Recital
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{"id":5768800927909,"title":"FPBJPC \/\/ Jubilee LP","handle":"pre-order-fpbjpc-jubilee-lp","description":"\u003cp\u003eアメリカのFluxus直系アート集団FPBJPCの新譜がSean McCann主宰Recitalより2020年9月リリース。過去5年間で制作された楽曲からは、純粋に音楽を楽しむ彼らの姿勢が見てとれます。オープニングの 「At 'YMCA 」は、不協和音のピアノから始まり、ゆっくりとベートーヴェンの交響曲第9番に集約されていき、思わずクスッと笑わずにはいられません。真面目に不真面目を体現する傑作。20ページの写真集が付属。100部限定です。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/890695333\u0026amp;color=d1cab8\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r77-fpbjpc\" title='R77 - FPBJPC - \"At Recital’s Earth Day Gala 2019\" excerpt from Jubilee LP' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eR77 - FPBJPC - \"At Recital’s Earth Day Gala 2019\" excerpt from Jubilee LP\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJubilee is an album of selections from the last five years of multifarious output by the art collective FPBJPC, including Jonathan Gean, Michael Pollard, Ben Schumacher, and Peter Friel. Including 8-hand piano arrangements of Schiller’s “An Die Freude,” helpful techno, free guitar quartets, music from their film The China Chalet Group, and more, Jubilee is an incomplete picture of FPBJPC’s life-long research into ways of hanging out. Side A ends with an anthemic Interpol “cover” performed at the collective’s own Responsibility Festival, which took over southern Ontario’s Wolfe Island for a weekend in the summer of 2019.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEverything in FPBJPC’s oeuvre requires you to tilt your head to adjust where the glare obscures the picture. Or there’s no glare, but we’re accustomed to thinking there ought to be one. I was in the audience for the 2019 Recital Earth Day Gala concert, and during FPBJPC’s set someone in the audience muttered to me, “perfect music.” At the Interpol concert, I was also in the audience. I didn’t know the words and didn’t feel like crowdsurfing, but I was very happy to be there. This music helps me remember how to learn how to love. Maybe in the last seventy years or so the loveless mistrust of fucks given has become the cruel, background fuck whose givenness is a given. FPBJPC invites us to relieve ourselves of that cruelty and, thereby, invites us back into love. Perfect music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : FPBJPC\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e","published_at":"2020-10-10T06:53:43+09:00","created_at":"2020-10-10T06:53:41+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","folk \/ vocal \/ band","lp","new","noise","recital","recommended","sound poetry","strange beats"],"price":392700,"price_min":392700,"price_max":392700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36650195976357,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"FPBJPC \/\/ Jubilee LP","public_title":null,"options":["Default Title"],"price":392700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R77cover.png?v=1602280423","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021449932_10.jpg?v=1602280423"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R77cover.png?v=1602280423","options":["Title"],"media":[{"alt":null,"id":12030588584101,"position":1,"preview_image":{"aspect_ratio":1.001,"height":1380,"width":1382,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R77cover.png?v=1602280423"},"aspect_ratio":1.001,"height":1380,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R77cover.png?v=1602280423","width":1382},{"alt":null,"id":12030588616869,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021449932_10.jpg?v=1602280423"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021449932_10.jpg?v=1602280423","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのFluxus直系アート集団FPBJPCの新譜がSean McCann主宰Recitalより2020年9月リリース。過去5年間で制作された楽曲からは、純粋に音楽を楽しむ彼らの姿勢が見てとれます。オープニングの 「At 'YMCA 」は、不協和音のピアノから始まり、ゆっくりとベートーヴェンの交響曲第9番に集約されていき、思わずクスッと笑わずにはいられません。真面目に不真面目を体現する傑作。20ページの写真集が付属。100部限定です。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/890695333\u0026amp;color=d1cab8\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r77-fpbjpc\" title='R77 - FPBJPC - \"At Recital’s Earth Day Gala 2019\" excerpt from Jubilee LP' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eR77 - FPBJPC - \"At Recital’s Earth Day Gala 2019\" excerpt from Jubilee LP\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJubilee is an album of selections from the last five years of multifarious output by the art collective FPBJPC, including Jonathan Gean, Michael Pollard, Ben Schumacher, and Peter Friel. Including 8-hand piano arrangements of Schiller’s “An Die Freude,” helpful techno, free guitar quartets, music from their film The China Chalet Group, and more, Jubilee is an incomplete picture of FPBJPC’s life-long research into ways of hanging out. Side A ends with an anthemic Interpol “cover” performed at the collective’s own Responsibility Festival, which took over southern Ontario’s Wolfe Island for a weekend in the summer of 2019.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEverything in FPBJPC’s oeuvre requires you to tilt your head to adjust where the glare obscures the picture. Or there’s no glare, but we’re accustomed to thinking there ought to be one. I was in the audience for the 2019 Recital Earth Day Gala concert, and during FPBJPC’s set someone in the audience muttered to me, “perfect music.” At the Interpol concert, I was also in the audience. I didn’t know the words and didn’t feel like crowdsurfing, but I was very happy to be there. This music helps me remember how to learn how to love. Maybe in the last seventy years or so the loveless mistrust of fucks given has become the cruel, background fuck whose givenness is a given. FPBJPC invites us to relieve ourselves of that cruelty and, thereby, invites us back into love. Perfect music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : FPBJPC\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e"}
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A new album by Fluxus direct art group FPB JPC from the United States will be released in September 2020 by Sean McCann's Recital.From the songs produced in the last five years, we can see their attitude of purely enjoying music.The opening "At'YMCA" begins with a dissonant piano and slowly aggregates into Beethoven's Symphony No. 9, and I can't help but laugh.A masterpiece that embodies seriousness and disrespect. A 5-page photo book is included. Limited to 9 copies. Recital · R20 --FPBJPC-"At Recital's Earth ...
