Terrine // Cheat Days LP
Reversed samba, codified techno destruction, "Top Dance 2057" goal. Aborted grooves warning.
![Dressing / Piercing Split 7" [LATHE CUT] / TAPE](https://tobirarecords.com/cdn/shop/files/dr1_59172385-2b5a-4c89-ba1d-c1990fe1b1af_medium.jpg?v=1724679271)
Terrine // Cheat Days LP
€14,95
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French leftfield techno writer Terrine is an experimental label in the countryThis is a record released from Tanzprocesz.
Includes 8 Lo-Fi industrial techno-collage songs.
TanzproceszOther worksClick here for the guidelines. ///Click here to see more Tanzprocesz releases available at Tobira.
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Bedroom beats & manipulations.
Reversed samba, codified techno destruction, "Top Dance 2057" goal.
Reversed samba, codified techno destruction, "Top Dance 2057" goal.
Aborted grooves warning.
Artist: Terrine
Label: Tanzprocesz
French leftfield techno writer Terrine is an experimental label in the countryThis is a record released from Tanzprocesz.
Includes 8 Lo-Fi industrial techno-collage songs.
TanzproceszOther worksClick here for the guidelines. ///Click here to see more Tanzprocesz releases available at Tobira.
-----------------
Bedroom beats & manipulations.Reversed samba, codified techno destruction, "Top Dance 2057" goal. Aborted grooves warning.
Artist: Terrine
Label: Tanzprocesz
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{"id":8613543805178,"title":"pablo diserens \/\/ turning porous LP","handle":"pablo-diserens-turning-porous-lp","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※9月中旬発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e当店人気ドイツ・ベルリンのフィールドレコーディング作家pablo diserensが、\u003cspan data-mce-fragment=\"1\"\u003e2024年6月に自身\u003c\/span\u003e主宰レーベル\u003cspan data-mce-fragment=\"1\"\u003eForms of Minutiaeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼女がスペイン・ガリシア地方に2ヵ月間滞在して録音した様々な\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるディープリスニング系サウンドスケープ作品です。DLコード付属。180g重量盤、45RPMです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"個展「on becoming amphibian（両生類になることについて）」と出版物の一環として、forms of minutiaeとGalería Vilasecoは、フィールドレコーディング作家であり、forms of minutiaeの共同設立者であるpablo diserensによる、水陸両用と水路音響の集大成「turning porous」を発表する。\u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eスペイン北西部の緑豊かなガリシア地方に招かれたpablo diserensは、2ヶ月間住み込みで働き、地元の両生類のコミュニティと融合することを願い、昼夜を問わずこの地方の淡水に生息した。耳を澄ませ、耳を傾ける姿勢をとりながら、さまざまな映像や音の記録技術を駆使した。爬虫両生類に徐々に溶け込みながら、pablo diserensは身体的な遊びや知覚のリフレーミングに取り組むことで、人間の経験の境界線をもてあそんだ。その結果、体現された水陸両用の現実を通過する存在として、現在の感覚が変化した。その後の展覧会と出版物 「on becoming amphibian 」とアルバム 「turning porous 」は、ガリシアの水生生態系の脆弱なサウンドスケープにリスナーを誘いながら、この透過的な変容を反映した作品群を形成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6曲のトラックの中で、無尾類の鳴き声、昆虫の鳴き声、コウモリの鳴き声、鳥の鳴き声、水力発電のうなり声、そして風によって運ばれてくる音が聞こえる。カエルの鳴き声とドローンのようなサウンドスケープが交互に流れ、この地域の池や川の複雑な音に引き込まれると同時に、その土地特有の音楽を暗示する。身体的な接触と親密な位置関係が感じられるトラックは、全体を通して親密さが感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカエルに魅了され、彼らの幸福を願うpablo diserensは、無尾類の世界に舞台を提供する。両生類は指標種として知られている。彼らの健康状態や環境の変化に対する極めて敏感な感受性は、地球の状態を物語っている。そのため、彼らの存在（あるいは不在）を利用して生息地の健全性をモニターすることができるほどだ。アルバムの冒頭を飾る 「arytes 」は、リオ・ミーニョの斜面で録音されたミッドワイフヒキガエル（Alytes obstetricans）の微細な鳴き声で始まる。ヒキガエルのすぐ近くに置かれたマイクは、夜鳴きするヒキガエルを注意深く拾い上げ、時間とともに繊細な音色のタペストリーに絡み合っていく。ある種の妖しい音楽だ。イベリア水ガエル（Pelophylax perezi）とイベリアアマガエル（Hyla molleri）の賑やかな鳴き声が、かつての採石場から放射される。リスナーがこれらの興奮したサウンドスケープに溶け込むと、ピング、リビット、さえずりは、まるで私たちがそれらを言語として理解し、聞き始めたかのように、意味のヒントで膨らんでいく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「riparian zone 」は、川の斜面で聞こえる動物の声と人為的な振動を融合させることで、リオ・ミーニョの肖像を描いている。アリクイ、コオロギ、バッタ、コウモリ、鳥が擬似的なサーカディアン曲線の中で、クリック音、ピング音、ジップ音からなるポリリズムのサウンドスケープに融合する。これらの音は、昆虫のざわめきとダムの水力発電所の静的なうなり音のドローン的な合流音によって緩衝され、マイクがドローンの発生源に近づいたり遠ざかったりするにつれて、音色の共鳴が徐々に変化していく。トラック全体を通して、風景に傷をつける水圧技術の絶え間ないうなり声から、人間以外の存在が浮き沈みする。夕暮れが夜明けを迎えると、鳥がマイクを攻撃して前景を取り戻し、コウノトリの掴み所のない鳴き声に変わる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003epablo diserensにとって、持続的な音色と複雑なリズムは独特の魅力を持ち、そのような音楽が世界の中に控えめに存在する場合はなおさらである。「透過性のある皮膚」は、この感情を呪術的なまでに繊細に表現している。カエルがたくさんいる池の水面下では、ミズスマシが蠢き、ジワジワと音を立て、水の裏側の沈んだ脈動を露わにする。さらに上流にある水力発電の構造物からは、感情の曖昧さを帯びたサイトスペシフィックな音楽が絡み合いながら音色を奏でる。pablo diserensはガラス瓶に息を吹き込み、ヘルムホルツ共振による振動を作り出す。最後に、アヌランの鳴き声がこの微分音コーラスに加わり、両生類が浸透し、聴く者を浸透可能な状態へと液化させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「mirage in motion 」は、難解なオープニングでアルバムを締めくくる。突き出た岩と歪んだ栗の木の間のどこかで、森は穏やかなハミングに包まれる。昆虫が臆病に蠢き、風はひび割れた木の幹を通り抜け、柔らかなエオリアントーンを形成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e全体として、「turning porous 」は、pablo diserensのリスニング体験のぬめりと親密さがにじみ出ている。彼らは隣接する出版物にこう書いている：「私は最近、人間よりもカエルになった」。フィールドレコーディング、ドローン的な形態、音響生態学のヒントが組み合わされることによって、聴こえるようになる変身。リスナーをガリシアのフラジャイルな両生類や水辺の現実と織りなすように誘う「turning porous」は、浸透のジェスチャーで世界を取り込むように誘う。池の生き物たち、そしてその向こう側と共存する方法として、浸透しやすく多孔性の存在を呼びかけるつぶやきである。\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073941619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073941619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3908389456\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid September.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e12\" record - 45rpm - 180g\u003cbr\u003eprinted outersleeves\u003cbr\u003elimited edition of 200 copies\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. alytes 06:40\u003cbr\u003e2. riparian zone 09:58\u003cbr\u003e3. herpetophonics: ponderings 04:41\u003cbr\u003e4. permeable skin 08:28\u003cbr\u003e5. herpetophonics: arousal 06:46\u003cbr\u003e6. mirage in motion 04:55 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eForms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003eAs part of the upcoming solo exhibition and publication “on becoming amphibian”, forms of minutiae and Galería Vilaseco present \"turning porous\", a gathering of amphibious and hydrographic acoustics by field recordist, artist, and forms of minutiae’s co-founder Pablo Diserens.