Dve Bajage – Ne Diraj Zgaziće Te Tenk / Hard Core Tapes 2xTAPE
Dve Bajage – Ne Diraj Zgaziće Te Tenk / Hard Core Tapes 2xTAPE
¥ 4,680
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* Since the shape of the artwork is 3 cm or more, it will be shipped by Sagawa Express (550 yen).
A 2-piece cassette by the mysterious LO-FI punk Dve Bajage.It is already out of print.
artist: Dve Bajage
label: No Basement Is Deep Enough
* Since the shape of the artwork is 3 cm or more, it will be shipped by Sagawa Express (550 yen).
A 2-piece cassette by the mysterious LO-FI punk Dve Bajage.It is already out of print.
NoBasementIsDeepEnough · Dve Bajage "Gramofon Tapes 1" (plunderintro)artist: Dve Bajage
label: No Basement Is Deep Enough
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{"id":6677043019941,"title":"The Flying Luttenbachers \/\/ Live at WNUR 2-6-92 LP","handle":"the-flying-luttenbachers-live-at-wnur-2-6-92-lp","description":"\u003cp\u003eオリジナルは1992年にカセットでリリースされ、その後1996年にCDで再発、そしてこの度初めてレコードで再発に至ったシカゴのフリージャズバンドThe Flying Luttenbachersのライブ音源。色褪せない名演8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1168258627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eImproved Sequence:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOriginally released on cassette in 1992 and then CD in 1996 this is The Flying Luttenbachers' first transmission to Earth. A furious snapshot into the early days of the band and featuring the incredible line-up of head honcho Weasel Walter, Hal Russell and Chad Organ. First time on vinyl.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrouser Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe Flying Luttenbachers have quite an impressive history for a band whose lineup seems to be constantly in flux. The one constant is drummer Weasel Walter, who formed the band in Chicago in 1991. Walter was a fan and pupil of Hal Russell, leader of the explosive NRG Ensemble. Walter’s friend Chad Organ (tenor sax) joined them and the trio became the Flying Luttenbachers. That lineup made its first and only public appearance February 6, 1992 on a college radio station. \u003cb data-mce-fragment=\"1\"\u003eLive at WNUR\u003c\/b\u003e, released originally on cassette but reissued on CD, is similar to some of Russell’s NRG Ensemble work, but more frenzied and loosely constructed. This is the Luttenbachers at their closest to pure jazz; it is fast and furious, upbeat and funny. The band’s ethos is already evident: short bursts of noise strung together with energetic abandon, yet somehow evincing an aura of control and overall melody.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Flying Luttenbachers\u003c\/p\u003e\n\u003cp\u003eLabel : Improved Sequence\u003c\/p\u003e","published_at":"2021-04-21T13:25:56+09:00","created_at":"2021-04-21T12:55:33+09:00","vendor":"Tobira Records","type":"","tags":["improved sequence","jazz","lp","new"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39683043295397,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Flying Luttenbachers \/\/ Live at WNUR 2-6-92 LP","public_title":null,"options":["Default Title"],"price":258000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_e0cc1ef3-1358-4563-a577-f55a8d954f28.jpg?v=1618977335","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li2_d6f29fe4-796b-4f48-8358-720bb1dfd804.jpg?v=1618977335"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_e0cc1ef3-1358-4563-a577-f55a8d954f28.jpg?v=1618977335","options":["Title"],"media":[{"alt":null,"id":21633420165285,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_e0cc1ef3-1358-4563-a577-f55a8d954f28.jpg?v=1618977335"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_e0cc1ef3-1358-4563-a577-f55a8d954f28.jpg?v=1618977335","width":700},{"alt":null,"id":21633420198053,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li2_d6f29fe4-796b-4f48-8358-720bb1dfd804.jpg?v=1618977335"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li2_d6f29fe4-796b-4f48-8358-720bb1dfd804.jpg?v=1618977335","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオリジナルは1992年にカセットでリリースされ、その後1996年にCDで再発、そしてこの度初めてレコードで再発に至ったシカゴのフリージャズバンドThe Flying Luttenbachersのライブ音源。色褪せない名演8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1168258627\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eImproved Sequence:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOriginally released on cassette in 1992 and then CD in 1996 this is The Flying Luttenbachers' first transmission to Earth. A furious snapshot into the early days of the band and featuring the incredible line-up of head honcho Weasel Walter, Hal Russell and Chad Organ. First time on vinyl.