¥ 3,927
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{"id":5768755937445,"title":"Charlie Morrow \/\/ America Lament LP","handle":"pre-order-charlie-morrow-america-lament-lp","description":"\u003cp\u003e映画のサウンドトラックや博物館でのサウンドインスタレーション、病院のチャイムなど様々な活動を行う作曲家Charlie Morrowの新作がSean McCann主宰Recitalから2020年10月リリース。彼のあらゆる音楽への興味関心がこの1枚に凝縮されており、アイリッシュ・ラップパイプ、恍惚としたジャズ、シューベルトのレコンポジション、アンビエントフルート、弦楽四重奏などあらゆるものを用いた作品で構成されています。\u003c\/p\u003e\n\u003cp\u003e20ページのブックレットには楽譜やインタビューが掲載されています。300部限定。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1963135948\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/america-lament\"\u003eAmerica Lament by Charlie Morrow\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmerica Lament is a panoramic musical survey of legendary experimental composer\/event-maker Charlie Morrow’s eclectic works. At just over 40-minutes, America Lament is mysterious, beguiling, and jubilant, comprised of pieces employing everything from hand-made electronics to Irish lap pipes, ecstatic jazz to Schubert recompositions, ambient flutes, and a string quartet. Charlie Morrow and Recital’s Sean McCann excavated 50 years of Morrow’s bottomless archive, from 1970 to 2020, to present this follow-up to 2018’s Recital release Toot! Too.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCharlie Morrow (b. 1942 in Newark, NJ) is a composer, sound artist, performer, and innovator. With concert performances and ad jingles (including Hefty trash bags – “Hefty, Hefty, Hefty! Wimpy, wimpy, wimpy!”), city-wide events and film soundtracks, museum sound installations and hospital sound environments, Morrow’s work has been experienced by a wider audience than most creative artists can claim.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCharlie’s music has a melody and depth to it that I feel is absent from a lot of avant-garde music. His keen interest in all musical styles seem to inform this harmony. Charlie’s drive to interconnect people and ideas is contagious and affirming, and working with\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehim has been one of the pleasures of my life. We have forthcoming releases in 2021 by Alison Knowles, Jerome Rothenberg, and a box set of the 1980 International Sound Poetry Festival.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Charlie Morrow \u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-10-10T06:38:12+09:00","created_at":"2020-10-10T06:38:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","folk \/ left-field pop","folk \/ vocal \/ band","jazz","lp","neo classical","Recital","sound poetry"],"price":322300,"price_min":322300,"price_max":322300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36650087153829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charlie Morrow \/\/ America Lament LP","public_title":null,"options":["Default Title"],"price":322300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R81_Morrow-Cover-1536x1536.jpg?v=1602279492"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R81_Morrow-Cover-1536x1536.jpg?v=1602279492","options":["Title"],"media":[{"alt":null,"id":12030008328357,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1536,"width":1536,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R81_Morrow-Cover-1536x1536.jpg?v=1602279492"},"aspect_ratio":1.0,"height":1536,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R81_Morrow-Cover-1536x1536.jpg?v=1602279492","width":1536}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e映画のサウンドトラックや博物館でのサウンドインスタレーション、病院のチャイムなど様々な活動を行う作曲家Charlie Morrowの新作がSean McCann主宰Recitalから2020年10月リリース。彼のあらゆる音楽への興味関心がこの1枚に凝縮されており、アイリッシュ・ラップパイプ、恍惚としたジャズ、シューベルトのレコンポジション、アンビエントフルート、弦楽四重奏などあらゆるものを用いた作品で構成されています。\u003c\/p\u003e\n\u003cp\u003e20ページのブックレットには楽譜やインタビューが掲載されています。300部限定。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1963135948\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/america-lament\"\u003eAmerica Lament by Charlie Morrow\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmerica Lament is a panoramic musical survey of legendary experimental composer\/event-maker Charlie Morrow’s eclectic works. At just over 40-minutes, America Lament is mysterious, beguiling, and jubilant, comprised of pieces employing everything from hand-made electronics to Irish lap pipes, ecstatic jazz to Schubert recompositions, ambient flutes, and a string quartet. Charlie Morrow and Recital’s Sean McCann excavated 50 years of Morrow’s bottomless archive, from 1970 to 2020, to present this follow-up to 2018’s Recital release Toot! Too.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCharlie Morrow (b. 1942 in Newark, NJ) is a composer, sound artist, performer, and innovator. With concert performances and ad jingles (including Hefty trash bags – “Hefty, Hefty, Hefty! Wimpy, wimpy, wimpy!”), city-wide events and film soundtracks, museum sound installations and hospital sound environments, Morrow’s work has been experienced by a wider audience than most creative artists can claim.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCharlie’s music has a melody and depth to it that I feel is absent from a lot of avant-garde music. His keen interest in all musical styles seem to inform this harmony. Charlie’s drive to interconnect people and ideas is contagious and affirming, and working with\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehim has been one of the pleasures of my life. We have forthcoming releases in 2021 by Alison Knowles, Jerome Rothenberg, and a box set of the 1980 International Sound Poetry Festival.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Charlie Morrow \u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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A new work by composer Charlie Morrow, who is engaged in various activities such as movie soundtracks, museum sound installations, and hospital chimes, will be released in October 2020 by Sean McCann's Recital.His interest in all kinds of music is condensed into this one piece, which consists of works using everything from Irish rap pipes, ecstatic jazz, Schubert's recomposition, ambient flute, string quartet, etc. I will. The 10-page booklet contains sheet music and interviews. Limited to 1 copies. America Lament by Charlie Morrow America Lament is a panoramic ...
