Giovanni Di Domenico // Succo di formiche LP
Giovanni Di Domenico // Succo di formiche LP
¥3,158
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Giovanni Di Domenico, an Italian-born Belgian pianist who has presented on tsss and canti magnetici in the past,In July 2023, from New York's ambient ~ neo-classical label Unseen WorldsThis is the released record.
Contains seven songs from neo-classical ambient to experimental jazz. Comes with DL code.
Labels and other worksplease use this form. ///Click here to see more Unseen Worlds releases available at Tobira.
----------------------------
12 "black vinyl.
Unseen Worlds:
"Written and recorded with the goal of creating a one-movement suite in the least amount of time possible, "Succo di formiche" reflects the archetypal joy of music making, the spontaneous impulses underlying its formation, and a love of the record album form. "
Artist: Giovanni Di Domenico
Label: Unseen Worlds
Giovanni Di Domenico, an Italian-born Belgian pianist who has presented on tsss and canti magnetici in the past,In July 2023, from New York's ambient ~ neo-classical label Unseen WorldsThis is the released record.
Contains seven songs from neo-classical ambient to experimental jazz. Comes with DL code.
Labels and other worksplease use this form. ///Click here to see more Unseen Worlds releases available at Tobira.
----------------------------
12 "black vinyl.
Unseen Worlds:
"Written and recorded with the goal of creating a one-movement suite in the least amount of time possible, "Succo di formiche" reflects the archetypal joy of music making, the spontaneous impulses underlying its formation, and a love of the record album form. "
Artist: Giovanni Di Domenico
Label: Unseen Worlds
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{"id":8001029964026,"title":"Carl Stone \/\/ Electronic Music from 1972-2022 3xLP","handle":"carl-stone-electronic-music-from-1972-2022-3x12","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカの実験音楽家／\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e中京大学情報理工学部教授\u003c\/span\u003eCarl Stoneが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年8月に同国NYのアンビエント〜ネオクラシカルレーベルUnseen Worldsから\u003c\/span\u003eリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Electronic Music from 1972-2022』は、Carl Stoneの50年にわたる作曲活動を、1972年にStoneがプロとして発表した初期の作品（Three Confusongsと、後にZ'EVとして知られるステファン・ヴァイザーの歌声と詩をフィーチャーしたRyound Thygyzunz）から現在に至るまで、一挙に紹介するアーカイブ集である。このコレクションは、決定的な歴史としてではなく、むしろ前の2つのアーカイヴ盤と並べて使うための補足的なものである。これは同時に、\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの生誕70周年を記念するアーカイバル・リリースであり、アーカイバル・アートのドキュメントでもある。混乱させるような反復とレイヤリングの精神から、アーカイブのアーカイブと呼ぼう。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの活動は、カルアーツの大学院でレコード盤をテープにダビングして保存するという、反復的なアーカイブ・プロセスから生まれた。ルネサンスやエレクトロニック作品から世界中の音楽まで、おそらく1万枚に及ぶアルバムの中から、彼は複数のディスクを同時に再録音しなければならず、偶然の衝突や偶然の一致を生み出した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそれ以来数十年間、彼はこのプロセスを作曲するさまざまな方法を探求し、既存のトラックやフィールド・レコーディングといったファウンド・サウンドが形になるような時間的エンベロープを作り出してきた。彼が使用するテクノロジーは変化し、サンプルは分類できないほど多様化しているが、一貫しているのは、既存の音の断片を使って時間的経験を整理することへの関心である。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e時間から切り離された時間をコラージュのように構築する\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの作品は、アーカイヴの記録は、変化から保存された文書や、生きた記憶や使用の中にあるのではなく、それらの相互作用の中にあることを示唆している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=29633178\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThree Confusongs (1972)\u003c\/li\u003e\n\u003cli\u003eRyouund Thygizunz (1972)\u003c\/li\u003e\n\u003cli\u003eVim (1987)\u003c\/li\u003e\n\u003cli\u003eNoor Mahal (1987)\u003c\/li\u003e\n\u003cli\u003eFlint's (1999) 08:43\u003c\/li\u003e\n\u003cli\u003eMorangak (2005) 06:29\u003c\/li\u003e\n\u003cli\u003eNgoc Suong (2003)\u003c\/li\u003e\n\u003cli\u003eL'Os à Moelle (2007)\u003c\/li\u003e\n\u003cli\u003eWalt's (2022)\u003c\/li\u003e\n\u003cli\u003eKustaa (2022) 03:17\u003c\/li\u003e\n\u003cli\u003eMerkato (2022)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 (\"Three Confusongs\" and \"Ryound Thygyzunz\", featuring the voice and poetry of Stefan Weiser – later known as Z'EV) up to the present. This collection is not meant as a definitive history but rather as a supplement to be used alongside the previous two archival releases. It is simultaneously an archival release marking Carl Stone’s evergreen 70th birthday and a document of archival art. In the spirit of disorienting repetition and layering, call it an archive of archiving.