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrouser Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe Flying Luttenbachers have quite an impressive history for a band whose lineup seems to be constantly in flux. The one constant is drummer Weasel Walter, who formed the band in Chicago in 1991. Walter was a fan and pupil of Hal Russell, leader of the explosive NRG Ensemble. Walter’s friend Chad Organ (tenor sax) joined them and the trio became the Flying Luttenbachers. 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{"id":6660508876965,"title":"XT \/\/ Palina'tufa 2xLP","handle":"xt-palinatufa-2lp","description":"\u003cp\u003e香港のギャラリーEmpty Galleryが運営するレーベルEmpty Editions作品の取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、サックス奏者\u003cmeta charset=\"utf-8\"\u003eSeymour WrightとパーカッショニストPaul Abbottによる共作です。ガチンコインプロ4セットを収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの活版印刷所で丁寧に刷っており、インサートも美しいです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3970271403\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmpty Editions presents Palina’tufa, the newest work from saxophonist Seymour Wright and percussionist Paul Abbott’s long-running duo XT. Wright and Abbot’s respective practices have been marked by a simultaneous engagement (with) and desire to challenge the limitations (of) the British tradition of improvised music - represented by groups such as AMM and John Stevens’ Spontaneous Music Ensemble. This album charts a new trajectory for Wright and Abbott, as they draw on recent live collaborations with RP Boo and Container in developing a sound which hybridizes the spontaneous interplay and timbral experimentation of free improvisation with the recursive formal structures of dance music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s title is an enigmatic portmanteau of “Palina” (taken from the name of a species of butterfly sighted by the duo during recording) combined with the word “Tufa” -- a type of rock composed of ash ejected from a vent during a volcanic eruption; the bedrock of the island of Hong Kong. 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This approach creates an album architecture, a time\/space organized into “Stacks” (recalling vertical cylinders, tubes, pipes, columns), “Orbits” (recalling Chinese folk music, weather systems, paths travelling upward), and “Angles of Incidence,” (a concept inspired by Pere Portabella and Cecil Taylor) that responds to the social, physical, and temporal forces of a city. Loosely, these structures spatially reorganize the “time” in their playing, reversing, eliding, truncating, and magnifying content. This technique recalls everything from Anthony Braxton’s diagrammatic lines, colours, and figures that encode structural and vibrational elements of sound, through the pentatonic scale of Chinese folk music that was integrated into a symbolic matrix referencing the movements of the seasons, planets, and body-politic, to Alejo Carpentier’s search for a musical origin in fiction...\u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eEmpty Editions\u003c\/p\u003e\n\u003cp\u003eArtist : Seymour Wright and Paul Abbott\u003c\/p\u003e\n\u003cp\u003eLabel : Empty Editions\u003c\/p\u003e","published_at":"2021-04-16T11:32:06+09:00","created_at":"2021-04-16T09:46:02+09:00","vendor":"Tobira Records","type":"","tags":["empty editions","jazz","lp","monooto","new"],"price":403100,"price_min":403100,"price_max":403100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39643751874725,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"XT \/\/ Palina'tufa 2xLP","public_title":null,"options":["Default Title"],"price":403100,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_6025d7a0-ac46-441b-9e8d-f607e82edb57.jpg?v=1618533964"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_6025d7a0-ac46-441b-9e8d-f607e82edb57.jpg?v=1618533964","options":["Title"],"media":[{"alt":null,"id":21404257681573,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_6025d7a0-ac46-441b-9e8d-f607e82edb57.jpg?v=1618533964"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pa1_6025d7a0-ac46-441b-9e8d-f607e82edb57.jpg?v=1618533964","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e香港のギャラリーEmpty Galleryが運営するレーベルEmpty Editions作品の取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、サックス奏者\u003cmeta charset=\"utf-8\"\u003eSeymour WrightとパーカッショニストPaul Abbottによる共作です。