¥ 3,223
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{"id":5768714125477,"title":"Philip Corner \/\/ Through Mysterious Barricades with George Maciunas LP","handle":"philip-corner-through-mysterious-barricades-with-george-maciunas-lp","description":"\u003cp\u003e2020年初めにイタリアで行ったボイスパフォーマンスの録音と、François Couperin（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eバロックのフランス人作曲家）の楽曲「\u003cmeta charset=\"utf-8\"\u003eThe Mysterious Barricades」をPhilip Cornerが演奏したものをSean McCannが編集した楽曲などを収録。Philipが\u003cmeta charset=\"utf-8\"\u003eFrançois Couperinについて綴ったブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/890697442\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA.) new Philip Corner LP on Recital\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB.) voice recordings from a small performance in Italy, early in 2020 - Homages to\/from George Maciunas [1931-1978]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC.) Corner’s piano meditative playthroughs of Couperin’s The Mysterious Barricades [1717], from 1989 and 1992\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.) These two elements (voice and piano) superimposed by Sean McCann, edited during the first month of the pandemic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE.) Manic exaltation, distorted harmony things\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF.) Album cover is a few PC scores soaked in olive oil and held in-front of the sun through my kitchen window\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eG.) Booklet features passionate writings on the Couperin piece and its meaning by Corner\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eH.) Philip wrote a new reflection for this LP edition, “The Mesure of the Mystery” this August\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI.) This album is built from fine ingredients: beautiful piano with stomach-clenching voice stretches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Philip Corner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-10T06:22:22+09:00","created_at":"2020-10-10T06:22:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","recital","sound poetry"],"price":322300,"price_min":322300,"price_max":322300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36649967124645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Philip Corner \/\/ Through Mysterious Barricades with George Maciunas LP","public_title":null,"options":["Default Title"],"price":322300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R79cover-1536x1530.png?v=1602278542","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021450011_10.jpg?v=1602278542","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021450009_10.jpg?v=1602278542"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R79cover-1536x1530.png?v=1602278542","options":["Title"],"media":[{"alt":null,"id":12029430235301,"position":1,"preview_image":{"aspect_ratio":1.004,"height":1530,"width":1536,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R79cover-1536x1530.png?v=1602278542"},"aspect_ratio":1.004,"height":1530,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R79cover-1536x1530.png?v=1602278542","width":1536},{"alt":null,"id":12029430268069,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021450011_10.jpg?v=1602278541"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021450011_10.jpg?v=1602278541","width":1200},{"alt":null,"id":12029430300837,"position":3,"preview_image":{"aspect_ratio":1.026,"height":1170,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021450009_10.jpg?v=1602278541"},"aspect_ratio":1.026,"height":1170,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021450009_10.jpg?v=1602278541","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2020年初めにイタリアで行ったボイスパフォーマンスの録音と、François Couperin（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eバロックのフランス人作曲家）の楽曲「\u003cmeta charset=\"utf-8\"\u003eThe Mysterious Barricades」をPhilip Cornerが演奏したものをSean McCannが編集した楽曲などを収録。Philipが\u003cmeta charset=\"utf-8\"\u003eFrançois Couperinについて綴ったブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/890697442\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA.) new Philip Corner LP on Recital\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB.) voice recordings from a small performance in Italy, early in 2020 - Homages to\/from George Maciunas [1931-1978]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC.) Corner’s piano meditative playthroughs of Couperin’s The Mysterious Barricades [1717], from 1989 and 1992\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.) These two elements (voice and piano) superimposed by Sean McCann, edited during the first month of the pandemic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE.) Manic exaltation, distorted harmony things\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF.) Album cover is a few PC scores soaked in olive oil and held in-front of the sun through my kitchen window\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eG.) Booklet features passionate writings on the Couperin piece and its meaning by Corner\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eH.) Philip wrote a new reflection for this LP edition, “The Mesure of the Mystery” this August\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI.) This album is built from fine ingredients: beautiful piano with stomach-clenching voice stretches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : Philip Corner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e"}
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Includes a recording of a voice performance in Italy in early 2020, and a song edited by Sean McCann by Philip Corner playing the song "The Mysterious Barricades" by François Couperin (French composer of Baroque). Includes a booklet by Philip about François Couperin. A.) new Philip Corner LP on Recital B.) voice recordings ...
¥ 3,223
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{"id":4878225506436,"title":"Sean McCann \/\/ Puck LP","handle":"sean-mccann-puck-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003ePuck\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis here.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003eMusic for Public Ensemble,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003emy previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eAnd three years before that was\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePrivate Ensemble\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003ePuck\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePuck\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ebalances on the rooftop, tipping side to side in the fog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:46:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","neo classical","new","Recital","recommended","sound poetry"],"price":316800,"price_min":316800,"price_max":316800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563807154308,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sean McCann \/\/ Puck LP","public_title":null,"options":["Default Title"],"price":316800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","options":["Title"],"media":[{"alt":null,"id":7816559329412,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003ePuck\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis here.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003eMusic for Public Ensemble,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003emy previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eAnd three years before that was\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePrivate Ensemble\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003ePuck\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePuck\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ebalances on the rooftop, tipping side to side in the fog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e"}
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artist: Sean McCannlabel: Recital Puck is here. Music for Public Ensemble, my previous album, ...
