Free Magic Show // Motown TAPE
Free Magic Show // Motown TAPE
¥ 1,350
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Mainly releasing electro-acoustic collaboration worksThe second work of the turntable + tape duo fra magic show has been released from the UK steep gloss.It is out of print.
Other worksand /// Click here to see more Steep Gloss releases available at Tobira.
artist: free magic show
label: steep gloss
Mainly releasing electro-acoustic collaboration worksThe second work of the turntable + tape duo fra magic show has been released from the UK steep gloss.It is out of print.
Other worksand /// Click here to see more Steep Gloss releases available at Tobira.
artist: free magic show
label: steep gloss
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{"id":6955732992165,"title":"Bill Nace \/\/ Solo Guitar 2\/One Note LP","handle":"bill-nace-solo-guitar-2-one-note-lp","description":"\u003cp\u003e Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill NaceがプライベートレーベルOpen Mouthから2021年8月にリリースしたレコード。2008年にカセットでリリースした本作は、題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1100758933\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Billnace_excerpt\" href=\"https:\/\/soundcloud.com\/user-249530843\/billnace_excerpt\" target=\"_blank\"\u003eBillnace_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue of OM21 Cassette\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaste on covers\/Inserts screened by Alan Sherry on Stoughton Tip-ons\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSolo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis year the record, originally released as a now (nearly) extinct cassette, is reissued without it’s mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential of future discovery).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe vinyl release comes a little less than a year after Bill’s first “official” solo record, BOTH, which was released by Drag City in May, 2020. The two records don’t necessarily stand in opposition, but they are at different points on the spectrum of production, tone, mood, time, place, age, career. Where BOTH is softened by the warmth and precision of a studio, there’s a wildness to Solo Guitar 2 which approaches the experience of witnessing Bill perform live. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade up of mostly brief pieces -- songs, practically -- Solo Guitar 2 winds tight, then unwinds, or sometimes snaps apart. Crackling, itchy static morphs into heavy, watery vibration, layered on metallic rattle. There are moments where that Bennington room sounds as sterile and lonely as a deserted art gallery. And then it becomes spacious and warm, like a cathedral filling with the hum of the universe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe bulk of Bill’s releases are collaborations with other artists, who are drawn to him (at least in part) because he’s an innovative player and a deep listener. Those qualities hold, and in certain ways intensify when he’s on his own. As he takes a series of unlikely tools across his prone guitar with the grace and urgency of someone at a loom or an aircraft control panel, there’s a sense of reaching inward. But where some might meander or navel-gaze, Bill’s playing is a process of constant dynamic construction. What unfurls can feel intensely personal, and often -- for reasons I don’t always understand -- very moving. Bill isn’t interested in micromanaging his listeners’ experiences, but he does make room for us. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposer Pauline Oliveros observed that when we listen deeply to the world around us, we sometimes notice very subtle and quiet differences in sounds that we thought were familiar. As a result, she writes, “the slightest difference may lead you to a new creative relationship.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBill is, I think, tuned in to these subtle and quiet differences. But, in a truly punk fashion, he flips this for the listener, making unfamiliar and not-very-subtle noise into something akin to (but also distinct from) familiar sounds: traffic outside your window, the soft roar of a conch shell to your ear, static between radio stations. Solo Guitar 2, full as it is of shades and moods and life, offers a fresh way of hearing.