\u2028 \u003cbr\u003e\u003cbr\u003eInvited to live and work for a two-month period in Galicia, the verdant region of Spain’s northwest, Pablo Diserens spent days and nights inhabiting the region’s freshwaters in the hope of merging with the local amphibian communities. All ears, they adopted a series of listening postures while deploying a range of visual and sound recording techniques. Gradually dissolving in the herpetofauna, Diserens toyed with the boundaries of human\u003cspan class=\"bcTruncateMore\"\u003e experience by engaging in somatic play and perceptual reframing. This resulted in an altered sensing of the present as existence funneled through embodied amphibious realities. The subsequent exhibition and publication “on becoming amphibian” and the album “turning porous” form a body of work that reflects this permeable morphing while inviting listeners into the vulnerable soundscapes of Galicia’s aqueous ecologies. \u003cbr\u003e\u003cbr\u003eOver the course of six tracks, anuran calls, insect stridulations, bat clicks, avian songs, hydroelectric hums, and wind-borne tones occur. Frog recordings and dronesque soundscape compositions alternate, drawing us into the sonic intricacies of the region’s ponds and rivers while hinting at site-specific musics. Closeness is felt throughout, as tracks bear a sense of intimate positioning flirting with physical contact. \u003cbr\u003e\u003cbr\u003eEnamored with frogs and concerned with their well-being, Diserens gives the stage to the anuran world. Amphibians are known as indicator species. Their health and extreme sensitivity to environmental changes speak volumes on the state of the planet. So much so that their presence (or lack of) can be used to monitor the health of a habitat. “alytes” opens the album with the deliciously minute calls of common midwife toads (Alytes obstetricans) recorded on the slopes of the Rio Miño. Placed extremely close to the toads, microphones pick up prudent nocturnal pings intertwining over time into a delicate tonal tapestry. A bewitching music of some sort. Aptly named, the two “herpetophonics” tickle the ears and dilate the pores as the boisterous calls of Iberian water frogs (Pelophylax perezi) and Iberian tree frogs (Hyla molleri) radiate from former quarries. As listeners melt in these aroused soundscapes, pings, ribbits and chirps swell with hints of meaning as if we began to fathom and hear them as a language — an anuran semantic. \u003cbr\u003e\u003cbr\u003e“riparian zone” paints a portrait of the Rio Miño by merging animal voices and anthropogenic vibrations heard along the river’s slopes. In a quasi-circadian curvature, alytes, crickets, grasshoppers, bats and birds merge into a polyrhythmic soundscape made of clicks, pings, and zips. These are cushioned by the dronesque confluence of murmuring insects and the static hums of a dam’s hydroelectric plant—which tonal resonances gradually shift as the microphones move closer and away from the drone’s source. Throughout the track, non-human presences ebb and flow from the constant buzz of the hydraulic technologies scarring the landscape. As dusk reaches dawn, a bird reclaims the foreground by attacking the microphones and giving way to the gripping clatter of storks. \u003cbr\u003e\u003cbr\u003eFor Diserens, sustained tones and rhythmic complexities hold a unique magnetism, even more so when such music is found discreetly existing in the world. “permeable skin” carries this sentiment with spellbinding delicacy. Water beetles stridulate and zip away under the surface of a frog-packed pond, unveiling the submerged pulses of the waters’ flip side. Tones rise from the hydroelectric structures further upstream, intertwining in a site-specific music charged with emotional ambiguity. Diserens responds by blowing into glass bottles, creating oscillations made of Helmholtz resonances. Finally, anuran pings join this microtonal chorus as it percolates with amphibience, liquifying listeners into a permeable state. \u003cbr\u003e\u003cbr\u003e“mirage in motion” ends the album with an arcane opening. Somewhere between protruding boulders and contorted bodies of sick chestnut trees, the forest is visited by a gentle hum. As insects stridulate timidly, winds funnel through a cracked sylvan trunk to form soft aeolian tones, ebbing and flowing with the aerial currents. \u003cbr\u003e\u003cbr\u003eAll in all, “turning porous” oozes with the slime and intimacy of Diserens’ listening experience. They write in the adjacent publication: “I’m more frog than human these days”. A shapeshifting that is made audible through the imbrication of field recordings, dronesque forms, and hints of acoustic ecology. By inviting listeners to weave themselves with the fragile amphibian and riparian realities of Galicia, \"turning porous\" is an invitation to let the world in in a gesture of permeance. A murmur that calls for permeable and porous existence as a way of cohabiting with the critters of the ponds, and beyond. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : pablo diserens\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e","published_at":"2024-09-04T08:34:18+09:00","created_at":"2024-09-04T08:18:43+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","forms of minutiae","lp","monooto","new","recommended"],"price":2595,"price_min":2595,"price_max":2595,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46628512071930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"pablo diserens \/\/ turning porous 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Title"],"price":2595,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0531121406_16.jpg?v=1725406427","\/\/tobirarecords.com\/cdn\/shop\/files\/0035865976_10.jpg?v=1725406429","\/\/tobirarecords.com\/cdn\/shop\/files\/0035865977_10.jpg?v=1725406431"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0531121406_16.jpg?v=1725406427","options":["Title"],"media":[{"alt":null,"id":34824000078074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0531121406_16.jpg?v=1725406427"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0531121406_16.jpg?v=1725406427","width":700},{"alt":null,"id":34824000209146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035865976_10.jpg?v=1725406429"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035865976_10.jpg?v=1725406429","width":1200},{"alt":null,"id":34824000241914,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035865977_10.jpg?v=1725406431"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035865977_10.jpg?v=1725406431","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※9月中旬発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e当店人気ドイツ・ベルリンのフィールドレコーディング作家pablo diserensが、\u003cspan data-mce-fragment=\"1\"\u003e2024年6月に自身\u003c\/span\u003e主宰レーベル\u003cspan data-mce-fragment=\"1\"\u003eForms of Minutiaeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼女がスペイン・ガリシア地方に2ヵ月間滞在して録音した様々な\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるディープリスニング系サウンドスケープ作品です。DLコード付属。180g重量盤、45RPMです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"個展「on becoming amphibian（両生類になることについて）」と出版物の一環として、forms of minutiaeとGalería Vilasecoは、フィールドレコーディング作家であり、forms of minutiaeの共同設立者であるpablo diserensによる、水陸両用と水路音響の集大成「turning porous」を発表する。\u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eスペイン北西部の緑豊かなガリシア地方に招かれたpablo diserensは、2ヶ月間住み込みで働き、地元の両生類のコミュニティと融合することを願い、昼夜を問わずこの地方の淡水に生息した。耳を澄ませ、耳を傾ける姿勢をとりながら、さまざまな映像や音の記録技術を駆使した。爬虫両生類に徐々に溶け込みながら、pablo diserensは身体的な遊びや知覚のリフレーミングに取り組むことで、人間の経験の境界線をもてあそんだ。その結果、体現された水陸両用の現実を通過する存在として、現在の感覚が変化した。その後の展覧会と出版物 「on becoming amphibian 」とアルバム 「turning porous 」は、ガリシアの水生生態系の脆弱なサウンドスケープにリスナーを誘いながら、この透過的な変容を反映した作品群を形成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6曲のトラックの中で、無尾類の鳴き声、昆虫の鳴き声、コウモリの鳴き声、鳥の鳴き声、水力発電のうなり声、そして風によって運ばれてくる音が聞こえる。カエルの鳴き声とドローンのようなサウンドスケープが交互に流れ、この地域の池や川の複雑な音に引き込まれると同時に、その土地特有の音楽を暗示する。身体的な接触と親密な位置関係が感じられるトラックは、全体を通して親密さが感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカエルに魅了され、彼らの幸福を願うpablo diserensは、無尾類の世界に舞台を提供する。両生類は指標種として知られている。彼らの健康状態や環境の変化に対する極めて敏感な感受性は、地球の状態を物語っている。そのため、彼らの存在（あるいは不在）を利用して生息地の健全性をモニターすることができるほどだ。アルバムの冒頭を飾る 「arytes 」は、リオ・ミーニョの斜面で録音されたミッドワイフヒキガエル（Alytes obstetricans）の微細な鳴き声で始まる。ヒキガエルのすぐ近くに置かれたマイクは、夜鳴きするヒキガエルを注意深く拾い上げ、時間とともに繊細な音色のタペストリーに絡み合っていく。ある種の妖しい音楽だ。イベリア水ガエル（Pelophylax perezi）とイベリアアマガエル（Hyla molleri）の賑やかな鳴き声が、かつての採石場から放射される。リスナーがこれらの興奮したサウンドスケープに溶け込むと、ピング、リビット、さえずりは、まるで私たちがそれらを言語として理解し、聞き始めたかのように、意味のヒントで膨らんでいく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「riparian zone 」は、川の斜面で聞こえる動物の声と人為的な振動を融合させることで、リオ・ミーニョの肖像を描いている。アリクイ、コオロギ、バッタ、コウモリ、鳥が擬似的なサーカディアン曲線の中で、クリック音、ピング音、ジップ音からなるポリリズムのサウンドスケープに融合する。これらの音は、昆虫のざわめきとダムの水力発電所の静的なうなり音のドローン的な合流音によって緩衝され、マイクがドローンの発生源に近づいたり遠ざかったりするにつれて、音色の共鳴が徐々に変化していく。トラック全体を通して、風景に傷をつける水圧技術の絶え間ないうなり声から、人間以外の存在が浮き沈みする。夕暮れが夜明けを迎えると、鳥がマイクを攻撃して前景を取り戻し、コウノトリの掴み所のない鳴き声に変わる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003epablo diserensにとって、持続的な音色と複雑なリズムは独特の魅力を持ち、そのような音楽が世界の中に控えめに存在する場合はなおさらである。「透過性のある皮膚」は、この感情を呪術的なまでに繊細に表現している。カエルがたくさんいる池の水面下では、ミズスマシが蠢き、ジワジワと音を立て、水の裏側の沈んだ脈動を露わにする。さらに上流にある水力発電の構造物からは、感情の曖昧さを帯びたサイトスペシフィックな音楽が絡み合いながら音色を奏でる。pablo diserensはガラス瓶に息を吹き込み、ヘルムホルツ共振による振動を作り出す。最後に、アヌランの鳴き声がこの微分音コーラスに加わり、両生類が浸透し、聴く者を浸透可能な状態へと液化させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「mirage in motion 」は、難解なオープニングでアルバムを締めくくる。突き出た岩と歪んだ栗の木の間のどこかで、森は穏やかなハミングに包まれる。昆虫が臆病に蠢き、風はひび割れた木の幹を通り抜け、柔らかなエオリアントーンを形成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e全体として、「turning porous 」は、pablo diserensのリスニング体験のぬめりと親密さがにじみ出ている。彼らは隣接する出版物にこう書いている：「私は最近、人間よりもカエルになった」。フィールドレコーディング、ドローン的な形態、音響生態学のヒントが組み合わされることによって、聴こえるようになる変身。リスナーをガリシアのフラジャイルな両生類や水辺の現実と織りなすように誘う「turning porous」は、浸透のジェスチャーで世界を取り込むように誘う。池の生き物たち、そしてその向こう側と共存する方法として、浸透しやすく多孔性の存在を呼びかけるつぶやきである。\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073941619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2073941619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3908389456\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid September.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e12\" record - 45rpm - 180g\u003cbr\u003eprinted outersleeves\u003cbr\u003elimited edition of 200 copies\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. alytes 06:40\u003cbr\u003e2. riparian zone 09:58\u003cbr\u003e3. herpetophonics: ponderings 04:41\u003cbr\u003e4. permeable skin 08:28\u003cbr\u003e5. herpetophonics: arousal 06:46\u003cbr\u003e6. mirage in motion 04:55 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eForms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003eAs part of the upcoming solo exhibition and publication “on becoming amphibian”, forms of minutiae and Galería Vilaseco present \"turning porous\", a gathering of amphibious and hydrographic acoustics by field recordist, artist, and forms of minutiae’s co-founder Pablo Diserens.