¥ 3,168
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{"id":4849414504580,"title":"Michel Samson \u0026 Rebecca Samson \/\/ The Claviorganum \u0026 the Violin LP","handle":"michel-samson-rebecca-samson-the-claviorganum-the-violin-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Michel Samson \u0026amp; Rebecca Samson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/617127963\u0026amp;color=a04840\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r63-michel-samson-rebecca-samson\" title=\"R63 - Michel Samson \u0026amp; Rebecca Samson - \" sonata=\"\" seconda=\"\" from=\"\" the=\"\" claviorganum=\"\" violin=\"\" lp=\"\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\"\u003eR63 - Michel Samson \u0026amp; Rebecca Samson - \"Sonata Seconda 1631\" from The Claviorganum \u0026amp; the Violin LP\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is the first published recording of Michel Samson since his unparalleled work with Albert Ayler’s quintet in the late 1960s.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSamson’s violin playing has changed me.\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003eHis great\u003c\/span\u003e exuberance and ecstasy, all sliding through an interlocking sadness.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSince I first began Recital, I have dreamt of contacting Michel to publish an album that gives reverence to his violin playing.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSeven years later, it has come to be.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe collection on this LP holds numerous 17th-Century works of the Italian baroque, performed by Michel Samson and his wife, Rebecca.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eIt showcases some of the earliest music composed for the violin as a featured soloist.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eRebecca accompanies on a replica – believed to be the only extant replica in the United States – of the claviorganum, a rare and curious instrument that traces back to the 15th century.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eComprised of both an organ and a harpsichord integrated into a single case, the claviorganum harkens to a time of experimentation and artistry of design.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eMichel’s violin was made by Francesco Gobetti in 1718; its sound carries beautifully throughout the room.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSamson worked as a dealer of rare and antique violins for many years, and has an ear for majestic craftsmanship.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe style adopted by Italian composers during the baroque was one of heightened lyricism, emotion, and ornamentation, especially when voiced through the violin; it is no accident that Michel’s unique approach to articulation and intonation speaks both to the present and the past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn these recordings you can hear the same joy dripping across the strings, as in his days with Ayler.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eIt shows what beauty can be instilled inside someone.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eRebecca’s playing is exquisite, too, complimenting each movement as they fold on.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ePlease enjoy this special album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eSean McCann [with contributions by Sarah Davachi], April 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eLimited Edition LP of 250pc\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e8-page insert with program notes and paintings by Michel Samson\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-07-31T14:18:44+09:00","created_at":"2020-04-20T15:43:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","Recital"],"price":231000,"price_min":231000,"price_max":231000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33462659547268,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Michel Samson \u0026 Rebecca Samson \/\/ The Claviorganum \u0026 the Violin LP","public_title":null,"options":["Default Title"],"price":231000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R63coverSM.png?v=1587853150"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R63coverSM.png?v=1587853150","options":["Title"],"media":[{"alt":null,"id":7816303214724,"position":1,"preview_image":{"aspect_ratio":1.001,"height":883,"width":884,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R63coverSM.png?v=1587853150"},"aspect_ratio":1.001,"height":883,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R63coverSM.png?v=1587853150","width":884}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Michel Samson \u0026amp; Rebecca Samson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/617127963\u0026amp;color=a04840\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r63-michel-samson-rebecca-samson\" title=\"R63 - Michel Samson \u0026amp; Rebecca Samson - \" sonata=\"\" seconda=\"\" from=\"\" the=\"\" claviorganum=\"\" violin=\"\" lp=\"\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\"\u003eR63 - Michel Samson \u0026amp; Rebecca Samson - \"Sonata Seconda 1631\" from The Claviorganum \u0026amp; the Violin LP\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is the first published recording of Michel Samson since his unparalleled work with Albert Ayler’s quintet in the late 1960s.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSamson’s violin playing has changed me.\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e \u003c\/span\u003eHis great\u003c\/span\u003e exuberance and ecstasy, all sliding through an interlocking sadness.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSince I first began Recital, I have dreamt of contacting Michel to publish an album that gives reverence to his violin playing.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSeven years later, it has come to be.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe collection on this LP holds numerous 17th-Century works of the Italian baroque, performed by Michel Samson and his wife, Rebecca.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eIt showcases some of the earliest music composed for the violin as a featured soloist.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eRebecca accompanies on a replica – believed to be the only extant replica in the United States – of the claviorganum, a rare and curious instrument that traces back to the 15th century.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eComprised of both an organ and a harpsichord integrated into a single case, the claviorganum harkens to a time of experimentation and artistry of design.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eMichel’s violin was made by Francesco Gobetti in 1718; its sound carries beautifully throughout the room.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSamson worked as a dealer of rare and antique violins for many years, and has an ear for majestic craftsmanship.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe style adopted by Italian composers during the baroque was one of heightened lyricism, emotion, and ornamentation, especially when voiced through the violin; it is no accident that Michel’s unique approach to articulation and intonation speaks both to the present and the past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn these recordings you can hear the same joy dripping across the strings, as in his days with Ayler.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eIt shows what beauty can be instilled inside someone.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eRebecca’s playing is exquisite, too, complimenting each movement as they fold on.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ePlease enjoy this special album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eSean McCann [with contributions by Sarah Davachi], April 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eLimited Edition LP of 250pc\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e8-page insert with program notes and paintings by Michel Samson\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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artist: Michel Samson & Rebecca Samsonlabel: Recital Recital · R63 --Michel ...
