Free Magic Show // Motown TAPE
Free Magic Show // Motown TAPE
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Mainly releasing electro-acoustic collaboration worksThe second work of the turntable + tape duo fra magic show has been released from the UK steep gloss.It is out of print.
Other worksClick here to register: /// Click here to see more Steep Gloss releases available at Tobira.
artist: free magic show
label: steep gloss
Mainly releasing electro-acoustic collaboration worksThe second work of the turntable + tape duo fra magic show has been released from the UK steep gloss.It is out of print.
Other worksClick here to register: /// Click here to see more Steep Gloss releases available at Tobira.
artist: free magic show
label: steep gloss
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{"id":7484379037946,"title":"Catherine Christer Hennix \/\/ Unbegrenzt LP","handle":"catherine-christer-hennix-unbegrenzt-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e哲学者、数学者の顔も持つスウェーデンの伝説的作曲家Catherine Christer Hennixのアーカイブシリーズ第３弾。\u003cmeta charset=\"utf-8\"\u003e1974年2月にシュトックハウゼンの楽曲を演奏した音源で、彼女が朗読、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eパーカッション、エレクトロニクスを、HANS ISGREN がゴングを担当しています。マスタリングは\u003cmeta charset=\"utf-8\"\u003eStephan Mathieuが担当。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4158344538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e12\" black vinyl edition pressed at Quality Record Pressings and housed in a heavy-duty Stoughton gatefold jacket, with an insert featuring liner notes by Bill Dietz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eUnbegrenzt is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows Selected Early Keyboard Works and Selections from 100 Models of Hegikan Roku (named the #1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled Poësy Matters and Other Matters.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded in February of 1974 and featuring Catherine Christer Hennix (recitation, percussion, and electronics) and Hans Isgren (bowed gong), Hennix’s realization of Karlheinz Stockhausen’s “Unbegrenzt” (German for “unlimited”) from Aus den Sieben Tagen is an elaboration both rigorous and radically different from the canonical 1969 recording issued by Shandar. The collection of 15 text pieces written in Paris during May of 1968, Aus den Sieben Tagen, denies its performers notated direction and instead provides poetic cues that hinge upon Stockhausen’s conception of “intuitive music,” a Eurocentric perspective on improvisation antithetical to the vernacular forms Hennix had engaged with as a young drummer performing in Stockholm jazz clubs with musicians like Bill Barron, Cam Brown, Hans Isgren, Lalle Svenson, Allan Vajda, Bo\u003cspan class=\"bcTruncateMore\"\u003e Wärmell, and many others. While both Hennix and Isgren saw the formal prospect of Aus den Sieben Tagen as a productive development of and beyond La Monte Young’s event scores, she here steadfastly counters his rationalization of intuition with the Principle of Sufficient Reason. (Cf. Brouwer’s Lattice.) Eschewing the busy, conservatory-addled lapses into idiomatic citation of Stockhausen’s 1969 recording, Hennix’s alternative realization of the “Unbegrenzt” score’s instructions to “play a sound with the certainty that you have an infinite amount of time and space” is based on her concept of Infinitary Compositions, the trademark of her ensemble The Deontic Miracle which, at one time, considered adding Stockhausen, La Monte Young and Terry Jennings scores to its repertoire. Taking a mature, minimal iteration of Stockhausen’s compositional method of “moment-forming” to heart, her version’s dark, controlled feedback and amplified bowed gong subtly shift through an immanent sequence of formative moments, step by step. Its bubbling computer noise, percussion, and repeated ominous transient sounds of temple blocks over the bowed gong terminate with the integrated recitation of exotic text fragments from Hevajra Tantra which faithfully take Stockhausen’s score into deeper vistas of the unconscious and a more devastating opening to the unlimited time and space of a dreaming mind.\u003cbr\u003e\u003cbr\u003eAudio restoration and mastering by Stephan Mathieu, with an essay by Bill Dietz.