\u2028 \u003cbr\u003e\u003cbr\u003eInvited to live and work for a two-month period in Galicia, the verdant region of Spain’s northwest, Pablo Diserens spent days and nights inhabiting the region’s freshwaters in the hope of merging with the local amphibian communities. All ears, they adopted a series of listening postures while deploying a range of visual and sound recording techniques. Gradually dissolving in the herpetofauna, Diserens toyed with the boundaries of human\u003cspan class=\"bcTruncateMore\"\u003e experience by engaging in somatic play and perceptual reframing. This resulted in an altered sensing of the present as existence funneled through embodied amphibious realities. The subsequent exhibition and publication “on becoming amphibian” and the album “turning porous” form a body of work that reflects this permeable morphing while inviting listeners into the vulnerable soundscapes of Galicia’s aqueous ecologies. \u003cbr\u003e\u003cbr\u003eOver the course of six tracks, anuran calls, insect stridulations, bat clicks, avian songs, hydroelectric hums, and wind-borne tones occur. Frog recordings and dronesque soundscape compositions alternate, drawing us into the sonic intricacies of the region’s ponds and rivers while hinting at site-specific musics. Closeness is felt throughout, as tracks bear a sense of intimate positioning flirting with physical contact. \u003cbr\u003e\u003cbr\u003eEnamored with frogs and concerned with their well-being, Diserens gives the stage to the anuran world. Amphibians are known as indicator species. Their health and extreme sensitivity to environmental changes speak volumes on the state of the planet. So much so that their presence (or lack of) can be used to monitor the health of a habitat. “alytes” opens the album with the deliciously minute calls of common midwife toads (Alytes obstetricans) recorded on the slopes of the Rio Miño. Placed extremely close to the toads, microphones pick up prudent nocturnal pings intertwining over time into a delicate tonal tapestry. A bewitching music of some sort. Aptly named, the two “herpetophonics” tickle the ears and dilate the pores as the boisterous calls of Iberian water frogs (Pelophylax perezi) and Iberian tree frogs (Hyla molleri) radiate from former quarries. As listeners melt in these aroused soundscapes, pings, ribbits and chirps swell with hints of meaning as if we began to fathom and hear them as a language — an anuran semantic. \u003cbr\u003e\u003cbr\u003e“riparian zone” paints a portrait of the Rio Miño by merging animal voices and anthropogenic vibrations heard along the river’s slopes. In a quasi-circadian curvature, alytes, crickets, grasshoppers, bats and birds merge into a polyrhythmic soundscape made of clicks, pings, and zips. These are cushioned by the dronesque confluence of murmuring insects and the static hums of a dam’s hydroelectric plant—which tonal resonances gradually shift as the microphones move closer and away from the drone’s source. Throughout the track, non-human presences ebb and flow from the constant buzz of the hydraulic technologies scarring the landscape. As dusk reaches dawn, a bird reclaims the foreground by attacking the microphones and giving way to the gripping clatter of storks. \u003cbr\u003e\u003cbr\u003eFor Diserens, sustained tones and rhythmic complexities hold a unique magnetism, even more so when such music is found discreetly existing in the world. “permeable skin” carries this sentiment with spellbinding delicacy. Water beetles stridulate and zip away under the surface of a frog-packed pond, unveiling the submerged pulses of the waters’ flip side. Tones rise from the hydroelectric structures further upstream, intertwining in a site-specific music charged with emotional ambiguity. Diserens responds by blowing into glass bottles, creating oscillations made of Helmholtz resonances. Finally, anuran pings join this microtonal chorus as it percolates with amphibience, liquifying listeners into a permeable state. \u003cbr\u003e\u003cbr\u003e“mirage in motion” ends the album with an arcane opening. Somewhere between protruding boulders and contorted bodies of sick chestnut trees, the forest is visited by a gentle hum. As insects stridulate timidly, winds funnel through a cracked sylvan trunk to form soft aeolian tones, ebbing and flowing with the aerial currents. \u003cbr\u003e\u003cbr\u003eAll in all, “turning porous” oozes with the slime and intimacy of Diserens’ listening experience. They write in the adjacent publication: “I’m more frog than human these days”. A shapeshifting that is made audible through the imbrication of field recordings, dronesque forms, and hints of acoustic ecology. By inviting listeners to weave themselves with the fragile amphibian and riparian realities of Galicia, \"turning porous\" is an invitation to let the world in in a gesture of permeance. A murmur that calls for permeable and porous existence as a way of cohabiting with the critters of the ponds, and beyond. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : pablo diserens\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e"}
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*Shipping will start in mid-September. This is a record released in June 9 by our popular Berlin-based field recording artist Pablo Diserens from his own label Forms of Minutiae. This is a deep listening soundscape work made from various field recordings she recorded during her two-month stay in Galicia, Spain. DL code included. 2024g heavy vinyl, 6RPM. The following is a description from the label. "As part of the solo exhibition "on becoming amphibian" and publication, forms of minutiae and Galería Vilaseco are field recording artist and forms of...