¥ 2,310
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{"id":4849278910596,"title":"Charlie Morrow \/\/ Toot! Too LP","handle":"charlie-morrow-toot-too-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Charlie Morrow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427443486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2957281593\/transparent=true\/\" seamless=\"\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427443486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3725311552\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/toot-too\"\u003eToot! Too by Charlie Morrow\u003c\/a\u003e\u003c\/iframe\u003e","published_at":"2020-04-20T13:37:16+09:00","created_at":"2020-04-20T14:41:56+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","Recital","sound art"],"price":272800,"price_min":272800,"price_max":272800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33462038790276,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charlie Morrow \/\/ Toot! Too LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cm.jpg?v=1587361318"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cm.jpg?v=1587361318","options":["Title"],"media":[{"alt":null,"id":7717854150788,"position":1,"preview_image":{"aspect_ratio":1.008,"height":594,"width":599,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cm.jpg?v=1587361318"},"aspect_ratio":1.008,"height":594,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/cm.jpg?v=1587361318","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Charlie Morrow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427443486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2957281593\/transparent=true\/\" seamless=\"\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427443486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3725311552\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/toot-too\"\u003eToot! Too by Charlie Morrow\u003c\/a\u003e\u003c\/iframe\u003e"}
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artist: Charlie Morrowlabel: Recital Toot! Too by Charlie Morrow
¥ 2,728
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{"id":4849165369476,"title":"Matthew Sullivan \/\/ Matthew LP","handle":"matthew-sullivan-matthew","description":"\u003cp\u003e2007-2012年のアメリカ西海岸アンビエントシーンで活躍したカセットレーベルEkheinの主宰者であり、Earnなどの名義でリリースを重ねてきたMatthew Sullivanによるソロ名義がRecitalよりリリース。\u003c\/p\u003e\n\u003cp\u003eartist : Matthew Sullivan\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2020-04-20T11:29:10+09:00","created_at":"2020-04-20T13:22:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","Recital"],"price":272800,"price_min":272800,"price_max":272800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33461660418180,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matthew Sullivan \/\/ Matthew LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/matthew.jpg?v=1587356542"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/matthew.jpg?v=1587356542","options":["Title"],"media":[{"alt":null,"id":7717268717700,"position":1,"preview_image":{"aspect_ratio":1.003,"height":597,"width":599,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/matthew.jpg?v=1587356542"},"aspect_ratio":1.003,"height":597,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/matthew.jpg?v=1587356542","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2007-2012年のアメリカ西海岸アンビエントシーンで活躍したカセットレーベルEkheinの主宰者であり、Earnなどの名義でリリースを重ねてきたMatthew Sullivanによるソロ名義がRecitalよりリリース。\u003c\/p\u003e\n\u003cp\u003eartist : Matthew Sullivan\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e"}
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The solo name by Matthew Sullivan, who is the owner of the cassette label Ekhein who played an active part in the American West Coast ambient scene from 2007 to 2012 and has been released under the name of Earn etc., is released from Recital. artist: Matthew Sullivan label: Recital
¥ 2,728
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{"id":5768831140005,"title":"Kiera Mulhern \/\/ De ossibus 20 LP","handle":"pre-order-kiera-mulhern-de-ossibus-20-lp","description":"\u003cp\u003e2020年NYから突如現れた女性サウンドポエトリー作家Kiera Mulhernの新譜がSean McCann主宰Recitalより2020年10月リリース。彼女の母が他界した直後に制作されたアルバムです。リリース前に既に廃盤ですのでお早めに。12ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1109866094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/de-ossibus-20\"\u003eDe ossibus 20 by Kiera Mulhern\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDe ossibus 20 is the debut LP by sound artist and poet Kiera Mulhern (b.1992). Bridging classic sound poetry elements with micro studies of the artist’s body and environment. Burying a microphone in a book, this LP picks up fragments of words and memories, humming the rustles of parchment. It reminds me of Henri Chopin at times, busy mouth clusters bang against the air. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKiera made this album as a means of organizing loss after her mother’s death. Recordings of her maternal grandfather and the inside of Mulhern’s throat explore parallel means of investigating family and what gets passed on. The particularities of her family, psychiatry \u0026amp; medicine, became ghosts she followed into the writings of Galen, whose notes on dissection and animal anatomy wind through the text of the LP. Archaeological notes and scraps from the myth of Syrinx blow through the ending of De ossibus 20, as distant pan pipes and flutes fold into each-other.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e","published_at":"2020-10-10T07:05:01+09:00","created_at":"2020-10-10T07:04:59+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","recital","sound poetry"],"price":404800,"price_min":404800,"price_max":404800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36650288611493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kiera Mulhern \/\/ De ossibus 20 LP","public_title":null,"options":["Default Title"],"price":404800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0100412142_10.jpg?v=1602281149"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0100412142_10.jpg?v=1602281149","options":["Title"],"media":[{"alt":null,"id":12030985240741,"position":1,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0100412142_10.jpg?v=1602281149"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0100412142_10.jpg?v=1602281149","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2020年NYから突如現れた女性サウンドポエトリー作家Kiera Mulhernの新譜がSean McCann主宰Recitalより2020年10月リリース。彼女の母が他界した直後に制作されたアルバムです。リリース前に既に廃盤ですのでお早めに。12ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1109866094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/de-ossibus-20\"\u003eDe ossibus 20 by Kiera Mulhern\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDe ossibus 20 is the debut LP by sound artist and poet Kiera Mulhern (b.1992). Bridging classic sound poetry elements with micro studies of the artist’s body and environment. Burying a microphone in a book, this LP picks up fragments of words and memories, humming the rustles of parchment. It reminds me of Henri Chopin at times, busy mouth clusters bang against the air. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKiera made this album as a means of organizing loss after her mother’s death. Recordings of her maternal grandfather and the inside of Mulhern’s throat explore parallel means of investigating family and what gets passed on. The particularities of her family, psychiatry \u0026amp; medicine, became ghosts she followed into the writings of Galen, whose notes on dissection and animal anatomy wind through the text of the LP. Archaeological notes and scraps from the myth of Syrinx blow through the ending of De ossibus 20, as distant pan pipes and flutes fold into each-other.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e"}
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A new album by female sound poetry writer Kiera Mulhern, who suddenly appeared in New York in 2020, will be released in October 2020 by Sean McCann's Recital.This is an album produced shortly after her mother passed away.It is already out of print before the release, so be quick. Includes a 10-page booklet. De ossibus 12 by Kiera Mulhern De ossibus 20 is the ...