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCatherine Christer Hennix (b. 1948) started her creative life playing drums with her older brother Peter, growing up in Sweden where she heard jazz luminaries, such as John Coltrane, Eric Dolphy, Dexter Gordon, Archie Shepp, and Cecil Taylor perform from 1960 to 1967. Directly after high school, Hennix went to work at Stockholm’s pioneering Elektronmusikstudion (EMS), where she developed early tape music, incorporating computer generated speech done at the Royal Technological University (KTH), where she was an undergraduate student. After traveling to New York In 1968, she met artists Dick Higgins and Alison Knowles who invited her to stay at the Something Else Press Town House where she had the opportunity to meet, among others, composers John Cage, James Tenney, and Phil Corner. During the following years she developed fruitful collaborative relationships with many composers in the burgeoning American avant-garde, including, most significantly, Henry Flynt and La Monte Young. Young introduced Hennix to Hindustani raga master Pandit Pran Nath and she would later study intensively under him as his first European disciple. While Hennix continued to make music performing alongside Arthur Russell, Marc Johnson, Henry Flynt, and Arthur Rhames, she also served as a professor of Mathematics and Computer Science at SUNY New Paltz and as a visiting Professor of Logic (at Marvin Minsky’s invitation) at MIT’s Artificial Intelligence Laboratory. In recent years Hennix has led the just-intonation ensemble the Chora(s)san Time-Court Mirage, which has featured musicians Amelia Cuni, Amirtha Kidambi, Chiyoku Szlavnics, Hilary Jeffrey, Amir El-Saffar, Benjamin Duboc and Rozemarie Heggen. She currently resides in Istanbul, Turkey pursuing studies in classical Arabic and Turkish makam.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Christer Hennix\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-06T12:46:03+09:00","created_at":"2021-12-06T11:21:47+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","drone","lp","monooto","tape"],"price":349000,"price_min":349000,"price_max":349000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42154054156538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Catherine Christer Hennix \/\/ Unbegrenzt LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un1_d28334da-76e9-4bf0-924f-d6e617122869.jpg?v=1638757308","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un2_d6ced79b-c18a-47c5-a224-1e7961e968d7.jpg?v=1638757308"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un1_d28334da-76e9-4bf0-924f-d6e617122869.jpg?v=1638757308","options":["Title"],"media":[{"alt":null,"id":28822007709946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un1_d28334da-76e9-4bf0-924f-d6e617122869.jpg?v=1638757308"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un1_d28334da-76e9-4bf0-924f-d6e617122869.jpg?v=1638757308","width":700},{"alt":null,"id":28822007742714,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un2_d6ced79b-c18a-47c5-a224-1e7961e968d7.jpg?v=1638757308"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un2_d6ced79b-c18a-47c5-a224-1e7961e968d7.jpg?v=1638757308","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e哲学者、数学者の顔も持つスウェーデンの伝説的作曲家Catherine Christer Hennixのアーカイブシリーズ第３弾。\u003cmeta charset=\"utf-8\"\u003e1974年2月にシュトックハウゼンの楽曲を演奏した音源で、彼女が朗読、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eパーカッション、エレクトロニクスを、HANS ISGREN がゴングを担当しています。マスタリングは\u003cmeta charset=\"utf-8\"\u003eStephan Mathieuが担当。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4158344538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e12\" black vinyl edition pressed at Quality Record Pressings and housed in a heavy-duty Stoughton gatefold jacket, with an insert featuring liner notes by Bill Dietz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eUnbegrenzt is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows Selected Early Keyboard Works and Selections from 100 Models of Hegikan Roku (named the #1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled Poësy Matters and Other Matters.