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{"id":8613242863866,"title":"Andy Graydon \u0026 Luke Martin \/\/ Transparent Archipelago CD","handle":"andy-graydon-luke-martin-transparent-archipelago-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの実験音楽家\u003c\/span\u003eAndy GraydonとLuke Martinが、2024年9月に東京の実験レーベルZappakからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Andy GraydonとLuke Martinはともにアメリカで活動する作家。Andy Graydonは生態系についての研究を中心とした活動をおこなっており、映像作家としても活動している。Luke Martinは無音に着目した音楽における演奏家\/作家として活動している。本作は主に無音と微音、そして時折非常に強い低音によって空間が形づくられている。彼らはフィールド録音を「作曲の素材」として利用し、音と静寂の領域を「島」に見立てた。編集によってそれぞれの「島」の個性が表面化し、独自に作業してきた2人の音が混ぜ合わされることによって、結果として非常に繊細かつ強靭な作品へと仕上がった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1908791701\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve + plastic cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Island 1 14:40\u003cbr\u003e2. Island 2 10:58\u003cbr\u003e3. Island 3 13:11\u003cbr\u003e4. Island 4 07:58\u003cbr\u003e5. Island 5 12:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Andy Graydon \u0026amp; Luke Martin :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo begin, we picked five field recordings from our sound archives; \u003c\/em\u003e\u003cem\u003ethree from Andy and two from Luke. These recordings became our \u003c\/em\u003e\u003cem\u003e'material in common' for composing the piece.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNext, working independently we each made our own ‘islands,’ areas \u003c\/em\u003e\u003cem\u003eof sound and silence set in a frame of duration. To create an island, \u003c\/em\u003e\u003cem\u003eeach of us selected five excerpts from the original sound sources. \u003c\/em\u003e\u003cem\u003eWe then gave each sound a ‘vertical cut’ in the form of a narrow band \u003c\/em\u003e\u003cem\u003epass filter, limiting it to a specific frequency range; then applied a \u003c\/em\u003e\u003cem\u003e‘horizontal cut’ to each sound in the form of a time edit, choosing a \u003c\/em\u003e\u003cem\u003esection from the original field recording. This resulted in floating \u003c\/em\u003e\u003cem\u003eslices of sound laid out topographically within a total duration to form \u003c\/em\u003e\u003cem\u003ethe features of each island.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFinally, we superimposed each of our individual islands over one \u003c\/em\u003e\u003cem\u003eanother, like transparencies or photographic slides, allowing their \u003c\/em\u003e\u003cem\u003einteraction to create new patterns and alternations between sound and \u003c\/em\u003e\u003cem\u003esilence; opacity and transparency; land, sea and sky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter finishing the piece, we came across a poem by\u003cspan class=\"bcTruncateMore\"\u003e Fernando Pessoa (The Fortunate Isles, 1934) that seems to articulate something we were doing musically. In each listening there is the hope that a novel 'island' will arise, somehow still linked to the indeterminacy symbolized by the sea, to the indeterminacy of our everyday lives, our archives, and the choices made along the way toward this composition: a 'fortunate island,' a 'land with no place' - something we may only stumble upon in a state of half-sleep, half-knowing, eyes and ears half-closed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Graydon \u0026amp; Luke Martin\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No : zappak-015\u003c\/p\u003e","published_at":"2024-09-03T18:36:48+09:00","created_at":"2024-09-03T17:57:10+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","zappak"],"price":1695,"price_min":1695,"price_max":1695,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46626673197306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andy Graydon \u0026 Luke Martin \/\/ Transparent Archipelago CD","public_title":null,"options":["Default Title"],"price":1695,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/an1_1ce3eec1-41e4-4b6b-abf3-33bce233bdc0.jpg?v=1725353626","\/\/tobirarecords.com\/cdn\/shop\/files\/an2_e58f9408-dbb5-4caa-a17c-976fe482573c.jpg?v=1725353626"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_1ce3eec1-41e4-4b6b-abf3-33bce233bdc0.jpg?v=1725353626","options":["Title"],"media":[{"alt":null,"id":34819712155898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_1ce3eec1-41e4-4b6b-abf3-33bce233bdc0.jpg?v=1725353626"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_1ce3eec1-41e4-4b6b-abf3-33bce233bdc0.jpg?v=1725353626","width":700},{"alt":null,"id":34819712188666,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_e58f9408-dbb5-4caa-a17c-976fe482573c.jpg?v=1725353626"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_e58f9408-dbb5-4caa-a17c-976fe482573c.jpg?v=1725353626","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの実験音楽家\u003c\/span\u003eAndy GraydonとLuke Martinが、2024年9月に東京の実験レーベルZappakからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Andy GraydonとLuke Martinはともにアメリカで活動する作家。Andy Graydonは生態系についての研究を中心とした活動をおこなっており、映像作家としても活動している。Luke Martinは無音に着目した音楽における演奏家\/作家として活動している。本作は主に無音と微音、そして時折非常に強い低音によって空間が形づくられている。彼らはフィールド録音を「作曲の素材」として利用し、音と静寂の領域を「島」に見立てた。編集によってそれぞれの「島」の個性が表面化し、独自に作業してきた2人の音が混ぜ合わされることによって、結果として非常に繊細かつ強靭な作品へと仕上がった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1908791701\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zppk\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zppk\"\u003ehere\u003c\/a\u003e to see more zappak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve + plastic cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Island 1 14:40\u003cbr\u003e2. Island 2 10:58\u003cbr\u003e3. Island 3 13:11\u003cbr\u003e4. Island 4 07:58\u003cbr\u003e5. Island 5 12:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Andy Graydon \u0026amp; Luke Martin :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo begin, we picked five field recordings from our sound archives; \u003c\/em\u003e\u003cem\u003ethree from Andy and two from Luke. These recordings became our \u003c\/em\u003e\u003cem\u003e'material in common' for composing the piece.