\u003c\/em\u003e\u003cbr\u003eMargaret Welsh\u003cbr\u003ePhiladelphia, PA 2021\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolo Guitar 2\/One Note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : self-released\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T03:04:42+09:00","created_at":"2021-08-05T13:50:16+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new","noise","self-released"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40509671899301,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace \/\/ Solo Guitar 2\/One Note LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/Nace.front.1.png?v=1628139019","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/Nace.back.final.png?v=1628139019"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/Nace.front.1.png?v=1628139019","options":["Title"],"media":[{"alt":null,"id":23211357864101,"position":1,"preview_image":{"aspect_ratio":1.0,"height":4429,"width":4429,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/Nace.front.1.png?v=1628139019"},"aspect_ratio":1.0,"height":4429,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/Nace.front.1.png?v=1628139019","width":4429},{"alt":null,"id":23211357896869,"position":2,"preview_image":{"aspect_ratio":1.0,"height":4429,"width":4429,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/Nace.back.final.png?v=1628139019"},"aspect_ratio":1.0,"height":4429,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/Nace.back.final.png?v=1628139019","width":4429}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill NaceがプライベートレーベルOpen Mouthから2021年8月にリリースしたレコード。2008年にカセットでリリースした本作は、題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1100758933\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Billnace_excerpt\" href=\"https:\/\/soundcloud.com\/user-249530843\/billnace_excerpt\" target=\"_blank\"\u003eBillnace_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue of OM21 Cassette\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaste on covers\/Inserts screened by Alan Sherry on Stoughton Tip-ons\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSolo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis year the record, originally released as a now (nearly) extinct cassette, is reissued without it’s mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential of future discovery).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe vinyl release comes a little less than a year after Bill’s first “official” solo record, BOTH, which was released by Drag City in May, 2020. The two records don’t necessarily stand in opposition, but they are at different points on the spectrum of production, tone, mood, time, place, age, career. Where BOTH is softened by the warmth and precision of a studio, there’s a wildness to Solo Guitar 2 which approaches the experience of witnessing Bill perform live. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade up of mostly brief pieces -- songs, practically -- Solo Guitar 2 winds tight, then unwinds, or sometimes snaps apart. Crackling, itchy static morphs into heavy, watery vibration, layered on metallic rattle. There are moments where that Bennington room sounds as sterile and lonely as a deserted art gallery. And then it becomes spacious and warm, like a cathedral filling with the hum of the universe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe bulk of Bill’s releases are collaborations with other artists, who are drawn to him (at least in part) because he’s an innovative player and a deep listener. Those qualities hold, and in certain ways intensify when he’s on his own. As he takes a series of unlikely tools across his prone guitar with the grace and urgency of someone at a loom or an aircraft control panel, there’s a sense of reaching inward. But where some might meander or navel-gaze, Bill’s playing is a process of constant dynamic construction. What unfurls can feel intensely personal, and often -- for reasons I don’t always understand -- very moving. Bill isn’t interested in micromanaging his listeners’ experiences, but he does make room for us. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposer Pauline Oliveros observed that when we listen deeply to the world around us, we sometimes notice very subtle and quiet differences in sounds that we thought were familiar. As a result, she writes, “the slightest difference may lead you to a new creative relationship.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBill is, I think, tuned in to these subtle and quiet differences. But, in a truly punk fashion, he flips this for the listener, making unfamiliar and not-very-subtle noise into something akin to (but also distinct from) familiar sounds: traffic outside your window, the soft roar of a conch shell to your ear, static between radio stations. Solo Guitar 2, full as it is of shades and moods and life, offers a fresh way of hearing.\u003c\/em\u003e\u003cbr\u003eMargaret Welsh\u003cbr\u003ePhiladelphia, PA 2021\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolo Guitar 2\/One Note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : self-released\u003c\/span\u003e\u003c\/p\u003e"}
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A record released in August 2021 on the private label Open Mouth by Philadelphia guitarist Bill Nace, who has been released by Ultra Eczema and Drag City. As the title suggests, this work, which was released as a cassette in 8, is an improvisational work recorded with only one guitar, and you can enjoy a lively performance. tobirec2008 · Billnace_excerpt Reissue of OM4 CassettePaste on ...
