Lambkin’s then fledgling Shadow Ring was to emulate, on a cheap Casio keyboard, the electronic textures of ’70s Joe McPhee collaborator John Snyder’s ARP synthesizer. Twenty-two years later Lambkin and McPhee recorded their \"Chance Meeting\" album using chimes, whistle, pocket synthesizer, tape, Baoding balls and other objects. That and subsequent recordings such as this one are marked by the jovial spirit and wry humor that characterizes their collaborative dynamic, both in performance and friendship.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Graham Lambkin \u0026amp; Joe McPhee\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions\u003c\/span\u003e\u003c\/p\u003e"}
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A limited edition of 270 copies released by NY experimental label Blank Forms Editions by NY-based sound artist Graham Lambkin and free jazz mogul Joe McPhee. Contains 5 2-minute impromptu songs. DL code included.Click here to see more Blank Forms Editions releases available at ...
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{"id":7484382740730,"title":"Don Cherry's New Researches featuring Naná Vasconcelos \/\/ Organic Music Theatre: Festival de jazz de Chateauvallon 1972 2xLP \/ 2xCD","handle":"don-cherrys-new-researches-featuring-nana-vasconcelos-organic-music-theatre-festival-de-jazz-de-chateauvallon-1972-2xlp-2xcd","description":"\u003cp\u003e伝説のスピリチュアルジャズ作家Don Cherryのアーカイブ音源です。以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1960年代後半、アメリカのトランペット奏者でフリージャズのパイオニアであるドン・チェリー（1936-1995）と、スウェーデンのビジュアルアーティスト兼デザイナーのモキ・チェリー（1943-2009）は、創造的な音楽のための別の空間を想像してコラボレーションを始めた。1972年までに、彼らはドンの音楽、モキの芸術、そしてスウェーデンの田舎町タゴールプでの家族の生活を一つの総合的な実体として統合するコンセプトに名前を付けました。オーガニック・ミュージック・シアター」。ここに収録されているのは、1972年に南フランスのシャトーヴァロンで開催されたフェスティバル・オブ・ジャズでの歴史的なオーガニック・ミュージック・シアターの初演であり、公共テレビで生放送された際に録音されたテープをマスタリングしたものである。ドン・チェリーがジャズ・ミュージシャンとしてのアイデンティティを捨て、後に「Organic Music Society」、「Relativity Suite」、「Brown Rice」、そしてアレハンドロ・ホドロフスキー監督の「The Holy Mountain」のサウンドトラックなどに結実する共同体的な \"神秘的 \"な時期の始まりを告げるパフォーマンスである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eドン・チェリーのニュー・リサーチのミュージシャンたちは、ブラジル、スウェーデン、フランス、アメリカ出身で、ヨーロッパ各地からシャトーヴァロンに集結した。DonとMoki Cherry、Christer Bothén、Gérard \"Doudou\" Gouirand、Naná Vasconcelosの5人のバンドは、屋外の円形劇場で演奏し、ステージには、旅に同行したスウェーデン人の友人や、コペンハーゲンのクリスチャニアを拠点とするデンマークの人形劇団Det Lilla Circus（The Little Circus）など、十数人の大人や子どもが参加した。壇上にはモキさんの絨毯が敷かれ、インドの鱗を描いた手作りの鮮やかな色のタペストリーにはOrganic Music Theatreの文字が入っていて、舞台を彩っている。ミュージシャンの演奏に合わせて、アニー・ヘドヴァール率いる「デット・リラ」のメンバーが踊り、歌い、高い位置にあるポールで即興の人形劇を披露した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eシャトーヴァロンの音楽は、歌を通して人々を結びつける世界共通の言語を目指していた。ドンは、得意のポケットトランペットを捨てて、ピアノとハルモニウムに持ち替え、声をシャーマニックなガイダンスのための楽器として解放するという前代未聞の行動に出た。後にドンのアルバム『Organic Music Society』や『Home Boy (Sister Out)』に収録された曲も含め、マリ、南アフリカ、ブラジル、アメリカ先住民の高揚感のある神聖な曲が次々と演奏され、その間、人形使いたちが憑依したようなグロッソラリアが飛び交います。\"Relativity Suite, Part 1 \"では、Bothénがドンソ・ンゴニ（マリの狩猟用ギター）を演奏した後、Vasconcelosがベリンバウで延々とソロを取るのが特徴的だ。ワウのような微分音の渦の中で、ヴァスコンセロスはこのブラジルの一弦楽器を見事に演奏し、ドンとともにに高い評価を得ているグループ、コドナのメンバーとしての活動を予感させる。また、ジム・ペッパーの「Witchi Tai To」の演奏では、子供たちの声が聞こえてきて、非常に親しみやすい雰囲気を醸し出しています。国際的なジャズフェスティバルというスターの集まる場にあって、このコンサートのゆったりとした共同体的な雰囲気は、チェリーズがドンのジャズの聴衆に、彼が前に進んでいることを示そうとしているように感じられる。しかし、それは同時に、ドンが観客を温かく招待しているということでもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eマグナス・ナイグレンによるライナーノート付き。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1482469441\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2xCD set in jewel case, with slipcase and OBI strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e2xLP on black vinyl, pressed at RTI and housed in a heavy-duty tip-on gatefold Stoughton jacket\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn the late 1960s, the American trumpet player and free jazz pioneer Don Cherry (1936–1995) and the Swedish visual artist and designer Moki Cherry (1943–2009) began a collaboration that imagined an alternative space for creative music, most succinctly expressed in Moki’s aphorism “the stage is home and home is a stage.” By 1972, they had given name to a concept that united Don’s music, Moki’s art, and their family life in rural Tagårp, Sweden into one holistic entity: Organic Music Theatre. Captured here is the historic first Organic Music Theatre performance from the 1972 Festival de jazz de Chateauvallon in the South of France, mastered from tapes recorded during its original live broadcast on public TV. A life-affirming, multicultural patchwork of borrowed tunes suffused with the hallowed aura of Don’s extensive global travels, the performance documents the moment he publicly jettisoned his identity as a jazz musician, and represents the start of his communal “mystical” period, later crystallized in recordings such as Organic Music Society, Relativity Suite, Brown Rice, and the soundtrack for Alejandro Jodorowsky’s The Holy Mountain.