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded in February of 1974 and featuring Catherine Christer Hennix (recitation, percussion, and electronics) and Hans Isgren (bowed gong), Hennix’s realization of Karlheinz Stockhausen’s “Unbegrenzt” (German for “unlimited”) from Aus den Sieben Tagen is an elaboration both rigorous and radically different from the canonical 1969 recording issued by Shandar. The collection of 15 text pieces written in Paris during May of 1968, Aus den Sieben Tagen, denies its performers notated direction and instead provides poetic cues that hinge upon Stockhausen’s conception of “intuitive music,” a Eurocentric perspective on improvisation antithetical to the vernacular forms Hennix had engaged with as a young drummer performing in Stockholm jazz clubs with musicians like Bill Barron, Cam Brown, Hans Isgren, Lalle Svenson, Allan Vajda, Bo\u003cspan class=\"bcTruncateMore\"\u003e Wärmell, and many others. While both Hennix and Isgren saw the formal prospect of Aus den Sieben Tagen as a productive development of and beyond La Monte Young’s event scores, she here steadfastly counters his rationalization of intuition with the Principle of Sufficient Reason. (Cf. Brouwer’s Lattice.) Eschewing the busy, conservatory-addled lapses into idiomatic citation of Stockhausen’s 1969 recording, Hennix’s alternative realization of the “Unbegrenzt” score’s instructions to “play a sound with the certainty that you have an infinite amount of time and space” is based on her concept of Infinitary Compositions, the trademark of her ensemble The Deontic Miracle which, at one time, considered adding Stockhausen, La Monte Young and Terry Jennings scores to its repertoire. Taking a mature, minimal iteration of Stockhausen’s compositional method of “moment-forming” to heart, her version’s dark, controlled feedback and amplified bowed gong subtly shift through an immanent sequence of formative moments, step by step. Its bubbling computer noise, percussion, and repeated ominous transient sounds of temple blocks over the bowed gong terminate with the integrated recitation of exotic text fragments from Hevajra Tantra which faithfully take Stockhausen’s score into deeper vistas of the unconscious and a more devastating opening to the unlimited time and space of a dreaming mind.\u003cbr\u003e\u003cbr\u003eAudio restoration and mastering by Stephan Mathieu, with an essay by Bill Dietz.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCatherine Christer Hennix (b. 1948) started her creative life playing drums with her older brother Peter, growing up in Sweden where she heard jazz luminaries, such as John Coltrane, Eric Dolphy, Dexter Gordon, Archie Shepp, and Cecil Taylor perform from 1960 to 1967. Directly after high school, Hennix went to work at Stockholm’s pioneering Elektronmusikstudion (EMS), where she developed early tape music, incorporating computer generated speech done at the Royal Technological University (KTH), where she was an undergraduate student. After traveling to New York In 1968, she met artists Dick Higgins and Alison Knowles who invited her to stay at the Something Else Press Town House where she had the opportunity to meet, among others, composers John Cage, James Tenney, and Phil Corner. During the following years she developed fruitful collaborative relationships with many composers in the burgeoning American avant-garde, including, most significantly, Henry Flynt and La Monte Young. Young introduced Hennix to Hindustani raga master Pandit Pran Nath and she would later study intensively under him as his first European disciple. While Hennix continued to make music performing alongside Arthur Russell, Marc Johnson, Henry Flynt, and Arthur Rhames, she also served as a professor of Mathematics and Computer Science at SUNY New Paltz and as a visiting Professor of Logic (at Marvin Minsky’s invitation) at MIT’s Artificial Intelligence Laboratory. In recent years Hennix has led the just-intonation ensemble the Chora(s)san Time-Court Mirage, which has featured musicians Amelia Cuni, Amirtha Kidambi, Chiyoku Szlavnics, Hilary Jeffrey, Amir El-Saffar, Benjamin Duboc and Rozemarie Heggen. She currently resides in Istanbul, Turkey pursuing studies in classical Arabic and Turkish makam.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Christer Hennix\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Forms Editions\u003c\/span\u003e\u003c\/p\u003e"}
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The third in the archive series of the legendary Swedish composer Catherine Christer Hennix, who also has the face of a philosopher and mathematician. In February 1974, she played a song by Stockhausen, and she is in charge of reading, percussion, and electronics, and HANS ISGREN is in charge of the gong.Stephan Mathieu is in charge of mastering.Click here to see more Blank Forms Editions releases available ...