¥ 3,480
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{"id":6951954415781,"title":"Max Nordile \/\/ Building a Better Void LP","handle":"max-nordile-building-a-better-void-lp-1","description":"\u003cp\u003e過去にGilgongoなどから発表しているマルチ奏者Max Nordileが2020年にIndependent Woman Recordsからカセットでリリースしたアルバムの再発レコード盤です。ノーウェーブ感満載のインプロコラージュ約30分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1225530535\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText by Forest Juziuk, Detroit, 2020:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Max Nordile has a patented collage method. In this day, I almost hate to say it’s perhaps a distinctly American sound, like squawks from the rubber room. Although, this is sharply not a conversation between \"Mattie\" and \"Hattie\" concerning the \"Wooly Bully\" and the desirability of developing dancing skills (with no attempt made to synthesize these divergent topics). What you’re listening to is a tangled mass, a phone call from a scribbled area code, herking and jerking its way off the map. It’s catchy, it’s bent.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter it said so much to me, I returned to the record, and then again and again. “Thanks so much,” I said to it, like it is said in the divine hand of “Diligent Pores.” And once more I’m gripped into powerful clang at the intersection of joy, mystery \u0026amp; abrasion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is mercurial; an icy slip wherein the listener is absolutely unable to get the balance or footing to stand upright for all of thirty minutes. Building a Better Void is a jittering slob but a true testimonial to the San Pablo blocks of trauma-cracked sidewalks of Ishmael Reed’s Blues City: Oakland, brawling and husky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI feel as though I “came to” inside this album, awakened from a black out mid-party – but whose? The details are lost to me now. I struggle to move but not to escape, like bearing witness to the\u003cspan class=\"bcTruncateMore\"\u003e stupid drunk deft hand of William Eggleston’s video phantasmagoria, Stranded in Canton, or hamming on quads ‘round the joyous, unhinged roller rink that is The Shaggs.\u003cbr\u003e\u003cbr\u003eI want to call Nordile a junkyard James Cameron of aural thrillers, epic in scope, but he’s a poltergeist in the back seat, whispering spookies, in a vehicle we call Rolling Thunder Revue No. II. New fires to replace the bad ones. Freed punk. Friendly spirits\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Max Nordile\u003c\/p\u003e\n\u003cp\u003eLabel : Music For People\u003c\/p\u003e","published_at":"2021-08-03T11:25:57+09:00","created_at":"2021-08-03T09:35:15+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new","noise"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40495402877093,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Max Nordile \/\/ Building a Better Void LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bu1_ca1be722-c919-4700-8c9a-dd12feedd124.jpg?v=1627950917"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bu1_ca1be722-c919-4700-8c9a-dd12feedd124.jpg?v=1627950917","options":["Title"],"media":[{"alt":null,"id":23182918058149,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bu1_ca1be722-c919-4700-8c9a-dd12feedd124.jpg?v=1627950917"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bu1_ca1be722-c919-4700-8c9a-dd12feedd124.jpg?v=1627950917","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にGilgongoなどから発表しているマルチ奏者Max Nordileが2020年にIndependent Woman Recordsからカセットでリリースしたアルバムの再発レコード盤です。ノーウェーブ感満載のインプロコラージュ約30分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1225530535\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText by Forest Juziuk, Detroit, 2020:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Max Nordile has a patented collage method. In this day, I almost hate to say it’s perhaps a distinctly American sound, like squawks from the rubber room. Although, this is sharply not a conversation between \"Mattie\" and \"Hattie\" concerning the \"Wooly Bully\" and the desirability of developing dancing skills (with no attempt made to synthesize these divergent topics). What you’re listening to is a tangled mass, a phone call from a scribbled area code, herking and jerking its way off the map. It’s catchy, it’s bent.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter it said so much to me, I returned to the record, and then again and again. “Thanks so much,” I said to it, like it is said in the divine hand of “Diligent Pores.” And once more I’m gripped into powerful clang at the intersection of joy, mystery \u0026amp; abrasion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is mercurial; an icy slip wherein the listener is absolutely unable to get the balance or footing to stand upright for all of thirty minutes. Building a Better Void is a jittering slob but a true testimonial to the San Pablo blocks of trauma-cracked sidewalks of Ishmael Reed’s Blues City: Oakland, brawling and husky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI feel as though I “came to” inside this album, awakened from a black out mid-party – but whose? The details are lost to me now. I struggle to move but not to escape, like bearing witness to the\u003cspan class=\"bcTruncateMore\"\u003e stupid drunk deft hand of William Eggleston’s video phantasmagoria, Stranded in Canton, or hamming on quads ‘round the joyous, unhinged roller rink that is The Shaggs.\u003cbr\u003e\u003cbr\u003eI want to call Nordile a junkyard James Cameron of aural thrillers, epic in scope, but he’s a poltergeist in the back seat, whispering spookies, in a vehicle we call Rolling Thunder Revue No. II. New fires to replace the bad ones. Freed punk. Friendly spirits\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Max Nordile\u003c\/p\u003e\n\u003cp\u003eLabel : Music For People\u003c\/p\u003e"}
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This is a reissue record of the album released on cassette by Independent Woman Records in 2020 by multi-player Max Nordile, who has been released by Gilgongo and others in the past.Approximately 30 minutes of improvisational collage full of no-wave feeling is recorded. Text by Forest Juziuk, Detroit, 2020: "Max Nordile has ...
