Voidloss // XV LP
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A techno writer from South Africa and living in the United KingdomSteve This is the latest record released by Voidless on the techno label HC in Valencia, Spain in February 2022.
Contains 6 techno songs with melodic arpeggios related to beats.
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Edition of 300.
***
Detailed track information, text by HC Records
"A-1 Cohesion, Sunrays, Farmhouse, Gijón.
This is an acoustic piece without rhythmic structure that we qualify as a masterpiece of this genius. All the feeling of this cohesion among all electronic music lovers that we are in this together. This song is absolutely beautiful, a crossover with Skee Mask 07 vaporware re -interpreted by Donato Dozzy but in a Voidloss style. An almost-eight-minute wonder with a Win Mertens ending. Pure emotion. First tear warning.
A-2 I left my heart in Killing Time.
Steve's second track is a tribute to our Ruzafa sanctuary here in Valencia. 12 are also the years of the trajectory of this dance club of the Levantine underground. The title could not be more expressive. This pure feeling and melancholy song has his industrial techno structure signature. With two well-differentiated London-school parts, in the first one it tenses you up and, in the second, it directly makes your hair stand on end. Second tears-to-come warning.
B-1 Meat Hook Beauty (Iron Oxide and Blood Mix / Live At Lanna Club by Pure Works)
We return to the Asturian magic for the final and definitive version of the ultra-classic Meat Hook Beauty. The anthem with which this label started. This is the latest version of this completely iconic song for the author and for the collective. This is the common thread that brought us closer in its day, when in September 2009 we discovered the original song by the Portuguese label Labyrinth records. Since then, and on each of Steve's visits, he has completely changed his live-set and only one song was repeated , Meat Hook Beauty, for which Voidloss prepared a new mix, a new edit, an updated version. After one of his live-sets in Valencia, we asked him if, for the following chance, he could create the definitive version in a warmer tempo. That opportunity came in Asturias and the impact was stratospheric.
With a kick on the verge of distortion, with extremely low frequencies, as if hidden in a sub-bass acoustic enclosure, the first break and stop of the song, with the church organ, absolutely tore our skin and you could see in our veins The flow of our hearts pumping as we felt that moment. The main keys appear in a measured tone replying to themselves with the help of the reverb. He breaks the song and directs us to his second break, where the artist mixes the following original argument of the song: that Andalusian influence that unites the artist and the collective so much, due to the passion that both have in this eastern course of the Spanish Middle Ages and the current southern Spain in the Andalusian region, where the British spent his childhood vacations And that left him completely influenced by what he saw and felt in those moments when creating music in his maturity. The final keys touches, in the replies, confirm this version as possibly the most complete and, at the same ti me, complex of this authentic hymn of universal techno that is almost 10 minutes long. The tears of pure emotion here are now definite.
This mix and this song are the theme of the cover, painted in oil by his own niece Caitlin Schladwieler.
B-2 The Last Sunrise
The vinyl is closed by this apocalyptic and very intimate vision of the author of the last sunrise that we lived together last May 2019 in Barcelona, after the Subsist Records showcase for its tenth anniversary at The Bass Valley BCN and driving through the streets of That was the last time we saw the Catalan capital, in search for the rest at the hotel and the farewell. That weekend, we walked together through the ancient Roman city of Barcino and through the medieval Gothic district, which Steve liked a lot. great Voidloss in person, since then COVID-19 arrived and it has been impossible to see each other again. A decadent piece in the harmonies and with great depth in its development, it leads us to a very favourable-for-the-mix hypnotic ending. "
Artist: Voidloss
Label: HC Records
A techno writer from South Africa and living in the United KingdomSteve This is the latest record released by Voidless on the techno label HC in Valencia, Spain in February 2022.
Contains 6 techno songs with melodic arpeggios related to beats.
--------------------------------
Edition of 300.
***
Detailed track information, text by HC Records
"A-1 Cohesion, Sunrays, Farmhouse, Gijón.
This is an acoustic piece without rhythmic structure that we qualify as a masterpiece of this genius. All the feeling of this cohesion among all electronic music lovers that we are in this together. This song is absolutely beautiful, a crossover with Skee Mask 07 vaporware re -interpreted by Donato Dozzy but in a Voidloss style. An almost-eight-minute wonder with a Win Mertens ending. Pure emotion. First tear warning.
A-2 I left my heart in Killing Time.
Steve's second track is a tribute to our Ruzafa sanctuary here in Valencia. 12 are also the years of the trajectory of this dance club of the Levantine underground. The title could not be more expressive. This pure feeling and melancholy song has his industrial techno structure signature. With two well-differentiated London-school parts, in the first one it tenses you up and, in the second, it directly makes your hair stand on end. Second tears-to-come warning.
B-1 Meat Hook Beauty (Iron Oxide and Blood Mix / Live At Lanna Club by Pure Works)
We return to the Asturian magic for the final and definitive version of the ultra-classic Meat Hook Beauty. The anthem with which this label started. This is the latest version of this completely iconic song for the author and for the collective. This is the common thread that brought us closer in its day, when in September 2009 we discovered the original song by the Portuguese label Labyrinth records. Since then, and on each of Steve's visits, he has completely changed his live-set and only one song was repeated , Meat Hook Beauty, for which Voidloss prepared a new mix, a new edit, an updated version. After one of his live-sets in Valencia, we asked him if, for the following chance, he could create the definitive version in a warmer tempo. That opportunity came in Asturias and the impact was stratospheric.
With a kick on the verge of distortion, with extremely low frequencies, as if hidden in a sub-bass acoustic enclosure, the first break and stop of the song, with the church organ, absolutely tore our skin and you could see in our veins The flow of our hearts pumping as we felt that moment. The main keys appear in a measured tone replying to themselves with the help of the reverb. He breaks the song and directs us to his second break, where the artist mixes the following original argument of the song: that Andalusian influence that unites the artist and the collective so much, due to the passion that both have in this eastern course of the Spanish Middle Ages and the current southern Spain in the Andalusian region, where the British spent his childhood vacations And that left him completely influenced by what he saw and felt in those moments when creating music in his maturity. The final keys touches, in the replies, confirm this version as possibly the most complete and, at the same ti me, complex of this authentic hymn of universal techno that is almost 10 minutes long. The tears of pure emotion here are now definite.
This mix and this song are the theme of the cover, painted in oil by his own niece Caitlin Schladwieler.
B-2 The Last Sunrise
The vinyl is closed by this apocalyptic and very intimate vision of the author of the last sunrise that we lived together last May 2019 in Barcelona, after the Subsist Records showcase for its tenth anniversary at The Bass Valley BCN and driving through the streets of That was the last time we saw the Catalan capital, in search for the rest at the hotel and the farewell. That weekend, we walked together through the ancient Roman city of Barcino and through the medieval Gothic district, which Steve liked a lot. great Voidloss in person, since then COVID-19 arrived and it has been impossible to see each other again. A decadent piece in the harmonies and with great depth in its development, it leads us to a very favourable-for-the-mix hypnotic ending. "
Artist: Voidloss
Label: HC Records
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