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNext, working independently we each made our own ‘islands,’ areas \u003c\/em\u003e\u003cem\u003eof sound and silence set in a frame of duration. To create an island, \u003c\/em\u003e\u003cem\u003eeach of us selected five excerpts from the original sound sources. \u003c\/em\u003e\u003cem\u003eWe then gave each sound a ‘vertical cut’ in the form of a narrow band \u003c\/em\u003e\u003cem\u003epass filter, limiting it to a specific frequency range; then applied a \u003c\/em\u003e\u003cem\u003e‘horizontal cut’ to each sound in the form of a time edit, choosing a \u003c\/em\u003e\u003cem\u003esection from the original field recording. This resulted in floating \u003c\/em\u003e\u003cem\u003eslices of sound laid out topographically within a total duration to form \u003c\/em\u003e\u003cem\u003ethe features of each island.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFinally, we superimposed each of our individual islands over one \u003c\/em\u003e\u003cem\u003eanother, like transparencies or photographic slides, allowing their \u003c\/em\u003e\u003cem\u003einteraction to create new patterns and alternations between sound and \u003c\/em\u003e\u003cem\u003esilence; opacity and transparency; land, sea and sky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter finishing the piece, we came across a poem by\u003cspan class=\"bcTruncateMore\"\u003e Fernando Pessoa (The Fortunate Isles, 1934) that seems to articulate something we were doing musically. In each listening there is the hope that a novel 'island' will arise, somehow still linked to the indeterminacy symbolized by the sea, to the indeterminacy of our everyday lives, our archives, and the choices made along the way toward this composition: a 'fortunate island,' a 'land with no place' - something we may only stumble upon in a state of half-sleep, half-knowing, eyes and ears half-closed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Graydon \u0026amp; Luke Martin\u003c\/p\u003e\n\u003cp\u003eLabel : zappak\u003c\/p\u003e\n\u003cp\u003eCAT No : zappak-015\u003c\/p\u003e"}
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This is a collaborative CD released by American experimental musicians Andy Graydon and Luke Martin in September 2024 by the Tokyo experimental label Zappak. The following is a description from the label. "Andy Graydon and Luke Martin are both artists active in the United States. Andy Graydon's activities are centered on research into ecosystems, and he also works as a video artist. Luke Martin works as a performer/writer in music that focuses on silence. In this work, the space is mainly shaped by silence, microsound, and occasionally very strong bass. They used field recordings as "compositional material" and likened the areas of sound and silence to "islands". The editing brought out the individuality of each "island" and mixed the sounds of the two artists who had been working independently, resulting in a very delicate yet strong work. " Other works from the label here /// Click here to see more zappak...
€16,95
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{"id":8611191062778,"title":"Gil Sanson \/\/ Dunning-Kruger Effect TAPE","handle":"gil-sanson-dunning-kruger-effect-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e中南米ベネズエラ・バレンシアの実験音楽家Gil Sansónが\u003c\/span\u003e、2024年7月にアメリカ・テキサスの実験レーベルFull Spectrumから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアコースティックギターやピアノ、オルガン、フィールドレコーディングによる実験アンビエント・フォーク〜コラージュ・ジャズ8曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2963288257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Trading assumptions with casual observers 05:09\u003cbr\u003e2. Distraction maneuver 03:32\u003cbr\u003e3. Hard work 03:17\u003cbr\u003e4. But what about revenge 04:28\u003cbr\u003e5. Should we tell him 03:19\u003cbr\u003e6. Drawing a rhino from description 04:02\u003cbr\u003e7. A last air 05:55\u003cbr\u003e8. Apology 08:34 \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFull Spectrum:\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"Full Spectrum Records is pleased to present ‘Dunning-Kruger Effect,’ a new album from long-time label associate Gil Sansón. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIntended as the closure of a trilogy of releases that began with 2021’s ‘Impostor Syndrome’ and continued with last year’s ‘Confirmation Bias,’ ‘Dunning-Kruger Effect’ continues to mine the surrealist free folk and kitchen sink concrète aesthetics that have defined this body of work thus far, whilst crystallizing its narrative themes and taking stock of the project’s perceived successes and failures. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConceived during the early days of the COVID-19 lockdown thanks to an invitation from Jon Abbey to participate in the digitally published AMPLIFY series, which gathered many in the experimental music community at the time, the earliest recordings for this series served as a sort of reaction to the demise of “grand narratives”\u003cspan class=\"bcTruncateMore\"\u003e and their subsequent fracturing into a “a time of fragments.” Gil decided to lean into this perspective, focusing on the fragment or unpolished idea and developing a newly reflective creative approach without the safety net of given structures or ideas. \u003cbr\u003e\u003cbr\u003e“The whole process requires doing little thinking apart from the editing, when things are more goal oriented,” Sansón explains in the album’s liner notes. “But still, nothing that interferes too much with the basic premise that the material itself be the guide and dictate the proceedings, quick decision making, pauses from work when the ears get tired, don't stop while the iron is hot, in short, not much different to what a painter experiments during the process of making a painting. With some luck and effort, you get a bit wiser, a bit more daring, and a bit more caring.” \u003cbr\u003e\u003cbr\u003eCome spend some time on Sansón’s work bench with us. You might just learn a thing or two…\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gil Sansón\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e","published_at":"2024-08-31T06:21:10+09:00","created_at":"2024-08-31T06:14:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Full Spectrum Records","jazz","monooto","new","tape"],"price":1295,"price_min":1295,"price_max":1295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46619462861050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gil Sanson \/\/ Dunning-Kruger Effect TAPE","public_title":null,"options":["Default