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe musicians in Don Cherry’s New Researches, hailing from Brazil, Sweden, France, and the US, converged on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Chateauvallon from all over Europe. The five-person band—Don and Moki Cherry, Christer Bothén, Gérard “Doudou” Gouirand, and Naná Vasconcelos— performed in an outdoor amphitheater and were joined onstage by a dozen adults and children, including Swedish friends who tagged along for the trip and Det Lilla Circus (The Little Circus), a Danish puppet troupe based in Christiania, Copenhagen. The platform was lined with Moki’s carpets and her handmade, brightly colored tapestries, depicting Indian scales and bearing the words Organic Music Theatre, dressed the stage. As the musicians played, members of Det Lilla, led by Annie Hedvard, danced, sang, and mounted an improvised puppet show on poles high up in the air.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music in the Chateauvallon concert aspired to a universal language that would bring people together through song. In a fairly unprecedented move, Don abandoned his signature pocket trumpet for the piano and harmonium, thereby liberating his voice as an instrument for shamanic guidance. The show opens with him beckoning the audience to clap their hands and sing the Indian theta “Dha Dhin Na, Dha Tin Na,” and the set cycles through uplifting and sacred tunes of Malian, South African, Brazilian, and Native American provenance—including pieces that would later appear on Don’s albums Organic Music Society and Home Boy (Sister Out)—all punctuated by outbursts of possessed glossolalia from the puppeteers. “Relativity Suite, Part 1” notably spotlights Bothén on donso ngoni, a Malian hunter’s guitar, prior to Vasconcelos taking an extended solo on berimbau. A vortex of wah-like microtonal rattling, Vasconcelos’s masterful demonstration of this single-stringed Brazilian instrument is a harbinger of his work to come as a member, with Don, of the acclaimed group Codona. The sounds of children playing on the ensemble’s achingly tender rendition of Jim Pepper’s oft-covered beacon of spiritual optimism, “Witchi Tai To,” lends the proceedings an especially intimate, domestic glow. Given the context of the star-studded international jazz festival, the concert’s laid back, communal vibe feels like an attempt by the Cherrys to show Don’s jazz audience that he was moving on. At the same time, however, Don was extending a warmhearted invitation for them to come along for the ride.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith liner notes by Magnus Nygren.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Don Cherry's New Researches featuring Naná Vasconcelos\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-06T11:54:45+09:00","created_at":"2021-12-06T11:27:15+09:00","vendor":"Tobira Records","type":"","tags":["blank 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LP","public_title":"LP","options":["LP"],"price":458000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":28822034219258,"position":3,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu3_2a905a4d-ee9c-4246-9c87-79d1d671f6c8.jpg?v=1638757637"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42154062741754,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":36272368615674,"product_id":7484382740730,"position":2,"created_at":"2021-12-06T11:27:15+09:00","updated_at":"2021-12-06T11:27:16+09:00","alt":null,"width":1200,"height":856,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu2_e080e351-9cb2-4dcf-a5ad-fbb59019e3cd.jpg?v=1638757636","variant_ids":[42154062741754]},"available":true,"name":"Don Cherry's New Researches featuring Naná Vasconcelos \/\/ Organic Music Theatre: Festival de jazz de Chateauvallon 1972 2xLP \/ 2xCD - CD","public_title":"CD","options":["CD"],"price":245000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":28822034153722,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu2_e080e351-9cb2-4dcf-a5ad-fbb59019e3cd.jpg?v=1638757636"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu1_a801745d-7017-4ca5-929d-17378a38a2e8.jpg?v=1638757637","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu2_e080e351-9cb2-4dcf-a5ad-fbb59019e3cd.jpg?v=1638757636","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu3_2a905a4d-ee9c-4246-9c87-79d1d671f6c8.jpg?v=1638757637"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu1_a801745d-7017-4ca5-929d-17378a38a2e8.jpg?v=1638757637","options":["format"],"media":[{"alt":null,"id":28822034120954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu1_a801745d-7017-4ca5-929d-17378a38a2e8.jpg?v=1638757637"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu1_a801745d-7017-4ca5-929d-17378a38a2e8.jpg?v=1638757637","width":700},{"alt":null,"id":28822034153722,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu2_e080e351-9cb2-4dcf-a5ad-fbb59019e3cd.jpg?v=1638757636"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu2_e080e351-9cb2-4dcf-a5ad-fbb59019e3cd.jpg?v=1638757636","width":1200},{"alt":null,"id":28822034219258,"position":3,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu3_2a905a4d-ee9c-4246-9c87-79d1d671f6c8.jpg?v=1638757637"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mu3_2a905a4d-ee9c-4246-9c87-79d1d671f6c8.jpg?v=1638757637","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e伝説のスピリチュアルジャズ作家Don Cherryのアーカイブ音源です。以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1960年代後半、アメリカのトランペット奏者でフリージャズのパイオニアであるドン・チェリー（1936-1995）と、スウェーデンのビジュアルアーティスト兼デザイナーのモキ・チェリー（1943-2009）は、創造的な音楽のための別の空間を想像してコラボレーションを始めた。1972年までに、彼らはドンの音楽、モキの芸術、そしてスウェーデンの田舎町タゴールプでの家族の生活を一つの総合的な実体として統合するコンセプトに名前を付けました。オーガニック・ミュージック・シアター」。ここに収録されているのは、1972年に南フランスのシャトーヴァロンで開催されたフェスティバル・オブ・ジャズでの歴史的なオーガニック・ミュージック・シアターの初演であり、公共テレビで生放送された際に録音されたテープをマスタリングしたものである。ドン・チェリーがジャズ・ミュージシャンとしてのアイデンティティを捨て、後に「Organic Music Society」、「Relativity Suite」、「Brown Rice」、そしてアレハンドロ・ホドロフスキー監督の「The Holy Mountain」のサウンドトラックなどに結実する共同体的な \"神秘的 \"な時期の始まりを告げるパフォーマンスである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eドン・チェリーのニュー・リサーチのミュージシャンたちは、ブラジル、スウェーデン、フランス、アメリカ出身で、ヨーロッパ各地からシャトーヴァロンに集結した。DonとMoki Cherry、Christer Bothén、Gérard \"Doudou\" Gouirand、Naná Vasconcelosの5人のバンドは、屋外の円形劇場で演奏し、ステージには、旅に同行したスウェーデン人の友人や、コペンハーゲンのクリスチャニアを拠点とするデンマークの人形劇団Det Lilla Circus（The Little Circus）など、十数人の大人や子どもが参加した。壇上にはモキさんの絨毯が敷かれ、インドの鱗を描いた手作りの鮮やかな色のタペストリーにはOrganic Music Theatreの文字が入っていて、舞台を彩っている。ミュージシャンの演奏に合わせて、アニー・ヘドヴァール率いる「デット・リラ」のメンバーが踊り、歌い、高い位置にあるポールで即興の人形劇を披露した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eシャトーヴァロンの音楽は、歌を通して人々を結びつける世界共通の言語を目指していた。ドンは、得意のポケットトランペットを捨てて、ピアノとハルモニウムに持ち替え、声をシャーマニックなガイダンスのための楽器として解放するという前代未聞の行動に出た。後にドンのアルバム『Organic Music Society』や『Home Boy (Sister Out)』に収録された曲も含め、マリ、南アフリカ、ブラジル、アメリカ先住民の高揚感のある神聖な曲が次々と演奏され、その間、人形使いたちが憑依したようなグロッソラリアが飛び交います。\"Relativity Suite, Part 1 \"では、Bothénがドンソ・ンゴニ（マリの狩猟用ギター）を演奏した後、Vasconcelosがベリンバウで延々とソロを取るのが特徴的だ。ワウのような微分音の渦の中で、ヴァスコンセロスはこのブラジルの一弦楽器を見事に演奏し、ドンとともにに高い評価を得ているグループ、コドナのメンバーとしての活動を予感させる。また、ジム・ペッパーの「Witchi Tai To」の演奏では、子供たちの声が聞こえてきて、非常に親しみやすい雰囲気を醸し出しています。国際的なジャズフェスティバルというスターの集まる場にあって、このコンサートのゆったりとした共同体的な雰囲気は、チェリーズがドンのジャズの聴衆に、彼が前に進んでいることを示そうとしているように感じられる。しかし、それは同時に、ドンが観客を温かく招待しているということでもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eマグナス・ナイグレンによるライナーノート付き。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1482469441\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2xCD set in jewel case, with slipcase and OBI strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e2xLP on black vinyl, pressed at RTI and housed in a heavy-duty tip-on gatefold Stoughton jacket\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn the late 1960s, the American trumpet player and free jazz pioneer Don Cherry (1936–1995) and the Swedish visual artist and designer Moki Cherry (1943–2009) began a collaboration that imagined an alternative space for creative music, most succinctly expressed in Moki’s aphorism “the stage is home and home is a stage.” By 1972, they had given name to a concept that united Don’s music, Moki’s art, and their family life in rural Tagårp, Sweden into one holistic entity: Organic Music Theatre. Captured here is the historic first Organic Music Theatre performance from the 1972 Festival de jazz de Chateauvallon in the South of France, mastered from tapes recorded during its original live broadcast on public TV. A life-affirming, multicultural patchwork of borrowed tunes suffused with the hallowed aura of Don’s extensive global travels, the performance documents the moment he publicly jettisoned his identity as a jazz musician, and represents the start of his communal “mystical” period, later crystallized in recordings such as Organic Music Society, Relativity Suite, Brown Rice, and the soundtrack for Alejandro Jodorowsky’s The Holy Mountain.