ガチンコインプロ4セットを収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの活版印刷所で丁寧に刷っており、インサートも美しいです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3970271403\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmpty Editions presents Palina’tufa, the newest work from saxophonist Seymour Wright and percussionist Paul Abbott’s long-running duo XT. Wright and Abbot’s respective practices have been marked by a simultaneous engagement (with) and desire to challenge the limitations (of) the British tradition of improvised music - represented by groups such as AMM and John Stevens’ Spontaneous Music Ensemble. This album charts a new trajectory for Wright and Abbott, as they draw on recent live collaborations with RP Boo and Container in developing a sound which hybridizes the spontaneous interplay and timbral experimentation of free improvisation with the recursive formal structures of dance music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s title is an enigmatic portmanteau of “Palina” (taken from the name of a species of butterfly sighted by the duo during recording) combined with the word “Tufa” -- a type of rock composed of ash ejected from a vent during a volcanic eruption; the bedrock of the island of Hong Kong. Compellingly, the green sheen of the Palinurus butterfly is not produced by pigments, but emanates from the microstructure of it’s wing scales. Similarly, XT’s Palina’tufa contains a brilliant internal logic of stacked component parts all amalgamated into a singularly iridescent instrumental\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e structure.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded during a two week studio residency in Hong Kong, Palina’tufa departs from XT’s previous albums - primarily documentations of live performances - in its embrace of the recording studio as a form of instrumentation: a tool to sculpt, overdub and (re)assemble their chimeric sounds. The result is a striking cybernetic version of the classic sax-and-drums duo pioneered by legendary groupings such as John Coltrane and Rashied Ali, Evan Parker \u0026amp; Paul Lytton, and Jimmy Lyons \u0026amp; Andrew Cyrille. Palina’tufa turns the implied (and frankly, somewhat tired) tropes of this form on its head, pushing restlessly forward into the domain of a synthetic post-genre music. Wright's unconventional use of feedback and Abbott's heavily deconstructed electro-dance textures expand upon this simulated space, unfurling their instrumentation into an authentically liberated territory.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross four dynamic fifteen minute cuts, the duo craft an esoteric response to the real (and imagined) landscape(s) of Hong Kong. Interpreting their experience of the island as a kind of extended metaphor, Palina’tufa translates chance encounters, pockets of cultural history, vernacular architecture, and local wildlife (among other phenomena) into organizing principles for the creation of speculative music. Palina’tufa is a brilliant showcase of Wright and Abbott’s composite sound: naturally synergistic, with careful attention paid to how psychogeographical experience is transposed into the deeply considered interplay of their respective instruments. A stunning listen, the album’s various movements respond to scenes in proximity to the Tin Wan (Aberdeen) area: the past\/future poise of Permanent Cemetery; the human densities of Duck Tongue Island; the black garlic\/gypsum of Empty Gallery itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePalina’tufa expands on this emerging style of electronically mediated improvised music by further compartmentalizing their playing through a series of concepts, limits, and methods to organize their materials into distinct classifications. This approach creates an album architecture, a time\/space organized into “Stacks” (recalling vertical cylinders, tubes, pipes, columns), “Orbits” (recalling Chinese folk music, weather systems, paths travelling upward), and “Angles of Incidence,” (a concept inspired by Pere Portabella and Cecil Taylor) that responds to the social, physical, and temporal forces of a city. Loosely, these structures spatially reorganize the “time” in their playing, reversing, eliding, truncating, and magnifying content. This technique recalls everything from Anthony Braxton’s diagrammatic lines, colours, and figures that encode structural and vibrational elements of sound, through the pentatonic scale of Chinese folk music that was integrated into a symbolic matrix referencing the movements of the seasons, planets, and body-politic, to Alejo Carpentier’s search for a musical origin in fiction...\u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eEmpty Editions\u003c\/p\u003e\n\u003cp\u003eArtist : Seymour Wright and Paul Abbott\u003c\/p\u003e\n\u003cp\u003eLabel : Empty Editions\u003c\/p\u003e"}
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We have started handling the works of Empty Editions, a label operated by the Hong Kong gallery Empty Gallery.This work is a collaboration between saxophonist Seymour Wright and percussionist Paul Abbott.Includes 4 sets of Gachin Coin Pro.It is carefully printed at a letterpress printing shop in Germany, and the inserts are also beautiful. "Empty Editions presents Palina'tufa, the newest work from ...