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStone’s practice emerged from the repetitive archival process of his graduate job at CalArts preserving vinyl recordings by dubbing them to tape. With perhaps 10,000 albums ranging from Renaissance and electronic works to music from across the globe, he had to re-record multiple discs concurrently, creating chance collisions and coincidences.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the decades since, he’s explored various ways to compose this process, creating temporal envelopes in which found sounds – existing tracks or field recordings – can take\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e form. Whilst the technologies he’s used have changed and samples have varied beyond categorization, what’s remained consistent is his concern for organizing temporal experience using fragments of pre-existing sounding events.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone's impish collage-like constructions of times cut from time suggest that archival records are neither wholly in documents preserved from change nor in living memories and use, but in their interaction.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carl Stone\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e","published_at":"2023-08-02T17:04:58+09:00","created_at":"2023-08-02T13:57:20+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new","unseen worlds"],"price":697000,"price_min":697000,"price_max":697000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44413992534266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carl Stone \/\/ Electronic Music from 1972-2022 3xLP","public_title":null,"options":["Default Title"],"price":697000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_ab72dd05-f3ec-4ede-9a2b-23330f0f24c4.jpg?v=1690952242","\/\/tobirarecords.com\/cdn\/shop\/files\/el2_32052d9c-c589-4518-a2bd-071f8513de86.jpg?v=1690952242"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_ab72dd05-f3ec-4ede-9a2b-23330f0f24c4.jpg?v=1690952242","options":["Title"],"media":[{"alt":null,"id":32289221607674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_ab72dd05-f3ec-4ede-9a2b-23330f0f24c4.jpg?v=1690952242"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_ab72dd05-f3ec-4ede-9a2b-23330f0f24c4.jpg?v=1690952242","width":700},{"alt":null,"id":32289221640442,"position":2,"preview_image":{"aspect_ratio":1.855,"height":647,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_32052d9c-c589-4518-a2bd-071f8513de86.jpg?v=1690952242"},"aspect_ratio":1.855,"height":647,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_32052d9c-c589-4518-a2bd-071f8513de86.jpg?v=1690952242","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカの実験音楽家／\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e中京大学情報理工学部教授\u003c\/span\u003eCarl Stoneが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年8月に同国NYのアンビエント〜ネオクラシカルレーベルUnseen Worldsから\u003c\/span\u003eリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Electronic Music from 1972-2022』は、Carl Stoneの50年にわたる作曲活動を、1972年にStoneがプロとして発表した初期の作品（Three Confusongsと、後にZ'EVとして知られるステファン・ヴァイザーの歌声と詩をフィーチャーしたRyound Thygyzunz）から現在に至るまで、一挙に紹介するアーカイブ集である。このコレクションは、決定的な歴史としてではなく、むしろ前の2つのアーカイヴ盤と並べて使うための補足的なものである。これは同時に、\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの生誕70周年を記念するアーカイバル・リリースであり、アーカイバル・アートのドキュメントでもある。混乱させるような反復とレイヤリングの精神から、アーカイブのアーカイブと呼ぼう。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの活動は、カルアーツの大学院でレコード盤をテープにダビングして保存するという、反復的なアーカイブ・プロセスから生まれた。ルネサンスやエレクトロニック作品から世界中の音楽まで、おそらく1万枚に及ぶアルバムの中から、彼は複数のディスクを同時に再録音しなければならず、偶然の衝突や偶然の一致を生み出した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそれ以来数十年間、彼はこのプロセスを作曲するさまざまな方法を探求し、既存のトラックやフィールド・レコーディングといったファウンド・サウンドが形になるような時間的エンベロープを作り出してきた。彼が使用するテクノロジーは変化し、サンプルは分類できないほど多様化しているが、一貫しているのは、既存の音の断片を使って時間的経験を整理することへの関心である。