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe musicians in Don Cherry’s New Researches, hailing from Brazil, Sweden, France, and the US, converged on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Chateauvallon from all over Europe. The five-person band—Don and Moki Cherry, Christer Bothén, Gérard “Doudou” Gouirand, and Naná Vasconcelos— performed in an outdoor amphitheater and were joined onstage by a dozen adults and children, including Swedish friends who tagged along for the trip and Det Lilla Circus (The Little Circus), a Danish puppet troupe based in Christiania, Copenhagen. The platform was lined with Moki’s carpets and her handmade, brightly colored tapestries, depicting Indian scales and bearing the words Organic Music Theatre, dressed the stage. As the musicians played, members of Det Lilla, led by Annie Hedvard, danced, sang, and mounted an improvised puppet show on poles high up in the air.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music in the Chateauvallon concert aspired to a universal language that would bring people together through song. In a fairly unprecedented move, Don abandoned his signature pocket trumpet for the piano and harmonium, thereby liberating his voice as an instrument for shamanic guidance. The show opens with him beckoning the audience to clap their hands and sing the Indian theta “Dha Dhin Na, Dha Tin Na,” and the set cycles through uplifting and sacred tunes of Malian, South African, Brazilian, and Native American provenance—including pieces that would later appear on Don’s albums Organic Music Society and Home Boy (Sister Out)—all punctuated by outbursts of possessed glossolalia from the puppeteers. “Relativity Suite, Part 1” notably spotlights Bothén on donso ngoni, a Malian hunter’s guitar, prior to Vasconcelos taking an extended solo on berimbau. A vortex of wah-like microtonal rattling, Vasconcelos’s masterful demonstration of this single-stringed Brazilian instrument is a harbinger of his work to come as a member, with Don, of the acclaimed group Codona. The sounds of children playing on the ensemble’s achingly tender rendition of Jim Pepper’s oft-covered beacon of spiritual optimism, “Witchi Tai To,” lends the proceedings an especially intimate, domestic glow. Given the context of the star-studded international jazz festival, the concert’s laid back, communal vibe feels like an attempt by the Cherrys to show Don’s jazz audience that he was moving on. At the same time, however, Don was extending a warmhearted invitation for them to come along for the ride.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith liner notes by Magnus Nygren.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Don Cherry's New Researches featuring Naná Vasconcelos\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions \u003c\/span\u003e\u003c\/p\u003e"}
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It is an archive sound source of the legendary spiritual jazz writer Don Cherry.Below is a description of the label. "In the late 1960s, American trumpet player and free jazz pioneer Don Cherry (1936-1995) and Swedish visual artist and designer Moki Cherry (1943-2009) were for creative music. Imagine another space and start collaborating. By 1972, they had the concept of integrating Don's music, Moki's art, and family life in the Swedish country town of Trumpet into one integrated entity. I named it "Organic Music Theater".Recorded here is the premiere of the historic Organic Music Theater at the Festival of Jazz in Chateau Vallon, Southern France in 1972, recorded live on public television. It is a mastering of the tape that was made.A community where Don Cherry abandoned his jazz musician identity and later came to fruition in the "Organic Music Society," "Relativity Suite," "Brown Rice," and the soundtrack to Alejandro Jodorowski's "The Holy Mountain." It is a performance that heralds the beginning of a "mysterious" period.Don Cherry's New Research musicians are from Brazil, Sweden, France and the United States and have gathered in Chateau Vallon from all over Europe. Don and Moki Cherry, Christer Bothén, Gérard "Doudou" ...