Title"],"price":1295,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3997500281_16.jpg?v=1725052684","\/\/tobirarecords.com\/cdn\/shop\/files\/0036628124_10.jpg?v=1725052663"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3997500281_16.jpg?v=1725052684","options":["Title"],"media":[{"alt":null,"id":34806749167866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3997500281_16.jpg?v=1725052684"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3997500281_16.jpg?v=1725052684","width":700},{"alt":null,"id":34806748872954,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036628124_10.jpg?v=1725052663"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036628124_10.jpg?v=1725052663","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e中南米ベネズエラ・バレンシアの実験音楽家Gil Sansónが\u003c\/span\u003e、2024年7月にアメリカ・テキサスの実験レーベルFull Spectrumから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアコースティックギターやピアノ、オルガン、フィールドレコーディングによる実験アンビエント・フォーク〜コラージュ・ジャズ8曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2963288257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Trading assumptions with casual observers 05:09\u003cbr\u003e2. Distraction maneuver 03:32\u003cbr\u003e3. Hard work 03:17\u003cbr\u003e4. But what about revenge 04:28\u003cbr\u003e5. Should we tell him 03:19\u003cbr\u003e6. Drawing a rhino from description 04:02\u003cbr\u003e7. A last air 05:55\u003cbr\u003e8. Apology 08:34 \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFull Spectrum:\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"Full Spectrum Records is pleased to present ‘Dunning-Kruger Effect,’ a new album from long-time label associate Gil Sansón. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIntended as the closure of a trilogy of releases that began with 2021’s ‘Impostor Syndrome’ and continued with last year’s ‘Confirmation Bias,’ ‘Dunning-Kruger Effect’ continues to mine the surrealist free folk and kitchen sink concrète aesthetics that have defined this body of work thus far, whilst crystallizing its narrative themes and taking stock of the project’s perceived successes and failures. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConceived during the early days of the COVID-19 lockdown thanks to an invitation from Jon Abbey to participate in the digitally published AMPLIFY series, which gathered many in the experimental music community at the time, the earliest recordings for this series served as a sort of reaction to the demise of “grand narratives”\u003cspan class=\"bcTruncateMore\"\u003e and their subsequent fracturing into a “a time of fragments.” Gil decided to lean into this perspective, focusing on the fragment or unpolished idea and developing a newly reflective creative approach without the safety net of given structures or ideas. \u003cbr\u003e\u003cbr\u003e“The whole process requires doing little thinking apart from the editing, when things are more goal oriented,” Sansón explains in the album’s liner notes. “But still, nothing that interferes too much with the basic premise that the material itself be the guide and dictate the proceedings, quick decision making, pauses from work when the ears get tired, don't stop while the iron is hot, in short, not much different to what a painter experiments during the process of making a painting. With some luck and effort, you get a bit wiser, a bit more daring, and a bit more caring.” \u003cbr\u003e\u003cbr\u003eCome spend some time on Sansón’s work bench with us. You might just learn a thing or two…\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gil Sansón\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e"}
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This cassette was released in July 2024 by Gil Sansón, an experimental musician from Valencia, Venezuela, in a limited run of 7 copies by the experimental label Full Spectrum in Texas, USA. It contains eight experimental ambient folk and collage jazz tracks using acoustic guitar, piano, organ, and field recordings. DL code included. Other works from the label are here /// Click here to see more Full Spectrum Records releases available at...
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{"id":8607520882938,"title":"Dressing \/ Piercing Split 7\" [LATHE CUT] \/ TAPE","handle":"dressing-piercing-split-7-lathe-cut-tape","description":"\u003cp\u003eアイルランドのDressingとアメリカのPiercingポストハーシュノイズ作家2名が、2024年4月にPiercing主宰レーベルAbhorrent A.D.からリリースしたスプリットアルバムです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ノイズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003eDressingの\u003ca href=\"https:\/\/tobirarecords.com\/products\/dressing-old-town-cd\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現在最も型破りな2つのプロジェクトによる、必然的かつ賢明なスプリットリリース。両者とも、伝統的なテープミュージックのテクニックに加え、エレクトロアコースティックやフリー・インプロヴィゼーションの側面から引き出された無限の実験性を大胆不敵に取り入れることで、常に現代のHarsh Noiseの境界線を押し広げている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e両アーティストとも、一見ランダムで奇妙なソースを集め、それを音のパズルのような精巧なファウンド・サウンドのコラージュに詰め込む傾向がある。各パーツはそれぞれ独自の方法で一体化しており、聴く者の耳を満足させたり、当惑させたりしながら惹きつけてやまない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3957508296\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\"\u003ehere\u003c\/a\u003e to see more Abhorrent A.D. releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 7\" clear\/lathe cut vinyl or cassette in ziplock bag w\/ artwork insert. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dressing Side 06:15\u003cbr\u003e2. Piercing Side 06:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAbhorrent A.D.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn inevitable and sensible split release between two of today's most unconventional projects, both consistently pushing the boundaries of contemporary Harsh Noise by fearlessly incorporating limitless experimentation drawn from tried-and-true tape music techniques, as well as aspects of electroacoustic and free improv.