SONOLOGYST // Dust of Human Race CD

Quickview {"id":6645490909349,"title":"V\/A \/\/ Landscape Formations CD","handle":"v-a-landscape-formations-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのアンビエントレーベルPhinery Tapes諸作を本邦初入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、6名の作家が参加したコンピレーションアルバムです。6面デジパック仕様。既に廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1407889600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe physical nature of sound turns every speaker into a 3D printer. Visions of sound, crafted in digital space, or summoned from the voltage flowing through a synthesizer, or perhaps even read from a magnetized ferrichrome tape, have the ability to then manifest in the air around us, breaching reality with their own forms. Slowly coming together over an extended period, Landscape Formations features six artist\/composers from Copenhagen, each contributing lengthy sound works resembling sonambient sculptures or creeping gas leaks, seeping out of speakers and into the atmosphere.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eServing as a reintroduction to Phinery after a two-year hiatus, Landscape Formations is a compilation of tangible beauty, unhurried in its formulation, and sparse with its ideas. Martin Kozak’s ‘hverfa’ is an apt opening track, assembling ten-minutes of soft piano keys and delicate ambient tones shimmering as a still lake beneath a full moon. Both Ragnhild May and Sandra Boss use a variety of tools in their practice, the former here contributing a wispy set of slowly unfurling drones from software-controlled flutes that resemble the buzzing of sand dunes, while the latter de- and reconstructs tones derived from erased cassettes, utilizing worn out tape machines to re-filter and re-record vacant sonic spaces into glitch-scapes of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e overtones and long-distant sonic remnants.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe mysterious Yuri and Grøn each summon diffuse sound environments that sedately evolve virtual sounds in otherworldly patterns inside brightly lit imaginary rooms. The half-hour finale, ‘The Shadows Overlapped And Parted’ by O.V. is a ritualistic and patient emanation of bottomless vaporous tones and languid, leering bass. The compilation gets its name from the striking titular artwork by Copenhagen-based visual artist Rosalina Serup, as featured in the cover image – a suitably fey exploration of conceptualized space.\"\u003c\/em\u003e\u003cbr\u003e- Phinery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : V\/A\u003c\/p\u003e\n\u003cp\u003eLabel : Phinery \u003c\/p\u003e","published_at":"2021-04-11T11:31:47+09:00","created_at":"2021-04-11T10:22:45+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","monooto","new","phinery"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39608530796709,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"V\/A \/\/ Landscape Formations CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_515120cc-6258-4819-b999-dfcc55eb8941.jpg?v=1618104168","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la2_8a919179-6231-47ae-b512-ae5ccfb796f6.jpg?v=1618104168","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la3.jpg?v=1618104168"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_515120cc-6258-4819-b999-dfcc55eb8941.jpg?v=1618104168","options":["Title"],"media":[{"alt":null,"id":21213682991269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_515120cc-6258-4819-b999-dfcc55eb8941.jpg?v=1618104168"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_515120cc-6258-4819-b999-dfcc55eb8941.jpg?v=1618104168","width":700},{"alt":null,"id":21213683024037,"position":2,"preview_image":{"aspect_ratio":1.498,"height":801,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la2_8a919179-6231-47ae-b512-ae5ccfb796f6.jpg?v=1618104167"},"aspect_ratio":1.498,"height":801,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la2_8a919179-6231-47ae-b512-ae5ccfb796f6.jpg?v=1618104167","width":1200},{"alt":null,"id":21213683056805,"position":3,"preview_image":{"aspect_ratio":1.498,"height":801,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la3.jpg?v=1618104168"},"aspect_ratio":1.498,"height":801,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la3.jpg?v=1618104168","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのアンビエントレーベルPhinery Tapes諸作を本邦初入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、6名の作家が参加したコンピレーションアルバムです。6面デジパック仕様。既に廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1407889600\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe physical nature of sound turns every speaker into a 3D printer. Visions of sound, crafted in digital space, or summoned from the voltage flowing through a synthesizer, or perhaps even read from a magnetized ferrichrome tape, have the ability to then manifest in the air around us, breaching reality with their own forms. Slowly coming together over an extended period, Landscape Formations features six artist\/composers from Copenhagen, each contributing lengthy sound works resembling sonambient sculptures or creeping gas leaks, seeping out of speakers and into the atmosphere.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eServing as a reintroduction to Phinery after a two-year hiatus, Landscape Formations is a compilation of tangible beauty, unhurried in its formulation, and sparse with its ideas. Martin Kozak’s ‘hverfa’ is an apt opening track, assembling ten-minutes of soft piano keys and delicate ambient tones shimmering as a still lake beneath a full moon. Both Ragnhild May and Sandra Boss use a variety of tools in their practice, the former here contributing a wispy set of slowly unfurling drones from software-controlled flutes that resemble the buzzing of sand dunes, while the latter de- and reconstructs tones derived from erased cassettes, utilizing worn out tape machines to re-filter and re-record vacant sonic spaces into glitch-scapes of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e overtones and long-distant sonic remnants.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe mysterious Yuri and Grøn each summon diffuse sound environments that sedately evolve virtual sounds in otherworldly patterns inside brightly lit imaginary rooms. The half-hour finale, ‘The Shadows Overlapped And Parted’ by O.V. is a ritualistic and patient emanation of bottomless vaporous tones and languid, leering bass. The compilation gets its name from the striking titular artwork by Copenhagen-based visual artist Rosalina Serup, as featured in the cover image – a suitably fey exploration of conceptualized space.\"\u003c\/em\u003e\u003cbr\u003e- Phinery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : V\/A\u003c\/p\u003e\n\u003cp\u003eLabel : Phinery \u003c\/p\u003e"}