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{"id":7484373827834,"title":"Graham Lambkin \/\/ Solos 2xLP + 42-PAGE BOOKLET","handle":"graham-lambkin-solos-2xlp-42-page-booklet","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268676685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis deluxe boxed set of Graham Lambkin’s first four solo records includes an expansive 42-page book featuring unseen photos and reproductions of artworks as well as essays and anecdotal recollections providing fresh insight and divulging hermetic secrets by Ed Atkins, Mark Harwood, Matt Krefting, Lawrence Kumpf, Samara Lubelski, and Adrian Rew.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Blank Forms:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe years between Graham Lambkin’s tenure with the legendary Shadow Ring and his more recent improvisational duos mark a distinct period of creative production within the artist’s insular career. Living with his family in Poughkeepsie, NY, from 2001 through 2011 Lambkin recorded and self-released four solo albums that valorized mundane domestic situations while reveling in the liminal spaces between the acts of listening, recording, and producing. Created through an ingenious economy of means, these solo records are as beguilingly seductive as they are uncanny. Perpetually laughing in his own duplicitous face, Lambkin breathed new life into musique concrète and sound poetry, giving outmoded forms a contemporary consciousness while setting the gold standard for a continuously unfolding canon of 21st century tape music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoem (For Voice \u0026amp; Tape), Salmon Run, Softly Softly Copy Copy, and Amateur Doubles are now remastered and finally back in print, with Salmon Run and Softly Softly Copy Copy available on vinyl for the first time. This deluxe boxed set of Graham Lambkin’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e first four solo records includes an expansive 42-page book featuring unseen photos and reproductions of artworks as well as essays and anecdotal recollections providing fresh insight and divulging hermetic secrets by Ed Atkins, Mark Harwood, Matt Krefting, Lawrence Kumpf, Samara Lubelski, and Adrian Rew.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGraham Lambkin (b. 1973, Dover, England) is a multidisciplinary artist who first came to prominence in the early ‘90s through the formation of his experimental music group The Shadow Ring. As a sound organizer rather than music maker, Lambkin looks at an everyday object and sees an ocean of possibility, continually transforming quotidian atmospheres and the mundane into expressive sound art using tape manipulation techniques, chance operations, and the thick ambience of domestic field recordings. His Kye imprint, founded in 2001, was an instrumental platform for the dissemination of and dialogue between work by an intergenerational cast of artists using sound, including Henning Christiansen, Anton Heyboer, Moniek Darge, and Gabi Losoncy. He began showing his visual art in 2014 with Came To Call Mine, an exhibition curated by Lawrence Kumpf and Justin Luke at Audio Visual Arts in conjunction with the publication of Lambkin’s children’s book (for adults) of the same name, and has since exhibited his work at 356 Mission, Künstlerhaus, PiK, and Blank Forms.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Graham Lambkin\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e","published_at":"2021-12-06T13:01:38+09:00","created_at":"2021-12-06T11:16:02+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","drone","lp","monooto","new"],"price":1348000,"price_min":1348000,"price_max":1348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42154041803002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Graham Lambkin \/\/ Solos 2xLP + 42-PAGE BOOKLET","public_title":null,"options":["Default Title"],"price":1348000,"weight":1700,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_b7e10981-4d80-4644-9a73-2672a7c7d330.jpg?v=1638756963","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_f41844e8-f796-477a-b37c-2c3a1dbec0a8.jpg?v=1638756964"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_b7e10981-4d80-4644-9a73-2672a7c7d330.jpg?v=1638756963","options":["Title"],"media":[{"alt":null,"id":28821971173626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_b7e10981-4d80-4644-9a73-2672a7c7d330.jpg?v=1638756963"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so1_b7e10981-4d80-4644-9a73-2672a7c7d330.jpg?v=1638756963","width":700},{"alt":null,"id":28821971206394,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_f41844e8-f796-477a-b37c-2c3a1dbec0a8.jpg?v=1638756964"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/so2_f41844e8-f796-477a-b37c-2c3a1dbec0a8.jpg?v=1638756964","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268676685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis deluxe boxed set of Graham Lambkin’s first four solo records includes an expansive 42-page book featuring unseen photos and reproductions of artworks as well as essays and anecdotal recollections providing fresh insight and divulging hermetic secrets by Ed Atkins, Mark Harwood, Matt Krefting, Lawrence Kumpf, Samara Lubelski, and Adrian Rew.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Blank Forms:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe years between Graham Lambkin’s tenure with the legendary Shadow Ring and his more recent improvisational duos mark a distinct period of creative production within the artist’s insular career. Living with his family in Poughkeepsie, NY, from 2001 through 2011 Lambkin recorded and self-released four solo albums that valorized mundane domestic situations while reveling in the liminal spaces between the acts of listening, recording, and producing. Created through an ingenious economy of means, these solo records are as beguilingly seductive as they are uncanny. Perpetually laughing in his own duplicitous face, Lambkin breathed new life into musique concrète and sound poetry, giving outmoded forms a contemporary consciousness while setting the gold standard for a continuously unfolding canon of 21st century tape music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoem (For Voice \u0026amp; Tape), Salmon Run, Softly Softly Copy Copy, and Amateur Doubles are now remastered and finally back in print, with Salmon Run and Softly Softly Copy Copy available on vinyl for the first time. This deluxe boxed set of Graham Lambkin’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e first four solo records includes an expansive 42-page book featuring unseen photos and reproductions of artworks as well as essays and anecdotal recollections providing fresh insight and divulging hermetic secrets by Ed Atkins, Mark Harwood, Matt Krefting, Lawrence Kumpf, Samara Lubelski, and Adrian Rew.