¥ 2,980
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{"id":6951947600037,"title":"Ted Byrnes \/\/ Moving My Body Through Space CD","handle":"tbmmb","description":"\u003cp\u003e過去にGrisailleやOXENなどから発表しているアメリカ・LAのパーカッショニストTed Byrnesの最新作が同国実験レーベルArkeenより2021年7月にリリース。ドラム一台とは思えない手数の多さに驚きます。6曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2179720904\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eDescription and bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArkeen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecognized as a skilled and sought after collaborator, Ted Byrnes solo albums cast a wide net that capture Byrnes' adventurous and omnivorous approach to solo percussion. An alumnus of Berklee College of Music in Boston, MA, Byrnes has made his home in the center of a Venn diagram that includes free improvisation, studied electro-acoustic work, fearless new music and harsh noise. Recognizing the porous borders between these modes, Byrnes' work on Moving My Body Through Space is a flailing meditation on the concept of space in his work. Space appears as pregnant, timbre-filled liminal spaces in \"Spin\" or filled to the absolute brim like the corona around an eclipse on the full-kit workout on \"Metal\". Objects are manipulated, struck and shaken to explore every potential sound on \"As If a Friend\" - a masterwork in close, fully immersive recording.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHearing the dynamic range that Byrnes brings to this collection of songs it's easy to see why Byrnes is a sought after collaborator. Byrnes work has gained near-mainstream notoriety with his contributions to the clipping. record Visions of Bodies Being Burned, a trio with John Dwyer (Thee Oh Sees) and Greg Coates and the remarkable album Okovi by Zola Jesus - albums noted by both remarkable restraint and Byrnes' tremendous\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e physicality. Byrnes has counted Lingua Ignota, John Wiese, Jeff Parker, Chris Cooper (AQH), Charlie Mumma, Sam McKinlay, William Hutson, Jacob Wick and Michael Foster, among others as collaborators or duo partners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdditionally, Ted has played in duo\/trio\/or ensemble settings with: Mazen Kerbaj, Matt Weston, Ingebrigt Haker Flaten, Charlemagne Palestine, Alfred 23 Harth, Arrington de Dionyso, Jaap Blonk, Torsten Muller, Kim Myhr, Jim Denley, Lloyd Honeybrook, Chris Schlarb, Mike Watt, Paul Masvidal, the LAFMS (including Smegma, Airway, Ace Farren Ford’s Artificial Art Ensemble, Rick and Joe Potts, Fredrik Nilsen, Tom Recchion, Vetza, etc), Sissy Spacek (the band) and the legendary Maher Shalal Hash Baz.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReleased on Cincinnati's Arkeen label run by Torn Light \/ Fantastique HQ owner Alex York, Ted Byrnes work as a solo artist of terrifying dexterity and focus is on full display with Moving My Body Through Space.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ted Byrnes\u003c\/p\u003e\n\u003cp\u003eLabel : Arkeen\u003c\/p\u003e","published_at":"2021-08-04T08:05:30+09:00","created_at":"2021-08-03T09:30:42+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new","strange beats"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40495374106789,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ted Byrnes \/\/ Moving My Body Through Space CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_d27823bf-70fa-4c66-8997-e544743fe854.jpg?v=1627950643"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_d27823bf-70fa-4c66-8997-e544743fe854.jpg?v=1627950643","options":["Title"],"media":[{"alt":null,"id":23182880800933,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_d27823bf-70fa-4c66-8997-e544743fe854.jpg?v=1627950643"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mo1_d27823bf-70fa-4c66-8997-e544743fe854.jpg?v=1627950643","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にGrisailleやOXENなどから発表しているアメリカ・LAのパーカッショニストTed Byrnesの最新作が同国実験レーベルArkeenより2021年7月にリリース。