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e時間から切り離された時間をコラージュのように構築する\u003cmeta charset=\"utf-8\"\u003eCarl Stoneの作品は、アーカイヴの記録は、変化から保存された文書や、生きた記憶や使用の中にあるのではなく、それらの相互作用の中にあることを示唆している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=29633178\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThree Confusongs (1972)\u003c\/li\u003e\n\u003cli\u003eRyouund Thygizunz (1972)\u003c\/li\u003e\n\u003cli\u003eVim (1987)\u003c\/li\u003e\n\u003cli\u003eNoor Mahal (1987)\u003c\/li\u003e\n\u003cli\u003eFlint's (1999) 08:43\u003c\/li\u003e\n\u003cli\u003eMorangak (2005) 06:29\u003c\/li\u003e\n\u003cli\u003eNgoc Suong (2003)\u003c\/li\u003e\n\u003cli\u003eL'Os à Moelle (2007)\u003c\/li\u003e\n\u003cli\u003eWalt's (2022)\u003c\/li\u003e\n\u003cli\u003eKustaa (2022) 03:17\u003c\/li\u003e\n\u003cli\u003eMerkato (2022)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 (\"Three Confusongs\" and \"Ryound Thygyzunz\", featuring the voice and poetry of Stefan Weiser – later known as Z'EV) up to the present. This collection is not meant as a definitive history but rather as a supplement to be used alongside the previous two archival releases. It is simultaneously an archival release marking Carl Stone’s evergreen 70th birthday and a document of archival art. In the spirit of disorienting repetition and layering, call it an archive of archiving.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStone’s practice emerged from the repetitive archival process of his graduate job at CalArts preserving vinyl recordings by dubbing them to tape. With perhaps 10,000 albums ranging from Renaissance and electronic works to music from across the globe, he had to re-record multiple discs concurrently, creating chance collisions and coincidences.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the decades since, he’s explored various ways to compose this process, creating temporal envelopes in which found sounds – existing tracks or field recordings – can take\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e form. Whilst the technologies he’s used have changed and samples have varied beyond categorization, what’s remained consistent is his concern for organizing temporal experience using fragments of pre-existing sounding events.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone's impish collage-like constructions of times cut from time suggest that archival records are neither wholly in documents preserved from change nor in living memories and use, but in their interaction.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carl Stone\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e"}
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Carl Stone, an American experimental musician and professor at the Faculty of Information Science and Engineering at Chukyo University, released a three-disc record set in August 2023 from New York's ambient-neo-classical label Unseen Worlds.Contains 8 collage songs. Comes with DL code.Below is an explanation by the label. "Electronic Music from 3-11 draws on Carl Stone's 1972-year composing career with his early work published professionally in 2022 (Three Confusongs and Stefan Weisser, later known as Z'EV). This is an archive collection that introduces all at once from Ryoound Thygyzunz featuring poetry and poetry) to the present day.This collection is not a definitive history, but rather a supplement to be used side by side with the previous two archive discs. It is at once an archival release commemorating the 50th anniversary of Carl Stone's birth, and a document of archival art, dubbed an archive of archives in the spirit of confusing repetition and layering. B. Carl Stone's work was born out of an iterative archiving process in graduate school at CalArts, dubbing vinyl records to tape for preservation, perhaps 1972 copies ranging from Renaissance and electronic works to music from around the world. From a range of albums, he had to re-record multiple discs simultaneously, creating collisions and coincidences, and in the decades since, he has explored different ways of composing this process. He has created temporal envelopes that shape the found sounds of existing tracks and field recordings.The technology he uses has changed and his samples have become unclassifiably diverse, but he has remained consistent. What is there is an interest in organizing temporal experiences using existing sound fragments.Carl...