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGraham Lambkin (b. 1973, Dover, England) is a multidisciplinary artist who first came to prominence in the early ‘90s through the formation of his experimental music group The Shadow Ring. As a sound organizer rather than music maker, Lambkin looks at an everyday object and sees an ocean of possibility, continually transforming quotidian atmospheres and the mundane into expressive sound art using tape manipulation techniques, chance operations, and the thick ambience of domestic field recordings. His Kye imprint, founded in 2001, was an instrumental platform for the dissemination of and dialogue between work by an intergenerational cast of artists using sound, including Henning Christiansen, Anton Heyboer, Moniek Darge, and Gabi Losoncy. He began showing his visual art in 2014 with Came To Call Mine, an exhibition curated by Lawrence Kumpf and Justin Luke at Audio Visual Arts in conjunction with the publication of Lambkin’s children’s book (for adults) of the same name, and has since exhibited his work at 356 Mission, Künstlerhaus, PiK, and Blank Forms.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Graham Lambkin\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e"}
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¥13,480
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{"id":7477898608890,"title":"Jan Jelinek \/\/ The Raw and The Cooked LP","handle":"jan-jelinek-the-raw-and-the-cooked-lp","description":"\u003cp\u003eドイツの音響作家Jan Jelinekが、2021年9月に自身主宰レーベルFaiticheからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e本作は、彼が国営放送SWR2のために制作したラジオ曲「Vom Rohen und Gekochten (The Raw and The Cooked)」のアルバム版です。ガラスや金属の破壊音や液状化する音、木が燃える音などに着目した物音コラージュ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2509619138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e -------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Faitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFaitiche is delighted to release an album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2. The album The Raw and The Cooked brings together five sound collages that deal with the consistency of material and its mutability.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSolid, raw, boiling, powdery, liquid, broken and folded - categories which describe the nature of material. They can also be read in a chronological sequence: solid becomes broken becomes liquid becomes powdery... Material tells of its essence as it drifts through its states, always in correspondence with external energies. The Raw and The Cooked observes the artists Thomas \u0026amp; Renée Rapedius as they design their paper and metal objects and the artist Peter Granser as he ritually prepares Japanese tea, it shatters glass, bends metal and burns wood. The resulting audio documents capture processes of material transformation as sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Raw and The Cooked was created with the help of ITO Raum Stuttgart and Thomas \u0026amp; Renée Rapedius. Originally produced for radio broadcast on Südwestrundfunk in 2020 it contains a variation of the collage Zwischen\/Raum that was made with funding from Musikfonds. Many thanks to Eckhart Holzboog and Beatrice Theil, as well as Frank Halbig\/SWR.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2021-12-02T18:27:48+09:00","created_at":"2021-12-02T13:01:11+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new","tape"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42135566844154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jan Jelinek \/\/ The Raw and The Cooked LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co1_5183f420-6b6d-450e-8d8a-636585b2f02f.jpg?v=1638417673","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co2_b023aa73-f883-4ff2-b86e-d2b3fb7fa8db.jpg?v=1638417673"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co1_5183f420-6b6d-450e-8d8a-636585b2f02f.jpg?v=1638417673","options":["Title"],"media":[{"alt":null,"id":28792266555642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co1_5183f420-6b6d-450e-8d8a-636585b2f02f.jpg?v=1638417673"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co1_5183f420-6b6d-450e-8d8a-636585b2f02f.jpg?v=1638417673","width":700},{"alt":null,"id":28792266588410,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co2_b023aa73-f883-4ff2-b86e-d2b3fb7fa8db.jpg?v=1638417673"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/co2_b023aa73-f883-4ff2-b86e-d2b3fb7fa8db.jpg?v=1638417673","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの音響作家Jan Jelinekが、2021年9月に自身主宰レーベルFaiticheからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e本作は、彼が国営放送SWR2のために制作したラジオ曲「Vom Rohen und Gekochten (The Raw and The Cooked)」のアルバム版です。ガラスや金属の破壊音や液状化する音、木が燃える音などに着目した物音コラージュ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2509619138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e -------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Faitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFaitiche is delighted to release an album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2. The album The Raw and The Cooked brings together five sound collages that deal with the consistency of material and its mutability.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSolid, raw, boiling, powdery, liquid, broken and folded - categories which describe the nature of material. They can also be read in a chronological sequence: solid becomes broken becomes liquid becomes powdery... Material tells of its essence as it drifts through its states, always in correspondence with external energies. The Raw and The Cooked observes the artists Thomas \u0026amp; Renée Rapedius as they design their paper and metal objects and the artist Peter Granser as he ritually prepares Japanese tea, it shatters glass, bends metal and burns wood. The resulting audio documents capture processes of material transformation as sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Raw and The Cooked was created with the help of ITO Raum Stuttgart and Thomas \u0026amp; Renée Rapedius. Originally produced for radio broadcast on Südwestrundfunk in 2020 it contains a variation of the collage Zwischen\/Raum that was made with funding from Musikfonds. Many thanks to Eckhart Holzboog and Beatrice Theil, as well as Frank Halbig\/SWR.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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This is the latest work released by German acoustic writer Jan Jelinek on his own label Faitiche in September 2021.This is an album version of the radio song "Vom Rohen und Gekochten (The Raw and The Cooked)" he produced for the national broadcast SWR9.Includes 2 sound collages focusing on the sounds of glass and metal breaking, liquefaction, and burning wood. ------------------------------- Text by ...