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{"id":7468680806650,"title":"KAZUMI KANEDA \/\/ Morpheme Tone TAPE","handle":"kazumi-kaneda-morpheme-tone-tape","description":"\u003cp\u003e東京のマルチ奏者KAZUMI KANEDAが、2019年にカナダのLo-FiヒップホップレーベルInner Ocean Recordsから200本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eジャジーなインストヒップホップ12曲を収録。DLコード付属。Kieferが好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2355727643\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e to see more Inner Ocean releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eInner Ocean:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTokyo's own beat maker and multi-instrumentalist, Kazumi Kaneda, brings us another Jazz opus full of dazzle and wonder. Following up his 2017’s album Hardlight, Morpheme Tone sets a new bar in original jazz \u0026amp; hip hop production, continually refining his particular flavour and style. Kaneda presents his work as gritty and complex, smooth and subtle with equal parts bebop and hip hop, coalescing into a project of ultimate coolness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJazz heads and Hip Hop heads worldwide are keeping tabs on Kazumi Kaneda, watching and waiting for those next brilliant moves. Morpheme Tone is one of those moves.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KAZUMI KANEDA\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInner Ocean\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-26T13:49:26+09:00","created_at":"2021-11-26T13:29:06+09:00","vendor":"Tobira Records","type":"","tags":["asia","hiphop \/ funk","inner ocean records","jazz","new","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42110235836666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"KAZUMI KANEDA \/\/ Morpheme Tone TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_e62f3bad-174f-49af-bcf8-2b1c59b43c94.jpg?v=1637900947","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to2_0ff05103-68de-44b9-ab79-dd5431cdca1b.jpg?v=1637900947"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_e62f3bad-174f-49af-bcf8-2b1c59b43c94.jpg?v=1637900947","options":["Title"],"media":[{"alt":null,"id":28743399244026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_e62f3bad-174f-49af-bcf8-2b1c59b43c94.jpg?v=1637900947"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_e62f3bad-174f-49af-bcf8-2b1c59b43c94.jpg?v=1637900947","width":700},{"alt":null,"id":28743399276794,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to2_0ff05103-68de-44b9-ab79-dd5431cdca1b.jpg?v=1637900947"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to2_0ff05103-68de-44b9-ab79-dd5431cdca1b.jpg?v=1637900947","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のマルチ奏者KAZUMI KANEDAが、2019年にカナダのLo-FiヒップホップレーベルInner Ocean Recordsから200本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eジャジーなインストヒップホップ12曲を収録。DLコード付属。Kieferが好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2355727643\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e to see more Inner Ocean releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eInner Ocean:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTokyo's own beat maker and multi-instrumentalist, Kazumi Kaneda, brings us another Jazz opus full of dazzle and wonder. Following up his 2017’s album Hardlight, Morpheme Tone sets a new bar in original jazz \u0026amp; hip hop production, continually refining his particular flavour and style. Kaneda presents his work as gritty and complex, smooth and subtle with equal parts bebop and hip hop, coalescing into a project of ultimate coolness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJazz heads and Hip Hop heads worldwide are keeping tabs on Kazumi Kaneda, watching and waiting for those next brilliant moves. Morpheme Tone is one of those moves.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KAZUMI KANEDA\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInner Ocean\u003c\/span\u003e\u003c\/p\u003e"}
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Tokyo multiplayer KAZUMI KANEDA released a limited edition of 2019 cassettes from Canada's Lo-Fi hip-hop label Inner Ocean Records in 200.Contains 12 jazzy instrumental hip-hop songs. DL code included. Also recommended for those who like Kiefer.Click here to see more Inner Ocean releases available at ...