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{"id":5768676966565,"title":"Derek Baron \/\/ Curtain LP","handle":"pre-order-derek-baron-curtain-lp","description":"\u003cp\u003eDerek Baronの新作がSean McCann主宰Recitalより150部限定でリリース。過去作とは異なり、本作は日記のような作風で、断片的なメロディやフレーズが現れては消えていきます。それらの書き留められた楽譜やメモが16ページのブックレットにイラスト付きで掲載されています。2020年8月出版、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657682245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/curtain\"\u003eCurtain by Derek Baron\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDerek Baron is a composer, musician, and artist. Curtain is a diary. Both in musical and non-musical situations, they attribute a filmic quality to their journal-like aural self-documentation. Dreams turn real then dissolve. Single phrases and events arrive and leave, abruptly. Yet, the overall sense of place that Baron creates is understood.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOpening Curtain is the eponymous piece. A 21-minute live chamber work for quintet recorded in 2018. A musical assemblage of glued-together fragments and scraps of sheet music from Baron’s past. Compositions wrote in the small margins and folds of paper; illustrated in the art booklet included with the LP. The flute, violin, guitar, keyboard, and bass clarinet phrases saunter at a pre-sleep pace, until a subdued, yet ecstatic Mass theme ushers in periodically. Delivering the warmth of life… it is a slow beauty. It brings me such happiness listening to this piece. Its continuity is cut with scissors and pasted about oddly… all soaked in a certain malaise; a resigned grace.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next piece and other side of the LP, “Chancel,” is rather different. An audio journal flipped through, dropped on the ground, picked up and opened to another page. A confusing montage of world-ized musical snatches: car radios, church choirs emanating to\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe streets, moldy organs, domestic piano recordings. Similarly, machine vibrations, bodega conversations, and other environmental observations segue the harmony and disharmony of this listening experience. I’ll finish with some of Derek’s notes from the booklet: “Co-opting new achievements \/ Thank you for this incredible demonstration \/ This theatre of procedures \/ This consoling play of recognitions \/ No theatre but “what’s that”, \/ Nowhere for the silver ball to roll to. \/ How are we so in love.”\u003cbr\u003e\u003cbr\u003e-Sean McCann (July 2020)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-10T06:10:50+09:00","created_at":"2020-10-10T06:10:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","monooto","neo classical","recital","sound poetry"],"price":371800,"price_min":371800,"price_max":371800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36649838739621,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Derek Baron \/\/ Curtain LP","public_title":null,"options":["Default Title"],"price":371800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R78cover-1024x1019.png?v=1602277850","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021026584_10.jpg?v=1602277850"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R78cover-1024x1019.png?v=1602277850","options":["Title"],"media":[{"alt":null,"id":12028918792357,"position":1,"preview_image":{"aspect_ratio":1.005,"height":1019,"width":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R78cover-1024x1019.png?v=1602277850"},"aspect_ratio":1.005,"height":1019,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R78cover-1024x1019.png?v=1602277850","width":1024},{"alt":null,"id":12028918825125,"position":2,"preview_image":{"aspect_ratio":1.255,"height":956,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021026584_10.jpg?v=1602277850"},"aspect_ratio":1.255,"height":956,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0021026584_10.jpg?v=1602277850","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDerek Baronの新作がSean McCann主宰Recitalより150部限定でリリース。過去作とは異なり、本作は日記のような作風で、断片的なメロディやフレーズが現れては消えていきます。それらの書き留められた楽譜やメモが16ページのブックレットにイラスト付きで掲載されています。2020年8月出版、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657682245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/curtain\"\u003eCurtain by Derek Baron\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDerek Baron is a composer, musician, and artist. Curtain is a diary. Both in musical and non-musical situations, they attribute a filmic quality to their journal-like aural self-documentation. Dreams turn real then dissolve. Single phrases and events arrive and leave, abruptly. Yet, the overall sense of place that Baron creates is understood.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOpening Curtain is the eponymous piece. A 21-minute live chamber work for quintet recorded in 2018. A musical assemblage of glued-together fragments and scraps of sheet music from Baron’s past. Compositions wrote in the small margins and folds of paper; illustrated in the art booklet included with the LP. The flute, violin, guitar, keyboard, and bass clarinet phrases saunter at a pre-sleep pace, until a subdued, yet ecstatic Mass theme ushers in periodically. Delivering the warmth of life… it is a slow beauty. It brings me such happiness listening to this piece. Its continuity is cut with scissors and pasted about oddly… all soaked in a certain malaise; a resigned grace.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next piece and other side of the LP, “Chancel,” is rather different. An audio journal flipped through, dropped on the ground, picked up and opened to another page. A confusing montage of world-ized musical snatches: car radios, church choirs emanating to\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe streets, moldy organs, domestic piano recordings. Similarly, machine vibrations, bodega conversations, and other environmental observations segue the harmony and disharmony of this listening experience. I’ll finish with some of Derek’s notes from the booklet: “Co-opting new achievements \/ Thank you for this incredible demonstration \/ This theatre of procedures \/ This consoling play of recognitions \/ No theatre but “what’s that”, \/ Nowhere for the silver ball to roll to. \/ How are we so in love.”\u003cbr\u003e\u003cbr\u003e-Sean McCann (July 2020)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e"}
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Derek Baron's new album is released by Sean McCann's Recital in a limited edition of 150 copies.Unlike past works, this work has a diary-like style, with fragmentary melodies and phrases appearing and disappearing.These written scores and memos are illustrated in a 16-page booklet. Published in August 2020, already out of print. Curtain by Derek Baron Derek Baron is a composer, musician, and ...