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{"id":7946470916346,"title":"Jacqueline Humbert \u0026 David Rosenboom \/\/ Daytime Viewing 2xLP","handle":"jacqueline-humbert-david-rosenboom-daytime-viewing-2xlp","description":"\u003cp\u003eアメリカの歌手Jacqueline Humbertと実験音楽家David Rosenboomが、2023年3月に同国NYのUnseen Worldsからリリースした再発2枚組レコードです。（オリジナルは1983年にカセットでリリース）\u003c\/p\u003e\n\u003cp\u003eキャッチーなエレクトロニック・ポップ9曲を収録。16ページのブックレットとDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904975454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e16-page booklet with lyrics and additional artwork. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis project was originally recorded in 1982 in analog form at the Center for Contemporary Music Recording Studio at Mills College, Oakland, CA and released as a private cassette in 1983. First re-released in 2013 by Unseen Worlds (UW10), it was re-mastered again in 2021 by Stephan Mathieu.\u003cbr\u003e\u003cbr\u003eThe recording was based on the original performance-art version of Daytime Viewing, which included music, text, theater, projections, fashion\/costume designs, and video, created in 1979-80 and performed at the Music Gallery, Toronto; 80 Langton St., San Francisco; Kunsthalle, Basel; Festival International de Musique Électronique, Video et Computer Art, Brussels; and Macy's San Francisco as part of the J. Jasmine Review on the New Music America Festival 1981.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e40th Anniversary Edition - newly remastered from the master tapes, with an additional bonus LP of instrumentals and the previously unreleased “Narration Theme.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaytime Viewing (1979-80) is an extended narrative song, based on a casual analysis of daytime television drama and the audience phenomena such programming addresses. The piece explores the use of fantasy as a survival mechanism against loneliness, illustrating the human compulsion to inflate the mundane to mythological proportions. A central female character weaves tales, using threads of personal experience and the idea of TV as friend, as mantra, and as transformational window between imagined spectacle and the pedestrian plane.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released as a private cassette edition [recorded, 1982; Chez Hum-Boom release, 1983] documenting the collaborative performance piece of the same name by Jacqueline Humbert \u0026amp; David Rosenboom. This heady, thoroughly enjoyable work was first made available on CD and LP in 2013 by Unseen Worlds. Jacqueline Humbert (aka J. Jasmine) is a songwriter of brains and wit on par with Robert Ashley, with whom she's worked extensively. David Rosenboom's complex, harmonic electronic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e arrangements are accentuated brilliantly by percussion from William Winant. Daytime Viewing can happily be added to a small but significant group of work that, through lesser-known paths, engaged in an equally revelatory reexamination of the Great American Songbook as Minimalism did with 20th Century composition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jacqueline Humbert \u0026amp; David Rosenboom\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e","published_at":"2023-03-30T13:55:31+09:00","created_at":"2023-03-30T11:59:05+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","unseen worlds"],"price":559000,"price_min":559000,"price_max":559000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44134943424762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jacqueline Humbert \u0026 David Rosenboom \/\/ Daytime Viewing 2xLP","public_title":null,"options":["Default Title"],"price":559000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_df0f7625-6adb-42e7-acfd-faf1f851067e.jpg?v=1680145147"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147","options":["Title"],"media":[{"alt":null,"id":31752861286650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147","width":700},{"alt":null,"id":31752861319418,"position":2,"preview_image":{"aspect_ratio":1.626,"height":738,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_df0f7625-6adb-42e7-acfd-faf1f851067e.jpg?v=1680145147"},"aspect_ratio":1.626,"height":738,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_df0f7625-6adb-42e7-acfd-faf1f851067e.jpg?v=1680145147","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの歌手Jacqueline Humbertと実験音楽家David Rosenboomが、2023年3月に同国NYのUnseen Worldsからリリースした再発2枚組レコードです。