ドラム一台とは思えない手数の多さに驚きます。6曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2179720904\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eDescription and bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArkeen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecognized as a skilled and sought after collaborator, Ted Byrnes solo albums cast a wide net that capture Byrnes' adventurous and omnivorous approach to solo percussion. An alumnus of Berklee College of Music in Boston, MA, Byrnes has made his home in the center of a Venn diagram that includes free improvisation, studied electro-acoustic work, fearless new music and harsh noise. Recognizing the porous borders between these modes, Byrnes' work on Moving My Body Through Space is a flailing meditation on the concept of space in his work. Space appears as pregnant, timbre-filled liminal spaces in \"Spin\" or filled to the absolute brim like the corona around an eclipse on the full-kit workout on \"Metal\". Objects are manipulated, struck and shaken to explore every potential sound on \"As If a Friend\" - a masterwork in close, fully immersive recording.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHearing the dynamic range that Byrnes brings to this collection of songs it's easy to see why Byrnes is a sought after collaborator. Byrnes work has gained near-mainstream notoriety with his contributions to the clipping. record Visions of Bodies Being Burned, a trio with John Dwyer (Thee Oh Sees) and Greg Coates and the remarkable album Okovi by Zola Jesus - albums noted by both remarkable restraint and Byrnes' tremendous\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e physicality. Byrnes has counted Lingua Ignota, John Wiese, Jeff Parker, Chris Cooper (AQH), Charlie Mumma, Sam McKinlay, William Hutson, Jacob Wick and Michael Foster, among others as collaborators or duo partners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdditionally, Ted has played in duo\/trio\/or ensemble settings with: Mazen Kerbaj, Matt Weston, Ingebrigt Haker Flaten, Charlemagne Palestine, Alfred 23 Harth, Arrington de Dionyso, Jaap Blonk, Torsten Muller, Kim Myhr, Jim Denley, Lloyd Honeybrook, Chris Schlarb, Mike Watt, Paul Masvidal, the LAFMS (including Smegma, Airway, Ace Farren Ford’s Artificial Art Ensemble, Rick and Joe Potts, Fredrik Nilsen, Tom Recchion, Vetza, etc), Sissy Spacek (the band) and the legendary Maher Shalal Hash Baz.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReleased on Cincinnati's Arkeen label run by Torn Light \/ Fantastique HQ owner Alex York, Ted Byrnes work as a solo artist of terrifying dexterity and focus is on full display with Moving My Body Through Space.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ted Byrnes\u003c\/p\u003e\n\u003cp\u003eLabel : Arkeen\u003c\/p\u003e"}
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The latest work of American LA percussionist Ted Byrnes, which has been announced by Grisaille and OXEN in the past, will be released on the country's experimental label Arkeen in July 2021.I am surprised at the number of steps that I can not think of as a single drum. Contains 7 songs. Description and bio by Arkeen: "Recognized as a skilled and sought after collaborator, ...