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{"id":4878189035652,"title":"Daniel Schmidt \/\/ Abies Firma LP","handle":"daniel-schmidt-abies-firma-lp","description":"\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/702983002\u0026amp;color=a8896c\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r70-daniel-schmidt-rebab-delay\" title=\"R70 - Daniel Schmidt - \" rebab=\"\" delay=\"\" excerpt=\"\" from=\"\" abies=\"\" firma=\"\" lp=\"\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\"\u003eR70 - Daniel Schmidt - \"Rebab Delay\" excerpt from Abies Firma LP\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIn My Arms, Many Flowers,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ehis majestic debut on Recital\u003ci\u003e.\u003c\/i\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003eAbies Firma\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003elies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e“Unempins\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eto Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e20-page pamphlet holding program notes, scores, \u0026amp; a new essay on American Gamelan by Jay Arms\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:27:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","lp","neo classical","Recital","sound poetry","tape"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563702231172,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Schmidt \/\/ Abies Firma LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","options":["Title"],"media":[{"alt":null,"id":7816394834052,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/702983002\u0026amp;color=a8896c\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r70-daniel-schmidt-rebab-delay\" title=\"R70 - Daniel Schmidt - \" rebab=\"\" delay=\"\" excerpt=\"\" from=\"\" abies=\"\" firma=\"\" lp=\"\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\"\u003eR70 - Daniel Schmidt - \"Rebab Delay\" excerpt from Abies Firma LP\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIn My Arms, Many Flowers,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ehis majestic debut on Recital\u003ci\u003e.\u003c\/i\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003eAbies Firma\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003elies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e“Unempins\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eto Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e20-page pamphlet holding program notes, scores, \u0026amp; a new essay on American Gamelan by Jay Arms\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e"}
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{"id":4849380655236,"title":"Sarah Davachi \/\/ Let Night Come On Bells End The Day LP","handle":"sarah-davachi-let-night-come-on-bells-end-the-day-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSarah DavachiがRecitalよりリリースした名作をデッドストック入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/425275314\u0026amp;color=731319\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r45-sarah-davachi-buhrstone\" title=\"R45 Sarah Davachi -\" end=\"\" style=\"color: #cccccc; text-decoration: none;\" buhrstone=\"\" from=\"\" let=\"\" night=\"\" come=\"\" on=\"\" bells=\"\" the=\"\" day=\"\" lp=\"\" w=\"\" cd=\"\" target=\"_blank\"\u003eR45 Sarah Davachi - \"Buhrstone\" from Let Night Come On Bells End The Day LP w\/ CD\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRecital is joyed to publish the newest record by Canadian composer Sarah Davachi. Currently working on her PhD in Musicology at UCLA, her trajectory has been unorthodox. Hailing from Calgary, Alberta, which, if you’ve never been there, doesn’t really scream “Avant-Garde” (Calgary is the rodeo capital of the world).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eFrom a young age, Sarah was a driven pianist (and figure-skater, although that’s a story for a different time). It is important and interesting that she chose to study esoteric music; as Sarah could have easily been a cowgirl or a concert pianist had her ingrained love of synthesis and sonic phenomenology not taken the wheel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSarah is a considered person. I find few people that have the diligence and resolve to\u003cspan\u003e \u003c\/span\u003e\u003ci\u003etake their time\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewith music… especially in a live context.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI respect that about her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe first time I saw Sarah perform, I presumptuously told her that her music reminded me of my favorite Mirror albums (the exceptional project of Andrew Chalk and Christoph Heemann).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSarah was not familiar with Mirror, so the compliment was initially lost on her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eYears back I was in the same situation when a review compared my music to Andrew Chalk, who was unknown to me at the time.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSo I felt a kinship in our magnetic drift towards unspoken and clustered beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efollows the release of her “sound-wheel” LP\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll My Circles Run,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewhich examines the isolation of different instruments\u003ci\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLet Night Come On…,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003erecorded mainly with a Mellotron and electronic organ,\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efeels like a return to the nest.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eBurrowed in the studio, Davachi was the only performer on this album.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe both splays her compositional architecture and re-contextualizes the essence of her early output.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe chiseled careful and shadowed hymns; anchors of emotion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTwo pillars of this album are “Mordents”, which to my ears drops hints of her love for Progressive rock music – and “Buhrstone,” comparable to a sombre funeral march of piano and flutes. These two examine punctuations of early music, gently plucking melodies and movements.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe three other compositions are tonal works, blowing slow jets of lapping harmonics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWriting this description now, I find it hard to separate “At Hand” from filmmaker Paul Clipson, who made a melancholic film for this piece of Sarah’s.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA fitting title for Sarah and Paul’s relationship – frequently working in orbit of each other, meticulous and tactile.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI cherish this track as a memory of Paul.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is a lovely album to fill an evening living room with. A blanket, a cup of wine, a dim bulb, a wide window.