（オリジナルは1983年にカセットでリリース）\u003c\/p\u003e\n\u003cp\u003eキャッチーなエレクトロニック・ポップ9曲を収録。16ページのブックレットとDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904975454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e16-page booklet with lyrics and additional artwork. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis project was originally recorded in 1982 in analog form at the Center for Contemporary Music Recording Studio at Mills College, Oakland, CA and released as a private cassette in 1983. First re-released in 2013 by Unseen Worlds (UW10), it was re-mastered again in 2021 by Stephan Mathieu.\u003cbr\u003e\u003cbr\u003eThe recording was based on the original performance-art version of Daytime Viewing, which included music, text, theater, projections, fashion\/costume designs, and video, created in 1979-80 and performed at the Music Gallery, Toronto; 80 Langton St., San Francisco; Kunsthalle, Basel; Festival International de Musique Électronique, Video et Computer Art, Brussels; and Macy's San Francisco as part of the J. Jasmine Review on the New Music America Festival 1981.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e40th Anniversary Edition - newly remastered from the master tapes, with an additional bonus LP of instrumentals and the previously unreleased “Narration Theme.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaytime Viewing (1979-80) is an extended narrative song, based on a casual analysis of daytime television drama and the audience phenomena such programming addresses. The piece explores the use of fantasy as a survival mechanism against loneliness, illustrating the human compulsion to inflate the mundane to mythological proportions. A central female character weaves tales, using threads of personal experience and the idea of TV as friend, as mantra, and as transformational window between imagined spectacle and the pedestrian plane.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released as a private cassette edition [recorded, 1982; Chez Hum-Boom release, 1983] documenting the collaborative performance piece of the same name by Jacqueline Humbert \u0026amp; David Rosenboom. This heady, thoroughly enjoyable work was first made available on CD and LP in 2013 by Unseen Worlds. Jacqueline Humbert (aka J. Jasmine) is a songwriter of brains and wit on par with Robert Ashley, with whom she's worked extensively. David Rosenboom's complex, harmonic electronic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e arrangements are accentuated brilliantly by percussion from William Winant. Daytime Viewing can happily be added to a small but significant group of work that, through lesser-known paths, engaged in an equally revelatory reexamination of the Great American Songbook as Minimalism did with 20th Century composition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jacqueline Humbert \u0026amp; David Rosenboom\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e"}
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American singer Jacqueline Humbert and experimental musician David Rosenboom are reissued double-disc records released in March 2023 from New York's Unseen Worlds. (Original was released on cassette in 3) Includes 2 catchy electronic pop songs. Includes 1983-page booklet and DL code.Click here for label and other works /// Click here to see more Unseen Worlds releases available at...
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{"id":8065901625594,"title":"John McGuire \/\/ Vanishing Points \/ A Cappella LP","handle":"john-mcguire-vanishing-points-a-cappella-lp","description":"\u003cp\u003eアメリカの大御所ミニマル作家John McGuireが、2023年10月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』（1985-1988）と『\u003cmeta charset=\"utf-8\"\u003eA Cappella』（1990-1997）の2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"1970年代半ばに作曲したPulse Musicにおいて、作曲家John McGuireはヨーロッパ・シリアリズムのユニークな解釈を打ち出した。カールハインツ・シュトックハウゼン、クシシュトフ・ペンデレツキ、ゴットフリート・ミヒャエル・ケーニッヒの弟子であったJohn McGuireは、1970年にドイツのケルンに移り、ケルンの西ドイツ放送（WDR）にある世界最先端の電子音楽スタジオと関わるようになった。シュトックハウゼンと同様、John McGuireもまた、自分の音楽的想像力が、利用可能なテクノロジーによって制約されると同時に、インスパイアされていることに気づいたのである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彫刻家ハンス・カール・ブルゲフとの会話が、John McGuireを地平線の彼方、無限の空間へと向かわせた。『Vanishing Points』（1985-1988）では、John McGuireは初めて完全なデジタルセットアップを使用した。デジタルシーケンサー、8台のヤマハDX-7シンセサイザー、スチューダー24トラック・デジタル・テープレコーダーである。この作品は、『パルス・ミュージック』シリーズの「続編」として構想されたが、同時に『パルス・ミュージック』シリーズからの一歩でもあった。