¥ 1,780
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{"id":6949989154981,"title":"Andrew Weathers \/\/ Catalogs: Sound Pieces with Text and 10 Unrealized Scores TAPE","handle":"andrew-weathers-catalogs-sound-pieces-with-text-and-10-unrealized-scores-2xtape","description":"\u003cp\u003eアメリカ・テキサスの実験／アンビエントレーベルFull Spectrum主宰Andrew Weathersが2021年7月にリリースした最新アルバム。\u003c\/p\u003e\n\u003cp\u003e過去作とは打って変わって、本作ではフィールドレコーディングをメインソースとして使用し、素材を録音した場所についての解説などをミックスしている意欲作です。4曲、100分以上を収録。10枚のグラフィックスコアとテキスト（指示通り録音した音源は作家に直接お送りいただけます）とDLコードが付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となりますので、レコードなどとご購入いただけますとお得です\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102396490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Andrew Weathers \/ Full Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe release features\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea tape, 10 text \u0026amp; graphic scores, the product of Andrew’s experiments with Land Art music from the past few years, a significant break with Andrew’s previous methods of work, a rich indicator of future creative concepts \u0026amp; approaches\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music is made from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efield recordings, synths, spoken text components, heavy sonic processing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeatures sounds recorded on location in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe Big Bend Region, Dickens Spring [on the edge of the Llano Estacado], Mesa Verde National Park, the city of Cactus, Texas\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe spoken texts include\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea dream journal, a modified trail guide, a list of markers seen on a particular trip, a list of notable historical figures \u0026amp; location coordinates relevant to a place\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e confronts\u003cbr data-mce-fragment=\"1\"\u003eRural Situationism, fantastical aural maps of places \u0026amp; space, the score as functional guide to exploring one’s own psychogeographic experience of place through sound-oriented approaches\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt sounds like\u003cbr data-mce-fragment=\"1\"\u003ethe river that runs through us all, the ever-present hum of the Earth Grid, the tuning of the desert at night\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Weathers\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e","published_at":"2021-08-02T15:13:09+09:00","created_at":"2021-08-02T11:55:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","field recording","Full Spectrum Records","monooto","new","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40488507605157,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrew Weathers \/\/ Catalogs: Sound Pieces with Text and 10 Unrealized Scores TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_b9765e5b-4db3-4795-817b-03ad111a3c37.jpg?v=1627872948"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948","options":["Title"],"media":[{"alt":null,"id":23172122771621,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948","width":700},{"alt":null,"id":23172122804389,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_b9765e5b-4db3-4795-817b-03ad111a3c37.jpg?v=1627872948"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_b9765e5b-4db3-4795-817b-03ad111a3c37.jpg?v=1627872948","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスの実験／アンビエントレーベルFull Spectrum主宰Andrew Weathersが2021年7月にリリースした最新アルバム。\u003c\/p\u003e\n\u003cp\u003e過去作とは打って変わって、本作ではフィールドレコーディングをメインソースとして使用し、素材を録音した場所についての解説などをミックスしている意欲作です。4曲、100分以上を収録。10枚のグラフィックスコアとテキスト（指示通り録音した音源は作家に直接お送りいただけます）とDLコードが付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となりますので、レコードなどとご購入いただけますとお得です\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102396490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Andrew Weathers \/ Full Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe release features\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea tape, 10 text \u0026amp; graphic scores, the product of Andrew’s experiments with Land Art music from the past few years, a significant break with Andrew’s previous methods of work, a rich indicator of future creative concepts \u0026amp; approaches\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music is made from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efield recordings, synths, spoken text components, heavy sonic processing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeatures sounds recorded on location in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe Big Bend Region, Dickens Spring [on the edge of the Llano Estacado], Mesa Verde National Park, the city of Cactus, Texas\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe spoken texts include\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea dream journal, a modified trail guide, a list of markers seen on a particular trip, a list of notable historical figures \u0026amp; location coordinates relevant to a place\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e confronts\u003cbr data-mce-fragment=\"1\"\u003eRural Situationism, fantastical aural maps of places \u0026amp; space, the score as functional guide to exploring one’s own psychogeographic experience of place through sound-oriented approaches\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt sounds like\u003cbr data-mce-fragment=\"1\"\u003ethe river that runs through us all, the ever-present hum of the Earth Grid, the tuning of the desert at night\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Weathers\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e"}
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The latest album released in July 2021 by Andrew Weathers, who presides over the experimental / ambient label Full Spectrum in Texas, USA.Unlike the past work, this work is an ambitious work that uses field recording as the main source and mixes explanations about the place where the material was recorded. Contains 7 songs, 4 minutes or more. Includes 100 graphic scores, text (recorded sound source as instructed can be sent directly to the writer) and DL code. * Due to the shape of the case, it will be shipped by Sagawa Express (10 yen), so it is advantageous if you purchase it with records etc. Label Other works are here /// Click here to see more Full Spectrum Records releases available ...
¥ 2,350