Quickview {"id":6645488124069,"title":"Karl Fousek \/\/ Another Use For Time CD","handle":"karl-fousek-another-use-for-time-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのアンビエントレーベルPhinery Tapes諸作を本邦初入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、Dinzu Artefactsなどからも発表しているバンクーバーの音響作家Karl FousekがPhineryより2020年5月にリリースしたCDです。モジュラーを用いたコラージュアンビエント5曲を収録。デジパック仕様、既に廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2293286251\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEstablished as a key voice in modern synthesizer music, Karl Fousek’s focus lies on the sense of movement inherent in his modular. And it is indeed ‘movement’, along with its close cousin ‘time’, that seems to inform the pure experimentalism with sound generated on Another Use For Time. Fousek’s tones flurry back and forth across and inside each other, with the Canadian composer oscillating between the macro and micro gestures of his instrument to create a sonic sculpture in constant motion. Fousek himself describes it as an album made in transition: “It's kind of a reflection of my past work and taste and techniques, while also trying to move forward.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnusually for Fousek, these three pieces were recorded at separate times, straddling a period of transition as the artist left Montreal to move back west to Vancouver.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s opening 18-minute exploration, ‘What Was Once Or Twice’, was recorded in Seattle, and is split into two movements. The first sees Fousek introduce a variety of whooshes, bleeps, and frozen tones, and the second sends them spiralling out of control, and receding back into the outer reaches of his setup, short circuiting and colliding into mind bending new forms that seem to fold space-time. The entire piece is built around a custom software delay\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e network that “reacts automatically and changes itself based on the incoming signal”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe brief interlude at the centre of the record – ‘Circling’ – dates further back to 2016 and deploys those embryonic delay techniques Fousek would later develop, while the second two-parter dates to Montreal in 2018. Constructed from noisier jams, “Time For Another User” is dense with ideas; an attempt to make a “classic” electroacoustic composition devoid of narrative and structure. Algorithms and spontaneity are deployed to encourage maximum disruption, making it a sonic smorgasbord that rewards close listens. Every modest, Fousek views it differently. 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And it is indeed ‘movement’, along with its close cousin ‘time’, that seems to inform the pure experimentalism with sound generated on Another Use For Time. Fousek’s tones flurry back and forth across and inside each other, with the Canadian composer oscillating between the macro and micro gestures of his instrument to create a sonic sculpture in constant motion. Fousek himself describes it as an album made in transition: “It's kind of a reflection of my past work and taste and techniques, while also trying to move forward.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnusually for Fousek, these three pieces were recorded at separate times, straddling a period of transition as the artist left Montreal to move back west to Vancouver.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s opening 18-minute exploration, ‘What Was Once Or Twice’, was recorded in Seattle, and is split into two movements. The first sees Fousek introduce a variety of whooshes, bleeps, and frozen tones, and the second sends them spiralling out of control, and receding back into the outer reaches of his setup, short circuiting and colliding into mind bending new forms that seem to fold space-time. The entire piece is built around a custom software delay\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e network that “reacts automatically and changes itself based on the incoming signal”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe brief interlude at the centre of the record – ‘Circling’ – dates further back to 2016 and deploys those embryonic delay techniques Fousek would later develop, while the second two-parter dates to Montreal in 2018. Constructed from noisier jams, “Time For Another User” is dense with ideas; an attempt to make a “classic” electroacoustic composition devoid of narrative and structure. Algorithms and spontaneity are deployed to encourage maximum disruption, making it a sonic smorgasbord that rewards close listens. Every modest, Fousek views it differently. 'Hopefully,' he says, 'it just floats by.'\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e- Phinery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karl Fousek\u003c\/p\u003e\n\u003cp\u003eLabel : Phinery\u003c\/p\u003e"}

The Danish ambient label Philery Tapes has arrived for the first time in Japan.This work is a CD released by Phinery in May 2020 by Vancouver acoustician Karl Fousek, who has also released it from Dinzu Artefacts and others.Includes 5 collage ambient songs using modular.Digipak specifications are already out of print. "Established as a key voice in modern synthesizer music, ...

¥ 1,780

Quickview {"id":6645227520165,"title":"emamouse \/\/ Distorted Bayer CD","handle":"ema","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e東京地下シーンで話題のレフトフィールドポップ作家emamouseが2021年4月に自主リリースした最新作を爆速入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e黄泉のスーパーの惣菜コーナーでかかっていそうな、狂気すら感じる摩訶不思議ポップ15曲を収録。デジパック仕様、作家による一点一点異なるドローイング、ポストカード、ステッカーが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2118282093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3688404734\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2118282093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4238118457\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2118282093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3341692846\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2118282093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3346893216\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe latest album by the Tokyo-based left-field pop artist emamouse. 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