パルス・ミュージック』シリーズが安定したパルスの流れを採用していたのに対し、\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』』ではパルスのレイヤーが互いに加速したり減速したりすることで、リズムの複雑さが格段に増している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1983年に録音されたモートン・フェルドマンの『Three Voices』で知られる妻でソプラノ歌手のベス・グリフィスのために書かれた『A Cappella』（1990-1997）でも、\u003cmeta charset=\"utf-8\"\u003eJohn McGuireの音楽技術の探求は続いている。サンプルを使って4声の合唱団を作り、相互作用するパートにアレンジした。シンセサイザー音の精密さに比べ、人間の声は有機的であるため、作曲は難題に直面した。このプロセスには、徹底的な編集と、\"素材 \"と \"オリジナルの構想 \"との間の交渉が必要だった。このような交渉は、一曲の作曲にも、20年にわたる作品にも当てはまる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=964751723\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVanishing Points 26:00\u003c\/li\u003e\n\u003cli\u003eA Cappella 23:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology that was available to him.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA conversation with sculptor Hans Karl Burgeff led McGuire to think beyond the horizon and into limitless space. For “Vanishing Points” (1985–1988), McGuire used an entirely digital set-up for the first time: a digital sequencer, eight Yamaha DX-7 synthesizers and a Studer 24-track digital tape recorder. The piece was conceived as a “sequel” to the Pulse Music series, but also a step forward from it. Whereas the Pulse Music pieces had employed steady streams of pulses, with Vanishing Points McGuire employed pulse layers that accelerate or decelerate against one another, vastly increasing the resulting rhythmic complexity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMcGuire's exploration of music technology continued in “A Cappella” (1990–1997), written for his wife, the soprano Beth\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griffith, known for her recording of Morton Feldman’s “Three Voices” made in 1983. Using samples, he created a four-voice choir of voice samples and arranged them into interacting parts. The composition faced challenges due to the organic nature of the human voice compared to the precision of synthesized sounds. This process involved extensive editing and a negotiation between the \"material\" and the \"original conception\". This sort of negotiation applies as much to the composition of a single piece as it does to the work of two decades.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-06T15:38:00+09:00","created_at":"2023-11-04T18:44:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","unseen worlds"],"price":368800,"price_min":368800,"price_max":368800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728757289210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John McGuire \/\/ Vanishing Points \/ A Cappella LP","public_title":null,"options":["Default Title"],"price":368800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052","\/\/tobirarecords.com\/cdn\/shop\/files\/cap2.jpg?v=1699091052"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052","options":["Title"],"media":[{"alt":null,"id":32642191851770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052","width":700},{"alt":null,"id":32642191884538,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap2.jpg?v=1699091052"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap2.jpg?v=1699091052","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所ミニマル作家John McGuireが、2023年10月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』（1985-1988）と『\u003cmeta charset=\"utf-8\"\u003eA Cappella』（1990-1997）の2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"1970年代半ばに作曲したPulse Musicにおいて、作曲家John McGuireはヨーロッパ・シリアリズムのユニークな解釈を打ち出した。カールハインツ・シュトックハウゼン、クシシュトフ・ペンデレツキ、ゴットフリート・ミヒャエル・ケーニッヒの弟子であったJohn McGuireは、1970年にドイツのケルンに移り、ケルンの西ドイツ放送（WDR）にある世界最先端の電子音楽スタジオと関わるようになった。シュトックハウゼンと同様、John McGuireもまた、自分の音楽的想像力が、利用可能なテクノロジーによって制約されると同時に、インスパイアされていることに気づいたのである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彫刻家ハンス・カール・ブルゲフとの会話が、John McGuireを地平線の彼方、無限の空間へと向かわせた。『Vanishing Points』（1985-1988）では、John McGuireは初めて完全なデジタルセットアップを使用した。デジタルシーケンサー、8台のヤマハDX-7シンセサイザー、スチューダー24トラック・デジタル・テープレコーダーである。この作品は、『パルス・ミュージック』シリーズの「続編」として構想されたが、同時に『パルス・ミュージック』シリーズからの一歩でもあった。パルス・ミュージック』シリーズが安定したパルスの流れを採用していたのに対し、\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』』ではパルスのレイヤーが互いに加速したり減速したりすることで、リズムの複雑さが格段に増している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1983年に録音されたモートン・フェルドマンの『Three Voices』で知られる妻でソプラノ歌手のベス・グリフィスのために書かれた『A Cappella』（1990-1997）でも、\u003cmeta charset=\"utf-8\"\u003eJohn McGuireの音楽技術の探求は続いている。サンプルを使って4声の合唱団を作り、相互作用するパートにアレンジした。シンセサイザー音の精密さに比べ、人間の声は有機的であるため、作曲は難題に直面した。このプロセスには、徹底的な編集と、\"素材 \"と \"オリジナルの構想 \"との間の交渉が必要だった。このような交渉は、一曲の作曲にも、20年にわたる作品にも当てはまる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=964751723\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVanishing Points 26:00\u003c\/li\u003e\n\u003cli\u003eA Cappella 23:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology that was available to him.