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{"id":7444632338682,"title":"Warble (Brad Henkel \/ Miako Klein) \/\/ Swarm CD","handle":"warble-brad-henkel-miako-klein-swarm-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのトランペット奏者Brad Henkelと、ドイツの実験音楽家Miako Kleinが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜ドローン2曲、約40分を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=56430802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrad Henkel (1985) is a trumpet player and composer from the States, currently based in Berlin. With a primary focus on improvisation, using a broad color palette of pitched and unpitched sounds, he creates and participates in music which is rooted in the free jazz, contemporary composed and Echtzeitmusik traditions. He studied jazz trumpet in Los Angeles with Bobby Shew and Clay Jenkins, and improvisation and composition with Jeff Kaiser and John Fumo. He also studied improvisation with Tony Malaby, Ralph Alessi and other staples of the New York scene.\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBerlin-based performer and improviser Miako Klein (1982) has a greatly varied musical background: classically educated on the recorder and violin, she has extensive experience in performing contemporary music, as well as improvised and early music. She constantly questions and challenges the conventional ways of music practices by pushing boundaries between styles and genres, by experimenting, and by interdisciplinary works. She performs as a soloist and chamber musician, and collaborates with composers who have written dedicated works for her. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Warble: Brad Henkel \/ Miako Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:23:47+09:00","created_at":"2021-11-12T11:17:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","monooto","new"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043539128570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warble (Brad Henkel \/ Miako Klein) \/\/ Swarm CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","options":["Title"],"media":[{"alt":null,"id":26906592575738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","width":700},{"alt":null,"id":26906592608506,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのトランペット奏者Brad Henkelと、ドイツの実験音楽家Miako Kleinが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜ドローン2曲、約40分を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=56430802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrad Henkel (1985) is a trumpet player and composer from the States, currently based in Berlin. With a primary focus on improvisation, using a broad color palette of pitched and unpitched sounds, he creates and participates in music which is rooted in the free jazz, contemporary composed and Echtzeitmusik traditions. He studied jazz trumpet in Los Angeles with Bobby Shew and Clay Jenkins, and improvisation and composition with Jeff Kaiser and John Fumo. He also studied improvisation with Tony Malaby, Ralph Alessi and other staples of the New York scene.\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBerlin-based performer and improviser Miako Klein (1982) has a greatly varied musical background: classically educated on the recorder and violin, she has extensive experience in performing contemporary music, as well as improvised and early music. She constantly questions and challenges the conventional ways of music practices by pushing boundaries between styles and genres, by experimenting, and by interdisciplinary works. She performs as a soloist and chamber musician, and collaborates with composers who have written dedicated works for her. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Warble: Brad Henkel \/ Miako Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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This is a co-produced CD released by American trumpet player Brad Henkel and German experimental musician Miako Klein on the Slovenian impro label Inexhaustible Editions in August 2021.Gachincoin Pro-Drone 8 songs, about 2 minutes recorded. 40-sided digipak, shrink specifications.Click here to see more Inexhaustable Editions releases available at ...
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