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{"id":6660497113253,"title":"Jean–Luc Guionnet \u0026 Daichi Yoshikawa \/\/ Intervivos LP","handle":"jean-luc-guionnet-daichi-yoshikawa-intervivos","description":"\u003cp\u003e香港のギャラリーEmpty Galleryが運営するレーベルEmpty Editions作品の取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・リヨンの大御所サックス奏者Jean–Luc Guionnetと、ロンドンとベルリンを拠点に活動するフィードバック奏者Daichi Yoshikawaによる共作です。フリージャズとエレクトアコースティックがぶつかりあう4曲を収録。既に廃盤です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの活版印刷所で丁寧に刷っており、インサートも美しいです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3919175271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmpty Editions is pleased to present Jean–Luc Guionnet and Daichi Yoshikawa’s collaborative debut, Intervivos. Recorded during a week-long residency at Hong Kong’s Empty Gallery, Intervivos (Latin for “between the living”), refers to the vital and unexpected acoustic synergy that developed between Guionnet’s extended alto saxophone techniques and Yoshikawa’s feedback systems during these sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlthough Guionnet and Yoshikawa both come from prolific backgrounds in free jazz and electroacoustic improvisation -- Guionnet plays in The Ames Room with Will Guthrie and Clayton Thomas and Yoshikawa studied with AMM’s Eddie Prevost -- Intervivos sees them developing an approach to improvising which seeks to escape the increasingly narrow stylistic confines of these musical provinces. The album is characterized by a brutal foregrounding of process and material lacking from the experimental music of so many of their contemporaries. Rather than seeking refinement or resolution through existing structures, Guionnet and Yoshikawa prioritize a sort of collaborative musical searching in which the aural entanglement, layering and folding of their scorched intonations creates an emergent musical form -- a non-linear music which sounds both ancient and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e futuristic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCorruscating alto saxophone riffs appear suddenly, before disintegrating amidst slabs of feedback and flurries of metallic percussion. Other times, Yoshikawa and Guionnet conjure shifting clouds of sustained tones from the timbral meshing of their instruments - yielding a sound somewhere between the dense textures of Iancu Dumitrescu and the floating harmonics of Gagaku. Far from improvisation as we know it, this album instead gestures towards a speculative “electronic” music created through the ritualistic misuse of acoustic instruments. Intervivos is a fierce, undecorated triumph in the ruinous expression of instruments -- exalted in both its turbulence, and in its extreme testing of improvisational reality. Put summarily by Seymour Wright in the album’s liner notes: 'You don’t need me to tell you how it sounds, or how to listen [...] this record begins when you play it.'\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jean–Luc Guionnet \u0026amp; Daichi Yoshikawa\u003c\/p\u003e\n\u003cp\u003eLabel : Empty Editions\u003c\/p\u003e","published_at":"2021-04-16T11:25:33+09:00","created_at":"2021-04-16T09:39:50+09:00","vendor":"Tobira Records","type":"","tags":["empty editions","jazz","monooto","new"],"price":278600,"price_min":278600,"price_max":278600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39643725594789,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jean–Luc Guionnet \u0026 Daichi Yoshikawa \/\/ Intervivos LP","public_title":null,"options":["Default Title"],"price":278600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_4656a866-5a33-4698-be5e-1a0902e3b981.jpg?v=1618533591"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_4656a866-5a33-4698-be5e-1a0902e3b981.jpg?v=1618533591","options":["Title"],"media":[{"alt":null,"id":21404211445925,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_4656a866-5a33-4698-be5e-1a0902e3b981.jpg?v=1618533591"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/in1_4656a866-5a33-4698-be5e-1a0902e3b981.jpg?v=1618533591","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e香港のギャラリーEmpty Galleryが運営するレーベルEmpty Editions作品の取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・リヨンの大御所サックス奏者Jean–Luc Guionnetと、ロンドンとベルリンを拠点に活動するフィードバック奏者Daichi Yoshikawaによる共作です。