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA conversation with sculptor Hans Karl Burgeff led McGuire to think beyond the horizon and into limitless space. For “Vanishing Points” (1985–1988), McGuire used an entirely digital set-up for the first time: a digital sequencer, eight Yamaha DX-7 synthesizers and a Studer 24-track digital tape recorder. The piece was conceived as a “sequel” to the Pulse Music series, but also a step forward from it. Whereas the Pulse Music pieces had employed steady streams of pulses, with Vanishing Points McGuire employed pulse layers that accelerate or decelerate against one another, vastly increasing the resulting rhythmic complexity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMcGuire's exploration of music technology continued in “A Cappella” (1990–1997), written for his wife, the soprano Beth\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griffith, known for her recording of Morton Feldman’s “Three Voices” made in 1983. Using samples, he created a four-voice choir of voice samples and arranged them into interacting parts. The composition faced challenges due to the organic nature of the human voice compared to the precision of synthesized sounds. This process involved extensive editing and a negotiation between the \"material\" and the \"original conception\". This sort of negotiation applies as much to the composition of a single piece as it does to the work of two decades.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds\u003c\/span\u003e\u003c\/p\u003e"}
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This is a reissue record released in October 2023 by the great American minimalist artist John McGuire. Contains two songs: "Vanishing Points" (10-1985) and "A Cappella" (1988-1990). DL code included.Below is an explanation by the label. "With Pulse Music, composed in the mid-1997s, composer John McGuire created a unique interpretation of European Serialism. John McGuire was a student of Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael König. moved to Cologne, Germany in 2 and became involved with the world's most advanced electronic music studio at the West German Radio (WDR) in Cologne. Like Stockhausen, John McGuire also allowed his musical imagination to , he found himself both constrained and inspired by the technology available to him.A conversation with sculptor Hans Karl Bourguef led John McGuire to look beyond the horizon and into infinite space. For Vanishing Points (1970-1970), John McGuire used a completely digital setup for the first time: a digital sequencer, eight Yamaha DX-1985 synthesizers, and a Studer 1988-track digital tape recorder. was conceived as a ``sequel'' to the ``Pulse Music'' series, but it was also a step forward from the ``Pulse Music'' series.While the "Pulse Music" series employed a steady stream of pulses, the "Vanishing...
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{"id":8039397130490,"title":"Girma Yifrashewa \/\/ My Strong Will 2xLP","handle":"girma-yifrashewa-my-strong-will-2x12","description":"\u003cp\u003eエチオピアのピアニストGirma Yifrashewaが、2023年10月にアメリカの実験／アンビエントレーベルUnseen Worldsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eエチオピア古典音楽をベースにしたポストニューエイジ・ネオクラシカル〜スピリチュアル・ジャズ7曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\" 『My Strong Will(私の強い意志)』は、Girma Yifrashewaによる \"エチオピア古典音楽 \"の新しいアルバムである。ブルガリアの音楽家とソフィア・フィルハーモニー管弦楽団とともにブルガリアのソフィアで録音されたこのアルバムは、Yifrashewaが1980年代後半から1990年代前半にかけて、共産主義崩壊の両側で自身の音楽院での訓練を終えた場所に立ち返ったものである。Yifrashewaのピアノに導かれたこれらの室内楽作品は、エチオピアの音楽を西洋クラシックのフォーマットに持ち込み、両者の伝統に瞑想的でエモーショナルな新たな展望を切り開く。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=268493931\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3142220168\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=268493931\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e2x 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTo The Master\u003c\/li\u003e\n\u003cli\u003eUnion 06:09\u003c\/li\u003e\n\u003cli\u003eHope\u003c\/li\u003e\n\u003cli\u003eForgiveness\u003c\/li\u003e\n\u003cli\u003eBlues\u003c\/li\u003e\n\u003cli\u003eMy Strong Will\u003c\/li\u003e\n\u003cli\u003eThe Shepherd with the Flute 08:50\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMy Strong Will is a new album of \"Ethiopian Classical Music\" by Girma Yifrashewa. Recorded with Bulgarian musicians and the Sofia Philharmonic Orchestra in Sofia, Bulgaria, the album is a return to where Yifrashewa completed his own conservatory training in the late 1980s and early 1990s, across both sides of the fall of Communism. Guided by Yifrashewa's piano, these chamber works bring the music of Ethiopia into a Western Classical format, uncovering meditative and emotional new vistas for both traditions.