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree beautiful photo-prints by Davachi are included with\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003c\/i\u003e. Frames are not included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e-Sean McCann \/ Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSecond Edition of 500 LPs\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThree art prints of photographs by the artist\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDigital download coupon, containing extended final track\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eartist : Sarah Davachi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","published_at":"2020-04-20T15:30:12+09:00","created_at":"2020-04-20T15:35:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","Recital"],"price":283800,"price_min":283800,"price_max":283800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33462511992964,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sarah Davachi \/\/ Let Night Come On Bells End The Day LP","public_title":null,"options":["Default Title"],"price":283800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426","options":["Title"],"media":[{"alt":null,"id":7816345419908,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSarah DavachiがRecitalよりリリースした名作をデッドストック入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/425275314\u0026amp;color=731319\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r45-sarah-davachi-buhrstone\" title=\"R45 Sarah Davachi -\" end=\"\" style=\"color: #cccccc; text-decoration: none;\" buhrstone=\"\" from=\"\" let=\"\" night=\"\" come=\"\" on=\"\" bells=\"\" the=\"\" day=\"\" lp=\"\" w=\"\" cd=\"\" target=\"_blank\"\u003eR45 Sarah Davachi - \"Buhrstone\" from Let Night Come On Bells End The Day LP w\/ CD\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRecital is joyed to publish the newest record by Canadian composer Sarah Davachi. Currently working on her PhD in Musicology at UCLA, her trajectory has been unorthodox. Hailing from Calgary, Alberta, which, if you’ve never been there, doesn’t really scream “Avant-Garde” (Calgary is the rodeo capital of the world).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eFrom a young age, Sarah was a driven pianist (and figure-skater, although that’s a story for a different time). It is important and interesting that she chose to study esoteric music; as Sarah could have easily been a cowgirl or a concert pianist had her ingrained love of synthesis and sonic phenomenology not taken the wheel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSarah is a considered person. I find few people that have the diligence and resolve to\u003cspan\u003e \u003c\/span\u003e\u003ci\u003etake their time\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewith music… especially in a live context.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI respect that about her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe first time I saw Sarah perform, I presumptuously told her that her music reminded me of my favorite Mirror albums (the exceptional project of Andrew Chalk and Christoph Heemann).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSarah was not familiar with Mirror, so the compliment was initially lost on her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eYears back I was in the same situation when a review compared my music to Andrew Chalk, who was unknown to me at the time.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSo I felt a kinship in our magnetic drift towards unspoken and clustered beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efollows the release of her “sound-wheel” LP\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll My Circles Run,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewhich examines the isolation of different instruments\u003ci\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLet Night Come On…,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003erecorded mainly with a Mellotron and electronic organ,\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efeels like a return to the nest.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eBurrowed in the studio, Davachi was the only performer on this album.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe both splays her compositional architecture and re-contextualizes the essence of her early output.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe chiseled careful and shadowed hymns; anchors of emotion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTwo pillars of this album are “Mordents”, which to my ears drops hints of her love for Progressive rock music – and “Buhrstone,” comparable to a sombre funeral march of piano and flutes. These two examine punctuations of early music, gently plucking melodies and movements.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe three other compositions are tonal works, blowing slow jets of lapping harmonics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWriting this description now, I find it hard to separate “At Hand” from filmmaker Paul Clipson, who made a melancholic film for this piece of Sarah’s.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA fitting title for Sarah and Paul’s relationship – frequently working in orbit of each other, meticulous and tactile.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI cherish this track as a memory of Paul.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is a lovely album to fill an evening living room with. A blanket, a cup of wine, a dim bulb, a wide window.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree beautiful photo-prints by Davachi are included with\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003c\/i\u003e. Frames are not included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e-Sean McCann \/ Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSecond Edition of 500 LPs\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThree art prints of photographs by the artist\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDigital download coupon, containing extended final track\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eartist : Sarah Davachi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e"}
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The masterpiece released by Sarah Davachi from Recital has arrived in dead stock. Recital · R45 Sarah Davachi-"Buhrstone" from Let Night Come On ...
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{"id":4849216356484,"title":"Simple Affections \/\/ Simple Affections LP","handle":"simple-affections-simple-affections-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n","published_at":"2020-04-20T13:37:16+09:00","created_at":"2020-04-20T13:49:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","Recital","sound poetry"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33461837660292,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Simple Affections \/\/ Simple Affections LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/SA.jpg?v=1587358197"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/SA.jpg?v=1587358197","options":["Title"],"media":[{"alt":null,"id":7717469716612,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/SA.jpg?v=1587358197"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/SA.jpg?v=1587358197","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n"}
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artist: Simple Affectionslabel: Recital Simple Affections by Simple Affections
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