フリージャズとエレクトアコースティックがぶつかりあう4曲を収録。既に廃盤です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの活版印刷所で丁寧に刷っており、インサートも美しいです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3919175271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmpty Editions is pleased to present Jean–Luc Guionnet and Daichi Yoshikawa’s collaborative debut, Intervivos. Recorded during a week-long residency at Hong Kong’s Empty Gallery, Intervivos (Latin for “between the living”), refers to the vital and unexpected acoustic synergy that developed between Guionnet’s extended alto saxophone techniques and Yoshikawa’s feedback systems during these sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlthough Guionnet and Yoshikawa both come from prolific backgrounds in free jazz and electroacoustic improvisation -- Guionnet plays in The Ames Room with Will Guthrie and Clayton Thomas and Yoshikawa studied with AMM’s Eddie Prevost -- Intervivos sees them developing an approach to improvising which seeks to escape the increasingly narrow stylistic confines of these musical provinces. The album is characterized by a brutal foregrounding of process and material lacking from the experimental music of so many of their contemporaries. Rather than seeking refinement or resolution through existing structures, Guionnet and Yoshikawa prioritize a sort of collaborative musical searching in which the aural entanglement, layering and folding of their scorched intonations creates an emergent musical form -- a non-linear music which sounds both ancient and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e futuristic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCorruscating alto saxophone riffs appear suddenly, before disintegrating amidst slabs of feedback and flurries of metallic percussion. Other times, Yoshikawa and Guionnet conjure shifting clouds of sustained tones from the timbral meshing of their instruments - yielding a sound somewhere between the dense textures of Iancu Dumitrescu and the floating harmonics of Gagaku. Far from improvisation as we know it, this album instead gestures towards a speculative “electronic” music created through the ritualistic misuse of acoustic instruments. Intervivos is a fierce, undecorated triumph in the ruinous expression of instruments -- exalted in both its turbulence, and in its extreme testing of improvisational reality. Put summarily by Seymour Wright in the album’s liner notes: 'You don’t need me to tell you how it sounds, or how to listen [...] this record begins when you play it.'\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jean–Luc Guionnet \u0026amp; Daichi Yoshikawa\u003c\/p\u003e\n\u003cp\u003eLabel : Empty Editions\u003c\/p\u003e"}
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We have started handling the works of Empty Editions, a label operated by the Hong Kong gallery Empty Gallery.This work is a collaboration between Lyon's great saxophonist Jean–Luc Guionnet and feedback player Daichi Yoshikawa based in London and Berlin.Includes 4 songs where free jazz and elect acoustic collide.It is already out of print.It is carefully printed at a letterpress printing shop in Germany, and the inserts are also beautiful. "Empty Editions is pleased to present Jean–Luc Guionnet ...
¥ 2,786