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Girma Yifrashewa\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e","published_at":"2023-10-20T11:32:10+09:00","created_at":"2023-10-19T16:32:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","neo classical","new","post newage","unseen worlds"],"price":548900,"price_min":548900,"price_max":548900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44653026640122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Girma Yifrashewa \/\/ My Strong Will 2xLP","public_title":null,"options":["Default Title"],"price":548900,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/will1_52d97120-b295-492e-a61f-fe83481b092a.jpg?v=1697700742","\/\/tobirarecords.com\/cdn\/shop\/files\/will2.jpg?v=1697700742"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_52d97120-b295-492e-a61f-fe83481b092a.jpg?v=1697700742","options":["Title"],"media":[{"alt":null,"id":32577339588858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_52d97120-b295-492e-a61f-fe83481b092a.jpg?v=1697700742"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_52d97120-b295-492e-a61f-fe83481b092a.jpg?v=1697700742","width":700},{"alt":null,"id":32577339621626,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will2.jpg?v=1697700742"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will2.jpg?v=1697700742","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eエチオピアのピアニストGirma Yifrashewaが、2023年10月にアメリカの実験／アンビエントレーベルUnseen Worldsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eエチオピア古典音楽をベースにしたポストニューエイジ・ネオクラシカル〜スピリチュアル・ジャズ7曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\" 『My Strong Will(私の強い意志)』は、Girma Yifrashewaによる \"エチオピア古典音楽 \"の新しいアルバムである。ブルガリアの音楽家とソフィア・フィルハーモニー管弦楽団とともにブルガリアのソフィアで録音されたこのアルバムは、Yifrashewaが1980年代後半から1990年代前半にかけて、共産主義崩壊の両側で自身の音楽院での訓練を終えた場所に立ち返ったものである。Yifrashewaのピアノに導かれたこれらの室内楽作品は、エチオピアの音楽を西洋クラシックのフォーマットに持ち込み、両者の伝統に瞑想的でエモーショナルな新たな展望を切り開く。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=268493931\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3142220168\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=268493931\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e2x 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTo The Master\u003c\/li\u003e\n\u003cli\u003eUnion 06:09\u003c\/li\u003e\n\u003cli\u003eHope\u003c\/li\u003e\n\u003cli\u003eForgiveness\u003c\/li\u003e\n\u003cli\u003eBlues\u003c\/li\u003e\n\u003cli\u003eMy Strong Will\u003c\/li\u003e\n\u003cli\u003eThe Shepherd with the Flute 08:50\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMy Strong Will is a new album of \"Ethiopian Classical Music\" by Girma Yifrashewa. Recorded with Bulgarian musicians and the Sofia Philharmonic Orchestra in Sofia, Bulgaria, the album is a return to where Yifrashewa completed his own conservatory training in the late 1980s and early 1990s, across both sides of the fall of Communism. Guided by Yifrashewa's piano, these chamber works bring the music of Ethiopia into a Western Classical format, uncovering meditative and emotional new vistas for both traditions.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Girma Yifrashewa\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e"}
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This is a two-disc record released by Ethiopian pianist Girma Yifrashewa on the American experimental/ambient label Unseen Worlds in October 2023.Contains 10 pieces of post-new age neoclassical to spiritual jazz based on Ethiopian classical music. DL code included.Below is an explanation by the label. ``My Strong Will'' is a new album of ``Ethiopian classical music'' by Girma Yifrashewa. Recorded in Sofia, Bulgaria with Bulgarian musicians and the Sofia Philharmonic Orchestra, the album was created by Girma Yifrashewa. is a return to the place where he completed his conservatory training in the late 2s and early 7s, on both sides of the collapse of communism.Led by Yifrashewa's piano, these chamber music pieces are inspired by Ethiopian music. into a Western classical format, opening up new meditative and emotional vistas for both traditions.'' See the label and more here /// Click here to...
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