¥3,280
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{"id":7473292148986,"title":"Bardo Todol y sus Aves sin Nido \/\/ Respiran TAPE","handle":"bardo-todol-y-sus-aves-sin-nido-respiran-tape","description":"\u003cp\u003eイタリア物音レーベルtsss tapes2021年11月最新バッチを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アルゼンチンの物音作家Bardo TodolとAves sin Nidoが100本限定でリリースした共作カセットです。物音や笛、石、打楽器などを用いて直接テープにて録音したサイケデリックな物音コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4237744136\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003etsss tapesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tsss\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tsss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tsss\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tsss\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003etsss tapes releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eIn the fall of Salsipuedes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ebirds breathe for the first time\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003elike mechanical winds\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll sounds are recorded on tapes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eduring the mornings, afternoons and nights;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003euntil the rivers, the molles\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand the cement\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethey say\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnough\"\u003cbr\u003e\u003c\/em\u003e(Via Google Translate)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Bardo Todol y sus Aves sin Nido\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003etsss tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-30T15:41:23+09:00","created_at":"2021-11-30T13:52:11+09:00","vendor":"Tobira Records","type":"","tags":["monooto","new","strange beats","tape","tsss"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42125513261306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bardo Todol y sus Aves sin Nido \/\/ Respiran TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re1_7cade82b-561f-48f4-a57f-f277d2293594.jpg?v=1638247932","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re2_5ee81f87-51d3-4d12-a4e2-828211115bd5.jpg?v=1638247932"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re1_7cade82b-561f-48f4-a57f-f277d2293594.jpg?v=1638247932","options":["Title"],"media":[{"alt":null,"id":28769080574202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re1_7cade82b-561f-48f4-a57f-f277d2293594.jpg?v=1638247932"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re1_7cade82b-561f-48f4-a57f-f277d2293594.jpg?v=1638247932","width":700},{"alt":null,"id":28769080606970,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re2_5ee81f87-51d3-4d12-a4e2-828211115bd5.jpg?v=1638247932"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/re2_5ee81f87-51d3-4d12-a4e2-828211115bd5.jpg?v=1638247932","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア物音レーベルtsss tapes2021年11月最新バッチを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アルゼンチンの物音作家Bardo TodolとAves sin Nidoが100本限定でリリースした共作カセットです。物音や笛、石、打楽器などを用いて直接テープにて録音したサイケデリックな物音コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4237744136\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003etsss tapesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tsss\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tsss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tsss\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tsss\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003etsss tapes releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eIn the fall of Salsipuedes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ebirds breathe for the first time\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003elike mechanical winds\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll sounds are recorded on tapes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eduring the mornings, afternoons and nights;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003euntil the rivers, the molles\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand the cement\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethey say\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnough\"\u003cbr\u003e\u003c\/em\u003e(Via Google Translate)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Bardo Todol y sus Aves sin Nido\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003etsss tapes\u003c\/span\u003e\u003c\/p\u003e"}
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Italian sound label tsss tapes November 2021 The latest batch is in stock.This work is a co-produced cassette released by Argentine sound writer Bardo Todol and Aves sin Nido in a limited edition of 11.Includes two psychedelic sound collages recorded directly on tape using sounds, flutes, stones, percussion instruments, etc. DL code included. tsss tapes Click here to see more tsss tapes releases available ...
¥1,480