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoth artists have a tendency to collect seemingly random and bizarre sources that are then crammed together into an elaborate found sound collage akin to a sonic puzzle. Each part is integral in its own way, keeping the listeners ear engaged, ranging from satisfying to perplexing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dressing \/ Piercing\u003c\/p\u003e\n\u003cp\u003eLabel : Abhorrent A.D. \u003c\/p\u003e","published_at":"2024-08-27T08:51:06+09:00","created_at":"2024-08-26T22:35:44+09:00","vendor":"Tobira Records","type":"","tags":["abhorrent ad","lp","monooto","new","noise","tape"],"price":1195,"price_min":1195,"price_max":1795,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46607240134906,"title":"7\" vinyl [lathe cut]","option1":"7\" vinyl [lathe cut]","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42104680251642,"product_id":8607520882938,"position":2,"created_at":"2024-08-26T22:34:29+09:00","updated_at":"2024-08-26T22:34:31+09:00","alt":null,"width":1157,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_a26640b3-73e3-4bb5-b020-402652f73cd7.jpg?v=1724679271","variant_ids":[46607240134906]},"available":false,"name":"Dressing \/ Piercing Split 7\" [LATHE CUT] \/ TAPE - 7\" vinyl [lathe cut]","public_title":"7\" vinyl [lathe cut]","options":["7\" vinyl [lathe cut]"],"price":1795,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34782435836154,"position":2,"preview_image":{"aspect_ratio":0.964,"height":1200,"width":1157,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_a26640b3-73e3-4bb5-b020-402652f73cd7.jpg?v=1724679271"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46607240167674,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42104680317178,"product_id":8607520882938,"position":4,"created_at":"2024-08-26T22:34:29+09:00","updated_at":"2024-08-26T22:34:31+09:00","alt":null,"width":750,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr4.jpg?v=1724679271","variant_ids":[46607240167674]},"available":true,"name":"Dressing \/ Piercing Split 7\" [LATHE CUT] \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":1195,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34782435901690,"position":4,"preview_image":{"aspect_ratio":0.625,"height":1200,"width":750,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr4.jpg?v=1724679271"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_59172385-2b5a-4c89-ba1d-c1990fe1b1af.jpg?v=1724679271","\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_a26640b3-73e3-4bb5-b020-402652f73cd7.jpg?v=1724679271","\/\/tobirarecords.com\/cdn\/shop\/files\/dr3_895c249c-d2e4-4a5b-8b53-72ca50d0d09c.jpg?v=1724679270","\/\/tobirarecords.com\/cdn\/shop\/files\/dr4.jpg?v=1724679271"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_59172385-2b5a-4c89-ba1d-c1990fe1b1af.jpg?v=1724679271","options":["Format"],"media":[{"alt":null,"id":34782435803386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_59172385-2b5a-4c89-ba1d-c1990fe1b1af.jpg?v=1724679271"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_59172385-2b5a-4c89-ba1d-c1990fe1b1af.jpg?v=1724679271","width":700},{"alt":null,"id":34782435836154,"position":2,"preview_image":{"aspect_ratio":0.964,"height":1200,"width":1157,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_a26640b3-73e3-4bb5-b020-402652f73cd7.jpg?v=1724679271"},"aspect_ratio":0.964,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_a26640b3-73e3-4bb5-b020-402652f73cd7.jpg?v=1724679271","width":1157},{"alt":null,"id":34782435868922,"position":3,"preview_image":{"aspect_ratio":0.936,"height":1200,"width":1123,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr3_895c249c-d2e4-4a5b-8b53-72ca50d0d09c.jpg?v=1724679270"},"aspect_ratio":0.936,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr3_895c249c-d2e4-4a5b-8b53-72ca50d0d09c.jpg?v=1724679270","width":1123},{"alt":null,"id":34782435901690,"position":4,"preview_image":{"aspect_ratio":0.625,"height":1200,"width":750,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr4.jpg?v=1724679271"},"aspect_ratio":0.625,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr4.jpg?v=1724679271","width":750}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアイルランドのDressingとアメリカのPiercingポストハーシュノイズ作家2名が、2024年4月にPiercing主宰レーベルAbhorrent A.D.からリリースしたスプリットアルバムです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ノイズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003eDressingの\u003ca href=\"https:\/\/tobirarecords.com\/products\/dressing-old-town-cd\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現在最も型破りな2つのプロジェクトによる、必然的かつ賢明なスプリットリリース。両者とも、伝統的なテープミュージックのテクニックに加え、エレクトロアコースティックやフリー・インプロヴィゼーションの側面から引き出された無限の実験性を大胆不敵に取り入れることで、常に現代のHarsh Noiseの境界線を押し広げている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e両アーティストとも、一見ランダムで奇妙なソースを集め、それを音のパズルのような精巧なファウンド・サウンドのコラージュに詰め込む傾向がある。各パーツはそれぞれ独自の方法で一体化しており、聴く者の耳を満足させたり、当惑させたりしながら惹きつけてやまない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3957508296\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\"\u003ehere\u003c\/a\u003e to see more Abhorrent A.D. releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 7\" clear\/lathe cut vinyl or cassette in ziplock bag w\/ artwork insert. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dressing Side 06:15\u003cbr\u003e2. Piercing Side 06:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAbhorrent A.D.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn inevitable and sensible split release between two of today's most unconventional projects, both consistently pushing the boundaries of contemporary Harsh Noise by fearlessly incorporating limitless experimentation drawn from tried-and-true tape music techniques, as well as aspects of electroacoustic and free improv.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoth artists have a tendency to collect seemingly random and bizarre sources that are then crammed together into an elaborate found sound collage akin to a sonic puzzle. Each part is integral in its own way, keeping the listeners ear engaged, ranging from satisfying to perplexing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dressing \/ Piercing\u003c\/p\u003e\n\u003cp\u003eLabel : Abhorrent A.D. \u003c\/p\u003e"}
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This is a split album released in April 2 by two post-harsh noise artists, Dressing from Ireland and Piercing from the United States, from Piercing's label Abhorrent AD. It includes two collage noise tracks. Dressing's latest work is also recommended. *We will send you the digital sound source for free, so please feel free to contact us. "An inevitable and wise split release by two of the most unconventional projects today. Both are constantly pushing the boundaries of contemporary harsh noise by fearlessly embracing traditional tape music techniques as well as infinite experimentation drawn from aspects of electroacoustic and free improvisation. Both artists have a tendency to collect seemingly random and strange sources and pack them into elaborate collages of found sounds like sonic puzzles. Each part is integrated in its own way, satisfying and perplexing the listener's ears while never failing to attract them." Other works on the label are here /// Click here to see more Abhorrent AD...
€11,95